Alpha Dont Love Me Full Movie
Category
🎥
Short filmTranscript
00:00:00Please give a warm FanTan welcome to Carol Jennings.
00:00:13Ladies and gentlemen, as the great Don Arden once said, get out of my office.
00:00:22You haven't lived until you play FanTan.
00:00:29It's like being wet without a wetting rain.
00:00:34Though you've climbed the heights with your name up in lights.
00:00:39Until you play the FanTan, it don't mean a thing.
00:00:45Television's just a passing fantasy.
00:00:49And movie fame is but an empty thrill.
00:00:54Though you're on top of the heap, you are nothing but a creep.
00:01:00Until you play the FanTan at the bottom of the bill.
00:01:05Oh, you may be the darling of the critics and star in Noel Coward's last play.
00:01:14On the stage you're a hit, but you are still ill-adept.
00:01:20Until you play the FanTan, the dirty, drafty FanTan.
00:01:25The FanTan Hotel south of the Flamingo Watch.
00:01:41Should we maybe talk a little too?
00:01:43I do still think of you as a person, not just a body.
00:01:47I'm so fucking sick of talking to you. You have no idea.
00:01:58Nice digs. It's like an opulent dorm room.
00:02:02Yeah, the gold bathroom is particularly subtle.
00:02:06That is a pile of cloves, not Sheila in the corner, right?
00:02:10Right.
00:02:12And that's the phone you use to talk to me?
00:02:15And this is where you sit? Which wall do you stare at?
00:02:20That one. Sometimes that.
00:02:24It's going to be a rude awakening coming home.
00:02:28Am I finally going to get to see this infamous apartment of yours?
00:02:34Ruth?
00:02:35What?
00:02:36Are you going to kick your illegal sublet out of the East Hollywood Palace?
00:02:41Actually, I wanted to talk to you about that.
00:02:43When I get back, maybe we should look for a place.
00:02:46Together?
00:02:48Yeah. I know it's early, but...
00:02:51I mean, it's pretty early.
00:02:53Is it? We talk every night and...
00:02:56Yeah, maybe it could work.
00:03:00Let's get up. Let's go do something.
00:03:03Come on, show me Vegas.
00:03:08What is that?
00:03:12I'm okay.
00:03:14The fuck?
00:03:15Ignore it.
00:03:19Don't fuck me to the song.
00:03:21I can't help it.
00:03:25Stop. Stop. No. No. No.
00:03:29Damn it. Jerry!
00:03:36Hi. It's a little early.
00:03:39A little loud. I'll turn it down.
00:03:42What's going on with you?
00:03:44Just starting my day.
00:03:49Was he cheating on her?
00:03:51I heard he got a big job, but I don't know. He left really fast.
00:03:54Really?
00:03:55Yeah.
00:03:56Come on, girls. Back to your rooms.
00:03:58Yes, Miss Hannigan.
00:04:01Hey.
00:04:02Hi, Sam.
00:04:03Hey, there he is.
00:04:05How you doing, Russell?
00:04:06I'm just here to see this one. You working out?
00:04:09Hey, there's that cameraman's eye, huh?
00:04:11You gonna do some sightseeing?
00:04:13Yeah, I'm gonna get something to eat.
00:04:15Maybe you should take him to that steak place. Boss him around.
00:04:24Let's just... Don't sweat.
00:04:26Okay, okay.
00:04:27Didn't want to maybe shower?
00:04:30That would defeat the purpose of sweating, wouldn't it?
00:04:33Business is good. The show's doing great.
00:04:35We're sold out for the next two weeks, and if we can keep this up,
00:04:37then the three of us stand to make a lot of money here.
00:04:39That's good to know.
00:04:40Maybe I can push the money into a pile the shape of my son,
00:04:43whose childhood I'm missing.
00:04:45Okay, well, I don't really know what to say to that.
00:04:47Hi, honey. Wow.
00:04:49Don't mind me. I know you have a new cabinet meeting.
00:04:53Um, so, Kurt has been doing us a favor while he's in town,
00:04:57but we need a ref for the rest of the run.
00:05:00I have a list of available boxing refs,
00:05:04including a guy who's reffing bouts over at Caesars,
00:05:08but he's expensive, if anyone cares.
00:05:10Man, Keith really fucked us, leaving without notice like that.
00:05:13Fucked us? What about Cherry?
00:05:15Why can't Sam do it? He already knows the show.
00:05:17That's a great idea!
00:05:19Sam! We can both be in the show, huh?
00:05:23What the fuck is happening?
00:05:25Uh, Mr. Howard? Yes.
00:05:27If I could have two minutes of your time? Sure.
00:05:29I'm not just your waiter. My name is Steve Mills.
00:05:31I traffic... in magic.
00:05:34Oh, my God! He traffics in magic!
00:05:38Here. I want you to select a card.
00:05:41Say, stomp, whenever you'd like.
00:05:43Stomp!
00:05:44Take the card, show your friends,
00:05:48and return the card to me.
00:05:50Okay.
00:05:51Remember the card. Got it.
00:05:53Now watch.
00:05:55That's it! The card is no longer in the deck.
00:05:58It's gone.
00:05:59What?
00:06:00Now, pick a piece of fruit.
00:06:03The orange!
00:06:04All right.
00:06:05The orange it is.
00:06:14Come on!
00:06:19Is that your card?
00:06:20It is! It's the king of spades!
00:06:22Oh, my God! That is amazing!
00:06:25Wow!
00:06:26Can I have some more coffee, please?
00:06:28Yeah.
00:06:32Um, I would really love to be a part of your glow show,
00:06:35uh, Mr. Howard.
00:06:37I can do magic before the show, during the show,
00:06:39whatever you'd like.
00:06:41It's on a string.
00:06:43Okay.
00:06:47Careful!
00:06:48My card.
00:06:50Thank you so much.
00:06:53We'll let you know if we need any other food.
00:06:56Um, Bash.
00:06:58Hey, Bash.
00:06:59So we need a ref, not a magician.
00:07:02Whatever it is you're thinking.
00:07:04Stop.
00:07:05Stop it! You stop!
00:07:07No, no.
00:07:08Oh, God.
00:07:10I'm a voodoo priestess.
00:07:11It's my goddamn magic.
00:07:12Someone else is gonna be doing the magic.
00:07:14Well, do you know any magic tricks?
00:07:17No.
00:07:18But I'm sure David Copperfield over there can teach me.
00:07:21Jesus fucking Christ.
00:07:23Okay, what the hell is going on?
00:07:24It would be pretty cool to have some actual magic in the ring.
00:07:27I mean, Steve could make one of us disappear
00:07:29and the other person wrestles like an invisible person.
00:07:32Just watch me and Kurt.
00:07:33We're doing the routine?
00:07:34Yeah.
00:07:38Ah!
00:07:39Oh!
00:07:41Oh!
00:07:43Then when we go for the splash,
00:07:46Then when we go for the splash, Steve can do his thing.
00:07:49Ah!
00:07:50Ah!
00:07:51Then you disappear.
00:07:53I don't know where you are.
00:07:54Seriously?
00:07:55Where is he?
00:07:56Is he here?
00:07:57Where are you?
00:07:58Come on, black magic.
00:07:59What about there, huh?
00:08:00Where are you?
00:08:01Feel the breeze?
00:08:03Okay, your breath smells.
00:08:05Get out of the ring.
00:08:06Seriously, huh?
00:08:07Yeah, get out.
00:08:08Are you fucking kidding me?
00:08:09Come on.
00:08:10It'll spice up the match.
00:08:11I mean, you gotta admit,
00:08:12it's been a little bit stale for the past week.
00:08:14Cherry, I'm not blaming you or anything.
00:08:16I'm just saying.
00:08:17Okay, okay, look.
00:08:18Hey, Cherry, you're struggling.
00:08:21Maybe bash adding this stunt of the week
00:08:23is a blessing in disguise.
00:08:24Let Carmen throw herself around the ring,
00:08:26you go off to the spa,
00:08:27come back at the end of the show and take a bow.
00:08:29And then next week, we're back to normal.
00:08:31Heh.
00:08:32Okay.
00:08:33Y'all want me to disappear so bad?
00:08:35Fine.
00:08:40She's single now?
00:08:44Are you sure this is how you want to spend
00:08:46your only day in Vegas?
00:08:48Are you kidding?
00:08:49Vegas pawn shops are the best.
00:08:50Gambling gone wrong.
00:08:52Oh, my God.
00:08:54This place is so depressing.
00:08:57Are those dentures?
00:08:59Gambling gone very wrong.
00:09:00Okay, and they have cameras.
00:09:02Oh, there you go.
00:09:03Okay, goodbye.
00:09:14You in the market for a watch?
00:09:26Oh, no.
00:09:27I do have a watch,
00:09:28but I really shouldn't keep it.
00:09:30It's not mine.
00:09:31You stole it.
00:09:32What?
00:09:33No.
00:09:34It's a loan, and I should give it back.
00:09:36I'm here with my boyfriend.
00:09:38Oh, you want to look at some rings, then.
00:09:40Who doesn't love rings?
00:09:44Oh, human engagement rings.
00:09:47No, I'm good.
00:09:48Come on.
00:09:49Here, I can do that one for 500.
00:09:51I don't...
00:09:53Okay, fine, sure.
00:09:56Wow.
00:09:58It's pretty.
00:10:00Yeah, this is a little more old-fashioned.
00:10:02Oh, wow.
00:10:03Square setting.
00:10:04If you like yellow stones.
00:10:06Oh, wow.
00:10:08They are pretty.
00:10:09Yeah.
00:10:10I mean, these, I would say these are the top two.
00:10:13You're engaged to six people?
00:10:14I left you alone for, like, two minutes.
00:10:17What do you think?
00:10:19Fantana has a chapel.
00:10:21I didn't know that.
00:10:22This is a beautiful girl.
00:10:24If you don't buy her a ring, someone else will.
00:10:26Oh, no.
00:10:27No, he does not need to buy me anything.
00:10:30In fact, I would like to buy my wonderful boyfriend this camera.
00:10:33Oh, excellent.
00:10:34That's a great idea.
00:10:35No, no, no, no, no.
00:10:36No, this is too much.
00:10:37It's a Nikon.
00:10:38No, I was just looking.
00:10:39Well, I want to get it for you.
00:10:41No.
00:10:42That's crazy.
00:10:43What if we break up and I'm stuck with this expensive camera?
00:10:46Are you imagining we're going to break up?
00:10:48No, I'm not.
00:10:50No, no.
00:10:51I just mean that it's just...
00:10:52Well, how much is it?
00:10:54$375.
00:10:55Oh, that is a good price.
00:10:58God damn it.
00:11:00Great.
00:11:02Do you take checks?
00:11:04Sure.
00:11:06Perfect.
00:11:09Then get the key for the boat and row me out over the lake.
00:11:13I want to see the sunrise.
00:11:16Is that prudent?
00:11:20One would think that you were afraid of your reputation.
00:11:24Why not?
00:11:25I don't want to see...
00:11:26Hey, hey, hey, little match girl.
00:11:27What the fuck are you doing?
00:11:29I quit that stupid acting class and I'm teaching myself.
00:11:32Well, can you teach yourself in your room?
00:11:34Why don't you try and get some work done in here?
00:11:36I told Ruth I'd stay out.
00:11:38Russell's visiting.
00:11:40Fucking Russell.
00:11:43Hey.
00:11:45You want to read something a little newer?
00:11:49These towns, they're all the same.
00:11:52Screen doors flapping on empty houses.
00:11:55What do you mean?
00:11:58I've seen mothers whoring their children.
00:12:00Horses running blind with their eyes shot out.
00:12:03It ain't no world out there for a decent man.
00:12:07You tell me why I shouldn't put a bullet through my skull
00:12:10and get the rest I so dearly seek.
00:12:13I need you.
00:12:14Yeah, and what's that going to get me?
00:12:16That need's not worth much when the sun goes down.
00:12:27Why doesn't she respond?
00:12:29Huh?
00:12:31That's his daughter, right?
00:12:34Yeah, but he doesn't know that yet.
00:12:36Yeah, but she does.
00:12:37How old is she?
00:12:3918, 19.
00:12:41How long has she known that he's her father?
00:12:45I don't fucking know.
00:12:47These are your questions after reading that scene?
00:12:50I mean, she's mysterious.
00:12:55No, I like mysterious.
00:12:58The man has a lot of great lines,
00:13:01and she just, like, listens and asks a lot of questions.
00:13:06All right, you know what?
00:13:07Just give me this.
00:13:09Read-through is adjourned.
00:13:11I mean, Jesus Christ, one acting class,
00:13:13and all of a sudden she's Sally fucking Field.
00:13:16I mean, this is why I can't let people read things
00:13:18before they're done.
00:13:23Do you think I could be an actor?
00:13:28Like this?
00:13:30Well, I don't think Miss Julie ever howled at the moon, so...
00:13:36Hey, I don't know what to tell you.
00:13:38It works great for a wrestling show.
00:13:40Now, could you get the fuck out?
00:13:41Because I have some notes to work through.
00:13:49This way.
00:13:59Whoa!
00:14:00Are you kidding me?
00:14:01Juggling eggs?
00:14:04Here we go.
00:14:05Her name's Debbie Egan.
00:14:06Just call the number on the back,
00:14:07and she'll iron out all the details.
00:14:09I fucking love a drag show, and they love me.
00:14:12Oh, you would think that.
00:14:14Oh, please, I held Chandelier's eyelashes for her
00:14:16while she blowjobbed us in Ballyam.
00:14:18Oh.
00:14:21I'll pass.
00:14:22You have to calm down.
00:14:23Maybe you'll do Diana Ross.
00:14:25You better not do Diana Ross.
00:14:26Come on, Cherry.
00:14:27Hey, thanks so much for letting us have the room this weekend.
00:14:29I hope it hasn't been too much trouble.
00:14:31That's fine.
00:14:32Sam took me in.
00:14:33He did?
00:14:34Well, I hope it wasn't too crowded with all the hookers.
00:14:37Actually, we read one of the scenes from his screenplay.
00:14:45Ready for dinner?
00:14:46Actually, let's go to Icons.
00:14:49I think it'll be fun.
00:14:52What is Icons?
00:14:54♪♪
00:15:04It's Friday night, ladies and gentlemen.
00:15:07That's Judd Melkin on the piano.
00:15:12It's hot in here.
00:15:13I'm sweating.
00:15:14Oh, this is my, my goodness, my third show of the evening,
00:15:19which means, well, you get to take me out back and shoot me.
00:15:23Harold Arlen will thank you.
00:15:27Switch seats with me for a second.
00:15:29Switch.
00:15:30Why?
00:15:31You feel all four walls from your seat?
00:15:32Uh-huh.
00:15:33No, it's intimate.
00:15:34It's intimate.
00:15:35Oh, but it's just really wonderful to see all of you here.
00:15:38Great.
00:15:39We're at a drag show.
00:15:42Right?
00:15:43Right here, ladies and gentlemen.
00:15:44Nice camera.
00:15:45Thanks.
00:15:46It's got this TTL with the flash thing.
00:15:49Welcome to the gorgeous Bantan Hotel and Casino.
00:15:53Right.
00:15:54Who clapped?
00:15:55Is this your husband?
00:15:56Sir, you told her this was the strip, didn't you?
00:16:00Well, I hate to break it to you, ma'am, it's about $200 east.
00:16:05So, happy anniversary.
00:16:08Did you ask him to read it?
00:16:11He asked you?
00:16:13Was it just the two of you?
00:16:16Where's everyone from?
00:16:18Everyone from out of town?
00:16:20This is so odd.
00:16:21Ladies.
00:16:22Ask him if he can read it too.
00:16:24Ladies.
00:16:25I did.
00:16:26Ladies.
00:16:27Guys.
00:16:29Hi.
00:16:31Only Cher can talk through my show.
00:16:34And she has.
00:16:36I'm so sorry.
00:16:37You know what?
00:16:38Let's go over here for a second.
00:16:40A follow spot is supposed to follow, Bev.
00:16:44Ah, there we go.
00:16:46All right.
00:16:48Let's go over here.
00:16:50Hmm.
00:16:51One man and a murder of women.
00:16:54You a Mormon?
00:16:57Ladies, where are your boyfriends?
00:17:01Your husbands, huh?
00:17:03Mine's at home with his secretary.
00:17:07Listen, I have heard about you, the wrestler divorcee.
00:17:12Couldn't find a boy to take my bags up all week.
00:17:16I think there's a nice couple from Tulsa still waiting for their car.
00:17:23No, really, sir.
00:17:26What is your story?
00:17:28Are you a cult leader?
00:17:30I'm here for the weekend.
00:17:32Visiting my girlfriend.
00:17:34Oh, the chatter box.
00:17:36Your boyfriend is only here for the weekend and you brought him to my show?
00:17:42Dear, go fuck this poor man.
00:17:46That is what he is here for.
00:17:50Go on.
00:17:51Get out.
00:17:52Scram.
00:17:53I'm serious.
00:17:54I am banishing you.
00:17:56Banishing you.
00:17:58Bev, light their way.
00:18:00I want to hear that elevator.
00:18:02Dang.
00:18:04And finally, the most interesting person in the room.
00:18:10Who let Bob Mackie read Jack London?
00:18:14Where you from?
00:18:17Where are you from?
00:18:19Sheila, be nice.
00:18:22I escaped from a chemical plant in Texas.
00:18:26But this is real.
00:18:28This is deep.
00:18:32How long have you been a wolf?
00:18:36How long have you been Barbra Streisand?
00:18:39Longer than she has.
00:18:41Since I was a pup.
00:18:43When I was her, I could sing.
00:18:46As me, not so much.
00:18:53Well, this has been fun.
00:18:55All right, who wants to hear a song?
00:18:58Yes.
00:18:59Okay.
00:19:00He doesn't let anyone read his stuff.
00:19:02Maybe sometimes he does.
00:19:03Well, yes, but Sheila, she's barely an actress.
00:19:06I mean, she took one class.
00:19:08You wanted him to ask you.
00:19:11Yes, Sam and I are collaborators.
00:19:14Well, I don't know.
00:19:15Tell him he hurt your feelings.
00:19:17I can't tell him that.
00:19:18I wonder if he thought I'd be too critical,
00:19:19if I'd be ahead of it, push too much on a first draft.
00:19:22Or if in the reading he wanted a flatter tone,
00:19:25an undecorated read easier to hear.
00:19:27Drinks?
00:19:28Nothing.
00:19:29Jim Beam on the racks.
00:19:31You're ordering a drink?
00:19:32For this conversation?
00:19:33Yeah.
00:19:35Sorry.
00:19:37I sound like a crazy actress, don't I?
00:19:39Yeah, you do.
00:19:42I'm not supposed to agree.
00:19:44Look, I got a pretty good handle on who you are,
00:19:46but this weekend you've been fucking nuts.
00:19:50Excuse me?
00:19:51I'm here two hours, and you want to move in together.
00:19:54You try on all these rings.
00:19:55You buy me this really expensive camera
00:19:57that you know I cannot afford.
00:19:59Oh, my God, it was a gift.
00:20:01And you're obsessed with Sam.
00:20:02I'm not obsessed with Sam.
00:20:05Whatever, it's a stupid screenplay.
00:20:06Yeah, you are.
00:20:07And I don't want to move in together.
00:20:08I was kidding.
00:20:09Well, my Portuguese grandfather says
00:20:11there's truth in every joke.
00:20:12Well, my Protestant grandfather never said anything.
00:20:15He died of hypertension.
00:20:16So, cheers to our dead grandfathers.
00:20:18My grandfather's not dead.
00:20:20I told you that.
00:20:21I'm sorry.
00:20:22I don't remember every moment from our phone calls.
00:20:25Then why are we talking every night?
00:20:27Hey, sorry to interrupt.
00:20:29Are you a photographer?
00:20:38Over by the stairs might be a nicer photo.
00:20:41We want it right here, right where we met.
00:20:43Yeah, the best three weeks of my life.
00:20:46Even with that foot infection.
00:20:53Oh, my God.
00:20:58You are loud.
00:20:59You are late.
00:21:00You said no to drag.
00:21:01What is going on?
00:21:02Are you quitting?
00:21:03Because if you are, as a producer,
00:21:04I need two weeks notice,
00:21:05and Bash will replace you with a sword swallower.
00:21:08So...
00:21:12Come in.
00:21:14I will be just a minute.
00:21:16Um, just make yourself comfortable.
00:21:23He's juggling.
00:21:28The new match felt great tonight.
00:21:30I'm going to be so sore tomorrow,
00:21:32but the crowd ate it up.
00:21:34Yeah.
00:21:36What?
00:21:39I don't know how you can do the same show night after night.
00:21:42I'm bored.
00:21:43And I've only been here a week.
00:21:45What are you talking about?
00:21:46We just changed a whole match.
00:21:48That's bullshit.
00:21:49There's no storylines.
00:21:50No drama.
00:21:51Well, thanks, I guess.
00:21:53Look, I'm proud of you.
00:21:56You're better now than half the guys I work with.
00:21:59Plus, you're creative.
00:22:00I've got a mind for this.
00:22:03You should come on the road with me.
00:22:05Do some real wrestling.
00:22:07I think you're ready.
00:22:09I can't leave Glo.
00:22:11The girls depend on me.
00:22:12You can do so much more than this.
00:22:15Where are you off to next?
00:22:17Phoenix.
00:22:19Then Sacramento.
00:22:20Bring me back a t-shirt?
00:22:22Always do.
00:22:24Okay, stop moving.
00:22:26It's tight.
00:22:27Oh, I know.
00:22:29Oh.
00:22:30I've never really known if I was a soprano or an alto,
00:22:33because I can sing really high, but I've also got low notes.
00:22:36Oh, I'm an alto when I rap, for sure.
00:22:38Maybe you're a mezzo.
00:22:39I'm a mezzo.
00:22:41Oh, look at him.
00:22:45Honey, wake up.
00:22:47Sorry, babe.
00:22:48I just had meetings all day with the acrobats and jugglers
00:22:52and baby tiger wrangler.
00:22:55I want you to meet Bobby Barnes.
00:22:57We all just went to his show downstairs,
00:22:59and it was so incredible.
00:23:01Oh.
00:23:02I'm going to get a champagne.
00:23:04He's going to teach me how to sing.
00:23:06I'm going to get a champagne.
00:23:08I'm going to get a champagne.
00:23:10He's going to teach me how to sing.
00:23:14Are you sure I'm not interrupting?
00:23:15Do you need to sleep?
00:23:16No, no, no, please, please, sit down.
00:23:19They beat those tigers.
00:23:21They do?
00:23:22Yeah.
00:23:23I'm not surprised everyone's trying to get an audience
00:23:25with the Howard Foods prints.
00:23:27My son loves your baked beans.
00:23:29Hey.
00:23:30He eats them right out of the can.
00:23:31I'll have him send over a case.
00:23:33Oh, thanks.
00:23:34So, you're a singer?
00:23:35Yeah, and I've got a good show, if I may say so myself.
00:23:39I've been here 10 years, 11 in June.
00:23:44I hope you don't mind one last pitch from a desperate performer.
00:23:46Please, any friend of Rhonda's.
00:23:48All right, downstairs, they're turning people away,
00:23:52and yet I can't get a bigger room.
00:23:55Huh.
00:23:56And there's not a hotel out that window that hasn't,
00:23:58pardon my language, fucked me with a four-wall deal.
00:24:01I pay to play, and I'm cheap, Mr. Howard,
00:24:04but I have made money for lots of loathsome people
00:24:07who would let me die on the street
00:24:08if it weren't for the butts in the seats,
00:24:10and now I'd like to make money for you.
00:24:13Oh.
00:24:14Yeah, you are, by all accounts, non-loathsome.
00:24:17You care about your performers, and you pay them well.
00:24:20Word travels.
00:24:22You really should come and see my show.
00:24:24Yeah, I definitely will.
00:24:25Well, come to the light show.
00:24:26We'll have a drink after.
00:24:27Oh, it might have to be the early show.
00:24:29I mean, tonight, notwithstanding,
00:24:30my wife and I typically like to go to bed pretty early, so...
00:24:32Yeah.
00:24:33So do my wife and I.
00:24:36Excuse me?
00:24:39I'm sorry, I didn't mean to...
00:24:42I do have a son.
00:24:44He's seven.
00:24:45Uh-huh.
00:24:46His mother was a very dear friend.
00:24:47I couldn't resist putting a little spread together.
00:24:49Wow, this is wonderful.
00:24:51Didn't you see something?
00:24:52Yeah.
00:24:53Ah!
00:24:54Cheers.
00:24:55To new friends.
00:24:56Cheers.
00:24:57Cheers.
00:24:58Cheers.
00:25:03I wake up...
00:25:06I think about Keith.
00:25:08So, I just try to keep moving.
00:25:15After he lost the baby...
00:25:19I was so scared.
00:25:20Oh.
00:25:21But he said that it didn't matter.
00:25:24He said that we were enough.
00:25:27Look, I love Randy, but sometimes I go,
00:25:30God, sometimes I think about how much easier it would be.
00:25:34You don't have to whisper.
00:25:42If I never had a baby!
00:25:46If I never had a baby!
00:25:51A clean slate.
00:25:53I don't want a clean slate.
00:25:56I want...
00:25:57I want Keith.
00:25:59I love being married to him.
00:26:01Sure, we all do.
00:26:02But I had a baby to put something between my husband and the door.
00:26:06And guess what?
00:26:07Husbands will step over anything.
00:26:11You want to go in the hot tub?
00:26:13Yes, I do.
00:26:14Yay!
00:26:15No, I don't.
00:26:16No.
00:26:17I'm too high to leave the room.
00:26:18Plus, Jerry?
00:26:20I can't really go downstairs.
00:26:22Why?
00:26:23I fuck both valets.
00:26:24The flamingo entrance and the paradise.
00:26:26The ugly night bartender and the Baccarat dealer whose table faces the elevator.
00:26:30Oh.
00:26:31My.
00:26:32God.
00:26:33I left a juggler in my room.
00:26:35Shit, girl.
00:26:36You was getting old.
00:26:41Wait, what?
00:26:42Do you need to go get him?
00:26:44No, no, no.
00:26:45He'll leave when he's hungry.
00:26:47Good point.
00:26:49Damn, that many?
00:26:51Cherry, you want to hear my fake flute?
00:26:54Yes.
00:27:02I get them three months.
00:27:04To live?
00:27:05Yeah.
00:27:10I couldn't really afford that camera.
00:27:13I don't think you'd return something to a pawn shop.
00:27:19You're not crazy.
00:27:20I was being a dick.
00:27:21It's not your fault.
00:27:22It's the distance.
00:27:23And then that puts so much pressure on the visit.
00:27:26And this place can make you a little crazy.
00:27:30It's one more month.
00:27:32We can do one more month, right?
00:27:34And if it's making us crazy, let's not talk every night.
00:27:36Let's talk every other night.
00:27:38I don't want to hold you back.
00:27:39You're not holding me back.
00:27:41Hey.
00:27:49Should we go upstairs?
00:27:51Yeah.
00:27:52Barbra Streisand seemed really serious.
00:28:03Yes.
00:28:07Say yes.
00:28:11Life keeps happening every day.
00:28:16Say yes.
00:28:18When opportunity comes your way
00:28:21You can't start wondering what to say
00:28:25You'll never win if you never play
00:28:29Say yes.
00:28:31There's mink and marigold right outside
00:28:35And long white Cadillacs you can ride
00:28:38Nothing's gained if there's nothing tried
00:28:42Say yes.
00:28:45Don't say why
00:28:47Say why not
00:28:51What lies beyond what is
00:28:54He's not
00:28:57So what?
00:29:00Say yes
00:29:04Yes, I can
00:29:05Yes, I will
00:29:07Yes, I'll take a sip
00:29:09Yes, I'll touch
00:29:10Yes, of course
00:29:12Yes, I'll nice
00:29:13Yes, I'll happily
00:29:15Thank you very much
00:29:17Yes, oh yes
00:29:28Yes.
00:29:33There's lots of chaff
00:29:35But there's lots of wheat
00:29:37Say yes.
00:29:39You might get mugged as you walk the street
00:29:43But on the other hand you might reach
00:29:46That handsome stranger you've longed to meet
00:29:49Say yes.
00:29:56Yes, I'll look
00:29:57Yes, I'll walk
00:29:59Yes, I'd love to do such and such
00:30:02Yes, I'll try
00:30:04Yes, I'll dare
00:30:05Yes, I'll fly
00:30:08Yes, I'll share
00:30:12And yes, I am
00:30:15And yes, I'll be
00:30:18And yes, I'll go
00:30:24Oh, yes
00:30:36Yes.
00:30:42Well?
00:30:51No.
00:30:54No, I don't think this is a Bash Howard production.
00:30:59Oh.
00:31:06You know my wife?
00:31:08I think she'd be interested in finding out
00:31:10I think she'd be interested in voice lessons though
00:31:13You remember her?
00:31:15That'd be wonderful
00:31:38Baltimore
00:31:41I'm from Baltimore
00:31:58I loved your show
00:32:10How long has it been since you washed that?
00:32:40Where in Baltimore?
00:34:11Baltimore
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