La nueva temporada de teatro en Carlos Paz y Córdoba promete sorprender con propuestas originales. Gabi Mendoza destaca sus shows "Una mágica Navidad" y "Circoánima", mientras que Flavio Mendoza apuesta por producciones internacionales. Ambos coinciden en que el éxito no solo depende del escándalo, sino de ofrecer un mensaje significativo al público.
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00:00We were like, what's going on?
00:02What's going on?
00:04And they all came out at the same time.
00:06That's how the summer season starts.
00:08How nice.
00:10We talked a few days ago.
00:12We talked a little about the theater that is coming this season.
00:14You told me that there was no competition.
00:16That everything that was seen,
00:18we had already seen before.
00:20I always see that they do the same, so I don't compete.
00:22I always see that they do the same, so I don't compete.
00:24I have two incredible shows.
00:26A magical one at the Astral Theater.
00:28And in Circo Anima in Córdoba.
00:30I don't even look at the rest.
00:32Congratulations.
00:34You are going to do the season with Fátima.
00:36How are you preparing?
00:38We are rehearsing.
00:40We debuted on the 26th in Carlos Paz, at the Teatro Luxor.
00:42So we are happy.
00:44Flavio a few weeks ago made some comments
00:46and said that there was no competition this season
00:48and that it was more of the same.
00:50How do you see this?
00:52Flavio is in Córdoba, we are in Carlos Paz.
00:54We are in different places, different points.
00:56We have a spectacular show.
00:58In fact, it was the most watched show
01:00of last season, Mar de Plata.
01:02You have to browse, you have to look.
01:04And also the public and journalism
01:06have to change the label.
01:08Because if not, we are always the same.
01:10We promote more than the same.
01:12Instead of promoting new things that come out,
01:14there are a lot.
01:16There is an impressive theatrical off.
01:18There is an impressive theatrical off.
01:20What expectations of ticket sales
01:22do you think there will be?
01:24We are not going to do that.
01:26We are not going to do the Americas.
01:28We are going to do, at least in my role
01:30as a producer, actor and partner,
01:32is to go to my cast to enjoy.
01:34If we are doing well, welcome.
01:36Obviously, yes, what we can say
01:38is that I think we are going to be
01:40the cast with the most popular entries,
01:42more accessible in some way.
01:44When it's kind of mediocre,
01:46I go to the other side.
01:48When it's kind of mediocre,
01:50I go to the other side.
01:52This is a competition
01:54that is not one against the other.
01:56If you do a number that works for you,
01:58you are happy.
02:00And if the other does a number that works for him,
02:02he is also happy and we are all working,
02:04we are all fine.
02:06We are not going against each other
02:08in Mar del Plata or in Carlos Paz.
02:10We are competing with the needs we have.
02:12If I have a one-man show
02:14and with 20 people I'm fine,
02:16with 20 people I'm fine.
02:18If you have a musical show
02:20you're going to need more people.
02:22How do you see the friendly prices
02:24that are being proposed from Mar del Plata?
02:26For me, I'm not of that idea,
02:28because I'm from the first time
02:30that I did extravaganza,
02:32that they already gave you 4 for 1
02:34and they gave you a kid.
02:36It's like they gave you everything
02:38to get into the theater.
02:40You can't have such a cheap ticket
02:42if you want to do something big.
02:44We have to limit ourselves a little
02:46and make the audience have
02:48the desire to see a show.
02:50There are always good things
02:52in Mar del Plata, in Carlos Paz,
02:54there are always good works
02:56and impressive artists,
02:58very nice productions,
03:00like Flavio's, which is one
03:02of the most important
03:04that we have in the country.
03:06I don't know how the competition
03:08will be in the summer,
03:10but the sun comes out for everyone,
03:12I hope it goes well for everyone.
03:14We must also encourage
03:16people to enter this medium,
03:18because we will always
03:20be in the same bucket.
03:22There are a lot of beautiful productions,
03:24but you will have flowers
03:26for your production,
03:28because I think I'm one of the most at risk,
03:30if I'm not the most at risk.
03:32Flavio doesn't do our genre,
03:34he does circus, he does magic,
03:36it's great, but Mar del Plata
03:38has a beautiful portfolio,
03:40it's not good to go against
03:42the shows that are being made.
03:44Mar del Plata is focused on children,
03:46although Flavio has children's shows,
03:48this is for a very specific age,
03:50it is for pre-adolescence,
03:52and it touches on issues
03:54like self-love,
03:56so I feel that our mission
03:58with this work is to bring
04:00a nice message to society.
04:02For me, doing theater is not only
04:04to fill the economic arcs,
04:06but to have a good product,
04:08to aspire to an award,
04:10to aspire to a mouth-to-mouth.
04:12Do you know that it never worked for me?
04:14I swear to God that it never worked for me.
04:16People went for what I did on stage,
04:18because if I slept with someone,
04:20I didn't fight with the other.
04:22Maybe it's more useful to the other,
04:24more useful to the pelagato.
04:28Flavio, I love you,
04:30but throw the pelagato at the end.
04:32My God.
04:34To tell the truth, Flavio,
04:36what he does is invest more,
04:38earn less, well, they are strategies.
04:40It's a talent that everyone prepares a lot.
04:42It's an international show
04:44that Flavio has been offering for a long time.
04:46In the Astral Theater,
04:48I personally recommend it
04:50for you to go see it,
04:52it's a magical Christmas,
04:54Astral Theater,
04:56because in addition to seeing
04:58an international show,
05:00it's spectacular,
05:02it has a beautiful message,
05:04that in these moments of so much anger,
05:06anger, we need it,
05:08it's an investment for your emotions.
05:10A fact that has to do
05:12with the profiles of spectators,
05:14that's why it's not one or the other.
05:16Flavio, from the extravagance,
05:18one who was going to see Flavio
05:20and that show structure,
05:22paid what he had to pay.
05:24In fact, the tickets that were sold out
05:26were the most expensive.
05:28The same will happen with Mamma Mia in Mar del Plata,
05:30it's a show of 30 people on stage,
05:32you can't pretend to pay the same as a comedy of 4.
05:34There are people who may not be able to pay it.
05:36It's very complicated,
05:38because before you saw 8,500 works,
05:40and you did theater nights,
05:42then you went out to eat,
05:44and the family.
05:46What I say is that,
05:48and also in Cordoba,
05:50with this animatic circus,
05:52which is a different square,
05:54Flavio always took the risk,
05:56because you can go well or you can go wrong,
05:58if you don't have a good season in Cordoba,
06:00because people don't move to Cordoba
06:02and you go to learn Carlos Bass,
06:04you go to see Mamma Mia in Mar del Plata,
06:06in a play that deserves it,
06:08and people can't pay it.
06:10How is the logic there?
06:12It's difficult.
06:14Many times municipalities
06:16accompany the reality of the place.
06:18Then there are other state policies
06:20that say, I don't know,
06:22you can't, you can't.
06:24And that's why the promotions
06:26were made two for one.
06:28I did many plays with two hands with 50,
06:30and a lot of people came to see us.
06:32I don't know if everything has to do with money
06:34and the structure.
06:36You leave a nice message,
06:38two people who start crying,
06:40three who laugh and make you feel more,
06:42to me personally,
06:44than the superstar.
06:46But that's what you think
06:48about what you like.
06:50As for what I like, no.
06:52As for what I did, I have made successes.
06:54We are talking about quality shows.
06:56I'm telling you about the participation.
06:58What happens to me is transferred.
07:00It's not a battle, it's artistic quality.
07:02Yes, it's a show, but artistic quality,
07:04because I see more than Inlanús,
07:06which are four actors.
07:08We are talking about show quality.
07:10But it's another bet.
07:12Of course.
07:14It's amazing.
07:16It's amazing and I didn't get in.
07:18But it's another bet.
07:20The state intervened.
07:22I don't know.
07:24Did they break up with the Inca?
07:26It's reduced.
07:28They were subsidized.
07:30It was a show.
07:32It's what the river does.
07:34A work that starts in the official circuit
07:36and passes to the private circuit
07:38with the same success.
07:40When something is good,
07:42people are there.
07:44Yesterday I was with Flavio.
07:46We were on the show talking
07:48and he said to me,
07:50you know what I wanted to say?
07:52I said,
07:54I don't know,
07:56what I wanted to say,
07:58what he meant
08:00with renewing
08:02is to stop doing the typical humorous work
08:04where the girl
08:06gave the girl a role,
08:08the man is funny.
08:10You can do something original
08:12without a budget, guys,
08:14because creativity is not from the economic.
08:16Flavio has put
08:18an immense production.
08:20For example, Sex of Muscari.
08:22It's a show that was rupturist,
08:24something new,
08:26and look at the success it has.
08:28The limit is Lolo Pollo
08:30with all his affection.
08:32I went to see Lolo.
08:34We are not going to cut tickets.
08:36What are you going to see the cuckoo
08:38with all your affection?
08:40Lolo Pollo is what nourishes the soul.
08:42You have to nourish your body too.
08:44They were smart
08:46and they said,
08:48let's point to an audience
08:50that no one is giving much attention to.
08:52The message of Lolo Pollo is divine.
08:54I went to see it with Lola.
08:56For pre-teens
08:58and in life too,
09:00to see what is happening to you,
09:02why you are sad,
09:04it is a work that is very good.
09:06But it seems that they went to India
09:08to do theater.
09:10But it seems, no,
09:12I'm going to feed the soul.
09:14No, there is a commercial structure.
09:16It's a business.
09:18She is an artist.
09:20You are confusing the show.
09:22I'm not confused, I'm clear.
09:24Maybe Luis is also investing
09:26when we start the show.
09:28I'm going to tell you something concrete.
09:30McCartney comes and the tickets
09:32are 300 dollars.
09:34People, when something is attractive
09:36and good, it's good too.
09:38Fortune,
09:40Tennis is occupied until March.
09:42Tennis is occupied until March.
09:44When something is good,
09:46people go beyond the budget,
09:48beyond the value.
09:50What you have to do is make good products.
09:52Argentina is a country full of artists,
09:54of quality, that there is talent,
09:56that there is creativity.
09:58You have to get in line.
10:00There will be a conditioning this season
10:02and I say it very seriously.
10:04Many people from Mendoza go to Cordoba,
10:06maybe it is more convenient for them to go to Viña del Mar.
10:08It is not convenient for them
10:10because they are anti-Argentine,
10:12because it seems that
10:14when it is cheaper to go abroad,
10:16it is to save money.
10:18No, but you have to ask all the tourist places
10:20to think about it and lower the prices
10:22because if not, people are going to leave.
10:24It's true.
10:26They live for a month,
10:28they want to put everything in one month.
10:30It's all in January.
10:32I think everyone does what they can.
10:34Nobody is going to fail
10:36to move all his tricks,
10:38to go to Mar del Plata,
10:40to go to Carlos Paz.
10:42There has to be acting,
10:44there has to be acting.
10:46Nobody is going to pay respect to the actors
10:48who are going to play.
10:50We have seen works, Gaby.
10:52I love you very much,
10:54but we have seen things
10:56that we have not seen.
10:58Tie me the flag.
11:00They don't do it on purpose,
11:02they didn't realize,
11:04maybe they thought it was something bad.
11:06They thought it was good.
11:08Nobody is going to fail.
11:10I found out that a person from this table
11:12at least they tried it.
11:14Or they saw it.
11:16I see you doing something there.
11:18They cast an eye.
11:20I'm talking,
11:22I'm in conversation.
11:24You have to do it.