"Beat the Devil" is a 1953 adventure comedy film directed by John Huston, featuring an ensemble cast that includes Humphrey Bogart, Jennifer Jones, and Gina Lollobrigida in her American film debut. The screenplay was co-written by Huston and Truman Capote, and it is loosely based on the 1951 novel by British journalist Claud Cockburn, who wrote under the pseudonym James Helvick.
Plot Summary
The film follows Billy Danvers (played by Bogart), a charming but unscrupulous man who is waiting in Italy with his wife, Maria (Jones), for a ship to take them to British East Africa. There, they plan to acquire uranium-rich land. They encounter a British couple, Harry and Gwendolen Chelm, who also have plans for the same ship. As the story unfolds, romantic entanglements and schemes develop among the characters.
Billy becomes suspicious of the Chelms and their intentions, leading to a series of comedic misadventures involving deception and misunderstandings. The plot thickens as Billy and his associates become embroiled in a dangerous game with Major Jack Ross (Mendelsohn) and other characters who have their own nefarious plans.
Themes and Style
"Beat the Devil" is noted for its witty dialogue and satirical take on adventure films of its time. The film's humor often stems from the absurdity of the situations faced by its characters. Its production is characterized by a loose, improvisational style that reflects the collaborative nature of its screenplay.
Reception
Upon release, "Beat the Devil" received mixed reviews but has since gained a cult following for its unique blend of comedy and adventure, as well as its standout performances. The film showcases Bogart's charm and comedic timing, making it a memorable entry in his filmography.
Key Details
Release Date: 1953
Director: John Huston
Writers: John Huston, Truman Capote
Genre: Adventure Comedy
Runtime: 94 minutes
Plot Summary
The film follows Billy Danvers (played by Bogart), a charming but unscrupulous man who is waiting in Italy with his wife, Maria (Jones), for a ship to take them to British East Africa. There, they plan to acquire uranium-rich land. They encounter a British couple, Harry and Gwendolen Chelm, who also have plans for the same ship. As the story unfolds, romantic entanglements and schemes develop among the characters.
Billy becomes suspicious of the Chelms and their intentions, leading to a series of comedic misadventures involving deception and misunderstandings. The plot thickens as Billy and his associates become embroiled in a dangerous game with Major Jack Ross (Mendelsohn) and other characters who have their own nefarious plans.
Themes and Style
"Beat the Devil" is noted for its witty dialogue and satirical take on adventure films of its time. The film's humor often stems from the absurdity of the situations faced by its characters. Its production is characterized by a loose, improvisational style that reflects the collaborative nature of its screenplay.
Reception
Upon release, "Beat the Devil" received mixed reviews but has since gained a cult following for its unique blend of comedy and adventure, as well as its standout performances. The film showcases Bogart's charm and comedic timing, making it a memorable entry in his filmography.
Key Details
Release Date: 1953
Director: John Huston
Writers: John Huston, Truman Capote
Genre: Adventure Comedy
Runtime: 94 minutes
Category
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Art et designTranscription
00:00:00Réalisé par Neo035
00:00:01Avec le soutien de Denix
00:00:30Avec le soutien de Denix
00:01:00Avec le soutien de Denix
00:01:03Merci à mes Tipeurs et souscripteurs
00:01:30Merci à mes Tipeurs et souscripteurs
00:02:00À ce moment, personne ne connaissait la première chose
00:02:02sauf qu'ils avaient entendu que tu pouvais en acheter du pâle.
00:02:04Un grand pâle.
00:02:06Qui ?
00:02:07Je veux dire, qu'est-ce que tu penses qu'ils sont ?
00:02:09Des hommes d'affaires, ça t'intéresse ?
00:02:11Bien, si on va être sur un petit bateau avec eux pendant des semaines.
00:02:14J'ai seulement dit qu'ils pourraient être des passagers.
00:02:16Harry, nous devons être prudents de ces hommes.
00:02:18Ils sont des personnages désespérés.
00:02:20Qu'est-ce qui te fait dire ça ?
00:02:21Pas un d'entre eux a regardé mes jambes.
00:02:23Merci.
00:02:29Bonsoir, Mme. Danrother. Bonsoir, Billy Boy.
00:02:31Vous êtes venu nous accueillir ?
00:02:33Vous avez nettoyé le bâtiment ?
00:02:35Vous avez aidé la nature à vous aider ?
00:02:37Je ne rêverais pas de ça.
00:02:40Vraiment, Billy.
00:02:41Vous ne devez pas être si courtois avec Mr. Peterson.
00:02:44Si je le traiterais avec plus que de politesse commune,
00:02:46il m'étonnerait et tenterait de me pousser autour.
00:02:49Mr. Peterson est un meurtrier.
00:02:51Billy, as-tu vu ça ?
00:02:55Cet homme à Londres a été tué.
00:02:57Quel homme ?
00:02:59Paul Van Meer, un officier de haut niveau dans l'office de la colonie,
00:03:02a été tué ce matin par un assaillant inconnu
00:03:06à l'extérieur d'un club à Soho.
00:03:08C'est le troisième crime de violence à se produire dans cette proximité
00:03:11au cours des derniers mois.
00:03:16Qu'est-ce que c'est, Billy ?
00:03:22Dis quelque chose, Billy.
00:03:35Tu comprends bien que Peterson a arrangé tout ça.
00:03:37Il semble y avoir eu beaucoup de violence ces dernières années.
00:03:40Ne fais pas l'idiot.
00:03:41Mais regarde, Billy.
00:03:42Tout ça s'est passé le dimanche d'abord.
00:03:44Il y a eu de la violence.
00:03:46Il y a eu de la violence.
00:03:48Il y a eu de la violence.
00:03:50Tout ça s'est passé le dimanche d'abord.
00:03:52Nous avons tous quitté Londres bien avant ça.
00:03:54Et Jack Ross ?
00:03:55Qu'est-ce qu'il a fait ?
00:03:57Je croyais qu'il n'était qu'en retard
00:03:59pour recevoir le téléphone de l'ambassadeur,
00:04:01s'il avait réussi.
00:04:03Il sera là ce matin.
00:04:04Bien.
00:04:05Ne t'inquiète pas.
00:04:07Ne tombe pas sur des conclusions désagréables.
00:04:10S'ils ont tombé, ils auraient peut-être dessiné une carte.
00:04:12Pourquoi était-il inquiet de Van Meer ?
00:04:14Qu'est-ce qui l'a fait croire qu'il était dangereux ?
00:04:16Il a peur que Van Meer ne reste pas acheté.
00:04:18Il a peur qu'il aille à l'envers après notre disparition.
00:04:21Il a des visions de lui,
00:04:23de tomber sur ses supérieurs,
00:04:25d'annoncer qu'il a des informations,
00:04:27que certaines personnes ont payé des comptes.
00:04:29Ne parlez pas si fort, Billy !
00:04:30Pour obtenir des droits illégaux pour certaines ressources minérales.
00:04:33Cet Indien, ce Roger,
00:04:35ou ce qu'il était,
00:04:36qu'il a travaillé pour dans les anciens temps,
00:04:38il a tué beaucoup de gens, n'est-ce pas ?
00:04:40Non, mais il avait un style meilleur.
00:04:42En plus, il était pour un royaume.
00:04:44La moitié de la France.
00:04:45Qu'y a-t-il de différent entre ça et des millions de dollars ?
00:04:48Nous devons penser au futur, Billy.
00:04:50C'est notre grande chance,
00:04:52et peut-être notre dernière,
00:04:53sauf pour M. Peterson.
00:04:55Nous n'avons même pas payé la bille de l'hôtel de la nuit dernière.
00:04:57Où vas-tu ?
00:04:59Dans un café, boire du Pernod,
00:05:01et écouter l'orchestre.
00:05:02Tu ne vas pas faire de bêtises, ne vas-tu pas ?
00:05:03Il n'y a rien à faire pour faire de bêtises.
00:05:05Tu dois penser au but principal.
00:05:09Bien sûr, il n'y a rien à faire pour faire de bêtises.
00:05:15C'est bon.
00:05:22C'est bon, Gwendolyn.
00:05:23Merci.
00:05:25Le sac est là-bas.
00:05:30Ouvrez-le.
00:05:55Regarde, les Desperados.
00:06:00Pas encore, Billy.
00:06:01Un peu d'alcool avant midi.
00:06:03Je célébre.
00:06:04Célébrer quoi ?
00:06:05L'arrivée sécuritaire du Major.
00:06:07Il est venu un instant auparavant,
00:06:08fatigué mais satisfait.
00:06:13Je pense que sa mission a été accomplie.
00:06:15Oui, mais c'est l'heure du déjeuner, messieurs.
00:06:17Je vous verrai plus tard, Billy.
00:06:24C'est ton tour, Gwendolyn.
00:06:27C'est ton tour, Gwendolyn.
00:06:30Check.
00:06:31La dernière.
00:06:33Est-ce que vous voyagez sur l'arrivée sécuritaire ?
00:06:35Afrique du Nord.
00:06:37Nous aussi.
00:06:38Je m'appelle Chell, c'est ma femme.
00:06:40Comment allez-vous ? Je m'appelle Dan.
00:06:42Vos amis voyagent aussi ?
00:06:44Tout le monde.
00:06:46Vous êtes un groupe très mystérieux, je dois dire.
00:06:49Vraiment, Gwendolyn ?
00:06:50Comment ça, mystérieux ?
00:06:51Pour une chose,
00:06:52vous avez tous l'air d'avoir différentes nationalités.
00:06:55C'est votre tour, Gwendolyn.
00:06:58Check.
00:07:00J'ai une théorie sur vous et vos amis.
00:07:02Correction.
00:07:03Mes associés.
00:07:05En fait,
00:07:07je pense que vous êtes des médecins.
00:07:09Des mauvais, je veux dire.
00:07:10Vous allez au cœur de la jungle,
00:07:12où la vie humaine est chère,
00:07:14pour faire des expérimentations dégueulasses,
00:07:16qui nécessitent le sacrifice de milliers sur l'alteur de la science.
00:07:19Vous devriez m'excuser, ma femme,
00:07:20elle a une imagination très vivante.
00:07:25Check.
00:07:27Je ne sais pas comment vous m'attendez à jouer un jeu décent
00:07:29quand vous parlez tout le temps.
00:07:31Harry n'a rien fait aujourd'hui.
00:07:33En général, il est un merveilleux perdant.
00:07:35Bonsoir, Mr. Danrada.
00:07:37Je vous apporte les compliments du capitaine,
00:07:39et la triste nouvelle
00:07:41que la navette de la SS Nyanga a été postponée.
00:07:44Regardez ici.
00:07:45Cette navette est définitivement,
00:07:46le plus définitivement,
00:07:47postponée à 24 heures.
00:07:49Postponée, Mr. Chelm,
00:07:51mais pas, je crains, destinée à le faire.
00:07:53Est-ce que le capitaine est bêlé?
00:07:55Bien sûr que le capitaine est bêlé.
00:07:57Mais le vrai problème est avec la pompe d'huile.
00:07:59Ce n'est pas suffisamment bon.
00:08:00Simplement pas suffisamment bon.
00:08:01Très bien, monsieur.
00:08:02Mais vous le mettez trop mincement.
00:08:04La pompe d'huile actuelle n'est pas bonne du tout.
00:08:06Et à quel point cela a un délai?
00:08:08Pour trouver,
00:08:09partager, acheter
00:08:10et installer une nouvelle,
00:08:11ça va falloir, je dirais,
00:08:12plus d'un jour,
00:08:13moins d'une fortnite.
00:08:15Une inéfficacité sans espoir.
00:08:17Probablement, ce n'est pas la pompe d'huile du tout.
00:08:19C'est juste une excuse
00:08:20pour s'amuser
00:08:21et récupérer de l'argent.
00:08:22La garde est ouverte.
00:08:23Je ne serais pas surpris
00:08:24si elle devait être un smuggler.
00:08:26Quel endroit misérable
00:08:27pour être emprisonné.
00:08:28Un port de 5ème rang.
00:08:31Vous n'avez jamais été à Porto Verde?
00:08:33Non, je ne connais pas
00:08:34ce port du monde du tout.
00:08:35Je ne pensais pas.
00:08:36Sinon, vous ne seriez pas si déçus
00:08:37de rester dans mon magnifique pays.
00:08:40Ruines à visiter par moi.
00:08:42Une belle plage.
00:08:43Là-bas, dans les montagnes,
00:08:44c'est l'un des seuls endroits
00:08:45dans le monde
00:08:46où il est possible
00:08:47d'avoir de la nourriture
00:08:48et de boire.
00:08:49C'est appelé
00:08:50le Pavilion Bleu.
00:08:51Je vous insiste,
00:08:52vous me donnez le plaisir
00:08:53de dîner avec nous ce soir.
00:08:55C'est très gentil,
00:08:56mais...
00:08:57Nous?
00:08:58Vous et vos...
00:08:59associés?
00:09:00Ma femme et moi.
00:09:01Le Comité?
00:09:03Oh, M. Chelm,
00:09:04je veux que vous rencontriez
00:09:05un ami de moi.
00:09:06C'est le Major Galloping.
00:09:08Le Comité?
00:09:09Oui.
00:09:10C'est le Major Galloping.
00:09:11Le Comité veut que vous courriez.
00:09:13D'accord.
00:09:14Tout de suite.
00:09:15Je serai là-bas.
00:09:16Il faut courir.
00:09:17Je te l'ai dit, je serai là-bas.
00:09:18Ils n'aiment pas
00:09:19être attendus.
00:09:21Je m'occuperai d'un véhicule.
00:09:22On se rencontre
00:09:23devant l'hôtel à 6.
00:09:25Au revoir.
00:09:29Dan Rather.
00:09:30Un Américain, je suppose.
00:09:32De toute façon,
00:09:33j'aime beaucoup lui.
00:09:35Le temps.
00:09:3624 heures du jour.
00:09:371 440 minutes.
00:09:39Pour que quelqu'un d'autre
00:09:40s'occupe de la même idée
00:09:41que nous.
00:09:42Nous devons avoir un véhicule
00:09:43et partir.
00:09:44Comme je l'ai dit au début.
00:09:45Vous vous souvenez,
00:09:46je l'ai dit, O'Hara.
00:09:47Mon nom n'est pas O'Hara.
00:09:48C'est O'Hara.
00:09:49Vous entendez?
00:09:50M. O'Hara.
00:09:51Oui, M. O'Hara.
00:09:52Mais vous vous souvenez,
00:09:53je l'ai dit.
00:09:54Je l'ai dit,
00:09:55nous devons prendre un véhicule.
00:09:56Le temps, le temps.
00:09:57Qu'est-ce que le temps?
00:09:58Les Suisses l'ont fabriqué,
00:09:59les Français l'ont acheté,
00:10:00les Italiens l'ont acheté.
00:10:01Les Américains disent
00:10:02que c'est de l'argent.
00:10:03Les Hindous disent
00:10:04que ça n'existe pas.
00:10:05Vous savez ce que je dis?
00:10:06Je dis que le temps est un con.
00:10:07Si nous avions pris un véhicule,
00:10:08nous serions là-dedans
00:10:09pendant 15 heures.
00:10:10Au lieu de...
00:10:11Je ne veux plus parler
00:10:12de voler.
00:10:13Le ciel est pour les oiseaux.
00:10:14Mes pieds sont sur le sol.
00:10:15Les deux.
00:10:18Viens, Billy boy.
00:10:22Qu'est-ce que c'est que
00:10:23tout ce brouhaha?
00:10:24Pas de brouhaha, Billy.
00:10:25Nous n'avons que
00:10:26de se demander
00:10:27à quoi faire
00:10:28en vue de ce délai malheureux.
00:10:29Unis les présents
00:10:30et leurs rebelles.
00:10:31Allez à l'église.
00:10:32Écrivez vos mémoires.
00:10:36Très drôle.
00:10:37J'aime que mon collègue
00:10:38ait un sens d'humour.
00:10:39Une bonne rire
00:10:40fait plus pour les muscles du ventre
00:10:41que cinq minutes
00:10:42de s'assurer des exercices.
00:10:46Et maintenant que nous avons
00:10:47passé notre moment de plaisir,
00:10:48et tout le mieux pour cela,
00:10:49retournons à la question.
00:10:50N'est-ce pas que ce délai
00:10:51appelle à un câble
00:10:52pour ton ami
00:10:53au sud britannique?
00:10:54Pas de câbles.
00:10:55Tu ne peux pas le trouver
00:10:56par la tête?
00:10:57La population là-bas
00:10:58a des noses de train.
00:10:59Ils peuvent sentir
00:11:00le même délai
00:11:01comme un chat qui sent des poissons.
00:11:02Mais n'as-tu pas peur, Billy,
00:11:03que lorsque notre petite fête
00:11:04ne se montre pas
00:11:05sur le délai que tu as mentionné,
00:11:06n'as-tu pas un petit peu peur
00:11:07que ton ami
00:11:08utilise cela
00:11:09comme une excuse
00:11:10pour commencer
00:11:11des négociations
00:11:12ailleurs?
00:11:13Si mon ami
00:11:14cherchait une excuse,
00:11:15il trouverait une meilleure
00:11:16dans les papiers du matin.
00:11:18Que veux-tu dire?
00:11:19Je parle
00:11:20de l'inattendu délai
00:11:21de Paul Vermeer.
00:11:27Je suis étonné, Billy.
00:11:29Quelle insolente opinion
00:11:30que vous devez avoir
00:11:31de vos collègues
00:11:32pour imaginer
00:11:33que nous...
00:11:34Regarde, Peterson,
00:11:35tu n'as pas à me convaincre
00:11:36de rien.
00:11:37Tu n'as pas intérêt à ce que je pense
00:11:38tant que je ne fais rien
00:11:39à ce sujet.
00:11:40Et je ne le ferai pas
00:11:41à moins que tu décides
00:11:42d'emprunter
00:11:43sur moi ce petit
00:11:44petit chien.
00:11:45Regarde-toi, Larry.
00:11:46Maintenant, Jack,
00:11:47réagis-toi.
00:11:48Assieds-toi.
00:11:51Pour la haine, Billy,
00:11:53je pense que tu as une excuse
00:11:54pour tout le monde
00:11:55dans cette pièce.
00:11:56Et si tu es la moitié du gentil,
00:11:57je sais que tu en es
00:11:58et je suis sûr que tu y arriveras.
00:12:00Comme je le disais, Peterson,
00:12:01tu n'as rien à t'inquiéter.
00:12:02Mon ami ne s'en sortira
00:12:03à moins que je le lui dise.
00:12:05Pour des raisons puissantes,
00:12:06c'est la dernière chose
00:12:07que j'ai en tête.
00:12:10Jack,
00:12:11donne-lui la lumière.
00:12:23Quelle magnifique voiture.
00:12:25Elle a l'air de gagner
00:12:26le Grand Prix d'Elegance.
00:12:27Elle a gagné le Grand Prix d'Elegance
00:12:28il y a plusieurs années.
00:12:29Elle l'a gagné.
00:12:30Elle a été construite pour Oroposo.
00:12:31Tu sais, le lutteur de balle.
00:12:32Il l'a fait de cette façon
00:12:33pour qu'il puisse se lever
00:12:34et prendre des batailles.
00:12:35Il n'a eu qu'une seule voiture
00:12:36et je ne l'ai jamais vu
00:12:37sur son lit de mort.
00:12:38Eh bien, c'est pour Oroposo.
00:12:39J'espère qu'il aime la champagne.
00:12:40Tu veux dire que c'est toirs.
00:12:41Je l'ai donné à mon ancien chauffeur,
00:12:42le gros bandit,
00:12:43à l'avant.
00:12:45Harry, regarde
00:12:46cette magnifique villa.
00:12:47C'était la villa de Brady Crampton.
00:12:48Oh, tu veux dire
00:12:49Lord Crampton,
00:12:57c'est ça ?
00:12:58C'est ça.
00:12:59C'est ça ?
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00:16:01C'est ça ?
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00:16:03C'est ça ?
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00:16:05C'est ça ?
00:16:06C'est ça ?
00:16:07C'est ça ?
00:16:08C'est ça ?
00:16:09C'est ça ?
00:16:10C'est ça ?
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00:16:13C'est ça ?
00:16:14C'est ça ?
00:16:15C'est ça ?
00:16:16C'est ça ?
00:16:17C'est ça ?
00:16:18C'est ça ?
00:16:19C'est ça ?
00:16:20C'est bon. Je vais l'envoyer.
00:16:26Tu sais, Gwendolyn, aujourd'hui, on ne peut pas abandonner les gens
00:16:30Juste parce qu'ils ne sont pas de la même sorte.
00:16:32On doit essayer et...
00:16:34Briser le golfe.
00:16:35Après tout, c'est un nouveau monde qu'on va entrer.
00:16:38On doit le prendre comme on le trouve.
00:16:40Le confronter.
00:16:41L'utiliser.
00:16:42Le maîtriser.
00:16:50Le maîtriser.
00:17:12Tu sais, j'ai vu des Américains dans la rue, dans le cinéma bien sûr.
00:17:17Mais je n'en ai jamais parlé.
00:17:20Est-ce que tu es un Américain typique ?
00:17:22Je pense que c'est important que je le sache.
00:17:24Pourquoi est-ce important ?
00:17:26Il y a deux bonnes raisons pour tomber amoureux.
00:17:30La première, c'est que l'objet de tes affections n'est pas comme les autres.
00:17:34Un esprit rare, comme Lord Byron.
00:17:38La deuxième, c'est qu'il est, comme les autres, seulement supérieur.
00:17:42Harry, par exemple, est le meilleur type.
00:17:45Tu dois savoir que je suis un esprit rare typique.
00:17:48Combien de temps as-tu vécu ici ?
00:17:50Le plus long que j'ai jamais vécu. Deux ans.
00:17:53Mais quand tu étais enfant, n'as-tu jamais une mère et un père ?
00:17:56Une maison, une rue, une ville ?
00:17:58Non, j'étais un enfant jusqu'à ma vingtaine.
00:18:01Puis une riche et belle dame m'a adopté.
00:18:04Tu sais, j'ai changé d'avis de ton être un méchant médecin.
00:18:08Tu es en train de garder un rendez-vous quelque part en Afrique,
00:18:11sacré aux tribaux.
00:18:13Tu vas trouver un nouvel empire
00:18:16et devenir le maître des riches du monde.
00:18:19Mais tu as besoin d'une belle et blanche dame pour impressionner les natifs
00:18:23comme l'incarnation de la reine de Sheba.
00:18:26C'est pour ça que tu es en train de me faire passer.
00:18:29Je le suis ?
00:18:30Bien sûr.
00:18:32Je n'ai pas l'habitude de voir des gens étranges.
00:18:35Tu n'y crois pas, n'est-ce pas ?
00:18:37Je crois à tout ce que tu dis.
00:18:39Tu crois ?
00:18:41Tu ne devrais pas, tu sais. Vraiment, tu ne devrais pas.
00:18:45M. Charlton ?
00:18:46Oui ?
00:18:47C'est moi, Mme d'Arnaud, Maria.
00:18:50Oh, venez.
00:18:53Un thé pour deux et deux pour un thé.
00:18:56C'est très gentil. Tu ne devrais pas avoir eu de problème, vraiment.
00:18:59Billy m'a dit que tu avais un déjeuner.
00:19:01Un petit déjeuner, sur le ventre. Deux tassels.
00:19:04Du lait, bien sûr.
00:19:05Bien sûr.
00:19:10Je pense que je devrais faire un bon tour pour lui.
00:19:14Tu le fais ?
00:19:15Bien sûr.
00:19:16Je vois, bien sûr.
00:19:19Je pense que ce serait bien si tu pouvais faire quelque chose pour lui.
00:19:23Aider-lui. Donner-lui le bonheur de ton conseil.
00:19:27Heureusement, bien sûr. Par exemple ?
00:19:29Oh, quelque chose de business.
00:19:32Il était très content avec ce conseil que tu lui as donné la nuit dernière sur les taffes d'argent.
00:19:36J'ai oublié ce que je lui ai dit. Qu'est-ce que c'était ?
00:19:40Je ne me souviens pas du tout.
00:19:42J'écoutais ta voix. Je n'écoutais pas ce que tu disais.
00:19:48Tu vois, si tu l'aidais,
00:19:51ce serait beaucoup plus facile pour nous d'être ensemble en Afrique.
00:19:55Est-ce qu'il était prêt à faire du business ?
00:19:57Il est simplement brillant.
00:19:59Je ne l'aurais pas imaginé.
00:20:01Mais bien sûr qu'il l'est.
00:20:03Tu ne penses pas que je marierais un néni, n'est-ce pas ?
00:20:06Si tu imagines que Harry va simplement à l'Afrique pour fabriquer du café,
00:20:10tu es très malin.
00:20:12En fait,
00:20:14en fait,
00:20:16le café n'intéresse pas Harry.
00:20:18En fait,
00:20:20la terre qu'il acquiert
00:20:22est extrêmement riche en certaines minéraux,
00:20:25des minéraux indispensables à la production d'énergie atomique.
00:20:29Harry s'occupe simplement de l'uranium.
00:20:32Il ne me surprendrait pas qu'il devienne le roi de l'uranium.
00:20:35Tu vois, mon mari n'est pas un néni comme tu peux l'imaginer.
00:20:39C'est peut-être très bien de partir avec lui.
00:20:42La richesse des minéraux potentielle d'Afrique n'a peut-être pas été détruite.
00:20:45Je te l'avais dit hier soir.
00:20:47Bien sûr, c'est un fait bien connu.
00:20:50C'est un fait.
00:21:09Billy boy!
00:21:14Had a happy day?
00:21:15Very.
00:21:16I'm so glad.
00:21:17What an attractive woman Mrs. Chelm is.
00:21:20Is that what you called me over to tell me?
00:21:22Who are the Chelms?
00:21:23They're English going out to British East.
00:21:25They have a coffee plantation.
00:21:26Any money in coffee?
00:21:27No, but there's a type of Englishman
00:21:29goes off to coffee plantations
00:21:30without caring whether there's any money in it or not.
00:21:33Relatives leave them coffee plantations
00:21:35and they go out to them.
00:21:36But why this sudden interest in the Chelms?
00:21:38I'd just like to know who's making friends with my friends.
00:21:42Now you know.
00:21:48Don't believe one word.
00:21:56You know, if I ever leave you
00:21:58it'll be for someone of the type of Harry Chelm.
00:22:01I'll believe you.
00:22:03I suppose that type of Englishman
00:22:05is like a story I once heard.
00:22:07An English gardener in England
00:22:09was showing some Americans
00:22:11one of those wonderful English lawns
00:22:14and of course they wanted to know
00:22:16how to make a lawn like that.
00:22:18And this English gardener said...
00:22:19He said all you have to do is get some good grass
00:22:22and roll it every day for 600 years.
00:22:24I heard that story before you were born.
00:22:26Englishmen tell it when they're feeling down in the mouth.
00:22:29You just don't understand the Chelm type.
00:22:33You're not even listening.
00:22:35You never do.
00:22:36Someday I'll say goodbye
00:22:38and you won't hear that either.
00:22:41Someday I shall really meet my type
00:22:43and run off with him
00:22:45and you'll be simply amazed.
00:22:47That's possible.
00:22:49George Moore said...
00:22:51I learned it by heart years ago.
00:22:53He said that each great passion
00:22:56is the fruit of many fruitless years.
00:22:59George Moore was a very distinguished English writer, you know.
00:23:03Except that he was Irish.
00:23:05Cheer up, sugar.
00:23:07If I make a million on this deal
00:23:09we'll have an old English lawn
00:23:11one we can roll up and take with us.
00:23:18Billy, good morning.
00:23:20And what's our wide-eyed Irish leprechaun
00:23:22doing outside my door?
00:23:24Why do you always make jokes about my name, huh?
00:23:27In Chile, the name of O'Hara is...
00:23:29is a tip-top name.
00:23:30Many Germans in Chile have become to be called O'Hara.
00:23:33Good morning, Mr. O'Hara.
00:23:35Madame, my respects.
00:23:37Perhaps Mr. O'Hara would like something to drink?
00:23:40Yes, uh... maybe perhaps, uh...
00:23:43a little whiskey, huh?
00:23:45Very weak, please.
00:23:46What's this visit in honor of?
00:23:48Oh...
00:23:50Just wanted to have a little talk with you.
00:23:53Okay, but make it fast.
00:23:55Fast?
00:23:57I give you my word, Billy, I...
00:23:59I give you my word, I feel to you like, uh...
00:24:03like an older brother.
00:24:05Oh, it's not so much the difference of age, it's, uh...
00:24:08it's probably...
00:24:10Yes, the reason is because...
00:24:12because I come from a culture which is so much older
00:24:15than yours in my country.
00:24:17A child, six years old,
00:24:19is older in his heart than you'll be at...
00:24:22at 60.
00:24:24It smokes, it drinks, it philosophizes.
00:24:27At this rate, I'll be 60 before you get to the point.
00:24:29The point...
00:24:31the point is that...
00:24:33Peterson, Ravel, myself,
00:24:35we are the principals in this case.
00:24:37We are in with the money.
00:24:39We cannot switch around and turn and...
00:24:42But an agent,
00:24:44it's easy to imagine that he could conceivably
00:24:47doesn't feel himself quite as irrevocably committed as...
00:24:51as, uh... Peterson or...
00:24:56We're fellow passengers, I believe.
00:24:58Not quite yet, would you say?
00:25:00Too sad, the truth.
00:25:02Jean, you don't happen to have seen your Mr. Danruther about?
00:25:05I don't think Billy's up yet.
00:25:07He's rather a late riser.
00:25:09But he said...
00:25:11Anyway.
00:25:12I shouldn't put too much stock on what Billy says,
00:25:14particularly when he's had a few drinks.
00:25:16It's not that he means to break his word,
00:25:18he just forgets that he's given it.
00:25:20Charm and dependability so seldom go in one package.
00:25:22There are exceptions, of course.
00:25:24Your husband, I imagine, from his manner and behavior, is one.
00:25:27Oh, yes, very.
00:25:29Well, quite, I mean.
00:25:30I'm looking forward to meeting your husband and having a chat about Africa.
00:25:33By all means.
00:25:35I understand he's in coffee?
00:25:37He makes it sound like a total immersion.
00:25:40Part of Africa we're going to
00:25:42is due for some pretty important changes.
00:25:44In my opinion, things will be booming out there
00:25:46before you can say Jack Robinson.
00:25:48I do hope there won't be too many changes.
00:25:50It's completely unspoilt, I hear,
00:25:52with some of the loveliest scenery in the world.
00:25:54I can't imagine anything more lovely in the way of scenery
00:25:56than to have a few acres of gold and diamonds
00:25:58and a piece of land I bought for a song.
00:26:00Heaven forbid.
00:26:02Next thing, there'd be big ugly holes everywhere
00:26:04and great horrid machines instead of lovely scenery.
00:26:08Anyway, I don't think my husband worries much
00:26:11about money and business, that sort of thing.
00:26:13Really?
00:26:15I mean, to appreciate my husband's point of view,
00:26:17one has to understand his background.
00:26:20Those lawns, hundreds of years in the making.
00:26:23Those immemorial elms.
00:26:25Those walls hung with family portraits.
00:26:27Generations of them.
00:26:29Those great echoing galleries
00:26:31where so much of English history is being made.
00:26:34Taxes must be terrific on a place like that.
00:26:37What would people like the Chelms care about taxes
00:26:40with their kind of money?
00:26:42I mean, when a family's been a power
00:26:44in the city of London for so long.
00:26:46One of the great financial families.
00:26:48Power in the city? You mean...
00:26:50Oh, yes, of course, one of those Chelms.
00:26:53I'm surprised you know about them at all.
00:26:55Very few people do.
00:26:57They prefer to work behind the scenes.
00:26:59I find it rather hard to believe
00:27:01that a man in your husband's position
00:27:03would go to Africa just for the coffee plotty.
00:27:06You're very quick, aren't you?
00:27:08In point of fact, he isn't.
00:27:10In point of fact, he has a very special reason.
00:27:13So I suspect it.
00:27:15It has to do with... sin.
00:27:18Sin?
00:27:20Since the war, my husband has been
00:27:22almost exclusively concerned with spiritual values.
00:27:26He feels that if he can get away there,
00:27:28in the heart of Africa,
00:27:30he will come face to face with essentials.
00:27:32He wants to work out the problem of sin.
00:27:35Sin?
00:27:36Why, yes, of course.
00:27:38Isn't that what we're all most concerned with?
00:27:41Sin?
00:27:44Gwendolyn, what are you doing here?
00:27:46I thought we were supposed to meet on the beach.
00:27:48Harry, I want you to meet Mr...
00:27:50My name is Peterson.
00:27:52I've been having the most delightful talk to your wife.
00:27:54She tells me you're interested in spiritual values.
00:27:57I myself am vastly concerned.
00:27:59Harry, we really better be going.
00:28:01Will you excuse us, Mr. Peterson?
00:28:03What have you been telling that man?
00:28:05Nothing, Harry.
00:28:06He got on to the subject of religion,
00:28:08and I just happened to mention
00:28:09that we usually go to church on Sunday.
00:28:13Billie, I think it is high time you take stock of yourself.
00:28:17Can you truthfully say about yourself,
00:28:19I, Billie Dan Reuter, have acted fairly and squarely
00:28:23to my associates, huh?
00:28:25But of course you can, Mr. O'Hara.
00:28:27Everybody knows Billie's the soul of honor.
00:28:29Shut up, Chivvie.
00:28:30Perhaps she is the soul of honor,
00:28:31and perhaps appearances are deceiving.
00:28:33Do you mind telling me what it is I'm supposed to have done?
00:28:36Nothing.
00:28:37It's your conduct.
00:28:38Your conduct doesn't...
00:28:41Your conduct does not inspire confidence,
00:28:43and confidence really is the most important necessity
00:28:46in an undertaking of our kind.
00:28:48One may be completely innocent,
00:28:49but if one's actions invite suspicion,
00:28:51one might as well be guilty.
00:28:52To be trustworthy is not more important
00:28:55than to seem to be trustworthy.
00:29:01Billie, have you done something you shouldn't have?
00:29:05Tell me, Billie.
00:29:07Tell me the truth.
00:29:09My conduct.
00:29:11Who do they think I am, their hired man?
00:29:14But you are, you know.
00:29:16You are their hired man.
00:29:18How good and kind of you to remind me.
00:29:21How good, how true, how kind.
00:29:41Oh, I say, dear brother, good to see you.
00:29:43How about a drink?
00:29:44Well, I...
00:29:45Oh, come on, my dear fellow, let me buy you a drink.
00:29:49Oh, Gwendolyn, don't forget to send one to Aunt Beatrice.
00:29:55I can't understand it.
00:29:57Gwendolyn distinctly said she'd join me on the beach.
00:29:59Then I come back and find her sitting there in that cafe.
00:30:02Extraordinary creatures, women.
00:30:04Well, let's drink to them.
00:30:05Pernod.
00:30:06Scotch.
00:30:07Come on, you tiny little wreck, have a drink.
00:30:09We're drinking to women.
00:30:12Take the drink, but we won't join you in the toast.
00:30:15Glass of Irish.
00:30:16Women.
00:30:17Hitler had the right idea.
00:30:19Keep them in their place.
00:30:20Client akin to Kirk and babies in the kitchen.
00:30:23Say what you want to about Hitler, he had his points.
00:30:25Come, come.
00:30:26This generation's had its chance.
00:30:28Hitler, Mussolini, those were the men.
00:30:30Now is the age of the barbarians.
00:30:32The world's going up in smoke.
00:30:33I say, let it come, get it over with.
00:30:35Well, if you don't mind, I'd like another year or so of worry.
00:30:39Worry?
00:30:40Just one minute, ladies.
00:30:41I've just two or three words to say to you, ladies,
00:30:43and that's don't worry, don't ever worry.
00:30:46I'm in a position to know secret information.
00:30:49The Rosicrucians, the Great White Brotherhood,
00:30:51the High Secret Orders.
00:30:52But you've no faith, you must have faith.
00:30:55Faith and power, secret power.
00:30:57Men who guard the trust from the deepest inside,
00:30:59as the watchmen call it.
00:31:00Mystic rulers, all one club,
00:31:02chained together by one purpose, one idea.
00:31:04Mankind's champions.
00:31:05Follow me, Billy.
00:31:06Oh, why, of course.
00:31:07This generation's had its chance, Hitler, Mussolini.
00:31:10I can't stand here and permit you...
00:31:12Are you interrupting me?
00:31:13Relax, Jack, have another drink.
00:31:15I simply want to state that things don't happen to me
00:31:18what certain people imagine.
00:31:20An officer may find himself strapped for money,
00:31:22and he may undertake certain things
00:31:24which in other circumstances, he's no, absolutely no.
00:31:27Absolutely, I mean, absolutely no.
00:31:29In the old days, I should have simply told people,
00:31:32if you're ill, to buy their own drinks.
00:31:34Poor old Jack.
00:31:36I'll teach you.
00:31:39I'll teach you to insult an ex-officer of the Indian army.
00:31:44Well, are you yellow?
00:31:48The bar.
00:31:51You're Major Ross?
00:31:52Right.
00:31:56Ross here.
00:31:58Right.
00:31:59Right again.
00:32:01Come along to the committee.
00:32:03Same for the bell.
00:32:05I've never heard such rot in my life.
00:32:07Sin.
00:32:08Sin.
00:32:09All I could do was to keep a straight face.
00:32:11No, I'm certain of it now.
00:32:12These are two very clever and dangerous antagonists.
00:32:15Sit here and help me close this.
00:32:16But how could they possibly know what we're up to?
00:32:18Great interests like the Chelms have ways and means.
00:32:21Yes, and I'm convinced they're out to get us
00:32:23even before we get started.
00:32:24We must get ahead of them.
00:32:25Time has entered the picture in a new way.
00:32:27Never forget the times we're living in.
00:32:29I'm sure of it.
00:32:30We must get ahead of them.
00:32:31Time has entered the picture in a new way.
00:32:33Never forget the times we're living in.
00:32:35It always enters the picture in the end.
00:32:37I'm sending a cable to London.
00:32:38I want full information on those Chelm interests.
00:32:41British Africa too.
00:32:42Check up on his interests there every time the plane lands.
00:32:44I'll try and reach you by telephone.
00:32:46Keep me informed of the latest development.
00:32:48That lying, swine-ish, rum-swilling double-crosser.
00:32:51What pleasure.
00:32:52No, you can't at the moment.
00:32:54We need him right now.
00:32:56We need that swine-ish, lying double-crosser.
00:32:58Did I hear my name?
00:32:59Rub-a-dub-dub.
00:33:00Three men and a tub.
00:33:03Tub?
00:33:07Been a change of plan, Billy-boy.
00:33:08You and I leaving for Africa.
00:33:10How's that?
00:33:11You and I are flying to Africa by the next plane.
00:33:13What's happened, Peters?
00:33:14Must be something important to get you on a plane.
00:33:16Perfectly simple, Billy-boy.
00:33:18The trouble with the oil pump and the general uncertainty
00:33:20about when the Anger will sail
00:33:22forces me to sacrifice my personal comfort.
00:33:24I prefer to fly rather than run the risk of arriving too late.
00:33:27There's also such a thing as arriving too early.
00:33:30What do you mean by that?
00:33:31Well, the land doesn't come up for auction for a couple of weeks.
00:33:34My friend can't make it move until then.
00:33:36If we sit around British East all that time,
00:33:38somebody's going to start wondering who we are and ask questions.
00:33:41Is that your real opinion, Billy,
00:33:43or are you just looking forward to a long sea voyage
00:33:45with the attractive Mrs. Chelm as your companion?
00:33:48Or perhaps you have even other reasons.
00:33:50Such as?
00:33:51That's for you to know and for us to find out.
00:33:53You'd better get your packing done.
00:33:58Billy!
00:34:00Where are you going?
00:34:01Off to Africa, flying.
00:34:03Just like that?
00:34:05Weren't you even going to kiss me goodbye?
00:34:13I wish...
00:34:14Don't say it.
00:34:15What?
00:34:16That you wish we'd never met.
00:34:18You'll be coming on the boat and in Africa we'll get together and...
00:34:20I think I hate you.
00:34:22Letting those revolting men order you about.
00:34:25Don't deny it. I've watched them.
00:34:27They treat you like a servant.
00:34:29They say, hop it and off you hop.
00:34:32I know what it is.
00:34:34They have a hold on you.
00:34:36Some black secret that could ruin you.
00:34:39What makes you think that?
00:34:41It happens all the time.
00:34:42My old Spanish nurse told me that
00:34:44half the people in the world would be ruined at once
00:34:46if everyone told what they knew.
00:34:48But couldn't we have them done away with?
00:34:53You must know plenty of people who could bump them off.
00:34:57It'd probably cost a good deal but it'd be worth it, certainly.
00:35:00It's not impossible except that afterwards I wouldn't have any money.
00:35:03This way I stand to make a lot.
00:35:05Millions?
00:35:06Maybe.
00:35:08Then perhaps your connection with those men isn't quite so indignified as I thought.
00:35:14Those millions, would they be pounds or dollars?
00:35:18Either way suits me.
00:35:20No, that's very careless of you.
00:35:22State of the pound is so uncertain.
00:35:24You must think in terms of hard currency.
00:35:27Maybe I should hire you to handle my affairs.
00:35:30You could do worse.
00:35:32I'm awfully intelligent, really.
00:35:34Come along, Billy boy. The car's waiting.
00:35:51On ne peut pas aller plus vite. On va manquer l'avion.
00:35:53Appuyez, appuyez!
00:36:02C'est un poste.
00:36:21Il faut le pousser. Pousse, pousse!
00:36:28Allez!
00:36:30Un, deux, trois!
00:36:36On y va!
00:36:38On y va!
00:36:40On y va!
00:36:41On y va!
00:36:42On y va!
00:36:43On y va!
00:36:44On y va!
00:36:45On y va!
00:36:46On y va!
00:36:47On y va!
00:36:48On y va!
00:36:50On y va!
00:37:15Très bien, très bien!
00:37:19Très bien, très bien!
00:37:50On ne va pas mourir ici.
00:37:55Il n' Dios que
00:38:15My car!
00:38:16My car!
00:38:17My beautiful car!
00:38:19You did that on purpose.
00:38:20What?
00:38:21You planned it that way.
00:38:22I know what you're up to.
00:38:23I know everything.
00:38:24I know about the uranium on the Chelm's land,
00:38:26the Chelm interest in the city of London.
00:38:28The what?
00:38:29You heard me, the Chelm interest.
00:38:30I take it your information comes from a reliable source.
00:38:32It does, from Mrs. Chelm herself, in fact.
00:38:34Magnificent.
00:38:35Simply magnificent.
00:38:36You must pay me back for the loss of my beautiful car.
00:38:39If you weren't a benighted jackass,
00:38:40if you could see as far as you could spit,
00:38:42you'd know there's no such thing as the Chelm interest.
00:38:44You'll have to do better than that, Mr. Danrother.
00:38:46Very much better than that.
00:38:47Don't believe me.
00:38:48Check with London.
00:38:49If you find out it's anything more than a down-at-heel
00:38:51Gloucestershire squire,
00:38:52you can have my services for nothing.
00:38:55You mean Mrs. Chelm is an unqualified liar?
00:38:58Well, let's say she uses her imagination
00:39:00rather than her memory.
00:39:01You will make restitution with no, Mr. Dan,
00:39:04either the money or a new car.
00:39:06Why, you fat bandit, I gave you the car in the first place.
00:39:09How I came by it is beside the point.
00:39:12The fact you gave it to me
00:39:14doesn't make it any the less mine.
00:39:16Shut up!
00:39:17That's right.
00:39:18Threaten me.
00:39:20It is not enough that you destroy my beautiful car.
00:39:23Now you...
00:39:37More than anything,
00:39:39I want Billy to make a grand success out there.
00:39:43As you care so much about money,
00:39:46I should have thought you would have left Billy for some rich man.
00:39:49I shouldn't think Billy would mind, really.
00:39:52I mean, neither of you are in love or anything.
00:39:55You are a strange girl.
00:39:58Of course I love Billy.
00:40:00Actually, I adore him.
00:40:02And Billy loves me very, very much.
00:40:07That's why I trust him with his little unimportant amours.
00:40:12And what does he say about yours?
00:40:14But darling, all husbands like their wives to seem attractive to other men.
00:40:23Be sure you explain that to Harry.
00:40:25I'm going back to the hotel.
00:40:33This is Dan Robert, Maria.
00:40:35I have, I'm afraid, I have some shocking news for you.
00:40:38The boat is not going at all?
00:40:40There's been a terrible accident.
00:40:42Your husband's car drove over a cliff.
00:40:45The people on the bus saw it fall into the sea.
00:40:47It seems almost certain, but...
00:40:49What is it? What are you trying to say?
00:40:54He's saying that Billy is dead.
00:40:57It's become necessary to redistribute the stock in our company.
00:41:01Stock? Stock? What good is the stock now?
00:41:04We can't deal with Darada's friend.
00:41:06Not without Darada.
00:41:08All the effort, the money, everything went over the cliff with that car.
00:41:14Ravello, you forget the English are very sentimental people.
00:41:17I tell you, there is nothing that Billy's friend will not do for his widow.
00:41:21And in black, she's a very touching figure.
00:41:27Poor Maria, you really have had a wretched time.
00:41:31You are very understanding.
00:41:34If only there was something I could do.
00:41:37Just now, if you could bring me an aspirin.
00:41:40I have a headache.
00:41:42Don't move. Just you wait there. I'll be back in a moment.
00:41:47Mussolini, Hitler, and now Peterson.
00:41:50A great man, a great loss.
00:41:54I'm going upstairs and reading my Bible.
00:42:00Why all the clothes?
00:42:03Maria has a headache.
00:42:08What's the matter with you?
00:42:10Go away.
00:42:12My dear girl, I'm as sorry about Dan Rather as you are.
00:42:14But after all, it's as if he was one of our oldest friends.
00:42:17I was in love with him.
00:42:18He was a very pleasant acquaintance.
00:42:20What did you say?
00:42:21I was in love with him.
00:42:23Really, darling, have you no control over your romantic fantasies?
00:42:26I loved it. Can't you hear me?
00:42:29I love you. I love you.
00:42:31Oh, Rost, you're just dramatizing again.
00:42:33By George, you were right after all.
00:42:36I did peg it.
00:42:38Oh, what shall I do?
00:42:42I feel as though I were drowning.
00:42:45He's dead.
00:42:48He's dead and I'm left with a fool like you.
00:42:52I'll tell you what to do. Have a bit of shut eye.
00:42:55You'll wake up in an hour feeling your old self again.
00:42:57And there'll be no more silly stories about falling for a middle-aged roustabout.
00:43:01Oh, please go away.
00:43:05Just take this to Maria.
00:43:14Mr. Chelm, this is very important for you as well as for myself.
00:43:18Yes, well, get on with it.
00:43:19There is now an opportunity for you to secure enormous profits with virtually no risk.
00:43:24I want to read about the Bush.
00:43:26Our papers...
00:43:27For you as Billy's widow, it will be very easy to persuade his friend in British East.
00:43:31And for capital, we have Chelm.
00:43:33You've been misinformed as to my interest.
00:43:47What's the matter with all of you?
00:43:49Somebody dead?
00:43:51A car. It went over a cliff.
00:43:53We thought you'd both been killed.
00:43:55I'm delighted to see you're alive, but your wife is in a fainting condition.
00:43:59You mean you're not dead at all?
00:44:01Obviously I'm not dead.
00:44:02I knew you weren't dead. I knew it.
00:44:04I counted 13 backwards 13 times.
00:44:06My old Spanish nurse said if you did that, a miracle would happen.
00:44:09And you see, it has.
00:44:11Ladies and gentlemen, I bring you the glad tidings.
00:44:15The captain is sober and the SS Nyanga will sail at midnight.
00:44:20Go! Go! Go!
00:44:22Go! Go!
00:44:33I can't see it anymore.
00:44:36What can have happened to it?
00:44:38My dispatch box, where is it?
00:44:39A black tin box this size. What have you done with it?
00:44:45I told you to take the most particular care of it.
00:44:47I shall not go on board till my dispatch box has been found.
00:44:49You're having trouble, Chelm?
00:44:50I think that I can't cope with myself, thank you.
00:44:58He says he put it in your cabin, whatever it is.
00:45:00Idiot! Why didn't he say so in the first place?
00:45:05Say, look.
00:45:06What's happened to Harry?
00:45:08You've been giving me the fish eye all evening.
00:45:10Oh?
00:45:11What is it?
00:45:12Perhaps it's because when I thought you were dead, I told him I was in love with you.
00:45:16You what?
00:45:17I couldn't help it.
00:45:18It made you seem less dead.
00:45:19And?
00:45:20Oh, he didn't believe me.
00:45:21He thought my nerves were upset.
00:45:23Sort of delirium.
00:45:25He thought it quite a joke.
00:45:26The idea of my inventing a love affair with a middle-aged roustabout like you.
00:45:30That's what he called you.
00:45:31Well, now that I'm back in the flesh, you'll begin wondering about that delirium of yours.
00:45:37I suppose seeing you alive is different from thinking of you dead.
00:45:41Because Greg cooped up on that tub with a suspicious husband.
00:45:45Billy.
00:45:50Let's not go.
00:45:51What do you mean?
00:45:55I'm asking you to run away with me.
00:45:58Now.
00:45:59What about the millions in hard currency?
00:46:01What's happened to you?
00:46:02I thought you were my shrewd little manager.
00:46:04I've changed my point of view.
00:46:07I thought we'd get to Africa and you'd be happy.
00:46:10But now I think it's all too risky.
00:46:12Too many things can happen.
00:46:14I want us to cut and run for it right now.
00:46:16You really mean that?
00:46:17With all my heart.
00:46:18No, that's impossible.
00:46:19Why?
00:46:20Well, for one thing, Mrs. Danrother might not go for the idea.
00:46:23She's not quite as sophisticated as you are.
00:46:25Please, Billy, listen to me.
00:46:26I've thought it all out.
00:46:28We'll take the bus and catch an express for some man...
00:46:30Oh, the shot's not on the table.
00:46:34I'm not going to run away with you.
00:46:36If I loved you a thousand times more than you say you love me,
00:46:38it still wouldn't make any difference.
00:46:39I've got to have money.
00:46:40Doctor's orders are that I must have a lot of money.
00:46:42Otherwise, I become dull, listless,
00:46:44and have trouble with my complexion.
00:46:46But you're not like that now and you haven't any money.
00:46:48It's my expectations that hold me together.
00:46:51You really mean that, don't you, darling?
00:46:53Sure, I mean it.
00:46:54And your main reason for wanting lots of money
00:46:56is so that you'll be ever so attractive to me
00:46:58and I'll be ever so attractive to you?
00:47:00I don't know.
00:47:01I don't know.
00:47:02I don't know.
00:47:03I don't know.
00:47:04I want lots of money so that you'll be ever so attractive
00:47:06and I'll love you more and more.
00:47:07That's right, baby.
00:47:09I'll help you, Billy.
00:47:11I can, too.
00:47:12I'm something of a witch.
00:47:14My old Spanish nurse said I could have been professional.
00:47:18Don't look now, but they're raising the gangway.
00:47:20What are you doing there?
00:47:22Have you stolen the most beautiful boat in the world?
00:47:51Good morning, Cheryl.
00:47:54Why, that's good.
00:47:55Very good indeed.
00:47:56I didn't know you were an artist, Mrs. Danrava.
00:47:58I'd hardly call myself that.
00:48:00I only dabble.
00:48:02The nose is not enough long.
00:48:04The ears are too small.
00:48:05Only has one eye.
00:48:06Now, come along, gentlemen.
00:48:07We must not dawdle.
00:48:10Blow the vent out, Bully.
00:48:12Blow the vent out.
00:48:14Blow, blow, blow the vent out.
00:48:17Blow the vent out.
00:48:20Good morning, Mrs. Chelm!
00:48:22Let's hope she breaks her neck.
00:48:24Blow the vent out, Bully.
00:48:26Blow the vent out.
00:48:27Blow the vent out, Bully.
00:48:29Blow the vent out.
00:48:31Blow, blow, blow the vent out.
00:48:36Give me some time to...
00:48:41Mister Pedersen.
00:48:43Mister Pedersen.
00:48:44Radiogram.
00:48:47Qu'est-ce que tu fous de ça ?
00:49:07Il est pas un « Gloucestershire spire » comme Billy l'a dit.
00:49:10Qu'est-ce que Billy a dit?
00:49:11J'étais en train de prendre Billy à sa valeur de visage.
00:49:14Mais si ce n'est pas ce que Billy a dit, alors qu'est-ce qu'il est?
00:49:18Nous sommes à la mer encore, mesdames, dans plus de façons que d'une.
00:49:21Mystère, plus de mystère.
00:49:23Billy est un menteur.
00:49:24Le Ciel ne sait que ce qu'est un chèvre.
00:49:26CID, peut-être.
00:49:28Vous avez emprisonné mon pensée.
00:49:29Qu'est-ce que vous faites? Qu'est-ce que vous faites?
00:49:31Le temps est venu pour l'action directe.
00:49:33Vous vous souvenez, la nuit dernière, quand nous sommes arrivés à bord,
00:49:36le boulot qu'il faisait sur sa boîte de départ?
00:49:40Quand nous nous sommes rechassés, il y avait le chat noir et la lumière bleue.
00:49:42Il n'y avait que l'humor.
00:49:55J'aime les couleurs.
00:49:57Travailler avec eux, c'est un puzzle inutile.
00:50:00Votre visage, par exemple, il y avait 10 minutes,
00:50:03il qui était vert et rouge.
00:50:06Tinge with green.
00:50:09Green?
00:50:12It must be getting rough.
00:50:14Just a little.
00:50:15Don't break the pose.
00:50:18I don't feel very well. I think I'll go below and take a pill.
00:50:27It's incredible. Harry Chalm is just...
00:50:29Just Harry Chalm.
00:50:30Nothing. Nobody. A ruddy refugee from Earl's Court.
00:50:33With a hot, hot bottle. Look.
00:50:35And a letter of introduction to the Secretary of the Governor.
00:50:38The Secretary, mind you. Disgusting.
00:50:42Purser!
00:50:43I boxed.
00:50:44A bit up and down, isn't it, sir?
00:50:46It's gone.
00:50:47Oh, yes, indeed. Major Ross took it.
00:50:49I saw him sneak it out of your cabin.
00:50:51I like to keep my eye on what goes on aboard the ship.
00:50:54Where did he take it?
00:50:55I believe Mr. Peterson's cabin. In fact, I'm sure.
00:51:04Ah!
00:51:08Now may I ask what explanation you have to offer?
00:51:14He forgot his hot water bottle.
00:51:21Billy!
00:51:22Come in.
00:51:25Billy, have you heard what's happened?
00:51:27I've seen the paper in days.
00:51:29It's not funny. They've stolen Harry's dispatch box.
00:51:32Who stole his dispatch box?
00:51:34That dreadful little Major. He took it to Peterson. They went through it.
00:51:38It's all your fault. I suppose you know that.
00:51:40My fault?
00:51:41With the poppycock you've been peddling.
00:51:43All that junk about the Chelm interest in London.
00:51:45Uranium on your land.
00:51:47Well, in a way, you're the one to blame.
00:51:49I'm the...
00:51:50I mean, you acted so superior.
00:51:52I was falling in love with you and I...
00:51:54I couldn't bear it for you to think I was just nobody.
00:51:57Married to the son of a boarding house in Earl's Court.
00:52:00The son of a what?
00:52:02A boarding house.
00:52:04That's what Harry's parents do.
00:52:06They run a boarding house for decayed gentlefolk.
00:52:09But the way he talks, the way he acts, I thought...
00:52:11It's just that he sees himself in a place in the West Country
00:52:14with trout streams and horses, leading the life of a country squire.
00:52:18It's not his fault if people take it for granted that he has a place like that.
00:52:22He's never once said that he had.
00:52:24Country gent, son of a boarding house or whatever he is.
00:52:27I suppose I'd better get his box back.
00:52:29Oh, he got it back himself.
00:52:31Well, then there's no harm done.
00:52:33Except that Harry's gone to the captain.
00:52:35He's going to have them put in irons.
00:52:37He is what?
00:52:38He says that's what they did in the Royal Marines.
00:52:41Look here, Skipper, there's a perfectly simple explanation for all this.
00:52:44I happen to own a dispatch box which is very similar to Mr. Chelms'.
00:52:47When I didn't find it in my cabin,
00:52:49I asked Major Ross to see if it had been stowed away somewhere else by mistake.
00:52:52The Major found what he thought was my box in the saloon with some other luggage.
00:52:56The box has been in my cabin ever since we sailed.
00:52:58Under the berth.
00:52:59As soon as I saw the box, of course, I realized at once that it wasn't mine.
00:53:03I simply opened it to find out to whom it belonged
00:53:05so that I could return it to its rightful owner.
00:53:07I can't conceive why this gentleman should imagine
00:53:10I should be interested in a box containing patent medicines.
00:53:13I'm not a hypochondriac.
00:53:16Purser, tell the captain exactly what you told me about the box.
00:53:19Why, sir, you asked me whether I'd seen it
00:53:22and I said it might be the one I'd seen being carried along the passage by Major Ross.
00:53:26You distinctly told me that you'd seen it being taken from my cabin.
00:53:29Oh, you must have misunderstood.
00:53:32You were rather ill at the time, if you remember, sir.
00:53:35That's all, Purser.
00:53:36He's been bribed. He's in league with these criminals.
00:53:40Just a case of a misunderstanding.
00:53:42That's how I look at it.
00:53:44Now, what about a little cognac to wash away any ill feeling?
00:53:47I don't care for a drink.
00:53:49And let me assure you that this matter is far from settled.
00:53:51While rifling through my personal effects,
00:53:53I feel certain that you must have noticed I had a letter of introduction
00:53:55to the Secretary of the Governor.
00:53:57I suspect he'll be much more interested in what I have to say
00:53:59than this gin-soaked so-called ship's captain.
00:54:02You mind your tongue!
00:54:03Any more interest, I'll put an end to it.
00:54:08As far as I'm concerned, this is a close incident.
00:54:16You've got your box back. Why don't you forget the whole thing?
00:54:19What possible interest do you expect the Colonial Office to take?
00:54:22On the contrary, I expect them to show considerable interest
00:54:24in a gang of crooks who are trying to swindle the country
00:54:26out of vast uranium deposits.
00:54:36Just one moment, sir.
00:54:38What leads you to believe?
00:54:40This gentleman obviously hasn't seen fit to inform you
00:54:42that during your supposed demise,
00:54:44he attempted to lure me into your nefarious venture.
00:54:47Unfortunately for you, he acquainted me with all the pertinent facts,
00:54:50facts which I intend to communicate to the proper authority
00:54:52at the very earliest opportunity.
00:54:56I thought you were dead. That's what they told me.
00:54:59Everyone told me you were dead.
00:55:01And if you were dead, we head to a fresh capital, didn't we?
00:55:04You, Ravello, my own partner,
00:55:07sneak up behind my back and try to cheat me.
00:55:11The milk's spilt. It's no good crying over it.
00:55:13Get after him, Billy. Calm him down. Talk to him.
00:55:15See if you can't get him to change his attitude.
00:55:17I'll try, but I don't think it'll do any good.
00:55:19I don't know why we have to worry about Chelm's attitude.
00:55:21Talk's no good. Conversation never convinced anybody.
00:55:24I say put an end to her. Shut up, Jack.
00:55:27Time factor has entered the picture again.
00:55:29This time, fortunately, it's working on our side.
00:55:32Two weeks before we reach port.
00:55:34That should be plenty of time to convince our friend, Chelm.
00:55:37I beg you. Please end all this trouble.
00:55:41If things go on, either you will be done away with
00:55:43before we ever get to Africa,
00:55:45or you will leave and denounce Peterson to the authorities.
00:55:48And that will be the ruin of all my plans and hopes.
00:55:52In the long run, you'll do much better to get rid of these people.
00:55:55They're thoroughly undesirable.
00:55:57The long run? I'm tired of the long run.
00:56:00I am not even thinking about them, or about myself.
00:56:04It's only you that concerns me, Harry.
00:56:07No need to worry about me.
00:56:09Ever since I met you, you feel my thinking.
00:56:13You are becoming an obsession.
00:56:17Don't you understand, Harry?
00:56:19I am deeply in love.
00:56:23Maria.
00:56:26My dear.
00:56:40Only you could make a woman feel like this.
00:56:44All I want is to be in your arms, now and always.
00:56:50You forget I'm going to be done away with.
00:56:52Oh, no, no. It will be easy to arrange.
00:56:54What you must do is this.
00:56:56You will write me a letter.
00:56:58A love letter.
00:56:59You will tell me that you cannot denounce Peterson,
00:57:02because then I will suffer, too.
00:57:05Because you love me so much, you cannot bear to hurt me.
00:57:10Such a letter they will believe if I show it to them.
00:57:13My dear girl, you must see that this is quite out of the question.
00:57:16I don't propose to make compromises.
00:57:18Not compromises, Harry, darling.
00:57:21But you can see, if you cause trouble to all of our plans,
00:57:24my plans,
00:57:27you would not want to make the innocent suffer.
00:57:32It would be much better if you don't interfere, Maria.
00:57:34I must handle this as I see fit.
00:57:36Then you intend to go ahead with this business,
00:57:39tell stories and ruin everything?
00:57:41It will be much better if you cut loose from these people.
00:57:43No happiness can come from such an association.
00:57:45Harry, I'm asking you not to do this.
00:57:48Please, write a letter.
00:57:50Then there will be no trouble for you, no trouble for us,
00:57:52no risk when we get to Africa.
00:57:55I'm sorry, my dear. We English are a very pig-headed lot.
00:57:58You think you can get away with this?
00:58:00But Maria, my dear good Maria, listen.
00:58:02First you made love to me.
00:58:04Now you tell me you will ruin me.
00:58:06You'll forgive me, but it was you who made...
00:58:08Oh, shut your trap. Go on, do what you like.
00:58:11You think you're such a brave man.
00:58:13I'll tell you what you are.
00:58:15You are a heel.
00:58:21What's happening? What's going on here?
00:58:23The oil pump's on the blink. The electricity's fading.
00:58:25What a folly. A ship lying in darkness this way?
00:58:27We might well be rammed at any minute.
00:58:29I'll tend to this myself. Which way is the engine room?
00:58:31The passengers are not...
00:58:32I'm sure your chief engineer would welcome the advice
00:58:34of an ex-officer of the Royal Marines.
00:58:38The ship's breaking everything.
00:58:40It's not touching anything.
00:58:42It's breaking everything.
00:58:44It's breaking everything.
00:58:46It's not touching anything.
00:59:09You mean to say he's drunk?
00:59:11The fellow ought to be made to walk the plank.
00:59:13I'm afraid just now he cannot walk at all.
00:59:15This is outrageous.
00:59:16Sit down, old man. What have you got to worry about?
00:59:18We're only adrift in an open sea
00:59:20where the drunken captain of an engine
00:59:22is liable to explode at any moment.
00:59:23It's a perfectly ordinary situation.
00:59:25It happens every day.
00:59:27But just in case any of you are still at all anxious,
00:59:30let it be known that Mr. Chelm
00:59:32has taken charge in the engine room.
00:59:34Who's taken charge?
00:59:36And he'll foozle it for sure.
00:59:38Shall I get out the hymn books?
00:59:40Your husband claims to have learned
00:59:42all about engines and such things
00:59:44when he was an officer in the Royal Marines.
00:59:46If he ever was.
00:59:48In point of fact, not only was he an officer,
00:59:50but he once won a medal for jumping into a sea of fire
00:59:52to rescue someone.
00:59:54It's only a bit of wreckage and not a man,
00:59:56but that wasn't Harry's fault.
00:59:58Just a slight error in judgment.
01:00:02Oh, the lights, they come on.
01:00:04He must have fixed it.
01:00:06Impossible. The engines are turning.
01:00:08We are underway.
01:00:10I still say it's impossible.
01:00:12Ladies and gentlemen,
01:00:14may I have your attention for a moment?
01:00:16I'm happy to inform you that the oil pump
01:00:18is now in perfect working condition.
01:00:20Putting it right was no great accomplishment
01:00:22for anyone with the slightest mechanical bent.
01:00:24Anyhow, we may now proceed without further delay
01:00:26and in absolute safety.
01:00:30Oh, Harry, you did, you did, you foozled it.
01:00:32It must be you wrecked my ship.
01:00:34Where is it?
01:00:36I can't tell you.
01:00:38Captain wants to see you.
01:00:40There you are, you devil.
01:00:42You wrecked my beautiful ship.
01:00:44Nothing of the sort.
01:00:46Some scallywag down there sabotaged my work
01:00:48out of pure malice.
01:00:50Keep your head down.
01:00:52Stay out of this, Dan Rather.
01:00:54I can handle the boat.
01:00:56What's happened now?
01:00:58Do we get the life abeyance?
01:01:00There's no immediate danger.
01:01:02The passengers were pleased to return to the saloon.
01:01:04We're heading for the nearest port
01:01:06and there seems to be some chance of our making.
01:01:08Right, let's go.
01:01:12Come along.
01:01:18Now, who was last down?
01:01:20Last.
01:01:24Billy boy, be a good fellow and make a forth the bridge.
01:01:26The major has no head for cards.
01:01:28A few rubbers will soothe all our nerves.
01:01:30Thank you. I'll soothe mine with a double scotch.
01:01:32In fact, I think I'll make it a triple.
01:01:34No ice, no water. That's it.
01:01:36How about you, dear Mrs. Dan Rather?
01:01:38A little bridge?
01:01:40Oh, so sorry. I have the most fearful headache.
01:01:42I think I'll go to my cabin.
01:01:48Oh, what a shame.
01:01:50Well, boys, we'll have to make it cutthroat.
01:01:52What about Harry here? Maybe he'll take a hand.
01:01:54That, under the circumstances, is a most unsuitable suggestion.
01:01:56Gwendolyn, I must ask you to either move to another table
01:01:58or else leave us alone.
01:02:00Oh, Harry, for heaven's sake.
01:02:02I don't care for my wife to associate
01:02:04with an associate of criminals.
01:02:06Don't be absurd. Billy's not a criminal.
01:02:08He's the best friend we have on this boat.
01:02:10We're not in need of such friends.
01:02:12You don't need any friends you can get.
01:02:14The only thing standing between you and a watery grave
01:02:16is your wits.
01:02:18That's not my idea of adequate protection.
01:02:20Purser, how much longer before this ship reaches port?
01:02:22If we ever do get to port,
01:02:24it should be within 14 or 15 hours.
01:02:26That's a long time.
01:02:28Sit down. Make yourself comfortable. Have a drink.
01:02:30Enjoy the Major's piano recital.
01:02:32Come on, Peterson.
01:02:34Buy us a drink.
01:02:36I'm afraid I can't accept hospitality from persons
01:02:38whom I intend, in a few hours' time,
01:02:40to denounce in a place of justice.
01:02:42Two spades.
01:02:44I admire your sans-floir, Mr. Peterson.
01:02:46Or perhaps you don't think I'm serious.
01:02:48We shall see.
01:02:50Stay, Krabs.
01:02:52Gwendolyn, how are you going to do as I say?
01:02:54Not when you speak to me in that tone.
01:02:56Not when you try to order me about.
01:02:58In that case...
01:03:00Where are you going?
01:03:02On deck, where the air is less polluted.
01:03:08Purser, four tonics.
01:03:10I think you'd better go after Harry.
01:03:12Why should I,
01:03:14if he's going to be so childish and unreasonable?
01:03:16Take my advice, go to him. Stay with him.
01:03:18I suppose you think
01:03:20we should keep up appearances.
01:03:22The loyal wife at her husband's side.
01:03:24No, Billy.
01:03:26I'm experiencing something that is rare and beautiful.
01:03:28And I shall not deny it,
01:03:30either by word or by deed.
01:03:32I love you. Let the whole world know it.
01:03:34I love you, I love you.
01:03:36Keeping up appearances isn't exactly what I meant.
01:03:38Then why do you want to send me
01:03:40tagging after Harry?
01:03:42He's being such a deadly bore tonight.
01:03:44Deadly, but not dead. Not yet.
01:03:46What do you mean?
01:03:48Because they thought he might try to get in their way.
01:03:50Now, handsome Harry, he's certain
01:03:52to blow the whole thing wide open.
01:03:54They killed a man? Really?
01:03:56Who?
01:03:58Just a man.
01:04:00Well...
01:04:02For all Harry's being too, too tiresome
01:04:04and my loving you to distraction,
01:04:06I still wouldn't want to see him done in.
01:04:08He has some perfectly darling traits, really.
01:04:10I mean, like always remembering
01:04:12one's birthday.
01:04:14No, we simply mustn't let anybody
01:04:16marry Harry.
01:04:18Keep him in your cabin. Never let him out of your sight.
01:04:20Keep him under lock and key.
01:04:22Oh, really,
01:04:24that awful music.
01:04:26It's so loud, it comes right into our cabin.
01:04:28Peterson,
01:04:30tell the major to start pedaling.
01:04:32And while he's about it,
01:04:34he might change the tune.
01:04:36Oh, don't you like it? It's one of my favorites.
01:04:38I'm afraid he doesn't know any others.
01:04:40Do you, Jack?
01:04:42Oh!
01:04:46Major!
01:05:16Do I hear a lady screaming?
01:05:18One down.
01:05:22Captain!
01:05:24Captain!
01:05:40What happened?
01:05:42I don't know.
01:05:44What happened?
01:05:46Oh, Billy, all that screaming.
01:05:48I thought someone had been killed.
01:05:50Someone nearly was. Indeed they were. Look at the major.
01:05:52Better get a new act, Peterson. The curtain's going down on this one.
01:05:54Every time I turn my back, someone makes trouble.
01:05:56The passengers break the engine,
01:05:58they beat each other at the feet, and they throw each other overboard.
01:06:00That man attacked me.
01:06:02Ah, you! You again!
01:06:04If I struck him, it was in self-defense.
01:06:06He came sneaking up behind me and tried to run me through with his sword.
01:06:08Is that true?
01:06:10It's no use, Billy.
01:06:12I'm not trying to protect Harry any further.
01:06:14I may as well tell the whole truth.
01:06:16Captain,
01:06:18it grieves me to confess this,
01:06:20but in point of fact,
01:06:22my husband has an illness of the mind.
01:06:24The medical word for it
01:06:26is paranoia.
01:06:28On occasion, he displays homicidal tendencies.
01:06:30The psychiatrists say it's because
01:06:32he believes people
01:06:34are plotting against him,
01:06:36and so he strikes back and tries to kill them.
01:06:38Gwendolyn! For heaven's sake, woman!
01:06:40What's the meaning of this treachery?
01:06:42Believe it or not, Harry, I'm doing it for your own good.
01:06:44He knows! He saved my life!
01:06:46He'll tell the truth!
01:06:48I wouldn't contradict the lady.
01:06:50You're wrecking my ship! You're trying to kill the passengers!
01:06:52But I'm trying to save Percival's ship!
01:06:54Let me go! I'll kill the lot of you!
01:06:56I warned you, Captain!
01:06:58Poor Harry.
01:07:00It's awfully sad.
01:07:02We've tried everything to cure him.
01:07:04How dare you lay hands on me!
01:07:06You hooligans!
01:07:08I'll have you put in irons!
01:07:10You'll be the ones in irons!
01:07:12Good, good! We'll have no trouble from you!
01:07:16Scum! Mongrels!
01:07:18I'll bring you to book, every one of you!
01:07:20Every man, jack of you!
01:07:24After all, it was the only solution.
01:07:26Harry's safely locked in his cabin
01:07:28where those beastly men can't do him any harm.
01:07:30On the other hand,
01:07:32he can't say or do anything now
01:07:34to interfere with your making that fortune in Africa.
01:07:36I mean, the authorities would hardly listen
01:07:38to the ravings of a lunatic, would they?
01:07:40They won't even let him off the boat.
01:07:42Well, in that case,
01:07:44he'll just have to stay shut up for a few weeks.
01:07:46It's a good heart on the old boy, don't you think?
01:07:48Yes, but
01:07:50after you've amassed all those African millions,
01:07:52we'll make it up to him.
01:07:54We'll buy him a country place
01:07:56in Gloucestershire
01:07:58with some rough shooting
01:08:00and a trout stream like he's always wanted.
01:08:02Maria will marry him, perhaps.
01:08:04She seems to have a very real feeling
01:08:06for English country life.
01:08:08And everybody lives happily ever after.
01:08:10Especially us, Billy.
01:08:16What's going on?
01:08:18I believe, sir, that we're sinking.
01:08:20Board station, everybody!
01:08:22We're sinking!
01:08:26Harry! Harry, open the door!
01:08:28The ship's sinking!
01:08:34What are you doing?
01:08:36Pull over!
01:08:42Pull over!
01:08:48Harry, Harry!
01:08:50What are you doing there?
01:08:52What are you doing there?
01:08:54Pull over!
01:08:56Chez Mario?
01:08:59Idiots, rentrez!
01:09:03Vous avez détruit la vieille banque de Bordeaux.
01:09:12Écoutez!
01:09:13Ca vaut mieux se faire en Alzheimer ou moins.
01:09:18Je vais t'éliminer.
01:09:20C'est toi le gros idiot!
01:09:22Allez, à l'hôpital!
01:09:24Brigadier! Calate l'autre! Lâche ambare! Presto! Presto!
01:09:29Bordate la giù! Brigadier! Brigadier!
01:09:33Palla! Palla! Giù!
01:09:43Presto! Lâchate la giù!
01:09:46Imbarcate le palaguet!
01:09:49Calate l'autre! Lâche ambare! Pornate la giume!
01:09:52Nous ne pouvons pas. Nous ne pouvons simplement pas partir sans savoir ce qui s'est passé à Harry.
01:09:56Peut-être qu'on va le rencontrer là-bas. Il est un fort chasseur, n'est-ce pas?
01:09:59Vous ne le saurez pas.
01:10:00Je ne dis pas que nous le saurons, mais c'est possible, tout est possible.
01:10:16Harry!
01:10:22Harry!
01:10:53Où pensez-vous que nous sommes?
01:10:55L'Afrique.
01:10:56Quelle partie de l'Afrique?
01:10:57Oui, c'est important. Quelle partie?
01:10:59Ce n'est pas un mauvais endroit pour tomber. Pas de customs, pas de formes à filer.
01:11:02Dites-nous d'une seule fois où nous sommes. C'est important, je sais.
01:11:05Vous voulez dire qu'il y a des parties de la Continent sombre où vous ne serez pas reçu comme le soleil prodigal?
01:11:09Arleo.
01:11:10Quoi?
01:11:11Arleo.
01:11:17Arleo!
01:11:19Arleo!
01:11:22Il vaut mieux se coucher, tout le monde.
01:11:27Enlèvez vos passports, les garçons.
01:11:29Mme Chow, Billy Boy, mon identité doit rester à Sydford.
01:11:52Allons!
01:12:19Arleo, quelle est ça?
01:12:20C'était une compagnie qui vendait des armes aux légions arabes.
01:12:23Attends, ça sonne.
01:12:25Certaines de nos armes étaient défectives.
01:12:28Elles étaient trop longtemps sous l'eau, dans le golfe de l'Aité.
01:12:31Les Arabes ont dit qu'ils avaient perdu la guerre à cause des armes et de la munition.
01:12:35S'il vous plaît, s'il vous plaît, si vous continuez comme ça, je...
01:12:37Je vais te voir tiré et arrêté.
01:12:50Tais-toi.
01:12:51Viens.
01:12:53Tais-toi.
01:12:54Tais-toi.
01:12:57Viens.
01:12:59Viens.
01:13:00Viens.
01:13:20Bougez pas.
01:13:21Reste à la maison.
01:13:43On est des premières.
01:13:45Un gros bateau,
01:13:47va en bas.
01:13:48Au profond.
01:13:50C'est un petit bateau, qui roule du jour au lendemain et du soir.
01:13:57Il n'y a qu'une seule façon de gérer ces poissons,
01:13:59c'est d'aller chez eux et les battre dans le ventre.
01:14:01Montrez-leur qui est le boss, tout de suite.
01:14:03Nous voyons la terre.
01:14:05Votre terre.
01:14:07Priez à Allah.
01:14:09Arrivez sur la mer.
01:14:11Tout d'un coup, boum, boum, boum.
01:14:13Il n'y a pas de bonne façon de traiter les bateaux, les gens.
01:14:16Priez pour donner vos passaports.
01:14:38Il me semble qu'il y a quatre missions.
01:14:40Ceux qui n'ont pas envoyé leurs passaports,
01:14:43s'il vous plaît, gardez-les.
01:14:50Tout est resté sur le bateau, Votre Excellency.
01:14:53Une expérience terrifiante.
01:14:55Une équipe incompétente, un bateau brûlant,
01:14:58mis au bord d'un petit bateau au jour au lendemain.
01:15:00Quel était le nom du bateau?
01:15:02Le SS Nyanga. C'est un bateau portugais.
01:15:05J'investiguerai si un bateau comme celui-ci
01:15:07a été déclaré perdu à la mer.
01:15:09Pourquoi, Votre Excellency,
01:15:11devrions-nous venir au bord d'un petit bateau
01:15:13si ce n'était pas un bateau brûlant?
01:15:15Notre pays est en état d'arrestation.
01:15:17Je suis désolé.
01:15:19Les agents de certains gouvernements étrangers
01:15:21tentent parfois d'y entrer à l'aide d'espionneurs,
01:15:24en espérant trouver les flammes de la révolution.
01:15:28C'est pourquoi nous vérifions attentivement
01:15:31les activités des étrangers.
01:15:33Mais sûrement, Votre Excellency, dans notre cas,
01:15:36ce n'est pas suffisant pour vous convaincre de notre innocence.
01:15:54Non.
01:15:56Un regard n'est pas suffisant.
01:16:02Si vous pensez que nous sommes les ennemis de votre pays,
01:16:05il est logique de nous faire sortir.
01:16:07Envoyons-nous à l'arrivée d'un bateau ou d'un train.
01:16:10Nous n'avons pas d'objection.
01:16:11Nous avons d'importants affaires à l'étranger.
01:16:13Où est-ce à l'étranger?
01:16:15L'Afrique centrale.
01:16:17Et quel genre d'affaires?
01:16:20Les nettoyeurs de vacuums, les machines de nettoyage.
01:16:22Ah, oui.
01:16:24Les gens de l'affaire
01:16:26vont à l'Afrique centrale pour vendre des nettoyeurs de vacuums.
01:16:30Ah, oui.
01:16:31Je suppose que c'est de l'arrivée à l'arrivée.
01:16:34Et vous, Monsieur, je le considère comme le chef du groupe.
01:16:39Oh, non, pas de groupe.
01:16:41Nous nous sommes rencontrés pour la première fois sur un bateau.
01:16:44Des étrangers complètement différents.
01:16:46Liard!
01:16:47Les autres vous regardent chaque fois que je leur pose une question.
01:16:50Je suis un observateur.
01:16:52Vous êtes tous ensemble.
01:16:54Oh, non, mon frérot.
01:16:56Je ne suis pas un natif simplement pensé.
01:16:59Si vous êtes un natif simplement pensé, vous me prenez pour un fou.
01:17:02Je suis un grand homme.
01:17:03Un homme sérieux.
01:17:05Je vous déchire aussi.
01:17:07Je vous déchire toute votre vie.
01:17:09C'est la mauvaise nouvelle, Peterson.
01:17:11Il n'y a qu'une seule façon de gérer ces espions.
01:17:13Espions.
01:17:14Espions.
01:17:15Espions.
01:17:16Vous devriez faire attention.
01:17:18Mon mari, mon vieil mari,
01:17:20qui s'est endormi dans la catastrophe de Niagara
01:17:22est l'un des personnes les plus importantes dans le gouvernement britannique.
01:17:25Sir Harry Chelm.
01:17:27Nous avons reçu des lettres du premier ministre et de la reine
01:17:30qui demandent à tout le monde d'être particulièrement prudents
01:17:32avec nous et nos amis.
01:17:34Vous verrez, s'il y a de l'harme à vos mains,
01:17:37cela deviendra un grand incident international.
01:17:40Est-ce que vous pourriez instruire celui-là
01:17:42que dans mon pays,
01:17:44une épouse peut bouger
01:17:46mais que ses mots ne sont pas touchés?
01:17:48Harry.
01:17:49Harry.
01:17:52Si seulement vous étiez là.
01:17:55Et maintenant, monsieur,
01:17:57vous arrêtez d'abuser de mon intelligence
01:17:59et dites-moi qui vous êtes vraiment
01:18:01et quel est votre vrai but d'être ici.
01:18:04Je suis un malade. J'ai un mal au coeur.
01:18:06Je ne parle plus.
01:18:07Vous refusez d'y répondre.
01:18:09C'est intéressant.
01:18:11Cela en fait une compétition.
01:18:13Une compétition dans un jeu auquel nous nous concentrons.
01:18:16Nous, dans ce pays,
01:18:18avons 4000 ans d'expérience
01:18:21en demandant des questions
01:18:23et en demandant des réponses.
01:18:25Qui êtes-vous?
01:18:27Pourquoi êtes-vous ici?
01:18:29Ne me frappez plus.
01:18:31Mon coeur a été attaqué.
01:18:54Laissez-le tranquille.
01:19:00Billy a vécu une vie délicate.
01:19:03Je pensais qu'il avait plus de dos que ça.
01:19:05Des dos.
01:19:07Tu en as ou tu n'en as pas.
01:19:09Tu as vu le coup que j'ai pris
01:19:11à la main de cet imbécile sans même flincher.
01:19:14Billy avait peur
01:19:16et ils l'ont même touché.
01:19:19Dis-moi plus sur Rita Hayworth.
01:19:22Tu la connais bien?
01:19:24Je la connais?
01:19:26Je la connais.
01:19:27Je te donnerai une introduction.
01:19:29Elle sera une victime immédiate de tes charmes.
01:19:31Tu penses vraiment?
01:19:33Certainement. Un homme comme toi.
01:19:35Suave, intelligent,
01:19:37doucement beau.
01:19:39Tu as tout, Ahmed, sauf de l'argent.
01:19:42Et si tu m'écoutes,
01:19:44un bateau sera mis à notre disposition,
01:19:46un bateau très lent,
01:19:48pour que Fat Guy's cheque ait assez de temps.
01:19:50Et tu vas m'avouer ton argent?
01:19:53Est-ce qu'un homme du monde
01:19:55demande à un autre d'avouer son propre frère?
01:19:57Non, Ahmed.
01:19:59Tu me donneras un cheque pour la moitié.
01:20:01Tes besoins sont très grands
01:20:03sous ces circonstances.
01:20:05Pourquoi ne le sont-ils pas?
01:20:06Fat Guy est mon meilleur ami.
01:20:08Je ne l'abandonnerai pas facilement.
01:20:10Tu es sûr que tu es l'ami de Rita Hayworth?
01:20:13Viens, Ahmed.
01:20:15Bien, retour au boulot.
01:20:17Très bien.
01:20:1850-50.
01:20:20Fat Guy n'est pas noble comme nous.
01:20:23Il peut tenter de bargainer.
01:20:25Je ne bargaine pas avec un pauvre comme lui.
01:20:27C'est sous ma dignité.
01:20:29Il va pleuvoir bientôt.
01:20:31C'est la bonne heure pour un équipe de tir.
01:20:33Mais si on l'a tiré,
01:20:35qu'est-ce de l'argent?
01:20:37Je pensais que s'il avait eu un vol
01:20:39à un moment psychologique,
01:20:41il n'allait pas être si impliqué.
01:20:43Je crois que tu dois avoir du sang arabe.
01:20:48Les Westerners ne sont pas souvent si subtils.
01:20:58Regarde-moi!
01:21:00Regarde-moi!
01:21:04Où m'emmènes-tu?
01:21:05Je n'y vais pas.
01:21:06Je demande de voir un médecin.
01:21:08Dirais-tu qu'en Paris,
01:21:11entre les gens intelligents,
01:21:14les Rolls-Royces
01:21:16ou les Cadillacs,
01:21:18il est considéré plus chic.
01:21:21Ce n'est pas un problème du tout.
01:21:24Un homme de ta position devrait avoir les deux.
01:21:33Je crois que M. Donnerather
01:21:35aimerait parler avec vous.
01:21:38Billy!
01:21:39Asseyez-vous, Peterson.
01:21:45J'ai parlé à Armand et...
01:21:56C'est un blackmail.
01:21:58Je ne peux pas payer.
01:22:05Qu'est-ce que c'est?
01:22:07C'est le jour de l'exécution.
01:22:10Va-t-il prendre un chèque?
01:22:41Nous avons rencontré un groupe de cannibales.
01:22:43Nous avons rencontré un groupe de cannibales.
01:22:46Nous avons rencontré un groupe de cannibales.
01:22:49Nous avons rencontré un groupe de cannibales.
01:22:52Arrêtez-vous!
01:22:55Arrêtez-vous!
01:22:57Arrêtez-vous!
01:22:58Si vous essayez d'entrer, je vous tirerai.
01:23:01Je vous tirerai.
01:23:03Prenez mon pistolet.
01:23:06Donnez-le lui.
01:23:07Peut-être qu'il s'en tirera.
01:23:09Meagan!
01:23:27Excusez-moi.
01:23:28Vous êtes Mr. Williamson?
01:23:30J'aimerais vous poser quelques questions.
01:23:32Désolé, pas maintenant.
01:23:33Pardonnez-moi, mais c'est important.
01:23:35Oui, c'est toujours important.
01:23:37Vous m'avez appelé en disant que tout le monde était héroïque,
01:23:39sauf Mme Danrother, qui a mangé nos chaussures.
01:23:42C'est amusant, mais je ne suis pas un rapporteur.
01:23:45Jack, allez à l'appel.
01:23:47Préparez-vous.
01:23:48Le premier vol à Nairobi, six sièges.
01:23:50Si ils n'ont pas d'avis, parlez au bonhomme
01:23:52et dites-lui que si il tire des gens après le vol,
01:23:54ça ne fera pas son travail.
01:23:56J'ai toujours dit qu'il fallait prendre un vol.
01:23:58Vous vous rappelez, j'ai dit à Mr. Horror
01:24:00qu'il fallait prendre un vol.
01:24:01Il ne faut pas s'embêter.
01:24:02Beaucoup de choses à faire et peu de temps.
01:24:04Ce sont les autres membres de votre parti?
01:24:05Oui.
01:24:06J'aimerais parler à eux aussi.
01:24:08Qu'est-ce que c'est que ça?
01:24:09Je crois que vous avez rencontré un Mr. Van Meer,
01:24:11qui est maintenant décédé.
01:24:15Lierson, vous et les garçons,
01:24:16vous devriez rentrer.
01:24:17Ce monsieur veut vous parler
01:24:19de Mr. Jack Clayton de Scotland Yard.
01:24:22Prenez votre vin ici ou en haut, Mr. Danrother.
01:24:24Nous l'avons ici.
01:24:25Vous voulez nous rejoindre pour un verre, Clayton?
01:24:27Non, merci. C'est un peu tôt pour moi.
01:24:29J'ai lu quelque part
01:24:30que le garçon de Scotland Yard
01:24:31n'accepte jamais un verre
01:24:32de celui qu'il veut arrêter.
01:24:34C'est vrai, Mr. Clayton?
01:24:35Très vrai.
01:24:36Mme Danrother?
01:24:37Non, je suis Mme Chelm.
01:24:39C'est Mme Danrother.
01:24:41Comment allez-vous?
01:24:42Je ne rêverais pas d'alarmer
01:24:44ces belles dames.
01:24:45Peut-être que j'aurai un verre
01:24:46pour vous après tout.
01:24:48Peterson, comment allez-vous?
01:24:50Comment allez-vous?
01:24:51Bravo.
01:24:53Et Mr. O'Harault.
01:24:55O'Harault.
01:24:56Julius O'Harault.
01:24:57Enchanté.
01:24:58Je ne suis pas enchanté.
01:24:59Il a commencé à sembler
01:25:00que je n'arriverai jamais
01:25:01à vous rencontrer.
01:25:02Cela aurait été
01:25:03un peu embarrassant.
01:25:04Vous voyez, c'est la première fois
01:25:05que je n'ai jamais été à l'étranger
01:25:06pour une enquête.
01:25:07J'ai dépensé
01:25:08assez d'argent.
01:25:09Et mon chef peut être
01:25:10très sarcastique
01:25:11sur l'argent que l'on dépense,
01:25:12en particulier si vous n'arrivez
01:25:13pas à délivrer les bons.
01:25:15Mr. Clayton est actuellement
01:25:16intéressé au cas de la mort de Vanmere.
01:25:18Le cas de la mort de Vanmere?
01:25:20Oh, oui, oui.
01:25:21Cet homme dans l'office colonial.
01:25:22Oui, j'ai lu ça
01:25:23dans le papier.
01:25:24C'était une affaire choquante.
01:25:26Selon le livre d'appointement
01:25:27de Mr. Vanmere,
01:25:28Mr. Peterson,
01:25:29vous avez déjeuné avec lui
01:25:30à la Savoye
01:25:31quelques jours avant sa mort.
01:25:32C'est tout à fait correct.
01:25:33Mr. Vanmere
01:25:34était un expert
01:25:35sur les affaires africaines.
01:25:36Nous voulions son conseil
01:25:37sur les affaires
01:25:38dans l'Ouest britannique.
01:25:39Vous vous rappelez
01:25:40le sujet et la discussion?
01:25:41Vaguement.
01:25:42Cropiode.
01:25:43La situation du travail natif.
01:25:45Inches of rain.
01:25:46Vaccination.
01:25:47Shorts.
01:25:48Combien de temps
01:25:49vous connaissez, Mr. Vanmere?
01:25:50Oh, quelques mois.
01:25:51On s'est rencontrés
01:25:52une demi-douzaine de fois.
01:25:53Avez-vous jamais mentionné
01:25:54d'ennemis?
01:25:55Business ou autre?
01:25:56A-t-il dit quelque chose
01:25:57sur l'attachement romantique?
01:25:58A-t-il nommé des femmes?
01:25:59Non.
01:26:00J'aurais dû être très surpris
01:26:01s'il l'avait fait.
01:26:02Mr. Vanmere
01:26:03m'a considéré
01:26:04comme un gentilhomme
01:26:05à chaque inche.
01:26:06Bien sûr, bien sûr.
01:26:07Eh bien, c'est tout.
01:26:09A moins que quelqu'un
01:26:10ait plus à dire.
01:26:13J'en ai.
01:26:18Je pense que vous devriez savoir
01:26:19que l'affaire
01:26:20d'un d'entre ces hommes
01:26:21est un meurtre.
01:26:24Ah oui?
01:26:25Oui.
01:26:26Je vous prie de pardonner.
01:26:28Major Ross, je veux dire.
01:26:30Je ne peux pas garantir
01:26:31que Major Ross a tué
01:26:32cet homme Vanmere.
01:26:33Je vous assure, cependant,
01:26:34qu'il a tenté
01:26:35de tuer mon mari
01:26:36avec une longue,
01:26:37douce poignée
01:26:38qu'il a toujours portée
01:26:39dans ce qui ressemblait
01:26:40à un bâton innocent.
01:26:42Allez, Mme Cho.
01:26:43Vous voyez,
01:26:44Major Ross
01:26:45est employé
01:26:46par Mr. Peterson
01:26:47pour faire son boulot.
01:26:49On pourrait dire
01:26:50qu'il est un meurtre professionnel.
01:26:51Mon mari a trouvé
01:26:52certaines choses
01:26:53sur Mr. Peterson.
01:26:54Des choses importantes
01:26:55qui sont en fait
01:26:56une affaire d'empire
01:26:57qui implique, comme ils le font,
01:26:58un plan pour exploiter
01:26:59les ressources de l'uranium
01:27:00de notre royaume.
01:27:01Et c'est pour cela
01:27:02que Mr. Peterson a décidé
01:27:03de le faire partir.
01:27:04Ne partez pas, Mr. Peterson.
01:27:06C'est toujours tantamount
01:27:07à une confession de guilt.
01:27:09Tantamount,
01:27:10c'est ce que j'appelle.
01:27:11Plus de champagne, Clayton?
01:27:13Non, merci.
01:27:26Comme je l'ai dit auparavant,
01:27:28ils sont vraiment
01:27:29très intelligents.
01:27:33Pensez-vous à moi
01:27:34dans Earl's Court?
01:27:36C'est là que je serai
01:27:37pour aider Harry et ses parents
01:27:38avec les marchés.
01:27:39Pensez-vous à moi?
01:27:41Essayez de ne pas
01:27:42la laisser être
01:27:43trop malheureuse.
01:27:45Tu l'as aussi, Billy.
01:27:47Et dis-lui
01:27:48qu'elle n'est pas malheureuse.
01:27:50Je ne suis pas malheureuse.
01:27:52Je ne suis pas malheureuse.
01:27:54Dis-lui qu'elle est pardonnée.
01:27:56Bien sûr, bien sûr.
01:27:58Au revoir, Billy.
01:28:00Au revoir.
01:28:05Pauvre Mme. Chell.
01:28:06Elle est venue
01:28:07sur le bateau sans sonnerie.
01:28:09Oh, par ailleurs,
01:28:10Mr. Danrada,
01:28:11savez-vous que vos associés
01:28:13sont tous dans Who's Gowl?
01:28:15Oh, je ne suis pas
01:28:16un peu surpris.
01:28:17Je les ai mis
01:28:18comme des personnages
01:28:19vraiment mauvais,
01:28:20tout de suite.
01:28:21Mais alors, il y a
01:28:22tellement de personnages
01:28:23mauvais aujourd'hui.
01:28:24Prenez-moi, par exemple.
01:28:27Hé!
01:28:28Il est vivant!
01:28:53Ha! Ha! Ha! Ha!
01:28:55Ha! Ha! Ha! Ha!
01:28:57Ha! Ha! Ha! Ha!
01:28:59Ha! Ha! Ha! Ha!
01:29:01Ha! Ha! Ha! Ha!
01:29:03Ha! Ha! Ha! Ha!
01:29:04Ha! Ha! Ha! Ha!
01:29:05Ha! Ha! Ha! Ha!
01:29:06Ha! Ha! Ha! Ha!
01:29:07Ha! Ha! Ha! Ha!
01:29:08Ha! Ha! Ha! Ha!
01:29:09Ha! Ha! Ha! Ha!
01:29:10Ha! Ha! Ha! Ha!
01:29:11Ha! Ha! Ha! Ha!
01:29:12Ha! Ha! Ha! Ha!
01:29:13Ha! Ha! Ha! Ha!
01:29:14Ha! Ha! Ha! Ha!
01:29:15Ha! Ha! Ha! Ha!
01:29:16Ha! Ha! Ha! Ha!
01:29:17Ha! Ha! Ha! Ha!
01:29:18Ha! Ha! Ha! Ha!
01:29:19Ha! Ha! Ha! Ha! Ha!