アカデミーナイトG 2024年11月27日 横浜流星×吉岡里帆 2Sトーク＆長井短登場
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00:00An entertainment talk in a dusty room.
00:03What's the story of ACADEMY NIGHT G tonight?
00:06Finally, it will be released tomorrow, the 29th.
00:10A heart-pounding suspense.
00:13The movie, Shotai.
00:15A special interview with Ryusei Yokohama and Riho Yoshioka.
00:20They talk about their feelings and how they feel about this movie.
00:25It was tough.
00:28It was frustrating.
00:32Fujii's eyes were like hers.
00:36Like Ryusei's eyes.
00:40Tsuyoshi Kusanagi, the main actor.
00:43The witness of Venice.
00:46The actress, Nijika Nagai.
00:49She talks about her love for the movie.
00:55It was a tragedy to see the bad side of SHINee.
01:02But from SHINee's point of view, it was a tragedy.
01:08How was it?
01:10It's been a year since you moved to Tokyo.
01:15Ramen is expensive in Tokyo.
01:19What's that?
01:21I see.
01:23It's hard to find in Osaka.
01:28Beer is expensive.
01:31Thin beer costs 800 yen.
01:35Thin glass.
01:37You use the same beer, don't you?
01:40That's true.
01:43In Tokyo, there is a tendency to invite seniors from juniors.
01:49Let's go.
01:51In Osaka, there is a tendency to invite seniors from juniors.
01:56Do you get invited from juniors?
01:59Yes.
02:01How do you get your juniors to invite you to dinner?
02:06I don't know.
02:08He doesn't seem to want to go to dinner.
02:12He doesn't seem to want to go to dinner.
02:15That's true.
02:18Let's move on to the first interview.
02:21The movie will be released tomorrow, November 29th.
02:25It's a special interview with RYUSEI YOKOHAMA and RIHO YOSHIOKA.
02:32It will be released tomorrow.
02:34Tomorrow?
02:35It's finally here.
02:37There are a lot of difficult words in the movie.
02:46It's a suspense movie, but it's a human movie.
02:49It's an entertainment movie.
02:51There were a lot of painful scenes.
02:55YOKOHAMA plays a role that has a lot of emotions.
03:00I want people to watch this movie.
03:05I agree.
03:07I want people to watch this movie.
03:09I want people to watch this movie and be impressed.
03:12The movie will be released tomorrow, November 29th.
03:16It's a great escape suspense movie.
03:19The executioner has escaped.
03:22The man who has been running away all over Japan.
03:27I fell in love with people for the first time.
03:29Why did you run away?
03:31I didn't do it.
03:36You should know.
03:38Let's break in.
03:39Let's break in.
03:40Did you look like that?
03:41Run away.
03:49This time it's right before the release.
03:52It's a special interview with RYUSEI YOKOHAMA and RIHO YOSHIOKA.
03:58This movie won the Best Picture at the 49th Ochi Film Festival.
04:06RYUSEI YOKOHAMA won the Best Supporting Actor Award.
04:10RIHO YOSHIOKA won the Best Supporting Actress Award.
04:14This movie has won three awards.
04:18RYUSEI YOKOHAMA was arrested as a suspect in a murder case that shook Japan.
04:24Keiichi KABURAKI, who played RYUSEI YOKOHAMA, who was sentenced to death, escaped.
04:34While he was on the run, he was a construction worker at one time.
04:40He was a freelance writer at another time.
04:44He became a different person all over Japan.
04:49He met various people in those days.
04:54This movie was released four years ago.
04:59I talked to the director about the movie and KABURAKI for four years.
05:08I was able to live as KABURAKI with a stronger feeling.
05:14It was hard.
05:17I was arrested, sentenced to death, and escaped.
05:21That was the only way.
05:24I avoided people and hid my identity.
05:29I lived as Benzo, Nasu, Hisama, and Sakurai.
05:36I didn't have a different personality.
05:38I lived as a person.
05:42I took care of that.
05:45While I was escaping, I met various people.
05:52They gave me a lot of things.
05:56But I wasn't there as a real KABURAKI.
06:01It was a complicated feeling.
06:07He met KABURAKI while escaping.
06:11Thanks to Nasu, I was saved.
06:15I'm in the top ten of six.
06:18I want him to be my family.
06:24Sayaka plays Riho Yoshioka.
06:29Sayaka is a web media employee.
06:31She saw that there was no house for KABURAKI.
06:36She invited KABURAKI to live with her.
06:42I've never eaten such a delicious food.
06:46Why is this food so delicious?
06:50There are many siblings.
06:53KABURAKI has been made since they met.
06:56KABURAKI can't see the true nature of KABURAKI.
06:58KABURAKI's true nature is different from the story where KABURAKI meets KABURAKI.
07:03KABURAKI is afraid of people.
07:06KABURAKI is in a state where he can't trust people.
07:11KABURAKI can't let go of KABURAKI.
07:17KABURAKI can't let go of KABURAKI.
07:21KABURAKI thinks KABURAKI is a murderer.
07:25KABURAKI thinks KABURAKI is a murderer.
07:29KABURAKI instinctively feels KABURAKI.
07:33KABURAKI wants to protect KABURAKI.
07:36KABURAKI wants KABURAKI to trust KABURAKI.
07:39KABURAKI wants KABURAKI to feel KABURAKI instinctively.
07:46The scene where YOKOHAMA was particularly impressive.
07:52In the scene of YAKITORIYA,
07:55Sayaka gives KABURAKI what he wants.
08:01It's a scene full of feelings.
08:05She has to get involved with people,
08:07but I think she's avoiding them.
08:12But she gives KABURAKI what she wants.
08:21I think that's symbolic of this work.
08:28Nasu is an excellent writer.
08:32So I'm okay.
08:34Nasu is an excellent writer.
08:39I believe in Nasu.
08:46After that, I spent time with Sayaka.
08:51I felt stronger.
08:56The reason I was able to live as KABURAKI
09:01was because YOSHIOKA was there for me as Sayaka.
09:06YOSHIOKA was there for me as Sayaka.
09:11I felt the same way as KABURAKI.
09:16Sayaka was the only light.
09:19I was happy to be able to feel happiness.
09:24I'm glad.
09:26I'm glad.
09:29She was there for me as Sayaka.
09:34She promoted KABURAKI,
09:38and she made fun of me and pushed me.
09:44I was able to see that.
09:49These two worked hard on this work.
09:53The winner of the Japanese Academy Award for Best Work of Art is a journalist.
10:00Director Michihito Fujii, who has garnered attention for more than 3 billion yen in industry revenue in the past 10 years.
10:08He and Yokohama-san have been working together for four years to create the world of KABURAKI.
10:17It was my first time working with Fujii.
10:20Ryusei has worked with him several times.
10:23The other day, we talked about going to Fujii's radio station and my radio station.
10:31I'm sure it's about Ryusei.
10:34Fujii looks like my girlfriend.
10:40He looks like my Ryusei.
10:43We're really close.
10:45I think it's a privilege to be in a movie because we have a bond.
10:54I want people to see it.
10:57I think it's a good work.
11:02And KABURAKI, which will escape, is not only Sayaka.
11:06Benzo!
11:08I'm sorry, but stand over here.
11:10At the construction site, Kazuya, a colleague who plays Shintaro Morimoto.
11:16At the nursing home, he meets Mai, who plays Anna Yamada.
11:21Kazuya, who plays Morimoto, is a scene where they exchange alcohol.
11:28It's fun.
11:30Various feelings are intersecting.
11:33There's something stuck in that one scene.
11:38This is the first time he's been in the Fujii family.
11:41He's been working hard with Kazuya.
11:44I've seen him work so hard.
11:47I want to keep watching him.
11:49I had that kind of feeling.
11:52Mai, who plays Anna Yamada, walks on the ice together.
11:59It's beautiful and sad at the same time.
12:03It's a very ironic feeling.
12:06Mai doesn't have any bad intentions.
12:09The more beautiful the image is, the more painful the composition is.
12:14I thought it was like an old man's movie.
12:19KABURAKI, which changes its appearance and conquers Japan.
12:26Keiji Matanuki, who plays Takayuki Yamada, chases the shadow.
12:32Why did you run away?
12:35I was one of the actors I wanted to play.
12:40I'm glad I was able to play this time.
12:43But I didn't know if I was going to play in this relationship.
12:50I like him, but I'm about to hate him.
12:54But when I faced him, I had to run away.
12:59If I get caught here, it's over.
13:02I felt a lot of pressure and persuasion.
13:06It's not just a relationship between a fugitive and a police officer.
13:13There's also a police perspective.
13:16In the end, it's a relationship that can only be understood by each other.
13:22I think it's a new form of specialization.
13:27Keiji Matanuki, who pursues KABURAKI.
13:32What is the purpose of KABURAKI, who keeps running away?
13:36And what is the real identity of KABURAKI?
13:40I can see it alone.
13:42I can see it with my friends.
13:44I can see it with my family.
13:47I think I can feel a lot of things there.
13:53How grateful it is to live your own life.
13:58I think it's a work that makes you feel like you're alive.
14:04Please watch it.
14:11What is your impression of the scene?
14:14KABURAKI is 18 years old.
14:16He was accused of murder and ran away.
14:20He doesn't have much life experience.
14:24He was taught how to drink alcohol by KAZUYA.
14:28After that, he fell in love with a woman.
14:32He learned a lot of things and ran away.
14:36I can see his growth.
14:39If you do it, you can do it.
14:42You can grow while running away.
14:46KABURAKI is my first friend.
14:51I want to get along with him.
14:53But if I get along with him, my identity will be revealed.
14:57I'm nervous.
14:59Let's imagine that TSUJI is accused of murder.
15:04He ran away and met KETSU.
15:07KETSU is a manzai duo.
15:10His identity may be revealed.
15:13Can you make a joke in such a situation?
15:15No, I can't.
15:16First of all, I don't want to appear in front of people.
15:19I don't want to be found out even though I'm in front of people.
15:24It's crazy.
15:25That's great.
15:27The true identity of the fugitive is revealed tomorrow.
15:37Next time, we will have a special interview with SHINTARO MORIMOTO.
15:42Please look forward to the behind-the-scenes story of SHINTARO MORIMOTO.
15:47Let's move on to the next interview.
15:49This is the special interview with MIJIKA NAGAI.
16:01This is MIJIKA NAGAI.
16:06Nice to meet you.
16:08You are beautiful this week, too.
16:11You are paying attention to my steps.
16:13Did you come from JANSO?
16:14No, I didn't.
16:15You can't get in from JANSO.
16:17I'm sensitive.
16:20What I found out about you is that you like alcohol.
16:22Yes.
16:23You are an enemy of manzai.
16:25When I was a child.
16:26When I was a child, you were my rival.
16:27When I was a child.
16:30From an actor to a model, he is a multi-talented actor.
16:35Please look forward to the next week.
16:41The main character is TSUYOSHI KUSANAGI.
16:43The best entertainment by William Shakespeare is now reborn.
16:51The stage is the Merchant of Venice.
16:53The Merchant of Venice.
16:56William Shakespeare, the giant of playwrights.
16:59Romeo and Juliet, Hamlet, etc.
17:02He has left many masterpieces that have been loved over the ages.
17:07I'm sure you've heard of his name.
17:09One of the most popular masterpieces is the Merchant of Venice.
17:20The best playwright award goes to the Merchant of Venice.
17:26SHINTARO MORI is one of the most talented playwrights in modern theater.
17:32With a new approach that reverses the conventional common sense,
17:36his masterpieces will be reborn as modern entertainment.
17:43That's amazing.
17:45TSUJI read the script of this play in advance.
17:54TSUJI read the script of this play.
17:59The stage is Venice, the capital of water in Italy.
18:04Antonio is a passionate merchant.
18:08His best friend, Bassanio, wants to propose to his daughter, Portia, but has no money.
18:16He asks his best friend, Antonio, for money.
18:22Antonio wants to lend him money, but he happens to have all his money on the boat.
18:28He can't lend it to him right away.
18:29So he relies on the old man, Shylock.
18:32But...
18:34He's a mean guy.
18:36He can lend it to him, but if he can't return it by this time,
18:39he'll cut off a pound of your meat.
18:43So he'll lend it to him.
18:45Things are going well, and he's happy.
18:49But Antonio's boat sinks.
18:52He can't return all his money.
18:55So he makes a promise.
18:57He says, let's settle this in court.
18:59What will happen?
19:01That's the story.
19:02Is there a character that you play?
19:06I play the daughter of a rich family, Melissa.
19:11Melissa, Portia, and Mitzna?
19:14Yes, they're very close.
19:16There's a cute side to them.
19:18Yes.
19:21Melissa and Portia play such characters.
19:24In the climax of the story, in the trial,
19:27there's a scene where you can't miss a scene where they act boldly.
19:32Now, let's see what Nagai thinks about the characters in Venice.
19:38First...
19:40It's a world-class masterpiece that captures both tragedy and tragedy.
19:46Yes, yes, yes.
19:48At first glance, it's Shylock lending it to him.
19:52He's quite mean.
19:54You can see that he's a bad guy.
19:58But you can also see that he's the opposite.
20:01If you look at Shylock as a bad guy,
20:06it's a tragedy.
20:09But if you look at it from Shylock's point of view,
20:12it's a tragedy because he's being bullied by everyone.
20:17When I first read the script,
20:19Shylock was already hated by everyone.
20:24Everyone came to borrow money from him.
20:28His daughter also wanted to go out with him.
20:31He's a lonely person.
20:33That's why he gave them 1 pound of meat.
20:38He's a sad person.
20:40He's not just mean.
20:42I focused more on Shylock.
20:47He's not a bad guy.
20:50That's how he's portrayed overseas.
20:54I see.
20:55In Shakespeare's works,
20:57there's an image that the lines are long.
21:01Is that true?
21:03Yes, it's long.
21:05Do you have a favorite line from the script?
21:09Basagnyo goes to borrow money from Tony.
21:13But Tony hasn't returned the money yet.
21:18Tony goes to borrow money again.
21:20Tony asks Tony to lend him the money again.
21:24When I was a kid, I lost one arrow.
21:27I found another arrow in the same direction.
21:32I paid more attention to the direction of the arrow.
21:35I found the previous arrow.
21:37I lost both arrows and got them back.
21:41I see.
21:42Tony asks Tony to lend him the money again.
21:44I thought Tony was a good talker.
21:46That's amazing.
21:48I didn't expect Tony to ask Tony to lend him the money again.
21:52If Tony asks Tony to lend him the money again,
21:54Tony will definitely lend him the money.
21:57Tony will definitely lend him the money.
22:00I have something to be proud of.
22:05My birthday is the same as Shakespeare's.
22:07Really?
22:09That's great.
22:11That's great.
22:12I was on the same boat with Shinagawa Shouji and Kato.
22:16They were the head of the Yasudai Circus.
22:20Shakespeare appeared in the boat.
22:24Shakespeare got on the boat first.
22:28What is the second highlight?
22:31The villain, Shylock, is played by Tsuyoshi Kusanagi.
22:37Ah, Tsuyoshi-kun!
22:39He has a soft side to him.
22:41That's right.
22:43So he's really good at playing the villain.
22:45He's a really bad guy.
22:47He's a really bad guy, isn't he?
22:49He's a really bad guy.
22:51He's a really bad guy.
22:53I know, I know.
22:55He's really bad.
22:57He's really smart, isn't he?
22:59That's right.
23:01He's even more like,
23:03you know, like,
23:05Kanekashi's Shylock.
23:07He's quite a good student.
23:09That's right.
23:11What does Kusanagi-san think
23:13about the villainous Shylock?
23:15What does Kusanagi-san think about the villainous Shylock?
23:17I like him.
23:19He's very attractive,
23:21even in the movies I've watched.
23:23He's the exact opposite
23:25of a hero of justice.
23:27There are many
23:29attractive villains
23:31in the movies
23:33I want to spice up the villains that I admire and bring them to life.
23:46I want to spark them.
23:49The most important thing is the live atmosphere of the stage.
23:55I love acting in movies, TV dramas, and the world of film.
24:02I've never done it twice.
24:05That's the most important thing.
24:07I want to make the most of the moment.
24:15I want to be a part of the audience that comes only once.
24:19I want to be a part of the audience that comes only once.
24:24I want to be a part of the audience that comes only once.
24:31I'm looking forward to it.
24:33How did you feel when you first met Kusanagi?
24:37I thought it was interesting that the play started.
24:42It wasn't like, okay, let's do it.
24:45He came forward and said, I'm already doing it.
24:50Naturally.
24:52I thought it was cool.
24:55I met him the other day.
24:58How are you, Tanaka?
25:00I'm fine.
25:02How about you, Tsuyoshi?
25:03I'm fine.
25:04It's been a while.
25:06That's nice.
25:08He doesn't make the audience nervous.
25:11He creates a natural and soft atmosphere.
25:14He relaxes the audience.
25:19It's the opposite of Shylock.
25:22I'm looking forward to seeing what kind of Shylock he's going to play.
25:28There are other great cast members.
25:34Shugo Oshinagi plays Antonio, who borrows money from Shylock.
25:41Shuhei Nomura plays Basagio, who asks Antonio for money.
25:48Sakuma plays the role of a fireman.
25:51There are a lot of scenes that I can use.
25:55He works really hard.
25:58He has a lot of lines.
26:02I feel like I can help him with anything.
26:08I have a message from Sakuma.
26:13Can I read it?
26:16You can read it yourself.
26:20Can I read it?
26:22You can read it on TV.
26:24I'm sorry.
26:25I'm curious.
26:27What I think is great about Mizuka Nagai as an actor is that I really like Nagai's voice.
26:35It's soft and has a fine texture.
26:39I like Nagai's voice that conveys the texture to the audience.
26:45It's very comforting.
26:48I'm happy.
26:49I got a message from Sakuma.
26:51Yay!
26:52I thought the texture was very fine.
26:54You're lying!
26:55Do you have such a fashionable earpiece?
26:57Do you have such a fashionable earpiece?
26:58I do.
26:59I do.
27:00And the third highlight of this work is...
27:04A performance that overturns classical common sense with a new approach.
27:10The one who will be performing this time is Shintaro Mori.
27:14He is said to be the most capable actor in the modern theater industry.
27:20His costumes are not like the ones in the Middle Ages.
27:25It's a modern style that you may see in the city.
27:30Is it a style of shairoku?
27:32That's right.
27:33It's fashionable.
27:37It's fashionable to wear a shairoku in the city.
27:42That's right.
27:43It's interesting.
27:44Shakespeare tends to feel the distance.
27:47That's right.
27:48In this costume...
27:49That's right.
27:50I see.
27:51Nishika's costume...
27:53I don't think it's like a maid costume.
27:58That's interesting.
28:00It's like a costume.
28:03That's right.
28:04Mr. Mori, please send a message to Ms. Nagai.
28:09I'm nervous.
28:10I'm worried.
28:11I'm nervous, too.
28:12Why is Tsuji nervous?
28:16I'm nervous about the message.
28:18But you are nervous about Ms. Nagai.
28:20That's not good.
28:25That's right.
28:26It's mine.
28:28The message is so delicate.
28:31What do you think, Mori-san?
28:33What do you think is the charm of Mizuka Nagai?
28:36I think it's her voice.
28:41It's like a goat.
28:43It's a mysterious tone.
28:45It's unique and attractive.
28:50I'm really looking forward to it.
28:53That's the message.
28:55How do you feel?
28:57I don't feel like a goat.
29:00But I'm happy.
29:02I'm going to talk a lot.
29:04Your voice will be louder on stage.
29:07It's pretty loud.
29:08I'm curious about that.
29:10That's right.
29:12It's like this.
29:14It's like this.
29:16That's how loud it is.
29:18Maybe it's a dialogue.
29:20I'm really curious about that.
29:21But it's cheating.
29:22Nagai-san's loud voice is attractive.
29:26It's not cheating.
29:28I think it's good.
29:30I highly recommend this show for the first time.
29:37Please come and see it.
29:39Thank you very much.
29:42After 90 seconds,
29:44Gorou Inagaki challenges the genius composer, Beethoven.
29:48After 90 seconds,
29:50Gorou Inagaki challenges the genius composer, Beethoven.
29:54Genius love and despair.
29:57After 90 seconds,
30:00Gorou Inagaki challenges the genius composer, Beethoven.
30:04Stage No. 9 Immortal Melody
30:08After 90 seconds,
30:10Gorou Inagaki challenges the genius composer, Beethoven.
30:13The number of spectators exceeded 1 million.
30:15Everyone who loves magic, thank you very much.
30:18Until now, and from now on.
30:20The stage is sponsored by Harry Potter and the Cursed Child.
30:23Tokai Tokyo Financial Group
30:25I want to deliver it to you next time.
30:27After 90 seconds,
30:29Kimura Takuya starring
30:30Is that big hit drama a movie?
30:32After 90 seconds,
30:34Kimura Takuya starring
30:38After 90 seconds,
30:40Kimura Takuya starring
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30:46Kimura Takuya starring
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30:50Kimura Takuya starring
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30:55Kimura Takuya starring
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30:59Kimura Takuya starring
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31:03Kimura Takuya starring
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31:08Kimura Takuya starring
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31:12Kimura Takuya starring
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31:16Kimura Takuya starring
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31:20Kimura Takuya starring
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31:24Kimura Takuya starring
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31:28Kimura Takuya starring
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31:36Kimura Takuya starring
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31:48Kimura Takuya starring
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31:52Kimura Takuya starring
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31:56Kimura Takuya starring
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32:00Kimura Takuya starring