Eva Mon
  • hace 2 semanas
¡Se hablará mucho de Sanem y Can Love!

Después de trabajar en la tienda de comestibles de su padre durante unas horas por las mañanas, Sanem pasa todo el día soñando y trabajando en su libro y está extremadamente feliz con su vida. Hasta que la madre diga que si el turno del niño no encuentra un trabajo adecuado, ¡tiene que casarse! Sanem tie
ne que empezar por el trabajo de su hermana en el artículo. No se da cuenta de que lo espera allí junto a su gran amor que embellece sus sueños, y sin saberlo se convierte en parte de una trampa tendida contra Can y la compañía ...

¿Podría ser un amor basado en mentiras? ¿Y Sanem? ¿Puede quedar atrapado en Can he odia?

Producción: Gold Film
Productor: Faruk Turgut
Director: Çağrı Bayrak
Guión: Ayşe Kutlu Üner

Emitir:
Sanem Aydın: Demet Özdemir
Can Divit: Can Yaman
Leyla Aydın: Öznur Serçeler
Mevkibe Aydın: Özlem Tokaslan
Nihat Aydın: Berat Yenilmez
Emre Divit: Birand Tunca
Ayhan Işık: Ceren Taşçı
Muzaffer Kaya (Zebercet): Cihan Ercan
Deren Keskin: Tuğçe Kumral
Cengiz Özdemir (Ceycey): Anıl Çelik
Güliz Yıldırım: Sibel Şişman
Osman Işık: Ali Yağcı
Transcripción
00:00♪
00:30♪
00:40♪
00:50♪
01:00♪
01:10♪
01:20♪
01:30♪
01:40♪
01:47Did you see?
01:48As soon as we have a couple of days with good sales,
01:51we'll get out of debt.
01:52Don't tell me.
01:53Can we get it out?
01:54It will be very helpful.
01:56We can't let Sanem pay your debts.
01:58We should do it ourselves.
02:00You're right.
02:01We won't end up being the typical old people
02:03who end up being a burden to their children, right?
02:06Old?
02:08Am I old?
02:10Did you call me old?
02:12No, not now.
02:14I meant a very distant future.
02:17Forget it.
02:18We'll talk later.
02:20Yes, as you wish.
02:21We'll talk later,
02:22but I hope we have that conversation
02:24in a long time.
02:27And this is for the food I made.
02:29Twenty liras.
02:31Mevkiveh, you always manage to surprise me.
02:34You're full of surprises.
02:37I'll put it with the rest of the money.
02:41Hey, there comes Mr. Khalil.
02:52Good morning, Mr. Khalil.
02:53Good morning.
02:55Nihat, what's wrong?
02:56Why did you call me?
02:57What do you want?
02:59Khalil, this is for you.
03:02What are you talking about?
03:03Debt?
03:04The debt that Sanem pays you every month.
03:06That's what's missing.
03:10I can't accept it, Nihat.
03:12The debt is Sanem's.
03:13Let her pay it.
03:14Hey, hey, but it's not Sanem's debt.
03:16I owed this money, and you know it,
03:18so accept it.
03:19I told you, didn't I?
03:20Keep it.
03:21Don't insist on the same thing.
03:22I'm leaving.
03:23Khalil, don't make me angry.
03:24I already told you.
03:25Take the damn money.
03:26Take it.
03:27That's enough.
03:28Nihat, I said no.
03:30I won't do it.
03:31First your daughter comes and tells me
03:33that she wants to pay her father's debt.
03:35And then the father says
03:36he wants to pay his daughter's debt.
03:38Listen to me.
03:39My deal is with Sanem.
03:40She will pay the debt.
03:42Oh, what a way to ruin my day.
03:51Did he go crazy?
03:52I think so.
03:57Mevki Bey.
03:58Hmm?
03:59I suppose Sanem gave Khalil a big scare.
04:02You know our daughter doesn't leave the others.
04:05It's true.
04:06In that regard, she looks like you.
04:09Maybe.
04:11Yes.
04:12Okay, let's keep the money in the safe.
04:15Very well.
04:16Come on, let's go.
04:17Sure.
04:19Hey, Rami.
04:20Yes, tell me.
04:21Two teas, please.
04:24Oh, what a day.
04:25Come on, keep pushing.
04:27As if it were a car.
04:28Take me to Mr. Yan's office
04:30and then to Miss Deren's.
04:32We'll visit you to have coffee or tea.
04:34What do you think?
04:35Give me a ride.
04:36Take me for a tour of the office.
04:38Yay, yay.
04:39Yay, yay.
04:40Yay, yay.
04:41What's wrong?
04:42Are you okay?
04:43Yes, perfectly fine.
04:45I'm at peace with myself.
04:47Everything is clear.
04:48I feel like I see life from the outside,
04:50as if I were a spectator of my own life.
04:53Even the flight of that fly seems relaxing to me.
04:57Have you seen it?
04:58How do you fly, Sanem?
04:59In summer, mosquitoes are the ones that fly.
05:02In my town, winters are humid and cold
05:04and summers dry and hot.
05:06You're scaring me.
05:07What mosquitoes?
05:08What are you talking about?
05:09Don't be afraid, Sanem.
05:11Don't be afraid.
05:12This serum helped me a lot, you know?
05:14I'm not going to take it off.
05:15I'm afraid it'll run out.
05:16I want it to always flow through my veins.
05:18I love it.
05:19Give me more serum!
05:20You have more serum for me!
05:21Please!
05:22Why don't you give me more serum?
05:23Give me more serum!
05:24Give it to me!
05:25Because this bag is going to run out, Sanem!
05:26I want serum!
05:27I want serum!
05:28Give me serum!
05:29Serum!
05:30Serum!
05:31Serum!
05:32Please!
05:33Give me serum!
05:34It's running out!
05:35Yay, yay!
05:36Calm down!
05:37Look!
05:38There are people with problems!
05:39Serum!
05:40Serum is the best.
05:41I'm going to take it every hour.
05:42I'm going to change the bag and come back.
05:43How delicious!
05:44I'm going to go crazy!
05:47Sanem?
05:48Where were you?
05:49Kerim has been looking for you.
05:50Kerim?
05:51Why was he looking for me?
05:52You have to go look for locations for the shoot.
05:54I would have to go with Mr. Yan.
05:56He asked Kerim to accompany you,
05:58that you two go.
06:00That's what he said?
06:01Uh-huh.
06:02All right, all right.
06:10Leila, do you have the shoot budget ready?
06:14I was doing it right now.
06:16Very well.
06:17These financial reports must be corrected.
06:19If they are not ready by tomorrow,
06:21I think we will have to postpone the meeting.
06:23Do not worry.
06:29Leila, are you okay?
06:33You look a little upset.
06:35It's nothing, Mr. Emre.
06:37They are my things.
06:38Something important?
06:40Tell me, what's wrong?
06:43Miss Eileen called me a while ago.
06:45And that?
06:46Why did she do it?
06:48She asked me to order some files.
06:50I told her I couldn't help her because I'm her assistant.
06:53I don't know if I made a mistake,
06:55but if you want, I can also help Miss Eileen.
06:59I can do it, I have no problem.
07:02Not at all.
07:03You did the right thing.
07:05I can't do without you.
07:07And I don't want to share you with anyone.
07:11Thank you very much.
07:12When I finish the reports, I'll leave them on your desk.
07:15Okay, perfect.
07:18You're welcome.
07:36Son, stay still.
07:38You're overwhelming me and I can't do the math right.
07:40Mother, aren't you aware of the seriousness of the situation?
07:43It's very serious.
07:44I sent my photos to almost all the agencies in the city
07:47that use the advertising fences.
07:49You'll see that they'll answer soon.
07:51You'll see.
07:52They're going to call me.
07:53That will happen.
07:54I'm sure.
07:55Oh, my son.
07:56Oh, son of my life.
07:58Oh, my soul.
08:00You have a lot of heart, but little brain.
08:02Do you think sending a couple of photos will fix everything?
08:05We put up a nice store.
08:06You have a lot of customers and things are getting better and better.
08:09Why do you have the ambition to be famous?
08:11What's the point?
08:12Who the hell put this in your head?
08:14Mother, you're breaking my heart.
08:16I'm less than that curly-haired car racer
08:19and I do everything for Zanem.
08:21You know it.
08:22I do everything for her.
08:23My son, I'm very sorry that you're so disappointed.
08:26But tomorrow you'll be worse.
08:28Besides, all this makes me anxious.
08:30I'm your mother.
08:31Don't give me problems.
08:32I love you and I suffer for you.
08:34Do you understand me?
08:35Look, it must be an important agency.
08:38Hello?
08:39Yes, I'm Musafer Kayag.
08:41For a real ad?
08:43Yes, I'm available.
08:45You see?
08:46They're calling me for an ad.
08:48Yes, I'm listening.
08:49What did he say?
08:50A cheese and dairy company?
08:52Great!
08:53I'm all over the place.
08:54I'm 1.95 meters tall.
08:55Yes, I'm that tall.
08:56But with the confidence I have in myself,
08:58I get to 2.05 meters.
09:00Yes, of course.
09:01I'll be there in a couple of hours.
09:02It's just that a group of admirers are chasing me
09:04and I have to get rid of them first.
09:06But I'll be there as soon as possible.
09:07Thank you very much.
09:09What do you mean a group of admirers?
09:10And how do you measure 2.05 meters?
09:12Since when do you measure so much?
09:14You've never behaved like this.
09:16Please, those are unimportant details.
09:18They sell cheese and other dairy products.
09:20It's a serious business.
09:21My photos will bear fruit.
09:22I'm going to become a famous man
09:24and the whole neighborhood will know who I am.
09:26Shake, you ingrate butcher!
09:36Why do I have to go look for locations with Kerim?
09:41There's no time or alternatives.
09:43Besides, we're right on budget.
09:45You and Kerim will choose a location for the shoot.
09:48Well, that's all.
09:49You have to take care of it.
09:51The contract says I'm your lawyer
09:53and I have to go look for locations with you.
09:55If you don't come with me, I'm not going.
09:58Yes, you're right.
10:00We'll meet the contract.
10:02We'll go together.
10:04Very well.
10:10My dear neighbors, a star has been born.
10:13I'm the pride of the neighborhood.
10:15Muzafer Kaya.
10:16Mr. Semir, put her in her shell so everyone can see her.
10:19Yes, sir.
10:20Let's see.
10:21Bet, gentlemen.
10:22Bet.
10:23Bet.
10:24Bet.
10:25Bet.
10:26Bet, gentlemen.
10:27Here you go.
10:28Yes, it's me.
10:29Muzafer Kaya.
10:31And for the beautiful ladies of my neighborhood too.
10:33There you have all the information and contact information.
10:35Age, height, weight.
10:37Where are you going?
10:39Have a signed photo of me.
10:40Keep it well.
10:41Because one day it will be worth a lot of money.
10:43When I die.
10:48Hi, how are you?
10:49Divinely.
10:57Is something wrong?
10:58What kind of question is that?
11:00Can't you see I'm posing?
11:01Now I'm dedicated to advertising.
11:03And I want you to know that I'm better than you.
11:05I don't participate in simple ads of people who love organic food.
11:08Do you understand?
11:09No, I will advertise cheese and its derivatives throughout Anatolia.
11:12It will be a national level campaign.
11:14From now on you can call me Cheese Man.
11:18The truth is, I'm very happy.
11:21You do well to rejoice.
11:22Because everything I touch ends up becoming a success.
11:24Although now I need you to accompany me.
11:26Get out of there, now.
11:28Let's go.
11:30Wait, who will attend the butcher shop?
11:32What?
11:33Aren't you the boss?
11:34You are an assistant that you can leave in front.
11:37Tell him to take care of it and when he finishes, close the store and that's it.
11:40Didn't I help you in your promotion to advertising?
11:43Didn't I motivate you, my king?
11:45Didn't I teach you to move in the scene?
11:47Didn't I polish you?
11:48Did I miss you?
11:49Unlike you, I don't need help.
11:51I'm the invisible part of the iceberg.
11:53Let it be clear to you.
11:54Musa, I have a lot of work.
11:56No, wait a moment.
11:57I need you to accompany me.
11:59You have to do it.
12:00It's the moment I dreamed of.
12:01I have to shine on stage.
12:02You have to be there to applaud me.
12:04Besides, someone will have to tell Sanem all this.
12:07You have to help me.
12:08You owe me.
12:09Please.
12:10I need your help.
12:11You have to say yes.
12:12And you say it's a cheese and dairy advertisement?
12:14Are you sure?
12:15Yes, cheese and dairy.
12:16You didn't hear me at all.
12:18Besides, I will go to the national level.
12:20I won't repeat it to you.
12:21Why don't you take me seriously?
12:22Now I'll be a big star.
12:24I'm going to be a cheese man.
12:26Musa, I have to work.
12:28Hey, take off your apron.
12:29Immediately.
12:30And come with me, butcher.
12:52No.
13:06I need the glasses.
13:07I'll take them.
13:18Can I help you?
13:19No, calm down.
13:20Let's go.
13:31¿Qué te pasa?
13:33Tengo mucho calor.
13:34Hoy hace calor, ¿no?
13:35¿Pongo el aire?
13:37¿Cómo dices?
13:38¿El aire acondicionado?
13:39Estupendo.
13:40Ahora tendré frío.
13:41Ah, pues entonces lo apago.
13:44No, déjalo puesto.
13:45Tú deja el aire puesto.
13:46Yo abriré la ventana.
13:49I'm going to turn on the radio. I want to listen to some music.
13:52Very good. Do you want to show that you can behave like a normal person when you're with me?
13:57Or what else are you trying to do?
13:59Exactly.
14:01Yes, I see. Very normal, yes.
14:03What did you say? I can't hear you because of the music.
14:06Salem, what are you doing?
14:07What do you want? Turn down the volume.
14:09And behave like a girl, please. Turn it down or turn it off, but stop playing it.
14:14I'll look for a song that you like. Leave it to me. That's how you're fine. Calm down. Calm down.
14:18Leave that.
14:19Very good. Let's see what song you play. I'm sure it's the song of my life.
14:23Of course.
14:27Do you see it? There it is.
14:30Calm down. What are you doing? Don't take it off. Listen to it. You'll see how you like it. It's a nice song.
14:48Like a leaf
14:54Hard and broken
14:59If you lie down in the rain, lift me up
15:07If you let me go, don't go
15:13Don't go
15:17They can't stop before setting fire to our path
15:22They see you as worthy of me
15:26They don't tell us the truth, my love
15:31They can't stop before setting fire to our path
15:36They see you as worthy of me
15:40They don't tell us the truth, my love
15:46They don't tell us the truth, my love
15:51I don't want to.
15:52But Osman, why don't you want to go with me?
15:54I don't want to.
15:55Please help me. I have a lot of pictures. Look, all I have are very good.
15:58I already told you that I have a lot to do. Where are you taking me?
16:01Oh, you'll see right away. I helped you a lot in your career as an actor, and now you have to return the favor. So don't keep questioning me, okay?
16:08Musa, I think this questions our friendship. Let me go back to work.
16:12Ay, ay, ay, ay. How can you question our friendship?
16:16I did it when the rumors about your commitment to Sanem spread throughout the neighborhood.
16:21Don't answer. Of course I did it, but now you have to do the same as me, retract what you said.
16:26So don't bother me anymore, and better shut up, okay? And help me!
16:30Hi, what are you doing here?
16:32They called Musa Fer to make a cheese ad, and she wants me to go with her.
16:36Is it true, Musa? Ay, come here. I'm very proud of you. Congratulations.
16:42Thank you, thank you. Although it's a shame. Look at these brothers. One ignores me and the other is proud of me.
16:48Why? Because she's not only my life coach, but she's also my coach in the world of acting.
16:54Are you serious? I'm an actor's coach? I can't believe it. It looks like my career has taken a step forward.
17:00Not a step, dear. Many steps. This is just the beginning, and it won't stop.
17:05From now on, we'll go very far. Fame, success, and applause await us.
17:09Let everyone know! A star has been born! Let the whole neighborhood know!
17:13Her name is Musa Fer Calla. Have you heard of her? Remember that name!
17:18Because my name will be heard everywhere!
17:20Oh no, look. One of my signed photos is on the floor. Damn it.
17:24What kind of horrible people are they? It's wet and full of mud and gas. It's dirty.
17:30This one doesn't work anymore.
17:33This one doesn't work anymore.
17:58Did you sign it?
18:00Musa Fer Calla, you have to come with us.
18:04Really? I was just thinking about that.
18:07I wanted to get closer, but the truth is that I've been very busy lately.
18:11I have a lot of work with advertising projects. You can ask Mrs. Melat.
18:15She's the neighbor's hairdresser. Look, this is number 38, right?
18:19Well, she lives right across the street. Help me, they're going to take me.
18:23It's the police chasing me. Don't let them stop me.
18:25Help me, they're chasing me.
18:28Help me, please.
18:31Musa Fer, they want to take me.
18:33Wait a minute. That boy is from our neighborhood.
18:37What did he do? Why are you looking for him? The boy is a good person.
18:41Yes, what's the problem?
18:43Ma'am, this guy is a deserter.
18:48What?
18:51Please, don't waste my time. I have to go.
18:53You deserted the army?
18:55No, no, no.
18:56Is it true? Are you a deserter?
18:58But if they never called me in line, I swear I'll have the right to explain myself.
19:01No, wait a minute. Let me say goodbye to my neighbors.
19:04Tell Sanem to wait for me.
19:07Although I don't think he will.
19:09And please tell my mother to bring me clean underwear.
19:13White and cotton.
19:15Let's go.
19:17Musa, I'll be waiting for you.
19:19Glory to peace.
19:23Let's go.
19:33What did I tell you?
19:35In this neighborhood, they love action.
19:38That was pure adrenaline.
19:40But what are you talking about, woman?
19:42You'll see when your mother finds out.
19:44The poor girl is half crazy and with this she'll end up heartbroken.
19:47Oh, they took him.
19:49I'm so sorry for her.
19:51God, what can we do?
19:53It's their duty.
20:10Are we there yet?
20:14We're here.
20:19The neighborhood, the businesses, the houses, the people.
20:23All this works for us.
20:25The street. Everything is perfect.
20:27Do you like it? We can go back now.
20:29Where?
20:30To the office.
20:32No, we can't.
20:34First we have to see other neighborhoods.
20:36Don't you like this one?
20:39It doesn't convince me.
20:41It doesn't convince you.
20:43It's not how I imagined it. Let's look for others.
20:45We can go to the neighborhood next door and see how it is.
20:48Do you want to see another neighborhood?
20:49It has to be perfect.
21:50We're here.
21:52Let's go.
22:19Let's go.
22:43Jan, why did we stop here?
22:45Why? Come down, Sanem.
22:47Look.
22:49I think it's the perfect neighborhood.
22:51Really?
22:53Yes, because it's complete.
22:55The tailor shop, the barbershop,
22:57the bakery, the hairdresser's shop,
22:59the lingerie shop.
23:01It's the same stage, just as you describe it in your script.
23:03Now let's call a door at random.
23:05Jan, wait.
23:07Why are you calling? My mom is not at home.
23:09There's no one at home.
23:11Mom.
23:13What's up?
23:15Hi, Medkiveh.
23:17Oh, Mr. Jan, what a surprise.
23:19Well, we're looking for a new place to shoot an ad
23:22that will inspire us and motivate us.
23:24That's why we came to visit you.
23:26Maybe you can invite us to tea if you don't mind.
23:28Oh, it's not a bother.
23:30With pleasure. Please come in.
23:32I'll prepare it.
23:34No, no, Mr. Jan, there's no need.
23:36Why bother my mother?
23:38We'll look for another place, Mom.
23:40Come in, please.
23:42Leila, are you leaving?
23:44Yes, I'm leaving.
23:46I want to ask you something.
23:47How long will Aileen stay?
23:49I don't know, but if she continues with that behavior,
23:51it will be an eternity for me.
23:53I heard it will be three months, but I'm not sure.
23:55What? Three months?
23:57Oh, God, what bad luck.
23:59How can we stand that witch for three months?
24:01Don't exaggerate.
24:03She's not that bad.
24:05She's very talkative and has a lot of sense of humor.
24:07You'll get used to it.
24:09You only think that because she chose you as an actress
24:11for the role in the ad, right?
24:13Maybe a little.
24:15I imagined it.
24:17Speaking of the ad...
24:21Osman and I made a good couple on the set.
24:31Listen, I'll tell you something,
24:33but please don't be offended.
24:35Okay?
24:37Gulis, it's obvious you like Osman.
24:39It's very obvious, really.
24:41But if it were you, I'd forget about him.
24:43Find someone else.
24:45Why?
24:47Because Osman is a great guy.
24:49He has a good heart and he's naïve.
24:51Yes, he's very handsome, nice,
24:53he has a lot of style,
24:55and he has a very attractive smile.
24:57Exactly.
24:59That's why I'm telling you.
25:01Because it's not your style.
25:03It's impossible.
25:05In the end, you'll get tired of Osman and you'll break his heart.
25:07I know you. He doesn't deserve you.
25:09Find someone else.
25:11Hey, I'm not going to marry him.
25:13We're just going to the movies together.
25:15Really? Well, have fun, friend.
25:17I can organize everything.
25:19Leave it in my hands.
25:21You know I'm good at organizing things.
25:23What I told you didn't work.
25:25It goes in one ear and comes out the other, right?
25:28Honey, nothing went in one ear
25:30and much less came out the other.
25:32Okay, do whatever you want.
25:37But I'm warning you.
25:39If you break Osman's heart,
25:41I'll never talk to you again, you hear me?
25:43Go.
25:48Of course.
25:50So you're going to shoot an ad here in the neighborhood
25:52and Sanem wrote the script?
25:54Why didn't you tell me?
25:56We just planned it.
25:58True, in our company,
26:00many things come up like that,
26:02suddenly, out of nowhere,
26:04without thinking.
26:06It's curious, but it's our style.
26:08That's how we work.
26:10Yes.
26:12Oh, it's very important that you like your job.
26:14Yes, a lot.
26:15It's true, of course.
26:17Well, tomorrow when we come to shoot,
26:19you could take care of the food.
26:21We can eat in the garden,
26:23but not something ostentatious.
26:25A small catering, please.
26:27A mini catering.
26:29I'd love to.
26:31Of course we can do it in the garden.
26:33Great.
26:35Also, the neighborhood is perfect for the shoot.
26:37It's very familiar.
26:39The protagonists are the age of Sanem.
26:41They are four girls who are in their room
26:43packing their bags to leave home.
26:45Now I just need to find,
26:47let's say, four rooms.
26:49Well, if you want,
26:51you can use the girls' rooms.
26:53Perfect.
26:55Of course not.
26:57Why not?
26:59If you wrote the script,
27:01don't give Mr. Jan so many problems.
27:03If he records in Leila's room,
27:05it will come out beautiful.
27:07Isn't that right?
27:09If you also want them to record in the bathroom,
27:11what else?
27:13Yes, I agree.
27:15I'll do it tomorrow.
27:17Why now? Wait.
27:19No, I'll do it with pleasure.
27:21Jan, where are you going?
27:23Don't finish the tea.
27:25Wait, my room is messy.
27:27Jan.
27:30Franz Grafka.
27:32Letters to Milena.
27:37Jan.
27:41Albatros.
27:43Albatros.
27:47Tell me, why are you still here?
27:49I just left it there and I didn't take it off.
27:56Are you writing your novel?
27:58Yes, I do.
28:01You haven't given up.
28:03Of course not.
28:08You see, now that I see your room,
28:10I don't think we'll use it.
28:13I don't want to spoil it, you know?
28:15Because it's very beautiful.
28:17So we'll look for another one.
28:21Okay.
28:23As you wish.
28:25Can we go now?
28:34Hammock,
28:36sea, camp,
28:37and those initials, what are they?
28:42My aunt Kaviran.
28:44I don't want to forget her scent,
28:46and that's why I write her initials everywhere.
28:50Your aunt?
28:52My aunt Kaviran.
28:55My name and your aunt's sound the same.
28:58The Tree of Wishes.
29:00Keep it.
29:03What a lack of respect,
29:04you're so rude.
29:06Did you take it from the tree?
29:08Rude?
29:10Are you serious?
29:12First, analyze your behavior.
29:14I don't want to analyze anything,
29:16or think about anything, I'm sick of it!
29:18I'm sick of it too.
29:20And it's my fault.
29:22Yes, I misinterpreted you,
29:24I made a mistake with you.
29:26You're right.
29:28Now I understand that you can't love me,
29:30because this isn't love.
29:31You don't run away from the person you love,
29:33and you don't play with their feelings.
29:38What's between us is stupid.
29:41Jan.
29:43You can be calm.
29:45I think you never loved me.
29:47Jan.
29:51Congratulations, Anem.
29:53You won the war.
29:55Jan.
29:57Jan.
29:59Wait a minute.
30:02Jan, please.
30:25Sanem, let me go.
30:27Jan, I don't want you to go.
30:29Get away from me, please.
30:32Let me go.
30:44Jan.
30:46Jan.
30:59Jan.
31:30I'm so sorry about poor Mozafer.
31:32He gave the neighborhood a touch of color.
31:34I don't know what color, but it made him happy.
31:36It's true.
31:38And Isun is very affected.
31:40She hasn't stopped crying.
31:42And it's understandable.
31:44Suddenly they come and take the boy.
31:46Yes, exactly.
31:48Even Sanem seems to be upset.
31:50I'm sorry.
31:52I'm sorry.
31:54I'm sorry.
31:56I'm sorry.
31:57Sanem seems to be upset.
31:59No, she's upset about something else.
32:01She locked herself in her room.
32:03Mom, she didn't lock herself in her room.
32:05She's going to go to the beach.
32:07Leila.
32:09Did you talk to your sister about Mr. Jan,
32:11as we agreed?
32:13Yes, dad, of course.
32:15What she wants is to stand out at work,
32:17that the bosses look at her.
32:19But it's not what you think.
32:21Wow.
32:23Well, how has this girl changed in such a short time?
32:25The way you talk to your boss.
32:27The truth is that I shouldn't.
32:29Don't worry, I'll talk to her again.
32:31Very well.
32:33There is no doubt.
32:35What would they do without me?
32:37In the end, I'm the one who keeps the family together.
32:39Yes, my love, I'm like you, we are the same.
32:41But instead, your father and your sister
32:43only give problems.
32:45Thank you very much, Mevkibe.
32:47What do you mean?
32:49I'm always on your side, you can't deny it.
32:51Dad, you're always on Sanem's side.
32:53Don't deny it.
32:55It's true.
32:57Yes, you're right, I protect her a little.
32:59But I love you a lot too.
33:01You too, woman.
33:03I know.
33:05What, I'm not on your side?
33:07Well, I guess sometimes.
33:09That's the way to talk.
33:11Enjoy your meal.
33:13Likewise, dad.
33:15At that time I was in London.
33:17I was there for three months.
33:19Did you study there?
33:21Yes, but it would have been impossible to coincide with you
33:23because I was a very good student
33:25and I didn't go out to have fun.
33:27That means you're not anymore.
33:29What happened to you?
33:31Let's say that now I am an executive
33:33focused on professional success, in general.
33:35And you have succeeded, of course.
33:37I recognize that you have done a lot for the company.
33:39I'm glad to see it.
33:41Cheers.
33:45Have I told you how I started working at the agency?
33:48No, tell me.
33:50I was coming back from London.
33:52I was just graduated from college.
33:54I went to the agency to meet your father.
33:55We talked a lot.
33:57I told him everything about me
33:59and the big dreams I had for the future.
34:01Then I tried to convince him
34:03of how good I would do by hiring me as a creative.
34:05And well, for God's sake,
34:07now I'm ashamed to just think about it.
34:09I was just graduated.
34:11I thought I knew everything about work.
34:13Your father got up and told me,
34:15tomorrow you start working.
34:17Yes, my father likes
34:19the safe people of himself
34:21and the working people who get involved.
34:23As you know, you are very special to him.
34:25And he is special to me.
34:27The truth is that I learned a lot by his side.
34:30Jan, I'm glad we went out.
34:32We haven't had the opportunity to talk like this in a long time.
34:35Yes, yes.
34:37It was very good.
34:39I needed to talk to someone.
34:43I'm glad.
34:45Do you have a problem?
34:47You're a little thoughtful.
34:49Do you want us to talk?
34:51You know I talk a lot,
34:53but I'm also good at listening.
34:55I'll get over it.
34:57I'm sure you will.
34:59Well,
35:01I think I've overcome Eileen's trauma
35:03and I'm not going to give her any more importance.
35:05What do we do?
35:07Shall we have another drink?
35:09Yes, of course, but
35:11maybe next time, right?
35:13I'd rather go home.
35:15I'm tired.
35:17Yes, it's late, of course.
35:19We'll leave it for another time.
35:21The bill, please.
36:56When did you get here?
36:59Four hours ago.
37:03Welcome.
37:05Thank you very much.
37:12Do you have something to tell me?
37:16Yes.
37:20Do you really want me to tell you?
37:23Maybe you don't believe it,
37:25but I've lived this moment.
37:27It was in my dreams.
37:29So,
37:31I'm not sure I want to hear it.
37:53Why don't you want to be with me?
38:00Because I love you too much.
38:16Why are you running away from me?
38:17Because I love you.
38:26Why don't you want to be with me?
38:31Because I love you.
38:37Even more than myself.
38:47Because I love you.
39:18What are you doing to me, Sanem?
39:21What am I doing to you?
39:24I wish I knew and could explain it.
39:29We're getting wet.
39:33I don't care.
39:34I could stay here,
39:36looking at you,
39:38until tomorrow.
39:42I don't care.
39:44I could stay here,
39:45until tomorrow.
39:49I swear,
39:51I'm going crazy with so many emotions.
39:53I think I'm crazy.
39:55I don't know what to do.
40:04Maybe when we kiss again,
40:06we'll feel better.
40:08Do you want to try?
40:09Good idea.
40:16Let's go.
40:20Come on, get in.
40:25Are you hungry?
40:26Yes, I'm very hungry.
40:28I'm going to cook something.
40:29I can make you some tartare if you want.
40:31No.
40:32No, leave it to me.
40:33Now it's my turn, okay?
40:35What's wrong?
40:37Don't you want to put your life in danger?
40:39Because of you?
40:40I would risk it without thinking about it,
40:42but I want to enjoy this night together.
40:45I'll risk it another time.
40:48You must be cold.
40:49I'll look for something dry for you.
40:51Oh, yes.
40:58Where is Zanem?
41:00Why are you asking me?
41:01I have no idea where Zanem is.
41:03It's late and the three of us are here.
41:04Where could he be?
41:06Hey, don't look at me.
41:07How do you want me to know?
41:09I suppose
41:10the three of us
41:11can guess where he is
41:12and with whom.
41:13At this moment,
41:14am I wrong?
41:16With whom?
41:17I know the story
41:18from beginning to end.
41:20And what do you know?
41:22The whole name with three letters.
41:24Zanem's with that man.
41:27Well, then I'm leaving
41:28because I can't do this.
41:30I promised him.
41:31I can't open my mouth.
41:32Okay, wait.
41:33Where are you going?
41:35Osman.
41:37It's just you and me here.
41:39How long have you known?
41:40What do you know exactly?
41:41How did you react
41:42when you heard it?
41:43I'm listening.
41:44Leila,
41:45how am I going to know
41:46what you heard?
41:47Osman,
41:48I'll tell you what we're going to do.
41:49Tell me everything you know
41:50and I'll do the same,
41:51okay?
41:54You first.
41:55You.
41:56You first.
41:57Hi, Osman.
41:58Here I am.
42:00Hi.
42:01Welcome.
42:02Thank you very much.
42:03What are you doing here?
42:05Hi, Leila, friend.
42:06I was selected
42:07to play a role.
42:09The scene is in a couple
42:10and I needed to practice,
42:11so Osman is going to help me
42:12with my rehearsals.
42:13What?
42:14Are we leaving, Osman?
42:16Come on.
42:17Wait a second.
42:18You couldn't find someone
42:19in the office
42:20who could help you rehearse,
42:22so you asked Osman,
42:23right?
42:25Nobody agreed to help me, Osman.
42:26He was the only one.
42:28Well,
42:30I think it's time to go.
42:33Leila,
42:34can we take you home on the way?
42:35No, Osman.
42:36You know I live near here.
42:37I can walk.
42:38Don't bother.
42:39Well, then,
42:40let's go.
42:41Goodbye, Leila.
42:42See you.
42:43Osman, let's go.
42:44Good night.
42:45Good night.
42:46Hurry up, Osman.
42:47Listen,
42:48I'm going to review the script with you.
42:49What?
42:50That woman is crazy.
43:09She's crazy.
43:10She's crazy.
43:11She's crazy.
43:12She's crazy.
43:13She's crazy.
43:14She's crazy.
43:15She's crazy.
43:16She's crazy.
43:17She's crazy.
43:18She's crazy.
43:19She's crazy.
43:20She's crazy.
43:21She's crazy.
43:22She's crazy.
43:23She's crazy.
43:24She's crazy.
43:25She's crazy.
43:26She's crazy.
43:27She's crazy.
43:28She's crazy.
43:29She's crazy.
43:30She's crazy.
43:31She's crazy.
43:32She's crazy.
43:33She's crazy.
43:34She's crazy.
43:35She's crazy.
43:36She's crazy.
43:37She's crazy.
43:38She's crazy.
43:39She's crazy.
43:40She's crazy.
43:41She's crazy.
43:42She's crazy.
43:43She's crazy.
43:44She's crazy.
43:45She's crazy.
43:46She's crazy.
43:47She's crazy.
43:48She's crazy.
43:49She's crazy.
43:50She's crazy.
43:51She's crazy.
43:52She's crazy.
43:53She's crazy.
43:54She's crazy.
43:55She's crazy.
43:56She's crazy.
43:57She's crazy.
43:58She's crazy.
43:59She's crazy.
44:00She's crazy.
44:01She's crazy.
44:02She's crazy.
44:03She's crazy.
44:04She's crazy.
44:05She's crazy.
44:06She's crazy.
44:07She's crazy.
44:08She's crazy.
44:09She's crazy.
44:10She's crazy.
44:11She's crazy.
44:12She's crazy.
44:13She's crazy.
44:14She's crazy.
44:15She's crazy.
44:16She's crazy.
44:17She's crazy.
44:18She's crazy.
44:19She's crazy.
44:20She's crazy.
44:21She's crazy.
44:22She's crazy.
44:23She's crazy.
44:24She's crazy.
44:25She's crazy.
44:26She's crazy.
44:27She's crazy.
44:28She's crazy.
44:29She's crazy.
44:30She's crazy.
44:31She's crazy.
44:32She's crazy.
44:33She's crazy.
44:34She's crazy.
44:35She's crazy.