রিলিজ হতে চলেছে নানা পাটেকার অভিনীত সিনেমা বনবাস। সাংবাদিক সম্মেলনে এদিন ছবি সম্পর্কে নানা অভিজ্ঞতার কথা ভাগ করে নিলেন কলাকুশলীরা
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'একজন নয় ৪ জন অত্যাচার করেছে', যৌনহেনস্থা মামলায় নানা-রাখীর বিরুদ্ধে নয়া তোপ তনুশ্রীর :: https://bengali.oneindia.com/movies/news/tanushree-dutta-releases-fresh-statement-against-nana-patekar-ganesh-acharya-and-rakhi-sawant-048264.html
যৌন হেনস্থা ইস্যুতে নানা পাটেকরের বিরুদ্ধে চরম পদক্ষেপ তনুশ্রীর :: https://bengali.oneindia.com/movies/news/tanushree-dutta-files-fir-against-nana-patekar-ganesh-acharya-043100.html
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যৌন হেনস্থা ইস্যুতে নানা পাটেকরের বিরুদ্ধে চরম পদক্ষেপ তনুশ্রীর :: https://bengali.oneindia.com/movies/news/tanushree-dutta-files-fir-against-nana-patekar-ganesh-acharya-043100.html
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NewsTranscript
00:00When I go to watch a film in my college days or school days,
00:09if I identify with the character in front of me,
00:13then I feel that the character is mine.
00:17I feel that the story is mine.
00:19This story is such that there will be a lot of identification
00:25because this is a story that happens in every home.
00:31And when I listen to the story,
00:35I feel that I am a common man.
00:39I liked it as soon as I heard it.
00:41So I said, let's do it.
00:43And then when you start writing,
00:45you get busy there.
00:48So when you go to the set,
00:50there is no problem.
00:52Go and work.
00:53And you don't have to do anything separately.
00:55The old memories, references,
00:58you have to remember them.
01:00You have to do it again.
01:02That's it.
01:03And this person has that quality
01:05that he keeps a small thing so big.
01:11It is a very small thing.
01:14I will give you an example.
01:15He also serves coffee.
01:16The manner in which he serves you,
01:19more than the coffee,
01:22you get influenced by his manner.
01:28What our parents did for us,
01:30we couldn't do 2% of it.
01:32But whatever happened,
01:33we still felt that we had a lot of moments
01:36that we could have done a lot more.
01:38We couldn't do that.
01:39So somewhere,
01:40there is such a vacuum.
01:42For that vacuum,
01:43we said,
01:44the mind used to say again and again
01:46to make a film.
01:47Because we have a way to get our mind out.
01:49Cinema is this, camera is that.
01:51So we made this film.
01:53There is nothing to be afraid of.
01:55You came prepared.
01:56Yes.
01:57Do your work.
01:58Bapu also knows his work.
02:01A line went here and there.
02:03Retake it.
02:04Look at all his retakes.
02:06So the words are the same.
02:09It happens in 19-20,
02:10that performance.
02:11So somewhere we get stuck.
02:13If there is one word,
02:15then let's do one more.
02:16Let's do one more.
02:17And as an artist,
02:18as an artist with him,
02:20it becomes my responsibility
02:22that when there is a scene
02:24and it gets stuck,
02:26I shouldn't get tired.
02:27Wow.
02:29And neither did I get tired,
02:30nor did he.
02:33Here, there is no question
02:34of senior-junior.
02:35There are two artists.
02:36What is a senior-junior?
02:39By the way,
02:40it doesn't happen.
02:41A mountain becomes a rock.
02:42One stone is big,
02:43one is small.
02:44But everyone makes a mountain.
02:45So we,
02:46this stone is small,
02:47this is big.
02:48That becomes a mountain.
02:49Very good.
02:50So this mountain
02:51became like that.
02:52So we,
02:53this is as big a rock
02:55as you think it is.
02:56And it is as small
02:57as I am.
03:00See,
03:01what is it?
03:02That the film
03:03which is a hit
03:04behind you,
03:05is a hit in the future.
03:06This is a commercial angle
03:07of its own.
03:08As a filmmaker,
03:09you also want to do something.
03:11This film is the film
03:12of my heart.
03:13I wanted to do this.
03:14And definitely,
03:15after Ghadar 2,
03:16you also started.
03:17First Ghadar 3 started.
03:19Or some other big action
03:20movie started.
03:21This is natural.
03:22This is the trend of the world.
03:24But,
03:25as a director,
03:26you have some responsibilities
03:27and you have some mind.
03:29I wanted to do this film
03:30because,
03:31this film is a
03:32continuous film.
03:33For Parwar,
03:34every 20 years,
03:35such a film is made.
03:36Sometimes Bhagwan,
03:37sometimes Avatar.
03:38Which is a film for Parwar.
03:39I was watching
03:40a lot of Parwar's films.
03:41Parwar's film is not
03:42being made now.
03:43That's why this film
03:44is going to get
03:45a lot of people's
03:46eyeballs.
03:47Because Parwar also
03:48wants to watch the film.
03:49He will watch it
03:50so much.
03:51And after Ghadar 2,
03:52I knew that
03:53a lot of action
03:54films will be made.
03:55Which are being made.
03:56Every week,
03:57an action film is
03:58coming.
03:59So, I didn't want
04:00to go in that direction.
04:01This is my
04:02commercial angle.
04:03The emotional
04:04angle is that,
04:05I always wanted
04:06that,
04:07the nuclear family
04:08that has happened
04:09today.
04:10Today,
04:11every house has
04:12become a refugee.
04:13Every elderly
04:14man is living
04:15like a refugee.
04:16So,
04:17I wanted to tell
04:18a story.
04:19The meaning
04:20of the story was
04:21that,
04:23when the father
04:24becomes old,
04:25the children
04:26have the same
04:27responsibility.
04:28And a lot of people
04:29do that.
04:30A lot of people
04:31do that.
04:32But they are
04:33not able to do it.
04:34Because of
04:35some incapabilities.
04:36Because of
04:37some helplessness.
04:38But any
04:39helplessness,
04:40any incapability,
04:41your love for
04:42your father
04:43cannot be
04:44greater than that.
04:45Nothing can
04:46be greater than
04:47your father.
04:48Nothing can
04:49be greater than
04:50your mother.
04:51See,
04:52Nana Sir
04:53is very choosy.
04:54I wanted to
04:55work with
04:56Nana Sir
04:57for many years.
04:58But,
04:59it didn't happen.
05:00Now,
05:01when this story
05:02came,
05:03I thought
05:04if I go to
05:05Nana Sir,
05:06Nana Sir
05:07will say yes.
05:08Because I
05:09couldn't take
05:10any story
05:11to him.
05:12I had
05:13only two options
05:14to take a story
05:15to him.
05:16Only two ways.
05:17Either I
05:18think of
05:19a big comedy
05:20or I
05:21take a subject
05:22in which
05:23there are
05:24four or
05:25five heroes.
05:26So,
05:27I can
05:28convince Nana
05:29Sir to
05:30show me
05:31a way.
05:32Nana Sir
05:33told me
05:34that
05:35you want
05:36to make
05:37a movie
05:38with two
05:39or three
05:40or four
05:41heroes.
05:42Do you
05:43remember
05:44that?
05:45I said
05:46no,
05:47sir.
05:48And,
05:49I said
05:50I will
05:51take you
05:52to the
05:53depth
05:54of the
05:55performance
05:56and the
05:57story.
05:58So,
05:59I took him
06:00there.
06:01I had
06:02complete
06:03confidence
06:04in Nana
06:05Sir's
06:06ability
06:07to understand
06:08stories.
06:09He still
06:10has that
06:11childhood
06:12vision in
06:13him.
06:14He has
06:15the ability
06:16to understand
06:17stories.
06:18So,
06:19I
06:20told him
06:21that
06:22I will
06:23convince
06:24Nana Sir
06:25to make
06:26a movie
06:27with two
06:28or three
06:29heroes.
06:30And,
06:31Nana
06:32Sir
06:33said
06:34yes.
06:35And,
06:36Nana
06:37Sir
06:38said
06:39yes
06:40in the
06:41first
06:42meeting.
06:43And,
06:44after that,
06:45he worked
06:46hard