素っ頓狂な夜 2024年11月27日 笑福亭鶴瓶とリリー・フランキーによる台本なしのフリートーク番組！ #2
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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00:00Everyone to the wall!
00:12Oh no!
00:14I don't want to hate you, but I don't want to be mean to you.
00:28Usually, there are a lot of men in this kind of program.
00:33But I think there are a lot of women in this program.
00:36No, no, no.
00:38No, no, I mean men.
00:39But there are a lot of old men.
00:41I'm happy to be here.
00:43I don't care if you're a man.
00:45But please look up.
00:47Be careful. There are men in pants.
00:49Please be careful.
00:50I was looking at you, but you didn't say anything.
00:54And the first time we met,
00:57the producer was Maesetsu.
01:00We knew each other.
01:01He was my friend.
01:02He was a drummer in Guinner Boys.
01:05Do you remember another bad story about him?
01:10No, no, no.
01:11I can tell you what a bad story is.
01:13What do you mean?
01:14There was a love doll in my house.
01:16I don't know if you understand.
01:18Don't say that.
01:20I went to buy it with Jun Miura.
01:22There are a lot of women like that.
01:25But it's not the love doll you're imagining now.
01:29It's really not different from a human being.
01:31No, it's scary.
01:33It's scary.
01:34You can still tell it's a doll.
01:36There was a doll.
01:38A lot of people came to see the doll.
01:42So I came to see it with Mineta, the vocalist of Guinner Boys.
01:50Mineta is not delicate.
01:52As soon as he came in, he said,
01:53Wow, Lily, is this it?
01:55He touched my chest.
01:59When Mineta saw it, she was very angry at him.
02:04How can you do that to Lily's girlfriend?
02:09But Tomohisa Yamashita was the most polite.
02:15He asked me if I could play with Lily.
02:18I said yes.
02:19But Tomohisa hadn't come to my house since the doll came.
02:23He said, I have a girlfriend.
02:27I said, of course.
02:29When I came in, it was super real.
02:32You can tell it's a doll by looking at it.
02:35He said he had a girlfriend.
02:37When I came in, Tomohisa and the doll made eye contact.
02:42He said, nice to meet you, I'm Yamashita.
02:44He's too nice.
02:46Compared to that episode, Murai's episode is the worst.
02:51Yamapi was really...
02:54I didn't talk much.
02:55I said, let's go eat together.
02:58At that restaurant, I was with my mother.
03:02You usually eat with your family.
03:04Yes, that's right.
03:05I said, mother, you're the best.
03:08The best?
03:10I was so happy.
03:11I didn't know what you were thinking.
03:14Mother, I'm so happy.
03:17You always eat with your family.
03:23What?
03:24You can't say that now.
03:26You call me Johnny's.
03:29I'm not Johnny's.
03:31I can tell.
03:33Everyone in school is really polite.
03:37They're really good.
03:39I'm dating Fujigaya now.
03:42They're really good.
03:43Even Nakai.
03:47Nakai is really good.
03:49He's really good at teaching.
03:52Nakai.
03:53He says things to me, but he's really good.
03:57When I say cheers to my family,
04:00they say, you haven't said cheers to your family yet.
04:03Surprisingly, I don't get invited to your show.
04:09I go to your show when someone...
04:11Oh, right.
04:12When I go to the A-Studio.
04:14You have a lot of acquaintances.
04:15I go to talk to my acquaintances.
04:17I see.
04:18When I say cheers to my family,
04:21there's nothing going on in Yamaoka.
04:25There aren't many people.
04:27I thought it was weird.
04:29Is that possible?
04:31There's no one on the bridge.
04:33There was a shinobue.
04:35It was a festival.
04:37It was really bad.
04:40It was really bad.
04:43It's scary when it's bad.
04:46There was no one there.
04:48When I crossed the bridge,
04:52I went to see it.
04:53When I looked at my face,
04:55I was like this.
04:58I was lying down.
05:00I was shooting YouTube.
05:04Does it suit that?
05:06There was no one there.
05:08An old man was shooting YouTube.
05:10I was like, what are you doing?
05:12He said, it's YouTube.
05:14He said, please subscribe.
05:17He said, please subscribe.
05:20That's what happens.
05:22Weird things happen.
05:24I remember in Shinobue.
05:28I had a meal with a great shakuhachi player.
05:32He was a beautiful person.
05:34I thought I'd introduce him to you.
05:36He was in the shakuhachi club.
05:38He was in the shakuhachi club.
05:40Shakuhachi club?
05:42That's a club.
05:44It's not that great.
05:46He was a Japanese instrument major.
05:50He was a Japanese instrument major.
05:52At that time,
05:54the person I liked in common with Tsuruya-san
05:58was Yuka-san.
06:00I've loved Yuka-san for a long time.
06:02I've loved Yuka-san for a long time.
06:04I've loved Yuka-san for a long time.
06:06The first time I met her at the studio,
06:08the first time I met her at the studio,
06:10it was like a debate.
06:12I still love her.
06:14The worst thing is
06:16I want to be born from Yuka.
06:18I want to be born from Yuka.
06:20What's wrong with you?
06:22I love Yuka so much
06:24that I'm starting to think I'm Yuka.
06:28Although I'm so good at communication,
06:32even so,
06:34I don't know Yuka-san's contact information.
06:36I don't know.
06:38I have never heard it.
06:40How did it happen...
06:42How did it happen...
06:44On the occasion of taking the stage ticket,
06:46On the occasion of taking the stage ticket,
06:48I asked him to make an appointment with me.
06:50So I contacted him.
06:52He said, let's have a meal together.
06:55That's what I said.
06:57Then he said,
06:59Hey, are you going to come to Yuga?
07:04He was so excited and took a good shot.
07:07I took a good shot.
07:09I took a good shot.
07:11Can I see it again?
07:13Is it that bad?
07:15Hey, come to Yuga.
07:17So we decided to go to Yuga.
07:20Three of us were waiting in a private room in Teppanyaki.
07:23Yuga came right before us.
07:25He was so excited.
07:27He couldn't come that day.
07:29Then we went to a private room in Teppanyaki.
07:32We thought Yuga was coming.
07:35So we stopped talking.
07:37It was like a farewell story.
07:39He brought us to a private room.
07:43We were like this.
07:45Yuga came to a private room in Teppanyaki.
07:49There were two old men.
07:51At that time,
07:53the owner of the restaurant
07:55was in the neighborhood.
07:57Then Sho said,
07:59I have someone I want to introduce to you.
08:01Three of us will make an appointment at the restaurant.
08:04If it's just the two of us, it's okay.
08:06He was there.
08:08He said there was a professional chef.
08:11I was like, what?
08:13Wait a minute.
08:15I didn't say anything.
08:17That's fine.
08:19Why are you laughing at a woman?
08:21You should be laughing at a man.
08:23That's a misunderstanding.
08:25I didn't say anything.
08:27No one said anything.
08:29Then Sho said,
08:31Sho said,
08:33I just said,
08:35I didn't say anything.
08:37I didn't say anything.
08:39I didn't say anything.
08:41I didn't say anything.
08:43There was a professional chef in Tokyo.
08:45He was a professional.
08:47I've met a professional guitarist,
08:49but I've never met a professional chef.
08:51I was like,
08:53I see.
08:55I didn't say anything.
08:57I didn't say anything,
08:59but there was a professional chef.
09:01A beautiful housewife.
09:03She was very beautiful.
09:05After that,
09:07I listened to her CDs.
09:09While I was eating,
09:11I thought I shouldn't
09:13look weird.
09:15Michael Jackson's music
09:17was played.
09:19That's fine.
09:21But I was scared.
09:23I didn't say anything.
09:25I didn't say anything.
09:27Before that,
09:29I was on a world tour.
09:31A world tour?
09:33That's amazing.
09:35A world tour.
09:37When I was talking to the teacher,
09:39he said,
09:41if you play Western music,
09:43all the notes
09:45will be in the scale of the shakuhachi.
09:47The teacher said,
09:49the shakuhachi is a one-shakuhachi,
09:51right?
09:53He said,
09:55the shakuhachi can be changed
09:57depending on the song,
09:59whether it's short or long.
10:01But if the shakuhachi is long
10:03or one-shakuhachi,
10:05the teacher said,
10:07even if it's long or short,
10:09it's still a shakuhachi.
10:11I thought,
10:13I'm not good at it.
10:15That's not true.
10:17That's strange.
10:19He said,
10:21I'm not good at it.
10:23He said,
10:25I'm not good at it.
10:27He said,
10:29even if it's long or short,
10:31it's still a shakuhachi.
10:33He said,
10:35even if it's long or short,
10:37it's still a shakuhachi.
10:39I thought,
10:41I'm not good at it.
10:43He said,
10:45I'm not good at it.
10:47He said,
10:49I'm not good at it.
10:51He said,
10:53I'm not good at it.
10:55He said,
10:57I'm not good at it.
10:59He said,
11:01I'm not good at it.
11:03After that,
11:05you went to Osaka's Mugaku,
11:07your uncle's house.
11:09You went to Osaka's Mugaku,
11:11your uncle's house.
11:13You went to Osaka's Mugaku,
11:15your uncle's house.
11:17You went to Osaka's Mugaku,
11:19your uncle's house.
11:21You went to Osaka's Mugaku,
11:23your uncle's house.
11:25You went to Osaka's Mugaku,
11:27your uncle's house.
11:29But, really...
11:31I thought I could eat with Yuka,
11:33I thought I could eat with Yuka,
11:35but in the end,
11:37I had a teacher,
11:39and after that,
11:41I went to Mugaku with her.
11:43It was more interesting.
11:45It was more interesting.
11:47It's not that you have to make a decision,
11:49it's more about the flow of events.
11:51It's not that you have to make a decision,
11:53but you can't make a reservation for a meal 3 months later.
11:55I'm sure.
11:57I'm sure.
11:59I would have stopped if I had known.
12:01I would have stopped if I had known.
12:03I understand.
12:05I would have thought it would be better to come here.
12:07It's good that you follow the person's reservation,
12:09It's good that you follow the person's reservation,
12:11but if you make a reservation yourself,
12:13you'll be worried that you'll want to eat it on that day.
12:15you'll be worried that you'll want to eat it on that day.
12:17But, what is it?
12:19It's about a person's feelings.
12:21Is it a way to buy souvenirs?
12:23It's the same with your birthday.
12:25I give a gift,
12:27but I'm afraid to receive it.
12:29What is a souvenir?
12:31Like a Daruma?
12:33I remembered Daruma.
12:35There are many movie festivals in Japan.
12:37There are many movie festivals in Japan.
12:39Takasaki is a city of Daruma.
12:41Takasaki is a city of Daruma.
12:43Kiki Kirin got it.
12:45Kiki Kirin got it.
12:47She got it 2 or 3 times a day.
12:49She got it 2 or 3 times a day.
12:51She got it 2 or 3 times a day.
12:53She got it 2 or 3 times a day.
12:55She got it 2 or 3 times a day.
12:57She got it 2 or 3 times a day.
12:59She got it 2 or 3 times a day.
13:01She got it 2 or 3 times a day.
13:03She got it 2 or 3 times a day.
13:05She got it 2 or 3 times a day.
13:07She got it 2 or 3 times a day.
13:09She got it 2 or 3 times a day.
13:11She got it 2 or 3 times a day.
13:13She got it 2 or 3 times a day.
13:15She got it 2 or 3 times a day.
13:17She got it 2 or 3 times a day.
13:19She got it 2 or 3 times a day.
13:21She got it.
13:23She also keeps his trophies.
13:25She keeps them close.
13:27She says she doesn't like to show it.
13:29She also keeps his trophies.
13:31She has all of his trophies lamp-on.
13:33On the electric shop.
13:35She tells him that it's nice.
13:37She tells him that it's nice.
13:39She says that she has all of his trophies
13:40she has all of his trophies
13:42on the light.
13:44Why did she do that?
13:46I keep a trophy she gave me
13:48and it light-up.
13:50No, but Kirin-san has changed.
13:52I was in a drama called Glass Fragments.
13:56That was a long time ago.
13:57It was a really bad role.
13:59At that time, I hadn't met him yet.
14:02It was when I was going to do Crankin.
14:04My friend told me,
14:05Kirin-san came to my house today.
14:09What?
14:10To my house.
14:11Everyone likes to look at houses.
14:13That's right.
14:14I like to look at the land.
14:16It was just when I built my house.
14:19It was a big house.
14:21It was a really big house.
14:24It was 444 square meters.
14:26And then...
14:27That's a pretty bad acting.
14:31I sold it.
14:33There was a pool.
14:34What?
14:35It was a hot spring pool.
14:37I heard rumors.
14:38Kirin-san came there.
14:40When I got home,
14:41I said,
14:42Kirin-san came.
14:43I don't know anything.
14:44I've never heard of Kirin-san.
14:46I'll do something next time.
14:48And then,
14:49just when we were making eye contact,
14:51I said,
14:52It's like you.
14:53He said,
14:54I told you.
14:56It's a cheap-looking house on the land.
15:00Leave me alone.
15:02That's good.
15:04The conversation between Bei-san and Kirin-san
15:06is like a fistfight between two people
15:08who say things that shouldn't be said.
15:11It fits.
15:12It's a friendly conversation.
15:13Even if you walk...
15:14Even if you walk...
15:15Even if you walk...
15:16I'm not in it.
15:19What did you do?
15:20What did you do?
15:21Go ahead.
15:22Originally,
15:23when I wrote a novel called Tokyo Tower,
15:25Kirin-san played the role of my mother.
15:28What are you doing?
15:30I'm writing a novel about Tokyo Tower.
15:32I'm writing Oden-kun.
15:34I'm going to paint it in a movie.
15:37But it's really like that.
15:39Recently,
15:40I haven't written a sentence or a picture.
15:41I've been writing only squares.
15:44I'm sorry.
15:45We've finally pulled it out.
15:46We've finally pulled it out.
15:48This is the first time in my life
15:50that someone has pulled out such a this.
15:51There was only Shokuhachi-dan.
15:53How did you pull it out?
15:55It's nice.
15:56It's nice.
15:57Because they're so close,
15:59they feel like they're friends.
16:02But Bei-san,
16:03he's been doing it every month
16:05at his master's place.
16:07Yesterday he did it.
16:08He's been doing it every month
16:09at his master's place.
16:10There were dozens of people.
16:11He does it every month
16:12when he returns to Osaka.
16:13I've been doing this for 25 years.
16:15There are a lot of people who think you've been doing this for a long time.
16:19There's the US Secretary of State, the US Secretary of State for Human Rights.
16:22There's also Mr. Kazuyoshi Saito.
16:24Oh, right, right, right.
16:26Um...
16:28There's also Mr. Skip.
16:29It's Spitz.
16:30Oh, I see.
16:33I was sucking on a cow's head while I was sucking on a cow's head.
16:37I'm sorry, I'm sorry.
16:38I'm sorry, I'm sorry.
16:44This is a 23-year-old woman.
16:47I think she's married.
16:49I'm 23 years old, so I'm in the so-called Z generation.
16:52There are a lot of things I like about Showa.
16:55One of them is that I don't have a smartphone.
16:58When I didn't have a cell phone.
17:01Even if I had a fixed phone, a station telephone, and a letter,
17:05It's romantic.
17:07I thought it would be nice to have SNS-only troubles and troublesome things.
17:11Mr. Tsurube, Mr. Toriyama, what do you think?
17:13Is this part of Showa good or is this part good now?
17:17I was dating a person from Shikoku.
17:20So when I call, my parents come out.
17:24That's right.
17:25That era is funny, isn't it?
17:27Sometimes.
17:28First, you have to talk to your parents.
17:30With my parents.
17:31And when you call your male friends,
17:34First of all, my older brother and parents came out.
17:38So my older brother came out and said,
17:40Hey, Manabu, wait a minute.
17:42Hey, Manabu.
17:43It was like that.
17:45I was an acquaintance of Ken Ozawa when I was in Tokyo University.
17:49So-called Ken Ozawa.
17:51Ken Ozawa.
17:52Ken Ozawa was about 19 years old.
17:54When I called Ken Ozawa's house.
17:57When I was born, Ken Ozawa was in Tokyo University.
18:01When I called Ken Ozawa's house, my older brother came out.
18:05It wasn't like, Hey, Manabu.
18:09Yes.
18:10Oh, this is Kenji.
18:12Wait a minute.
18:13That's what my brother said.
18:15At that point, I was like, wow, that's a great house.
18:19And my brother was like,
18:20He was wearing a long, light coat.
18:24I could hear it.
18:25After a while, Ken Ozawa said,
18:27Oh, hello.
18:29This is what a good house is like.
18:33It's amazing, it's imagination.
18:35I don't go directly to him.
18:37I can imagine the smell of his house.
18:41My parents-in-law were pretty good at painting.
18:45My father and mother.
18:47My family went home for the summer vacation and winter vacation.
18:52That was the first time I went to his house.
18:55It was a big house.
18:57I'm going by boat.
18:59From Matsuyama in Shikoku.
19:02It's a long trip.
19:04When I went to pick up my wife,
19:08He said it was okay.
19:10He refused.
19:11What?
19:13He said, I won't give it to you.
19:16That's what I mean.
19:17I was a comedian, too.
19:19Is that what you said to your wife?
19:21Yes, yes, yes.
19:22I said that when I was a student.
19:24It's a different story when you get married.
19:26He said, I don't want to hear that story.
19:29I was surprised.
19:31You didn't start at all.
19:33He was kind to me when I was a student.
19:35Suddenly, he said, I don't have that.
19:37I was a kid.
19:39I was 18 years old.
19:41I was wondering what to do.
19:43I stayed at the station in Matsuyama that day.
19:47I asked him when he would stop.
19:49He said he wouldn't stop.
19:51I felt a sense of indifference.
19:53I went there by ship.
19:55It's an airplane now, but I went there by ship.
19:57I miss that time.
19:59In the end, it's not about being useful or rich.
20:04I think it was good in the Showa era when there was nothing like that.
20:11Shall we go to the next one?
20:13This is from Komachi Musume.
20:17It's better to see the scenery while you're alive.
20:23I always go on a trip, but I look it up on the Internet.
20:27In the end, it's a safe tourist spot.
20:31This is a good place.
20:33You've been to a lot of places all over the world.
20:38People in the city.
20:42I understand.
20:43I think all the people here are good people.
20:47Yame-chan's Yame.
20:49Fukuoka.
20:50Yame is a nice place.
20:53I've seen it all.
20:55Yame in Fukuoka.
20:57I thought it was a good place.
20:59When I met Yame, I thought it was a good place.
21:03Yame is close to me.
21:05Yame tea is delicious.
21:07It's not like I'm welcoming you because you're on TV.
21:11It's very natural.
21:14It was really good.
21:16Where is it?
21:17Yame.
21:19As you said, it's not about the place.
21:23It's about the memories with the people there.
21:26I think it's good.
21:29When I went to India before,
21:31I climbed up to the World Heritage Site.
21:35I was riding a cow.
21:38The back of the cow was moving.
21:41I was impressed by the World Heritage Site.
21:44The person who controls the cow
21:48was smoking a cigarette and turned off the light on the cow's head.
21:52I was so impressed that the World Heritage Site's scenery flew away.
21:57People's memories make the scenery.
22:02I was impressed.
22:04But it's good.
22:06The young man in the letter said,
22:10I want you to go to Yame in Fukuoka.
22:13I want to go.
22:15Yame tea is sweet. I love it.
22:18Are you popular?
22:20Yes.
22:22But it's delicious.
22:24By the way,
22:26when I came to the restaurant,
22:29I was told to lower the toilet seat even for men.
22:33You can do that at the restaurant.
22:36Do you stand or sit?
22:38I'm told to sit at home.
22:40Because I'll make noise.
22:42Even outside?
22:44I try not to make noise.
22:47If I do, I'll be scolded.
22:49I understand.
22:51I'll talk about this later.
22:54I'll stand up and talk.
22:56I can't go back for 40 to 50 minutes.
22:59I don't think this will happen.
23:02I put a stopper in my pocket.
23:07I'm not sure if it's a fart or a poop.
23:12I have to put it in my pocket.
23:15What kind of MC are you?
23:17I thought I'd do it at 60 or 70.
23:20It's true.
23:22I have a lot of customers.
23:24I'll do it at 3 o'clock.
23:26I'll do it like this.
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