Escupiré Sobre Sus Tumbas Capitulo 15 Completo HD
Escupiré Sobre Sus Tumbas Capitulo 16 Completo HD
Escupiré Sobre Sus Tumbas Capitulo 17 Completo HD
Escupiré Sobre Sus Tumbas Capitulo 15 Completo HD
Escupiré Sobre Sus Tumbas Capitulo 15 Completo HD
Escupiré Sobre Sus Tumbas Capitulo 16 Completo HD
Escupiré Sobre Sus Tumbas Capitulo 17 Completo HD
Escupiré Sobre Sus Tumbas Capitulo 15 Completo HD
Escupiré Sobre Sus Tumbas Capitulo 15 Completo HD
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Short filmTranscript
00:00Did you see that it was a little short for him to start?
00:04What do I tell you?
00:06The experts in cheese mote.
00:09I didn't say anything.
00:10Before they threw him a coriander.
00:12Look, that doesn't hit.
00:14What's wrong with you?
00:16Nothing, I spent all morning running and playing my favorite sport here.
00:22Why do you have so much left, Prince?
00:24You're doing well.
00:26If you had your brother, he'd be running and doing this and that.
00:30You know what? The ball is hot.
00:32Of course.
00:33Of course, punished, punished.
00:35You don't run.
00:36Well, I also have a hard time running and looking for work.
00:38Nobody gives me.
00:39Well, don't get like that.
00:41You have to have a little patience.
00:43Look at your brother.
00:44At first he doesn't go on foot with a ball.
00:45Now he's taking it out of the park.
00:46Your time is coming, girl.
00:48Those who want me to have less than 20, but five years of experience.
00:52I would have had to leave school and start working.
00:55Well, let's wait for my mom to eat.
00:57Yes, yes, yes.
00:59Come on, kid.
01:00I don't think we have to eat alone again.
01:02Well, you know how your mom is.
01:04She is aware of her work and her things.
01:06The ball is in her hands.
01:07Well.
01:09Hey.
01:12Marisol, do you know something?
01:14Well, you don't have your mom.
01:16Much less I can know, Marisol.
01:18What did you say?
01:19If you want, don't serve me.
01:21Come on.
01:22Now, if you want, we'll call Perez and ask him.
01:24Call him.
01:25Yes, yes, yes.
01:26Call him, call him.
01:27There he is.
01:28Imagine, the headline.
01:30Wait.
01:31Wait a minute.
01:32Wait a minute.
01:33I'm going to make a call.
01:34Hello.
01:35Hello, Perez.
01:36What does the master of the house say?
01:38The lord of the aceo, the heroine of the moment.
01:40Mr. Iguano de Ibaran.
01:42Tell me everything.
01:43No, Perez.
01:44I'm not going to answer you right now.
01:46Because I'm here with my guys.
01:48I was calling to ask you about Marisol.
01:50Dude, she's still in a coma.
01:52Bad.
01:53No, that thing was real.
01:55Not so much, man.
01:56They started playing with candles and ended up with their asses burned.
02:00I don't want to tell you how boring the black girl is with that.
02:03Look, I'm going to tell you something.
02:05The idea of the operation without following the procedure was hers.
02:08Do you understand me?
02:09And that's why they suspended her.
02:11Ah, what else did you want?
02:14Eat the thing.
02:17Hey, girl, you didn't know?
02:19What happened, daddy?
02:21Shit.
02:23Now we're talking.
02:25Well, buddy.
02:26What a shit that you found out like that, like a slap in the face.
02:30But I'm going to ask you one thing.
02:32Don't tell her that I told you.
02:35I don't want mistakes, I don't want problems.
02:37Did you hear?
02:38Stay quiet and you found out on the other side.
02:51Fuck.
03:02Tell me.
03:03Whoever arrives late neither hears mass nor eats meat.
03:07I'm not for your jokes, Javi, please.
03:10You arrived late.
03:12Whatever was in that trunk is no longer there.
03:15Your fucking mother.
03:16How is it possible?
03:17Let's see, tell me.
03:18Don't get like that.
03:19What bad milk do you have?
03:20Until recently you didn't even know that treasure and that key existed.
03:24What's more, if you didn't know it existed, what would you do now?
03:28Pupil?
03:29Okay, well, you already have a mission.
03:32I need to know who took it and what was in there.
03:35Come on, Javi.
03:36You let yourself be affected by nonsense.
03:39But don't worry, I'm not calling you to tell you only your misfortune.
03:44I'm calling you to tell you who got ahead of you.
03:47Who?
03:48Talk, go ahead.
03:49Your virtual lover.
03:52The jailer of your heart.
03:55Vicky?
03:56Exactly.
03:58Look, Pupil.
04:00It won't be so difficult to find out what was in that trunk, right?
04:20Hello.
04:21Hello.
04:22Thank you for coming.
04:24I needed to see you.
04:26Me too.
04:28Sit down and...
04:30Would you like something to drink?
04:32No, I'm fine.
04:43And you?
04:44I'm fine.
04:45And you?
04:46I'm fine.
04:48And you? How are you?
04:51Fine.
04:52I'm fine.
04:54Well, I'm going to tell you about the little detail that surprised me.
04:58How?
04:59That you got me the weapons to save your partner's life.
05:03How is it possible?
05:06I still don't know if I saved Marisol's life.
05:09She is still very delicate in the hospital.
05:12I'm very sorry.
05:17And what are you going to do now with so much free time?
05:21I will try to spend more time with my children.
05:24Things are much better at home.
05:27And why don't you get involved in the case of that girlfriend of yours?
05:32No.
05:33I don't want to get into any more trouble.
05:35I've had enough.
05:36Yeah, but I know you very well.
05:38And I know you're not going to sit still.
05:40No matter how much you run the risk of losing your job.
05:43It's just like a little hobby.
05:45And you don't have to tell me anything.
05:47Since I'm not your detective assistant, I'm not your Watson, dear Sherlock.
05:52And how sad, huh?
05:58You know me very well.
06:02Today I was on the run.
06:04And did you find anything?
06:06In a trunk with a suitcase inside.
06:08And what was in the suitcase?
06:14A lot of money and a letter.
06:18Apparently it was the only one his brother had.
06:20And what did that letter say?
06:24Viri, I'm asking you, what the hell did that letter say, please?
06:28Mauricio, what's wrong with you?
06:31Why are you talking to me like that?
06:33I'm sorry.
06:34That family has made my head shit.
06:38I have to get away from those people as best I can, I'm sorry.
06:43Where is that funny guy I could have told you everything about?
06:49You're right not to trust me.
06:54I don't trust you.
06:57I don't trust you.
06:59I don't trust you.
07:02I'm not okay, you know?
07:05And I don't want to get you in the shit I'm in.
07:09If I'm being honest, yes.
07:11I wanted something more with you, to be with you, but...
07:15But I think it's better that we distance ourselves and that...
07:22We're just friends.
07:31Yes.
07:39You're right.
07:52Wait!
07:54Miguel, wait!
07:55Don't go.
07:56Don't go.
07:57Are you going to throw me out?
07:58You threw me out of your life.
08:00I'm an idiot, I don't even know why I came.
08:02Please.
08:04I'm very confused, I'm going through a bad time.
08:11Let me go, please.
08:13I can't.
08:15My instinct and my heart tell me I can't.
08:18If I let you go, I'll let you go.
08:20The most important treasure I've ever known in my life.
08:27Let's not end up like this.
08:29End up what?
08:30Something that hasn't even started?
08:33You know that if there's something, it's something that's worth it.
08:36Let's not go through all this shit, please.
08:38Please, let me go.
08:39Please.
08:40I'm not threatening you.
08:41I'm not threatening you.
08:42I'm not threatening you.
08:43I'm not threatening you.
08:44I'm not threatening you.
08:45I'm not threatening you.
08:46Let me go, please.
08:47I'm not threatening you.
08:52Let's talk more calmly.
08:54I don't recognize you, Vinicio.
08:57It's true, I don't recognize you.
09:00I don't even know why I'm telling you what I'm telling you.
09:03You were totally out of control.
09:05Did you see yourself?
09:06It's just that sometimes I get excited and...
09:08Get excited for what?
09:09For a case from years ago that has nothing to do with you?
09:11I get excited with you and with everything that has to do with you.
09:15That's not how it works.
09:16That's not how I like it.
09:18Neither do I.
09:20But I don't know what to do.
09:24Because when I realize that you're moving away,
09:26that you don't trust me, that you don't want to tell me anything,
09:29I feel frustrated.
09:31As if everything was going wrong,
09:33when all I want is to get closer to you,
09:37listening to you and supporting you.
09:39Please.
09:40I don't know.
09:41I don't know, Vinicio, I don't know.
09:44I feel bad.
09:48I feel like I'm making a mistake.
09:51And I don't know, I need to think.
09:53I need...
09:55I need to breathe.
09:58Let's talk later.
09:59Yes.
10:15SIX MONTHS LATER
10:25I would have liked for us to have been together
10:28from the day I came back to this damn city, Brian.
10:30Surely nothing would have happened to me.
10:33I had the hope that I would live something different,
10:35that I could have a new beginning, a new life,
10:38but there are definitely people whose luck doesn't smile at us.
10:44I'm reading this letter because everything went wrong.
10:47Worse than I thought.
10:48And I'm probably dead.
10:54What?
10:55Do you want me to serve you like a bird or like a battalion?
10:59Daniel!
11:02No, sorry, I'm not hungry.
11:07Come on, Mom.
11:08I had a hard time getting into the kitchen.
11:11You know why?
11:12So we can eat deliciously.
11:15Come on, let's see, look.
11:19It's hot.
11:21It's good, it's good.
11:22Pour me some more.
11:23More, more.
11:42I'm sorry.
12:03I didn't hear you.
12:04You warned me that you were putting me in a nest of vipers,
12:07but when I wanted to leave, it was too late.
12:11The money you find with this letter,
12:13I kept it because I wanted to get out of here
12:15and have something to start with.
12:17I wanted to look for you,
12:19for you to get out of that prison as soon as possible.
12:23But if this letter has already come to your hands,
12:26it is most likely that you have not achieved it, Brian.
12:29Use this money as best you can and don't look for any explanations.
12:33These people are very bad, very dangerous.
12:35Don't get close, Brian.
12:36I don't want you to end up like me.
12:41I don't want you to end up like me.
12:59The truth is that I was a little late
13:01because I want to talk to you about something, Jamie.
13:04What?
13:05I had nothing to do with the cell phone robbery.
13:08Dana, you are the last person I would have distrusted.
13:12Really?
13:13Why?
13:14Because you are the only one who has not caused problems since I've been here.
13:18But I can still, so don't sing victory.
13:22The work here is very heavy, Malika.
13:24I can't imagine you.
13:25Yes, I see.
13:27The truth is that it touches me very softly.
13:29I'll tell you what I see.
13:32Go ahead, I'm going.
13:38Move.
13:39Jamie!
13:40Stay still.
13:41Stay still.
13:42Stay still, don't move.
13:44Oh, my God!
13:47Oh, my God!
13:48Stop, stop, stop.
13:49Calm down, calm down.
13:50Don't move.
13:51Don't move.
13:52Don't move.
13:53Don't move.
13:54Don't move.
14:07What happened here?
14:10Jamie!
14:11Family!
14:13Damn it!
14:19Hey, hey, hey, what happened?
14:20Jamie, Jamie.
14:21Jamie.
14:22Jamie, what happened?
14:23What happened?
14:24What happened?
14:26They hit me.
14:29Stay still, stay still, stay still.
14:32Go to the office.
14:33Go to the office, Malika.
14:54They beat me in everything, everything.
15:02I don't know when it happened.
15:04We were alone.
15:06They caught us off guard and beat us three times.
15:09They took the computer.
15:11The cameras.
15:13You have to call the police, Fede.
15:15No, no, no, no.
15:17We can't get the police involved in this.
15:20Are you sure, Fede?
15:21We have to go to the foundation tomorrow.
15:24What's best for us is bad fame for the bar.
15:27I'll take care of finding out from the outside, but...
15:30Son of a bitch.
15:35You can't tell anyone.
15:37Understood?
15:39Understood?
15:41Understood.
15:51Get to work, guys.
15:53I saw you shaking hands with the girl.
15:57And I saw you talking over there.
15:59I saw you.
16:07My dears, you may be wondering where I got this beautiful backpack.
16:11Well, this beauty is part of the collection of pieces
16:14that you can get at the auction of the Puerto collection.
16:18When and where is the event going to be?
16:21Babies.
16:23Well, it's going to be tomorrow at the Federation.
16:26Tomorrow at the Federation.
16:27And what's the money for?
16:29Well, to support the work of all the artisans
16:31and to build a polysports center for the kids
16:34so that the kids can enjoy.
16:36You know, all thanks to this triple mom.
16:38From the bottom of my heart, my friend Catherine Obregón.
16:40And for those who don't know,
16:42we're also going to be auctioning a day off
16:44at Playa Escondida with that bomb.
16:46Oh, baby, what are you talking about?
16:48So, single men and single women,
16:49don't be stingy.
16:51Check out the checkers.
16:53Who knows if they have the biggest prize.
17:07Be careful.
17:08It's hot.
17:11Hey, everyone!
17:13So you can see that the jokes are real.
17:16Here we have the Federation on Monday.
17:19The beautiful people with DJ Carle.
17:21Say hi, DJ.
17:23Hey!
17:25Look at the beautiful people with a drink
17:27having a good time.
17:29How are you today?
17:31You're having a good time.
17:33Let's dance.
17:35Hey, what's up?
17:44Are you sure about this?
17:46I have to get out of here, Sonny.
17:47I can't take it anymore.
17:50What's wrong with you?
17:52This is what Daniela gave to Catrin.
17:54Wait, wait.
18:02Oh, please, let me go.
18:04I'm in a bad mood right now.
18:06I can't take it anymore.
18:10Shit.
18:12Catrin, this isn't a good idea.
18:14I have to get out of here, Sonny.
18:15I have to get out of here, Sonny.
18:17I can't take it anymore.
18:19Do you have it?
18:21Yes, here it is.
18:23Are you sure about this?
18:25It's my only option.
18:27Son of a bitch.
18:29Catrin killed my brother.
18:31Don't get like that.
18:33You suspected it.
18:35She planned to kill my brother cold-blooded.
18:37Maybe that's not the same weapon.
18:39Hey, what's going on?
18:41What are you going to do?
18:43What do you think I'm going to do?
18:46Hey, hey, hey.
18:48Hey, hey, hey.
18:50Don't shoot me either.
18:52Huh?
18:54Hey, I understand what you're feeling,
18:56but you can't screw it up with a boost.
18:58Huh?
19:00You may be making a mistake that could ruin your life.
19:03Calm down.
19:05Catrin is going to pay for my brother's death,
19:07and she's going to pay for it.
19:09I'm not going to let you get out like this.
19:11You're not going to stop me.
19:12You're going to pay for your brother's death.
19:14Think about it, remember?
19:18Hey, this black guy is ugly.
19:20Hey, no.
19:22Stop, stop.
19:24Stop.
19:27They got into Nueva Villa.
19:29Hit him.
19:31Brian.
19:33Hit him.
19:35You almost killed him, Brian.
19:37You can take it from them.
19:39You have to defend yourself without fear.
19:40It's always the same.
19:42You can't control yourself.
19:44Brian.
19:47What's wrong?
19:49You have to help me take care of him, please.
19:51Yes, yes.
19:54Promise me.
19:57Okay, okay, I promise.
19:59Just like you promised to take care of your brother,
20:02I promised him that I wouldn't let you kill him.
20:06But that's a good man.
20:07Don't get on the same trip as them.
20:09You're not a murderer.
20:11Make them suffer.
20:13Come on.
20:15Hey, react.
20:18What's wrong, brother?
20:20Give me the iron.
20:23Give me the iron.
20:25Come on, man.
20:32Seriously, don't you want us to go to a clinic?
20:34It's nice.
20:44No, but I can offer you.
20:46No.
20:48Dana, no, no.
20:50It has nothing to do with you.
20:52Right now I have a thousand things on my mind.
20:55But I do want you to know that what happened the other day,
20:58I liked it.
21:00A lot.
21:05I like it a lot too.
21:08Let's go out one day.
21:10Whenever you want.
21:23Baby, Vinicius is going to do something crazy.
21:26Go to the Obregón apartment right now and don't let him get you.
21:29But be careful, baby.
21:31Call Caterina.
21:32Call Caterina.
21:34Voicemail. Leave your message after the tone.
21:38Call Caterina.
21:40Voicemail.
21:46Call Raimundo.
21:51Where are you, Vinicius? I need you urgently here in the office.
21:54Later. Do you know where Caterina is?
21:56I'm calling her and she doesn't answer.
21:58And what's going on? Are you okay?
22:00I need to talk to Caterina urgently.
22:02It's about the Sebastian event.
22:04She's at home. She has an interview with the news.
22:06But what's going on?
22:08Vinicius.
22:17That's it. Very good, very good.
22:19Let's leave it like that for today. Come on.
22:21Move it, move it.
22:25Well, guys, very good. We've given 100%.
22:28But the next game depends on us.
22:30We have to give 200%.
22:32What do we have to do in the next game?
22:34Give 200%.
22:36And who are we?
22:38Who are we?
22:40Very good. Then we're going to pick up the ball.
22:42We count that it's complete.
22:44We pick up the handle, hit it, and we're going to rest.
22:46But to rest.
22:48Come on, Santi, come here.
22:50No, Santi.
22:52The next game, we're literally in your hands.
22:54I want you focused, you know?
22:56I need you to throw the balls of your life.
22:58And you're thinking about that girl.
23:00I don't want you to see her until we play that game, you know?
23:02What's up, Ferch, what's up?
23:04What's up, Luchirri, how's it going?
23:06Look, here I brought you the monthly fee.
23:08We agreed to go, you know?
23:10No way, Lucho, what?
23:12As long as it doesn't interest you, you won't even give me a tip.
23:14No way, you're kidding me.
23:16I would invite you to a tip beer,
23:18but since you're from Santo Fercho.
23:20No, man, I thank you for the offer.
23:22Rather, since we're here, I wanted to ask you a personal question.
23:24How did you realize you were hot?
23:26Don't tell me that Vicky...
23:28No, man, no, man.
23:29No, man, no, Vicky, no.
23:31A friend of mine who's with the girl,
23:33then the man asks me,
23:35and with all the respect you deserve,
23:37man, you're an expert in cachondology.
23:39What would you tell my friend?
23:41Tell your friend that he has to be alert,
23:43alert,
23:45awake in the play.
23:47Any rumor,
23:49bad comment,
23:51is because the thing is going seriously.
23:53When the river sounds,
23:55it's because there's an orchestra.
23:57Thank you, Luisito.
23:59See you.
24:05You're screwed, my friend.
24:08Mari.
24:10Mari, it's you.
24:12I knew it, I knew you were going to wake up.
24:15I knew it.
24:19Thank you for letting me know.
24:21I called you as soon as you woke up,
24:23but please be very careful.
24:24She can't move too much
24:26and she can't talk either.
24:28That's right.
24:29Excuse me.
24:34Oh, Mari, forgive me.
24:37This is my fault.
24:42So you can understand me better.
24:45I'm very stubborn.
24:47And why are you following me around?
24:51Don't say anything.
24:52Don't say anything.
24:54Didn't you hear the nurse?
24:56She told you not to talk.
24:58That's it.
25:00Don't make me scold you.
25:02I know you're crazy to talk even through your elbows, right?
25:05As always.
25:08Do you want me to tell you something?
25:11To begin with, I was suspended.
25:14Bitch, don't talk.
25:17Seriously, Mari.
25:20I'm fine.
25:22That has given me time to find more clues
25:24about the case of Sonny's death.
25:27I was at Playa Escondida.
25:30I found several things that confirm
25:32that the Obregón family is a cancer.
25:36Everyone who got involved with them ended up very badly,
25:38starting with Sonny.
25:41But hey,
25:44for now,
25:46the priority will be to find Sonny's brother.
25:48Nothing more.
25:50I still have no trace of him,
25:52and I don't know where he is.
26:23Sonny.
26:35Sonny.
26:53Sonny.
27:18Sonny.
27:22♪♪
27:32♪♪
27:42¡Ya va! ¡Me vas a romper el vidrio!
27:45¡Ya va! ¡Me vas a romper el vidrio!
27:46¡Ya va! ¡Me vas a romper el vidrio!
27:52¡Don Vinicio!
27:54¡Abre!
27:58¿Dónde está Kate?
27:59¡Ya señor! Por favor, déjeme invitar que se puede meter en graves problemas.
28:02¿Qué más problemas me voy a meter si te dejo entrar sin saber quién eres ni a dónde vas?
28:06Mira, mi novio acaba de subir. Vinicio. ¿Usted sabe quién es?
28:09No estoy autorizado a revelar información privada de las personas que entran al edificio.
28:15Por favor, señor, déjeme pasar, ¿sí? Mira que es de vida o muerte.
28:19♪♪♪
28:26♪♪♪
28:38¡Ey! ¿Qué haces aquí? ¿Qué te pasa?
28:45¿Tú por qué entras a mi baño de esta manera?
28:47Digo yo, ¿qué hago para hablarte? Yo ibas buscándote y se me te escondes.
28:52¡Dios!
28:57Vinicio.
29:00Créeme, Vinicio. Si yo me quisiera esconder, no me encontrarías.
29:07¿Por qué no somos un poco más profesionales?
29:09Que hay un montón de cosas en la subasta y no lo estamos haciendo, dime tú.
29:12Ay, pero por Dios, qué aburrido eres. Ya, deja de preocuparte tanto, ¡ey!
29:15Digo yo que alguno se tendrá que preocupar.
29:17Tú prefieres hacer videítos, fotos con tus amigos.
29:27¿Tú de verdad viniste aquí a hablar de trabajo?
29:31¿Es en serio, Katerina?
29:34¿Tú crees que todo en la vida es solamente sexo?
29:37Piense un poco más allá.
29:40Por favor.
29:46Me voy a vestir, ¿me permite?
29:47¿Te puedes largar?
29:48Gracias.
29:51Venga, señorita, usted no puede pasar así.
29:53¿Dónde está Vinicio?
29:54Está en el cuarto de la señorita Katerin.
29:56¡Señorita!
30:02Yo voy a matar.
30:03Escúchame.
30:04No me detengas.
30:05No hagas una tontería, Vinicio. Escúchame, por favor.
30:07Escúchame.
30:08Vámonos.
30:09Rápido.
30:16¿Qué?
30:17¿Qué te pasa?
30:18Ahí te manda mi mujer.
30:19Claro, como no está acá, supongo que te hace mucha falta
30:21los almuerzos que yo preparo, ¿no?
30:23Oye...
30:24No te hagas el malica conmigo, pero, oíste.
30:26Si llego a descubrir que te estás metiendo con mi mujer,
30:28tomamos trito a costilla tuya.
30:31Ey.
30:32Y bueno, espérate ahí.
30:33Vamos a aclarar esta vaina.
30:34Vamos a aclarar esta vaina.
30:35Vamos a aclarar esta vaina.
30:36Vamos a aclarar esta vaina.
30:37Vamos a aclarar esta vaina.
30:38Vamos a aclarar esta vaina.
30:39Vamos a aclarar esta vaina.
30:40Vamos a aclarar esta vaina.
30:41Vamos a aclarar esta vaina.
30:42Ey.
30:43Y bueno, espérate ahí.
30:44Vamos a aclarar esta vaina.
30:45Y bueno, agárralo.
30:46Mételo ahí.
30:48Vamos a aclarar esta maricada de una vez.
30:51¡Ya!
30:52¿Y tú qué crees que estás en la cocina de tu casa,
30:54en una plaza de mercado?
30:56Te puedo zampar en un calabozo por irrespeto a la autoridad,
30:59maricón.
31:00Tú sabes de qué te estoy hablando, Perry.
31:02No tengo ni puta idea.
31:03¿Ah, no tienes ni puta idea?
31:04¿Ahí estas fotos qué?
31:05¿Y las comidas qué?
31:06¿Y los copiasitas qué?
31:07Ey, espérate un momento.
31:08Déjame ver esta vaina.
31:13Yo no entiendo esa vaina, ¿eh?
31:15¿Tú de dónde sacaste eso?
31:16Yo pensé que tú eras mi amigo, ¿viste?
31:18Soy tu amigo.
31:19Claro, eres mi amigo.
31:20Dime aquí, entre amigos.
31:21¿Hace cuánto estás metiendo palito de chupeta con mi mujer?
31:24Bueno, igual no cálmate.
31:25Ven, vamos a tomar agua y nos vamos a calmar, ¿ya?
31:27Ven, toma agua conmigo.
31:30Toma agua, marica.
31:32Ey, cálmate.
31:34Yo soy tu amigo, títeres.
31:36Métete una vaina en la cabeza.
31:38La última mujer en el mundo en la que yo me fijaría es la tuya.
31:42Porque tú eres el único iguano que se mama a esa iguana,
31:45que se mama a la berenjena de ella, a su mamonería.
31:49Y además, yo espero que no te ofendas.
31:51Tu mujer no es mi tipo de mujer.
31:53A mí me gusta la mujer matancuda cuando bate, si me entiendes.
31:56Ahora, si tú estás seguro que te estás mamando tu cachera,
32:00tienes que buscar el lado que tienes que buscar.
32:03¿De qué estás hablando?
32:04Pues tienes que mirar para el lado donde tienes que mirar.
32:06El amiguito ese nuevo que ella tiene, el nuevo gerente del puerto.
32:09¿Entiendes?
32:10Una hora se la pasa con el man del quinto al campo,
32:12de aquí para allá, de abajo para arriba.
32:14Así todo el yate y toda la nota.
32:16¿Cuál amiguito?
32:17Ay, ¿cómo que cuál amiguito?
32:18Pues el nuevo gerente del puerto, Vinicio Gallo.
32:20Ella no te lo ha presentado, no lo ha llevado a la casa.
32:23Pero ya veo que lo llevó a la casa cuando tú no estabas ahí.
32:26Tín, claro.
32:27Pero no te preocupes por eso, mi hermano.
32:29¿Vinicio Gallo?
32:30Sí, sí.
32:32¿Vinicio Gallo?
32:33Sí, sí, ese es el gallo.
32:37Cacho.
32:40¿Qué coño hiciste?
32:41Me cago en la puta madre.
32:43Me gustó saltarte el pellejo.
32:44Cuéntame qué ibas a hacer,
32:45¿matarla en su propia casa después de que te vio entrar
32:47y se la vio la empleada?
32:48Te aviso, a mí no me vengas a darle cuestiones de vida,
32:50porque en este momento no me importa nada.
32:52Ah, no te importa nada.
32:53No me importa nada.
32:54No me importa nada.
32:55No me importa nada.
32:56No me importa nada.
32:57No me importa nada.
32:58No me importa nada.
32:59No me importa nada.
33:00Ah, ¿no te importa nada?
33:02¿Ni siquiera pudrirte el resto de la vida en una cárcel?
33:05Pues a mí sí.
33:06Aún me debes la mitad del dinero que me prometiste
33:08y lo necesito.
33:09¿Y luego te avisó?
33:11Para que te des cuenta que aún hay personas
33:13que se preocupan por ti.
33:16Mira, Vinicio, tú eres mucho más inteligente que esto.
33:18No me hagas arrepentirme.
33:31Mira.
33:33Mira.
33:49¿Quién es ella?
33:51Victoria Iguaran.
33:53Me suena a esa vieja.
33:55Yo no sé de dónde la conozco, pero siento que la he visto.
33:58¿Le doy una pista?
34:02Es oficial de policía.
34:05Sus papás la conocen.
34:07¿De dónde?
34:11Ella es la oficial encargada del caso de la muerte de su exnovio.
34:16Ay, verdad.
34:17Ella fue la que nos dio la noticia de la muerte de Sonny.
34:20Sí, es cierto.
34:22La Teniente Victoria Iguaran.
34:24Casada hace 16 años.
34:28Tiene dos hijos adolescentes.
34:31Viven en el barrio La Proa.
34:34Actualmente fue suspendida de sus funciones como oficial de policía.
34:39¿Qué tal tu día, mi Teniente?
34:42Bien, gracias.
34:44Me asignaron un caso nuevo en el Fineman.
34:49Me imagino.
34:51Me imagino.
34:54Debe de estar agotada.
34:57Pero bueno, nada que tu esposito no pueda decir.
35:00Fercho, negro, negro.
35:04Estoy cansada.
35:07Claro.
35:09Me imagino.
35:10Me imagino.
35:17Su esposo es un ex-beipolista frustrado
35:21que se dedicó a la bebida cuando se dio cuenta que no tenía ningún futuro en el deporte.
35:26Además le gusta el juego.
35:28Casi deja a la familia en la calle.
35:30Ella lo perdonó y siguen juntos.
35:34¿Y Victoria y Vinicio?
35:40¿Si son amantes?
35:42No lo sé.
35:43Lo dudo.
35:44Aunque no estoy completamente seguro.
35:47Todos tenemos nuestros secretos guardados.
35:50Pero este par están metidos en algo raro que todavía no sé muy bien qué es lo que es.
35:56Y no es para eso que te pago, Barrapato.
35:58Para que me resuelvas las dudas, no para que me alborotes con más preguntas.
36:02Calma, calma.
36:04Apenas estoy empezando a indagar.
36:06Lo que pasa es que ella no encaja en el perfil de la mujer que es capaz de serle infiel a su esposo.
36:14¿Por qué?
36:15¿Es un angelito de virtud?
36:17Casi.
36:18En su trabajo es famosa por ser una de las pocas que no se ha dejado comprar.
36:24Es honesta.
36:26Su historial está limpio.
36:28Ya.
36:30Bueno.
36:31¿Y de Vinicio qué me tienes?
36:33Ahí es donde el asunto se pone más desafiante e interesante.
36:39Por el nombre no pude encontrar absolutamente nada.
36:45¿De ninguna parte?
36:46Bueno, sí.
36:48Ahí van unas fotos.
36:50¿Sí?
36:57Todos ellos se llaman Vinicios Gallo.
37:02Y puedo encontrar información sobre todos y cada uno de ellos.
37:06Pero del suyo, nada.
37:09Bueno, se supone que estuvo en la cárcel, ¿no?
37:11Sí, perfecto.
37:13En Marruecos.
37:15Pero para poder obtener información allí, tendrían que meterme a mi preso.
37:19Para poderla obtener desde adentro.
37:21¿Qué va?
37:22Hay algo que se debe poder hacer.
37:24Una llamadita, escribirle, algo te tienen que dar.
37:26Señorita, por favor.
37:28¿Qué clase de investigador cree usted que soy yo?
37:31Claro que sí, ya lo hice.
37:33Pero lo que pasa es que allá la vaina es muy jodida.
37:36Y la verdad, yo no creo que me respondan.
37:39Pero lo que sí pude averiguar es que el velero en el que llegó Vinicio
37:45no está a su nombre, sino al nombre de un tal Javier Fernández.
37:50¿Y ese quién es?
37:56Hoy no me toques los cojones, Javi.
37:59¿Y ese humor?
38:02Oye.
38:03Ven, ven, ven.
38:05Mira lo que he traído.
38:07Un pata negra.
38:09¿Cuánto tiempo hace que no comes un pata negra?
38:12Y mira, esto sí es un whisky.
38:16Esto es un whisky, no aquello que tienes ahí.
38:24Ah, mira.
38:25Unas olivitas.
38:28Perfecto.
38:30¿Qué mala pinta tienes?
38:33¿Qué pasó?
38:37Estuve a punto de irse toda la mierda.
38:41O más bien estuviste a punto de hacer que se fuera toda la mierda.
38:47¿Quién te contó? A ver.
38:50No me tiene que contar nadie.
38:52¿Quién me va a contar? Si ya te conozco.
38:55No me tiene que contar nadie. ¿Quién me va a contar? Si ya te conozco.
39:00Estás descontrolado.
39:02Te estás comportando erráticamente estos últimos días.
39:08Yo sé que fue Katherine la que mató a mi hermano.
39:13¿Y qué?
39:14¿Cómo que ¿y qué?
39:17No te puedes apresurar.
39:21Mira, ¿cómo te explico esto?
39:24La venganza es como el buen whisky.
39:28Se añeja lentamente, se produce con tiempo.
39:32Te lo dije al principio.
39:34Que necesitarías tener nervios de acero, ¿te acuerdas?
39:37¿O no?
39:38¿Sabes que ella lo planeó todo?
39:40¿Planeó matar a mi hermano?
39:42Yo no voy a parar hasta que esa tía sufra lo mismo que sufrió mi hermano.
39:45No voy a parar. Te lo puedo asegurar.
39:47Vale.
39:48Entonces, hazle caso a tu maestro una vez en tu vida.
39:52Y doma tus emociones.
39:55Como si estuvieras domando un caballo brioso igual.
39:58Tienes que coger tú las riendas, mandar tú.
40:02Porque si manda él, tarde o temprano, morderás el polvo.
40:08Javi, ¿sabes?
40:11Me encantaría pensar que estás aquí para ayudarme.
40:14Me encantaría. De corazón, ¿eh?
40:16Pero desde que has llegado, tío,
40:19me has puesto todo mucho más difícil.
40:21Todo.
40:23El único enemigo de tus planes es ser tú mismo, chaval.
40:27No te comas la cabeza con cosas raras.
40:29Lo estás haciendo bien.
40:30Pero ahora mismo tú solito te estás poniendo la zancadilla.
40:33¿No lo ves?
40:35Mira.
40:37El próximo paso que des
40:40tiene que ser certero.
40:42Fríamente calculado.
40:44Y ya lo tengo.
40:46¿Ah, sí?
40:47Voy a casarme con Katherine Obregón.
40:52Bueno, primero habrá que convencerla a ella de que te diga que sí.
40:56Y lo tengo todo planeado.
40:58¿Ah, sí?
40:59Y ni ella se va a dar cuenta en el momento que me digo que sí,
41:02ni cuando la lleve al altar.
41:03Va a ser rápido.
41:05Vaya.
41:07Me encanta esa idea, la verdad.
41:11A la yugular, ¿no?
41:13Directo, con todo.
41:15Y tú me vas a ayudar.
41:17Si no, llamo al Interpol ahora mismo.
41:19Y te vas a la cartel.
41:21¿Qué te parece?
41:22Estoy encantado de ayudarte.
41:29Ya yo llevo un buen tiempo siguiendo a su novio.
41:32Vinicio, yo no soy un novio, Garlopato.
41:35Ya es hora, a estas alturas, de haber encontrado algo.
41:39Si la policía lo estuviera buscando,
41:41ya tendría que haber encontrado, no sé,
41:44un reporte de la fiscalía, de la Interpol, algo.
41:52¿Y él sale con otras mujeres?
41:55¿Eso es lo que más le importa?
41:56No, para nada.
41:58Solamente quiero saber con quién me estoy metiendo.
42:01El detalle del yate es muy delicado.
42:05Que el yate esté a nombre, estafador,
42:09prácticamente buscado por todo el mundo,
42:12es una alarma que debería preocuparle.
42:16Su familia tiene mucho dinero,
42:18y él, en un abrir y cerrar de ojos,
42:21ya está trabajando en el puerto,
42:23se está ganando a su papá,
42:26y se está metiendo poco a poco
42:28en los círculos que ustedes frecuentan.
42:32Ese es el clásico modus operandi
42:36de un estafador profesional.
42:49Estabas totalmente descontrolado.
42:52¿Tú te viste?
42:53Es que a veces me emociono y...
42:55¿Emocionarte por qué?
42:56¿Por un caso de hace años que nada tiene que ver contigo?
42:58Me emociono contigo.
43:00Haz de caso a tu maestro una vez en tu vida
43:03y doma tus emociones.
43:06El único enemigo de tus planes es ser tú mismo, chaval.
44:00Subtítulos realizados por la comunidad de Amara.org