MUMBAI: In an interview with Dibyendu Bhattacharya, he discussed his journey to become a member of Black Friday and his approach to establishing a connection with his role. Following that, he talked about how his anxious energy allowed him to remain in character. Finally, describes his approach to dealing with it and how he and Anurag Kashyap work together, sharing ideas when they meet.
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FunTranscript
00:00How do you connect with a good film?
00:05Connecting with a good film is a very good thing
00:11because the shelf life of the film becomes very strong
00:16and a film is like archived always
00:22and it has an archival value
00:24that people watch the film 50 times
00:28till the time you watch the film
00:31the film gets validity
00:33and all the people associated with the film get validity
00:36so of course when you do this type of film
00:42automatically your life is shaping up
00:48your life is shaping up
00:50this has happened with Black Friday
00:53with Devdi
00:54with many films
00:55whose revisited value is very strong
00:58which people want to see again and again
01:01so in such a film, it is very important for your career
01:06What is the process of writing a script?
01:11Everyone has their own process
01:14I have my own process
01:15but the first process is
01:17that I read the script properly
01:19and I try to understand
01:23in which direction the director and writer are writing
01:28and in which direction the director is writing
01:30and I just have to go along with them
01:36I don't develop the character separately
01:40that this character will be like this
01:42and this character will be like that
01:43I have made it in my mind
01:45and when I came to know that I have reached the set
01:47I came to know that I was thinking in a different direction
01:51then the work is not cohesive
01:53then the work is not right according to me
01:56because at the end of the day, it is the director's media
01:59it is the director's vision
02:00he knows how to do it
02:03because an actor can say a thousand dialogues
02:07he can interpret a scene in a thousand ways
02:09but the director needs a particular way out of a thousand
02:14that now I am okay with it
02:17so I have to reach that particular way
02:27certain preparation you always have in you
02:31because it's a long time you have been doing these things
02:34when you are doing a character
02:38you can't start from zero
02:41because already you are 50, 60, 70
02:44you have reached the point where you are in a groove
02:49you have to start from scratch
02:53you have to start from the character's scratch
02:55not from your acting
02:58that's why when someone does a character
03:01they read the same thing properly
03:03with the directors and writers
03:06it's a collaboration at the end of the day
03:09so you collaborate
03:11it's a lab also
03:14when you are making a film also
03:16the film set is also like a lab
03:18so you do experiments over there
03:22you fail, you rise, you fall
03:27so you bounce things
03:30but at the end of the day
03:32it shouldn't happen that you go to the film set
03:34and can't conduct a lot of discussions
03:37at the end of the day
03:39time is money and money is time
03:42so you have to prepare everything
03:44but at the end of the day it's a lab also
03:46when you are making the film over there
03:54when you get validation from the director
03:58that the director is okay
04:00that's when you actually
04:02when you do the first scene
04:04the okay take of the scene
04:06that's when you get into the groove
04:08I get into the groove
04:10I don't know about the rest
04:12because I try and test everything
04:16I live in that area
04:18that zone
04:20so that I know
04:22what's in the director's mind
04:24what's in his vision
04:26am I able to stand in that
04:28and then I slowly get into the groove
04:32in the beginning
04:34in the first scene
04:36I always feel like
04:38I don't know what's going to happen
04:40is it going to be okay
04:42let's try
04:44so
04:46that's how it is
04:53I don't know how much he helps me
04:55but I have that nervousness
04:57I don't know if everyone has it or not
05:00I have it
05:02I always feel like
05:04I'm a little
05:06I'm a little sceptical about myself
05:08so that makes me
05:10actually
05:14that makes me neutral also somehow
05:16you know
05:18let's
05:20do it
05:22let's experiment
05:24it's like
05:26it's my process
05:29I'm a little vulnerable
05:31and then slowly
05:33I try to get into the character's groove
05:40fully prepared doesn't mean
05:42you're stuck
05:44fully prepared means
05:46you're prepared for the battle
05:49in the battlefield
05:51everything is impromptu
05:54when a cricketer is ready
05:56and goes to the pitch
05:58he doesn't know which ball will come
06:00he is prepared to
06:02play the game
06:04he is prepared to play the match
06:06so fully prepared means
06:08whether you're prepared
06:10to play the match or not
06:12then eventually I told you it's a lab