Tshort
  • 2 days ago
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Transcript
00:00:00Hey, what are you doing with my stuff?
00:00:09How did you get in here?
00:00:10I gave him the keys.
00:00:11Carl?
00:00:12I mean, what are you doing here so late?
00:00:13And what's that guy doing with my stuff?
00:00:16Tasha, Tasha, Tasha, you're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're that thick, Tasha?
00:00:29Your husband and I decided that you no longer need it here anymore.
00:00:33Raina's going to take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce paper sent over to your new address, wherever
00:00:44that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that, you plebe.
00:00:48I know exactly what to do with it.
00:00:51Is that clear enough for you, Tasha?
00:00:55Your company and your husband both belong to me now.
00:01:03No, you can't just fire me.
00:01:05I'm a shareholder at this company.
00:01:07You're still a shareholder at this company, are you?
00:01:11You know, actually, your debt is mortgaged with your shares, so you actually owe this
00:01:15company about $200 million.
00:01:16I never took out any loans that large.
00:01:19Oh, Tasha, you were always so gallible.
00:01:23A word of advice for the future.
00:01:25Don't give the keys to the kingdom to your assistant, no matter how trustworthy or feeble
00:01:30brain you think they might be.
00:01:33Security!
00:01:34Security!
00:01:35We have a vagrant in the lobby and she might become hostile.
00:01:38Stop, stop acting.
00:01:39I'll just leave on my own.
00:01:43Look, there's no glamour.
00:01:50There's no glory.
00:01:52It's just blood, guts, fear, and misery.
00:01:55Come on, man.
00:01:56You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days, I can't make that in 10 years
00:02:03working as a stiff.
00:02:04But at least you're guaranteed to be alive in 10 years.
00:02:07In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:12Yo, yo, man, stop lecturing me.
00:02:14Are you going to give me the gun or not?
00:02:18I'm sorry, but no.
00:02:20I'm not going to let you get killed.
00:02:22Man, what the fuck you got me in here for then?
00:02:26Shit.
00:02:41Oh, I guess he didn't hear.
00:02:43The repo guy, he came and towed your car away.
00:02:48He said it was, like, collateral for a loan.
00:02:52Of course, I made the call and arranged everything.
00:02:57My pleasure.
00:02:58You despicable trash.
00:03:01You know, I was going to give you a ride, you know, seeming that we were married for
00:03:06so long, but walking the streets at night kind of suits you.
00:03:10So, enjoy.
00:03:13Go to hell.
00:03:18Go to hell.
00:03:46Miss?
00:03:47Just go away, alright?
00:03:49I don't need your cheap sympathy right now.
00:03:51Miss, your friend's gone.
00:03:53I just want to offer my cab services.
00:03:58Yeah, I'm sorry.
00:04:01A cab is just what I need right now.
00:04:04Alright, great.
00:04:05Come on board.
00:04:17Sorry, I don't have any cash right now.
00:04:21Give me a minute.
00:04:22I'll go grab some from inside.
00:04:24Here.
00:04:25Just proof I'm not trying to skip out on the fare.
00:04:30You have some nerve coming back here.
00:04:32I never wanted my son to marry you in the first place.
00:04:35And now that he's finally come to his senses and kicked you to the curb,
00:04:39you think that you can just walk out on me?
00:04:42No.
00:04:43No.
00:04:44No.
00:04:45No.
00:04:46No.
00:04:47No.
00:04:48No.
00:04:49No.
00:04:50No.
00:04:51No.
00:04:52No.
00:04:53No.
00:04:54No.
00:04:55No.
00:04:56No.
00:04:57No.
00:04:58No.
00:04:59You think that you can just waltz right back into his house?
00:05:02His house?
00:05:04My father left me this house.
00:05:07And I know you're senile, but I'm sure you remember when you practically begged me
00:05:13to let you and Carl live here.
00:05:15I always knew you were a nasty little hussy.
00:05:23Who the hell are you?
00:05:25This is a personal matter, so you should really mind your own business and stay outside.
00:05:29Actually, this is my boyfriend.
00:05:33So, if it's a personal matter for me, it's a personal matter for him.
00:05:37Okay.
00:05:39What? You think your son's the only one capable of having secrets?
00:05:56Hey, thanks again for today.
00:06:00I know that's a weird position to put you in.
00:06:04It's alright.
00:06:06It is really nice to know that there are still good people out there that would help a total stranger.
00:06:13Have a good night.
00:06:15Alright, you too.
00:06:25Alright.
00:06:56Where's my necklace?
00:07:00Here.
00:07:02Just proof I'm not trying to skip out on the fair.
00:07:25How does a fancy broad like you find yourself in a place like this?
00:07:36Who the hell are you? Get out, now!
00:07:39All I'm trying to do is introduce myself, and you're treating me like some dog shit you found stuck to your shoes.
00:07:47I'm calling the police!
00:07:51But I give you a better idea.
00:08:01You and I are going to have some good old-fashioned fun tonight.
00:08:13If I ever see you around here again, you're dead! Get out of here!
00:08:19Hey.
00:08:21Oh, I'm so glad you're here.
00:08:27Where did you get this necklace?
00:08:30My father gave that to me.
00:08:36You better not be lying to me.
00:08:39I'm not lying.
00:08:42He did that with his own hands. It has my name on the back.
00:08:49It's really you?
00:09:00Hey.
00:09:03How are you feeling?
00:09:07How did... How did you...
00:09:10You left your bag in my car.
00:09:12How did you know where to find me?
00:09:16I have my ways.
00:09:20Hey, listen. I know it's none of my business, but it's not safe for you here.
00:09:25With everything that's happened in the last 24 hours, this is all I can afford.
00:09:33I have an extra room at my place. Maybe you can just come stay with me.
00:09:57Welcome home.
00:10:04I really feel like my luck's starting to change.
00:10:07I mean, you've literally rescued me over and over today.
00:10:11I know what it's like. I've been rescued before.
00:10:15Um, I'm sorry, I... I don't think I can make rent right away, but, um...
00:10:21You can sell this ring and then you should cover me for a few months, at least until I'm back on my feet.
00:10:28I thought he was a really rich guy.
00:10:30Why did he get you such a small diamond?
00:10:34It's not a very good cut, either.
00:10:37Okay, never mind. I can just...
00:10:41No, it's fine. I'm just saying, you deserve a better ring than this.
00:11:01No, babe, stop. It's late, okay?
00:11:05You're still thinking about her?
00:11:07Who, Tasha? Are you kidding me?
00:11:11Then why are you wearing the wedding ring?
00:11:13Did you forget what she and her father did to you?
00:11:15I will never forget what she and her father did to me.
00:11:19I will never forget what she and her father did to me.
00:11:23I will never forget what she and her father did to me.
00:11:27I will never forget what she and her father did to me.
00:11:31But that has nothing to do with you.
00:11:33So why don't you stop mouthing off about shit you know nothing about and let me handle my own affairs.
00:11:57Mary?
00:12:11Mary?
00:12:15What?
00:12:19Hey, what's going on?
00:12:21My daughter's missing.
00:12:22What?
00:12:35Tasha, you shouldn't have barged in like this. If Carl finds out...
00:12:39No, I don't care about Carl right now, okay?
00:12:42Where's my daughter? Where's Anna?
00:12:44I sent her away.
00:12:47No.
00:12:49You have no right.
00:12:51Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to do whatever I want with my stepdaughter.
00:13:01What?
00:13:05We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:11You think you're getting custody?
00:13:14Estoy soñando.
00:13:16On one hand, we have a mother drowning in debt with no place to live.
00:13:22On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned Frover.
00:13:32Who do you think the court will side with?
00:13:42Hope, what's going on?
00:13:43Oh, Carl.
00:13:45Carl, it's okay.
00:13:46Tasha was understandably upset about the situation. You know, I don't blame her for what happened.
00:13:51You trespass on my property, assault my wife in her own home?
00:13:56Tasha, I have put up with your outrageous behavior for years, but don't you dare subject Reina to that kind of abuse.
00:14:02You don't understand. Reina sent Anna away.
00:14:05She did what any good mother would.
00:14:07I want to know where my daughter is right now.
00:14:10New Zealand.
00:14:11Getting medical care from one of the best cardiology departments in the world.
00:14:16And remind me, what have you done for your daughter lately?
00:14:19Abandon her?
00:14:21To go shack up with some cab driver boyfriend?
00:14:24You idiot!
00:14:25I found those cardiologists in New Zealand.
00:14:28Scheduling those appointments was the last thing I had Reina do when she was still my assistant.
00:14:33Tasha, Tasha, you disgust me.
00:14:35I'm trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:40I'm going to make sure Anna stays far, far away from me so there's no possibility of her ever becoming anything like you.
00:14:52You backstabbing, homewrecking bitch.
00:14:59I advise you stay far away from my daughter and I.
00:15:05Hey!
00:15:06By the way, the deed still lists me as the rightful owner to this house.
00:15:11So the two of you have no right to keep me from coming back here. Do you understand?
00:15:15Calm down.
00:15:17You can forge my signature. You can take my money. Take my house.
00:15:21But you will never have a shred of the intelligence that I have.
00:15:25Tasha, you have made your point. I think it would be...
00:15:29You deserve that too!
00:15:31You should have told me about Anna a long time ago.
00:15:36Oh, don't stop on my account.
00:15:39Please, continue.
00:15:41Miss big shot, don't you forget that you still owe 200 million dollars.
00:15:46And 20 million of that is owned to me, personally.
00:15:50In fact, I'm going to call my lawyer and see to it that if you don't pay right away,
00:15:54you'll never going to see your daughter ever again and you'll end up in debtors prison.
00:16:01Calm down.
00:16:05Go ahead and check it out.
00:16:06Put it after your accounts and make sure it's all legit.
00:16:08I don't want you two jackasses hunting my girl for money ever again.
00:16:11Got it?
00:16:17Oh, and by the way, we're going to go ahead and take Anna in the future too.
00:16:22Don't worry, Carl. I'll be a better father to her than you ever can be.
00:16:27Tasha, you'll regret this.
00:16:32Thanks again for today.
00:16:37For pretending to be my boyfriend.
00:16:45Was all that money real?
00:16:47As real as it comes.
00:16:49Where did you get all that money?
00:16:51I robbed a couple of jewelry stores before I came to find you.
00:16:55Are you serious?
00:16:57No, I'm just joking. It was my dad's.
00:17:01Don't worry, it wasn't stolen or robbed or anything.
00:17:04But hey, listen.
00:17:05From now on, I want you to think of me as your creditor, okay?
00:17:09I don't want you worrying about owing money to those scumbags.
00:17:12From now on, you'll just owe money to me.
00:17:15As long as you're okay with that.
00:17:17I could be okay with it.
00:17:19As long as you can satisfy one small request.
00:17:24What kind of request?
00:17:32My only request is that you just relax, okay?
00:17:38Take a load off.
00:17:40Why don't you start by telling me a story about the last time it was when you were happy.
00:17:46Okay.
00:17:58You know, I just...
00:18:00I never in a million years could imagine that Carl would betray me like this.
00:18:08I have nothing.
00:18:11Well, I mean...
00:18:14You always have me, and...
00:18:21I can't hear you. You're whispering.
00:18:43Okay.
00:19:03Carl.
00:19:05You know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:09That bitch.
00:19:11Honey, you know you promised to put me in touch with the curator of the Fitz Gallery.
00:19:15I'm telling you, forget about the Fitz Gallery, okay?
00:19:18The people who are running it are crooks.
00:19:21But I want my paintings to be showcased in the most prestigious venue possible.
00:19:25I know, I know. And I said I would help you find other galleries, remember?
00:19:31Just stop nagging me about it, okay?
00:19:34Okay.
00:19:37You're a little angel.
00:19:59It's okay. Just sleep in.
00:20:02Well...
00:20:04It's certainly going to make things more complicated.
00:20:08So you want to pretend last night never happened?
00:20:14I thought we had a good thing going on between us.
00:20:17I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:21Yeah, but...
00:20:23That was just something I said to make my husband jealous.
00:20:26Yeah, but...
00:20:28That was just something I said to make my husband jealous.
00:20:32You mean your ex-husband?
00:20:34Yeah. Ex.
00:20:36Yeah.
00:20:39But I mean, you and I...
00:20:43You know I can't start a new relationship right now.
00:20:47So everything you said last night...
00:20:50We were just caught up in the heat of the moment.
00:20:54Heat of the moment.
00:20:55So it was all just bullshit.
00:20:58Why? To get me into bed with you?
00:21:01Just to have a one night stand?
00:21:04Because you miss being with your damn husband?
00:21:21So everything you said last night...
00:21:25Get a hold of yourself.
00:21:29You just got divorced.
00:21:32You're not going to play mind games with men anymore.
00:21:36Hey.
00:21:39I wasn't sure what you liked, so...
00:21:42I just made a little bit of everything.
00:21:45You made all this?
00:21:47Yeah.
00:21:55What do you think?
00:21:59It's delicious.
00:22:05I mean, you deserve to have some of your awesome breakfast too.
00:22:09Hey.
00:22:11You're not going to make me sit here and eat this alone, are you?
00:22:18You've got some sauce right here.
00:22:25All that for some sauce, huh?
00:22:28Are you kidding me?
00:22:35Hello?
00:22:36Mommy, I miss you so much.
00:22:38Anna?
00:22:39Mommy, I miss you so much.
00:22:40Anna, honey? What?
00:22:42What's going on? Anna...
00:22:47Okay.
00:22:48Both of your resumes look excellent.
00:22:51I have a question.
00:22:52If you spilled a glass of milk in the ocean,
00:22:55how would you get it back?
00:22:57What does that question have to do with our work?
00:23:00Well, uh...
00:23:02I suppose you could contain
00:23:05the section of the ocean with the spilled milk
00:23:08and then collect that sample
00:23:11out of centrifugal force
00:23:13and there's probably a good chance of separation.
00:23:17So at our company,
00:23:18we are always trying to
00:23:19make the impossible possible.
00:23:21And for that, we need people
00:23:23who can think on their feet.
00:23:25Derive solutions.
00:23:27No matter how
00:23:29outlandish the task at hand may seem.
00:23:35Hello?
00:23:42Uh-huh.
00:23:44Okay.
00:23:46Okay.
00:23:54Congratulations, Ms. Michaels.
00:23:56Welcome to the Eastwood Corporation.
00:24:09If you don't mind me asking,
00:24:12why didn't I get the job?
00:24:15Mrs. Roberts,
00:24:18maybe you should focus on
00:24:19fixing your own family problems first
00:24:22before you start to look for work again.
00:24:26We don't want to make enemies with the Crow Group.
00:24:40So I guess you didn't get it.
00:24:43I just don't understand why Carl hates me so much.
00:24:47I mean, he doesn't want me to work for his company,
00:24:49but he doesn't want me to work for any other company either.
00:24:53Look, you don't need that corporate job anyways.
00:24:56Yeah?
00:24:57What else can I do?
00:24:59I mean, I thought you were an artist,
00:25:01now a painter.
00:25:02How'd you know about that?
00:25:04You brought an easel.
00:25:09It's just a hobby.
00:25:10I gave it up.
00:25:12I don't paint anymore.
00:25:16Okay, well,
00:25:17if you don't love to paint anymore,
00:25:19then why bring an easel with you?
00:25:24I haven't painted in years.
00:25:27I'm sure it'll be just like riding a bike.
00:25:29Once you start,
00:25:31it'll all come back to you.
00:25:37That's my account!
00:25:38That's my account!
00:25:39Why are they assigning it to someone else?
00:25:42Fine, fine!
00:25:43Just get me some damn answers
00:25:44and give me a call back soon, okay?
00:25:49Carl, this took me three months!
00:25:52I'm sorry, I just,
00:25:53I got some bad news at work.
00:25:55It's ruined now.
00:25:57I have to start over.
00:26:00You know, it kills me
00:26:01to see you squandering your intelligence and talent
00:26:04on these useless paintings.
00:26:08You're a remarkable woman, Tasha.
00:26:11Okay, and if the
00:26:12charlatan snobs in the art world can't see that,
00:26:14then screw them, okay?
00:26:17If you put your focus elsewhere,
00:26:19we could be rich enough to buy ten art galleries.
00:26:22And then you could put
00:26:23whatever paintings you want in them, right?
00:26:26Painting's my passion.
00:26:29What if we put painting
00:26:32on the side,
00:26:33just for a little while,
00:26:35and you could come join me at the company?
00:26:37Because together, we,
00:26:40we'd be unstoppable.
00:26:42And right now, I am drowning.
00:26:45Your dad and his
00:26:46partners have no faith in me.
00:26:50I need you.
00:26:52Look,
00:26:56you love me,
00:26:57don't you?
00:27:00Of course I do.
00:27:02Okay, then just
00:27:04do this one thing for me.
00:27:06Just one little thing.
00:27:08Please.
00:27:36Finished!
00:27:38Yeah.
00:27:43That is amazing.
00:27:46Thank you, I,
00:27:48I honestly never thought I'd paint again.
00:27:50Well, that would have been a shame.
00:27:51You're easily one of the most
00:27:52talented artists I've ever met.
00:28:07We're honored that you chose our gallery
00:28:09to showcase your work.
00:28:11I am curious about one thing,
00:28:12if you don't mind me asking.
00:28:15The subject in your paintings,
00:28:17your muse,
00:28:18is he your lover?
00:28:20Oh,
00:28:22no.
00:28:24Uh,
00:28:25he's just a friend of mine.
00:28:28But his gaze,
00:28:30the way he looks out to you
00:28:31in these paintings,
00:28:33it's,
00:28:34there's so much
00:28:35tenderness and affection in his eyes.
00:28:42Is Ken really in love with me?
00:28:44He's so young, though.
00:28:46At his age,
00:28:47he probably doesn't even know
00:28:48what love is.
00:28:50Oh, uh,
00:28:51sorry, you're in the way.
00:28:54Actually, you're in my way.
00:28:59Actually, you're in my way.
00:29:00I'm trying to get into my home.
00:29:02Is this your new girlfriend?
00:29:05I've never seen you
00:29:06with anyone like this before.
00:29:08Ken's my roommate.
00:29:09Now, if you'll please step aside
00:29:11so I can get in.
00:29:16Call me again if you need anything.
00:29:18Okay?
00:29:19Bye.
00:29:22Hey, what are you doing home so early?
00:29:24Are they going to showcase your work?
00:29:27Sorry if I interrupted something,
00:29:29but,
00:29:30as your roommate,
00:29:31I don't really think I need to tell you
00:29:32if I'm coming or going.
00:29:33So, if you have something private to do,
00:29:34just do it in your room.
00:29:35I never said you need to tell me
00:29:36when you're coming or going.
00:29:37I'm just saying.
00:29:38No, it's fine.
00:29:39You don't need to explain.
00:29:40Just,
00:29:41I just want to be alone.
00:29:48What?
00:29:53I'm so sorry, sir.
00:29:54She just barged in without permission.
00:29:56It's okay.
00:29:57Miss Roberts, please.
00:29:58Grab a seat.
00:30:00We signed a contract.
00:30:01Why can't you show my paintings now?
00:30:04I'm afraid I don't have the answers
00:30:05you're looking for.
00:30:06You want to know what happened?
00:30:07Ask Karl Crow.
00:30:11I want my paintings back.
00:30:13Right now.
00:30:16Well,
00:30:17they're probably somewhere in the warehouse.
00:30:19They haven't been thrown away yet.
00:30:20They're probably somewhere in the warehouse.
00:30:22They haven't been thrown away yet.
00:30:23They haven't been thrown away yet.
00:30:48You've already searched
00:30:49the entire warehouse ten times.
00:30:50If you haven't found what you're looking for,
00:30:52it's not here.
00:30:53You better hope I find what I'm looking for,
00:30:55or I'm going to make this entire gallery
00:30:57compensate me,
00:30:58and then I'm going to sue you,
00:31:00and you'll be the first to lose your job.
00:31:02Yeah, that's great, lady.
00:31:03Go ahead and sue.
00:31:04I'm sure things will go exactly
00:31:05the way you described it.
00:31:22I'm sorry.
00:31:53You really care about her.
00:31:55Shh, keep your voice down.
00:31:57She's had a long day.
00:31:59Also, you can't just come over here
00:32:00so casually in the future.
00:32:02Casually?
00:32:04Are you kicking me out?
00:32:06You didn't mind my coming over so casually
00:32:08when you had me digging through
00:32:09your body for bullets.
00:32:11You men are cold as hell.
00:32:12I think my lucky star is I'm a lesbian.
00:32:14Look, I just can't have her finding out
00:32:16about the work that we do, okay?
00:32:18Are you serious about her?
00:32:21Yeah.
00:32:22Have you thought about the consequences
00:32:24if your dad finds out?
00:32:27Look, no.
00:32:28You and I have been best friends
00:32:29for over 20 years, okay?
00:32:32And my dad has taught me
00:32:33everything that I know.
00:32:35I think maybe it's time I just
00:32:36figure things out on my own.
00:32:38And you know exactly
00:32:40what I went through last time.
00:32:42I'm not going to lose her again.
00:32:47Don't worry, Anna.
00:32:49Mommy's going to find a way
00:32:50to bring you home soon.
00:32:59All the evidence is here.
00:33:01It's exactly what you thought.
00:33:03Let me know if you want me
00:33:04to find out more.
00:33:19Carl.
00:33:21Let's meet.
00:33:30Oh, wow.
00:33:32It's not every day
00:33:34a famous painter comes to visit.
00:33:36To what do I owe the pleasure?
00:33:38The company I supposedly
00:33:40borrowed money from.
00:33:44It's a shell company owned by you.
00:33:47So what?
00:33:49All our operations are legal.
00:33:50You signed the documents.
00:33:52You borrowed the money.
00:33:54All you can do now
00:33:56is pay it back.
00:33:59You know, I don't think
00:34:02you actually want me
00:34:03to pay back the loans.
00:34:05You were just looking
00:34:07for an excuse to have me
00:34:09back in your life.
00:34:11You're obsessed with me.
00:34:13This is just your sick way
00:34:15to dominate me
00:34:16and make me surrender to you.
00:34:17I'm just getting even.
00:34:19For the years I spent
00:34:21in your father's shadow.
00:34:23The years of belittlement
00:34:25and him treating me like a clown.
00:34:26My father hired you
00:34:28when no one else would.
00:34:32Not my fault that
00:34:34your insecure petty
00:34:36took his support as belittling.
00:34:40I wouldn't upset me
00:34:41if I were you.
00:34:43Remember, I'm your creditor now.
00:34:46Two months.
00:34:48That's all I can give you
00:34:49to pay me back the remainder
00:34:50of 180 million.
00:35:01What are you doing here?
00:35:03I was just in the neighborhood.
00:35:05Thought I'd give you a ride home.
00:35:09Hi.
00:35:10Um, hey.
00:35:12Who is this?
00:35:16This is Ken's roommate.
00:35:18We're going to be
00:35:19dropping them off
00:35:20before we head home.
00:35:22Yeah, hey, listen.
00:35:23I didn't introduce you last time,
00:35:24but this is my best friend Nell
00:35:26and her girlfriend Maria.
00:35:32Nell and I have been
00:35:33nothing more than friends
00:35:34since we were kids.
00:35:35She's not into men,
00:35:37and she never has been,
00:35:38and her and I are
00:35:39nothing more than
00:35:40platonic friends, alright?
00:35:43I'm sorry.
00:35:45I jumped to conclusions
00:35:46the other day.
00:35:47It's okay.
00:35:48I just didn't want you
00:35:49to get the wrong idea.
00:35:54Look, I...
00:35:56I appreciate it.
00:35:57I really do.
00:35:58I just...
00:35:59I...
00:36:00I still think you and I
00:36:01are better off
00:36:02just as friends.
00:36:05Just...
00:36:07Why?
00:36:11Maybe because I'm
00:36:13just getting over
00:36:14a failed marriage.
00:36:16Because I owe
00:36:17an unthinkable amount of money,
00:36:19and I have no idea
00:36:20how I'm going to pay it back.
00:36:23I also have no idea
00:36:24how I'm going to get
00:36:25my daughter back.
00:36:28And getting into
00:36:29a relationship with you,
00:36:30that's just something
00:36:31I can't do right now.
00:36:33Love has brought me
00:36:34nothing but pain,
00:36:35over the years.
00:36:37And I've been
00:36:38Love has brought me
00:36:39nothing but pain, okay?
00:36:40So just, please,
00:36:41just leave it.
00:37:04Do you have
00:37:05any other paintings?
00:37:09Yeah.
00:37:10I have several.
00:37:11What are you looking for?
00:37:15I would like to buy them all.
00:37:17I love your painting style.
00:37:18It is so unique.
00:37:20I own a large gallery,
00:37:21and I would like to establish
00:37:22a long-term collaboration with you.
00:37:26Thank you for your kind words
00:37:27about my paintings, but...
00:37:30I've been in some trouble lately,
00:37:32and it's probably best
00:37:33if I don't involve your gallery.
00:37:36None of this matters to me.
00:37:38If someone wishes
00:37:39to cause me trouble,
00:37:40well, just let me try.
00:37:48I mean,
00:37:50it has to be a mistake.
00:37:53Or a prank,
00:37:54or a cruel practical joke.
00:37:57I mean,
00:37:58it seems pretty obvious
00:37:59that you're not
00:38:00the type of person
00:38:01I'm looking for.
00:38:03A practical joke?
00:38:04I mean,
00:38:05it seems pretty authentic to me.
00:38:06It has their seal,
00:38:07and your name,
00:38:08and address
00:38:09are, like,
00:38:10clearly written on it, so...
00:38:14It looks authentic.
00:38:17But how would they have
00:38:18seen my paintings?
00:38:21I don't know,
00:38:22maybe one of those auction sites
00:38:23that you've been
00:38:24posting your work on?
00:38:25I mean,
00:38:26you're incredibly talented,
00:38:27so anybody who's seen your work
00:38:28would automatically recognize it.
00:38:33Huh.
00:38:35I own a large gallery,
00:38:36and I would love to establish
00:38:37a long-term collaboration.
00:38:40It's him.
00:38:42It's him.
00:38:43The guy who bid on my paintings.
00:38:45He must be the owner
00:38:46of the Fitz Gallery.
00:38:47Well, in that case,
00:38:48we better get going.
00:38:49Where?
00:38:50Gotta go get you a dress.
00:38:52Can't have you showing up
00:38:53to the Fitz Gallery in rags.
00:39:00Babe,
00:39:01which one do you like more?
00:39:02This one,
00:39:03or this one?
00:39:05I need to be the hottest girl
00:39:06at the Fitz Gala.
00:39:09Everything just, uh,
00:39:10looks so good on you, honey.
00:39:12So, um,
00:39:13just pick whichever one you want.
00:39:15I gotta take a call, okay?
00:39:18Wrap this up, you twit.
00:39:19I'll take them both.
00:39:28Wow.
00:39:29I used to buy dresses like this
00:39:30all the time
00:39:31without even thinking
00:39:32about the money, but...
00:39:34I can't afford
00:39:35something like this now.
00:39:38You know what?
00:39:39Consider it
00:39:40a congratulatory gift from me.
00:39:42Alright?
00:39:43And when you make it
00:39:44big in the art world,
00:39:45you can just pay me back.
00:39:48Oh, hi.
00:39:49Excuse me.
00:39:50Yeah, my, uh, friend
00:39:51would like to try on this dress.
00:39:52Oh, your friend
00:39:53has amazing taste.
00:39:54This dress is actually
00:39:55a limited edition.
00:39:56Each one,
00:39:57handcrafted by hand,
00:39:58and therefore,
00:39:59entirely unique.
00:40:00Truly a work of art.
00:40:01Well, how fitting
00:40:02that it's gonna be worn
00:40:03by a very talented artist.
00:40:04I'll have someone on the team
00:40:05bring it out to you.
00:40:08Veronica,
00:40:09please bring the limited edition.
00:40:14What limited edition?
00:40:17Tasha?
00:40:19Do you really think
00:40:20you can afford
00:40:21this dress?
00:40:24Do you really think
00:40:25you can afford
00:40:26this dress?
00:40:28Please.
00:40:30Reyna,
00:40:31I don't think you need
00:40:32to worry about
00:40:33Tasha's finances, okay?
00:40:34We established that
00:40:35last time.
00:40:37Hey, you.
00:40:38Get over here.
00:40:40I'm gonna pay
00:40:41twice what it's worth.
00:40:42But I want this dress.
00:40:43Ma'am,
00:40:44this dress is $4,000.
00:40:45Did I ask you
00:40:46how much it costs,
00:40:47you proletarian scum?
00:40:49Just shut your mouth
00:40:50and add it to my bill.
00:40:51She's willing to pay double.
00:40:53I'll double her offer
00:40:54and I'll pay $16,000.
00:40:56Okay, sir.
00:40:57Sold.
00:40:58$32,000.
00:40:59You know what?
00:41:02She wants the dress so bad,
00:41:03let her have it.
00:41:05You can put all the jewels
00:41:06you want on a pigeon,
00:41:07but it'll never be a peacock.
00:41:09I'll show you
00:41:10who's a pigeon,
00:41:11you little bitch.
00:41:12How dare you assault me?
00:41:13Tasha,
00:41:14are you okay?
00:41:17What is going on here?
00:41:19What's going on
00:41:20is that your crazy bitch wife
00:41:21pushed Tasha to the ground.
00:41:23I swear to God,
00:41:24they're all lying.
00:41:25I never touched her.
00:41:26I saw everything.
00:41:27This gentleman
00:41:28and his girlfriend
00:41:29were very nice
00:41:30and politely inquired
00:41:31about a dress
00:41:32and suddenly your wife
00:41:33appears and attacks her
00:41:34for no reason.
00:41:35Shut your mouth,
00:41:36you little lying asshole.
00:41:37You know what?
00:41:38Why don't you just call security
00:41:39before this crazy maniac
00:41:40hits somebody else?
00:41:41Wait a second.
00:41:42Reyna,
00:41:43what actually happened here?
00:41:44What's going on?
00:41:45Why don't you believe me?
00:41:46I told you.
00:41:47Don't just call 911.
00:41:49Are you blind?
00:41:50Oh, Tasha,
00:41:51can you stop this bullshit?
00:41:52Reyna,
00:41:53can you just stay away?
00:41:54Can I get someone down here?
00:41:55Room A122?
00:41:56No, no,
00:41:57we are leaving right now.
00:41:58Let's go, okay?
00:41:59No, but...
00:42:00Okay,
00:42:01you've embarrassed us both
00:42:02enough for one day, okay?
00:42:03Let's go!
00:42:12Wherever Reyna goes,
00:42:13trouble's sure to follow.
00:42:16It is nice to see her
00:42:17get a taste of her own medicine,
00:42:18though.
00:42:19Yeah.
00:42:20It's a shame, though.
00:42:21You would have looked
00:42:22really great in that dress.
00:42:23Hmph.
00:42:26Don't worry about that.
00:42:27I have a solution.
00:42:36What are you going to do
00:42:37with all this stuff?
00:42:39I'm going to design my own dress
00:42:40and wear it to the gala.
00:42:42Are you sure there's enough time?
00:42:43Have some faith in me.
00:42:45I graduated with honors
00:42:46in design and fine art.
00:42:49I got this.
00:42:51Alright.
00:42:53Let's go.
00:43:11How do I look?
00:43:15How do I look?
00:43:17Huh?
00:43:22What?
00:43:23Is...
00:43:24Is something wrong?
00:43:25Is it...
00:43:26Is it too much?
00:43:27Should I change something?
00:43:28No, no.
00:43:30You look...
00:43:32That dress, like...
00:43:34That is one of the most
00:43:35beautiful dresses
00:43:36I've ever seen.
00:43:40But there's something missing.
00:43:42Should I...
00:43:43re-sew the beads?
00:43:45No.
00:43:47I have a gift for you.
00:43:49Something to...
00:43:50complete the whole look.
00:43:58Just try harder, you idiot!
00:43:59Mrs. Crowe,
00:44:00I am doing everything I can.
00:44:02I don't know what more I can do.
00:44:05You're calling me fat?
00:44:06Of course not.
00:44:08You're not fat at all.
00:44:09You're not fat at all.
00:44:11It's the dress.
00:44:12It's not made for a woman's body.
00:44:15Just shut up and do it!
00:44:17Babe,
00:44:19just put on another dress.
00:44:20You're gonna be late.
00:44:22I spent
00:44:23so much money on this dress.
00:44:25I am wearing
00:44:26this dress!
00:44:40I can't.
00:44:41It's...
00:44:43It's too much.
00:44:45No.
00:44:47It was made for you.
00:44:57I can't wait to see
00:44:58what you've brought to the auction.
00:45:00Can we have a little hint?
00:45:01Well,
00:45:02actually,
00:45:03I brought something
00:45:04for you.
00:45:05A little hint?
00:45:06Well,
00:45:07actually,
00:45:08I brought some of my
00:45:09very own paintings
00:45:11to auction tonight.
00:45:15What's wrong?
00:45:16Just Tasha Roberts.
00:45:19My husband's dreadful ex-wife.
00:45:23I'm tired of seeing her
00:45:24sorry face everywhere.
00:45:27You know, she's also
00:45:28a horrible person.
00:45:31If it isn't
00:45:32everyone's favorite
00:45:33Y-collar criminal
00:45:34turned homeless vagrant
00:45:36Tasha Roberts.
00:45:38So,
00:45:39the other day
00:45:40when you were trying to buy
00:45:41this dress
00:45:42with that
00:45:43working-class
00:45:44thug boyfriend of yours,
00:45:45you were trying to come here?
00:45:47Are you sure
00:45:48you were even invited?
00:45:53I'm sorry,
00:45:54are you working
00:45:55the security detail?
00:45:56Do we need to show you
00:45:57my invitation?
00:45:58Honey,
00:45:59I'm just trying to look out
00:46:00for you, okay?
00:46:01I want to spare you
00:46:02the embarrassment of being
00:46:03kicked out
00:46:04when everybody finds out
00:46:05that you are not invited.
00:46:07You mean like
00:46:08how you were kicked out
00:46:09of the mall?
00:46:10I see.
00:46:11You still quite don't
00:46:12understand your
00:46:13place in the world.
00:46:15You think you're
00:46:16fucking Cinderella
00:46:17or something
00:46:18and life is a fairy tale.
00:46:20But don't worry,
00:46:22I'll help you
00:46:23figure it all out.
00:46:26What's wrong with you?
00:46:27Can't you see
00:46:28people are walking through?
00:46:30Rina, this time
00:46:31you've gone too far!
00:46:32Stop shouting,
00:46:33you dreadful oaf!
00:46:34These were supposed
00:46:35to be auctioned tonight!
00:46:36Well, if it is of
00:46:37any consolation,
00:46:38I don't think the wine
00:46:39has reduced their value
00:46:40of very much at all.
00:46:43Now you can go
00:46:44and cry to your
00:46:45fairy gut mother.
00:46:47Loser.
00:46:49Oh,
00:46:50I think the auction's starting.
00:46:52Well, I'll see you there.
00:46:54Toodles!
00:47:02For our first auction item,
00:47:03I'd like to welcome
00:47:04Miss Rina Crow to the stage
00:47:06with her collection
00:47:07of original paintings.
00:47:25As you can see,
00:47:26Miss Rina Crow's style
00:47:27is very unconventional.
00:47:30Certainly these works
00:47:31defy easy categorization,
00:47:33and yet
00:47:34there are touches of whimsy
00:47:36and an almost
00:47:37playful quality about them,
00:47:39as depicted here
00:47:40through the bold use
00:47:41of a duck
00:47:42as a central figure.
00:47:44It's a dog.
00:47:45What?
00:47:46It's a dog,
00:47:47not a duck, you buffoon!
00:47:48Oh, yes, of course.
00:47:50A dog
00:47:52seen through
00:47:53a very unique prism,
00:47:55portrayed as only
00:47:56an artist of Rina's caliber
00:47:58could possibly portray it.
00:48:01Now that we have
00:48:02familiarized ourselves
00:48:03with the art
00:48:04and the artist,
00:48:05let's start the bidding.
00:48:06The starting price
00:48:07will be $50,000.
00:48:09Do I hear $50,000?
00:48:11Anyone?
00:48:14$50,000.
00:48:15Do I hear $60,000?
00:48:18Anyone?
00:48:20$50,000 going once,
00:48:22$50,000 going twice,
00:48:24sold!
00:48:25Sold for $50,000.
00:48:31And now we'll invite
00:48:32our second artist
00:48:33for the evening,
00:48:34Ms. Tasha Roberts,
00:48:36who will also be presenting
00:48:37a series of paintings.
00:48:47Ms. Tasha Roberts,
00:48:48where are your paintings?
00:48:50I don't have
00:48:51my paintings tonight,
00:48:53but I will be auctioning
00:48:55off this dress.
00:49:00orchestra plays
00:49:09Wow!
00:49:10It's beautiful!
00:49:13Stupendous!
00:49:14I've never seen a dress
00:49:15so beautiful!
00:49:20Oh, stupendous!
00:49:21I've never seen
00:49:22a dress so beautiful!
00:49:24A stunning work of art indeed.
00:49:26There's no need for me
00:49:27to say another word
00:49:28about this masterpiece.
00:49:29Everyone in the audience
00:49:30can clearly see
00:49:31the extraordinary talent
00:49:33and extraordinary artistry.
00:49:35Let's start the bidding
00:49:36at $50,000.
00:49:37$55,000.
00:49:38$75,000.
00:49:40$90,000.
00:49:41$100,000.
00:49:43$150,000.
00:49:45$250,000.
00:49:49$250,000 going once,
00:49:52$250,000 going twice,
00:49:54sold!
00:49:55This beautiful dress
00:49:56was sold for $250,000.
00:49:59applause
00:50:06Is that the heart of Sun Necklace
00:50:07that sold for $200 million
00:50:09a few months ago
00:50:10in a bid now?
00:50:11Impossible.
00:50:12How can that lowly peasant
00:50:14possibly afford it?
00:50:15It must be a fake.
00:50:20Thank you so much
00:50:21for your bid, Ms. Winslow.
00:50:23I'm going to design
00:50:24a few custom pieces
00:50:25in your size
00:50:26and design them
00:50:27to your elegance
00:50:28and style.
00:50:29Have you ever considered
00:50:31creating your own
00:50:33clothing brand?
00:50:34Your creations
00:50:36are so extraordinary.
00:50:38You should really share
00:50:39your talent with the rest
00:50:40of the world.
00:50:42I never considered it,
00:50:43but I certainly will now.
00:50:46Hi.
00:50:47I'd be careful
00:50:48if I were you.
00:50:49I personally wouldn't
00:50:50put any faith
00:50:51into someone that wears
00:50:52cheap replicas
00:50:53of famous pieces of jewelry.
00:50:56What are you talking
00:50:57about right now?
00:50:58This woman is a phony
00:50:59and a con artist.
00:51:01For as long as I worked
00:51:02with her,
00:51:03she's done nothing
00:51:04but defraud and cheat
00:51:05the people she's
00:51:06done business with.
00:51:07And let me make it clear.
00:51:08For everybody
00:51:09that wants to do business
00:51:10with this woman,
00:51:12they won't be allowed
00:51:13to do business
00:51:14with the Crow Group.
00:51:16Is that so?
00:51:20Well, let it be known
00:51:21that if anybody refuses
00:51:22to work with
00:51:23Ms. Tasha Roberts
00:51:24because of the baseless
00:51:25rumors and lies
00:51:26being spread by
00:51:27Ms. Raina Crow,
00:51:28you will no longer
00:51:29be welcomed back
00:51:30to the Fitz Gallery.
00:51:32That's the curator
00:51:33of the Fitz Gallery.
00:51:36Not just the curator,
00:51:37he's also the director
00:51:38of the Fitz Foundation.
00:51:42The curator?
00:51:43Is he the man
00:51:44who bought my paintings?
00:51:46Why does he seem
00:51:47so familiar?
00:51:51Ms. Tasha Roberts
00:51:52is my guest of honor
00:51:53tonight, alright?
00:51:54I invited her personally.
00:51:56So if anybody treats her
00:51:57with the slightest bit
00:51:58of disrespect,
00:51:59they'll be asked to leave
00:52:00and never again
00:52:01invited back to
00:52:02the Fitz Gallery.
00:52:03As the director
00:52:04of this esteemed
00:52:05organization,
00:52:06am I interested
00:52:07to know that
00:52:08your guest of honor
00:52:09is wearing a cheap
00:52:10replica of a
00:52:11priceless work of art.
00:52:13She is not
00:52:14to be trusted.
00:52:16I'm assuming
00:52:17you mean her diamonds.
00:52:18What evidence
00:52:19do you have to prove
00:52:20that it's not real?
00:52:21Well, the real
00:52:22Heart of the Sun
00:52:23has the initials
00:52:24of the craftsman
00:52:25engraved in the joint
00:52:26between the gemstone
00:52:27and the pendant.
00:52:29So Tasha,
00:52:30would you indulge us all
00:52:31and show us if
00:52:32what you're wearing
00:52:33is a genuine article
00:52:34or a cheap knockoff?
00:52:38This was just
00:52:39given to me by a friend.
00:52:40I never claimed
00:52:42it was the real
00:52:43Heart of the Sun.
00:52:44I don't want to
00:52:45embarrass him by
00:52:46having people
00:52:47pore over it
00:52:48for imperfections.
00:52:49So it's a forgery.
00:52:51You were so
00:52:52happy to have
00:52:53everyone believe
00:52:54it was the real thing
00:52:55until I challenged you
00:52:56and called you a bluff.
00:52:58Miss Roberts.
00:53:01You were so
00:53:02happy to have
00:53:03everyone believe
00:53:04it was the real thing
00:53:05until I challenged you
00:53:06and called you a bluff.
00:53:08Miss Roberts,
00:53:09you have nothing
00:53:10to fear from this woman.
00:53:11Just show her the necklace.
00:53:13And I'll personally
00:53:14see to it that there are
00:53:15no despairing comments
00:53:16about its craftsmanship
00:53:17or quality.
00:53:18And the question
00:53:19has to be asked
00:53:20whether it is
00:53:21the true Heart of the Sun.
00:53:29See?
00:53:30Just like...
00:53:32What?
00:53:34How is this possible?
00:53:39I do say
00:53:41this engraving looks
00:53:42entirely authentic to me.
00:53:45This is indeed
00:53:46the one and only
00:53:47Heart of the Sun.
00:53:48Well that settles it then.
00:53:49This necklace
00:53:50is authentic.
00:53:51From now on,
00:53:52no one will be permitted
00:53:53to question or harass
00:53:54my guest of honor.
00:53:56Now if everyone
00:53:57is satisfied,
00:53:58can we please get back
00:53:59to tonight's festivities?
00:54:10Ken,
00:54:11you have a lot
00:54:12of explaining to do.
00:54:14Okay, what's wrong?
00:54:16I can't accept
00:54:17this necklace
00:54:19and I can't give you
00:54:20what you want.
00:54:22Do you even know
00:54:23what I want?
00:54:24I don't want to know.
00:54:26We can just be friends,
00:54:27nothing more.
00:54:29Tasha, you're just afraid.
00:54:31You're just afraid
00:54:32of going after
00:54:33what your heart truly desires.
00:54:35And I just think
00:54:36you're afraid of just
00:54:37being true to yourself.
00:54:39You're the last person
00:54:40that should be lecturing
00:54:41anybody on the truth.
00:54:44Who are you?
00:54:46What do you do?
00:54:47Is this even your house?
00:54:49I mean,
00:54:51how do you own a necklace
00:54:52that's 200 million dollars?
00:54:57I just...
00:54:58See, you...
00:54:59you don't even respect me
00:55:00enough to tell me the truth.
00:55:03You expect me to jump
00:55:04into a relationship with you?
00:55:08You could be
00:55:09a total stranger.
00:55:11I have no idea
00:55:12who you are.
00:55:14Tasha, I want to tell you.
00:55:15I do.
00:55:16But...
00:55:18I just can't right now.
00:55:20Alright?
00:55:21Like, maybe in the future
00:55:22when we can sit down and...
00:55:23No, Ken.
00:55:24There is no future for us.
00:55:26Not if you can't tell me
00:55:27one thing about yourself
00:55:28that isn't a lie.
00:55:31When you find someone
00:55:32that you really love
00:55:33and trust,
00:55:35you let them in.
00:55:42But that person won't be me.
00:55:47No.
00:55:59Are you okay?
00:56:03Director Fitz,
00:56:04I had a wonderful time
00:56:05at the gala.
00:56:07Thank you for supporting me
00:56:09and standing up for me.
00:56:11I wasn't bothered by the way
00:56:12the other guests treated me.
00:56:14I've endured far worse.
00:56:19Lovely.
00:56:20I'm glad to hear it.
00:56:22I would like to exclusively
00:56:23showcase your work
00:56:24at the Fitz Gallery
00:56:25for the foreseeable future.
00:56:27Think of it as a sort of
00:56:28artist's residency.
00:56:30Would you be interested
00:56:31in such an opportunity?
00:56:40This dress is every bit
00:56:42as exquisite
00:56:43as I expected it to be.
00:56:45Thank you, my dear.
00:56:47You're very welcome.
00:56:49Have you given any more thought
00:56:50to my proposal?
00:56:52If you wish to start
00:56:53a clothing brand,
00:56:55I would be more than happy
00:56:56to invest whatever you require
00:56:58to get started.
00:57:00It's a very gracious offer,
00:57:01but I just...
00:57:03I have to ask.
00:57:04I mean, there are so many
00:57:05other talented designers.
00:57:07Why do you have such faith
00:57:08in my abilities?
00:57:10It's not just me, you know.
00:57:11The curator
00:57:12of the Fitz Gallery
00:57:14has never been seen
00:57:15in public before
00:57:16the gala last night.
00:57:18And everyone in attendance
00:57:19was certain
00:57:21that the only reason
00:57:22he chose to make an appearance
00:57:23was because of you,
00:57:25his guest of honor.
00:57:29That was his first appearance
00:57:30ever?
00:57:31Indeed.
00:57:32His very first
00:57:33and only time
00:57:34to appear in the flesh.
00:57:36Before this, he was a figure
00:57:37of myth and mystery.
00:57:39Many people doubted
00:57:40he existed at all.
00:57:42But all because of you,
00:57:44he chose to grace us
00:57:45with his presence last night.
00:57:48Seems like a marvelous
00:57:49young man, don't you think?
00:57:51He certainly had a charm
00:57:52about him.
00:57:53Oh, undoubtedly.
00:57:55You know,
00:57:56many people flock
00:57:57to the Fitz Gallery
00:57:58for more than just the art.
00:58:00They want to learn all
00:58:01about the enigmatic
00:58:03young curator.
00:58:05Really?
00:58:06I mean, what's so interesting
00:58:07about him?
00:58:08Have you ever wondered
00:58:10how the Fitz Gallery
00:58:11has managed to surpass
00:58:13all of the established
00:58:14art collections
00:58:16to become the top venue
00:58:17for fine art
00:58:18in just two years?
00:58:20I mean, I heard rumors.
00:58:23Something about foul play,
00:58:24but I always just assumed
00:58:25they were baseless.
00:58:27Well, those rumors
00:58:28have quite a bit of truth
00:58:29to them.
00:58:31Seems like the Miller
00:58:32crime family
00:58:34is actually behind
00:58:35the Fitz Foundation.
00:58:36The one and the same
00:58:38Miller crime family
00:58:40that monopolizes
00:58:41all the underground trade
00:58:43in all of North America.
00:58:45He seemed like
00:58:46such a gentleman.
00:58:47I just,
00:58:48I find it hard to believe
00:58:49that he ever was involved
00:58:50in something so sordid.
00:58:52You must never judge
00:58:53a book by its cover,
00:58:54my dear girl.
00:58:56Even people close to us
00:58:57may be harboring
00:58:58many secrets.
00:59:00We never really know
00:59:01what's going on inside.
00:59:03You got that right.
00:59:04I learned that lesson
00:59:05the hard way.
00:59:06Let me be frank.
00:59:08I have tremendous
00:59:09faith in you.
00:59:11Thank you,
00:59:12Mr. Quinto,
00:59:13but I have to go.
00:59:14Dear,
00:59:15all my friends
00:59:16call me Laura.
00:59:20This is a check
00:59:22for five million dollars.
00:59:24It should help you
00:59:25get your clothing
00:59:26brand started.
00:59:29Shall we become
00:59:30business partners
00:59:31in addition to being friends?
00:59:33Director Fitz,
00:59:35I'd like to work with you.
00:59:37It would be my honor,
00:59:38Ms. Tasha Roberts.
00:59:41Fly away with me
00:59:46Take you high
00:59:49Fly away with me
00:59:52Fly away with me
00:59:56Fly away with me
00:59:59Fly away with me
01:00:02Sorry
01:00:04to smile
01:00:06It's my only dream
01:00:11Staring out
01:00:13into the sea
01:00:16Waves come
01:00:17crashing up to me
01:00:20My toes
01:00:21slip into the sand
01:00:24Dream that
01:00:25I'm with you
01:00:28Staring out
01:00:29into the sea
01:00:32Waves come
01:00:33crashing up to me
01:00:36My toes
01:00:37slip into the sand
01:00:40Dream that
01:00:41I'm with you
01:00:55Congratulations,
01:00:56Ms. Roberts.
01:00:57We expect a huge success
01:00:58from your art exhibition.
01:01:13You're looking at her.
01:01:15You're obsessed with her.
01:01:18Didn't she humiliate me enough
01:01:19the other night at the gala?
01:01:21But no,
01:01:22now I have to watch my husband
01:01:23stare at her picture.
01:01:26Well, maybe if you
01:01:27didn't give her the opportunity
01:01:28to humiliate you.
01:01:30So it's my fault now?
01:01:31Oh, wait, let me guess.
01:01:32Maybe it's my fault too
01:01:33when the two of you broke up.
01:01:35Okay.
01:01:37Reyna,
01:01:38I've been thinking.
01:01:40I don't think this is working.
01:01:42I want a divorce.
01:01:45Bruta
01:01:46figa
01:01:47di puttana.
01:01:48You used me
01:01:49to push Tash out of your company,
01:01:50take her property,
01:01:51and now you cast me aside
01:01:53like what,
01:01:54a used piece of garbage?
01:01:56I won't allow this.
01:01:59Mark my words, Karl Kroh,
01:02:01you will regret this.
01:02:15I'm spending too much time around Ken.
01:02:18He's dominating all my thoughts.
01:02:21I have to distance myself from him
01:02:23for my own sanity.
01:02:29I know you're lonely
01:02:31but there's so long left to tell.
01:02:37Is there nothing I can do
01:02:38to get you to stay?
01:02:42I'm sorry,
01:02:44but no.
01:02:47You and I,
01:02:48our relationship will just
01:02:51keep going in circles.
01:02:54But thank you
01:02:56for everything you've done for me.
01:02:58I have a little bit of money now,
01:03:00so you should be able
01:03:01to pay off your loan soon.
01:03:29Ah!
01:03:34This is what happens
01:03:35when you steal from the Millers!
01:03:37Please, let me go.
01:03:41Promise you'll never see me again.
01:03:49Get out of here.
01:03:51Right this way.
01:03:53Boss!
01:03:55I found this one
01:03:56peeking around the corner.
01:03:58Not sure how long
01:03:59this little bitch has been watching,
01:04:00but I'm pretty sure
01:04:01she tried to call the cops.
01:04:06Don't worry, boss.
01:04:07I got a knife
01:04:08with her name on it.
01:04:09We can dump her body
01:04:10with the other guy.
01:04:16No, let her go.
01:04:18What?
01:04:19Didn't you hear what I said?
01:04:20She's seen everything.
01:04:21Let her go
01:04:22before I rip off your fucking arms
01:04:23and throw them in the river.
01:04:29Walk away.
01:04:30This doesn't mean anything to you.
01:04:32Is this what you're
01:04:33going to tell me about?
01:04:35Boss,
01:04:36you know this woman?
01:04:39You're going to kill him.
01:04:41Call the police then.
01:04:42See if they can save his life.
01:04:43No!
01:04:44Don't call the police,
01:04:45you stupid bitch!
01:04:48My world is more cruel
01:04:49than you can possibly imagine.
01:04:51Since you didn't want
01:04:52to get involved,
01:04:53just walk away.
01:04:54Hey, babe.
01:04:56What do you want for breakfast?
01:04:57Just walk away.
01:05:19Hey, babe.
01:05:21What do you want for breakfast?
01:05:27I don't know.
01:05:46My world is more cruel than you can possibly imagine.
01:05:48Since you didn't want to get involved, just walk away.
01:05:52I never imagined that Ken could be such a dangerous and violent man.
01:05:56There must be something or someone forcing him to do all of this.
01:06:02Even people close to us may be harboring many secrets.
01:06:06We never really know what's going on inside.
01:06:10Forget it. This has nothing to do with me.
01:06:12I decided to leave Ken, so I have to do my best not to look back.
01:06:27Tasha, let's talk.
01:06:36Your pro-magnet boyfriend.
01:06:39Is he not joining us?
01:06:41It's all over. I'm not with him anymore.
01:06:44Where's Reina?
01:06:46Reina was a mistake.
01:06:49That's all over too.
01:06:51Tasha, um...
01:06:52I want you back.
01:06:55I can't stop thinking about us.
01:06:58You were right. You belong in my life.
01:07:01So, if you just sign those documents, then you can come back to me.
01:07:08Come back to the house.
01:07:09We can carry on like none of this ever happened.
01:07:12I can give you your old job back.
01:07:14That'll be fun. Working together again.
01:07:16And then we can go to the movies.
01:07:18I can give you your old job back.
01:07:19That'll be fun. Working together again.
01:07:22And then all that debt you owe me will be wiped clean.
01:07:25You, uh, need a pen?
01:07:32You think I'd get back with you after everything you put me through?
01:07:39Here is a hundred million dollars.
01:07:43I'll pay the rest on time, and for your agreement...
01:07:52Take these documents and shove them right up your ass.
01:07:59You disgust me, Carl.
01:08:01You should think about Anna.
01:08:03Do you really want her growing up without a mother?
01:08:06With all her health problems, she could really use your support?
01:08:08Don't dare talk about Anna.
01:08:10She'll be with me soon, and I'll never let her out of my sight again.
01:08:14She needs her mother and her father.
01:08:16Not a father like you she doesn't.
01:08:18She'd be better off with no father at all.
01:08:31I'm sorry, am I interrupting?
01:08:33Are you texting a new boyfriend already?
01:08:36Can it wait?
01:08:38Wait?
01:08:39I'm not done talking here.
01:08:41You're pathetic, Carl.
01:08:44Hey, Tasha.
01:08:47Tasha!
01:08:50Hey, Tasha!
01:08:52Tasha, come back!
01:08:54Where are you going? This place is disgusting!
01:08:57Come on, Tasha!
01:08:59Don't you remember the happy times? Come on, we can have that again!
01:09:02Think of Anna! Think of me, please!
01:09:08You're pathetic.
01:09:24Sorry, folks.
01:09:27It's the end of the line for you.
01:09:31No hard feelings.
01:09:33But, we gotta do what the people who pay us tell us to do.
01:09:37Who's paying you?
01:09:40I'll give you a hint.
01:09:42A very beautiful woman paid us a small fortune to make sure you two...
01:09:47To make sure you two don't make it.
01:09:50Reina.
01:09:51That fucking bitch.
01:09:53Do you know who I am?
01:09:55I'm Carl Crowe.
01:09:57The CEO of the Crowe Group.
01:09:59Whatever she's paying you, I'll pay double, okay?
01:10:01Yeah, pay me double.
01:10:03I guess you haven't heard the news, buddy.
01:10:05See, I don't think you have the means to outbid your pretty little friend.
01:10:12Oh, that backstabbing slut!
01:10:16Please, pick up the phone.
01:10:18You trying to phone a friend?
01:10:20That's a big no-no, sweetheart.
01:10:22That's breaking the rules.
01:10:26Sweetie.
01:10:28Don't waste the little time you have left trying to call for help.
01:10:31It won't do you any good.
01:10:32It won't do you any good.
01:10:34No one...
01:10:37is gonna help you now.
01:10:42Three hours? Where's Tasha?
01:10:46Hey, Nell.
01:10:47Hey, listen, I need you to do me a favor.
01:10:50Yeah, I need you to pull up the city surveillance system in the area...
01:10:53and find all the footage.
01:10:55Yeah, no, something's wrong.
01:11:03Okay.
01:11:07What are you doing?
01:11:09We have to get out of here.
01:11:17How?
01:11:21You should just...
01:11:23go.
01:11:25Save yourself, leave me.
01:11:27It's what I deserve.
01:11:28I'm not gonna leave you.
01:11:31I'm not that type of person.
01:11:38Come on, let's go.
01:11:42Come down here. Wait until they come in.
01:11:50Hey, Tasha.
01:11:54I'm so sorry.
01:11:56I'm so sorry.
01:11:59Now's not the time for that.
01:12:18All in.
01:12:26Looks like we got ourselves a suicidal prick here, fellas.
01:12:30Which I can't think of any other reason why somebody would kick in the door...
01:12:33that's got Vincent Santorelli on the other side of it.
01:12:39Oh, shit.
01:12:41Boss.
01:12:43I didn't realize it was you.
01:12:47These your guys?
01:12:49Where the fuck are they?
01:12:51You better find them, quick.
01:12:54Oh, my God.
01:12:56Oh, my God.
01:12:57Now it's your turn.
01:12:58Oh, my God.
01:13:24Oh, my God.
01:13:26Now it's your turn.
01:13:28Pretty little thing like you, I was gonna make it painless.
01:13:30But I guess you didn't want that.
01:13:32All the same.
01:13:35Hey, who's this fucking monkey?
01:13:36Lower your fucking gun.
01:13:37Vinny, what the fuck is going on?
01:13:39You're fucking deaf.
01:13:40Yo, lower your fucking gun.
01:13:42Are you...
01:13:44Are you Ken Miller?
01:13:45How can that be?
01:13:46What the fuck is going on?
01:13:48Are you Ken Miller?
01:13:50Are you Ken Miller?
01:13:51Are you Ken Miller?
01:13:52What the fuck is going on?
01:13:53Ken Miller.
01:13:55The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
01:14:06It's you.
01:14:13You know what you have to do.
01:14:17Boss, please.
01:14:20He's my brother.
01:14:22Rules are rules.
01:14:37I was pushing you away as Ken and growing closer to you as Fitz.
01:14:46I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:14:53And I just can't win over your heart.
01:15:01Is Ken Miller always this loving with the hostages he rescues or is this just special treatment reserved for his lovers?
01:15:11Tasha, I love you.
01:15:12My heart has belonged to you and only you for the past 15 years.
01:15:1615 years.
01:15:2115 years?
01:15:23No, we just met a few months ago.
01:15:27We met 15 years ago.
01:15:32You went to Marr Middle School?
01:15:35Yeah.
01:15:36And you saved my life then.
01:15:46Stand up, chicken, and hit us back.
01:15:48Isn't that what your dad does for a living?
01:15:50Beat people up?
01:15:52I'm not my dad.
01:15:55You and your father are both scum.
01:15:57Let's teach this little lad thug a lesson.
01:15:59Yeah, idiot.
01:16:00Get up and show us what you've got.
01:16:04Hey.
01:16:06Hey, hey, hey, hey, hey.
01:16:07Stop.
01:16:08That's enough.
01:16:09That's enough.
01:16:10It's none of your business, Robert.
01:16:11Get out of here, Robert.
01:16:12Hey, stop.
01:16:13Go home.
01:16:14I'll call your parents.
01:16:15Go home.
01:16:28Ever since I saw you that night in the cab with that necklace on,
01:16:33I just, I knew I found you.
01:16:36Look, this isn't just some feeling for me, okay?
01:16:40This is, this is everything to me.
01:16:43Like you are everything to me.
01:16:45No matter what happens between us,
01:16:48I will always care about you.
01:16:51And maybe one day we can
01:16:56make it work in a different way.
01:16:58Okay.
01:17:09I just need some time to process this.
01:17:16Okay.
01:17:18And after that,
01:17:21maybe we can pick up where we left off that first night you spent here?
01:17:26Maybe.
01:17:28You play your cards right.
01:17:44Does everything look good to you, my artist?
01:17:47Yeah.
01:17:49Thanks for everything.
01:17:52That doesn't sound very convincing.
01:17:53Is, is there anything you want to change?
01:17:55No.
01:17:56I just, I never got around to asking
01:17:58why you wanted to start an art gallery in the first place.
01:18:02Honestly?
01:18:03Just to get to you.
01:18:05See, I thought if I owned the world's greatest art museum
01:18:07that one day you might find your way in here
01:18:09and, I don't know, that I might find you.
01:18:26Okay.
01:18:47I want to see what kind of woman this is that hasn't scared my son.
01:18:53I doubt she's worthy of joining the Miller family.
01:18:56As you wish, sir.
01:18:58I will make the arrangements.
01:19:03Honestly?
01:19:04Just to get to you.
01:19:06See, I thought if I owned the world's greatest art museum
01:19:08that one day you might find your way in here
01:19:10and, I don't know, that I might find you.
01:19:14Okay, okay.
01:19:16Just concentrate on painting.
01:19:18Don't think about him.
01:19:26Okay.
01:19:36Who are you?
01:19:39Miss Tasha Roberts.
01:19:41Mortimer Miller would like to speak with you privately at his home.
01:19:46Come here.
01:19:48Take a look.
01:19:49She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:55She's young, beautiful, well-educated.
01:20:00I think she'll make a fine wife for my son, Ken.
01:20:03With all due respect, sir,
01:20:08I believe that it's up to Ken to decide
01:20:10who he wants to spend the rest of his life with.
01:20:12Choose you?
01:20:14Not a chance.
01:20:16You're no match for my son.
01:20:23Now, you owe money to the Crow Group.
01:20:30I'm going to pay your debt.
01:20:36I'm going to pay your debt.
01:20:38And in return, you will agree to never see my son again.
01:20:47It's our decision whether we want to be together or not.
01:20:51Your son and I love each other.
01:20:53There's nothing in this world that can keep us apart.
01:20:57Tasha, you want us to be together?
01:21:01It's impossible.
01:21:03Father.
01:21:04I forbid it.
01:21:05Father, this is the love of my life.
01:21:07I can't lose her again.
01:21:09I'd rather leave the family business.
01:21:12Then leave if you wish.
01:21:14But she will never have my approval, ever.
01:21:17And she'll never be a part of the Miller family as long as I live.
01:21:21You'll come running back
01:21:23without the Miller family power and money.
01:21:28You'll accomplish nothing.
01:21:31You'll make a name for yourself.
01:21:33One thing.
01:21:35You're making a big mistake.
01:21:38Choosing this old hag
01:21:42instead of the family.
01:21:52Ken, where are you?
01:21:54Why aren't you back yet?
01:21:59Oh, you're still awake?
01:22:04Yeah.
01:22:17Who did this to you?
01:22:19Don't worry about me. I'm fine.
01:22:21It's nothing out of the ordinary.
01:22:34Hey, babe.
01:22:36Yeah, no, I'm just right outside.
01:22:41You son of a bitch.
01:22:43You make me cut my own brother's hand.
01:22:46Now you think you can betray the Miller family?
01:22:49Walk away scot-free?
01:22:51Not a fucking chance.
01:22:53This guy means nothing to the Miller family now.
01:22:56He's worthless.
01:22:58Helpless.
01:23:00You're absolutely nothing now.
01:23:02Let's make him feel the pain
01:23:04that my brother felt.
01:23:06Come on, boys.
01:23:07Come on, boys.
01:23:31Stop! Stop hitting him!
01:23:35Stupid bitch.
01:23:37Stop!
01:24:00Stop at once, you insolent fools!
01:24:08Son.
01:24:12You know how hard it is for me
01:24:14to admit that I made a mistake?
01:24:18But today the two of you
01:24:20have proved me wrong
01:24:22beyond a shadow of a doubt.
01:24:25Tasha,
01:24:27you are the perfect woman
01:24:29for my son.
01:24:32Go.
01:24:37Be together.
01:24:39You approve?
01:24:41You have my blessing.
01:24:45From this day onward,
01:24:47you'll have nothing more to do
01:24:49with the legal activities of the family.
01:24:52But
01:24:55you'll always be a Miller
01:24:58as will she.
01:25:07As will she.
01:25:25Get off me!
01:25:27You useless,
01:25:29impotent man-child!
01:25:31The crawl group is bankrupt!
01:25:33Getting involved with you
01:25:35is the worst decision
01:25:37I've ever made in my life!
01:25:39Get off! This is all your fault!
01:25:41You've spent every single thing
01:25:43that we have!
01:25:45Now we have nothing left!
01:25:47No company, no house, no money,
01:25:49not even a dime!
01:25:51And it's all because of you,
01:25:53you greedy cow!
01:25:55Don't you...
01:26:02Late Mrs. Miller
01:26:04was a beautiful woman, sir.
01:26:07Back then my wife protected me
01:26:09from every danger
01:26:11that befell our family.
01:26:14And today,
01:26:16my son found the perfect woman
01:26:18and I said I'd do the same for him.
01:26:21He's a lucky man.
01:26:35Wow.
01:26:37You're so beautiful.
01:26:39No, you can't be here right now.
01:26:41Babe, I don't want to rush you,
01:26:43but everybody's waiting to see you.
01:26:46Ken, can you promise me one thing?
01:26:48I can promise you two if you like.
01:26:51I'm serious.
01:26:55I want you to walk away
01:26:57from the family business.
01:27:00There's a city called Ostia
01:27:02on the southwest side of Rome
01:27:04by the ocean.
01:27:05What?
01:27:07You know what I found over there?
01:27:09I found you an art teaching job
01:27:11at a public school.
01:27:13I would give you tickets
01:27:15and leave in the morning.
01:27:17You're sending me away?
01:27:19No.
01:27:21I opened my own restaurant.
01:27:23It's just down the street.
01:27:25Oh, and one more thing.
01:27:27I enrolled Anna at the school
01:27:29they're going to be teaching at.
01:27:31I think she's going to really love it over there.
01:27:35So you really are walking away?
01:27:37Yeah.
01:27:42You got some sauce.
01:28:05You got some sauce.