Ding Gru
  • 2 days ago
Nina De Azúcar Capítulo 20 Completo HD
Nina De Azúcar Capítulo 20 Completo HD
Nina De Azúcar Capítulo 20 Completo HD
Nina De Azúcar Capítulo 20 Completo HD
Nina De Azúcar Capítulo 20 Completo HD
Transcript
00:00Well, that's what it looks like.
00:01No, no, look, I had an excellent childhood, everything spectacular.
00:05Teenagers, very loved, I mean, the girls came, they threw themselves at me, I stopped, stopped, stopped.
00:09And as an adult, you already know me, I'm the most coveted.
00:12Yes, but you are talking to me about passion.
00:14I'm talking to you about something else.
00:15Yes, about love. No, it's not my house, I'm not interested.
00:18You know what? Why don't you get your head on a new date for the wedding,
00:22your new dress and the new living room.
00:24Because the one we had on loan is no longer available.
00:30Sorry.
00:31Sorry, girl.
00:32Sorry, but I'm very distracted because I'm thinking what song I'm going to sing for the Pasteles festival.
00:38And in Ignacio de la Torre.
00:40In Ignacio de la Torre? But you are not well, what happened?
00:43It's my dad.
00:48What?
01:01There is no case, little angel. The wax does not respond.
01:05Mr. Leandro, Ms. Globo is a very busy person.
01:10In fact, I had to suspend my dance classes due to your work commitments.
01:14I understand, but I think I exceeded the information I gave you about a delicate issue.
01:18So much so that I don't want to talk to you?
01:20I don't know, people in general don't talk much with me.
01:23I think you're a little sensitive, Mr. Leandro.
01:26Look, angel, I appreciate your words, but I feel like I was very abrupt.
01:32Maybe like with the leather, as Valentina says.
01:35I make too big jumps.
01:37Because I think you're taking risks, Mr. Leandro.
01:40I like that point of view.
01:42But here it has to do with the intimacy of someone else.
01:44I wish I could tell you.
01:46Sorry.
01:49Ignacio.
01:50Take it easy, sir.
01:51No, park and take care of him.
01:53Me?
01:54Yes, park.
01:56Okay.
02:01Look, if he's angry, you'll know how to handle it.
02:03But with a lot of tact, please.
02:09Good morning, Mr. Ignacio.
02:11Greetings, angel.
02:13Yes, Mr. Leandro is very busy doing some procedures.
02:18How are you?
02:20What a nice day, right?
02:22One question, are you angry?
02:24Why would I be angry?
02:25No, well, I see that the world is upside down.
02:28And well, you know how that is.
02:30It's not like everyone stops angry.
02:32In fact, Mrs. Ema, my mother-in-law, says it's because of Mercury retrograde.
02:37The truth is that I'm fine, angel.
02:39Thank you very much for your concern.
02:41You're welcome.
02:42Sometimes I feel like I'm serving the community.
02:45Now that you say it, I'm here at Leandro's house.
02:48And I wanted to ask you a question about a safe.
02:51I'm sorry, Mr. Ignacio.
02:52I don't handle that issue.
02:53Yes, I assumed it, calm down.
02:56I rather wanted to give you an order.
02:59Sure, of course, whatever you say, Mr. Ignacio.
03:02What's more, the least Mr. Leandro wants is for you to get angry.
03:06I mean, I don't want you to get angry.
03:10Thank you both.
03:16Mr. Ignacio is impeccable.
03:18Of excellent humor.
03:21So Sheila hasn't said anything.
03:23Sheila?
03:26You mean the issue of the mermaid and you involve Mr. Ignacio?
03:30I'm sorry, angel.
03:32I must keep the truth.
03:34But when I say it, there will be signs.
03:40What happened, Valentina? What happened to you?
03:42I can't, I can't, I can't concentrate, I can't think.
03:45Why?
03:46I can't concentrate.
03:48You know what, Bruno? Stay with her.
03:50Don't leave her alone, call me anything.
03:52Come, Valentina, come, come here.
03:54Sit down, sit down.
03:55I'm shaking, you see?
03:56Now, calm down, relax and breathe.
03:58I'm going to win, Bruno.
03:59Inhale.
04:01And exhale.
04:02Inhale.
04:03Slower.
04:07Good afternoon, how are you, how are you?
04:10Look, we're doing a survey.
04:13Do you usually go to my networks?
04:15Listen to my podcast?
04:17I've heard of him, yes.
04:19Well, now it doesn't seem like it, right?
04:21But I'm the famous Emma the witch.
04:27Well, excuse me.
04:28It's just that my mom loves to talk to the clientele.
04:32Come here, Mom.
04:33Well, excuse me.
04:34Come, thank you very much.
04:35Keep going, keep going.
04:36Mom.
04:37Yes.
04:38What are you doing?
04:39Well, you said it, socializing with the clientele.
04:42You make them nervous, which is different.
04:44Oh, but what do you want?
04:46If they like it, daughter.
04:48Oh, Mom, no.
04:49You're not going to turn around about the same thing, please.
04:52Look, don't even dream about it.
04:53I'm going to find out who my admirer is.
04:56A generous person who gave you and Dayana a gift.
05:00No, no, no.
05:01It's a person who wanted to get closer to me
05:03through the gift she gave my friend.
05:05Mrs. Emma.
05:06I've been thinking and I already have two possible candidates.
05:09Oh no, Guille, you too with that?
05:11Let him tell me.
05:12Tell me, tell me, tell me, tell me.
05:14Look, I've been thinking about the blacksmith.
05:16Yes.
05:17That big one, you know, the one who has a big hand.
05:19Oh, yes.
05:20That's why I'm going to lend him the microphone.
05:23And you also know who, Mrs. Emma?
05:25The man who sells you the newspapers.
05:27Because for some reason he lends you that magazine every day, right?
05:29How does he lend you the magazines?
05:31No, well, he, he ...
05:34He didn't know he was lending me the magazine, right?
05:39When I go, I'm going to pay you.
05:41Of course, I'm going to pay you.
05:45Oh, my holy virgin.
05:47Why is this girl crying?
05:49Hey, Grandma, don't lie to me.
05:51Hey, don't you value honesty?
05:53Yes, we value it, Grandma.
05:54But you have to save the girl.
05:56Let's see, rather.
05:57Since you're here, please, could you get me this?
05:59Yes, my daughter, my daughter.
06:00I'll do it, but please take her to the bathroom.
06:02Well, because the bathroom is flooding here.
06:04Yes, yes, calm down, don't worry.
06:05I'm going to sweeten it.
06:08Calm down, calm down, breathe.
06:15I don't understand anything.
06:16I don't understand, I can't study.
06:18Valentina, doing this is going to be much worse.
06:20But it's that you don't understand that I can't.
06:22I don't get the information.
06:25Now, are you more relaxed?
06:27I don't know what's wrong with me.
06:29I can't concentrate.
06:30I can't study.
06:31I feel like I'm going to pull.
06:32You are very pressured, Valentina.
06:33That's the story of my life.
06:35Well, change it.
06:36Change it.
06:37As if it were so simple.
06:38Of course, since you don't have any more aspirations in life.
06:44Sorry.
06:46Sorry, sorry.
06:47I really didn't mean to say that.
06:48No, no.
06:49No, no, don't offend me.
06:50Don't offend me.
06:52Maybe in a way you're right.
06:56Eh, Valentina.
06:58If it helps you to calm down with me, do it.
07:00And if you want me to help you read something, I can do it too.
07:03But that's not going to solve your problem.
07:05You need to relax.
07:06How about we go get some air?
07:10Why don't you leave me alone?
07:13Just because I pay you?
07:15No.
07:17Because I want to do it.
07:20And do you do that with everyone?
07:23With everyone I care about?
07:26With them, yes.
07:32Mom, I'm going out, okay?
07:34Can you bring me my wallet?
07:35Uh-huh.
07:36Fly free, little girl.
07:37Mommy has arrived at her temple of peace.
07:41To my new home.
07:45Bye, mom.
07:46Bye.
07:47Goodbye.
07:50I can't stand being here anymore.
07:52Really, Valentina.
07:53The screams.
07:54But that's a scandal.
07:56She's just like her dad.
07:57No, and I also need space.
07:59I don't know where to put my watches.
08:01I know, honey.
08:02Have you tried meditating?
08:05Meditation doesn't buy you space.
08:07And it doesn't make you a dad.
08:11I'm sorry.
08:16That's it.
08:18I don't think I'll be able to be at peace
08:21if I don't tell my daughter that I'm her father.
08:30Oh, no, thank you.
08:32The waitress is not hungry.
08:34I'm very sad and I don't feel like eating.
08:36I understand.
08:37But thank you anyway.
08:41Um, look.
08:44Well, the question is why Mr. Montes would lie to you about something like this.
08:47Because he's telling you the truth, right?
08:54Get out, get out.
08:56I haven't forgiven you since the last time you spied on me.
09:01You don't learn from a young age.
09:03I don't know, Nina.
09:04But forgiving my father is hard.
09:07But not knowing anything about him is worse.
09:09Believe me.
09:10Oh, no, no, no, no.
09:11I understand you.
09:13I really understand you.
09:17I wouldn't forgive my biological father either.
09:20But luckily I've had Angel as a dad.
09:23At least you had someone.
09:25Oh, yes.
09:26Um...
09:27I have no one.
09:28I understand you.
09:30But look.
09:31Look at it as an area of opportunity.
09:33Right?
09:34What do you think if now that it appears, you give it a chance?
09:43And I've already got everything you asked me, Nina.
09:45Carlitos is waiting outside.
09:47Oh, I'm going, I'll take care of it.
09:48Rather...
09:49What?
09:51Ah, ok, ok, ok.
09:56I don't know why, but...
09:58But I'm going to hug you.
09:59Oh, no.
10:00I love you.
10:01I love you.
10:02I love you.
10:04I love you.
10:15Serve yourself, Cecita.
10:19You know I have a secret admirer?
10:22He gave me a beautiful dress.
10:24Me and Dayana.
10:26Oh, yeah?
10:27And who is that admirer?
10:30I don't know.
10:31But he gave me his nickname in a broadcast.
10:34Arroba Perdado Truco.
10:37I understand.
10:39Give me a second.
10:40I have to send an audio to a representative.
10:42Yes, yes, follow me.
10:47Ramiro.
10:48There is a liar who has made Emma believe that he has given the dress to her and Dayana.
10:53How do we proceed?
10:58Wait.
11:02Did you bring this for yourself?
11:07Thank you, Anita.
11:08Excuse me.
11:27I'll wait for you in the park with that cap so that no one recognizes us.
11:31It's time to relive what is ours, Ramiro.
11:33What?
11:56A party is a party, woman.
11:58Error, error.
11:59Because it is in the field.
12:01If it were in a living room, I could go with a long-tailed dress.
12:05Why not, mom?
12:06Because it is in the field.
12:07And in the field, what is there, love?
12:09There are cows.
12:10And the cows poop.
12:12Imagine me with a designer dress dragging the silk tail of India through the grass.
12:18No, mom.
12:19You have a party at a farmhouse and there are no cows there.
12:22Oh, yeah?
12:23And who told you that there are no cows?
12:24Oh, no.
12:25Oh, what an excuse this boy.
12:26Look at your son.
12:28Ramiro, there is a liar who has made Emma believe that he has given her and Diana the dress.
12:34How do we proceed?
12:38Okay.
12:40Don't tell her anything.
12:41Yes.
12:42Let's be careful.
12:43I don't like to be cheated.
12:45Who is cheating who?
12:47I'm not talking about cheating.
12:49Oh, no?
12:50I just heard you.
12:51No, I heard the doorbell.
12:52No, come here.
12:53Come here.
12:54No, I'm going to open.
12:55Come here.
12:57Who are you going to cheat?
12:58That's how you talk to your little son.
13:02Oh, no.
13:03Don't make fun of me, my love.
13:05My baby jaguar.
13:06Don't make fun of me.
13:07That's how you talk to him?
13:08No.
13:09Forgive me.
13:10I know you are unable to cheat.
13:11Relax.
13:12Excuse me.
13:13I'll make you a mate.
13:15Son, this is for you.
13:19Can you make me a mate too?
13:21Oh, God.
13:26I'll wait for you in the park with that hat so that no one recognizes us.
13:30It's time for us to meet.
13:32Alessandra.
13:39Your stepmother is the worst.
13:41I've never burned her hair.
13:43She's not my stepmother.
13:44Oh, no?
13:45Then why don't you deny that I've burned her hair?
13:47Because now you feel like she's part of your family.
13:49So you defend her?
13:50Alemala wants war.
13:52Yes.
13:53She'll have a lot of war.
13:55Shh.
13:56The enemy is coming.
13:58Lean, I think you arrived in a very bad moment.
14:00No, no, no, no, no.
14:02Just arrived.
14:04To receive a warning.
14:06Ladies, I don't understand you.
14:08What warning?
14:09Tell your ex.
14:10The hairy one.
14:12That she's digging her own grave.
14:21I have no idea what happened.
14:22What has Alessandra done now?
14:23Lean, I don't want to talk about your ex.
14:25As you understand, the mermaid is very embarrassed.
14:28And I just want to talk about me.
14:30Yes.
14:31And I am very relieved that you have finally appeared.
14:35I feel that I was very abrupt with the news that I have given you.
14:40Well, yes.
14:41A little bit, yes.
14:42But I have thought about it.
14:44And I think you can help me with something very personal.
14:50Me?
14:51Yes.
14:52Yes, you.
14:54Because, let's see, let's say I'm a strong woman.
15:03Turned.
15:07Brilliant and intelligent.
15:10But.
15:13There is something that I cannot do alone.
15:16And it is to face Don Ignacio.
15:19And I was wondering if you wanted to accompany me.
15:45We have already taken a thousand turns.
15:46What if we have a coffee?
15:49I feel better.
15:50I think we can go home and keep studying.
15:52A coffee I ask you.
15:53A coffee, a breath.
15:54Only as friends.
15:55Something informal.
15:56What do you say?
16:00OK.
16:01I think it's better to be with you all day today.
16:08Thanks, Garay.
16:12Bruno, leave him, leave him, leave him, leave him, leave him.
16:15Joaquin.
16:17Valentina.
16:19Ulala.
16:49Hello.
16:50Hello.
16:51Hello.
16:52Hello.
16:53Hello.
16:54Hello.
16:55Hello.
16:56Hello.
16:57Hello.
16:58Hello.
16:59Hello.
17:00Hello.
17:01Hello.
17:02Hello.
17:03Hello.
17:04Hello.
17:05Hello.
17:06Hello.
17:07Hello.
17:08Hello.
17:09Hello.
17:10Hello.
17:11Hello.
17:12Hello.
17:13Hello.
17:14Hello.
17:15Hello.
17:16Hello.
17:17Hello.
17:18Hello.
17:19Hello.
17:20Hello.
17:21Hello.
17:22Hello.
17:23Hello.
17:24Hello.
17:25Hello.
17:26Hello.
17:27Hello.
17:28Hello.
17:29Hello.
17:30Hello.
17:31Hello.
17:32Hello.
17:33Hello.
17:34Hello.
17:35Hello.
17:36Hello.
17:37Hello.
17:38Hello.
17:39Hello.
17:40Hello.
17:41Hello.
17:42Hello.
17:43Hello.
17:44Hello.
17:45Hello.
17:46Hello.
17:47Hello.
17:48Hello.
17:49Hello.
17:50Hello.
17:51Hello.
17:52I'd like to think this was your idea and not Cesar's.
18:06I swear I don't get it.
18:07I thought you'd explain it to me.
18:09Oh, please.
18:10I deserve all this, but flowers aren't my thing.
18:14I would never send you flowers, don't you send flowers.
18:16No, I don't know. I don't know what this is.
18:18What do you mean you don't know?
18:19No, I don't know.
18:20I just followed the instructions you sent me.
18:22Oh, yes, the instructions, of course.
18:26Nina!
18:27Nina! Clearly, of course.
18:29Look, they're her desserts. It was just her idea.
18:33Well, but...
18:35Listen to me.
18:37We can thank you.
18:39Why?
18:40Well, because you did all this so nicely.
18:43We're not going to leave it like this, right?
18:47What are you doing?
18:50Nothing.
19:16No.
19:48Thank you for coming.
19:51Daughter!
19:52What's wrong?
19:53What's wrong?
19:54Why are you here like this?
19:55I want to be alone.
19:56What?
19:57Have you been crying?
20:00Oh, my God.
20:01This man again.
20:02What?
20:03Has he moved in?
20:04This time, it wasn't my idea.
20:06It was mine.
20:07You?
20:08You?
20:09I told him to come.
20:11He let me in.
20:12I told him to come.
20:13I told him to come.
20:15Do you let me talk to him alone?
20:24Are you okay? Do you need anything?
20:26I want us to talk about...
20:29The cake festival.
20:31I don't want to talk to him as a political authority.
20:33I understand.
20:34You want to talk to him as Alessandra's husband.
20:36No, neither.
20:38So, Nina?
20:40I want to talk to him as a father.
20:44I know everything.
20:47Everything about my paternity.
20:51The insistence of these politicians is incredible.
20:54And all for a cake festival.
20:57I give you my word.
20:58I didn't expect something like this.
21:01Me neither.
21:03I'm surprised you take it so calmly.
21:06I've thought about it.
21:08Nina, first of all,
21:09I want to talk to him as a father.
21:11Nina, first of all,
21:13let me explain.
21:15One moment.
21:20My ring!
21:22I lost my ring.
21:23It was very important.
21:25It's illegal.
21:26My aunt from La Realeza...
21:28Your grandmother lost her ring.
21:30The one from La Tigresa, right?
21:36We're not alone, okay?
21:39Okay.
21:40Let's talk somewhere else.
21:43I understand.
21:44You know, but she doesn't.
21:46Exactly.
21:47Follow my lead, okay?
21:48I'll follow you.
21:49We have to find the ring.
21:50We have to find the ring, right?
21:52Let's look for the ring.
21:59Hello?
22:00Mr. Lean agreed to accompany me.
22:02Yes, he's here with me.
22:04See you at my house.
22:05Don't worry.
22:06Stay calm.
22:07If Ignacio is there,
22:08we won't take long.
22:09Let's go, okay?
22:10Ángel!
22:13I love fire.
22:15You think?
22:17I love fire, too.
22:18I feel like fire.
22:22Were you looking for me, Mr. Leandro?
22:23Yes.
22:24Ángel, get the car ready.
22:25We're leaving.
22:26Destination, sir?
22:28The truth.
22:29The truth, Antito.
22:31I don't understand, sir.
22:33Where are we going?
22:34We're going to your house, Ángel.
22:35My house, sir?
22:36Sorry, I don't understand.
22:38You only trust.
22:41The new Leandro
22:43was born to do good.
22:46Whatever you say, sir.
22:49Please.
22:50My wallet and my cell phone.
23:07I was everything.
23:09Not you, not anyone.
23:10No one can change me.
23:13A thousand bells ring in my heart.
23:17How hard it is to lose you.
23:21Lemon delight.
23:22Your favorite dessert.
23:23And the first one my mom taught me.
23:25Yeah?
23:26I'll help you.
23:27Here you go.
23:32Oh, excuse me.
23:33I'm going to get the sugar
23:34because I need it for the coffee.
23:35And Nina without sugar is not Nina.
23:41I knew you were there.
23:42No, no, no.
23:43It was Mrs. Ema's fault.
23:44No, no, no.
23:45Of course not.
23:46Enough, enough.
23:48Stop using Guille.
23:54I'm always the victim.
23:55I'm always the victim.
23:56I'm always the victim.
24:06I don't feel comfortable, Vale.
24:08It doesn't bother me to be here at all.
24:10No, no.
24:11Yes, it shows.
24:12I loved the kiss.
24:16But you like cakes better, I see.
24:17I loved it.
24:18Can I try some?
24:19Let's see.
24:20No.
24:21Only from my eyelashes.
24:24That's terrible.
24:26Look, Vale.
24:27I want to do things right.
24:29I want to marry Nina.
24:31I want to finish the season in the club calm.
24:34I want to go to Europe.
24:36I want to get along with the Europeans.
24:38I have dreams.
24:39I would like to be nominated for the Golden Ball.
24:42Play a World Cup.
24:44Obviously be the face of a fashion house.
24:47Dreams.
24:49And this, the truth, is not helping me.
24:52But Nina insists, insists.
24:55I know she wants the best for both of us, but...
24:57You love me.
24:58I am irresistible.
24:59And you don't want to hurt Nina.
25:00I understand that perfectly.
25:04No.
25:07I would like us not to see each other again.
25:10No.
25:12This seems like a nice ending to me.
25:14That's it, let's leave it here.
25:24Eat quietly, eat quietly.
25:25Eat.
25:27Are you afraid of me?
25:29Forget it.
25:32I guess you missed me when we finished.
25:36Paris helped me forget you.
25:39I can't be jealous of Paris.
25:41It's a good competition.
25:45And a great motivation.
25:47I've started taking painting classes.
25:49Oh, very good.
25:53I thought I'd call you.
25:55So you could come with me.
25:58It wouldn't be a bad idea.
26:00Sorry, sorry.
26:01What's wrong?
26:03There's a strange movement.
26:06The boy is dangerous?
26:08I don't see anyone else.
26:10That's what it's about.
26:12That I see what the others don't.
26:15Let's see, that's it.
26:16Let's go back to where we were.
26:17And look, I have to take one last exam.
26:19And then I could go with you.
26:20That's a great idea.
26:22Exams stress you out too much.
26:25I could take you to Provence.
26:28No, we're not going, we're not going, we're not going.
26:29What's wrong, Bruno?
26:30It's confidence, princess, confidence.
26:32I'll call you when I'm done.
26:37The mermaid never thought of meeting her father.
26:40Ignacio is good people.
26:41Mr. Ignacio is Miss Sheila's father?
26:43Oh, Angel.
26:45The stars have many secrets.
26:47Sorry, it's not my thing.
26:50But I couldn't help but listen and be surprised.
26:52You know I respect you, Sheila.
26:54We trust your discretion, Angel.
26:56Mr. Leandro, the truth is that lately it's been hard for me to understand.
26:59But are we going to my house?
27:01Don't worry.
27:02I know I have a more intellectual profile, more profound, but I'll put it straight.
27:06Nina is with Ignacio at your house, managing the meeting between father and daughter.
27:11Nina? My daughter?
27:14She is always willing to give her heart to whoever needs it.
27:21Hello?
27:26Bruno!
27:28Dad!
27:30My son, Bruno.
27:32Nina and Bruno, my two pride.
27:35Sirena, what are you doing?
27:41What are you doing, Sheila?
27:46What's up, Sheila?
27:47My love, each in his own car.
27:48It's not the same with you, Foxy.
27:50Don't worry.
27:51I'm going to meet my dad again.
27:53Your dad? He finally showed up.
27:55Yes, and with everything.
27:57It's Ignacio de la Torre.
27:58What?
27:59Oh, give me vibes, please.
28:00Vibes, vibes.
28:01Oh, yes, sir.
28:02Oh, my God.
28:18No, no, no.
28:28I swear I had dreamed of this moment, but I never imagined it would be like this.
28:37So magical.
28:40The most beautiful things come from the hands of surprises.
28:44And speaking of that.
28:46Does your wife know?
28:48Yes, yes.
28:49She is aware.
28:51She is supporting me.
28:53I think I should apologize.
28:58Grandma, here is not your ring of the tigress.
29:01No, no, no.
29:02This is important, little girl.
29:04Look, looking and looking.
29:06What did I find out on the networks?
29:08I don't know, but we're not going to talk about your secret admirer.
29:11No, no.
29:12No, no, little girl.
29:14About your future husband.
29:16And his current wife.
29:18My number one enemy.
29:20Give her a bad name.
29:22She has been fished and a fragrant.
29:25With the jaguar Moran in a park.
29:27What are you saying?
29:28What is that?
29:29No, grandma.
29:30No, no, no.
29:31They are virals.
29:32Memes.
29:33Memes.
29:34The networks lie.
29:36Moran and de la Torre very close and on a picnic in a park.
29:41Oh, look.
29:42How romantic, right?
29:44They were caps not to be discovered.
29:46Oh, how nice.
29:49Now from the cancellation of the wedding with Nina Garay,
29:53what are these two figures hiding?
29:56There are photos.
29:59Alessandra and Ramiro?
30:00Stay with me, I can't live without you.
30:05Take me with you, it's the only thing I want.
30:09Stay with me, I can't live without you.
30:14Take me with you, it's the only thing I want.
30:19They say there are no coincidences.
30:23Everything is written and you know it.
30:25Everything is written and you know it.
30:28And that love comes.
30:31We are watching Nina de Azúcar thanks to
30:36New Ariel Liquid 400 ml.
30:40Find it from 9 soles.
30:43Switch to the fastest mobile network in Peru.
30:48Atrevia. Pet lovers like you.
30:50Celebrate this 2025 with TOTUS.
31:21What are you waiting for?
31:23Switch to 0800-00200 or Enclaro.pe
31:50Maria Mercebes.
31:52Share with her your hopes and disappointments
31:55in this successful story
31:57alongside great stars.
31:59Maria Mercebes.
32:01From Monday to Friday at one in the afternoon
32:04in America.
32:08Thanks to Pantene.
32:11Bit Vaporub.
32:14Emilia was not crazy.
32:16I went to the clinic, I checked it.
32:18Your mother always hated Emilia.
32:20That's a lie, Sebastian.
32:22No, it's not a lie, Leonardo.
32:24You are a poor guy manipulated by your mother.
32:27You killed her.
32:29Right now I would give my life to have her here.
32:32Yes? Show it to me.
32:34And how do you want me to do that if she's not here?
32:36Show it to me!
32:38Here I am.
32:40Ninas de Pasión.
32:42This Tuesday at 4 and 15.
32:44In America.
32:51And the beautiful Luz.
32:54And together we say.
33:00Receive the New Year with Daniela Tercourt.
33:04Harmony 10.
33:08Los Mirros.
33:11Amaranta.
33:15Clavito and his chela.
33:18And many more.
33:21Do you know which is my cabala?
33:23Which one?
33:25At 12 at night I'm going to visit my children.
33:27But that my wife doesn't find out.
33:29Laughs and surprises with the best New Year's Eve party in your house.
33:32Here's someone who needs a lift.
33:34To me, to me, please.
33:36It would be a corpse lift.
33:38This Tuesday at 9 and 50 at night.
33:40In Redentonazo de Año Nuevo.
33:42And for America.
33:45This Wednesday of Año Nuevo.
33:47And where are the blondes?
33:48Two FBI agents who are not doing well.
33:50They are the mockery of the department.
33:52They are going to be sent with a tremendous mission.
33:54Because they have to take care of two sisters
33:56who are blondes from Pampanandes and Recontrafichas.
33:58They are going to do everything.
34:00Even disguise themselves.
34:02Hey, what happened to you?
34:04Do you have a problem?
34:06And where are the blondes?
34:08This Wednesday, January 1 at 7 and 30 at night.
34:10In America.
34:18An adult.
34:20Would you like to be part of a professional shoot?
34:29Live with us this great experience.
34:32Sign up in the acting workshop for the camera
34:35from the neighborhood productions.
34:49Change the fastest mobile network in Peru
34:51to 0800-00200 or enclaro.pe
35:02Well, Ina, don't worry, okay?
35:04Come on, I'll stay talking to Ignacio.
35:06Yes.
35:11It's time for them to live their love.
35:13Your love.
35:16Alessandra, as soon as you hear this message, call me.
35:23Mr. Ignacio.
35:25You love Alessandra a lot, right?
35:28Well, she's my wife and ...
35:31It's a bit complicated for me to talk about this with you, but ...
35:36Now that ...
35:38We are gaining more confidence and ...
35:40And my feelings impact you.
35:41What I want is for you not to worry, Mr. Ignacio.
35:45Look, sometimes love doesn't come out as we think.
35:48And sometimes it's not reciprocal, you understand me?
35:51Yes, do you say it for me or for you?
35:53No, I say it in general.
35:55Here the most important thing is ...
35:57Let go.
35:59And move on.
36:01Yes?
36:02Yes?
36:15What are you doing here?
36:17I didn't want to predispose him or scare him.
36:20The time has come, dear friend.
36:23I'm very excited about this.
36:26Me too, dad.
36:28Dad?
36:29I need you to explain to me why you leave me.
36:43Ale, please, I need you to move your contacts.
36:46I don't want this gossip to grow, please.
36:48In Europe they want me married and clean of sins.
36:50Make yourself famous.
36:55Ramiro Moran is sinking us, champion.
36:57They are calling me from Europe.
36:59Your image falls, the transfer falls.
37:01Do you hear me?
37:03I want you away from scandals.
37:05Far away.
37:07You are a baby of a footballer.
37:09My manager wants to kill me.
37:11What do we do?
37:15Hello, at this time I am not for complaints.
37:18Now yes.
37:20Sorry, yes.
37:22Did you know that your husband has a daughter?
37:24Yes, of course, I know everything.
37:25Then I guess you know who it is.
37:27Unfortunately.
37:31And can I know why you didn't answer me?
37:33Professional secret.
37:35Mom, no one has professional secrets anymore.
37:38I mean, hello.
37:40Do social networks ring you?
37:42Yes, they ring me because I am part of them.
37:44And if you keep annoying me, I'm going to be forced
37:46to post photos of when I was a little girl
37:48I had braids and curls, okay?
37:50Bye.
37:52Dare you.
37:53Dare you to take care of me?
37:55No, no, I'm sensing danger.
37:57Liar.
37:59Why don't you tell me you did it to keep me away from Joaquin?
38:01What? No, this is my job.
38:03And the guy we were with was dangerous.
38:05He looked very strange, very strange.
38:07Dangerous, yes.
38:09Excuse me, I'm going to change.
38:11Or are you going to keep me there too?
38:13No.
38:15Why don't you ask me about Joaquin?
38:17Joaquin? I don't care about Joaquin.
38:19I don't care about Joaquin.
38:23I don't care about Joaquin.
38:25Joaquin.
38:27Joaquin.
38:29Dale, Alexandra, please tell me what's going on.
38:31Did Ignacio find out?
38:33Do you want revenge?
38:35Are you going to review my taxes?
38:37My jury statements?
38:39Do you have something to hide?
38:41No, never, never, never.
38:43But to know, if not, that's how I spend the day.
38:45You're going to find out.
38:47No, don't do this to me.
38:49The jaborti has a curious aspect.
38:51Girl!
38:53How are you?
38:55Fine, fine.
38:57Thank you, thank you.
38:59See you tomorrow.
39:01My order.
39:03My order for today.
39:05Thank you very much.
39:07See you soon.
39:10Angel, for God's sake, what can be so urgent that we are in full attention?
39:14I'm sorry, I'm sorry.
39:16But I have a hot spark.
39:18Oh, well, that's another thing.
39:20At last, something interesting in this cage.
39:21I'll tell you, Mrs. Emma, but I can't publish it online this time.
39:24But then what's the grace?
39:26No.
39:28Either you promise it or I won't tell you anything.
39:30Promised.
39:32Mr. Ignacio de la Torre is in the house talking about his paternity.
39:36What?
39:38No!
39:40What?
39:42To Jim?
39:44No!
39:48Ready?
39:49The time has come.
39:51The time has come, friend.
39:53They are finally together again.
39:55The mermaid, your daughter, and her father.
39:59I mean, you.
40:01Let's see, I think I'm not understanding well.
40:03I thought this conversation was between you and me.
40:05The mermaid doesn't want more intermediaries.
40:07I want you to tell me what was the story of our ...
40:11Sorry, miss, but I think it's a mistake.
40:14Am I a mistake?
40:16No, you are not a mistake.
40:17I'm sorry, I didn't mean that.
40:19Serial abandoner.
40:21What?
40:22That's what you are.
40:23No.
40:24Yes.
40:25No.
40:26You are a serial abandoner.
40:27What?
40:28No, no, no.
40:29Mr. Ignacio.
40:30Nina, Nina.
40:31No, no.
40:32Nina.
40:33Not like that.
40:34Nina!
40:35No, Nina!
40:36What a disappointment.
40:38Serial abandoner.
40:41Me too.
40:43Thief!
40:45I should never have come.
40:46Don't say that.
40:47Men never apologize.
40:50What happened?
40:51Mr. Ignacio did not recognize that his father.
40:54Sheila?
40:56Excuse me, but have you seen Sheila?
40:58Miss Sheila is very bad, Mr. Leandro.
41:00Nina went after her.
41:02Let's go get her, Angela.
41:03A good soldier never abandons a mission.
41:06Let's go.
41:08Hey.
41:09That Leandro has changed his look and hairstyle to look younger.
41:13Or am I the one who has to change glasses?
41:29Wow.
41:30I see you have good technique.
41:32I don't know, maybe I can help you with what you need, right?
41:35Hello.
41:36Armageddon.
41:37The popcorn.
41:38The popcorn is back there.
41:39Yes.
41:40Over there.
41:41In the back.
42:05Take it.
42:06Look, you dropped this.
42:07Can I help you?
42:08Please.
42:10Thank you for returning it to me.
42:11Can you close it for me?
42:12Of course.
42:13Shouldn't you be teaching me?
42:14And don't you owe me respect?
42:15Oh, Bruno, enough.
42:16Enough, really.
42:17Enough of acting like an offended boy.
42:18It's okay.
42:19We agreed to have coffee.
42:20And apart from that, I'm going to go to work.
42:21Okay.
42:22Bye.
42:23Goodbye.
42:24Goodbye.
42:25Goodbye.
42:26Goodbye.
42:27Goodbye.
42:28Goodbye.
42:29Goodbye.
42:30Goodbye.
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49:27Goodbye.
49:28Goodbye.
49:30Well, I'll hold on to your information and don't forget it,
49:35Emma and the oranges are fashion.
49:47Good gentleman.
49:48Hello.
49:49Don't you want to come to theopathy, look, what you like,
49:52is courtesy from the house.
49:54Or let's say an exchange.
49:56Huh.
49:57Well, I know you're a journalist and I'm a famous influencer.
50:04Much assured.
50:06Thank you, but I'm waiting for someone.
50:11I understand the appointment, but it's not being anything illegal here in the neighborhood, right?
50:17Of course, it's about an informant.
50:21Okay, okay.
50:23But just in case, you and I have never spoken.
50:27No.
50:28Closed mouth.
50:29Yes, yes.
50:38Thank you for contacting me.
50:40As you can see, I don't talk about anything else.
50:42So I hope you've also kept me in the dark.
50:45I have your word. I hope you too.
50:48Of course. It's a deal.
50:51Come on, I'm listening.
50:57Ignacio de la Torre, that famous politician, has an unrecognized daughter.
51:05No.
51:07What great news.
51:10What's her name?
51:11Sheila.
51:17The tropical mermaid is her unrecognized daughter.
51:29Hello?
51:30Come to my house now, please. We have to talk.
51:32What a huge scam.
51:33And shut up about you being Ignacio de la Torre's daughter.
51:37The mermaid doesn't give any more statements. Thank you.
51:40Did you ask about Ignacio de la Torre's daughter?
51:42Right, Sheila?
51:43What delirium does that woman have?
51:45The real bomb will explode.
51:48Since you're making up my daughters,
51:50haven't you heard the rumor that Alessandra has an affair with the jaguar Moran?
51:55Sweeten your nights with sugar girl.
51:59Wait, this mess you made is your fault.
52:01And the kiss you had in the park is also my fault.
52:04The kiss?
52:06Thursdays at 9.40pm on America.
52:10Colombia again! Peru again!