مدي 1 تي في : مع أنس ياسين - 04/12/2024
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00:00Hello and welcome to a new episode of Patchwork, we're happy to have you with us as usual
00:22to share with you some of the latest news from the art scene.
00:28So, let's get started.
00:35Welcome again to our guest today, Anas Yasin, Art Director and Co-Founder.
00:42Hello and welcome.
00:43Hello and thank you for having me.
00:45How are you?
00:46I'm fine, thank God.
00:47How are you?
00:48I'm fine.
00:49Thank God. Welcome to Patchwork.
00:51Let's start with you, Anas.
00:53What are the latest trends in the fashion world when it comes to women?
00:57The latest trends, which I think everyone has seen,
01:03is the color burgundy, or burgundy.
01:06Explain to us the secret of this color.
01:10This color has never been different from us.
01:13It was called burgundy.
01:14In order to bring it back to life, it was a natural color.
01:20When Rihanna wore it at the Red Carpet in the Super Bowl,
01:26it had to be a natural color, burgundy.
01:30We saw it everywhere, in bags, accessories, shoes, everywhere.
01:35It's not red, it's not brown.
01:37It's not brown.
01:38It's a kind of burgundy.
01:39It's a kind of burgundy that's a little deeper.
01:42But what's in fashion, right, is leather.
01:45Leather is also in fashion.
01:47Leather doesn't go away.
01:49Leather is always with us.
01:50It's just that the way it's used,
01:53whether it's knitted or knitted,
01:56the way it's used is what's in fashion.
01:59Leather is like jeans, like socks.
02:02It's a material that's always with us.
02:04As for oversized,
02:06why didn't you oversize a little?
02:09I've never worn oversized.
02:12I've never worn oversized.
02:14I've always liked oversized,
02:16and I'm still going to wear oversized.
02:18It's going to stay with you?
02:19It's going to stay with me, because it's comfortable.
02:22But it's going to stay with you, right?
02:24Exactly.
02:25After the lockdown, we wanted to be more comfortable.
02:29That's why I'm always going to wear oversized.
02:31I don't think I'm going to keep wearing it.
02:33Oversized for men and women?
02:35For men, for women, for children, everywhere.
02:37But can oversized be classy?
02:39Yes.
02:41Personally, when I wear oversized,
02:43I wear it even in casual outfits.
02:48For you, Anas,
02:49what's the difference between Zama and Fashion Foppa?
02:54The difference between Zama and Fashion Foppa is the dosage.
02:58The most important thing in life is the dosage,
03:00even in food, even in going out, anything.
03:03You have to know how to balance between vulgarity,
03:07between sobriety, between going out and going out.
03:11You have to know how to balance,
03:13and that's what we're going to try to see in today's episode.
03:15How to balance so that it's not too much,
03:17and not too little.
03:20You're going to explain to us how the dosage was
03:22for some of the stars,
03:24for some of the stars in the red carpet,
03:26from now on,
03:27from now on, from now on,
03:28in a few minutes,
03:29we're going to attack you,
03:30and I'm going to ask you about the Fashion Police section.
03:32Where do you think we should analyze?
03:35Analyze.
03:36Analyze.
03:37And we're going to read some of the statements
03:39of some of the stars in the red carpet
03:41at the International Film Festival in Morocco,
03:44in a few minutes.
03:45Before that, what are the trends for you?
03:48What are the trends for me?
03:50What have you never seen before?
03:51What have I never seen before?
03:52I've never seen anything like that.
03:53I've never seen the bottom of the cupboards,
03:54which are...
03:55You don't need them.
03:56They're there.
03:57They're there.
03:58They're there.
03:59When you look at the trends,
04:02you have black jackets,
04:04you have black pants,
04:05you have classic coats,
04:09you have black dresses.
04:11Did I say that or not?
04:12No, you didn't.
04:13Black, black, black.
04:14Yes, yes.
04:15Black, black, black.
04:16You also have the little red dress.
04:21It's something that you always record
04:23in the bottom of the cupboards.
04:26Jeans?
04:27Jeans, of course.
04:28Oversized jeans.
04:29Back to the...
04:30Back to the...
04:31Yes, so we don't embarrass you in the cupboards.
04:33So for me,
04:34it's something that I always record in the cupboards.
04:37Let's talk about your experience.
04:41How did you start?
04:43How did you get inspired?
04:45You've worked with a lot of celebrities,
04:46a lot of artists, especially female artists.
04:49Can you tell us how you worked with Hanan Fadeli?
04:54Hanan Fadeli was a great employee.
04:58Explain to us how you worked with Hanan Fadeli.
05:02Before I worked with Hanan Fadeli,
05:04I was a fan of her.
05:05It's not that you weren't a fan of her.
05:07Exactly.
05:08I wasn't a big fan of her.
05:09I was a fan of Hanan Fadeli.
05:12I liked her a lot.
05:13I used to see her as a muse.
05:16A person who inspired you a lot.
05:19Yes, who inspired me a lot.
05:20The reason I wanted to leave her shooting
05:22was because I wanted to leave her as a muse
05:24inspired by flowers.
05:25It was her spring shooting.
05:26That's what gave me the opportunity to work with her.
05:29I'm a big fan of her.
05:31Did you like her?
05:32She was very happy, thank God.
05:34How did you work with Asma Al-Munawar?
05:37I worked with Asma Al-Munawar.
05:38She's one of the best people I've worked with.
05:40I admire her a lot.
05:42Did you like her?
05:44Thank God.
05:45She was a big change.
05:48How did you help her get out of her comfort zone?
05:51It's a team effort.
05:52With all her teams, her models, her makeup artists.
05:56It's a team effort.
05:57Thank God.
05:58It gave us a good result.
06:00We were happy to work with her.
06:02Thank God.
06:03We salute her.
06:04Of course.
06:05Yasin Al-Munawar.
06:06Of course.
06:07How did you work with Munafto?
06:09Munafto is an icon of our film industry.
06:11We wanted to give her a place in the film industry.
06:14We wanted to shoot something...
06:16Light and gold.
06:17Light and gold.
06:18Exactly.
06:19It was the last thing we could do.
06:22It was a huge success.
06:24It was one of the most successful shootings.
06:28A lot of people followed her.
06:30She was part of the iconic film industry.
06:35We liked working with her.
06:37She's a great person.
06:38She's a great person.
06:39God bless her.
06:40God bless her.
06:41Bravo, Anas Yasin.
06:43How do you deal with celebrities?
06:46How do you deal with individuals?
06:48How do you deal with clients you don't know?
06:52Is it easier than dealing with celebrities?
06:56I don't have a lot of experience with individuals.
07:03I've worked with a lot of celebrities.
07:06I found that with celebrities,
07:08it's hard to deal with them.
07:10They have a hyper-sensitivity
07:16that you don't find with other people.
07:17They have a sensitivity that you can understand before you know it.
07:21You come to them and they say to you,
07:22what's wrong with you?
07:23You were hurt yesterday.
07:25That's the sensitivity I like in dealing with people.
07:31Do you understand that some celebrities have a bit of a temper?
07:36A lot.
07:38Why?
07:42Tell us, we want to know.
07:43Honestly, it's a package.
07:44You take it and leave it.
07:46In what way?
07:47In what way?
07:48Of course, celebrities have their caprices.
07:54They have a lot of things.
07:56In what way?
07:57Not in what way.
08:00It's your right.
08:01It's a package.
08:02It's like you're not responsible for something.
08:04You're not hyper-responsible for something.
08:05That's why we call it responsibility.
08:07You take it as it is.
08:08You don't want to be blamed.
08:10You take it as it is.
08:11As a person you meet with your friend,
08:13as a person you marry with,
08:15you take it as it is.
08:17Can you give us a job without those names?
08:21No.
08:22Give us a caprice.
08:23No, no.
08:24No?
08:25No, no.
08:26It's a job.
08:27It's impossible.
08:28You have to be patient with the caprices.
08:29I'm ready for it.
08:30You don't have a problem.
08:31No.
08:32But now you're under stress.
08:34Of course, but it's part of the job.
08:37So you're ready for stress.
08:38I'm ready for it.
08:39Especially when I have my caprices.
08:41Ah, that's why.
08:42Exactly.
08:44So it's not a problem.
08:45It's normal for a man to have a caprice.
08:47Of course, of course.
08:48At the end of the day, it's up to the person.
08:50If you have a caprice,
08:51for example,
08:52you always want to look good,
08:53or you always want to be like that.
08:54Why don't you accept it?
08:56Honestly, with stress,
08:57with the circumstances,
08:58with the conditions,
08:59even though I'm a bit of a perfectionist,
09:02sometimes there are conditions
09:05or circumstances
09:06that I want to meet
09:07more than the standards
09:08in order to do something good.
09:10And to do something good
09:11in order to please the audience,
09:13to please the viewer,
09:14to please the interviewer.
09:15Exactly.
09:16To see us in the best conditions
09:17and in the best picture.
09:18And you're not in front of the camera.
09:20So everything is fine.
09:21Everything is fine.
09:22I think that's reasonable, sir.
09:24I think so.
09:25I think that's reasonable, sir.
09:26I think so.
09:27I think so.
09:28I think so.
09:29I think so.
09:30We'll do some analysis
09:31of the observations of some stars
09:32at the International Film Festival
09:34in the city of Marrakech.
09:36And you, sir,
09:37are a specialist.
09:39Adit, give us your opinion
09:41and your reading
09:42of the observations
09:43that we're seeing now.
09:46Before we go into the details,
09:48I would like to say
09:49that in general,
09:50this year at the Red Carpet,
09:51what we found
09:52was that this year
09:53was especially
09:54a higher level
09:55than the previous years.
09:56It was a bit lower.
09:57It was a bit lower
09:58than the previous years.
09:59than the previous years.
10:00We saw nice, sober, chic outfits.
10:01We saw nice, sober, chic outfits.
10:02Even the make-up,
10:03even the hair
10:04was done in a beautiful way.
10:05Even the make-up,
10:06even the hair
10:07was done in a beautiful way.
10:08It was elegant.
10:09It was elegant.
10:10I honestly expected
10:11I honestly expected
10:12that this year
10:13would be like this
10:14for one of the reasons,
10:16which is
10:17the arrival
10:18of the Queen
10:19of the moment.
10:20Her arrival
10:21Her arrival
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