Eva Mon
  • 2 days ago
¡Se hablará mucho de Sanem y Can Love!

Después de trabajar en la tienda de comestibles de su padre durante unas horas por las mañanas, Sanem pasa todo el día soñando y trabajando en su libro y está extremadamente feliz con su vida. Hasta que la madre diga que si el turno del niño no encuentra un trabajo adecuado, ¡tiene que casarse! Sanem tie
ne que empezar por el trabajo de su hermana en el artículo. No se da cuenta de que lo espera allí junto a su gran amor que embellece sus sueños, y sin saberlo se convierte en parte de una trampa tendida contra Can y la compañía ...

¿Podría ser un amor basado en mentiras? ¿Y Sanem? ¿Puede quedar atrapado en Can he odia?

Producción: Gold Film
Productor: Faruk Turgut
Director: Çağrı Bayrak
Guión: Ayşe Kutlu Üner

Emitir:
Sanem Aydın: Demet Özdemir
Can Divit: Can Yaman
Leyla Aydın: Öznur Serçeler
Mevkibe Aydın: Özlem Tokaslan
Nihat Aydın: Berat Yenilmez
Emre Divit: Birand Tunca
Ayhan Işık: Ceren Taşçı
Muzaffer Kaya (Zebercet): Cihan Ercan
Deren Keskin: Tuğçe Kumral
Cengiz Özdemir (Ceycey): Anıl Çelik
Güliz Yıldırım: Sibel Şişman
Osman Işık: Ali Yağcı
Transcript
00:30Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
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02:04oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
02:06oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
02:08oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
02:10oh, oh, oh, oh, oh, oh, oh, oh, oh,
02:12oh, oh, oh, oh, oh, oh, oh, oh, oh,
02:14oh, oh, oh, oh, oh, oh, oh, oh, oh,
02:16oh, oh, oh, oh, oh, oh, oh, oh, oh,
02:18oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
02:20oh, oh, oh, oh, oh, oh, oh, oh, oh,
02:22oh, oh, oh, oh, oh, oh, oh, oh, oh,
02:24oh, oh, oh, oh, oh, oh, oh, oh, oh,
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04:20oh, oh, oh, oh, oh, oh, oh,
04:22oh, oh, oh,
04:26¿Cómo están?
04:28Sí, mis queridos amigos.
04:30Gobernador, mi comandante en jefe.
04:32Los saludo a todos.
04:34Les informo gratamente que firmaré
04:36mis fotos en persona para cada uno de ustedes.
04:40있어.
04:42Si.
04:44Excelente.
04:46Muzafer.
04:48Claro que sí.
04:50Please open the door!
04:52They're listening to you, Mother Musafer, Musa.
04:55Do this, Musafer. Open the door, Musafer.
04:57You just ruined the requests.
04:59And why do you have your gloves on?
05:01You shouldn't be washing the dishes.
05:03Now you're the mother of a big commercial star,
05:06so please let the servitude do it.
05:09Leave that.
05:10I don't trust that machine because it doesn't wash well.
05:12Open the door. I can't because I'm full of foam.
05:15You want me to open the door even though I'm a star?
05:18Oh, no. It's incredible.
05:21It's unacceptable!
05:27How are they going to treat me like a star if I keep doing what I'm doing?
05:30It can't be.
05:40Good afternoon, officers.
05:42What can I do for you?
05:44What can this noble citizen do for you?
05:46Musafer Kaya is here?
05:48I've never heard that name before.
05:50He said Musafer Kaya, officer.
05:52Oh, I just remembered. I know him.
05:54There was a Musafer Kaya here. He was on the other side.
05:57But he told me he was going back to his town,
05:59and he didn't know if he'd go back to Istanbul.
06:01But I don't think he's coming back.
06:03Can I offer you something? A coffee? A tea?
06:05Maybe a fruit juice?
06:07No, thank you very much.
06:09Thank you. You are the ones who protect us.
06:11You are our strength and security.
06:13You are valuable to us.
06:15Thanks to your protection services,
06:17ordinary people like us can go out into the streets without fear.
06:20And that's why I'm grateful to you.
06:22Musafer Kaya is your brother?
06:24No, he's actually my cousin.
06:26My uncle's son.
06:28But to be completely honest, I don't know which uncle.
06:31He lost his mother when he was a baby,
06:33and my mother took care of him. He calls him mom.
06:35He lived here for a long time,
06:37and he and I were like brothers.
06:39And then he came back to his town,
06:41but he said he'd never come back.
06:43But don't worry. If he does,
06:45I'll tell him the police are looking for him.
06:47Yes, if you get in touch with him,
06:49tell him to call us.
06:51But where? To the station?
06:53It's obvious, to the police station.
06:55But of course. Okay, I'll tell him.
06:57I'll tell him to call you right away.
06:59See you later.
07:01Have a good trip. Long live Turkey!
07:06Musafer.
07:08Musafer, son, I can't let them find you.
07:10I won't let them take you.
07:12Mother, let me go, please.
07:14I won't let them take you.
07:16Mother, let me go, please.
07:18I'm an incredible actor.
07:20My performance was impeccable,
07:22and I made the police laugh.
07:24I made them believe I was Seversed,
07:26and not Musafer Kaya.
07:28I'm a different person, a great actor.
07:30They're looking for Musafer.
07:32See you soon, mother.
07:34I hope so.
07:36Listen, mother, everything's fine.
07:38Don't make a scene.
07:42I didn't know that about you.
07:44What happened?
07:46I think I'll tell you that later.
07:50As if I cared about what you say.
07:54Oh, the rest of the story.
07:56If you want, you can tell me when we get out tonight.
07:58What did you say?
08:00What did I say about what?
08:02No, nothing.
08:04I forgot.
08:06Pajero Soñador said he couldn't come.
08:08But he told me he'd take care of it over the phone.
08:10What do you mean he can't come?
08:12The contract is ready.
08:14It'll only be two days.
08:16One for the preparations and one for the shoot.
08:18And then he'll have a month as an intern,
08:20and he doesn't want to come?
08:22She says he lives far away,
08:24and it's impossible for him to come.
08:26How far does he live so he doesn't want to come?
08:28In Konya.
08:30That's in Anatolia, the largest city in the country.
08:32It's famous for its meat.
08:34It's true. It's delicious.
08:36I know where Konya is.
08:38Call her again, Sanem,
08:40and I'll talk to her.
08:42I'll try to convince her.
08:44I don't know if it's possible.
08:46Fine. Just give me her number.
08:48She doesn't want me to give her number to anyone.
08:50It's very strange.
08:52But if she wants, I'll tell her to call you.
08:54Fine. Just tell her to call me, okay?
08:56Fine.
09:00Mr. Yan.
09:02What's wrong?
09:04You know him, right?
09:06He's the boss.
09:08He's the boss.
09:10Of course he's the boss.
09:12He has a panic attack.
09:16It's just that I...
09:18Ayhan! Ayhan!
09:20Why did you come? What are you doing?
09:22Tell me the reason.
09:24I doubt you came for me, so tell me.
09:26Why did you come? Tell me right now.
09:28I can't stand it anymore. Please tell me.
09:30Calm down. What's wrong?
09:32Just calm down.
09:34I came because Sanem wanted to talk to me
09:36and she said it was urgent.
09:38Ayhan, what are you doing here?
09:40Sanem, do you remember you called me?
09:42You said you were coming because it was urgent.
09:44Did you forget?
09:46Then talk and leave me alone.
09:48Sanem, don't say anything until I leave.
09:50I'm leaving. I'm leaving before you tell me another secret.
09:52Hey.
09:54Get out! Get out!
09:56What's wrong with you?
09:58I don't want to hear secrets.
10:00Yay, yay.
10:02Calm down.
10:04Ayhan knows everything.
10:06Ayhan knows everything?
10:08How Mr. Yan left Polen's birthday party
10:10and went to the opera house
10:12in his black suit and then found you
10:14and kissed you on stage?
10:16Ayhan knows?
10:18That's right.
10:22Excellent.
10:24I'm one with the world.
10:26Phew.
10:30And why did you call Ayhan?
10:32Why did you do it?
10:34They're up to something.
10:36They want to get rid of me.
10:38Ayhan is your childhood friend.
10:40You trust her but not me.
10:42What are you doing?
10:44I know you want to throw me to the ground.
10:46The police will come and find out.
10:48They'll see the crime scene and they'll know I was killed.
10:50Yay, yay.
10:52Stop saying nonsense.
10:54You came because you wanted to.
10:56You'll kill me for sure.
10:58That's your plan. I knew it.
11:00Leave me alone.
11:02Don't touch me.
11:04Go back, Satan.
11:06Yay, yay.
11:08I'm here for you.
11:12You came for me?
11:14You came just for me?
11:16Just for you.
11:20Ayhan, will you make sure he calms down?
11:22This is an important matter.
11:24You can't tell anyone.
11:26I have to go to Konya right now.
11:28I don't understand.
11:30Why are you telling me to go to Konya?
11:32Will you eat candy or what?
11:34Why are you going to Konya?
11:36Konya's license plate number is 42.
11:38Yay, yay, yay.
11:40Calm down.
11:42Inhale and exhale, please.
11:44It's okay.
11:46It's okay.
11:48The thing is, you didn't answer my calls.
11:50Shh, don't talk.
11:52Don't mention that word, please.
11:54I can't stand it.
11:56Now I can't hear that word.
11:58I can't even hear other people's love stories,
12:00let alone mine.
12:02I can't.
12:04In my eyes, I feel it like the day at the pool.
12:06I'm not okay.
12:08I can't.
12:10I can't.
12:12I can't.
12:14I can't.
12:16I can't.
12:18I can't.
12:20I can't.
12:22Oh, and with the cup,
12:24can you guess the future?
12:26That's right.
12:28I have it.
12:30Don't worry, girls.
12:32I like it a lot.
12:34Well, I'm glad I came.
12:36Yeah, me too.
12:38Hey, what does that mean?
12:40Go ahead.
12:42I'll go get a coffee.
12:44Okay.
12:48The thing is, I'm happy as a butcher.
12:50I don't plan on being an actor.
12:52You're also perfect as a butcher,
12:54there's no doubt about it.
12:58Hi, Azman.
13:00What are you doing in our office?
13:02Oh, I came for the commercial payment we made.
13:04But it looks like everyone's very busy.
13:06You're right.
13:08The accountant will pay you.
13:10I can take you.
13:12Oh, I still have my coffee.
13:14Mm-hmm.
13:16I'm sure she can take you.
13:18But remember,
13:20Osman is Zanem's ex-fiancé.
13:22He might feel bad about seeing you together,
13:24don't you think?
13:26No, I already talked to Zanem,
13:28and he told me Osman doesn't care.
13:30Oh, sorry, Osman, you're here.
13:32I hope I'm not bothering you.
13:34Oh, no, no, I don't care about her either.
13:36That commitment wasn't supposed to be.
13:38Leila, do you want a coffee?
13:40Guli knows how to read the future with that.
13:42Thank you so much.
13:44I really have a lot of work to do
13:46so that you can guess the future.
13:48Anyway, Guli will help you with the payment.
13:50See you later.
13:52Mm-hmm.
13:54I'll do it now.
13:56Look at it. Here's your future, Osman.
13:58Ovid Automotive may seem like an easy client,
14:00but they're meticulous, and they like to control everything in detail.
14:02I'm sure you'll capture their way of working.
14:04Control and details.
14:06Deren, this is your forte.
14:08It's true.
14:10We handle this type of client,
14:12and we can understand their concern
14:14about the new commercial.
14:16We're also trying it out for the first time,
14:18and even though it's something new,
14:20choosing a script through social media,
14:22the Dreamer Bird script,
14:24is really great for this project.
14:26Can you tell me about the script?
14:28It's a professional secret.
14:30You'll see it when it's out.
14:32Deren, calm down.
14:34You can share it with Aileen.
14:36She brought us the client.
14:38She's not just anyone.
14:40Don't worry, Jan. It doesn't matter.
14:42I'll see it when I can.
14:44Maybe I'll be surprised.
14:46Have you received any work from Fabri?
14:48They didn't tell me anything.
14:50After the digital work they asked me to do.
14:52We have a lot of work from him.
14:54Yes, he'll launch new perfumes,
14:56and we'll do his advertising campaign.
14:58But I've noticed that you don't have a lot of projects
15:00nowadays.
15:02Since then, you've been coming more often.
15:04I have a few projects.
15:06I had to give them to this client.
15:08It would cost me a lot to work on it.
15:10I lost my team.
15:12I work with external people,
15:14and with them it's not possible to do more.
15:16I don't know how long I'll be able to go on like this.
15:18I'm sorry.
15:20I hope things get better soon.
15:22Thank you, Jan.
15:28Anyway, let's review the budget.
15:30The client will come soon.
15:32Okay.
15:34Who is it? I don't know the number.
15:36Good afternoon.
15:38I'm Dream Bird.
15:40But my throat is hurt.
15:42Good afternoon, Dream Bird.
15:44Where are you?
15:46In Konya.
15:48Ah.
15:50What's the phone number?
15:54I don't know.
15:56I'm talking from a cell phone.
15:58Do you know the number of the plates?
16:00I don't know.
16:02I don't have a car.
16:04And I don't know the names of the streets in Konya either.
16:06I'm not from Konya.
16:08I ran away from home a long time ago.
16:10And do you think you can come work with us?
16:16I don't think I can.
16:22For me, your script is beautiful.
16:24But tell me why...
16:26I don't know.
16:28I don't know.
16:30I don't know.
16:32But tell me why you're hiding your identity.
16:34Well, I have an idea.
16:36Uh, I could assign you the rights
16:38and then you could work on it, right?
16:40You can't do it.
16:42The script owner has to join the meetings
16:44and the shooting.
16:46So I'll see you in 10 minutes, Dream Bird.
16:54Oh.
16:56Why not?
16:58I can't do anything I want.
17:00Oh.
17:02Mr. Yan...
17:04Come, I'll tell you a big secret, Kulis.
17:06A big secret?
17:08Yes.
17:10Do you know who Dream Bird is?
17:12Who is he?
17:14Sanem, yes.
17:16What?
17:18Tell them.
17:20Listen, everyone.
17:22Well, it turns out that Dream Bird is Sanem.
17:24Bravo, bravo, bravo.
17:26I never would have imagined.
17:28Those scenes.
17:30Tell me why those applause.
17:32I want to know, too.
17:34I present you to Dream Bird, Sanem.
17:36Bravo.
17:38Yes, yes, you deserve it.
17:44Great.
17:46I'm surprised again.
17:48And being our employee, you wrote a script with a pseudonym
17:50and you won the competition.
17:52Oh, but that was the rule.
17:54You have to be the true identity of the writer.
17:56That's right. That was my rule.
17:58Then I think I can't say anything about it.
18:04You can congratulate me if you want.
18:06Congratulations.
18:08The script was perfect.
18:10Yes.
18:12And it makes me very happy
18:14that you chose it.
18:16Thank you very much.
18:18It's true. I was the one who chose it.
18:20It's an excellent story.
18:22Congratulations.
18:24Get to work.
18:26Congratulations.
18:28Yes, you deserve it. You deserve it.
18:30Bravo, Sanem. Really.
18:32Thank you, thank you.
18:34And why are you making such a fuss, Gullis?
18:36Leila, it turns out that Dream Bird is Sanem.
18:38Is that true?
18:40Yes.
18:44My sister, you don't know how proud I am of you.
18:46I can't believe it.
18:48Among all the scripts, they decided to choose your story, Sanem.
18:50I'm so happy and very proud.
18:52I'm sure this will be your first step
18:54in the world of writing.
18:56Thank you very much.
18:58But please, you don't have to exaggerate.
19:00Oh, how nice.
19:02Applause, applause, applause.
19:04You deserve it. You deserve it.
19:06Enough.
19:20Ah.
19:22But what happened?
19:24Tell me.
19:26Am I fired?
19:28I think I'm fired.
19:30Finally, my suffering is over.
19:32Now I just have to go to the light.
19:34Hi, JJ.
19:36You're finally conscious. How are you?
19:38Oh, Han. Oh, Han.
19:40What's going on? What have you done to me?
19:42What's going on? Why am I here?
19:44What are you doing? Why are you doing that?
19:46Do you want to kill me?
19:48You're supposed to put me on the pillow, like in the movies.
19:50Isn't that true? Is that what you're planning on doing?
19:52You're very funny.
19:54I was just making the pillow a little more comfortable for you.
19:56Calm down.
19:58But the pillow was fine.
20:00Hey, I wanted to talk to you, JJ.
20:02And it's a very important topic.
20:04And what do you mean?
20:06What topic do you want to talk to me about?
20:08Well, the other day,
20:10you talked about love.
20:12Remember?
20:14Yes, Han, I remember.
20:16Yes, Ai-han, I remember. I remember perfectly.
20:19You'll talk about it, and you'll cause me a new panic attack,
20:22a heart attack.
20:24Maybe that'll be your way of killing me.
20:27And you won't leave evidence to incriminate you.
20:29It's the least I could hope for from you.
20:32Why am I so calm?
20:34I think I'm high.
20:36What's happened to me?
20:38Because there's a little sedative in the serum they gave you.
20:41Ah, now I understand.
20:44I like this calm.
20:46Yes, I like it a lot.
20:47Maybe I can have it every day.
20:49I'll come and ask for it.
20:51By the way, we were going to talk, right, Ai-han?
20:53About love.
20:54You had already told me the decision you had made.
20:56I think the same.
20:58We can be good friends like we have been so far.
21:03I think that's what I want now.
21:06Ah.
21:08If you think that,
21:10I think you and I agree on the same thing.
21:13Very well.
21:26My job!
21:27Teren!
21:28The agency!
21:29I think this isn't helping me anymore!
21:31Because the phobia is back!
21:32I have to go back right now!
21:33What's wrong, Yei-yei?
21:34Yei-yei, calm down, please.
21:35Stop.
21:36Then you'll think about work.
21:39Are you sure you're laughing because they gave you a tranquilizer?
21:42I have a great idea.
21:44What are you talking about?
21:45We're going to call it the Ai-han effect.
21:49Because you'll jump on me.
21:57You'll kill me that way.
22:02Here you go.
22:05Here's your product.
22:06Unfortunately, there are no discounts for now.
22:08But instead, I'll give you a photo autographed by me.
22:12Here you go.
22:14Okay.
22:15You're welcome.
22:16Now tell everyone that it's time for Musa Fair.
22:19Because a great star has been born.
22:22On the back are my social media.
22:25Oh, son, what is this thing about the star?
22:27I can't believe you have a store right here.
22:30We have too many things to do.
22:32Son, don't you realize that they already found you?
22:35Calm down, mother.
22:36Nobody found me.
22:37I escaped the danger.
22:38The danger is gone.
22:40And now, you know what?
22:41I'll climb the stairs of world success step by step.
22:44What do you think Hollywood stars do in their free time?
22:47They work as waiters, waiters, or in stores.
22:50So I sell lingerie.
22:52But at the same time, I climb the stairs of fame.
22:56And we must accept that after facing the colorful,
22:59And we must accept that after facing the colorful,
23:02life of Sanem.
23:03That I must enter that world.
23:05And I'm ready to go in there.
23:07What can I say, son?
23:08What can I say to you?
23:10Mother, calm down.
23:11I'm sorry, but all the agencies will come looking for me.
23:15Why?
23:16Because now I have my photos.
23:18I invested money in them.
23:19I paid a photographer.
23:20And now I'm a great celebrity.
23:23Soon I will be world famous.
23:27Can we talk?
23:34I don't want to work as a writer.
23:37And that?
23:39Well, I don't want to.
23:41Then why did you write that script?
23:43J.J. insisted, and that's why.
23:45I want to assign you all my copyright.
23:48You can't do that.
23:49You must make decisions throughout the work.
23:52Then I withdraw the script and choose someone else.
23:55Then you shouldn't work here.
23:59Why are you acting like this?
24:01Why are you so cold to me?
24:04Sanem, I will speak to you right now as your boss.
24:07If you reject an opportunity like the one that is presenting itself to you now,
24:11then I don't need you as my employee.
24:14You don't need me?
24:16That's right.
24:17You run away from something that will add value to your life.
24:19You get upset and stop writing your novel.
24:22Your script is chosen among thousands of stories.
24:25And you prefer to leave?
24:26What are you going to do?
24:27Make tea and make copies?
24:28Is that what you always want to do?
24:33I want to make tea and make copies.
24:35Good.
24:36Then find another job.
24:38I really don't want someone with your mentality working in this office, Sanem.
24:41Finding someone to make copies is not a problem.
24:45Very well.
24:46Agreed.
24:48I withdraw, Mr. Jen.
24:50Goodbye.
24:52Goodbye.
25:23I'm sorry.
25:41In general, the situation is like this.
25:43Does anyone have a question?
25:44Yes, it is true.
25:45This was a report from Anis.
25:47Eileen.
25:48Thank you very much, but I need more information.
26:10Are you coming for the campaign?
26:11That's right, I came for that.
26:13Come.
26:16I want you to meet her.
26:17The creator of our campaign, Sanem.
26:19Welcome, Sanem.
26:21It's a pleasure.
26:22We were able to read your script, and that's really what we were looking for for the commercial.
26:26Thank you very much.
26:27Congratulations, Sanem.
26:29Thank you, Miss Eileen.
26:31That's right.
26:32We liked it a lot.
26:33We are proud of her.
26:35Do you serve tea?
26:37Of course.
26:42Very well, let's continue.
26:44We have...
26:46an annual work plan for the company.
26:48You will find all the details there.
26:50Capacity for production and customer satisfaction.
26:53Previous campaigns, corporate investigations,
26:55and the results of the discussion groups.
26:58And also...
27:00the sales of the last three years.
27:02And charts of the lowest and highest foreign currency costs,
27:05thus giving us a projection.
27:08Very well.
27:10I have to go.
27:11If you need anything, you can contact me through Jan and Emre.
27:15They are my colleagues.
27:16And I will be happy to help you.
27:20Mrs. Guyen.
27:21Our legal department...
27:23is very busy.
27:25I'll send you the contract later.
27:26No, no problem.
27:28Thank you, Eileen.
27:29You introduced us to a very good company.
27:30We will do our best job.
27:32It's a pleasure, Jan.
27:33I worked with Ovid Automotive very well.
27:35I'm sure you'll do a great job with them.
27:38Excuse me, Mr. Jan.
27:39Eileen worked well with us.
27:41And she must accept that this project, in a way,
27:43is her work and effort.
27:45She developed the project.
27:47And she knows us well,
27:48besides knowing the market and competitors.
27:50Maybe it would be useful to ask her to help us
27:52for the next three months with the campaign.
27:54What do you think?
27:55Don't worry.
27:56This company is the place where I learned everything I know.
27:59It's in good hands.
28:00There's nothing to worry about.
28:03Uh, the three-month preparation period
28:05is very important to us.
28:08Uh...
28:09Eileen, if you agree,
28:11we'd really like you to help us.
28:14Okay, if you insist.
28:16I'll organize my schedules so I can come and help you.
28:19Thank you very much, Mr. Jan.
28:21Her being on the project will be of great help.
28:23I appreciate it.
28:24You're welcome.
28:25We believe that everything must be perfect in the campaign.
28:28And it will be.
28:29Uh...
28:30Eileen, if you have time, wait for me outside.
28:32For now, we'll see details of the script.
28:34Very well.
28:35With pleasure.
28:36Goodbye.
28:37Goodbye.
28:38Well, with pleasure.
28:39I can wait for you so we can talk.
28:41See you later.
28:48Are you ready?
28:49I am.
28:51Well, sit down.
28:53Come on.
29:08Hey!
29:10Hey!
29:15Hey!
29:19You're better now, right?
29:20Yes, I am, Yaihan.
29:21It was a good idea to bring this.
29:23Oh!
29:24J.J.?
29:25Slow down.
29:26J.J., where were you?
29:27There's a lot to do.
29:28What happened to you?
29:30J.J.?
29:39Yaihan?
29:40They're coming.
29:41Oh, yes.
29:47Give me more suero.
30:01For now, I don't want coffee.
30:04Send that to the client immediately.
30:06This isn't the correct file.
30:07It's the other one.
30:08That's wrong.
30:09You have to do it again.
30:10Don't send it.
30:11You have to correct this other one, too.
30:13Yaihan, my energy is not enough.
30:15Bring me more suero, please.
30:16More suero?
30:17More suero.
30:18Okay.
30:19I'll bring it.
30:20Wait.
30:21Excuse me.
30:22J.J.?
30:25Jan, I appreciate it.
30:26I explained the situation to you about my company.
30:28You know that.
30:29I must confess that being in the project consultancy would help me.
30:33Don't worry.
30:34For now, it will help us, too.
30:36But your team doesn't want to work with me.
30:38I think that will be a problem.
30:40Our employees are professionals, Aileen.
30:42They will behave well.
30:44They will work with you.
30:46Don't worry.
30:47Well, I hope so.
30:49We will make this project a very good job.
30:52We only have three months, and it won't be easy.
30:55Maybe I'll work from my office, but I need an assistant to keep in touch with you.
31:02Could it be Zanem, or not?
31:04I know she's a messenger, but she's smart.
31:06And she can work here and there with me.
31:09Share her.
31:10What do you say?
31:12She can't.
31:13Zanem can't.
31:15And to be honest, we don't have anyone who could be going to your office.
31:20Hmm.
31:21So what can we do to keep in touch?
31:25I don't know, but I think it's important.
31:28I don't know.
31:29We could give you a cubicle for the three months of the project.
31:33That way you can come whenever you want.
31:35Hmm.
31:36Do you want to give me an office here?
31:38I don't have a problem with that.
31:40I think that will help solve this.
31:42Very well.
31:43But even so, I'll need an assistant who can support me.
31:46No problem.
31:47Zanem can help you.
31:49It's important.
31:50Zanem.
31:51Zanem.
31:52Zanem.
31:53Zanem.
31:54Zanem.
31:55No problem.
31:56Zanem can help you.
31:58He's smart and very efficient.
32:00Zanem has talent and a lot.
32:02Very well.
32:04I'll just bring a few things.
32:09See you later.
32:11See you later.
32:22Abarrotes Leila.
32:34Ah!
32:35Ah!
32:36Osman!
32:37Nihat!
32:38Look, Osman is here!
32:39Hello.
32:40Hello, Osman.
32:41How are you?
32:42Fine, thank you.
32:43And you?
32:44Fine, thank you.
32:45Welcome, Osman.
32:47Are you well, son?
32:48Yes.
32:49How's everything?
32:50Have you done anything new?
32:51Yes.
32:52I was hired by the agency.
32:53And I got paid for the work.
32:54This is yours.
32:55Come on, Metki Bey.
32:56Take it.
32:57Of course you worked hard.
32:58Sorry, did I say something wrong?
32:59No, son.
33:00Not at all.
33:01Mothers are always like that.
33:02I'm sorry.
33:03I'm sorry.
33:04I'm sorry.
33:05I'm sorry.
33:06I'm sorry.
33:07I'm sorry.
33:08I'm sorry.
33:09I'm sorry.
33:10I'm sorry.
33:11I'm sorry.
33:12I'm sorry.
33:13I'm sorry.
33:14I'm sorry.
33:15I'm sorry.
33:16I'm sorry.
33:17I'm sorry.
33:18I'm sorry.
33:19I'm sorry.
33:20Please stop.
33:21Don't cry, son.
33:22I'm always right in front of you.
33:23Don't cry.
33:24Your mothers are always so emotional, that's all.
33:25Give me a hug.
33:26You have a heart.
33:26We're so proud of you.
33:27Don't cry, please don't cry and please don't come to me, or you'll make me cry too.
33:39I came because A Civic Said It's Needed.
33:42It can't be, Metki Bey.
33:43You tortured Allan because of your phone?
33:44That's too much.
33:45I don't need your smart phones.
33:47I don't need anything like that.
33:48I just asked for some support, but she's exaggerating.
33:51I know a guy who sells smart phones at a good price.
33:54If you want, we can go see him.
33:57Thank you, but we can't spend money on that.
34:00This is for something else.
34:02Oh, okay.
34:03Keep it in mind, and if you want to go, I can take you.
34:06Okay, son.
34:07Bye.
34:08Bye.
34:09Have a good day.
34:10Likewise.
34:11Bye.
34:12What did you do, Mevkiveh?
34:13What did I do?
34:14I asked for support.
34:16I just told him he'd help me with the orders.
34:18We have a lot of work to do.
34:20I love Osman like my own son.
34:22I really do.
34:23He's an excellent person.
34:25I can't.
34:26I can't accept that.
34:28It's not true.
34:29This isn't happening.
34:30It's true.
34:31Are you serious, Jan?
34:32Yes.
34:33But...
34:34Did you two go crazy or what?
34:38I can't accept this new deal you made.
34:41I refuse.
34:42Would you please calm down?
34:44I understand Jan wasn't here, but you were, Emre.
34:47You know exactly what that woman did to me,
34:50and you know I went to the psychologist for a little over a year because of her.
34:53And I know, Aylin is your ex, and I don't want to say anything bad,
34:56but you know exactly what happened in this office, Emre.
35:00Eren, it'll only be three months.
35:01Calm down.
35:02What?
35:03Three months?
35:04That's the fourth part of a year, Jan.
35:07Eren, it's Jan's decision.
35:09I can't say anything.
35:12Anyway, solve this problem.
35:14I'm leaving.
35:16Emre, please stay a moment.
35:19I'm sorry.
35:20You need to calm Eren down before he starts crying.
35:22See you.
35:23Goodbye.
35:26Coffee?
35:27You don't want coffee?
35:28Coffee helps.
35:30Do you need it?
35:31A cup of coffee would calm you down a little, Eren.
35:34I don't want it.
35:35You're going to calm me down with coffee?
35:37You're going to calm me down with caffeine after three months of stress?
35:41What you did was wrong.
35:44I'd better go to my office.
35:57Congratulations.
36:00Thank you very much.
36:04Aylin, what are you doing?
36:07Who do you think you are?
36:09I'm the woman you love, Emre.
36:11The one who fixes your mess.
36:13I took this opportunity to fix our life.
36:16I'm just getting ahead with a little help.
36:19What did I tell you?
36:21That you wouldn't do things behind my back, right?
36:23That you'd consult any plan with me, Aylin.
36:26It's true.
36:28But the truth is, I didn't do anything wrong.
36:30I didn't plan anything.
36:31Suddenly this opportunity came up and I took it.
36:33What's wrong with that?
36:35I'm worried about us.
36:36Aylin, I warn you.
36:39Don't you dare hurt Jan.
36:42What are you talking about?
36:44Everyone is happy with this.
36:46Your brother, the client.
36:48I think all this is perfect now.
36:51And I'll have enough time to examine that Sanem well.
36:55Separating them will be an easy task for me.
36:58I'll end up with that love that they have
37:00and that you never noticed during this time.
37:03No problem.
37:05We could have gone far.
37:09But your ambition was interrupted.
37:11There is no plan, Emre.
37:13If that secret is revealed, I will also be harmed.
37:16At least for now we will be together
37:18and we can control Sanem.
37:20And if something happens, we can fix it.
37:23But you, instead of rejoicing, you bother.
37:25I don't understand.
37:27I know.
37:29I don't know what to think anymore.
37:31Emre.
37:34We have to keep this secret.
37:36We are together in this.
37:38And we will be together all our lives.
37:43Why don't you appreciate this?
37:45I don't understand.
37:48I'm sorry.
37:50Many things are happening to you.
37:53And sometimes I don't know what to do.
37:56This is very difficult for me.
37:58Besides, you're worried that they'll see us together.
38:01But you don't have to be afraid.
38:03You'll see that everything will be fine.
38:06Very well.
38:08Enjoy your office.
38:10See you later.
38:27Good afternoon.
38:29Good afternoon.
38:39You were right.
38:43I want to be a writer.
38:46I really want it.
38:48But I don't trust myself.
38:50If you do it, you'll be successful.
38:52We've talked about it.
38:54Why don't you look at me?
38:58Do you want to tell me something?
39:01No.
39:04Don't go so far away from me.
39:08Don't go far away from you?
39:11Good.
39:18That's right.
39:21Is this okay?
39:23No.
39:25And now?
39:28You're getting closer slowly.
39:31I don't understand.
39:33What do you want exactly?
39:36A friendship between a boss and an employee?
39:39You said that, didn't you?
39:41Exactly.
39:43I don't want you to be far away,
39:45but not too close either.
39:48You think I'm not attractive,
39:50but I make you nervous.
39:55Of course not.
40:01If I kissed you now,
40:04would you run away?
40:14Sanem Aydin,
40:16this is a war you won't win.
40:24What was that?
40:27He used his tactics on me.
40:29Oh, Sanem!
40:31You shouldn't have believed him.
40:32You're in a war with him.
40:33Bravo!
40:34Very good.
40:38He plays with me like a cat with a mouse.
40:42I think he'll win with his wisdom.
40:47Oh.
40:55Miss Eileen, were you looking for me?
40:57That's right.
40:58Can you organize these files according to their dates?
41:02What's the matter with you?
41:04It looks like you're distracted
41:05inspecting the office.
41:07Actually, what I was looking at
41:09is that this is the smallest office
41:11we have in the whole company.
41:13Maybe that's why they gave it to you.
41:16As for the files,
41:17I'm sorry, but I can't help you.
41:19I'm Mr. Emre's assistant.
41:21I'm sorry.
41:22You're Emre's assistant.
41:24I forgot.
41:25I just can't keep fresh details in my mind.
41:28Don't worry.
41:29Your sister Sanem will help me with what I need.
41:31You can go now.
41:44Ayhan!
41:45I'm so happy to see you here.
41:47Where were you?
41:48I brought suero for J.J.
41:50Suero?
41:51Why?
41:52It's a long story.
41:54I'll tell you later.
41:56But why were you looking for me?
41:58Ayhan, come with me.
42:00I came.
42:01Things are happening.
42:04The war has begun.
42:06The war has begun.
42:08The war has begun.
42:10The war has begun.
42:12The war has begun.
42:13He's serious.
42:14He's playing with me.
42:15He's getting close to me.
42:17And he's doing it slowly.
42:18I don't know what to do.
42:19I want to get close to him too.
42:21But I don't have to.
42:22What am I going to do, Ayhan?
42:23Are we talking about Jan or who are we talking about?
42:26Who else, Ayhan?
42:27We always talk about Jan.
42:28Don't you remember him or what?
42:30Okay, let me think.
42:32I don't think you should take a step back.
42:34What?
42:35He doesn't give up?
42:36Exactly.
42:37You must take the initiative and attack with all your weapons.
42:40Stand in front of him and show him that you don't care,
42:43that it doesn't excite you.
42:44You'll see how it works.
42:45You're right.
42:46Yes, it's good advice.
42:47I'll do that.
42:48Okay.
42:49Now go do your mission,
42:51and then at night,
42:52you're going to come crying to me
42:54that you can't live without Jan,
42:56that you love Jan a lot.
42:57I'm used to it.
42:58Yes, I will.
42:59That's my life.
43:00Give me the serum.
43:01I'll take it to JJ.
43:02Wait, wait.
43:03I was going to give it to him.
43:05No, no.
43:06Deren is very upset.
43:07It's better if she doesn't see you.
43:08Otherwise, she could hit you.
43:10Believe me.
43:13If you can, say hi to JJ.
43:39Every day is a new hope
43:47Hold on to your dreams, forget yesterday
43:55As if there are hundreds of birds in my heart
44:02Hold on to your dreams, forget yesterday
44:12The pigeon on the wire, the rag on the road
44:16The morning light on the lift, good morning to you
44:20The candle in the song, the aunt in the window
44:24The sleepless lover, good morning to you
44:31The pigeon on the wire, the rag on the road