mystical war epic unfolds as Jiang Ziya and Ji Fa rally civilians and immortals to defend Xiqi against the invading Shang Dynasty forces.
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Short filmTranscript
00:00The treasure I present to you is called the God of Wind Treasure.
00:04The second part of the God of Wind is still a challenge to the God of Wind Treasure.
00:11We can see more scale of the war,
00:14more war and action scenes,
00:17and also increase the performance of a lot of magic.
00:25The second part of the God of Wind is an all-in-one battle.
00:29Yin Shang and Xi Qi are fighting against each other.
00:34The God of Wind is a whole new world.
00:39We are going to write a real war.
00:41How do ordinary people defeat magic?
00:44This is a big challenge.
00:46This is also a very special part of the God of Wind.
00:49Enhance the struggle and growth of people
00:52and the spirit of the human race.
00:54We are all listening to a hero's dream.
00:58We must get the God of Wind.
01:01The crisis of mankind must be solved by mankind.
01:04This is also a new way of setting the human, immortals, and demons in the trilogy of the God of Wind.
01:10I don't want you to die because of me.
01:12Qi Pa hasn't become the King of Zhou yet in the second part of the God of Wind.
01:15He is still growing.
01:17From the first part of the Yin Shang Wangjia Shi,
01:20he returned to his hometown and became the master of Xi Qi.
01:23He has to take on this responsibility and protect his home.
01:27Xi Qi's geographical environment
01:29has added a lot of our imaginations of language.
01:33It is a city of agriculture.
01:35It also has an atmosphere and is very peaceful.
01:37It is a more ideal home.
01:41We hope to be able to shoot these films
01:45in a real environment with a real atmosphere.
01:49I think it's really beautiful.
01:52So in the end, we decided
01:54to realize the streets of Xi Qi and Xiluohou Palace.
01:57And we didn't build it in a self-sustaining way,
02:00but in a way that will be preserved forever.
02:02We built another city.
02:04Three kilometers multiplied by three kilometers,
02:06which proves that there is no weight.
02:08There are about 50 buildings.
02:11Wow, it's so beautiful.
02:15There are famous houses,
02:18there are vast fields,
02:20and there are a lot of sights.
02:24This wind can really blow people away.
02:27Ready, go!
02:30The visual array of the literary and visual exploration room
02:32is 10 arrays in the original work.
02:34But if we summarize it into one array,
02:36it will be more visualized.
02:39In the second part of Wind God,
02:41the fighting scenes and big scenes
02:43are one of the biggest highlights for me.
02:45In the second part of Wind God,
02:47there are more action scenes.
02:49Ready, go!
02:51The overall design style of all action scenes
02:53is realistic.
02:55Ready, go!
02:57Each of our action scenes
02:59has a technical difficulty.
03:01We need to train and rehearse thoroughly.
03:04Ready, go!
03:06Ready, go!
03:08So we also set a good precedent for horseplay.
03:11Everyone is nervous every day.
03:13Ready, go!
03:15Ready, go!
03:17Ready, go!
03:19Ready, go!
03:21Ready, go!
03:23Ready, go!
03:25More situations
03:27that require a huge environment
03:29and interaction of, again,
03:31hundreds and thousands of people.
03:33Thank you, thank you.
03:35Let's see what the Mojahedin will do.
03:37The Mojahedin completely gives up
03:39the way of action and animation.
03:45Such 12-meter-tall giants
03:47are all taken by real people.
03:49These four actors themselves are very bold.
03:51They use special effects makeup
03:53to complete the stylized styling.
03:56They shoot in depth.
03:58Their actions are all 36 frames.
04:00Our normal people's speed is 24 frames.
04:02To make them act more slowly.
04:05And then shoot in Mocha style.
04:07So that we can see clearly
04:09that they really look like giants.
04:12Normal army and Mojahedin
04:14have different proportions of shooting.
04:16It took a long time.
04:19The post-production process is very difficult.
04:21The camera has to do a lot of calculations.
04:23Layers and layers are stacked inside.
04:25I think this is a very scary
04:27computational process.
04:30There are more complex digital creatures.
04:34The yellow eagle, the green cloud, the horned dragon
04:36are all created by Feng Er.
04:38Action!
04:40The most difficult part of visual effects
04:42is the digital characters.
04:44The most impressive is the horned dragon.
04:47The digital characters in the second part
04:49from the skeleton, muscle, fat
04:51to the structure of the skin
04:53have all been redesigned and produced.
05:02In ten years,
05:04the best creative forces in China
05:06have come together
05:08to make this dream come true.
05:11Chase!
05:12We hope to use new technologies
05:14to create a sense of reality
05:16in Chinese mythology.
05:18In this respect,
05:20the biggest achievement is to try.
05:22Through everyone's efforts,
05:24I think it is really worthwhile
05:26to make a Chinese historical film.
05:28Wind God is a fusion and collision
05:30between Chinese aesthetics
05:32and Chinese film culture.
05:34We can see our creators'
05:36commitment to Chinese traditional culture
05:38and we can also experience
05:40the courage to innovate
05:42in Chinese traditional culture.
05:44The elements of Chinese culture
05:46and Chinese imagination
05:48we present in the film
05:50will provide the audience
05:52with a new feeling
05:54and bring a brand new experience.