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Transcript
00:00When I was thinking about this film, a poem came to my mind.
00:05A poem written by Francis Kripal.
00:08The judge got up from his bed,
00:10The lawyer went for a walk,
00:13The police guard tied his sari,
00:16I have not yet dared to commit my crime.
00:19This poem is what I see in this film.
00:22This film is a very special film for me.
00:31The first film I wrote, Sarpatta Parambarai,
00:35was not even released at that time.
00:37I did not know what kind of film I would write.
00:39I had a lot of questions.
00:41One day, Ranjith called me.
00:43He told me that his son has written a story.
00:46He asked me to come and work with him.
00:48I went and listened to the story.
00:50That film is more personal for me.
00:54There is a hill behind Central Jail.
00:59That is my area.
01:01I witnessed this riot in person.
01:04I was very excited to write about this film.
01:11When I worked with Sidharth and Arjun,
01:14Writing is a very tiring process.
01:17Even if you are creative.
01:19But when you collaborate,
01:21You get a lot of energy.
01:23You get the strength to continue writing.
01:27This story has a lot of fun.
01:31There are a lot of multi-characters in this story.
01:33You have seen the trailer.
01:35There is a uniqueness to everyone.
01:37There is a character dynamic.
01:39I worked like that.
01:41There were a lot of characters like this in that film.
01:43When I decided to design like this,
01:45Everybody was very excited.
01:47Do watch this film.
01:49Again, I would like to talk about Cruise.
01:51RJ Balaji is a very inspiring person.
01:59For example,
02:01I talk a lot.
02:03I want to be like RJ Balaji.
02:05But my language is Chennai language.
02:09FM doesn't allow that kind of language.
02:12The first time I heard his voice,
02:15It was a long time ago.
02:17It was 1998.
02:19I was like,
02:21What kind of slang is this?
02:23At that time, I got a space.
02:25I worked in FM for 2 years.
02:27I followed RJ Balaji from there.
02:29There is a place for this slang.
02:31There is a place for this comic in FM.
02:33I followed him.
02:35The place where he is standing today is very inspiring.
02:39Thank you Balaji for inspiring us.
02:41After that,
02:43When I was working on films,
02:45I never thought of taking a photo with a film celebrity.
02:51The only person I thought of was Selvarajan sir.
02:55His character design was very thematic.
02:57I used to think a lot about it.
02:59I used to talk a lot to my friends.
03:01When I used to watch his films,
03:03I used to think that
03:05If you want to show the power of a hero in a film,
03:07If you want to show the power of a hero in a film,
03:09He would hit ten people in a row.
03:11He would hit ten people in a row.
03:13I would have seen him as a hero in a heroine's film.
03:15I would have seen him as a heroine's film.
03:17The first time I watched Tamil cinema,
03:19A person told,
03:2110 people hitting people is not enough.
03:2310 people hitting people is not enough.
03:25He made a hero of Tamil cinema and made it a hero in a new film.
03:27The writing and the power of the protagonist
03:29The power of the protagonist
03:31The sensitivity that he showed
03:33The sensitivity that he showed
03:35It will be very inspiring.
03:37Everything was very special to me.
03:39I asked Siddharth if I could take a photo with him.
03:43He said yes.
03:45Then he called me one day and said
03:47Selvarohan sir wants to meet you.
03:49He called me and said
03:51I read your screenplay.
03:53Your team wrote it.
03:55He said it was the best script I have ever read.
03:57I was very happy.
03:59Thank you so much sir.
04:01All the actors and actresses in this film
04:05especially Sobhashakthi
04:07who wrote the Tamil script
04:09have put in a lot of effort.
04:13Please understand the genre of this film
04:15before you watch it.
04:17This is not an action thriller.
04:19It is a survival thriller.
04:21We can enjoy the film
04:23by understanding the genre of the film.
04:25So friends, journalists,
04:27cinema celebrities, writers
04:29I request you to support this film.
04:59I didn't stop for a week
05:01to talk about jail.
05:03I didn't even think about it.
05:05I didn't even think about it.
05:07I didn't even think about it.
05:09I didn't even think about it.
05:11I didn't even think about it.
05:13I didn't even think about it.
05:15I didn't even think about it.
05:17I didn't even think about it.
05:19I didn't even think about it.
05:21I didn't even think about it.
05:23I didn't even think about it.
05:25I didn't even think about it.
05:27I don't think any producer would have
05:29taken up a script like this
05:31or given us the creative freedom that you have given.
05:33We directed 10-15 films.
05:35We saw how they reacted.
05:37We saw how you took the story in
05:39and how much creative freedom you gave.
05:41I don't think anyone else would have given us that.
05:43I don't think anyone else would have given us that.
05:45Thank you so much Pallavi for that.
05:47Thank you so much Pallavi for that.
05:49We wrote the story.
05:51We thought it would be in North Madras.
05:53We thought it would be in North Madras.
05:55When my father came to life for this movie,
05:57He was Nathinagar
05:59He was Nathinagar
06:01We were planning to come to North Madras together.
06:03That was when Tamil Prabha only came in.
06:05But it was more real when Tamil Prabha
06:07But it was more real when Tamil Prabha
06:11gave us that authentic,
06:13gave that character life.
06:15gave that character life.
06:19My buddy R J Ballaji ji was our third director.
06:21Arvind Prasad
06:23He does the narration for 4 hours.
06:25So, I was ready to go there.
06:27We started at 8.
06:29We didn't know how long it would take.
06:31He did the narration for 1.5 hours in the first half.
06:33We decided to take a break.
06:35He said, wait, I'll tell you the same story again.
06:37He did it for 1 hour.
06:39I changed him that day.
06:43He has given me the opportunity to work
06:45in his next movie as well.
06:47An extremely prestigious project.
06:49He has given me the opportunity to be a co-writer.
06:51I don't think anyone else would have done that.
06:53It didn't even get released.
06:55Just on the basis of what you've seen
06:57with me on set.
06:59Thank you for giving me that chance.
07:01I have to thank the technicians.
07:03Every technician who has worked on this movie.
07:05Prince is a very good friend of mine.
07:07Art director Jayasara.
07:09Editor Selvanna.
07:11Costume designer Shruti Manjiri.
07:13I think everyone has given an AGM for this movie.
07:15If no one had given an AGM,
07:17I don't know if this movie would have been so real.
07:19Thank you to all the technicians.
07:21I wanted to thank the assistant director team.
07:23I think in Tamil cinema,
07:25one of the most underpaid,
07:27underappreciated, overworked class
07:29are the assistant directors.
07:31Since I saw this movie for the first time,
07:33I know that even if the assistant directors
07:35hadn't worked 100%,
07:37this movie wouldn't have been made.
07:39Thank you so much to Ranjini,
07:41Thalapathy, Karan, Arun, Jayasariya,
07:43Magdum, Rishi, Balu.
07:45Thank you so much to the full AD team.
07:47Let me say one last thing.
07:49I haven't thanked Sudhathu yet.
07:51We haven't worked together for 4 years.
07:53Why should I thank him?
07:55I think he would feel the same.
07:57I know him from 8th and 9th grade.
07:59We used to play cricket together.
08:01When we played cricket,
08:03we used to fight with the same passion.
08:05We used to fight with the same script every day.
08:07I think that passion has brought him where he is.
08:09I haven't thanked Sudhathu yet.
08:11Thank you so much.
08:17I just want to use this stage already.
08:19Thank you so much, Sudhathu.

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