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Amor Amargo Capitulo 24 Completo HD
Amor Amargo Capitulo 24 Completo HD
Amor Amargo Capitulo 24 Completo HD
Amor Amargo Capitulo 24 Completo HD
Amor Amargo Capitulo 24 Completo HD
Transcript
00:00:00♪
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00:00:17Even though your brother was a piece of crap,
00:00:21it's obvious that Bienvenida won't resign herself
00:00:23to not knowing what happened with that drunk from Chavez.
00:00:26¿Y yo qué tengo que ver en eso?
00:00:29¿Ahora solo falta que me preocupe
00:00:31por la muerte de ese infeliz?
00:00:35¿O tú sabes algo que yo no sé?
00:00:39♪
00:00:46Bienvenida es fuerte.
00:00:49Tiene que seguir con su vida.
00:00:51Lo que pasó, pasó.
00:00:53No todos somos tan insensibles.
00:01:00Ay, hermanito, que Dios te cuide
00:01:02y te tenga en su santa gloria.
00:01:05Y que el maldito que te mató arda en el infierno.
00:01:08Y que el maldito que te mató arda en el infierno.
00:01:11♪
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00:01:40Many nights after the death
00:01:43of my daughter Beatriz,
00:01:45I've been thinking
00:01:47that maybe the best thing to do
00:01:49would be to accept
00:01:51that she and that man
00:01:53were trying to escape.
00:01:55They got into an accident and...
00:01:56No, no, no.
00:01:58That was all that happened.
00:02:00No, no, no.
00:02:01Jaime's idiot is responsible
00:02:03for the death of your daughter Beatriz.
00:02:05But according to the police,
00:02:07that wasn't the case.
00:02:08No.
00:02:09The car was hit.
00:02:10There were tracks
00:02:11on the mirror of another car.
00:02:14They think they were pushed into the ravine.
00:02:16That's why it hasn't been closed.
00:02:17No, no, no.
00:02:18Beatriz was thrown into the river.
00:02:19How do you explain that, damn it?
00:02:21How do you...
00:02:22I insist,
00:02:23Jaime Jiménez
00:02:24was the one who killed your daughter.
00:02:26Stories repeat themselves, Enrique.
00:02:30Do you understand why it's so necessary
00:02:32to kill Tomás and his family?
00:02:34Yes, yes, yes, yes, yes.
00:02:35But you won't be able to do that
00:02:36by lending yourself to shows
00:02:37like the one Francisco set up.
00:02:40Hey, that...
00:02:41It's on everyone's lips
00:02:42that Gabriela came with him
00:02:44because she spent the night with him.
00:02:46Your family shouldn't be
00:02:47in the news, Leonor.
00:02:49Your family, no.
00:02:53I see why Francisco
00:02:55is so angry with you.
00:03:02Leonor.
00:03:04Leonor.
00:03:06Please.
00:03:08Get that idiot Francisco out of the way.
00:03:12Let's think of more concrete actions
00:03:14to start from scratch
00:03:15the damn problem of Tomás.
00:03:18We have to strengthen ourselves.
00:03:26Maybe you're right.
00:03:34Excuse me.
00:03:43Yes, Doctor?
00:03:50Very good news.
00:03:52Thank you very much.
00:03:57Yes.
00:04:01Yes.
00:04:04Mr. Mercedes, I invited a friend
00:04:06to the orphanage.
00:04:08I think she needs to talk to you.
00:04:10But you already know her.
00:04:13Look at the time.
00:04:15Who are you messing with now?
00:04:17No one.
00:04:18It's just that she's not well.
00:04:21They hit her.
00:04:23Oh.
00:04:34Yes.
00:05:00Mr. Olivares.
00:05:01Excuse me.
00:05:03I didn't know it was you.
00:05:04Simón told me it was a friend.
00:05:07I didn't want to come,
00:05:08but he insisted.
00:05:09Well, he did the right thing.
00:05:11Now that I'm here,
00:05:12I'd like to see you
00:05:13patronizing a child.
00:05:14Not Simón.
00:05:15Because he told us
00:05:16he wanted a godfather.
00:05:18You're not patronizing a child.
00:05:20Look at Simón.
00:05:22He told me you were sad.
00:05:25Do you want to talk to me?
00:05:27Well, from time to time,
00:05:28I get like this.
00:05:29I miss my family.
00:05:31It's far away.
00:05:32I don't have friends.
00:05:33And my husband doesn't like it.
00:05:35But let's talk about
00:05:36what you need here.
00:05:37I want to help.
00:05:39Oh.
00:05:45I fell down the stairs.
00:05:47I tripped and rolled.
00:05:48And soon it's going to happen to me.
00:05:50It's nothing.
00:05:51Why don't you accept a chocolate
00:05:53and let's talk to the truth?
00:05:57Yes?
00:05:58You say you don't have friends.
00:06:00Then talk to me.
00:06:02I can be your friend
00:06:04if you like.
00:06:05I promise I'll come
00:06:07to talk to you.
00:06:08But now it's late
00:06:09and I have to get home.
00:06:11And my husband
00:06:13is waiting for me.
00:06:15Excuse me.
00:06:29Grandma,
00:06:30don't be like that.
00:06:32How do you want me to be?
00:06:35Finally,
00:06:36Dr. Hernan de Escalvillo
00:06:38invited me out.
00:06:40And it turns out that
00:06:42that outing included his beloved.
00:06:45Listen, Grandma.
00:06:47Having a girlfriend
00:06:48doesn't make him exclusive.
00:06:50As long as there's no paper,
00:06:52you can go out and play.
00:06:54Oh, Clally,
00:06:55please be careful.
00:06:57Grandma, it's true.
00:06:59In war and in love,
00:07:00everything is worth it.
00:07:01So the best thing
00:07:03is to be prepared
00:07:04to fight.
00:07:05What fight, Ania?
00:07:07Do you think that at my age
00:07:09I'm going to be
00:07:10with those teenage games?
00:07:11Grandma,
00:07:12there's no age for love.
00:07:14Yes.
00:07:15And I bet on you.
00:07:16That little doctor's heart
00:07:17is going to be yours.
00:07:19And how?
00:07:21He told me he was going
00:07:22to go with his beloved.
00:07:24Oh, that's going to be
00:07:25a problem for us, Grandma.
00:07:26I'm going to dress you up
00:07:27so beautifully
00:07:28that he won't want
00:07:29to see his beloved again.
00:07:31Will it be you?
00:07:33Of course.
00:07:34Will it be you?
00:07:35Of course.
00:07:37I want to meet his beloved.
00:07:40No, he's not going to meet you.
00:07:41Beloved.
00:07:44Beloved.
00:07:50What's up, Candela?
00:07:51Where are you going?
00:07:53I'm going back to Dallas.
00:07:57In fact,
00:07:58I'm glad to see you.
00:08:00I wanted to ask you for a favor.
00:08:02Do you think
00:08:03I can stay in the house
00:08:04for a few days?
00:08:05Just while I find
00:08:06a place to live.
00:08:08Yes.
00:08:10Of course.
00:08:12I understand you don't get along
00:08:13with Magdalena,
00:08:14but you're a good girl.
00:08:16We can find a solution.
00:08:18I want to, Tomas.
00:08:20I don't want to live
00:08:21the life my mother leads.
00:08:23I don't want to talk bad about her either.
00:08:26I just need to feel
00:08:28that I can be worth
00:08:29for myself.
00:08:30Don't move her, Tomas.
00:08:32Don't move her.
00:08:33You're not going to convince her.
00:08:34Better lend me the car
00:08:35and I'll take her, okay?
00:08:38Sure, okay.
00:08:40And of course,
00:08:41you can stay in the house
00:08:42as long as you need.
00:08:44I love you like a sister,
00:08:45so if you need anything,
00:08:48just ask.
00:08:50Jose,
00:08:52I'm going to miss you.
00:08:55Me too.
00:09:01Come.
00:09:12I'm grateful to you.
00:09:14After raising you
00:09:15and sacrificing me for you,
00:09:18now you're abandoning me.
00:09:21Oh, poor thing.
00:09:23Are you sure
00:09:24you've sacrificed yourself for her?
00:09:27Living with a man
00:09:28you deceived
00:09:29and despised
00:09:31must have been a great sacrifice
00:09:33for you, Magdalena.
00:09:35What do you know about my life with Jaime?
00:09:36Stay out of it!
00:09:37I know more than you think, Magdalena.
00:09:39We're going to keep our distance
00:09:40because if that's what it's about,
00:09:42I also know a lot about you.
00:09:44So much so that if it were up to you,
00:09:46I'd stay out of it.
00:09:55What about this one, Grandma?
00:09:57It's very popular.
00:09:58The whole town knows it.
00:09:59That's why I'm going to the market.
00:10:01Let's see.
00:10:03Grandma, look at this one.
00:10:05I already took it to a baptism.
00:10:07Grandma, but the doctor didn't go to the baptism.
00:10:08It's very burned.
00:10:10Let's see.
00:10:11What about this blue one?
00:10:12That's even worse.
00:10:14That's why I go to mass on Sundays.
00:10:16No, no, not that one.
00:10:18Now, now.
00:10:20This color
00:10:21goes better with your skin tone.
00:10:22Look.
00:10:24No.
00:10:25It's the color of love.
00:10:27It's like...
00:10:29very insinuating.
00:10:30Well, that's why.
00:10:32Grandma.
00:10:33No.
00:10:34You're going to say I'm an offer.
00:10:36Grandma, it's this one.
00:10:37I'm going crazy with red.
00:10:38No, this one.
00:10:39It's pretty,
00:10:40but it's a shame, it's a shame.
00:10:42Emilio,
00:10:43that's a sigh.
00:10:45When is the reading going to be, then?
00:10:47Next week.
00:10:48I already talked to the notary
00:10:49of Mexico City
00:10:50and he has no problem
00:10:51moving to Todos Los Santos.
00:10:53Perfect.
00:10:54I'm going to let the others know.
00:10:55Hey, and what happened with Julio?
00:10:57Let's see, I went to see him
00:10:58as you asked.
00:11:00That man is a criminal, Tomas,
00:11:01and he's very well trained.
00:11:03I'm convinced
00:11:04that he didn't set fire to the offices.
00:11:05What about the name?
00:11:06Who put him there
00:11:07to cover his back?
00:11:09Well, look,
00:11:10he didn't tell me anything
00:11:11and he refused to accept the help.
00:11:13Well, insist.
00:11:14Offer him something,
00:11:15whatever it is.
00:11:16That man has to talk.
00:11:17He can give us a clue
00:11:18of everything that has happened
00:11:19in this town
00:11:20since we arrived.
00:11:21Keep me informed.
00:11:24Ah,
00:11:25now you like to hear
00:11:26other people's calls?
00:11:28No,
00:11:29I was passing by,
00:11:30but as you put your cell phone
00:11:31on speaker,
00:11:32everything is heard.
00:11:33Yes, of course.
00:11:34If what you say is secret,
00:11:35then go to your room
00:11:36so that no one can hear you,
00:11:37right?
00:11:38I guess you heard everything,
00:11:39so you were already warned.
00:11:42The reading of the will
00:11:43will be next week.
00:11:46We will be able to end
00:11:47this forced coexistence.
00:12:04Let's see.
00:12:06How am I doing, how am I doing?
00:12:07Oh, very good.
00:12:08No, rather,
00:12:09how are you, how are you?
00:12:11Lend me a mirror, my daughter.
00:12:12Let's see.
00:12:13Come on.
00:12:14Ready?
00:12:16Let's see you.
00:12:21You don't even rub it anymore,
00:12:22you left me eyebrows of hitmen.
00:12:24Hey, you don't even do it, my daughter.
00:12:26Oh, grandma,
00:12:27how does it show
00:12:28that you don't have a world?
00:12:29It's fashion,
00:12:30it's fashion right now.
00:12:31Yes, it's fashion.
00:12:32Let's see.
00:12:33Let's see.
00:12:35Oh, grandma.
00:12:37Grandma, no, no, no,
00:12:38wait, wait, wait.
00:12:39Grandma.
00:12:40Grandma.
00:13:03Grandma.
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00:19:54Grandma.
00:19:55Grandma.
00:19:56Grandma.
00:19:57Grandma.
00:19:58Grandma.
00:19:59Grandma.
00:20:00Grandma.
00:20:01Grandma.
00:20:02Grandma.
00:20:03Grandma.
00:20:04Grandma.
00:20:05Grandma.
00:20:06Grandma.
00:20:07Grandma.
00:20:08Grandma.
00:20:09Grandma.
00:20:10Grandma.
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00:20:13Grandma.
00:20:14Grandma.
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00:20:17Grandma.
00:20:18Grandma.
00:20:19Grandma.
00:20:20Grandma.
00:20:21Grandma.
00:20:22Grandma.
00:20:23Grandma.
00:20:24Grandma.
00:20:25Grandma.
00:20:26Grandma.
00:20:27Grandma.
00:20:28Grandma.
00:20:29Grandma.
00:20:30Grandma.
00:20:31Grandma.
00:20:32Grandma.
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00:20:35Grandma.
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00:20:38Grandma.
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00:20:40Grandma.
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00:20:49Grandma.
00:20:50Grandma.
00:20:51Grandma.
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00:20:53Grandma.
00:20:54Grandma.
00:20:55Grandma.
00:20:56Grandma.
00:20:57Grandma.
00:20:58Grandma.
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00:21:00Grandma.
00:21:01Grandma.
00:21:02Grandma.
00:21:03Grandma.
00:21:04Grandma.
00:21:05Grandma.
00:21:06Grandma.
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00:21:20Grandma.
00:21:21Grandma.
00:21:22Grandma.
00:21:23Grandma.
00:21:24Grandma.
00:21:25Grandma.
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00:21:27Grandma.
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00:22:00Grandma.
00:22:01Grandma.
00:22:02Grandma.
00:22:03Grandma.
00:22:04Grandma.
00:22:05Grandma.
00:22:06Grandma.
00:22:07Grandma.
00:22:08Grandma.
00:22:09Grandma.
00:22:10Grandma.
00:22:11Grandma.
00:22:12Grandma.
00:22:13Grandma.
00:22:14Grandma.
00:22:15Grandma.
00:22:16Grandma.
00:22:17Grandma.
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00:22:19Grandma.
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00:22:23Grandma.
00:22:24Grandma.
00:22:25Grandma.
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00:22:27Grandma.
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00:22:35Grandma.
00:22:36Grandma.
00:22:37Grandma.
00:22:38Grandma.
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00:22:40Grandma.
00:22:41Grandma.
00:22:42Grandma.
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00:22:53Grandma.
00:22:54Grandma.
00:22:55Grandma.
00:22:56Grandma.
00:22:57Grandma.
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00:22:59Grandma.
00:23:00Grandma.
00:23:01Grandma.
00:23:02Grandma.
00:23:03Grandma.
00:23:04Grandma.
00:23:05Grandma.
00:23:06Grandma.
00:23:07Grandma.
00:23:08Grandma.
00:23:09Grandma.
00:23:10Grandma.
00:23:11Grandma.
00:23:12Grandma.
00:23:13Grandma.
00:23:14Grandma.
00:23:15Grandma.
00:23:16Grandma.
00:23:17Grandma.
00:23:18Grandma.
00:23:19Grandma.
00:23:20Grandma.
00:23:21Grandma.
00:23:22Grandma.
00:23:23Grandma.
00:23:24Grandma.
00:23:25Grandma.
00:23:26Grandma.
00:23:27Grandma.
00:23:28Grandma.
00:23:29Grandma.
00:23:30Grandma.
00:23:31Grandma.
00:23:32Grandma.
00:23:33Grandma.
00:23:34Grandma.
00:23:35Grandma.
00:23:36Grandma.
00:23:37Grandma.
00:23:38Grandma.
00:23:39Grandma.
00:23:40Grandma.
00:23:41Grandma.
00:23:42Grandma.
00:23:43Grandma.
00:23:44Grandma.
00:23:47Here.
00:23:58Ay, abuela.
00:23:59Si te metes al mis universo, ganas.
00:24:01Si, el último lugar pa' abrir la puerta.
00:24:04Ay, abuela.
00:24:05Aunque, mira, yo no sé si esto se vaya a ver natural.
00:24:08Como que le quitamos un poquito, ¿no, mija?
00:24:10No, no, no, no.
00:24:11A callar.
00:24:12A ver, levanta la trompa.
00:24:14Ay, abuela, ¿vas a quedar con unos labios?
00:24:17Como si te acabaran de poner botox.
00:24:19Ay.
00:24:21Ay, abuela, esto es para partir plaza.
00:24:23Te ves preciosa.
00:24:24De vaca se nacida, ándale.
00:24:26Te ves preciosa, abuela.
00:24:28Vas a parar el tráfico.
00:24:30¿Tú crees?
00:24:32Si el doctor no cae nervioso de ti, será un tonto.
00:24:35Ay, mija, se ve que me quieres.
00:24:37Ven para acá, te voy a enseñar.
00:24:39Órale.
00:24:40Órale.
00:24:41Ándale.
00:24:42A ver, pero espérate.
00:24:43Cierra los ojos.
00:24:44Yo te digo cuándo ya.
00:24:45Ciérralos y yo te llevo.
00:24:47Aquí.
00:24:48Aquí.
00:24:49Agarra mi mano.
00:24:50Ay, abuela.
00:24:51¿Lista?
00:24:52Espérame.
00:24:53¿Lista?
00:24:54Ahí.
00:24:55Ahí.
00:24:56Ahí.
00:24:57Una.
00:24:58Dos.
00:24:59Tres.
00:25:04Ay, chihuahua.
00:25:05¿Qué opinas?
00:25:06No, pues trabajas bien.
00:25:08Claro.
00:25:09No, hombre.
00:25:13Calvillo, ahora sí vas a caer.
00:25:15Y bien muerto.
00:25:16¿Verdad?
00:25:17Amada, no, hombre.
00:25:19Acá, acá las tortas.
00:25:20Te dije, eso se las he mandado.
00:25:22Ay, abuela.
00:25:23Qué preciosa.
00:25:24Ay, mi vida.
00:25:25Mira, no muy bien, pero muy bien.
00:25:27¿Cómo?
00:25:28Muy bien.
00:25:29Usted es muy buena.
00:25:34Quisiera que no te fueras, Canela.
00:25:37Te voy a extrañar.
00:25:39Y yo a ti también.
00:25:41Y a Tomás.
00:25:42Mucho.
00:25:53Me cuidas de la casa y los autos, ¿sí?
00:25:56Yo que tú, me armo unos fiestones.
00:25:58No sé.
00:25:59¿Quién dice que no encuentres un galán y te olvides el cuete este?
00:26:02Fíjate, no sería mala idea.
00:26:04Dicen que un clavo saca otro clavo.
00:26:07Yo, yo solo quiero ser feliz.
00:26:10Quiero ser libre.
00:26:13Quiero encontrarme a mí misma.
00:26:23Cuídate mucho, abuela.
00:26:25Buena suerte, Canela.
00:26:27Gracias.
00:26:28Que no creo que la necesites.
00:26:31Yo sé que vas a lograr todo lo que te proponas.
00:26:38Ya, vete.
00:26:53Fue un placer haberlos tenido en todos los santos.
00:26:55Su camión ya los está esperando de este lado.
00:26:58¡Canela!
00:27:23No debes olvidarte un helador.
00:27:26Y mucho menos hacer esas escapadas a las que estás acostumbrada.
00:27:31Qué bueno que se lo dice, doctor.
00:27:33Porque siempre me toca ir con Juan Pedro a buscarla.
00:27:36Bueno.
00:27:37Gabi.
00:27:39Recuerda que me prometiste que la ibas a cuidar muy bien.
00:27:42Y así va a ser, doctor.
00:27:44No sobresaltos, no situaciones que la alteren.
00:27:47Y sobre todo, sus medicinas.
00:27:49Eso, eso.
00:27:51Por cierto, hablé con un colega.
00:27:54Y le pedí que me recomendara un buen psiquiatra.
00:27:58No, no, no. Yo no voy a ir a ningún psiquiatra.
00:28:01¿Te va a ayudar?
00:28:02No.
00:28:03Mira.
00:28:04Al hablar con él, te vas a sentir mucho mejor.
00:28:08Y vas a poder controlar tus emociones.
00:28:10No.
00:28:11Ahí no me van a ayudar en nada, al contrario.
00:28:13Yo no quiero ir ahí.
00:28:14No, yo no voy a ir a ningún psiquiatra.
00:28:15Tranquila, por favor, Eva. Tranquila.
00:28:17Doctor, ¿podemos platicar allá afuera?
00:28:19Por favor.
00:28:20Por favor, tranquila.
00:28:21No.
00:28:22Tranquila, por favor.
00:28:26Eva.
00:28:28No, no. Yo no quiero ir a ese lugar.
00:28:30Ahí no me van a ayudar en nada.
00:28:31No vas a ir.
00:28:32Tranquila.
00:28:33No quiero.
00:28:34No vas a ir. Respira. No vas a ir.
00:28:40Yo no voy a ir.
00:28:41No vas a ir, Eva. No vas a ir.
00:28:43Ok, no vas a ir.
00:28:44Pero solo te vas un ratito y regresas al pueblo, ¿verdad?
00:28:47No, Juan Pedro. Me voy para siempre.
00:28:52Candela.
00:28:54Discúlpame.
00:28:56Jamás quise hacerte daño.
00:28:58No tienes que disculparte.
00:29:00No me hiciste daño.
00:29:02Al contrario, hiciste ver que mi futuro no está en este lugar.
00:29:15Gracias por todo.
00:29:19Busca a Miriam, que yo sé que ella es a quien realmente amas.
00:29:44No entiendo por qué te niegas a que Eva reciba un tratamiento.
00:29:49Es que, mire, la situación aquí es que Eva se inquieta mucho con ese tema.
00:29:55Y más si sabe que esa orden la dio mi abuela.
00:29:57Ah, pues es natural.
00:30:00Doña, yo no siempre he tenido un carácter, como te diré, fuerte.
00:30:06No como tú.
00:30:07No.
00:30:08Doña, yo no siempre he tenido un carácter, como te diré, fuerte.
00:30:14No como Beatriz, que era más dulce.
00:30:17Oiga, doctor.
00:30:19¿Usted cree que Eva necesite ver a un psiquiatra?
00:30:23Mira, Gaby, como tal, no lo necesita.
00:30:27Pero tiene que estar tranquila. Los nervios pueden afectar su asma.
00:30:32Mire, yo le prometí que le iba a cuidar.
00:30:35Si no es necesario, prefiero que no toquemos ese tema con Eva.
00:30:39Porque eso solamente le altera mucho más.
00:30:41Es más, usted mismo ya vio cómo reaccionó cuando mencionamos el tema del psiquiatra.
00:30:45Bueno, entonces olvidémonos del tema.
00:30:49Lo que hay que hacer es estar al pendiente de ella.
00:30:53Y así será.
00:30:55Y una cosa más, doctor.
00:30:58Si mi abuela le llega a insistir en el tema, me puede avisar, por favor.
00:31:03Cuenta con ello.
00:31:05Gracias.
00:31:06Bueno, voy con mi hermano.
00:31:16Todo va a estar bien.
00:31:18Vamos a poner todo de nuestra parte, y en especial yo, para que te sientas tranquila.
00:31:25Eva.
00:31:29No vamos a dejar que te lleven a ningún psiquiatra.
00:31:33Así es.
00:31:35Y ya está todo listo.
00:31:47No puedo dejar de pensar en lo que pasó ayer.
00:31:50Y hablé con Emilio para ver si se podía hacer algo en contra de esta señora y me dice que no.
00:31:55Tomás.
00:31:59Te tienes que comprar un arma.
00:32:01De verdad te digo, no puedes estar así tan desprotegido.
00:32:04Estamos en México, aquí no se pueden comprar armas como en Estados Unidos.
00:32:08¿Qué te pasa?
00:32:09Pues, ¿y qué privilegios goza esta mujer para estar disparando tan impune?
00:32:13Tranquilo, no quiero que nadie se entere de lo que pasó.
00:32:16Vamos a jugar a mi manera.
00:32:18Tengo un par de planes.
00:32:19La voy a hacer rabiar y le voy a dar donde más le duela a la bruja esa.
00:32:22Dame tiempo.
00:32:24Bueno, ya nos tenemos que ir, ya es un poco tarde.
00:32:28Está bien, pero tú adelántate porque yo tengo que hablar con Dolores.
00:32:31Tranquilo.
00:32:34Vamos.
00:32:40Pero en sí, ¿de qué estás pidiendo trabajo, muchacho?
00:32:43Específicamente, ¿de qué?
00:32:44De lo que sea, de lo que sea.
00:32:45Hago de todo.
00:32:46Si no lo sé, lo busco y lo soluciono.
00:32:48Me puede poner a barrer, a lavar los trastes.
00:32:52Cocino y cocino bien rico de verdad.
00:32:54O al jardín.
00:32:55Perdón, ¿qué está pasando aquí?
00:32:56¿Está todo bien?
00:32:57Este muchacho busca empleo.
00:32:59Dice que hace de todo, pero no me especifica qué hace.
00:33:02Ah, ¿y qué sabes hacer?
00:33:03Bueno, señor, es que le estaba diciendo a la señora que hago lo que me pidan.
00:33:06Sé hacer de todo y si no lo sé, pues lo investigo y si sí, lo mejoro.
00:33:09Pero tengo mucha actitud.
00:33:11Ah, bueno, eso es lo que más cuenta, es lo importante.
00:33:14Pero no sabemos ni de dónde viene, no podemos contratar gente así.
00:33:17Así como así, Tomás.
00:33:18Vengo de... Trabajé en la posada, aquí en la posada.
00:33:21El señor Emilio y el señor Marlon me conocen muy bien.
00:33:24Ah, perfecto.
00:33:26Necesito que hagas un trabajo que después te voy a indicar bien de qué se trata.
00:33:28¿Cómo te llamas?
00:33:29Gil, Gil Santos, para servirle a Dios a usted.
00:33:31Y a usted también.
00:33:33Contrátalo.
00:33:35Y bienvenido, muchacho.
00:33:36Gracias.
00:33:40¿Dónde empiezo?
00:33:44No me gusta verte así.
00:33:47No me siento bien, ma.
00:33:49Por favor, no quiero que me digas nada.
00:33:51Es que siento tanta rabia.
00:33:56A ver, ¿qué es lo que te duele?
00:33:58¿Qué es lo que te duele?
00:34:00¿Que esa muchacha se haya ido?
00:34:04Es que es todo.
00:34:06Me volvió a ver a Candela tan triste por mi culpa y...
00:34:12Me duele sentirme tan poca cosa frente a Miriam.
00:34:14No, no, no, no. Eso sí no.
00:34:17Tú eres un hombre maravilloso.
00:34:19No, Leonor San Jose tiene toda la razón.
00:34:23Yo no soy el hombre que su nieta merece.
00:34:25Mira, si tú renuncias a lo que quieres,
00:34:27ese no es asunto de la señora Leonor.
00:34:30Dejémosle de echar la culpa a los demás de las cosas que no hacemos.
00:34:33Pero mamá.
00:34:34No, pero mamá nada.
00:34:35No hagas la estupidez de ir detrás de alguien que tú no quieres
00:34:38por llenar un vacío y no enfrentar tus cosas.
00:34:41Demuéstrale a Miriam.
00:34:43Pero, sobre todo, demuéstrate a ti mismo
00:34:46que eres suficiente para ella.
00:34:55¿Te convenció la señora Magdalena de ser un hombre de bien?
00:35:01No sé de qué hablas.
00:35:06Según ella, eso vino a traerte el mensaje
00:35:11para que no sufrieras en este ambiente para usted.
00:35:17¿Qué le dijiste?
00:35:19¿Te quejaste con ella?
00:35:21Ya te dije que no le dije nada.
00:35:26¿En serio?
00:35:29¿Y yo soy un idiota que te cree?
00:35:34¿Le dijiste que te golpearon?
00:35:37No dije nada.
00:35:39Te lo juro.
00:35:42¿Qué ocultas?
00:35:45¿Por qué Jiménez te manda a jugar?
00:35:47¿De cuándo acá recibes visitas de Enrique Olivares?
00:35:52¿Por qué viene la señora Magdalena a visitarte?
00:35:55¿Por qué?
00:35:59Hay algo.
00:36:01Y quiero que me lo digas.
00:36:04¡Habla!
00:36:26Manuel.
00:36:28Calm down.
00:36:31I'm going to give you a chance to live.
00:36:47Cut it out, please.
00:36:48Cut it out, please.
00:36:54David Bisbal, during a concert, broke his pants.
00:37:00They know what they want.
00:37:01You took me because you like me a lot.
00:37:03And what they do in the dark.
00:37:05This has no remedy.
00:37:06Of course it has a remedy.
00:37:08The light will always come out.
00:37:10I never had anything to lose.
00:37:11But I know a lot to gain.
00:37:13That's why I had to break what we were.
00:37:15Mujeres asesinas.
00:37:16Este sábado, nueve de la noche.
00:37:18Final de temporada.
00:37:20What has to happen for you to open your eyes
00:37:22and realize the harm it does to you?
00:37:24I went to the police station to clarify everything.
00:37:27I decided that the model was Valeria.
00:37:30You little bitch.
00:37:32You're not staying with Arturo.
00:37:34Now I understand so much closeness with Arturo.
00:37:37Mondays to Fridays, 9.30 pm.
00:37:40Alejandra thinks about him.
00:37:41I don't know why I don't stop thinking about you.
00:37:44And he in her.
00:37:45He is Mr. Alvarez del Castillo.
00:37:47Let's see who is the lucky one.
00:37:49It seems that everyone is noticing it.
00:37:52I heard rumors that something else happened between you.
00:37:55Mondays to Fridays at 2.30 pm.
00:37:57For the stars.
00:38:15Mom, no, please, mom.
00:38:17The gun was for me.
00:38:19Leaving lives on the line.
00:38:21The target was that son of a bitch.
00:38:23Look at him.
00:38:24How stupid he is.
00:38:27Mondays to Fridays, 4.30 pm.
00:38:29If you're in the week, let the chanfle take you.
00:38:32I'm angry.
00:38:34Here in the neighborhood we have experts to help you.
00:38:37Son, son, son.
00:38:38Not all are bad news.
00:38:41Thank you, son.
00:38:43My heart burned.
00:38:44We know how to make you laugh with El Chavo.
00:38:47Mondays to Fridays with the stars.
00:38:49Laughter is a universal language.
00:38:51Wait, wait, what, what, what again?
00:38:53And it doesn't matter how you say it.
00:38:55How do you say what he said?
00:38:56Cantinflas is waiting for you very punctual.
00:38:58I will be there with my corresponding correspondence.
00:39:01This Saturday, immediate delivery.
00:39:03And Sunday, up and down.
00:39:06With the stars.
00:39:08Well, let's go in and see what happens.
00:39:10Live the beautiful tradition that unites us in songs of faith and love.
00:39:13Accompany Lucero Mijares, Ana Bárbara, Emanuel, Aida and Valeria Cuevas.
00:39:17Isabel Ascuray, Joss Álvarez and Daniela Romo.
00:39:20Accompanied by mariachi Gama Mil, Maestro Jesus Gama and the conduction of Julieta Lujanvio.
00:39:25Mañanitas to Santa María de Guadalupe.
00:39:27Wednesday, December 11 at the end of the news.
00:39:30Every morning brings new stories that connect us.
00:39:33The most relevant of Mexico and the world is here from the first minute.
00:39:38Fast, clear and precise, so you will be well informed.
00:39:42I'm Carlos Hurtado and I'll wait for you in the news.
00:39:45Monday to Friday, 5.50 am.
00:39:47For the stars.
00:40:09Alejandra thinks about him.
00:40:11I don't know why I can't stop thinking about you.
00:40:13And him about her.
00:40:15Oh, Mr. Álvarez del Castillo.
00:40:17Let's see who is the lucky one.
00:40:19It seems that everyone is noticing it.
00:40:21I heard rumors that something happened between you.
00:40:24Monday to Friday at 2.30 am.
00:40:26For the stars.
00:40:29Here to make you laugh, we get down to work.
00:40:32Let the fun be for all sizes.
00:40:35And you discover that a good researcher can see through the mask.
00:40:39That's how Sundays are in...
00:40:41Shock them, compadre.
00:40:43It's better alone.
00:40:45And who is the mask?
00:40:47For the stars.
00:40:49Modern problems require desperate measures.
00:40:52I don't even have a fifth for my return flight to Milan.
00:40:56We take out all the costumes.
00:40:57Reduce the camera.
00:41:00We already know your identity.
00:41:02My life is ruined forever.
00:41:05In 40 y 20, we know how to make you laugh.
00:41:07This Thursday at the end of the noti.
00:41:09Germán is an expert.
00:41:12Did you cut the window?
00:41:14Well, in the eyes of an inexpert, yes, Jorge.
00:41:17In throwing things away.
00:41:18You really despise my position.
00:41:20Being a goalkeeper is not easy.
00:41:21Let's get out of the building.
00:41:23There is a gas leak.
00:41:25Again?
00:41:26In Neighbors, we know how to make you laugh.
00:41:28This Sunday, 5.30 pm.
00:41:30When the world wakes up, the news is already happening.
00:41:34We bring you the stories and the analysis that will mark the course of your day.
00:41:40With the markers, the stages and the time that will be in your state and city.
00:41:45Start your day awake.
00:41:47Monday to Friday, 7 to 9 in the morning.
00:41:49For the stars.
00:41:50Sign up for the first night race.
00:41:52Great from the heart of Club America.
00:41:54This Saturday, December 7, invite your family and friends.
00:41:58Three categories.
00:41:59Three, five or ten kilometers.
00:42:02Last days to secure your place.
00:42:04Sign up at clubamerica.com.mx.
00:42:07Great from the heart.
00:42:32At nine o'clock.
00:42:33Advice, exercises and the rhythm of the stars dance today in their last weeks.
00:42:37Cut it, teacher, please.
00:42:39And at the end.
00:42:40Notes, kitchen, guests and everything about the famous in Cuéntamelo Ya.
00:42:44David Bisbal, during a concert, broke his pants.
00:42:47From Monday to Friday with the stars.
00:42:49Laughter is a universal language.
00:42:52What's new?
00:42:54And it doesn't matter how you say it.
00:42:55How do you say what he said?
00:42:57Cantinflas is waiting for you very punctual.
00:42:59I will be there with my correspondence.
00:43:01This Saturday, immediate delivery.
00:43:04And on Sunday, up and down with the stars.
00:43:08Well, let's see what happens.
00:43:10Every week, witness the most spectacular plays.
00:43:14Doing what you have to do.
00:43:16Dynamics out of the ordinary.
00:43:18They come today ready, prepared and ready with the attitude.
00:43:21In the program that always has much more.
00:43:24More sport.
00:43:26This Sunday, eleven in the morning with the stars.
00:43:30Each fight will be decisive in the Mexican regional special.
00:43:33Along with the matryoshka.
00:43:34Up!
00:43:36Where eight exciting performances.
00:43:38They will take us to meet the six semifinalists of the most spectacular enigma.
00:43:42It's impressive.
00:43:43Who is the mask?
00:43:45Bring everything, bring everything.
00:43:46Heading to the grand final.
00:43:47This Sunday, 8.30 at night.
00:43:50These are the news in point.
00:43:52The National Republican Convention in Iwoki is a celebration of identity.
00:43:57They have reported an increase in the number of rescues of people in danger of drowning in the sea.
00:44:01The authorities are still looking for the source of this contamination.
00:44:04Every night, your meeting point with the information.
00:44:07In point.
00:44:0810.30 by the stars.
00:44:10Live the beautiful tradition that unites us in songs of faith and love.
00:44:13Accompany Lucero Mijares, Ana Bárbara, Emanuel, Aida and Valeria Cuevas.
00:44:18Isabel Azcuray, Joss Alvarez and Daniela Romo.
00:44:21Accompanied by the mariachi Gama 1000.
00:44:23Our Jesus Gama.
00:44:24And the driving of Julieta Lujanvio.
00:44:26Mañanitas to Santa María de Guadalupe.
00:44:28Wednesday, December 11 at the end of the news.
00:44:30Every morning brings new stories that connect us.
00:44:33The most relevant of Mexico and the world is here from the first minute.
00:44:38Fast, clear and precise.
00:44:40So you will be well informed.
00:44:42I am Carlos Hurtado and I wait for you in the news.
00:44:45Monday to Friday.
00:44:465.50 by the stars.
00:44:54Love bitter.
00:45:01Gil, son.
00:45:02Where have you been?
00:45:04You did not sleep here last night.
00:45:06Are you okay?
00:45:07Yes.
00:45:09I do not want you to be angry.
00:45:11Let's talk.
00:45:12No.
00:45:13Gil, I know you're upset.
00:45:15We'll talk later.
00:45:16I respect you.
00:45:17Is Liz with you?
00:45:19His clothes are no longer in the room.
00:45:21No.
00:45:22I mean, I would not know how to tell you, Mrs. Gloria.
00:45:25I find it very strange.
00:45:26Can you come and help me find her?
00:45:28I'm sorry, but I already have a job.
00:45:31What are you talking about?
00:45:33Well, the truth is that what Mrs. Gloria did hurt me a lot.
00:45:37She distrusted me.
00:45:38And I'm not going to work at the inn anymore.
00:45:43And if you excuse me.
00:45:47I have to go to work.
00:45:53Are you okay, Mrs. Gloria?
00:45:55No, daughter.
00:45:57I'm not okay.
00:45:58I treated Gil badly and now he abandons me.
00:46:02And to top it off, Liz took her things and I think she left too.
00:46:08No, but I don't think she's leaving just like that.
00:46:11Because I owe her a lot of money.
00:46:13What?
00:46:14Yes.
00:46:15She was the one who lent me the money to pay the rent of the house.
00:46:19Liz?
00:46:20Yes.
00:46:21And where did she get so much money from?
00:46:25Oh my God, it can't be.
00:46:27Liz said that Paulo invented having that money.
00:46:32She was with Gil when they took the garbage out of the room.
00:46:36Oh, of course.
00:46:38She was the one who stole the money.
00:46:41That's why she ran away.
00:46:43Of course.
00:46:51Please, Mr. Mercedes.
00:46:53Don't tell my husband anything.
00:46:55He has his character, but...
00:46:57No, but nothing.
00:46:58You can't keep living like this, Lucia.
00:47:02You have to accept that you are a mistreated woman.
00:47:05Enrique is like that with everyone.
00:47:07He doesn't just treat me like that.
00:47:09Don't excuse him.
00:47:10If you don't want to see the truth, no one can help you.
00:47:14That's the reality.
00:47:16No one can help me.
00:47:18I have nowhere to go.
00:47:19I'm alone in this town that Enrique governs.
00:47:22No one is above the law.
00:47:24He is.
00:47:25And he has shown it to me.
00:47:27And he has told me that I belong to him.
00:47:29And that if I ever try to run away, he will kill me.
00:47:32Don't worry.
00:47:33Everything is taken care of.
00:47:35I know.
00:47:37But my job is to accept what I have.
00:47:39I already assumed it, Mr. Mercedes.
00:47:41And anyway, I can say that I have a family in that house.
00:47:45I have a home.
00:47:46In exchange for what?
00:47:49For that man to mistreat you every time he wants.
00:47:53Do you really think that's a home?
00:47:57Today was a blow.
00:47:59But it could end up dead.
00:48:07You are supposed to be here to help us with your knowledge,
00:48:10but the results are not good.
00:48:12Let's see, Quique.
00:48:13I don't think they told you that the distributor closed, right?
00:48:16Because instead of giving results, he is giving pure losses.
00:48:20I don't know, but from my point of view,
00:48:22you are a couple of useless parasites.
00:48:29I think you're overreacting, Enrique.
00:48:31Not only do you dare to threaten me in my house,
00:48:33but I also have to put up with you here,
00:48:35and I won't allow that.
00:48:37You won't allow that and more.
00:48:40Because here the one who has given the money to get this factory out
00:48:43is me, don't forget that.
00:48:44And the salary you two receive comes out of my pockets.
00:48:47So I won't take long to put things in order if I don't see results.
00:48:53You are warned.
00:48:55A little meme.
00:48:58And I'm not playing.
00:49:04I can't stand this guy.
00:49:06I'm not playing.
00:49:13You place these dolls at the fairs,
00:49:15they stick out their heads and you hit them with a hammer.
00:49:20You realize at this moment.
00:49:22You made of pechito and sars, of fear.
00:49:25Well, I prefer to defend my dignity
00:49:27than to remain silent like you do.
00:49:29Wrong.
00:49:31I am a man who chooses his battles,
00:49:34who does not waste gunpowder in hell.
00:49:36You should do that too.
00:49:40Enrique, you have to attack him little by little
00:49:43so that he does not realize your movements.
00:49:46Panchito.
00:49:48I'm for your games.
00:49:49You have to be for my games.
00:49:53Enrique is a dangerous man.
00:49:59But I'm going to be on your team.
00:50:01And you should be grateful.
00:50:04That you help me.
00:50:06It's always good.
00:50:08And the best.
00:50:10I speak without interest.
00:50:14Agüita.
00:50:22Gilberto.
00:50:24Which Gilberto? Gil?
00:50:26Gil.
00:50:28Send whatever you want and I'll do it.
00:50:30Very nice and in a good way.
00:50:32Okay, you better.
00:50:33Hey, do you know anything about gardening?
00:50:34Yes, yes, yes, of course.
00:50:35Yes?
00:50:36Well, in my mansion I had a little garden,
00:50:39small, pretty,
00:50:40and then I took care of it and watered it,
00:50:42but nothing compared to this one.
00:50:45The truth is, I told the lady that I knew how to use the pruner,
00:50:48but the truth is not.
00:50:49I learn right now.
00:50:51Well, the job I want you to do is not here.
00:50:54Okay.
00:50:55Plant flowers, you know?
00:50:56Yes, yes, yes, of course.
00:50:57You even have to talk to them,
00:50:58because if you talk to them, they grow prettier.
00:51:00Perfect.
00:51:01Perfect.
00:51:02Well, that's what I need.
00:51:03Look, I want to build a garden, but it's something very special.
00:51:06Then I'll give you the instructions of what I want and where.
00:51:08And for the money, well, don't worry.
00:51:10Okay.
00:51:11At your service, boss.
00:51:12And wherever the garden is, it's going to be very nice.
00:51:14Yes, yes, without a doubt.
00:51:15The more you go, the better.
00:51:16God bless you.
00:51:17How are you?
00:51:21Well, Gil, now I'll give you the instructions.
00:51:24Sure.
00:51:25Excuse me.
00:51:26Good afternoon, miss.
00:51:27Yes.
00:51:28Are you okay?
00:51:29Yes, yes, I'm fine.
00:51:30Why?
00:51:31Because I found out that Leonor's tarantula shot you.
00:51:34Oh.
00:51:35Are you really okay?
00:51:36Did he do anything to you?
00:51:37No, yes, calm down.
00:51:38Yes, yes, yes, I'm fine.
00:51:39But who, where, who told you?
00:51:41It's my uncle.
00:51:43And this is not going to stay that way.
00:51:45If Gabriela didn't do anything to defend you, I did.
00:51:47Leonor will listen to me.
00:51:48No, no, no, please.
00:51:49I don't want anyone else to find out, please.
00:51:53Well.
00:51:55Do you want me to keep the secret from you?
00:51:58Yes, but it's not that secret anymore.
00:52:00Although I don't want anyone else to know about it.
00:52:03Okay, I can be your confidant.
00:52:06If you want me to keep the secret, that's how it will be.
00:52:08Oh, yes, yes.
00:52:21What are you doing?
00:52:23Do you care?
00:52:25Not really.
00:52:27Sit down.
00:52:28I want us to talk.
00:52:29Listen, first of all, you don't give me orders.
00:52:31And secondly, I have absolutely nothing to talk to you about.
00:52:36I think so.
00:52:38Let's talk about the envelope you received from Jaime.
00:52:48See why I wanted you to sit down?
00:52:52I know everything.
00:52:53My dear Dolores.
00:52:55Everything.
00:52:57I saw the content of that envelope.
00:52:59And I also know your dark past.
00:53:03I don't believe you.
00:53:05No?
00:53:07What a shame you give me.
00:53:09If I talk, if I say what I know,
00:53:10and you've never told Andres or Tomas,
00:53:14I'm sure they're going to despise you for the rest of your life.
00:53:20Do you believe me now?
00:53:23Yes.
00:53:29When you get home, you're going to feel much better.
00:53:32What do you think?
00:53:33Welcome, I made you the food you like.
00:53:36And I put you the favorite sheets you like.
00:53:39And for dessert we have a surprise.
00:53:44Hi, Eva.
00:53:45Hi.
00:53:46I'm glad you got the job.
00:53:49And I'm glad I caught up with you.
00:53:51Can I help you with anything?
00:53:52No, we're fine. Thank you very much.
00:53:59Can you tell me what Tomas Jimenez's brother is doing here?
00:54:03Good morning, ma'am.
00:54:05What are you doing with this whore?
00:54:08Ma'am, sorry, I just wanted to see how Eva was.
00:54:11After she was locked up in jail because of you?
00:54:22You don't want to hear the truth, is that it?
00:54:25But you see, sooner or later, everyone knows.
00:54:28Why don't you get out of here?
00:54:30You're a magazine.
00:54:32You're going to be left without a penny of the legacy you're so ambitious about.
00:54:36There's a name for women like you.
00:54:38And also for you.
00:54:40Murderer.
00:54:41I didn't kill anyone.
00:54:43But you covered up Laura's killer,
00:54:45Tomas and Andres's mother.
00:54:47That's worse than anything you want to throw at me.
00:54:50Your son's father killed that woman
00:54:52the day he broke into the house and you knew it!
00:54:55I didn't know.
00:54:57He took advantage of it.
00:54:59He knew Jaime was starting to make money
00:55:01and he broke into the house that night.
00:55:03And he killed Laura.
00:55:05You took advantage of the affection and gratitude that Jaime had for you.
00:55:08But you charged him very expensively.
00:55:11Because of you, those boys were left without a mother.
00:55:14No, I've taken care of them.
00:55:16I've given them my life.
00:55:17Because of the guilt you feel since then.
00:55:20And that's not sincere love.
00:55:22Lies!
00:55:24I love them as if they were my family.
00:55:27As if I were their...
00:55:29Mother?
00:55:31Because because of you they killed the real one?
00:55:34If what you say was real,
00:55:36you would have told the truth.
00:55:38But no!
00:55:40It was easier for you to make them believe that you were a saint and that you loved them.
00:55:43I did what I had to do
00:55:44so that the murderer of Laura would not remain unpunished.
00:55:48No, you didn't do that.
00:55:50Jaime did it.
00:55:52He put that murderer in jail.
00:55:54But you begged him not to say anything.
00:55:56Lie!
00:55:58And Jaime could not have told you that.
00:56:02That was our secret.
00:56:04He didn't.
00:56:06He told me the official story.
00:56:08But he never gave your name.
00:56:10After hearing the call you had with your son
00:56:12and the papers that Jaime gave you,
00:56:15I only had to draw conclusions.
00:56:18Your husband killed her.
00:56:20But you were unable to confess to the boys
00:56:24who were left without a mother because of you.
00:56:27You?
00:56:29Now tell me, Dolores.
00:56:32Of the two,
00:56:34who is worse?
00:56:35Who is worse?
00:56:41Enough, Grandma!
00:56:43This boy doesn't have to be here.
00:56:46Wasn't it enough for his brother to make a scene in my house?
00:56:49And now another Jimenez comes to bother the hospital?
00:56:53Ma'am, I feel indebted to Eva.
00:56:55In fact, I consider myself a friend of hers.
00:56:57Never!
00:56:59Never!
00:57:01Haven't you heard that the Jimenez are our enemies?
00:57:02First it was your damn father,
00:57:05and now it's you and your brother.
00:57:07Get out of here!
00:57:09You're going too far, Grandma!
00:57:11Shut up.
00:57:13This boy has to understand.
00:57:15And you too.
00:57:17The Jimenez are the enemies of San Jose.
00:57:19We can't occupy the same place.
00:57:22Enough!
00:57:24Eva is not for another of your shows.
00:57:26I didn't provoke anything.
00:57:28This bastard came to pick a fight.
00:57:30My granddaughters don't have to talk to any of them.
00:57:35Gabriela, Gabriela, I'm sorry.
00:57:37I shouldn't have come.
00:57:42Eva, I'm very sorry.
00:57:44Eva.
00:57:50I hope for the good of all that you control your character.
00:57:54And if not, what?
00:57:55Well, you'll make us take a stand so you can see I'm not playing.
00:57:59They killed my daughter,
00:58:01and I'm not going to let them hurt any of you.
00:58:04I'm going to protect you with my own life if necessary.
00:58:08Grandma, please.
00:58:10You're not going to give us orders.
00:58:12Because we're not puppets.
00:58:14Do you understand?
00:58:16You think I'm painted.
00:58:18I make the decisions, and I do it for your own good.
00:58:21They didn't tell me Eva was coming out today.
00:58:23But everything is ready for the psychiatrist to leave.
00:58:32If you touch Eva or insist on putting her in a psychiatric hospital,
00:58:37we're not just going to leave the house,
00:58:40but we're going to sell our shares to Tomas.
00:58:44Is that clear?
00:58:54I don't want to be here. I don't feel safe.
00:58:57I don't want Grandma to come.
00:58:59I need you strong.
00:59:01Listen to me, listen to me.
00:59:03Trust me.
00:59:05The 75th anniversary of this beautiful factory is coming up.
00:59:09Do something spectacular, a wonderful party.
00:59:13Take care of your granddaughter.
00:59:15That party must be spectacular.
00:59:17Are you serious, uncle?
00:59:19Of course I'm serious.
00:59:20Those girls are going to throw the house out the window.
00:59:23You're going to make a fortune.
00:59:25And what do you care?
00:59:27You already found out that I have problems with my head.
00:59:29Perfect.
00:59:31So run, run, run.
00:59:33Go tell your uncle so he can get rid of me.
00:59:35Why would I do something like that?
00:59:37I think you're jealous.
00:59:39You want to control everything.
00:59:41The company, Leonor, Gabriela.
00:59:43And apparently I'm the one who gets in the way.
00:59:50I'm sorry.