Hablamos con Robertito Funes sobre las últimas peleas de la casa más polémica de la televisión.
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00:00I think he is listening to us. The scoop for Robertito Funes Duarte and for everyone is the following.
00:07In the whole house of Gran Hermano, they have put on the screens that there is an envelope waiting for them.
00:14Black. Black of sanction. Black of punishment. Black that the night is coming because they have behaved very badly.
00:25And it is not for one, or for two, or for three. It is for everyone who is in the house.
00:33The thing is collective. Hello Robertito, are you listening to us, my life?
00:38Yes, hello dear Laura. I don't know if you can hear me well. I can hear you with a little delay.
00:45Yes, Laura, here we are. We have created many chickens and many monsters in Gran Hermano.
00:51Some are well located, others have become angels and others have become bats.
00:56As it is, my life. And you know that, unfortunately, they don't stop.
01:01Because Lourdes, that girl with the tangled hair that she loves.
01:05La Marplatense, Lourdes La Marplatense.
01:07Yes, a beautiful look, a beautiful girl.
01:09Very good, very good. It caught my attention when I met her on the day of the entrance to the house.
01:14But she doesn't stop attacking and saying barbarities.
01:17I mean, doesn't she realize that every word she says is cancelable?
01:22What do you think she does on purpose, Robert?
01:24Look, I've been, well, more immersed than ever in this 2024.
01:30I see the T-Go constantly. I have it as a reference.
01:33I'm going to sleep with them, I get up with them, I bathe and I turn up the volume.
01:37Sure.
01:38And I listen to certain things that have caught my attention.
01:41Especially Laura, I think you're going to agree with me.
01:43They go very fast, in ten days.
01:45They go with an intensity.
01:47With a desire to burn cartridges in these first days.
01:51To see who has it clearer.
01:54And the truth is that I think there are several who have not seen it, big brother.
01:57I have also seen and heard, more than I have seen, in some qualifications.
02:01From women to women.
02:03And you know what caught my attention?
02:05I told you the other day to Delfina, on Friday on my show, on the night of the exes.
02:09The girl who left the house first.
02:11Of course.
02:12She had already become a bit of a model.
02:14It strikes me that boys so young, 18, 20, 22,
02:17they make fun of each other and mention how their faces are messy.
02:21By referring to a woman or a man who is perhaps not as funny as them.
02:25It caught my attention that being so young,
02:28when they should already be deconstructed,
02:31famous phrase that for us older people has cost us a lot.
02:34They apply it at home, Laura.
02:35That's what caught my attention a lot.
02:38Think that Delfina has a mother who is a school principal, Robertito.
02:42It is less understood.
02:43A mother who said, no, my daughter has determination.
02:46I, the truth, that little group of Martina, Lourdes and Delfina,
02:50very young girls, discriminating, bullying.
02:54The truth is that you can't believe it.
02:56Then, something that also caught my attention powerfully,
03:02is that they are scared of older people,
03:06of journalists, of conductors,
03:08that we have already spent some years in the media,
03:11that it has cost us a lot to adapt to new ways of communication,
03:15to new languages,
03:17which for me the inclusive language was a piece of paper,
03:19I always thought it was a mess.
03:21But hey, the moment they imposed it on you, you had to learn it.
03:24I didn't use it.
03:26I said, well, these guys who already come with another format,
03:29with another hard disk, of boys,
03:31I said, well, you see that they no longer care if they go out with a man,
03:34with a woman, with a boy.
03:36I say, so what's going on in that house?
03:38Especially Martina, Martina's attention calls me,
03:41which makes me remember those villains from the movie.
03:43Do you remember?
03:44The divine and the popular, I feel there that the same story happens again.
03:48Well, let's tell people that Martina is as beautiful as Julie Poggio,
03:52it's almost that role.
03:54But Julia, next to Martina, a loving goddess,
03:57never discriminated.
03:58But Martina doesn't look like a villain.
04:01Yes, but in the GH of Julie Poggio, of Marquitos,
04:04the one from last year, with Katari, with Furia, with Katari,
04:07I didn't see that, I saw another type of aggression,
04:10that is, of situations, limits.
04:12But this reminds me of when we were younger,
04:15you went to school and they bullied you because you were a vulture.
04:19That's what I felt seeing the house.
04:21But hey, a program that I love,
04:23and being there on Fridays with everyone,
04:25the kicked out and the broken, even more.
04:29Well, let's see what happens today, because today is elimination night.
04:32All the chips are on Renato.
04:34But I care about this sanction,
04:36because according to Santiago del Moro, Borrillo and the whole team,
04:39it's very strong. What do you know, Guise?
04:41I know that there is, let's say, a before and an after.
04:43Tonight I am in the same tune as Upfal,
04:46with this scoop that he has just given about the sanction.
04:48Oh, what a half-suck, Guillermo.
04:51We all thought the same thing.
04:55No, no, no, I want there to be peace.
04:57I respect you, I need the same on the other side.
05:00I ask you, please.
05:01Now, I say, I also want to focus on Lourdes,
05:04because I can't believe it,
05:06because this comes from home, guys.
05:08I mean, when you express yourself like that, it's because it comes from home.
05:11I can't understand how such a divine girl
05:13also plays that role of absolute villain
05:17and has a transphobia.
05:19At least that's what it looks like.
05:21Because they have copied badly, Guise.
05:23They have copied the format.
05:24She goes against Luciana.
05:25She is a successful person.
05:26Of course.
05:27Luciana sat in the armchair
05:29and she got up after everything
05:31that we haven't seen yet in the scene,
05:33that supposedly Luciana sends Renato to the front.
05:37Of course, we haven't seen it yet.
05:39Luciana sends...
05:40Let's see, according to what they say,
05:41Luciana, in the scene of Nominados,
05:43tells Renato that she is a stalker,
05:45because several girls, like Keila,
05:47had previously expressed it.
05:49At that moment, Keila and Martina retreat,
05:51and then Luciana...
05:53Yes, following what you said,
05:55the other days, I think it was Thursday,
05:57Thursday or Friday, Thursday,
05:59I was with Digo, of course, at home,
06:01and I heard Papucho there in the room,
06:03I heard Chiara,
06:05and Juan Pablo was there.
06:07The three of them were in the room
06:09and they were talking about Renato,
06:11well, about his way of being,
06:13about his way of imposing himself.
06:15Chiara even said,
06:17well, sexually it doesn't stimulate me,
06:19there are women who don't either,
06:21all that exacerbation of the muscles and everything.
06:23She says, I want to hug him,
06:25but not in a way,
06:27you know, in the third or fifth sense.
06:29And it seems a bit strong to me
06:31that they are already drawing conclusions
06:33from a boy who, well,
06:35how many stalkers like this have we met?
06:37You have to give him a chance,
06:39he is also a boy who has just started
06:41drawing, dear Laura,
06:43I was going to ask you later what you think,
06:45the cards are very fast, aren't they?
06:47Yes, I think so,
06:49but the truth is that Renato
06:51was not loved too much.
06:53He is a nice character.
06:55He is a nice character,
06:57but people from the outside,
06:5980% want him out,
07:01he is not one or two.
07:03Wait, Robert, we want to see what happened,
07:05we have an image of what happened,
07:07Luca, in relation to what Lourdes said.
07:09Petrona? Let's see if we have it.
07:11When they were washing the dishes.
07:13It was in the kitchen, not long ago,
07:15she said a very unpleasant word.
07:17Is it there?
07:19I can't.
07:31Well, unfortunately,
07:33I don't even want to repeat what I said,
07:35because the idiot was nothing.
07:37How does a girl not realize
07:39what Lourdes is saying?
07:41Look, I see a constant lack of education,
07:43I've been seeing it for a while,
07:45in the youngest boys,
07:47I see it, not in my niece,
07:49because they are small,
07:51but in the oldest boys in school,
07:53I see it in the children of my friends,
07:55in the ways of being, the ways,
07:57wanting to take the world ahead,
07:59and well, there you see it.
08:01But Robert, you know what happens?
08:03Do you want to say something?
08:05It's the reflection of everything that happens outside.
08:07Just like in his time,
08:09do you remember what FURIA was?
08:11That we were in a situation in Argentina
08:13that was somewhat confrontational.
08:15Well, a counterfigure appeared, which was FURIA.
08:17Now we are going towards a sector
08:19where the boys today do not accept the limits,
08:21and where they say any barbarity.
08:23And what I'm seeing there.
08:25That's what I was going to say,
08:27what I wanted to say is that for me it also has to do
08:29with not only what Guillas said a little while ago,
08:31who comes from home,
08:33I mean, Luca is 18 years old,
08:35but you don't talk like that.
08:37No, no, no, I'm far from that.
08:39That's why what I wanted to point out is,
08:41do you know what it reminds me of, Laura?
08:43What we talked about last week with Luis Novarezio.
08:45A new wave of conservatism
08:47that is invading us throughout Argentina.
08:49I think Robert, also as a news analyst,
08:51knows it. I think that too,
08:53because the brother is a reflection of society,
08:55and it is something that is happening
08:57to all the youth of Argentina.
08:59No, no, no, Robert, no, no, no.
09:01You are going to know.
09:03Yes, yes, it is true.
09:05To be able to have a criterion on this.
09:07There is a very strong wave of conservatism,
09:09and in the youth, in part of the youth,
09:11not in all of them, these things are seen,
09:13and they are more common than we want.
09:15But one thing is conservatism.
09:17And education.
09:19What strikes me the most is transphobia.
09:21Transphobia comes from there.
09:23Laura, you know what strikes me?
09:25Again, I repeat that phrase,
09:27which I have said 20 times,
09:29to the young people,
09:31that this is a topic,
09:33because in theory they come
09:35formatted in another way.
09:37They have gone through deconstruction
09:39for so long in these years
09:41that they have crushed us in the head
09:43because of this, because of this, because of this.
09:45And suddenly you see that now,
09:47as Lucas says here,
09:49it is being seen again.
09:51We are going back to the 90s,
09:53Argentina,
09:55in this time that we are living,
09:57political, economic,
09:59labor, television,
10:01which was for me, my debut,
10:03and for many people,
10:05not to put me as a reference,
10:07but the TV that we are watching now,
10:09we saw it, but now it is great
10:11what is seen, but the environment
10:13that we have in 2020-2024 is from the 90s.
10:15We are going back to the 90s
10:17in those little things.
10:19Well, from the presidential romance
10:21up and down.
10:23Yes, no, I know, I know,
10:25but it's a social issue.
10:27It's a social issue, but ...
10:29And it doesn't seem bad to me,
10:31because for me the 90s were wonderful.
10:33But guys, don't we wonder
10:35why a person like Carlos,
10:37who had a life, two parallel lives,
10:39and who is a man of the night,
10:41doesn't have the transphobic
10:43and homophobic attitudes that assholes have?
10:45I mean, don't we wonder that?
10:47Petrona, a big woman,
10:49Tucumana, that you say, well,
10:51inside is another story.
10:53But it doesn't have that violence.
10:55But it doesn't have that violence
10:57that the new guys have.
10:59So I say, I've heard schoolchildren
11:01here in the Palermo area,
11:03not in the South Zone,
11:05tell another all the time
11:07the word, sorry, I'm going to say
11:09mongolian, they use it as if it were
11:11the asshole, you know?
11:13It's ignorance, ignorance.
11:15You named Carlos.
11:17Today I was at the Tupi de Mendoza airport
11:19with 40 degrees in the shade
11:21Oh no, a while ago, sorry.
11:23And the guy from Aerolíneas,
11:25Nicolás,
11:27Nicolás, I don't remember his last name,
11:29yes, Nico,
11:31who is there, was a student
11:33of Carlitos
11:35of football. He was called Cucho,
11:37he was baptized Cucho.
11:39And he baptized him.
11:41And he told me that Carlitos, at that time,
11:43Carlos, our Carlos,
11:45didn't even have that life story in Pepe.
11:47Nobody ever imagined it.
11:49And Carlos was the football coach
11:51of this boy, Nicolás Amoroso
11:53of Aerolíneas Argentina.
11:55And he told me exactly all that
11:57and that he was surprised.
11:59And as we say, Guille, Petrona,
12:01let's see, it reminds me of an aunt of mine,
12:03like older people.
12:05My grandmother was a woman who had no prejudices,
12:07I never heard her speak ill of anyone,
12:09never criticize anyone.
12:11And well, there you realize.
12:13It's not about age, it's about education.
12:15Exactly.
12:17We are living in a society
12:19that reflects, big brother,
12:21the issue that the trans, the gay
12:23comes to get something out of me.
12:25Please.
12:27But it's what I feel
12:29that they want to put in the heads of some people.
12:31But I wanted to know.
12:33What do you mean?
12:35I mean that there were so many laws
12:37that favored these minorities
12:39that there are people who say,
12:41oh, they want to give them work,
12:43they want to give them money,
12:45they want to share something.
12:47Do you understand?
12:49This is the issue that I think
12:51they put in your head,
12:53and it's horrible.
12:55Yes, and I've seen parents,
12:57who are 40 or 45 years old,
12:59parents of 20-year-olds,
13:01who are non-smokers, like children.
13:03I see them in the queues at the airports,
13:05or I see them in the places
13:07where I have to go to cover,
13:09or on the street,
13:11or on the outskirts of schools,
13:13or in the streets,
13:15and the father answers them the same way.
13:17And the father,
13:19because they never put a limit on them,
13:21because there is an age group
13:23that did not put a limit on their children.
13:25It's true, out of fear of their children.
13:27Yes, I remember what Raskowski said,
13:29out of fear of their children,
13:31if you remember, many years ago.
13:33There is an age group
13:35that the boys, if you invited them to your house,
13:37today those boys are 20, 21, 22,
13:39they come to your house and put their legs
13:41in front of you.
13:43Now, Robert,
13:45don't you think that after a stage
13:47in the society of progressivism,
13:49the stage of political correction,
13:51of cancellation,
13:53didn't it generate as a rebound effect
13:55this society that we are living in?
13:57Don't you think so, Robert?
13:59It may be because of the current moment
14:01that we are living in.
14:03We are not going from one extreme to the other,
14:05Roberto, in society.
14:07Yes, I understand that.
14:09I am a fan of Javier Millet
14:11and his profile and his way of imposing
14:13his ideas,
14:15not perhaps
14:17some of his surroundings,
14:19because you don't have to be more handsome than the Pope.
14:21There are many people who take tributes.
14:23But they are non-partisan.
14:25Of course.
14:27In fact,
14:29there are people who even,
14:31Laura, how many people
14:33do we know,
14:35let's get to politics,
14:37artists,
14:39famous people, sportsmen,
14:41politicians even,
14:43who have an environment that is more papita
14:45than the character itself.
14:47The famous doesn't speak
14:49and those around him lower the line.
14:51That's what I'm seeing.
14:53I hope some of them put limits on them too,
14:55because they overestimate themselves
14:57and I think they create discord
14:59in society that is not necessary.
15:01Yes, and you don't have to fight anymore.
15:03We don't have to fight anymore,
15:05we are in a country
15:07that we have to get through
15:09with whatever comes our way.
15:11But to not fight,
15:13the secret is respect.
15:15And precisely what is not in this house
15:17of great brother is respect.
15:19And look, I go back to what I said before.
15:21I have seen it in these hours,
15:23in these days, with the running of
15:25these two weeks,
15:27three weeks of great brother.
15:29I have seen what comes
15:31in the previous one,
15:33but what is happening now
15:35happened in the third or fourth month.
15:37They are angry.
15:39What is left for me later?
15:41That's why the sanction comes.
15:43What did you want to say, Oliver?
15:45Here is Oliver Quiroz greeting you.
15:47How are you, Roberto?
15:49Who? Oliver.
15:51Oh, dear Oliver.
15:53I am surprised that as players
15:55they do not understand that aggressiveness
15:57does not work, because if we realize
15:59in the first season,
16:01the previous one was won by Bautista,
16:03who were calm guys,
16:05who did not get into conflict.
16:07But you do not have to copy the format.
16:09Do you know what the problem is?
16:11In fact, Laura commented it with you, I think.
16:13I had to do the whole federal trip,
16:15of great federal brother.
16:17We went to Tucumán, from there in the line
16:19was Petrona, who opened her eyes
16:21and I grabbed her and I said,
16:23this woman, this girl from Cocoon,
16:25that comes with me to train.
16:27And it seemed great to me,
16:29and she came from Córdoba, the political scientist.
16:31Ulises, the political scientist, came out of Córdoba
16:33and his casting was as we are seeing in the house.
16:35And so I saw a couple more.
16:37But what did I see there?
16:39In the four squares where we went,
16:41Mar del Plata, Tucumán, Corrientes
16:43and Tucumán.
16:45What did I see? That everyone wanted to be
16:47like the one who had already gone.
16:49I want to be like so-and-so, I'm going to give it all.
16:51I want to be like Mengano.
16:53No, no, man, it's not going to be like the one who is.
16:55No, no, because that already happened.
16:57There was already a Marco, there was already a Copi,
16:59there was already a Polieta, there was already an Alpha,
17:01a Romina. Now it seems to me that
17:03in the third, which for me is great,
17:05the casting that was done, Borrillo,
17:07Fedelebrino, Pendín, the same Santiago
17:09who was there very close, Arturo Belsky,
17:11who saw everything. I'm talking about the people we know.
17:13The heads of
17:15Telefe and GH.
17:17They saw that
17:19what was presented in the casting
17:21is what there is in Argentina. No more, no less, guys.
17:23What there is in the house, great brother,
17:25we have 24 participants.
17:27Believe it or not, they come from some corner
17:29of society, of Argentina,
17:31and they are all there together.
17:33And Sumale, Peru and Uruguay.
17:35It's a mini-society.
17:37In addition to Peru and Uruguay, which I think is great
17:39that they have incorporated people
17:41from the countries of the region.
17:43I am very surprised with the Uruguayans.
17:45The truth is that for me, at this moment,
17:47together with Andrea, they are the best players in the house.
17:49Yes, they didn't want it at first, Santiago.
17:51Ah, tell me.
17:53Sorry?
17:55But who didn't want it at first?
17:57What I perceived, look,
17:59I made them come in at 24.
18:01They were very scared that day.
18:03Of course.
18:05Very scared, but Santiago
18:07was the one who caught my attention
18:09the most in terms of
18:11his presence, his way of coming in.
18:13You see that when you come in, you talk to your body.
18:15Of course.
18:17So cold, retracted,
18:19it was very cold that night.
18:21He came in and said,
18:23I come to win. Petrona told me,
18:25I come to buy the house
18:27for my family because I need Carlos,
18:29also Brian.
18:31There it is.
18:33But did you see Santiago?
18:35Very sure of himself.
18:37I saw the other guys nodding
18:39and the famous phrase,
18:41I'm going to give it all.
18:43Do you want to give it all?
18:45Like in Colombia.
18:47Robertito, if there is someone,
18:49there is someone who gives it all.
18:51Who?
18:53Roberto Funes Ugarte.
18:55Please, the production, prepare the images
18:57of Mrs. Georgina Barbarosa's
18:59birthday party,
19:01where Mr. Roberto
19:03Funes Ugarte
19:05danced.
19:07You met Marisa Bali.
19:09Tell me everything while they look for those images.
19:11But you know what happens?
19:13I don't renounce anything.
19:15I left here from Mendoza to Buenos Aires
19:17very young,
19:1918 years old,
19:21in a well-known family
19:23here in Buenos Aires,
19:25with a lot of tradition.
19:27I did what I had to do,
19:29I went to look for a job
19:31and suddenly I appear in Rosita Suegro,
19:33Juan Emilio Guido Bono,
19:35Pedrelli herself,
19:37they were putting together
19:39this afternoon,
19:41and I was in college studying.
19:43Rocio Suegro, Rosita's daughter,
19:45said, let me in, give me a hand,
19:47and that's how it all started.
19:49Meanwhile, there were singers,
19:51one of them was Marisa Bali,
19:53dancing,
19:55and she said, I love this guy,
19:57take a step, go to the middle,
19:59to the middle, to the other,
20:01and Juan Emilio put together the choreography
20:03and we went out with all the
20:05possible conurbans,
20:07all the dancing boliches,
20:09I said it wasn't all, I had changed my name
20:11and everything, and we did the boliches with Marisa,
20:13we did four, five.
20:15What was your name?
20:17Julián Fone, I had changed my name.
20:19Juli!
20:21And I went with Marisa,
20:23and one day we appeared,
20:25I don't remember where,
20:27and she said, let's go in a limousine,
20:29I said, where, to Mar del Plata,
20:31an hour and a half,
20:33I don't know who we went with,
20:35because we flew, it was tremendous,
20:37and Marisa arrived like this,
20:39we looked like crazy people,
20:41we arrived, now we are going to Buenos Aires,
20:43no, I said, let's go fast,
20:45we arrived at the avalanche, fast,
20:47and it was a smoking party,
20:49I told Marisa the other day,
20:51I was lazy and a frisbee appeared,
20:53it was a caniche, like this.
20:55Well, let's see the images,
20:57the park of the coast,
20:59birthday of 70 of Mrs. Georgina Barbarosa,
21:01who turns 24, but celebrated it on Friday,
21:03and there she is dancing the cachaca,
21:05Robertito Funes with Mrs. Marisa.
21:11Cachaca, cachaca, cachaca,
21:13Gimo Schuh.
21:17Yay,
21:19gather together,
21:21Cachaca, cachaca, cachaca,
21:23catch up with her!
21:27You saw everything.
21:29Tell me, tell me where was the birthday,
21:31the birthday tape,
21:33Sorry?
21:35First I'm gonna tell you
21:37that Mrs. Pedrelli,
21:39this production working at this time and says I made him a chronist.
21:44I, Pedrelli baptized me, he took care of me in Mar del Plata, he
21:48pampered me, I love Pedrelli, like Rosita, he to one and he sent us
21:54with the gordonín and she was the one who taught me, first the
21:57little hand appeared, then the neck, then the little face and then if
22:01you did it well, you would go out on camera completely, that is a
22:04chronist, not because I did it, but as she taught you, because
22:07all those who are in the networks want to grab the microphone and be famous,
22:10no, we have a path, a journey and Pedrelli made it happen to me,
22:14let's say with the gordonín, in a fit, the gordonín with a fit,
22:18then I went to the news magazine, I was in profile, in face, but
22:21what I learned with Pedrelli, with her father-in-law and with that
22:25great group, wonderful, historical television, historical because
22:29they have been working for a long time, I know them, I know them and I admire them
22:34and Rosita is always watching that program, we send her a
22:37kiss and Rocio Suero, you know how Rosita used to tell me?
22:40The ugly one with grace, how are you going to say that?
22:44And she tells me the other day, the ugly one turned into a movie,
22:47I say, don't be silly, and Georgina, Georgina and Carmen,
22:50especially Carmen and Georgina, so they don't get angry, they were
22:53my great artistic godmothers because they gave me the
22:55possibility, that few people give you, you see? And then, well,
22:59I met cool people like, in 65 years, like a dear
23:03Eduardo Feima, who has been the best partner I have had,
23:06divine Eduardo, I also had him, everything coincides with all the people
23:10you name, because I also went through those times of
23:13Movete, you know, Daniel Adat, Daniel Adat who baptized me,
23:17Daniel Adat, I thank you for my career, Daniel Adat, please,
23:20Daniel, that if you go through Adat, you are ready to take off.
23:26And well, here we are.
23:27Robertito, tell me Georgina Barbarosa's birthday flashlight.
23:31Please, I don't know because I arrived at one, 12.30.
23:36Because I arrived at night, I know, I write to Pia,
23:39I say to Pia, it's your birthday, come, come.
23:42Well, but they told me it was until 12.
23:44I call Rodo Fas, who is the head of Telefe's story.
23:48Yes.
23:50Yes, come, come.
23:51When I arrive, I park the car as best I can,
23:53Marley and Fede Foman are leaving, and that's it, it's over here.
23:56What happened?
23:56Of course, of course.
23:57I arrive, Teresa Calandra and Belen Seixas were coming,
23:59oh, Robertito, you're late.
24:00And I arrive and there are a lot of people, and Georgina was there,
24:04guess what, I owe my career to her too, because she was loving, loving.
24:08She was happy with her granddaughter, with Julia.
24:10Yes, and her son was there.
24:11She said to the children,
24:12Vietnam for the war, because the twins were tremendous.
24:15And Georgina was there like crazy.
24:17And I don't know when Marixa appears, who was singing.
24:20Pablito Nieto, Pablito Nieto and Roxy Brisky,
24:24who are my producers in the morning,
24:25and Georgina says, come on, and they push me.
24:28Where?
24:28And I saw Marixa, and I turned around and said,
24:30hey, are you here?
24:31Yes, I was singing.
24:33I thought it was a tape.
24:34And we started with the choreography.
24:36That choreography was very similar.
24:38And well, we put it together.
24:40Historic, the choreography of La Cachaca.
24:43We all know it.
24:43There is no party, there is no party where La Cachaca does not dance.
24:48And there we started, right and left, it was not very complicated,
24:52but it was the issue of getting off, and that made us known in La Cachaca.
24:56And Georgina gave it all, Georgina gave it all.
25:00Did you cross paths with Nancy Pazos?
25:02Yes, we had a kiss and a hug with Nancy, of course.
25:04Very good.
25:05Look, very good.
25:06Yes, of course, because many arrived late.
25:08For example, Angelito and Marixa Mismas arrived from LAAM.
25:11That's why some of them arrived earlier than others.
25:14But I didn't see it.
25:15Of course, of course.
25:16I listen to La Cachaca, I see all the dolls that were there,
25:19from the Parque de la Costa, from the CEMI, and I don't know what else.
25:22I said, ah, they have put, I didn't know Marixa was there,
25:25they have put La Cachaca, well, they were dancing La Cachaca.
25:27They push me like that, and I, Pablo Nieto and Roxy,
25:30and I see them like that, and I say, it's Marixa.
25:32I say, what is Marixa doing?
25:33Oh, yes, yes, now, it's Marixa, yes, yes, yes.
25:38Live, it was live.
25:39Now, yes, give me everything, daddy, give me everything.
25:43Robert, how did you feel on the night of Los Ex with these new panelists
25:46of this new camera, some already classic like Conti,
25:49and others who are debuting like Sabrina Cortez.
25:51I say, how was the flow of the program?
25:54I'm not going to deny it, I was a little nervous,
25:56because you see, if you are not nervous, it is that the blood does not pass through your body.
25:59But I said, let's see how this is going to be,
26:01you also have to hold the number, you have to do everything possible.
26:04You see, you have to keep the TV alive.
26:06We are TV people, although, you see,
26:08they have proposed some things in streaming,
26:10other things I have asked for, they have not given me a ball, but it will be done.
26:13But I still bet on TV,
26:15because it seems to me that it is the medium that has united many generations,
26:19and Gran Hermano and Masterchef were part of this, and especially Telefe.
26:23What happened to me?
26:24I said, well, how are they going to flow?
26:26Because I was already used to the other guys,
26:28because I had Ximena Capristo, I had Conti, Nadia, Alalfa, Lausito.
26:36And of course, I see them sitting down, and for me it is part of my environment,
26:40because I have known the guys since they began to be known,
26:43and I see them all the time.
26:44Of course.
26:44It flowed, it flowed, it flowed.
26:46Yes, yes, yes, I saw you, Robert, it was very good.
26:48It was very nice.
26:48I love that Catalina is here, which is complicated.
26:53It's spicy.
26:54Emanuel too, La Tora, who is very good.
26:57Very good.
26:58Nachito.
26:58Who else do I have?
26:59Nachito.
27:00Ari.
27:01Nachito, well, Nachito, who is barbaric.
27:02And apart from Nacho, you know what?
27:03He is strong, he is a boy who looks good, who knows the environment, the show, the industry.
27:09Yes, I was talking the other day with Romina Urich, who I love,
27:12because they come out of Gran Hermano and they have a stylist, a hairdresser.
27:16I come alone all the time.
27:18Laura, I wear it like this, like sad bread.
27:21You, with my jacket, with my dress.
27:23No, we are not like that, you see.
27:25I go to the dressing room, I go to the makeup room where, well, I do my makeup alone,
27:31but Norberto and the girls comb my hair, but I avoid it.
27:34And I said, I go there where they all go.
27:36Of course, and suddenly an elevator comes out and it appears,
27:39Romina Urich dressed like Shakira, with umbrella, with camera, with lights.
27:44Did you see?
27:45Ah, Daniel, which is the actress with a stylist.
27:47After Marcin covers up, there is Romina, she is, make me a memory,
27:50Romina, who is here next to me?
27:51Romina.
27:52Ari, Daniel.
27:54Cata, Tora.
27:55Nacho, Cata, Sabri, La Tora.
28:00It's 4 and 4, wait, wait.
28:02La Tora, Romina, Ari, Gustavo Conti, was here.
28:08Catalina, Catalina, Ema.
28:11Ema Beach.
28:12Yes, how many were they?
28:14Eight, eight, eight.
28:15Ah, well.
28:16And I see them like this, transformed.
28:18Ema Beach, who appears with her boots, with her shoes and everything.
28:23And I said, oh boy, boy, what did I do wrong that I didn't learn this?
28:27I think right now, Robertito.
28:30We are in time to learn.
28:31I wash my shoes, Benita at home irons my shirt,
28:35that she sews for me, you see?
28:37I wear everything, and these appear, a little more than Hollywood.
28:40Robert.
28:42We have to say goodbye, Robertito.
28:45I thank you very much, keep enjoying Mendoza.
28:47Until when are you staying there?
28:49Until Wednesday, when I come to look for my mom,
28:51and we go together to Buenos Aires, because my mother stays until the end of February, March.
28:56Yes, yes, it's always like that.
28:57We have a house here, I already have the other one, I come, I accompany her for a while,
29:01and we will always be together, because parties must be spent as a family.
29:03And then, well.
29:04Of course.
29:05I'm going with the nation to Punta del Este, I'm going to be a mobile again.
29:08Ah, look how good, Robert, what good mobiles.
29:11Well, my love, I am very, very happy for you, thank you for this note.
29:14And I congratulate you because you are a very good companion, Laura Ufa.
29:18You know I love you very much, Roberto.
29:20And all of you too.
29:21A huge kiss.
29:22Lidia, Oliver, Lucas, bye, goodbye.
29:24Thank you, my love.
29:25And to Pedrelli, to Pedrelli.
29:27Of course, please.