മകളെ തൊടാൻ പോലും കഴിയാതെ പൃഥ്വിരാജ് വിഷമിച്ചു | Kanguva Makeup artist Ranjith Ambady Interview
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00:00that Mammootty-Mohanlal combo is going to be a hit.
00:02It's a Mahesh Narayan film,
00:05not a Mammootty-Mohanlal or a multi-star artist film.
00:10You were a hit in Surya Vedi.
00:13I've won many awards,
00:15but I've never won an award.
00:17There were negative comments after Kangoo was released.
00:21Everyone likes a film.
00:23I don't know how many films I've sold that I didn't like.
00:27How long did it take to do the make-up?
00:30We had to leave the room at 1 or 1.30 to start at 3 o'clock.
00:35We started at 6 or 6.30 or 7 o'clock.
00:40Apocalypto.
00:41What was the feel of that film?
00:43We can never change the colour of our blood.
00:45Apocalypto, Malayalam, or any other film,
00:48it's always red.
00:49The first thing he said and said to Jyothika was that he'd win an award.
00:53He said, don't get an award for Malayalam only.
00:56He was just kidding.
00:58I went to Jyothika's place and came back.
01:00It's a film that I've missed.
01:02I know Surya sir, Vikram sir, and Blizzard script.
01:07He used to come out of the mirror and work out in the caravan.
01:11Only when we do this, he'll give it to us for free.
01:13The rest of the time, he...
01:15He used to work out while doing the make-up.
01:16Raju didn't even eat for this.
01:19Raju would sit and eat from the opposite side.
01:22You're the one who did the make-up for Jyothika, right?
01:24Yes, I did.
01:24I did more make-up for Chandrapan than Arsana.
01:28How did you get the reference for Chandrapan?
01:30It's not like we're going to a flower garden.
01:32It's like we're going to a hair salon.
01:34It's like we're going to a hair salon.
01:36It's like we're going to a hair salon.
01:38Can we expect a great performance from Karthi in the second part?
01:41Yes, we can.
01:44The film, Kankua, which we've been waiting for, has been released.
01:47We have Ranjith Ambani, the make-up artist of Kankua with us.
01:50Namaskaram, brother.
01:51We're talking about Kankua on social media.
01:55But the first thing I want to say is,
01:56what I've seen on social media is,
01:58Ranjith sir, you're saying that he's the one who changed you.
02:06How do you still remember that?
02:09It happened by chance.
02:11He came to Kochi.
02:13The film we worked on for two years became a promotion.
02:17I was in Kochi.
02:19I went to Kochi to see him.
02:20Usually, we don't go for promotions for films that we don't have.
02:23We already had a few purchases in Lulumal.
02:26He invited me and my wife to go to Kuttathil.
02:29The promotion show was going on there.
02:31As we were about to leave, I just said hi and left.
02:35I just said hi in front of the stage.
02:38That's when he called me.
02:39To be honest, we're getting a set award and a national award.
02:44But it's better than getting an award.
02:46I've done a few films in Tamil like Manasar's Kadal and Kanguva.
02:56But I've done about 10-30 films in Tamil industry.
03:00I did a film like that.
03:02It was called Vili.
03:03People who don't know me would ask me who I was.
03:07My husband would say,
03:09he's the one who changed me.
03:11He's the one who changed our crew.
03:13In those 15 seconds, it felt like we got all the awards in India.
03:19Not just Suri, you've done make-up for around 3000 people.
03:26How was that process?
03:27How was it to do make-up for 3000 people at that level?
03:34We understood this in the first discussion.
03:37First, we discussed the character of the main artist.
03:41Then, there's a clan for each group.
03:44There are around 300-400 people in the clan.
03:46They have a combination and a fight.
03:48We understood this in the first discussion.
03:50If I do it alone,
03:52or if there's a small crew in Kerala,
03:57or if we call a lot of people and do a work,
04:00it won't be enough for our time.
04:02That's how we felt.
04:06We've done auditions for many artists.
04:11For the first time, I did an audition in 2-3 places in Kerala.
04:16For make-up artists.
04:18It was already working people.
04:20Newcomers,
04:21people who studied make-up course.
04:23We went to Bangalore, Chennai, and many other places.
04:26In 2-3 auditions, I got around 10-30 people.
04:30From there,
04:32who are the experts?
04:33Our work has a prosthetic.
04:34There are many types of work.
04:36There's tattoo work, body painting, prosthetic,
04:40there's glamour make-up.
04:42There are people who work in many categories.
04:44For that, we looked for people who are interested in this.
04:48Half of the people are people who don't work in cinema.
04:51People who come to cinema for the first time.
04:53We've already set up a crew like that.
04:56We selected around 10-18 people.
05:00From there, we took them for a look test and other work.
05:04If they felt better from that, we could do this work.
05:08There were around 8-10 people who were more interested than us.
05:13How long did it take for the make-up?
05:16If we want to shoot 6-6.5 hours, we need this much crew.
05:21If we have 600-800 crew, we need at least 4-5 hours.
05:26So, we started at 3 o'clock.
05:283 o'clock, as I said, is the location of the forest.
05:34When we reached here, we had a 1.5 hour journey.
05:37So, we had to get ready by 1-1.5 hours to start at 3 o'clock.
05:43We started at 3 o'clock and we had around 600-700 people.
05:48The main people of Surya sir's crew.
05:53How long did it take for Surya's cut-up?
05:56It took 2 hours.
05:57We've already done a sketch and look test.
06:01We've done all the main characters.
06:03We've designed all the clans.
06:05So, each schedule has a different client.
06:08I have around 50-60 make-up artists.
06:12There are people from Chennai, Hyderabad, Kerala, Bangalore.
06:17There are students and seniors too.
06:20There is a crew like that.
06:22If we are doing make-up for a movie,
06:27we have to use 10% of what we've learnt.
06:34But for this movie, we had to think about what to do with the make-up.
06:42We couldn't do it with just one person.
06:44So, I gave instructions to the seniors.
06:48They would have a batch.
06:50They would have a team of 10-15 people.
06:51They would be looking after the hair department.
06:53There would be a team for body tanning and prosthetic work.
06:57There would be a leader for that.
06:58We would have to work in 4-5 groups in the morning.
07:03We would have a discussion with the main leader in the evening.
07:07If we have anything to do, we would do a trial.
07:11We would show it to the rest.
07:13It would be easy for us.
07:14Even if I am the main artist,
07:17I would be mostly involved in the prosthetic work.
07:19So, I wouldn't go to the tents.
07:21Otherwise, we would be able to contact them via walkie-talkie.
07:24We would know how much time it would take and how many people are ready.
07:27So, we had to do it fast.
07:28By the time it was a week,
07:30we would come back at 3 pm and start working by 6 pm.
07:35In some scenes, I felt the touch of the movie Apocalypto.
07:41There is a scene where they have a blue tea team.
07:45Did you feel that way in that movie?
07:47Was there a reference like that?
07:48Yes, there was.
07:49Not just for this movie.
07:51Since we are a makeup artist,
07:54we would pay attention to such works.
07:57Especially, Oscar award winning movies,
08:00we would see the making of such movies.
08:01So, it was not just for this movie.
08:04We have been doing this for years.
08:07When we felt that such a work was needed for such a movie,
08:09we would see the movies that we had seen.
08:11Or, we would see the works that could be done in this movie.
08:14Not just us,
08:16our entire crew would do a screening in the evening.
08:19To show it to everyone.
08:20People who know how to sketch,
08:21or people who can take better references than this.
08:26We would not just copy and paste.
08:30We would mix our own characters
08:33for this story or this Tamil movie.
08:35We would try to make the artist comfortable.
08:38We would mix our own contributions.
08:41We would have our own team.
08:42We have seen that.
08:44Like the dots of Surya sir.
08:47In some movies, it would be in a different shape.
08:49So, we would change that and make it in a different shape.
08:51We would have Surya sir's father's character, Avinash in our hands.
08:56We would have Avinash's face in our hands.
08:57We have not seen that in any other movie.
08:59We would have his costume in our hands.
09:01The only thing that would be covered would be his face.
09:03We would design his face in our own way.
09:05We would not give him a full body, just a portion.
09:07We would sketch and sketch.
09:09Or, we would do the work of a prosthetic.
09:12Apocalypse is something that people still talk about and love.
09:19What would be a reference for this movie?
09:23Prosthetics are wounds, marks, etc.
09:28In any movie, the wounds would be like that.
09:33We would have taken that.
09:35We would not invent something and do it like that.
09:38We would not be able to change the colour of the blood.
09:40In Apocalypse, Malayalam or any other movie, it would be red.
09:45Some of Surya's tattoos, like the marks,
09:49do they have any meaning?
09:52Yes, they do.
09:54They are like the numbers of his enemies.
09:57Because he is a leader, he has the most number of dots on his hand.
10:02His father and all the other characters would have only a small round on their hands.
10:06Some would have only three or four dots.
10:08Some would only have it on their shoulders.
10:10That is what the subject is saying.
10:12Is that a tattoo? How do you do it?
10:14That is not a tattoo.
10:16When we say tribal work, we usually think of a tattoo.
10:20Actually, it is not a tattoo.
10:21Tribal tattoos are a modern fashion.
10:24In fact, if you do a tattoo with a green dot,
10:27the skin would react to the green dot.
10:29The skin would be projected.
10:31There would be a bump.
10:33You would not get that in the current tattoos.
10:36If you do a tattoo, it would be very modern.
10:38Not only that, in all the movies we watch now,
10:40if there is a bare body or a hand showing muscles,
10:43there would be a tattoo.
10:44That is the language we are used to.
10:46We think of what we can do without a tattoo.
10:49That is how we got into this.
10:51There are garlands worn by the sun.
10:54Yes.
10:55They are really heavy.
10:57Even though it is a costume, it feels heavy.
11:00How was it possible to do all this?
11:04Was there a weight to it?
11:06Yes, there was a weight.
11:07Our art director and costume designer designed it.
11:10It does not have a fibre material.
11:11We can do it.
11:12If it does not have a weight,
11:14when we do an action scene,
11:16the weight would be lost.
11:17We would have to use a different material every day.
11:19Since it is a heavy action scene,
11:21there would be a rope and all.
11:23Our original ornaments would have the same weight.
11:27It was done with a fibre material.
11:29Especially in locations like Kodaikanal,
11:33there would always be mist.
11:36There would be a little rain.
11:38The costume would get wet in the mist.
11:40It would be double the weight.
11:42It would be difficult to wear it normally.
11:44We would not be able to wear it for no reason.
11:47We had to wear such a heavy wig,
11:49costume and do the action,
11:51dance and fight scenes.
11:53You had to put in a lot of effort.
11:55Yes, we had to put in a lot of effort.
11:57Whether it was Junior sir or Surya sir,
11:59everyone put in a lot of effort.
12:01Another big issue was Karthi's cameo role.
12:05Karthi's lens was very important.
12:09It was a small lens.
12:11I have a doubt.
12:13How much visibility does a small lens have?
12:17There is visibility.
12:19It depends on the power of the artist.
12:23Whether they have specs or not,
12:27or whether they have contact lens.
12:29There is power in contact lens.
12:32If we give a plain contact lens to an artist,
12:34they would not be able to see.
12:36So, we had to do the design
12:38with the same power as the contact lens.
12:40We had to do it in advance.
12:46Karthi's teeth were also like that.
12:48When the trailer came,
12:50people understood that it was Karthi's teeth.
12:54How did you do that?
12:56What were his contributions?
12:58Shiva sir had said that
13:00there are 4 or 5 clans in the film.
13:04Each clan has a different colour.
13:06There is a blue clan,
13:08there is a green clan,
13:10there is a red clan.
13:12There are 4 or 5 clans.
13:14Let the skin colour of the clans
13:16be the colour of their body painting.
13:18Let it be red, white, green.
13:20There are different hairstyles.
13:22We can identify the female
13:24in the team of Bobby Du.
13:26All of them are fair.
13:28The clans in Hero's forest
13:30and Surya sir's clan
13:32are all tanned.
13:34There are some tanned body builders.
13:36There are others who are not.
13:38So, we did 5 or 6 clans.
13:40At that time, there was no colour.
13:42At that time,
13:44after half of the film,
13:46the director must have had a decision.
13:48There was a guest role.
13:50We did not know about it.
13:52There must have been a discussion
13:54about the second part.
13:56At that time,
13:58Shiva sir said
14:00that we should not
14:02associate with any of the clans.
14:04We should do a character
14:06like that.
14:08We should confirm
14:10that it is Surya sir.
14:12That is why
14:14we have not given
14:16a single lens
14:18to the rest of the group.
14:20We have not given them
14:22a different colour.
14:24We have decided
14:26to make some changes.
14:28So, is it possible to expect
14:30a big performance of Karthi in the second part?
14:32Yes, it is possible.
14:34People are talking about
14:36Kanguva 2.
14:38People say that
14:40it was supposed to be Kanguva 2.
14:42There is a fight
14:44between Karthi and Surya.
14:46That is the real story.
14:48That is the gossip.
14:50We do not know the subject.
14:53Even though
14:55we worked on the movie,
14:57we did not work on
14:59the first half of the movie.
15:01We only worked on
15:03Kanguva.
15:05That is the third part of the movie.
15:07We did not know
15:09the connection between
15:11Kanguva and Surya.
15:13We understood that
15:15when we watched the movie.
15:17We did not want to
15:19spoil the suspense.
15:21Presumption is
15:23very important.
15:25Do you remember
15:27what you said
15:29after wearing Surya sir's costume?
15:31It is better.
15:33The look test
15:35will be different.
15:37We do the look test
15:39to make the artist comfortable
15:41and to get an idea.
15:43Everyone knows
15:45how to do it.
15:47We do the corrections
15:49before the shoot.
15:51Surya sir is not the only one
15:53who does the look test
15:55for the first time.
15:57Surya sir did it
15:59for the first time.
16:01Surya sir did it
16:03for the first time.
16:05There will be an excitement
16:07because of that.
16:09When an artist
16:11does a look test,
16:13costume, makeup,
16:15and other departments
16:17like Kanguva
16:19or Adiyothi Linajeev,
16:21if their look
16:23and costume and makeup
16:25is set, they will be
16:2730% of the character.
16:29They will be confident.
16:31Even if they have to perform,
16:33they will be confident.
16:35Surya sir is like that.
16:37All artists are like that.
16:39Especially in our work.
16:41When a movie is released
16:43or a poster is released,
16:45we will search for a new director.
16:47We will search for a new director
16:49and his work.
16:51We will search for all departments.
16:53When we come to a first look,
16:55we will search for
16:57a makeup artist.
16:59We are selecting such people.
17:01You were saying
17:03when Prithviraj's movie
17:05was released,
17:07Prabhas's movie
17:09had some corrections.
17:11At that time,
17:14there was a part
17:16in Salar
17:18where the nose was
17:20said by the director.
17:22Similarly,
17:24when it comes to Kanguva,
17:26was there any addition
17:28by Surya or the director
17:30in this makeup?
17:32They were talking about a character.
17:34In Salar,
17:36when we were doing the sketch,
17:38they did two or three sketches.
17:40They were saying,
17:42there might have been an accident
17:4410-15 years ago.
17:46We will use that
17:48to style the beard.
17:50We will change the skin tone
17:52and change the color of the lens.
17:54It will be a single design
17:56with small changes.
17:58We will add small ornaments.
18:00After seeing that,
18:02we will say,
18:04this nose is nice.
18:06We will add this nose
18:08in the next sketch.
18:10Any character will do that.
18:12The director will select
18:14the beard.
18:16Without the beard,
18:18the hairstyle,
18:20the moon mark,
18:22we will give two or three options.
18:24That is in Salar.
18:26In Kanguva,
18:28Surya's intro comes.
18:30In that intro,
18:32Surya's two tattoos are projected.
18:34One on the neck,
18:36and one on the hand.
18:38I can understand how important
18:40the neck tattoo is.
18:42How do you do the tattoo covering?
18:44That is a temporary tattoo.
18:46We can't do it daily.
18:48Not only that,
18:50the suspense will be lost.
18:52If we do a color,
18:54he will go to a function
18:56without the shoot.
18:58That is why we do it in a temporary way.
19:00How do you do the continuation?
19:02You will get that.
19:04It will be like a stencil.
19:06The design won't change.
19:08We just have to do the position correctly.
19:10When Jyothika came to the location,
19:12she told you that
19:14you will get an award for the
19:16Aadu Jeevam.
19:18It must have been Jyothika
19:20who told you that.
19:22Two or three days before they came,
19:24the first teaser of Aadu Jeevam
19:26was leaked.
19:28After all our work,
19:30I can only go to the location
19:32at 11.30 or 12 o'clock.
19:35The location will be 2 km away
19:37from our tent.
19:39When I go there,
19:41everyone is in a dark dress
19:43like tribals.
19:45They are either working
19:47or working as technicians
19:49due to the rain.
19:51Only those who don't come to the set
19:53will be in a neat dress.
19:55When I went there,
19:57I saw a colourful person.
19:59There were around 800 juniors.
20:01I saw a colourful person
20:03When I went there,
20:05Surya sir called me
20:07and introduced me to him.
20:09He said that he is the make-up artist.
20:11Since I know Tamil,
20:13I spoke to him in Tamil.
20:15He told me that
20:17Aadu Jeevam is their work.
20:19They were very happy.
20:21They saw it only two days before.
20:23They said that
20:25you will get an award for that film.
20:27He said that he already
20:29got a national award.
20:31They said that they will get a concoction.
20:33They are still doing a survey.
20:35They said that
20:37you will definitely get an award for this film.
20:39They said that you will definitely get an award for this film.
20:41They asked me a funny question.
20:43They thought that our conversation
20:45will not be in Malayalam.
20:47They asked me if I am a Malayali.
20:49I said yes, I am a Malayali.
20:51Our editor Nisha had already died.
20:53Nisha is a Malayali.
20:55Our art director is a Malayali.
20:57He is a Tamil, but he speaks Malayalam.
20:59He told me that
21:01I should get an award for Malayalam only.
21:03I said it as a joke.
21:05Malayalis are the only ones who get national awards.
21:07You are going from Aadu Jeevam
21:09to Aadu Jeevam.
21:11I think Surya
21:13also talked about it.
21:15Yes, when I met him for the first time,
21:17he told me that Aadu Jeevam
21:19is his work.
21:21He went to Srikanth and came back.
21:23I missed that film.
21:25I know that Surya sir
21:27went to Srikanth and told him
21:29about the Blizzard script
21:31in 2010 or 2012.
21:33He told me that
21:35he missed it a lot.
21:37You must have told him about the sadness.
21:39Yes, I told him.
21:41The trailer came out
21:432-3 days before I told him about it.
21:45He did not expect
21:47that the subject would be
21:49such a big film.
21:51When you talk about
21:53hardworking,
21:56a workout video
21:58came out
22:00during the set itself.
22:02I think we can understand
22:04it better in the scene
22:06where he is showing his body.
22:08Even though he is
22:10showing his body,
22:12what did you feel
22:14about his dedication?
22:16There is a reason.
22:18When we did the make-up,
22:20he did the workout.
22:22There is a big mark
22:24on his chest.
22:26He did the workout
22:28in front of the mirror
22:30in the caravan.
22:32Only when we do this hand,
22:34he does the workout.
22:36When we do the make-up,
22:38he does the workout.
22:40He does the workout
22:42only where we do the work.
22:44If we have two hands,
22:46even if one hand does the work,
22:48this hand will do the work.
22:50After the release of Kangoo,
22:52there are many negative comments
22:54about Kangoo.
22:56I feel like there is an
22:58attack.
23:00Even you don't feel like
23:02there is a mass attack
23:04after the release of Kangoo.
23:06Everyone likes
23:08their own films.
23:10I don't like the films
23:12that have become a hit.
23:14When I went to the theatre
23:16and saw this film for the first time,
23:18I could not watch it.
23:20He would not pay attention
23:22to the hair, costume,
23:24etc.
23:26Every year he would
23:28check the work.
23:30It would be the same in all the films.
23:32But now,
23:34when I came to the hotel,
23:36I could fully enjoy the movie.
23:38Regarding the efforts
23:40that you have taken,
23:42I think it is a shame
23:44that you are not talking about Prithviraj.
23:46Brother himself has said
23:48As we see, when a drop of water falls, we see him crying.
23:54Prithviraj had a situation where he had to cry, as you said.
23:59The effort he took was huge.
24:01It wasn't like this. It wasn't an effort that took a year.
24:05It was a film that started in 2012.
24:07Since then, I've been following this character.
24:10We started shooting in 2018.
24:12From 2018 to 2023, 4 and a half years, I've been following him.
24:15The effort was not like the rest of the characters.
24:22We worked hard and ate food for our muscles.
24:25It wasn't like that.
24:27We didn't eat food, especially during the corona time.
24:30Even a healthy person like us had to face a lot of things.
24:36At that time, Raju and I didn't even eat food.
24:40Like I said, we didn't eat food because it was a dessert.
24:45We used to sit opposite Raju and eat food.
24:49We had a worker's village on Raju's side.
24:53Only one person used to look this way.
24:55The rest of the crew used to sit in tents and eat food.
24:59He had nails on his fingers.
25:02Not only food, he couldn't do any other activity.
25:05He couldn't use his mobile either.
25:07He had nails on his 10 fingers, a costume, teeth.
25:11Even if he drank a glass of water, he had teeth.
25:14He had hair and a wig.
25:16In a lot of ways.
25:18More than 10,000 people had to work, only one person had to work.
25:23When it comes to his activity,
25:25when his daughter Alankrithi came there,
25:28the thing that saddened him the most was
25:30that he couldn't ask his daughter to dance.
25:33He said that the make-up was so difficult.
25:37I remember that.
25:39His dress, the colour of it.
25:41I didn't understand it.
25:43The nails he had on his fingers.
25:45After a couple of months,
25:47after a few gaps,
25:49his daughter came.
25:51She was very small.
25:53He himself says that it saddened him.
25:55When he saw that.
25:57When his daughter came to a person
25:59who had suffered so much after COVID,
26:01he couldn't even touch her.
26:03He couldn't even touch her.
26:05I think that he came as a make-up artist
26:07through his vision.
26:10How important was Vlasi in your life?
26:14Because in most of Vlasi sir's films,
26:16he is there with you.
26:1850% of my film life is Vlasi sir.
26:22He is very important for my success.
26:24I started from there.
26:26I got many acceptances from there.
26:28Now, I believe that,
26:30not only Malayalam,
26:32I was able to be a part of a big Indian film.
26:34I was able to get an award for that.
26:36All this is with sir.
26:38I am not just a make-up artist.
26:40I am also his AD.
26:42All films are like that.
26:44Not only that,
26:46when a film is made,
26:48we discuss the script of the next film.
26:50All this happens parallelly.
26:52So, it is easier for us to work.
26:54Because we can see the visuals
26:56that sir sees.
26:58When you talk about Vlasi sir,
27:00I remember the words
27:02that Priyamani said.
27:04When Priyamani was doing Thirakkadhe,
27:06Vlasi sir was transforming.
27:08At that time, when she was doing make-up,
27:10my make-up artist was crying.
27:12You are the one who was crying, right?
27:14There is nothing to say.
27:16I was sad.
27:18Such a beautiful actress
27:20was transforming.
27:22When everyone saw that transformation,
27:24I was sad.
27:26To be honest,
27:28I was not like that.
27:30I was allergic to prosthetics.
27:32When I used them,
27:34I got emotional.
27:36They must have felt the same.
27:38You were doing a film
27:40for Chottamumbai, right?
27:42I think
27:44Mohanlal's look
27:46is not expected
27:48or seen by anyone.
27:50It is a freak look.
27:52All the characters
27:54are like that.
27:56Chandrapan is more like
27:58Siddiqui.
28:00Siddiqui is like this.
28:02Siddiqui told me
28:04about Inhariyar Nagar.
28:06At that time,
28:08there was no media.
28:10A cover page was published
28:12in a magazine called Inhariyar Nagar.
28:14A cover page was published
28:16with four people.
28:18The cover page was usually
28:20with stupid stars or heroes.
28:22After that,
28:24my photo was published
28:26as Chandrapan's character.
28:28That is our look.
28:30Siddiqui asks people
28:32about Chandrapan's look
28:34in all his interviews.
28:36How does Chandrapan get that reference?
28:38In the photo,
28:40Matanjari's hair
28:42and the way he talks
28:44with Anmarshi
28:46is like a flower.
28:48That is why
28:50the hair is like a tail.
28:52It looks like a hen.
28:54We don't expect
28:56a look like that from Siddiqui.
28:58We don't know
29:00what to do with it.
29:02We know his character.
29:04We have read the scenes
29:06of his films.
29:08We thought
29:10we could give him
29:12a brownish or burgundy
29:14or golden hair.
29:16We set the wig
29:18and cut it
29:20to make it look good.
29:22Only then we could
29:24make it look like a hen.
29:26Jagathichettan's look
29:28was also like that.
29:30Yes.
29:32He had a different look.
29:34He used to stand like that.
29:36We wanted to make him look
29:38different.
29:40Everyone has a different
29:42colour.
29:44We wanted to make
29:46everyone look younger.
29:48There is a cliché question
29:50that we ask
29:52makeup artists
29:54all the time.
29:56Who is the artist
29:58who makes you feel
30:00beautiful
30:02when you walk?
30:04Jagathichettan has
30:06good skin.
30:08We have never seen
30:10a skin tone like that.
30:12I am not saying
30:14it is light or dark.
30:16It is a special colour.
30:18It is difficult to make
30:20a skin tone like that.
30:22I often think
30:24Jagathichettan should not
30:26do makeup.
30:28We used to do makeup
30:30when we were assistants.
30:32Some people did
30:34thick makeup.
30:36But when we started
30:38working as interviewers,
30:40we used to cheat a lot of artists.
30:42We would show them
30:44that we do makeup,
30:46but we would not do anything.
30:48Some people would
30:50ask for more makeup.
30:52We do not have
30:54a foundation period now.
30:56Who is the artist
30:58who makes you feel
31:00tension?
31:02Is there anyone
31:04who feels that way?
31:06No, it is not like that.
31:08Do we not feel satisfied?
31:10Yes, we do.
31:12When we watch all the films
31:14that we have made,
31:16we feel better.
31:18If there is a film
31:20with the same characters,
31:22like Priyamani's film,
31:24if it has the same character
31:26of a cancer patient,
31:28we can make it
31:3010 times better.
31:32We used to feel that way
31:34back then.
31:36It has been 10-12 years now.
31:38After a year or a film,
31:40we feel we can make it
31:42better.
31:44I cannot say it is 100%.
31:46Maybe it is because I am a makeup artist.
31:48Maybe it is a mistake
31:50that only I can find out.
31:52But when it comes to the frame,
31:54it will be a different beauty.
31:56We are talking about
31:58Mammootty and Mohanlal's
32:00upcoming film.
32:02There are only a few hints
32:04in front of us.
32:06Kunjakkabobam had said
32:08that it is a one-man project.
32:10I have proved that
32:12you are working on it.
32:14Everyone is waiting for it.
32:16I have heard that
32:18there will be a combination
32:20of Fahadh and Mammootty.
32:22How will it be?
32:24We are just starting
32:26a small schedule.
32:28We haven't had a meeting
32:30or a script discussion yet.
32:32I think it will be in December.
32:34Only then we can say
32:36because we haven't got
32:38a complete film yet.
32:40We are shooting it for 3-4 days.
32:42Will there be a combination
32:44of Mammootty, Mohanlal,
32:46Kunjakkabobam and Fahadh?
32:48I don't know about that.
32:50We can come up with other scenes.
32:52But we haven't read
32:54the full scene yet.
32:56We have just been told
32:58that we have to shoot it.
33:00Will we be able to
33:02make people expect it?
33:04Malayalees are expecting
33:06that Mammootty and Mohanlal
33:08will come together.
33:10This is Mahesh Narayan's film.
33:12People who have seen
33:14Malik and Take Off
33:16will know
33:18what kind of a film
33:20this is.
33:22We have faith in that.
33:24If there are more artists,
33:26it will be better.
33:28I wanted to ask
33:30about the combination
33:32of Fahadh and Mammootty.
33:34People were disappointed
33:36when they heard
33:38that there will be no
33:40Fahadh and Mammootty.
33:46Thank you for
33:48spending your time with us.