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00:00It's started. We're on TV.
00:03Oh, here it comes.
00:05The reaction of a woman who is struggling at the counter
00:08when she gets up and sees a woman over 2 meters tall.
00:12Ready, set...
00:15Oh, no.
00:17No good.
00:18What do you mean, no good?
00:20No good.
00:21No one...
00:22What's with that situation?
00:24I want to see Tom's acting.
00:26How many times has it been?
00:28Did you get the offer?
00:30No way.
00:32How many times?
00:34Seriously, I want to see Tiger.
00:36How about Netflix?
00:38Hey, you're in a good mood right now.
00:40Okay, okay.
00:41I'm okay with that kind of thing.
00:43Then, let's do that.
00:46No, let's do Ring or Fraud.
00:49Are you doing that?
00:51Let's do it.
00:52He won't give up until he gets the offer.
00:56From a big-time con artist to a high-paying salaried man,
00:59the range of his acting is already appealing.
01:05TV Chidori
01:09What is the situation that Director Daigo has prepared this time?
01:13It's an original story.
01:16Is it original?
01:17Yes, it's original.
01:19Did you really think about it?
01:21No, I've seen it a lot.
01:24A group of real estate scammers.
01:26Yes, yes, yes.
01:28Yes, yes, yes.
01:29It's like a crime suspense drama.
01:31I wrote it this time.
01:33That's it.
01:35You said it.
01:36Did you come up with it?
01:38Nobu is the leader of the group.
01:42Nobuson.
01:43No, it's Harrison.
01:45It's the same with Son.
01:47Get rid of Son.
01:48I wanted to include Son.
01:50He's calm and gentlemanly.
01:54I've seen it in the description.
01:56I've seen it all.
01:58He's not the type to say,
02:00Hey, take the Bible.
02:01But when I hear the story, I feel like I'm scared.
02:04It's cruel.
02:05I feel like I'm hiding it in my house.
02:07There's a subordinate in the house.
02:10I'm sorry.
02:12It says Taki.
02:14Did you think about this person?
02:19I wanted to put it in Kansai dialect.
02:22Did you come up with this?
02:24That's it.
02:26That's it.
02:28That's amazing.
02:29I'm going to start talking from here.
02:31A mountain higher than a low mountain.
02:33It's very important around here.
02:35It was a great scene.
02:37And then from there, Kitamura.
02:39You said Kitamura.
02:41You already said it.
02:42He says he wants a little more money.
02:4550 million yen.
02:46How to cut it suddenly.
02:50Did you think of this person here?
02:52Yes, I did.
02:54The most technical and the most...
02:57The most...
03:00I'm writing it now.
03:03I thought I'd come up with a good one.
03:05This is important.
03:07Nobuson, the groundman, will propose the next target.
03:12Let's get it right in one shot.
03:14Ready, go.
03:18Everyone, this mountain...
03:21No, no, no.
03:23The director is right.
03:25The director is right.
03:27No, it's Kurosaki.
03:29No, no, no.
03:32Everyone, this mountain...
03:35No, no, no.
03:36I think it's better to have a lower voice.
03:38Everyone?
03:40It's better to speak with your nose.
03:43First, make a drink.
03:46If you can make a line while making it, that's good.
03:49I see, I see.
03:51I understand.
03:53Let's go.
03:54Ready, go.
03:58Everyone, this mountain...
04:03No, no, no.
04:05I'm worried about this mountain.
04:09Everyone...
04:11It's Segawa.
04:13Everyone, this mountain...
04:18Don't rush.
04:20Don't rush.
04:24Don't rush.
04:25Be confident.
04:26I understand.
04:27Don't say too much, director.
04:29You'll be like, ah.
04:31Ready, go.
04:35Everyone, this mountain...
04:38It's been a while since I've worked like an adult.
04:42Once again, I thank you.
04:45No problem.
04:49And next,
04:51why don't we aim for a bigger mountain?
04:54What are you talking about?
04:56It's fine.
04:58A mountain higher than a low mountain.
05:02A mountain steeper than a flat mountain.
05:06A mountain that no one can hesitate to climb.
05:10It's been a while since I've worked like an adult.
05:12It's been a while since I've worked like an adult.
05:14What do you mean it's been a while since you've worked like an adult?
05:16When Go said, yeah,
05:18I was like, ah.
05:20Don't react like that.
05:24You should look at the person who said it.
05:28Once again, I thank you.
05:30No problem.
05:32Since it's a bigger mountain,
05:35listen to it like this.
05:37Ah, okay.
05:41Take off your sunglasses slowly,
05:43like a mountain steeper than a flat mountain.
05:46I see.
05:47I'll show you my face.
05:49Here I go.
05:50Ready, go.
05:52A mountain that no one can hesitate to climb.
05:58A mountain steeper than a flat mountain.
06:06A mountain steeper than a flat mountain.
06:08Your face is different.
06:10Your face.
06:12Your face is ugly.
06:14Your face is ugly.
06:16Your face is ugly.
06:18I don't know about that.
06:20Can you look deeper?
06:23Well,
06:25it's still like that.
06:27I was a little weak just now.
06:29Director,
06:30did you put oil massage in it?
06:33It's more like...
06:34No, it's original.
06:35It's more like sexy and oil massage.
06:37It's more like sexy and oil massage.
06:39Here I go.
06:40Ready, go.
06:42A mountain that no one can hesitate to climb.
06:49A mountain steeper than a flat mountain.
06:55It's more like sexy and oil massage.
07:01It's more like sexy and oil massage.
07:04You're not a call-up brother.
07:06No, I'm not.
07:08Director.
07:09It's more like sexy and oil massage.
07:13Here I go.
07:14Ready, go.
07:17It's 5,000 yen.
07:19If I don't get 50 million yen,
07:20I'll take everything off and leak everything.
07:26I can't do that.
07:31No.
07:32No.
07:33No way.
07:35Director, he's intense.
07:38Intense.
07:40Tissue
07:42Do you want to stuff your nose?
07:48Like Mr. Toyoi.
07:50Yes, yes.
07:51Do you want to stuff your nose?
07:52With a cool face?
07:53No, no.
07:54If you stuff your nose,
07:55your voice will come out.
07:58I thought it would be better to do it like him.
08:00Stuff your nose.
08:01If the tissue comes out...
08:03Of course.
08:04I can put it all the way in.
08:08I don't know.
08:09That's good for your face.
08:12After you were told you were going to blow it up,
08:14you got up and went to Mr. Kitamura.
08:17It's pretty scary.
08:19Yes.
08:22I'm calm because I'm scared.
08:26Read the script carefully.
08:29I'm sorry, director.
08:31Here I go.
08:32Ready, go.
08:34Here I go.
08:38I'm going to blow it up.
08:50I'm sorry.
08:53I can see the white of your nose.
08:56That's the director's order.
09:00That's the director's order.
09:02I'm going to blow it up.
09:07Ready, go.
09:11I'm going to blow it up.
09:14That's your bad habit.
09:16Your imagination made me feel bad.
09:24What?
09:25Are you going to do it?
09:27I'll do it the most technical way.
09:31I'll do it the most sensitive way.
09:35I'll do it in the most energetic way.
09:38I don't need that.
09:40Where did you learn that?
09:44I'll do it three times.
09:46I don't need it.
09:47I'll do it like this.
09:48I don't need it.
09:49I've already done two, so I can't do the third one.
09:51You have no choice but to do it.
09:52I'll notice it in the second one.
09:54I can do it smoothly.
09:56It's an emergency.
09:58I see, director. I got it.
10:01Ready, go.
10:02I'm going to blow it up.
10:05What?
10:06Are you going to do it?
10:09I'll do it the most technical way.
10:12I see, director.
10:15That was great.
10:16Maro?
10:17What?
10:18Maro?
10:19It's not Maro.
10:20It's Heian Maro.
10:22I'll do it the most technical way.
10:25I see, director.
10:26Are you putting in a freezer?
10:31I noticed it.
10:34I was disgusted by your lack of imagination.
10:40Ready, go.
10:42I'll do it the most technical way.
10:46I'll do it the most sensitive way.
10:50I'll do it the most energetic way.
11:01I'll ask you one more time.
11:04You'll do it for 20 million yen, right?
11:07That's not cool.
11:09Director, are you going to shoot at such a close range?
11:13At such a close range.
11:16That was a bear scene.
11:17No, it wasn't.
11:19It was a bear scene at the beginning.
11:21There is a fear of not being able to shoot.
11:24You were in a hurry to shoot, right?
11:26You can shoot anywhere.
11:28I see.
11:29Even at your own feet.
11:31What?
11:33That hurts me.
11:36It's scary, right?
11:37I'll be scared.
11:38Is that the last line?
11:40I'll do it.
11:41Ready, go.
11:49Boom!
11:54It must have hurt.
11:56You're stupid.
11:59You must have regretted shooting.
12:03Boom!
12:07It must have hurt.
12:09You're shooting, but you're in a hurry.
12:11It's 20 million yen.
12:13You can drag it, but you can't change your facial expression.
12:17I see.
12:18Are you going to shoot?
12:21Are you going to shoot?
12:22I'm going to shoot.
12:24Ready, go.
12:34Boom!
12:40I'll ask you one more time.
12:43You'll do it for 20 million yen, right?
12:47I see.
12:49I can't stand the expression of an animal facing a crisis.
12:55Shoot.
13:00Director, what is this?
13:03What kind of person is this?
13:05He shoots himself and shoots diagonally.
13:10Is he a terrorist?
13:13Boom!
13:17I think it's better to act differently.
13:22I want to see Nobu's acting.
13:24What is the next role that Daigo has prepared?
13:32I can do this.
13:34Well, well, well.
13:35I've experienced it.
13:38It's the most pleasant scene when a real estate company finds out that it has been deceived.
13:45I see.
13:46Nobu will play the role of Nobuyagi, the director.
13:49Aoyagi.
13:50Aoyagi.
13:52Koji Yamamoto.
13:53He'll play that role.
13:55That's pretty difficult.
13:57Let's start with the scene where Nobuyagi shouts at his subordinates.
14:03Can you do it?
14:04Yes, I can.
14:05Ready, go.
14:12You guys must be ready.
14:15I won't let you say that you're taking a break.
14:19I'm sorry.
14:21I'm not ready yet.
14:23It's a war.
14:25There's no way to change the way you work in a war.
14:29Maybe I'm just bad at it.
14:32Wait a minute.
14:34You're not that bad.
14:37There's no way to change the way you work in a war.
14:42Ready, go.
14:43Ready, go.
14:45There's no way to change the way you work in a war.
14:49I'm sorry.
14:50A war is a fight for land.
14:56What are you doing?
14:58We're in a war.
15:01No, no, no.
15:04You're wrong.
15:05I'm sorry.
15:06There's no window here.
15:09Let's check it out.
15:11I was surprised.
15:12We're in a war.
15:16Let's go to this window.
15:18Okay.
15:19Can you do an air touchback here?
15:22Why?
15:24Because you're excited about land.
15:28We're in a war.
15:30We're going to crash into the window.
15:34Look at that.
15:38It looks like a woman.
15:40Buildings.
15:41Are you holding a building?
15:44A man holding a building.
15:45That's amazing.
15:48Ready, go.
15:53We're in a war.
15:57We're in a war.
15:59Hey, you.
16:01Look at that.
16:03I built that, too.
16:05I built this, too.
16:07I built that, too.
16:09You're bad at air touchbacks.
16:12Have you ever done it?
16:16A few times.
16:20You're being air-touchbacked.
16:24You're being air-touchbacked.
16:26Look at the waist line again.
16:29Look at the waist line of the air-touchback.
16:31That's...
16:32That's not good.
16:35Is that so?
16:37Can you do an air-touchback here?
16:40I feel humiliated.
16:42I feel humiliated as an actor
16:45that I can do an air-touchback here
16:47while I'm being touched by a megaphone.
16:49Next is a scene where a female employee uses color eyes.
16:53When a female employee says,
16:55please press this button,
16:57I'll buy it.
16:58Thank you for your hard work.
16:59I'll put my finger on it and smile.
17:01I'll buy it at that time.
17:02When a female employee says,
17:04good luck with your mouth,
17:06I'll say, thank you with my mouth,
17:09and I'll smile.
17:11When I come back,
17:12I'll whisper in her ear.
17:14This is Osekohara.
17:16Ready, go.
17:19Can you do an air-touchback here?
17:42I forgot something.
17:44I'm sorry.
17:45What is it?
17:47I'll be waiting for you at the usual place tonight.
17:51My air-touchback is still under construction.
17:55No, no, it's cheap.
17:57It's cheap.
17:59It's a cheap drama.
18:01I'm sorry.
18:02It's cheap.
18:03I have to touch it every time.
18:06I'll be waiting for you at the usual place tonight.
18:09He's saying it with his elbow.
18:11You'd better stand up.
18:12You'd better stand up.
18:13You'd better hold it tight.
18:15What?
18:16By yourself?
18:18Would you do such a thing?
18:20Would you hold it?
18:22Hold it, and it hurts a little,
18:26it hurts so much.
18:28That's stupid!
18:29The reality is that I can't control it anymore.
18:33That's crazy.
18:34Yes. Ready, start.
18:36Hey, you!
18:37I forgot something.
18:39I'm sorry.
18:40What is it?
18:42I'll be waiting for you at the usual place tonight.
18:46I'm going to build my own tower man.
18:57Chief!
18:59I'm the owner of the land worth 10 billion yen.
19:03It was a fake!
19:08No, no, no.
19:10That's not it.
19:11I'm sorry.
19:12That's the first scene.
19:13That's right.
19:14Can you switch from the tower man?
19:16I don't think it was in the script.
19:20Was it in the script?
19:22It was in the script, wasn't it?
19:24It was in the script, wasn't it?
19:25It was wonderful.
19:26This fleece.
19:27This fleece.
19:28The sunburn.
19:29The sunburn.
19:30It was in the script.
19:31It was a wonderful actor.
19:33I was surprised.
19:34I was surprised.
19:35He's the one who made me pee, right?
19:38I called a great person.
19:40Don't laugh.
19:41He's the one who said life.
19:43I was surprised.
19:44He's the one who said life.
19:46It's red.
19:48It's redder than I thought.
19:49It's red.
19:50It's red and it's fleece.
19:52It's red and it's fleece.
19:53All right.
19:54All right.
19:58Chief!
19:59I'm the owner of the land worth 10 billion yen.
20:02I'm the owner of the land worth 10 billion yen.
20:04It was a fake!
20:05Wait a minute.
20:06Wait a minute.
20:07Wait a minute.
20:08I'm sorry.
20:09Are you stupid?
20:10Are you stupid?
20:11That's rude.
20:12I'm sorry.
20:13I'm sorry.
20:14I'm sorry.
20:17I'm sorry.
20:18I look like Hideyoshi.
20:19I'm sorry.
20:20I look like Hideyoshi.
20:21I'm sorry.
20:22I look like Hideyoshi.
20:23I'm sorry.
20:28I want to see Nobu's performance.
20:31Nobuyaki, who was deceived by the ground god, despaired and fell down.
20:37Let's go like this once.
20:38Fall down.
20:41Harada-san, one by one, go up.
20:43Harada-san, Shigeru-san, go up.
20:46And here, too.
20:49Go up.
20:50Can I say Harada-san?
20:52Hideyoshi is waiting.
20:54Can I say that?
20:57Shigeru-san is waiting.
20:59Ready, start.
21:01What are you talking about?
21:03Who is that guy?
21:07Are you kidding me?
21:09You're laughing.
21:11I'm sorry.
21:13I'm sorry.
21:15Harada-san, can you stop laughing?
21:18Okay.
21:20I have a good sense.
21:22I can't stop laughing.
21:24I have a good sense.
21:26You don't know.
21:27If you come to my face,
21:29I can't stop laughing.
21:32Ready, start.
21:37You're not Harada Shigeru-san, are you?
21:43You're kidding me, aren't you?
21:45You're kidding me, aren't you?
21:48You're Harada Shigeru-san, aren't you?
21:52Harada-san, Harada-san.
21:54You're talking like a woman.
21:58Harada-san.
22:00Harada-san.
22:01You're laughing.
22:02You're talking like a woman.
22:05Please fire him.
22:08Please hire him as an actor.
22:13Is there any actor who can't stand it?
22:17I think he's a very funny guy.
22:20I want to see his Harrison.
22:23We'll be waiting for you.
22:26Comedian Poker Grand Prix.
22:28Create a good role with the characteristics and behind-the-scenes stories of comedians.
22:32It's so funny.
22:34I can't stop laughing.
22:36This is the greeting of the dressing room.
22:38Wiss, wiss, wiss.
22:41Who will be the 4th Grand Prix winner?
22:46The past episodes will be broadcasted on Terasa TV.
22:49Don't miss it.
22:51I can't stand it.