En una entrevista con Rulo, Nacho Viale compartió detalles sobre la dinámica familiar y profesional en torno a Mirtha Legrand y Juana Viale. Comentó sobre las exigencias de trabajar con Mirtha, la preparación de Juana para sus programas y los desafíos que enfrentan. Además, se discutió el interés del canal 13 por tener a Mirtha en su programación, aunque los costos son un factor importante a considerar.
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00:00Speaking of Nacho Viale, Rulo, our colleague, has a space where he does very interesting interviews.
00:07And there Nacho left.
00:09Did you see that Marcelita, we came, Marcelita has, I'm talking, she said she wouldn't go crazy.
00:13I'm going to go with the worst of the waves.
00:16Of course, Marcelita, we love her so much.
00:18She's going with the worst of the waves.
00:19She's going to go with the worst of the waves.
00:20But hey, Rulo extended the interview, asked Nacho Viale a lot of things and obviously we are going to share them with all of you.
00:31Your mom came out saying, don't invite me to my mom's show anymore, Mirta's.
00:36I get nervous, she asks me uncomfortable questions.
00:39How do you handle that within the family?
00:41She tells me a lot more than she doesn't come.
00:44Because this is a stress, because they have two plans, which is the work and the family.
00:51And the line is always very thin, very finite.
00:57And deep down I also try to put myself in her shoes and for her she's her mother.
01:01It's like she says, no, Mirta, Mirta, Mirta, Mirta.
01:04I understand Mirta's figure, but for me she's my grandmother too.
01:07One day I told Mirta at a meeting and she said, I'm your grandmother.
01:10Grandma.
01:11It's hard to play to be Marcela, I don't know.
01:15It's like tomorrow you say, would you come and invite me to Mirta's and she's going to ask you a question.
01:22And you know, what are you asking me, grandma?
01:25She has said in the air, no, my family doesn't tell me anything.
01:30No.
01:34It's a good method.
01:35Of course, it's impossible.
01:36Healthy, healthy.
01:37She works to be Mirta Legrand and it's what she likes the most.
01:43It's hard for me to find another person who is willing to give 100% of everything.
01:48Does that mean it's more difficult with Juana?
01:51No, no, Juana is delighted with the program.
01:53I think Juana's role is difficult.
01:55At one point, because she came in for a period of knees.
02:00When the pandemic came and all this problem was put on her shoulder.
02:07I think it is the native inheritance of Mirta and that the flow of the river led her to that.
02:13Now, it is difficult for Juana and for anyone who can occupy that chair.
02:19But I know that Juana, there are many things that do not end up being Juana while Mirta is there.
02:24Because that imprint is going to be given at another time, in another stadium.
02:29To prepare as a princess to receive her guests and all that, she loves it.
02:34And after 10 minutes of the program, she can be a girl with a jordejín,
02:39who goes home by bike and enjoys both things.
02:42Is it easier to work with Juana than with Mirta?
02:47Yes.
02:48Mirta is more demanding.
02:50In what?
02:51In everything.
02:52In what?
02:53In the brain.
02:54Mirta, spectacular.
02:57Look, it burns your brain.
02:58And well, that's who she is.
03:00Various things, Mirta.
03:01Various news, various news.
03:03First, it was said that Juana's painting was lowered on Sunday.
03:06Is it true?
03:07Yes, it's true, it's true.
03:08I can believe it.
03:09That they had it set up and not.
03:11Well, they would have other guests.
03:13Can you do it alone?
03:14No, no.
03:15No, not alone.
03:16On the other hand, I listened to Marcela in this interview they did in Miami,
03:21where she said this about Chiquita, that she didn't want to go to the table and so on,
03:24that she is going to Japan in February, all month with Juana and Ámbar.
03:28How nice.
03:29So, on the other hand, they were fixing, because Mirta is already leaving and staying in Costa Galana,
03:33they were fixing to do some programs of Mar de Plata.
03:36Are they going to be from Mar de Plata?
03:37Yes.
03:38Mirta wants.
03:39Juana, if she goes to Japan, I don't know.
03:40But hey, they can be in the UK.
03:42But Mirta, I say.
03:43I'm going to see Mirta.
03:44Mirta has all the interest.
03:45Let's see if on the 13th she can close the negotiations so that they can be done.
03:49And for now, that's all there is.
03:51There is no contract 20-25 or anything like that.
03:54Well, guys, but we are already at 20-something.
03:56But Nacho's contracts always take a long time and everything is fine.
03:59But if it's summer, Laura, if it's summer.
04:01No, no, the summer is the first thing to solve.
04:04That's why.
04:05I'm sure.
04:06But girls, we're at 26.
04:07Well.
04:08So many things to solve so far, I tell you.
04:10There are many things to solve, but I tell you, I tell you.
04:14These people live traveling.
04:16Do you understand?
04:17There is no one left here.
04:18We are left.
04:19Are you sure?
04:20The artists.
04:21Are you sure?
04:22There is no one left to serve.
04:23I don't know.
04:24But we are going to show you what everyone does.
04:26Mirta's idea is to spend her mythical Christmas in Mar del Plata.
04:32New Year, New Year.
04:33And stay watching theater.
04:34Then I think, let's see, the 13th wants to have Mirta.
04:37And the truth is that it would be a goal.
04:38The 13th wants to have Mirta.
04:39The thing is that the costs, as Laura says, are high.
04:41But Mirta deserves it.
04:42Mirta deserves it.
04:43And apart from that, the 13th also needs a number today.
04:46All.
04:47We all need numbers.
04:48All behind Mirta so that she goes to Mar del Plata.
04:51Guys, our mega figure.
04:52There is no one in the world.
04:53People like that.
04:54Someone who has a program of so many years.
04:55No.
04:56No, and people like to see the sea.
04:57Obviously.
04:58The figures.
04:59Shanty.
05:00The singers.
05:01Hopefully.
05:02Hopefully it is done.
05:03But the thing is always the budget.
05:04And the 13th now closed a figure for the afternoon and everything else.
05:07Viviana Canosa.
05:08But the whole thing is that.
05:09Shanty.
05:10There is no budget for the summer.
05:11I mean, they're going to see later.
05:12No, I know you have little budget for the summer.
05:13I can give you faith in that.
05:14But, well, guys, but on the other hand, they have to put a little.
05:15I see.
05:16I think.
05:17The thing is that today, today on TikTok, I saw the Telefe cars when they celebrated
05:18the 15 years with Susana versus Trillo.
05:19No, no, the 90s.
05:20I mean, the time of the 90s where there was guitar, I don't know, the summer movement,
05:21the Backstreet Boys, Shakira, Thalia, I wanted to work in that style.
05:22I mean, the 90s where there was guitar, I don't know, the summer movement, the Backstreet
05:23Boys, Shakira, Thalia, I wanted to work in that style.
05:24Today I saw, on TikTok, I saw the Telefe carriages when they celebrated their 15th birthday with Susana, Versus, Trillito with Canchela.
05:32No, no, the time of the 90s.
05:33I mean, the time of the 90s where there was Guita, I don't know, La Movida del Verano, the Backstreet Boys, Shakira, Talia.
05:38I wanted to work on that television. That's why in the 90s I was watching TV and I said, I want to do that.
05:43Oh, I worked on it, I worked on it too.
05:47I grabbed a brand new carriage, an old one from 2000, and there was a carriage of telepassillo saying that you had started meditation.
05:55But you saw what that time was like.
05:57Juan Cruz hadn't been born yet, look.
05:59It was spectacular.
06:00Well, in telepassillo, well, an idea, I don't know what it was, but they had an idea to resume a kind of telepassillo to do on the 13th.
06:08No, but then they put together something else.
06:10But that's when I threw the glass of water at Rinaldi.
06:14Rinaldi, Machu Caira, Ventura, you, and then Andino.
06:20No, Andino was the driver.
06:21The driver.
06:22Of course, yes, yes, yes.
06:23I loved that show.
06:24But then I started meditation after throwing the glass of water.
06:27That's how I got out.
06:28Very good.