Aired (November 13, 2024): Alamin kung kinabahan nga ba sina Tom Rodriguez, Nella Dizon, at Felixia Crysten na makatrabaho ang beteranong direktor na si Joel Lamangan.
Watch the full episode here: https://www.youtube.com/live/SfsMFsyLv6k
Watch the full episode here: https://www.youtube.com/live/SfsMFsyLv6k
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00:00Directed by Jowel Lamangan
00:07And so guys, again, directed by Jowel Lamangan.
00:13Guys, how is it working with Jowel?
00:18Aren't you afraid?
00:21These days, he's also appearing in shows, right?
00:30So how is it guys, working with Direct Jowel?
00:33It's very organized.
00:36Because he wants the scenes to finish quickly and properly.
00:42As long as it's fast but proper.
00:45So we get home on time.
00:47We don't reach home late at night or something.
00:50Backup day time?
00:52No, not really.
00:54For dinner?
00:55For me, maybe, because I don't have a lot of scenes.
01:00So yeah, it's very organized.
01:02You'll finish that, right?
01:07He's scary, but I'm not pressured or afraid.
01:13Because I know that he wants us to do our best as our character.
01:19One time, I shouted at Tom.
01:22Because Tom didn't let me walk.
01:26You're still crying?
01:28No, because Tom is supposed to be like this.
01:32And I'm here, and he's like this.
01:35So it's Tom's fault.
01:39Good thing you're the only one.
01:41You should give that to me.
01:43Because I'm the one who ordered the breakfast, lunch, and dinner.
01:52But it's not the first time that Direct Jowel worked with him.
01:58You're used to him.
02:04You're so gentle.
02:06Even if you're mad at him, he'll make up for it.
02:12What?
02:13Sometimes, you're so gentle, and then you get mad.
02:18Sometimes, I get mad easily.
02:20I'm from the States, so I get mad easily.
02:22That's why there's a hashtag.
02:24Because you get mad easily.
02:27I get it, I get it.
02:29You get mad easily.
02:31You know what I want from Tom?
02:33I want him to get rid of his negative thoughts.
02:39I don't know what you're talking about.
02:43Anyways, Nela, you're not afraid of him?
02:47It's your first time working with Direct Jowel.
02:49No, I've worked with Direct Jowel a few times.
02:52Two times?
02:53A few times.
02:54I'm not sure.
02:55So you're used to him.
02:58Yes, but every time they tell me that Direct Jowel is the director,
03:02I'm still afraid.
03:04But at the same time, I'm really happy that he's the director.
03:09Because I know that he'll push all the artists to make the film better.
03:16And even if you get scolded,
03:20I don't think you'll get scolded if you're not doing anything wrong.
03:27So that's for the betterment of the film, and for your improvement.
03:32What I noticed with Direct Jowel is that it's never personal.
03:35After the cut, it's no longer personal.
03:37And he's just very particular about what he wants from his actors.
03:41Because he was also an actor in the 70s.
03:43He was a stuntman, an artist, before he became a director.
03:46So he went through a lot.
03:48He's very particular about his vision and what he wants from us.
03:53So we all become his instruments on the set.
03:56So it keeps us all on our toes.
03:57It's never personal.
03:58That's right.
03:59Sometimes, we don't wish for our director to be strict.
04:04But sometimes, we need that.
04:06So that we can bring out our best.
04:09And we don't become complacent.
04:11You're so good at speaking Filipino now.
04:13You really understand us.
04:15I'm good at it now.
04:16That's great.
04:18The word for Tagalog is,
04:19Nakakapagababab.
04:21Wow!
04:22Brother Kim, pass it on.
04:24The word for Pagababab is,
04:26Hangusa.
04:30You're so good at it.
04:32Hangusa.
04:33What?
04:34Nakakapagabab.
04:35That's the word for Pagababab.
04:37Brother Kim, pass it on.