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NewsTranscript
00:00We have teamed up with Sudhukkavvum.
00:02It's not Sudhukkavvum 1, it's Sudhukkavvum 2.
00:12What did you learn from working with him?
00:16When he acts, I have to talk to the people around me in a modulated way.
00:19Only if I talk, I can give the right reaction.
00:21I have to underline what I have to say to the people around me.
00:26Have you dubbed two or three characters in one film?
00:30I have dubbed three characters in one frame.
00:34There is a film called Thettu Thottakul.
00:36Even from there, I can tell that you have a different kind of serious character.
00:42I shouldn't think that I will do only this.
00:45I have to do anything.
00:47I have to do good things.
00:49Whether it's fun or romance, there is an input from that character.
00:53Have you seen that character?
00:55What are the things that you have to do in this film?
00:58Shiva, Karnakaran, Kaluki and Kavi are the only people I have a combination with.
01:03I don't have a combination with Sir or Radha Ravi sir.
01:07That's good.
01:09In front of a collector's office, there is a family of stone cutters.
01:12A family has come and set fire to it.
01:16A small child is burning with fire and running away.
01:19That's bad.
01:21Will you consider yourself as a dubbing artist?
01:24Or will you consider yourself as an actor?
01:26Sorry, will you consider yourself as an artist?
01:28Or will you consider yourself as a comedian?
01:30There is nothing difficult if you do it correctly.
01:33That's it.
01:35Sivaji sir, Vivek sir, Manobola sir and Vijaykanth sir.
01:39These four people are still with me.
01:41But I will kidnap them.
01:43I will tell my brother, why did you go to Arjunpet?
01:45Don't go, stay here.
01:47You feed everyone and make everyone gain weight.
01:51Don't you know how to feed everyone?
01:54I will ask him.
01:56How did you do this to my father?
01:58Greetings to everyone in the country, state and home.
02:01I am your Karthi.
02:03Today, we are with Sudhukkam team.
02:06It's not Sudhukkam 1.
02:08It's Sudhukkam 2.
02:10Let's hear the narration.
02:12Greetings.
02:14How are you?
02:15I am fine.
02:16How are you?
02:18In this film, some of the kidnappers
02:20can be trusted.
02:22Some of them will do something if they are trusted.
02:25But they take care of everything.
02:27From food to everything.
02:29They take care of everything.
02:31Another thing is,
02:33You and sir...
02:35You are new to this film.
02:37He was in the prequel.
02:39When you worked with sir,
02:41what did you face or learn?
02:43Can you tell us?
02:45What I learned was his timing.
02:47In the shooting,
02:49even if you had a shot at 11,
02:51I was there at 6.
02:53I was there for the first shooting.
02:55I liked his timing.
02:57Then,
02:59It's been 11 years since he played
03:01the character of Nanagopathy in Sudhukkam.
03:03After he said that character,
03:05he didn't do anything.
03:07He just read the dialogue.
03:09He brought the character after 11 years.
03:11He did another big job.
03:13Sir, if you act,
03:15everyone around you will have to speak in modulation.
03:17Only if you speak, I can give that reaction.
03:19I have to underline that
03:21to those who have accepted it.
03:23There is no one in this world
03:25who will ask you to do your job.
03:27What I want to say is,
03:29My elder brother,
03:31Radha Ravindran,
03:33my uncle,
03:35Chandrasekhar's uncle,
03:37we have been friends for a long time.
03:39Since I was a dubbing artist,
03:41we have been...
03:43My elder brother has done
03:45many good deeds for our family.
03:47Similarly, my uncle,
03:49Chandrasekhar's uncle,
03:51Karunas,
03:53he acted with me in the last film.
03:55Secondly,
03:57when I spoke about this film,
03:59the way Arjun spoke,
04:01the way he acted,
04:03the respect,
04:05I liked all of it.
04:07A good film,
04:09a good film,
04:11a good group,
04:13a good character,
04:15an honest, wise,
04:17politician character.
04:21When I say that,
04:23what I acted in the last film,
04:25is continuing in this film.
04:27When I say that,
04:29it is a way to enjoy.
04:31It is a way to express knowledge.
04:33It is a character that can comfort
04:35the leader of a party
04:37and that is the character of this film.
04:41When all of this comes together,
04:43shouldn't we do it?
04:45When we do it,
04:47you come early,
04:49you come at 6 o'clock,
04:51we would have heard that
04:53Sivaji Pallan never came late.
04:57We would have heard that
04:59Sivaji Pallan never came late
05:01till the end.
05:03So,
05:05keeping all of that in mind,
05:07such great people,
05:09such great people,
05:11they showed us
05:13the way.
05:15This is how you should be.
05:17This is how you should come.
05:19If you come late,
05:21the producer will be at a loss.
05:23The people around you will be at a loss.
05:25It will give a small
05:27distraction to the audience.
05:29Keeping all of this in mind,
05:31you should come early.
05:33After 11 years,
05:35they are shooting that film
05:37and the character is perfect.
05:3911 years ago,
05:41we used to call you mom.
05:43Now, we call you mom.
05:45One more thing, sir.
05:47They call me mom.
05:49You have a talent.
05:51You can say that in 5 minutes.
05:53You hear a sound and
05:55you mention that word again and again.
05:57You repeat what you said.
05:59Is there anyone who listens to you?
06:01There is no benefit
06:03in making a sound.
06:05Instead of correcting them,
06:07we repeat what we said.
06:09It doesn't give anyone
06:11any satisfaction.
06:13That's how it is.
06:15One more thing, sir.
06:17From 2000 to 2010,
06:19all the films you made
06:21were comedy genres.
06:23You made films like
06:25Azhagiya Thamizh Magan.
06:27You made comedy films.
06:29Your characters were like that.
06:31There was a film called Thettu Thottakal.
06:33Even from that,
06:35we could see that
06:37you had a serious character.
06:39You were a good villain.
06:41That's all, sir.
06:43Language, journey...
06:45Chitra Pesuthari...
06:47Anjadhe...
06:49Anjadhe...
06:51You shouldn't think
06:53that you can only do this.
06:55You have to do anything.
06:57You have to do it for a good cause.
06:59Recently, a brother told me
07:01about a character like this.
07:05He was like this.
07:07My friends told me
07:09that I wouldn't do it.
07:11Why would I waste my time?
07:13It's a waste for both of us.
07:15Leave me alone.
07:17I live in my house.
07:19You travel from there.
07:21How can I do this character?
07:23Don't do it.
07:25Because it's a revolutionary character.
07:29You talked about your wife in Thettu Thottakal.
07:33In the film Thuppakki Munai,
07:37there are problems that can happen
07:39to children and women.
07:41We have talked about all of this.
07:45If you make a direct character,
07:47it will be good.
07:49Then why waste your time?
07:51No, sir.
07:53I came here to see you.
07:57This is a good character for us.
07:59This character is suitable
08:01for a leader.
08:05When his own son
08:07is not good,
08:09there is a character against him.
08:11The anger he has
08:13and the insults he gets
08:15because of it
08:17and what happens in the end
08:19are well done.
08:25In the first part of the film,
08:27the character who is with you
08:29is very important.
08:31Whether it's fun or romance,
08:33there is an input from that character.
08:35Did you see that character?
08:37What did you learn from it?
08:43I saw part one as a movie.
08:45I didn't have any input.
08:49Everyone played their role well.
08:55Arjun sir gave me a plot.
08:57Based on that,
08:59he gave me a screenplay
09:01of how I would do it.
09:03It was easy for me.
09:05I just did what I was told to do.
09:07I didn't take any input from that character.
09:11What about when there are
09:13senior actors?
09:15Unfortunately,
09:17this is not a combo.
09:19This combination has just come up
09:21in the interview.
09:23Hopefully, I can work with you
09:25in the next projects.
09:27Shiva, Karnakaran,
09:29Kalki and Kavi
09:31are the only people I have a combination with.
09:33I don't have a combination
09:35with anyone else.
09:41She says it in her heart.
09:43No, sir.
09:45I should come to you in the same way.
09:47The first part is a cult.
09:49Shiva sir said it.
09:51But you're going to do something in it.
09:53Everyone wants to do their own story.
09:55Some people want to create a universe.
09:57Some people want to create a big project.
09:59But you accepted it.
10:01I should come to you in the same way.
10:03Some people want to create a universe.
10:05Some people want to create a big project.
10:07But you accepted it.
10:09You said you'd do part two.
10:13My first film was with Young Monks.
10:15I'm still waiting for the release.
10:19I did my first film in Thirukkumari.
10:21I did my first film in Thirukkumari.
10:23I worked with Sivakumar sir.
10:25He called me a writer.
10:27He called me a writer.
10:29Nalan sir gave me an idea.
10:31He asked me to write it.
10:33During the corona time.
10:35After I finished writing it,
10:37he asked me to direct it.
10:39I was confident about the script.
10:41I was confident about the script.
10:43It worked well.
10:45It worked well.
10:47That's why I accepted it.
10:49It's a very challenging script.
10:51It's a very challenging script.
10:53It's a very challenging script.
10:55When I did part two,
10:57it was a challenge to create it.
11:03How was it?
11:05Some people come and say
11:07that they'd be strict.
11:09that they'd be strict.
11:11No, no.
11:13I want you to understand one thing.
11:15Siva is like a child.
11:17He's a wonderful person
11:19who makes fun of himself.
11:21I like that a lot.
11:23Nalan in the film...
11:25You've already made a film.
11:27We've made a Tamil film.
11:29What I'm saying is...
11:31He's a very good person.
11:33He's a very good person.
11:35It's not a big deal
11:37to work with him.
11:39It's easy and fun.
11:41In this interview,
11:43if Siva sir was here,
11:45everyone would have laughed.
11:47He makes fun of himself
11:49and makes it fun.
11:51Sometimes,
11:53even Elba is fun.
11:59Did he give you any input?
12:01When you were explaining the scene,
12:03did he give you any input?
12:05Not just him.
12:07Even when we work with him,
12:09we give him some input.
12:11When a politician speaks,
12:13he asks if he can add a few things.
12:15It's correct.
12:17He knows a lot of Tamil.
12:19Recently, we got a censor cut.
12:21We didn't add any words.
12:23He said it was wrong in the dubbing.
12:27When I work with Metsi Siva sir,
12:29he has a good timing.
12:31We've written a dialogue.
12:33If you say it like this,
12:35you'll miss the timing.
12:37I'll add one English word.
12:39He'll take it to the next level.
12:43When you do it in the comedy genre,
12:45you don't have to speak
12:47the language of the film.
12:49It's like the artist's flexibility.
12:53He added a dialogue.
12:59He goes to Gopuram
13:01and sticks a leaf in the trash.
13:05The people there are bad enough
13:07to make fun of the trash.
13:09We don't have to worry about it.
13:11The people won't accept him.
13:13That's how our language is.
13:15He's the one who did all this.
13:21It's been 38 years
13:23since I came to this industry.
13:27Back then,
13:29there were a lot of actors
13:31who were famous.
13:35There were a lot of intellectuals
13:37who didn't become famous.
13:39I've worked with them
13:41when I was in dubbing.
13:45The things that people say
13:47are ingrained in us.
13:49We also have to imagine things.
13:51The director will say something
13:53and we'll go with it.
13:55It's not a big deal.
13:57Not only the people who help him,
13:59but also the actors
14:01have to reduce their work.
14:05A scene has to be special.
14:09It doesn't matter who
14:11carries your child.
14:13It's right if you don't have a child.
14:15That's how it has to be.
14:17Why are you asking us?
14:19You can come to us.
14:21We heard that you released
14:23We Are Not The Same.
14:25How did you start?
14:27Is this your first film?
14:29First of all, I'd like to thank
14:31the crew who gave me the opportunity.
14:33I'd also like to thank
14:35sir for giving me the opportunity.
14:37I got the opportunity
14:39through Arjun sir.
14:41He told me that
14:43he wanted to meet me first.
14:45We are not the same.
14:47We are going to do this film
14:49with this song.
14:51The sequence is going to be like this.
14:53I have to be content with this.
14:55That's how the song was formed.
14:57How many songs have you written?
14:59There are two full songs in this film.
15:01We Are Not The Same
15:03and Enna Nadakku.
15:05I've written these two songs.
15:07The rest are like theme songs.
15:09Teamorkka, the music director,
15:11and the other two people
15:13have worked on that.
15:15When you write a song,
15:17do you listen to the full story
15:19or do you just listen to the core idea?
15:21They tell us what the song needs.
15:23They tell us what the love sequence needs.
15:25That's how we work.
15:29There's a film called Michael Madanakamarajan.
15:31In that film,
15:33the story is told in one song.
15:35Let me ask you this.
15:37Is it enough to write a song
15:39just for the scene?
15:43The directors know that.
15:45A lyricist will write
15:47five or six full songs.
15:49We need a story based on that.
15:51If we convey it lyrically,
15:53the directors will tell us.
15:55That's how the story starts.
16:01We can do whatever we need.
16:03If it's content based,
16:05if the lyrics are what we need,
16:07we can work on that.
16:11That's how we work.
16:13Whatever happens,
16:15let it be a theme song.
16:21Explain this to me.
16:25Do you consider yourself a dubbing artist?
16:27Or an actor?
16:29Or an artist?
16:31Or a comedian?
16:35You look like a comedian in all aspects.
16:37You look like a comedian in A1.
16:41You look like an artist in a serial.
16:47You also have a part in dubbing.
16:53I started my life as a dubbing artist.
16:57I was a representative before that.
16:59I started as a dubbing artist in Thirathurai.
17:01I became an actor after that.
17:05That was my life.
17:07I used to do only that.
17:11What do I have in that?
17:15Even during the time of serials,
17:17I was told that I can do comedy.
17:21I was told that this character will do well.
17:25I was given a serious character.
17:29Sundar K. Vijayan,
17:31Thirumurugan,
17:33S. N. Sakthivel,
17:37and my friend Raju Eswaran.
17:41I was trained in many characters.
17:47When it came to dubbing,
17:49Mr. Haramchandra Ayya,
17:51Mr. Arur Das,
17:53Mr. Marudhavarani,
17:55Mr. Prakash Mama,
17:57everyone was a serious character.
18:03Mr. Srikumaran,
18:05an artist from Malayalam.
18:07He was an extraordinary artist.
18:11He used to do comedy well.
18:13He used to do serials too.
18:15When I was talking about comedy,
18:17I had to talk about that too.
18:19I was trained in that.
18:23That's how I did it.
18:27If you ask me if it's difficult to do comedy,
18:29or to do serials,
18:31if you do it correctly, it's not difficult.
18:35That's how it is.
18:39I was trained in dubbing from the beginning.
18:45In dubbing,
18:47you say you're dubbing one character for a film.
18:51But in one film,
18:53you've dubbed two or three characters.
18:55I've spoken about three characters in one frame.
18:57I've spoken about three characters in one frame.
18:59That's how I've done it.
19:03In Telugu-Tamil films,
19:05there's a scene where you say,
19:07this is the police.
19:09I've spoken about that.
19:11If there's no one to talk to,
19:13I'll talk to him,
19:15change the voice,
19:17and talk to someone else.
19:19I've done that.
19:21You've done two or three in Asuran.
19:23I've done four or five characters in Asuran.
19:25I've done that with Suha.
19:27He asked me to do it for him
19:29because I don't know Tirunelveli.
19:31I said okay.
19:33I've done a film with Ettimaran.
19:35It's called Gakkai.
19:37It's written by Poomani.
19:41I've spoken about it
19:43when I wanted to talk to characters.
19:47Sometimes, when we watch a scene,
19:49when we watch it in detail,
19:51we think it's MS Bhaskar's voice.
19:53But in the same frame,
19:55you've done voices for four or five people.
19:57I have to note that.
19:59I'll forget it.
20:01You have to change the voice.
20:03A dubbing artist should have
20:05some mimicry.
20:07I speak the same way for everything.
20:09I speak the same way in English.
20:11You have to speak to a villager.
20:13You have to speak to a farmer.
20:15How do you do that?
20:17You did it in Erumbu.
20:19In the Erumbu film.
20:21In that...
20:23That's why
20:25you have to pay interest.
20:27We've seen that.
20:29I've said this before.
20:31It's a matter of the heart.
20:33It's a matter of the heart.
20:35In Kandu Vaddi Kudumai,
20:37in front of a collector's office,
20:39a family has come
20:41and set fire to it.
20:43A small child is burning
20:45in the fire.
20:47That's what I asked.
20:49Who should we blame?
20:51Should we blame those who
20:53borrowed money?
20:55Should we blame those who
20:57paid the interest?
20:59Or should we blame God
21:01who created this situation?
21:03Even if we have faith in God,
21:05even if we have that kind of faith,
21:07we have to blame God
21:09at times.
21:11That's what we have to do.
21:13That's the kind of character
21:15he is in the Erumbu film.
21:17That's the kind of character he is.
21:21I have a question.
21:23In this film, the core is kidnapping.
21:27I'll tell you about some of them.
21:29I have a question for you.
21:31I have a question for you.
21:33I have a question for you.
21:35If you had to choose
21:37a heroine to kidnap,
21:39who would you choose?
21:41I have a question for you.
21:43The first one is...
21:45Thamanna.
21:47The second one is...
21:49Samantha.
21:51The third one is Priyanka Mohanan.
21:53The fourth one is...
21:55Trisha.
21:57Samantha,
21:59Thamanna, Priyanka Mohanan, Trisha.
22:01Who would you kidnap and
22:03keep alone?
22:09Thamanna.
22:11Why Thamanna?
22:13She likes acting.
22:17Now it's your turn.
22:23You have to learn a lot from them.
22:29I'll tell you a few characters.
22:31Who would you want to be with?
22:33The first one is...
22:35Vivek sir.
22:37The second one is...
22:39Manobola sir.
22:41The third one is...
22:43Vijayakanth sir.
22:45The fourth one is...
22:51Sivaji sir.
22:53Sivaji sir, Vivek sir,
22:55Manobola sir, Vijayakanth sir.
22:57These four people are with me now,
22:59but I'll kidnap them.
23:01I'm saying this because of Anbi.
23:03Who would you kidnap?
23:05I have a...
23:09I have a seven-seater car.
23:11I'll kidnap all four of them.
23:17I'll tell you.
23:21My father has to ask me
23:23ten times a day
23:25why I acted like this
23:27and did whatever I did.
23:31My brother...
23:33The 20th...
23:35That's what I'm saying.
23:37On the 28th of December,
23:39Chandrasekhar and I
23:41committed to Radha Ravindran.
23:43Vijayakanth became our writer
23:45when we were sitting
23:47and eating tiffin in Kerala.
23:51So, this is something
23:53that we can't forget.
23:55We took leave the next day.
23:57We took a break and
23:59all of us left.
24:01What should I do
24:03if I kidnap him and
24:05keep him there?
24:07If I kidnap all four of them,
24:09I won't release them, sir.
24:11They should be there.
24:15Even if the time comes,
24:17I'll chase him away
24:19and keep them there
24:21as my eyes.
24:23That's the truth.
24:25I'll tell you one more thing
24:27about kidnapping.
24:29There was a great artist
24:31called Meena Kumari in Hindi.
24:33How is Savithri Amma here?
24:37There was a film called Pakeezah.
24:39They had done a great job.
24:41They sang a song
24:43like this.
24:45When they were going by train,
24:47did you listen to it?
24:49There was a big guy
24:51named Monsing
24:53in Chambal.
24:55He was a robber.
24:57Monsing was a
24:59horse rider.
25:01He was 6 feet and 2 kilos.
25:03He was very tall.
25:07He kidnapped her.
25:09I heard about it.
25:11I didn't see it.
25:13He kidnapped her.
25:15After 10 days,
25:17in his place,
25:19in Chambal,
25:21he released her.
25:23As soon as he released her,
25:25he gave her to me.
25:27Monsing
25:29got on the train
25:31and said,
25:33come,
25:35I'll treat you like a queen.
25:37He took her away.
25:39He didn't treat her like a queen.
25:41He treated her like a queen.
25:45He made her sit.
25:47He made her sit on a rock
25:49like a bed.
25:51He tied her hands
25:53and said,
25:55Maji, Maji, Maji.
25:57He didn't say any other word
25:59other than Maji.
26:01He was a very decent man.
26:03I didn't even want to
26:05come back from there.
26:09He kidnapped all four of them.
26:11He kidnapped all four of them
26:13and kept them somewhere.
26:15He kept them in a place
26:17where no one could enter.
26:19He asked Vivek,
26:21why did you leave in such a hurry?
26:23I was also in the first movie
26:25you made and dubbed.
26:29I had to get a scolding from Manobal.
26:31If he saw any movie
26:33and I did well,
26:35he would scold me.
26:37That scolding would make me happy.
26:39So, I had to
26:41get scolding from him.
26:43I had to tell my brother
26:45why I left in such a hurry.
26:47I had to tell my brother
26:49why I left in such a hurry.
26:51I had to tell him
26:53why I left in such a hurry.
26:55I had to tell my father
26:57how he had acted.
26:59I had to train him
27:01and then come back.
27:03I had to put them in a place
27:05and then act out what they had taught me.
27:07I had to get a good name and then go back.
27:09This is my story.
27:11Superb!
27:13You explained it well.
27:15Now, let's talk about the first part.
27:17We remember Vijay Sethupathi
27:19when we read the script.
27:21You say it's a sequel.
27:23But some people
27:25do double action
27:27with de-aging.
27:29Vijay Sethupathi,
27:31did you think
27:33you could do a cameo
27:35in a small role?
27:37Or did you try to make him an actor?
27:39In Vijay Sethupathi's last part,
27:41the character Das
27:43goes to jail with a minister's daughter.
27:45There was a scene
27:47where he meets Mirchi Shiva in jail.
27:49But Sethupathi was very busy at that time.
27:51He couldn't do it.
27:53He could have done it differently.
27:59Did you approach him
28:01to do it?
28:03No, he asked me.
28:05He was very busy in Jawan's shoot.
28:11You've worked in a Tamil film.
28:13You must have worked with him.
28:17He must have seen you for the first time.
28:19I don't have a combination with Shiva.
28:25I don't even have a combination
28:27with Karuna.
28:29I had a combination with Ravi.
28:33I had a lot of combinations
28:35with Chandrashekar.
28:37Then there was Radha.
28:39She played my wife.
28:41That's all we had.
28:45There was a night shoot.
28:49Chandrashekar and I
28:51used to do a lot of dubbing.
28:55When my uncle started acting
28:57in Bharathiraja's film,
28:59we were friends from then.
29:01We didn't end the shoot
29:03just because it was a film.
29:05We used to call each other
29:07and talk about the film.
29:11We had a great relationship.
29:13It was the same for me and Ravi.
29:19I had a combination with them.
29:21I don't have a combination
29:23with this girl.
29:25I don't have a combination with them either.
29:27I have a maximum combination
29:29with them.
29:33Shall we do another film?
29:35Sure, sir.