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00:00Congratulations! Thank you! Thank you! Thank you!
00:08When does it start? It's almost January 6th.
00:11This Monday, January 6th.
00:13That's the pilot of Mga Batang Riles.
00:16And this comes right after 24 Hours.
00:20Correct, correct.
00:22And you play Paul.
00:24Who is Paul? What does he do here?
00:27Paul, you know him already.
00:28Oh, so you also dance here.
00:30I was forced.
00:32I was forced by IP.
00:34No, we're just having fun there.
00:37But actually, Paul is from Riles.
00:41What is it called? Sitio?
00:43Sitio Lihuanag.
00:44Lihuanag.
00:45We're from there.
00:46So, Riles is not there yet.
00:48And people like us live there.
00:51So, I have two children.
00:53Lulu and Lala.
00:55And I have an eatery.
00:56My eatery is famous there.
00:57Everyone goes to my eatery to eat.
00:59But there's a problem.
01:01There's a claim for land.
01:03Which I think is a common problem now.
01:05When it comes to land.
01:06That's right.
01:07A lot of people are buying.
01:08They want to buy.
01:09For their gain.
01:11So, the people of Sitio Lihuanag won't allow it.
01:13They're fighting.
01:14I'm one of those who's fighting.
01:16I'm just kidding.
01:17I have children.
01:18Lulu and Lala.
01:20But when it comes to the issue of land,
01:22I'm with them.
01:23For the fight.
01:24For the rights of the people of Sitio Lihuanag.
01:26We will start to watch Batang Riles.
01:29January 6th.
01:30That's Monday.
01:31But as an actor.
01:33Not just comedy.
01:34Even drama.
01:35Because you're very effective in both.
01:37You're one of the very few actors.
01:38I mean, you can really slide the drama and back to comedy.
01:44What's the process?
01:47First, I have to understand the role.
01:52That's why when it comes to that,
01:55it takes a long time for me.
01:57Because I have to ask,
01:59what's my role?
02:00What am I going to do?
02:01Where is this going?
02:02What's its background?
02:03It's like how you prepare for a road.
02:06Right.
02:07Like Stanislavski.
02:08It's just like that.
02:09But I really have to understand my role.
02:12Because if I don't,
02:13there's going to be a mess.
02:15So, my process there is to understand
02:17the origin and what it is.
02:20All the details about it.
02:22And where is it going?
02:23Where is this character going?
02:25Whether you do comedy or drama,
02:26is that your process?
02:28It's almost the same.
02:30It's the same.
02:31But this is comedy,
02:32and this is drama.
02:33In comedy,
02:34of course,
02:35the timing is what's important.
02:37Because no matter how good the scene is,
02:42but just like what we did earlier,
02:44if the timing isn't right,
02:45it's like,
02:46ouch!
02:47If the timing isn't right,
02:49it's not funny.
02:50Also,
02:51when you look at it,
02:52before you pinch it.
02:53Because if I look at it,
02:54I already pinched it.
02:55It's like I pinched it.
02:56So,
02:57how much of a good actor is talent?
03:00And how much of that is learned?
03:05For me,
03:06I hope it's the same.
03:08The same?
03:09Yes, the same.
03:10When you come in here,
03:11I hope you know that you have talent.
03:13That you have...
03:14You'll give.
03:15You'll give.
03:16How important is the role of a director?
03:17It's big.
03:18Because for me,
03:19there are different types of directors.
03:21Different attacks.
03:22Different styles.
03:23They give different things.
03:25They want to do different things.
03:26So, for those people who don't agree
03:28with what the director is saying,
03:30what happens?
03:31I talk to them.
03:32You talk to them?
03:33Yes.
03:34So, I need to talk to them,
03:35get to know them.
03:36Or,
03:37no matter what,
03:38we need to understand the director.
03:39You need to talk to them.
03:40Because I'll tell them,
03:41not to be offended,
03:43that I'm annoyed with what you're doing.
03:45Or,
03:46sometimes,
03:47if I don't like it,
03:48I direct it.
03:49If I'm not laughing at what I'm doing,
03:51my directors are kind.
03:53In fairness,
03:54from my experience.
03:55When I say,
03:56Director,
03:57I'm not laughing.
03:58If I'm not laughing,
03:59how can they laugh?
04:00Correct.
04:01That's why,
04:02I don't know,
04:03there are good directors
04:04who are like,
04:05I'm watching.
04:06We're watching.
04:07We're laughing.
04:08Try it first.
04:09We're laughing.
04:10Maybe,
04:11in a way,
04:12you'll do it someday.
04:13What you did here.
04:14But, please try it.
04:15I'm a kind artist.
04:16I did it.
04:17Yeah.
04:18I mean,
04:19we know that.
04:20But,
04:21and you're very generous.
04:22As an actor.
04:23Because,
04:24you should be given.
04:25Because you don't do it alone.
04:26You do it with other actors.
04:27Exactly.
04:28Sometimes,
04:29you depend on what the co-actor gives you.
04:31What do you do
04:32when you're having a hard time?
04:34Is this a drama?
04:35Drama,
04:36or,
04:37there's comedy, right?
04:38Timing is wild.
04:39I mean,
04:40you either have it,
04:41or you don't.
04:42Okay.
04:43In drama,
04:45no matter what happens,
04:46I'll support you.
04:48I'll support you.
04:49But,
04:50I need to feel that
04:51the actor in front of me,
04:53he loves what he's doing,
04:54and he's really focused.
04:56But, when I feel,
04:57I'm just a human being.
04:58I'm just a human being.
04:59When I feel like,
05:00this is just one of the things he's doing,
05:02and he's not giving it importance,
05:04the director will feel the same way.
05:07Like,
05:08do you want this?
05:09Okay, let's do this.
05:10But, the director will feel it.
05:12So, what I do,
05:13if you don't love me,
05:14or you don't give importance to what we're doing,
05:17then, I have a responsibility to the person.
05:20I'll still do it,
05:21and maybe I'll add more to it.
05:23So that you'll feel fulfilled.
05:24So that I'll feel fulfilled,
05:25because I have an obligation to the person,
05:27to work,
05:28and give whatever is for them.
06:14I love you.
06:15I love you.
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