Faloon Larraguibel y Yuli Cagna no son amigas.
#PalabraDeHonor65
#PalabraDeHonorCapitulo65
#PalabraDeHonorCompleto
#PalabraDeHonorCanal13
#Reality
#PalabraDeHonor65
#PalabraDeHonorCapitulo65
#PalabraDeHonorCompleto
#PalabraDeHonorCanal13
#Reality
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FunTranscript
00:00:00We're going to be queens because tonight is going to be a girls' night.
00:00:13The men of the reformatory are going to have to attend us.
00:00:19I would say that my seductive weapon is a little bit my way of being, my look.
00:00:25I have a penetrating look.
00:00:29He penetrates you with his look, said Rai.
00:00:31We can see his penetrating look. What would it be?
00:00:34That, that.
00:00:41I deserve it.
00:00:42Cheers for Rai.
00:00:43Cheers.
00:00:55The boys are ready for the night, I can't wait.
00:00:57I can't wait to see who the guests are.
00:00:59Let's go and find out who they are.
00:01:01I'm looking forward to it.
00:01:10The kiss, the kiss, the kiss!
00:01:15Is David ready yet?
00:01:16No.
00:01:17It's just a little bit.
00:01:18I'm going to go with Josué, because I trust him more.
00:01:22I'm sure you will trust me.
00:01:24It's all me, I don't have a problem anymore.
00:01:33I'll get everything I set my mind to.
00:01:35On a personal, professional and emotional level.
00:01:39For the first time in my life.
00:01:42What do you mean by first time?
00:01:45Maybe you won't get it.
00:01:48What an asshole!
00:01:50You're so heavy!
00:01:53What an asshole!
00:01:56Look at his eyes.
00:01:58He wants to go to bed with her.
00:02:00They're talking.
00:02:02I'm sure they're mad at me now.
00:02:05He's really a failure.
00:02:07He's out of control.
00:02:08He's crazy.
00:02:10With whoever he wants.
00:02:12When I tell her I'm with you,
00:02:14now that you're not with him,
00:02:16I flirt with her.
00:02:18And she says, no, do whatever you want.
00:02:20You're free, of course.
00:02:22I don't really care.
00:02:24But deep down I think,
00:02:26she's affected by her ego.
00:02:28She doesn't have the attention she'd like.
00:02:32Don't come down now.
00:02:34But I'm not down.
00:02:35Not now.
00:02:36Everything's fine, everything's fine.
00:02:38Now I'm free.
00:02:40Like a little bird.
00:02:42Free.
00:02:46Come on, come on, come on!
00:02:48Close the door!
00:02:52Son of a bitch!
00:02:56What's going on here?
00:02:58Oh, oh, oh.
00:03:00Oh!
00:03:02The commander!
00:03:04Run, run, run!
00:03:06The commander is going to get mad.
00:03:12I saw you locked the door.
00:03:13I put my hand in.
00:03:14I did this.
00:03:15What did you do with the other one?
00:03:16Did you put it in my bed?
00:03:18In my clothes?
00:03:28Keep going.
00:03:29Keep going.
00:03:30You'll see.
00:03:32We're even now.
00:03:34No!
00:03:35We're even now.
00:03:37We're even now.
00:03:38We're even now.
00:03:40We're even now.
00:03:43We're even now.
00:03:44Josué, you're going to be expensive!
00:03:49We're even now.
00:03:53We're even now.
00:03:58I'm not going to be able to sleep in my room, baby.
00:04:02I mean, just hold my hand.
00:04:04Why didn't you sleep with me?
00:04:06Don't go out with these guys anymore.
00:04:09Bro, I'm going to sleep with you.
00:04:11Get out of the mattress.
00:04:12Get out of the mattress.
00:04:14Get out of the mattress.
00:04:24I'm going to throw this mattress.
00:04:31Good night.
00:04:32Good night.
00:04:34Good night.
00:04:43I want to buy breakfast.
00:04:45Since he accidentally broke the glass with his hand,
00:04:50we're going to use his good hand.
00:04:53We're going to do a penance.
00:04:55He's going to write on a board,
00:04:57and I will obey my commander's orders 100 times.
00:05:03Write as big as you can.
00:05:05But it's 100 times, commander.
00:05:07But write as big as you can.
00:05:11Figueroa, I'm going to leave it here.
00:05:13I trust that you are going to write all the number of times on the board.
00:05:18You have 95 sentences left.
00:05:22That's it.
00:05:23Put a lot of yo.
00:05:24Yo.
00:05:25Very good.
00:05:26It seems that Figueroa did this in school.
00:05:29It seems that she...
00:05:30I'm not used to being punished, commander.
00:05:42Yes, here.
00:05:49You didn't care much yesterday either.
00:05:51So, well, what did you come to complain about now?
00:05:53Well, the other day they were all hitting here
00:05:55and nobody said anything either.
00:05:56But it's bad coexistence too.
00:05:58It's not the same, it's bad coexistence.
00:06:02You said you didn't care about that.
00:06:03The other day you didn't care about that noise for an hour
00:06:06and we all had to go upstairs.
00:06:07Even Natu was sleeping upstairs.
00:06:09What noise?
00:06:11When? In the morning?
00:06:12It doesn't matter when, it doesn't matter when.
00:06:15It's yours, it's mine, I don't know what to say.
00:06:19Yes, today I go back.
00:06:20I don't care.
00:06:21Ah, you don't care.
00:06:23How immature she is.
00:06:24I don't care.
00:06:25How immature she is.
00:06:26When you do it, no one complains about it.
00:06:29When you do it, no one complains about it.
00:06:31No one complained the other day.
00:06:33It was at night.
00:06:34It was at night.
00:06:35You're in bad company, Rey.
00:06:37It doesn't matter if it's day or night.
00:06:39It was a different night because of the context.
00:06:41We were resting.
00:06:42No, it's not different.
00:06:43I was sleeping and they woke me up.
00:06:45You've been like this for an hour.
00:06:47It's bad company.
00:06:49Do you understand what bad company is?
00:06:52It's bad company.
00:06:53It's bad company.
00:06:54It's bad company.
00:06:55Don't depend on the time.
00:07:04It's bad company.
00:07:05Learn to live together if you want respect.
00:07:07Why should I have respect
00:07:10if they didn't let me rest well yesterday?
00:07:20He really likes Javiera.
00:07:22I tell you more.
00:07:23Is he with Lorena?
00:07:24I'm going to go with Lorena.
00:07:25I'm going to give Lorena a hug and I'm going to look at Javiera.
00:07:30I swear.
00:07:33I think Lorena knows.
00:07:35I think she knows.
00:07:37The base is that she likes them all.
00:07:39Basically.
00:07:40Inside that she likes them all, Javiera is her weakness.
00:07:44And she eats her with her eyes.
00:07:45I look at her and say, look at her, look at her.
00:07:47But they're not there anymore.
00:07:49Since she doesn't fish, he's a hunter.
00:07:51He's a hunter.
00:07:53He bites more.
00:07:54He also teases her.
00:07:55I think she likes them all.
00:07:57He also teases Falon.
00:07:58That's why.
00:07:59They also flirt with me a little.
00:08:05Around the pool.
00:08:06Nobody touches the pool.
00:08:07Look for your space to enter the pool.
00:08:12Ready guys.
00:08:13On the count of three.
00:08:15Two.
00:08:16One.
00:08:17Everyone inside.
00:08:19Come in, come in.
00:08:20I'll see you faster.
00:08:29Slowly, slowly.
00:08:30Down, down.
00:08:31Down.
00:08:32Hug, sit down.
00:08:35That's it.
00:08:49The next verse is composed by Vico together with Falon Larraguer.
00:08:57I told you.
00:08:58Mati.
00:08:59I told you.
00:09:00It's random.
00:09:01It's a mistake.
00:09:02If last night I slept outside because I arrived late, imagine tonight.
00:09:04He acted very well.
00:09:05I was the protagonist of two TV series.
00:09:07I am very professional.
00:09:08Do you like ghost movies?
00:09:10No.
00:09:11Maybe now you're going to like it less.
00:09:13What are you doing?
00:09:14I couldn't sleep.
00:09:15No, no, no.
00:09:16In your fingers.
00:09:17No.
00:09:18No.
00:09:19No.
00:09:20No.
00:09:21No.
00:09:22No.
00:09:23No.
00:09:24No.
00:09:25No.
00:09:26No.
00:09:27No.
00:09:28No.
00:09:29No.
00:09:30No.
00:09:31No.
00:09:32No.
00:09:33No.
00:09:34No.
00:09:35No.
00:09:36No.
00:09:37No.
00:09:38No.
00:09:39No.
00:09:40No.
00:09:41No.
00:09:42No.
00:09:43No.
00:09:44No.
00:09:45No.
00:09:46No.
00:09:47No.
00:09:48No.
00:09:49tolerance and artistic conditions in a high-impact dynamic they will have to learn to control their
00:09:56mind and immerse themselves in a pool full of ice for more than 30 minutes later it is time for
00:10:03talent today the pairs will have to represent the most romantic scenes in cinema but kisses are
00:10:09a conflict for many Jenko will set their limits and Daniela will take it as a contempt so
00:10:16we start word of honor loyalty or betrayal
00:10:47what does this mean?
00:10:50what happened here?
00:10:52my wife kicked me out
00:10:54what did you do?
00:10:56she didn't make it to bed
00:10:58we arrived very late because we were drinking with my friend
00:11:00and you three, what role do you play here?
00:11:02because there is a friend who can't leave you alone
00:11:04you should be in the dungeon, double failure
00:11:08no, commander, you taught us the value of companionship
00:11:13well, yes, as companions you supported him, as companions we are going to pay everything
00:11:19they are going to go up, they are going to put on their shoes and they are going to go down
00:11:22fast
00:11:24and they are going to take only their bedclothes
00:11:28oh, they woke us up with a dance
00:11:31they are going to take three laps
00:11:45but commander, I think three laps is very little
00:11:48so that they learn not to move the mattresses
00:11:50come on, very good
00:11:53what a good start to tomorrow, I love it, I love it
00:11:57run, run, run
00:12:00three laps
00:12:02it's not even half
00:12:04is this yours?
00:12:06yes
00:12:07are you going to eat it?
00:12:08let's eat it together, let's have a competition
00:12:10you catch it on one side, I'll catch it on the other
00:12:18hello, good morning
00:12:20how are you?
00:12:22with a lot of energy
00:12:24oh, the door, I forgot the boy, sorry
00:12:31you are free, Miguelito
00:12:33run
00:12:39if you take too long, I'm going to give you three more laps
00:12:42no
00:12:43come on, do it
00:12:49come on, all together
00:12:52now, in a row, go up and put the mattress where it belongs
00:12:57and make your beds
00:12:59ok
00:13:01don't dirty the mattresses
00:13:03no, no
00:13:04two for one
00:13:05and one for two
00:13:07oh, the foresters, how scary
00:13:10let's go, let's go
00:13:17now you have to say everything that happened last night
00:13:21I don't know, it was until late, it seems
00:13:25oh, well, what can I tell you?
00:13:28Yenko slept with Daniela
00:13:30hug her, give her two kisses
00:13:32I love that my friend has what she deserves
00:13:35that's it, that's it
00:13:37very good, friend
00:13:39I love you, my companions
00:13:41but he didn't even kiss her
00:13:43no, I don't think so
00:13:45so much swimming to die on the shore
00:13:47I don't find Yenko so cute
00:13:50oh, yes, he's like the prototype of a man who loves me so much
00:13:53but no, no, no
00:13:54oh, he liked the...
00:13:56don't eat, don't let him eat
00:13:58don't listen to him, he's a man
00:14:00what I'm telling you is...
00:14:02seriously
00:14:03and the other one, since it's a piece of bread, you have to say it
00:14:05you have to say it
00:14:06there are many things
00:14:08yes, but one is already seen
00:14:10this one is healthy, it has just arrived
00:14:12it's a collagen, in quotation marks
00:14:14you have to tell me, a love plan?
00:14:16a love plan, yes, love
00:14:18before another sheep comes
00:14:20you know
00:14:23to train
00:14:27his partner, Recruita Caldirola, is not here
00:14:30she's a little sick
00:14:32so now she's in observation at the doctor's
00:14:34she'll be back soon
00:14:36Recruita Cerda is also going to join La Brevedad
00:14:40they're together?
00:14:45who's Recruita Lorena Galvez?
00:14:47don't say that, please
00:14:51a step forward
00:14:52Caña, Requena, Galvez, Cuevas
00:14:59and Figueroa
00:15:03do you know why they could be here?
00:15:05no, I suspect
00:15:06do you suspect?
00:15:07for not having slept a few hours in my bed
00:15:09but he woke up in my bed
00:15:11he woke up in my bed, commander
00:15:13but he moved, and for several hours
00:15:15but it's very difficult to fall in love
00:15:17it's very strange that you're doing that
00:15:19because you were a child
00:15:20I think Recruita del Río didn't let her go to his bed
00:15:23the thing is, there was a lot of noise
00:15:25and he couldn't sleep, so
00:15:27he was comforting me
00:15:28a couple of hugs, a couple of caresses
00:15:30who was he comforting?
00:15:31he was spooning
00:15:33he was spooning?
00:15:35kisses and hugs tear us apart, commander
00:15:37who couldn't sleep?
00:15:39Requena or del Río?
00:15:40all of them
00:15:41my commander
00:15:42last night, I was sleeping, calm
00:15:44in my bed
00:15:46and I started to hear screams
00:15:48and I said, what's happening?
00:15:50and it turns out that half of our companions
00:15:52were playing with a mattress
00:15:54or whatever
00:15:55then, my partner Daniela
00:15:57was hugged by the bear
00:15:59here present
00:16:01and she was also interrupted
00:16:03in her sleep
00:16:05which seems unacceptable to me
00:16:07because she fought all week
00:16:09for that hug
00:16:12she couldn't do it
00:16:14but this was all because of
00:16:16Cañas
00:16:20look, you are here
00:16:22for a reason
00:16:24you too
00:16:26you started the show
00:16:28it was my friend's idea
00:16:30and she was the mentor
00:16:33out of the reasons
00:16:35I tell you that you have to respect
00:16:37the sleep of the others
00:16:39because when they start
00:16:41to take their interests
00:16:43they complain, but we can't
00:16:45del Río wanted to say something
00:16:47the noise they made was minimal
00:16:49it wasn't that bad
00:16:51let me finish
00:16:53if the laughter is scandalous
00:16:55funny, it's not so funny
00:16:59it was a funny moment
00:17:01ok, but the
00:17:06are you telling me that laugh
00:17:08yes
00:17:20impossible
00:17:22they put him next to my bed
00:17:24and it's super messy
00:17:26I sleep with him
00:17:28next to my bed
00:17:30because he's my partner
00:17:32and I'm not afraid
00:17:34what happens is that Fanny
00:17:36is not that funny
00:17:38Fanny is not that funny
00:18:06and Figueroa
00:18:08as he broke
00:18:10by chance
00:18:12with his hand
00:18:14the glass
00:18:16we are going to do a penance
00:18:18he is going to write in a plan
00:18:20100 times
00:18:22I obey the orders
00:18:24of my commander
00:18:26I have the panel outside
00:18:30let's have breakfast
00:18:36I
00:18:38I must
00:18:40I obey
00:18:42I must obey
00:18:44I
00:18:46I
00:18:48I obey
00:18:50I obey
00:18:52to
00:18:54my
00:18:56commander
00:18:58100 times?
00:19:00100 times
00:19:06you don't talk to me
00:19:08I didn't say anything
00:19:10did you hear me?
00:19:12I heard scream and laugh
00:19:14did you hear your laugh?
00:19:16no
00:19:22shut up
00:19:26if they are going to do that
00:19:28I'm leaving
00:19:30reload
00:19:38write the biggest
00:19:40but it's 100 times
00:19:42but write the biggest
00:19:44the biggest
00:19:46come on
00:19:48slow starter
00:19:52slow starter
00:19:54go
00:19:56do it
00:20:00Figueroa
00:20:02I'm going to leave you here
00:20:04I trust that you are going to write
00:20:06all the number of times
00:20:08in the board
00:20:10you have 95 sentences
00:20:12suppose a lot
00:20:14I
00:20:16Figueroa did this in school
00:20:18I'm used to
00:20:20being punished
00:20:22Sargent Fox
00:20:24let's go
00:20:30I'm hungry
00:20:32always the same
00:20:34let's go
00:20:36let's go
00:20:38I love you
00:20:40I love you
00:20:42thank you
00:20:46you didn't care
00:20:48a lot yesterday
00:20:50they were beating
00:20:52and no one said anything
00:20:54we were laughing
00:20:56we were sleeping
00:20:58we were sleeping
00:21:00you didn't care
00:21:02you made that noise
00:21:04and we had to go upstairs
00:21:06Natu was sleeping
00:21:08they are fighting
00:21:10in the morning
00:21:12it doesn't matter when
00:21:14you didn't care
00:21:16he is still there
00:21:18I don't care
00:21:20I don't care
00:21:22I don't care
00:21:24you are immature
00:21:26no one complains
00:21:28when you do it
00:21:30no one complained
00:21:32it's not the night
00:21:34it's not the night
00:21:36it doesn't matter
00:21:38it's a different night
00:21:40I was sleeping
00:21:42they woke me up
00:21:44it's not the night
00:21:46it's not the night
00:21:48it's not the night
00:21:50it's not the night
00:21:52it's not the night
00:21:54it's not the night
00:21:56it's not the night
00:21:58it's not the night
00:22:00it's not the night
00:22:02it's bad to live with someone
00:22:04learn how to live with someone if you want respect
00:22:06what respect
00:22:08when you do something to them
00:22:10there should be respect
00:22:12there should be respect
00:22:14yesterday he was sleeping
00:22:16for a long time
00:22:18and he didn't care
00:22:20that you had many lives
00:22:22But it's true that several people go to sleep,
00:22:26and I asked them to stop making noise,
00:22:28because they are old.
00:22:30You disturb them and they follow you.
00:22:32Now you also respect them.
00:22:35That's it.
00:22:39Respect is a must.
00:22:41It's not something you do in the morning,
00:22:42in the afternoon, in the evening, we understand.
00:22:45On the second day,
00:22:46they hit the tray with a spoon.
00:22:48It was the day because they slept.
00:22:49It's the same thing.
00:22:50I've been sleeping around.
00:22:52What's wrong?
00:22:53Are you comfortable with her sleeping around all day?
00:22:55I am!
00:22:56She spends an hour a week!
00:22:57So why do I have to show respect if I was not allowed to rest yesterday?
00:23:00Exactly.
00:23:02Why doesn't everyone respect each other, when we need to show respect in the morning,
00:23:05in the day, at night, and the evening, when we can?
00:23:07That's what I am saying.
00:23:09Get ready Bernal, because this whore is a war.
00:23:12This whore.
00:23:15How old are you?
00:23:16Wait a minute.
00:23:17Talk a little less, or it won't be appropriate for you.
00:23:19Calle te!
00:23:22Calle te!
00:23:24♪♪
00:23:27We are free. We can occupy the space.
00:23:29Why does everyone go to bed so early?
00:23:31And you can't talk anymore at home, man?
00:23:33If the house is also ours.
00:23:34I had to change my habits,
00:23:36because I couldn't sleep early either.
00:23:37I said, or I change.
00:23:38Or you get stressed, man.
00:23:41Very nice, man.
00:23:42But don't start with that, man.
00:23:45My head hurts a lot with that noise.
00:23:47Maybe your head hurts
00:23:48because they didn't let you sleep yesterday.
00:23:50Yeah, but you also have to understand a little
00:23:53what we're doing too.
00:23:55It's early.
00:23:56Yesterday was night and it was the same.
00:23:58It's the same.
00:23:59But there's no other way to do it
00:24:00than preparing a wedding that sounds loud
00:24:02and hurts your head.
00:24:03It's the same wedding they said yesterday.
00:24:05It's the same.
00:24:06♪♪
00:24:09What are you doing?
00:24:11The commander's ideas.
00:24:13But why like this?
00:24:15And who wrote all this?
00:24:17No.
00:24:18But what did you do wrong?
00:24:19Because of Bernal, I broke that thing.
00:24:21So this thing is war.
00:24:22Oh.
00:24:23The thing I made in the shoes
00:24:25is nothing compared to what I'm going to do to him now.
00:24:27There were other penances.
00:24:29Yes.
00:24:30They punished everyone who slept downstairs.
00:24:31At least you were saved.
00:24:32So I think...
00:24:33Wait until I get there.
00:24:34What did they say about me?
00:24:35Because you weren't there.
00:24:36♪♪
00:24:40You jumped.
00:24:41I appreciate it.
00:24:42That's what he told me.
00:24:43Me, me?
00:24:45Ha, ha, ha.
00:24:46Me, me.
00:24:47I obey.
00:24:48Me, me, commander.
00:24:49I think you're going to have to make it
00:24:51a little smaller here.
00:24:52Me, me, commander.
00:24:53What are you doing?
00:24:55Unacceptable.
00:24:56I'm dizzy.
00:24:57Turn around.
00:24:58I'm out of focus.
00:25:00You can put it the same.
00:25:01Me, me, commander.
00:25:02I obey.
00:25:03Yes, finish it with I obey.
00:25:04Me, rat, comedian.
00:25:06I obey.
00:25:07I obey.
00:25:08Done.
00:25:09♪♪
00:25:14Julie, I had a dream with Vico.
00:25:16I swear on my life.
00:25:17I swear on my life.
00:25:19I was in the shower and Vico came in.
00:25:23Oh, wow.
00:25:24I had to see you.
00:25:26I swear.
00:25:27Vico came in and he touched me.
00:25:29Hey!
00:25:30You're kind of obvious.
00:25:32I mean, that can happen.
00:25:33Yes.
00:25:34You're going to see.
00:25:36You're not behaving well.
00:25:38For some reason she dreams of those things
00:25:40because she's obvious.
00:25:41♪♪
00:25:45How many more?
00:25:46I'm done.
00:25:47Or is it with S?
00:25:49That's how they wrote it.
00:25:50No, with S.
00:25:51That's how they wrote it.
00:25:52Look.
00:25:53I'm kidding.
00:25:54That's how they wrote it.
00:25:55I'm kidding.
00:25:56Yes.
00:25:57♪♪
00:26:00We're talking about something that has nothing to do with it.
00:26:02Look, my experience as a TV host.
00:26:04Oh, that sucks.
00:26:05Yes, we know.
00:26:06So that bothers you.
00:26:08I mean, it doesn't bother me.
00:26:09I just laugh.
00:26:10That sucks.
00:26:11It's like a man in his 80s.
00:26:13What do you mean?
00:26:14But I can still feel bad.
00:26:16I just laugh.
00:26:17Do you think you don't have bad intentions right now?
00:26:20No.
00:26:21♪♪
00:26:27Last ones, last ones.
00:26:28♪♪
00:26:30Come on.
00:26:31♪♪
00:26:37I'm done.
00:26:38I'm done.
00:26:39♪♪
00:26:42I'm still here, waiting for my husband to arrive.
00:26:45I'm not leaving until I tell a love story to the house.
00:26:48He would arrive and eat Javi.
00:26:50Most likely.
00:26:51♪♪
00:27:02And why are you doing this?
00:27:04Because I slept in a bed that wasn't mine.
00:27:06But happy?
00:27:07But happy?
00:27:08Not so much because we didn't do anything.
00:27:10But happy in any case.
00:27:11Like it was a little while later.
00:27:12A little while.
00:27:13Of course.
00:27:14Yes.
00:27:15And you paid the same.
00:27:16I paid the same.
00:27:17If you commit something,
00:27:18you have to commit it with everything.
00:27:19Don't mediate.
00:27:20Well then,
00:27:21last night I was in your bed
00:27:22and we committed it with everything.
00:27:23Ha ha ha.
00:27:24Ha ha ha.
00:27:25Ha ha ha.
00:27:26Ha ha ha.
00:27:27Ha ha ha.
00:27:28Ha ha ha.
00:27:29Ha ha ha.
00:27:30Ha ha ha.
00:27:31Ha ha ha.
00:27:32Ha ha ha.
00:27:33Ha ha ha.
00:27:34Ha ha ha.
00:27:35Ha ha ha.
00:27:36I'm telling you more.
00:27:37He's like with Lorena.
00:27:38He gives her a hug
00:27:40and he's looking at her head.
00:27:43Oh yeah?
00:27:44I swear.
00:27:45I'm going to pay attention.
00:27:46I think Lorena knows.
00:27:48Maybe she realizes.
00:27:50You left me abandoned
00:27:52to go to bed with your friends.
00:27:55You got into bed.
00:27:57No, it was Gala who told me.
00:27:59You should have said no,
00:28:00I want to sleep here with me.
00:28:01No, because then they say no,
00:28:03it's Madonna.
00:28:04You lacked personality.
00:28:06Yes, I lacked character.
00:28:07Yes?
00:28:08And why didn't you,
00:28:10when we threw you in bed,
00:28:11you grabbed the bed and said no?
00:28:13I want to sleep with my wife.
00:28:14No, you're crazy.
00:28:15And you were happy
00:28:16putting your own picture.
00:28:18Imagine my image
00:28:19getting on the bed
00:28:20after they threw her at me.
00:28:22It's impossible.
00:28:23Ha ha ha.
00:28:24Ha ha ha.
00:28:25It doesn't happen.
00:28:26Ha ha ha.
00:28:27Ha ha ha.
00:28:30The basis of everything
00:28:31is that she likes them all.
00:28:32Basically.
00:28:33Inside that she likes them all,
00:28:34Javiera is her weakness.
00:28:37She eats her with her eyes,
00:28:38I look at her,
00:28:39she looks at him,
00:28:40she looks at him.
00:28:41But they're not there anymore.
00:28:42Since she doesn't fish,
00:28:43he, who is a hunter,
00:28:47bites her more.
00:28:48He also teases her.
00:28:49I think she likes them all.
00:28:50He also teases Falon.
00:28:52That's why.
00:28:53They also flirt with me a little.
00:28:55You know?
00:29:01Jenco, how does Fanny laugh?
00:29:02He's an actor.
00:29:03Ha ha ha.
00:29:04And he does it well.
00:29:05Jenco was an actor
00:29:06and we didn't know.
00:29:07Yes, he was an actor
00:29:08and we didn't know.
00:29:09He's a first-rate actor.
00:29:10Ha ha ha.
00:29:11How unbearable.
00:29:12He doesn't know how to imitate.
00:29:13But is it wrong
00:29:14to say what a person
00:29:15knows or can do?
00:29:16Ah, but you're very good at it.
00:29:17No, it's just that
00:29:18everyone knows how to do it
00:29:19and I start to doubt
00:29:20because a person...
00:29:21No, no, no,
00:29:22there are things that you don't know how to do.
00:29:23In that body
00:29:24you have so many skills.
00:29:25What doesn't he know how to do?
00:29:26Because he does it all the time.
00:29:27Please, tell us.
00:29:28What doesn't he know how to do?
00:29:29Dance.
00:29:30And be humble.
00:29:31I'm humble.
00:29:32Ah!
00:29:42Major Basalo
00:29:43and Sergeant Fox
00:29:44tell the recruits
00:29:45that they have to change
00:29:46for this.
00:29:47Five minutes.
00:29:48I'll wait for you
00:29:49in the play area.
00:29:50Okay.
00:29:53Good morning!
00:29:54No!
00:29:57Let's see, let's see.
00:29:58Let's change.
00:30:01Up, up, up, up, up.
00:30:03He's so strong, Major Basalo.
00:30:05Let's change.
00:30:06Let's change.
00:30:08He says our recruits
00:30:09have a lot of strength.
00:30:10A lot of strength, Major Basalo.
00:30:11Let's see,
00:30:12can I see the ball?
00:30:13Ah!
00:30:14Let's go, let's change,
00:30:15let's change.
00:30:16Major Basalo is strong.
00:30:17Major Basalo!
00:30:18Let's change.
00:30:19Stand up, stand up, stand up.
00:30:20We have time.
00:30:21You can do it, Miguel!
00:30:22Let's go!
00:30:23Stand up.
00:30:28Time's up.
00:30:29Three,
00:30:30two,
00:30:32one.
00:30:37Good morning, recruits.
00:30:39Good morning!
00:30:40We start today's activity
00:30:42and training
00:30:44with the mission
00:30:45in Antarctica.
00:30:47Degrees below zero.
00:30:51In this,
00:30:52what are we going to work on today?
00:30:53Resistance
00:30:54and teamwork.
00:30:56For this,
00:30:57I'm going to select
00:30:58two recruits
00:30:59who are going to lead
00:31:00two teams.
00:31:02These recruits are
00:31:03Suñiga
00:31:05and Esparza.
00:31:06This team has already melted.
00:31:08In the front.
00:31:09I just touched them.
00:31:10In the front.
00:31:11That's it.
00:31:13Yes!
00:31:14Suñiga,
00:31:15tell me the reason
00:31:16for the first recruit
00:31:17or the recruit
00:31:18you are going to choose.
00:31:19The reason is that
00:31:20without this person
00:31:21I can't live
00:31:22or breathe in the house,
00:31:23so I choose Fallon.
00:31:24Yes.
00:31:25La Raguivera
00:31:26in the front
00:31:27is behind
00:31:28the Suñiga recruit.
00:31:29Recruit Esparza.
00:31:30I know she's going to respond well.
00:31:31Del Rio.
00:31:33Ray.
00:31:34Bernal.
00:31:35Daniela.
00:31:36Urtubias.
00:31:37Dach.
00:31:38Recruit Galvez.
00:31:39Javiera.
00:31:40Julie Caña.
00:31:41Cañulez.
00:31:42Rubier.
00:31:43Lafer.
00:31:44Sumastre.
00:31:45Therefore,
00:31:46Recruit Cuevas
00:31:47goes to
00:31:48the team
00:31:49of Recruit Suñiga.
00:31:50We have
00:31:51a special guest.
00:31:52We receive
00:31:53a big round of applause
00:31:54to Instructor
00:31:55Sandra Flores.
00:32:04Sandra is an instructor
00:32:05of high-impact
00:32:06dynamics.
00:32:08She will instruct us
00:32:09and she will give us
00:32:10the techniques
00:32:11to be able
00:32:12to make the investment.
00:32:13Sandra, please.
00:32:14Good morning
00:32:15to everyone.
00:32:16Good morning.
00:32:17This is a dynamic
00:32:18in which we are going
00:32:19to have the conviction
00:32:20that we are going
00:32:21to do
00:32:22only one thing.
00:32:23Cold,
00:32:24mind
00:32:25and breathing.
00:32:26The mind controls
00:32:27the body,
00:32:28but there is something
00:32:29that controls
00:32:30the mind
00:32:31and that is
00:32:32breathing.
00:32:33This is the most
00:32:34important and vital part
00:32:35so that you
00:32:36come out of there
00:32:37victorious.
00:32:38Please, here.
00:32:39Touch your ribs
00:32:40and we are going
00:32:41to breathe
00:32:42deeply
00:32:43through the nose
00:32:44and we are going
00:32:45to do this
00:32:46diaphragmatic breathing.
00:32:47Take air,
00:32:48hold,
00:32:49eliminate
00:32:50and you will see
00:32:51that it inflates
00:32:52and deflates
00:32:53the side
00:32:54of the ribs.
00:32:55I'm still inflated.
00:32:56I'm still inflated.
00:32:58The team
00:32:59that lasts
00:33:00longer
00:33:01with the most
00:33:02number of members
00:33:03inside the pool
00:33:04will receive
00:33:05a great prize
00:33:06that I have
00:33:07prepared
00:33:08for you.
00:33:12Are you ready?
00:33:13Yes.
00:33:14Take off
00:33:15your shoes,
00:33:16socks.
00:33:21You have to be
00:33:22like this,
00:33:23still.
00:33:24Yes.
00:33:25Eyes closed,
00:33:26don't move,
00:33:27don't do anything.
00:33:28I don't know,
00:33:29like a baby,
00:33:30upside down.
00:33:32Around the pool,
00:33:33nobody touches
00:33:34the pool,
00:33:35look for your space
00:33:36so that you
00:33:37enter the pool.
00:33:39Ready guys,
00:33:40on the count of
00:33:41three,
00:33:42two,
00:33:43one,
00:33:44everyone inside.
00:33:46Come in,
00:33:47come in,
00:33:48move faster.
00:33:51Go, go, go,
00:33:52down,
00:33:53down,
00:33:54down.
00:33:55Hug each other,
00:33:56sit down.
00:33:58Sit down,
00:33:59yes.
00:34:01Sit down,
00:34:02yes.
00:34:03Hug each other,
00:34:04sit down.
00:34:08Sit down,
00:34:09sit down,
00:34:10sit down.
00:34:12Take a seat,
00:34:13take a seat.
00:34:17The mind,
00:34:18the mind,
00:34:19the mind
00:34:20The mind, the mind, the mind is in the lead, the mind is in the lead, come on, the mind.
00:34:24Breathe.
00:34:33Pernal, are you okay?
00:34:34I feel like my legs are being stabbed.
00:34:37But okay, bearable?
00:34:39We can handle it.
00:34:40Okay, very good.
00:34:41Urtubia, everything okay?
00:34:42Like tuna.
00:34:43Okay, very good.
00:34:51It was hard for you to walk, Reina?
00:34:52What?
00:34:53It was hard for me to walk.
00:34:54Yes.
00:34:56I thought I was going to faint because I started seeing colors.
00:35:05Everything okay?
00:35:06Everything okay.
00:35:07Yes, you're okay, right?
00:35:08Yes.
00:35:09Let me know if anything happens.
00:35:13Both teams have five recruits.
00:35:17So, so far, neither team has won.
00:35:22Do you want to leave, Pernal?
00:35:24Of course I want to leave, I'm tired.
00:35:26But I'm smarter.
00:35:27Okay, if your mind is the one that has to command.
00:35:30Put more ice on Josué.
00:35:32He's out of focus.
00:35:34Urtubias, come here.
00:35:36Give me a hand.
00:35:38Warm it up, Natu.
00:35:39That's the one.
00:35:41That's the one.
00:35:42That's the one.
00:35:43That's the one.
00:35:46Can I tell you, this is the navel.
00:35:48Now is when you have to control your mind.
00:35:59Fucking polar bear, fuck!
00:36:02God.
00:36:03No, this bear.
00:36:04Gálvez, I see you're shaking a lot.
00:36:06Is everything okay?
00:36:07Yes.
00:36:08Does it feel okay?
00:36:09Yes.
00:36:12One less, one less.
00:36:18Three are coming.
00:36:23No one is leaving here.
00:36:24No one is leaving here.
00:36:27The team that was from Esparza, that has already left,
00:36:30has five recruits.
00:36:32On the other hand, the team from Zúñiga only has four.
00:36:36Four.
00:36:40Guys, hold on, hold on.
00:36:41They're about to fall there.
00:36:42You, from the river, do you have anything to say
00:36:44in these 20 minutes that you've been in the pool?
00:36:47I don't feel anything from my knees down.
00:36:49But I see you're playing with the ice.
00:36:53So, for him, this is already teaching.
00:36:57Bernal, I see you shaking like a jelly.
00:37:00When I get out of here, I'll break my eyes.
00:37:07Palo, very good.
00:37:08Javier, Arraiza, you're the best.
00:37:10I have the best team in the world.
00:37:12Shut up, crazy.
00:37:13Shut up.
00:37:14Shut up, envious people.
00:37:22This is not a matter of martyrdom.
00:37:25The main thing is your safety and your health.
00:37:27So, instructor, if you see someone who is sick,
00:37:31we'll take him out.
00:37:32Okay.
00:37:37A round of applause for recruiter Silva.
00:37:39Javier, very good.
00:37:42Very good, Silva.
00:37:53Let's go for the last 10 minutes.
00:37:56The one who thinks he can't do it anymore
00:37:58and needs to get out, get out now.
00:38:07Don't lose focus, let's go.
00:38:11Come on, guys.
00:38:12What you're learning right now is to suffer and suffer.
00:38:15Why aren't you going out?
00:38:17Neither are we.
00:38:18We're going to win the prize, anyway.
00:38:20You're going to start falling so little.
00:38:22Yes, but we have...
00:38:23I see you next to the river, I see you worried.
00:38:27Javier has purple lips.
00:38:29Look, no kidding.
00:38:32Spoon, knife,
00:38:34cheer up, little one.
00:38:36Spoon, knife,
00:38:38cheer up, little one.
00:38:42Instructor, Lara is terrible.
00:38:44Oh, who put her in?
00:38:46Hey, but it's okay.
00:38:48Look, there are four of you.
00:38:50You have to feel like the winner.
00:38:52If you don't feel good and you start to feel bad,
00:38:55you better go out.
00:38:56I don't want to go out.
00:38:57Nobody wants to go out, nobody.
00:38:59Does anyone want to go out?
00:39:00No.
00:39:01From the river, from the river, is everything okay?
00:39:03The river is dying.
00:39:04Figueroa, are you okay?
00:39:05There's not much left.
00:39:06There's not much left.
00:39:07You tell me.
00:39:08Lara Aguibel, are you okay or not?
00:39:10Okay, go ahead.
00:39:11Okay, perfect.
00:39:13Five minutes.
00:39:14Come on, five minutes.
00:39:16Teams.
00:39:20Maybe this is the longest five minutes of their lives.
00:39:24Concentrate.
00:39:25Concentrate.
00:39:27The one who needs to go out, go out now.
00:39:30You are the winners.
00:39:32Come on.
00:39:33Bravo, guys.
00:39:36A round of applause.
00:39:38Almost 30 minutes here in the pool.
00:39:45In the ice, breathing is slow.
00:39:47Yes.
00:39:49When you go out, you will breathe nose, mouth.
00:39:52Come on, time is running out.
00:39:54There's nothing left.
00:39:55In fact, it's 40 minutes in pools with 1,000 kilos of ice.
00:40:01Imagine what they have achieved.
00:40:04They have defeated their mind.
00:40:10The last minute.
00:40:12Last minute.
00:40:13Last minute.
00:40:14Come on.
00:40:15Come on.
00:40:16Come on, recruit.
00:40:17Come on, recruit.
00:40:18Come on, recruit.
00:40:19Come on, recruit.
00:40:20Come on, recruit.
00:40:21Come on, recruit.
00:40:22Come on, recruit.
00:40:23Come on, recruit.
00:40:24Come on, recruit.
00:40:27That's Minato, my kid.
00:40:28We are Minato.
00:40:29Count with me.
00:40:3010, 9, 8, 7, 6, 5, 4, 3, 2, 1, time.
00:40:42Go out, stand up.
00:40:46Come on.
00:40:47Slowly, slowly.
00:40:49Go out slowly.
00:40:50Slow down, okay?
00:40:54Come, partner, partner, partner.
00:40:59Here a little higher, slowly, slowly.
00:41:03Over here, Bronsario!
00:41:03Standing up, standing up.
00:41:06You want to help her?
00:41:09Get something out of her so that you can dry better.
00:41:11You had to take the first step and don't...
00:41:14Slow, slow.
00:41:15You komunicate here.
00:41:17and help the couples get out.
00:41:19Get out, Ray, or you won't get out.
00:41:21Time's up, get out now.
00:41:22Come on, Ray.
00:41:23Get out, time's up now.
00:41:25Come on, walk slowly.
00:41:27We won!
00:41:28Walk, but I can't walk.
00:41:30Walk, no, you have to walk, you have to walk.
00:41:32Little by little, come on.
00:41:33You're recovering.
00:41:36Move, move, move.
00:41:37I can't move.
00:41:48We're going to end today's activity.
00:41:51A big round of applause for the team,
00:41:53for everyone,
00:41:55especially the Esparza Recruitment Team.
00:42:00Although they were the ones who had
00:42:03the most number of recruits
00:42:05in the longest time possible in the pool,
00:42:08I want to ask that majority of participants
00:42:11if everyone is going to share
00:42:15the prize as a team,
00:42:17or just you,
00:42:19the ones who stayed in the pool.
00:42:21As a team.
00:42:22And the three who stayed in the pool
00:42:25from the other team.
00:42:26Me too.
00:42:27Yes, me too.
00:42:29Larraguivel, Quigueroa, and Cerda.
00:42:33A round of applause for the recruits.
00:42:37Also, a round of applause for the instructor, Sandra,
00:42:40who came to do the activity today.
00:42:44And the prize is in the dining room,
00:42:47in the ranch.
00:42:48In the ranch.
00:42:59This one asks a lot.
00:43:00I need you to hurry up.
00:43:01Give me the spoon.
00:43:02Give me tickles.
00:43:05Shut up.
00:43:06Jenco.
00:43:07It's funny to come out like,
00:43:09we won, and then...
00:43:12It hurts.
00:43:15You ask the questions.
00:43:16Yes.
00:43:17Elsa.
00:43:18Yes, Elsa.
00:43:20Hi.
00:43:21Hi.
00:43:22Hi.
00:43:23Hi.
00:43:24Hi.
00:43:34I won.
00:43:37Second time.
00:43:41I won the competition.
00:43:44I won.
00:43:47We're going to eat.
00:43:58Alice.
00:44:00Damn.
00:44:02What happened?
00:44:03It was a terrible night.
00:44:04I had a stomach ache, I was dizzy.
00:44:07We messed up the bed,
00:44:08because we arrived with hypothermia.
00:44:10Literally.
00:44:1130 minutes in ice water,
00:44:13with ice.
00:44:14Ice.
00:44:20Is there eye there?
00:44:21No, there's eye.
00:44:22There are cones to fill it.
00:44:24Oh, my God.
00:44:25Julie.
00:44:26Yes.
00:44:27Is this cookie and cream?
00:44:28Yes.
00:44:29Yes?
00:44:30Is it good?
00:44:31There's a lot.
00:44:32I don't know, I haven't tried it yet,
00:44:33but it looks good.
00:44:37There's nothing better than ice cream.
00:44:39I think it's one of my three favorites.
00:44:44Hey, Miguelito,
00:44:45today I'm going to tell you the whole story.
00:44:48I'll leave that for me.
00:44:49I already told you.
00:44:50I mean, I wanted to go.
00:44:51Let yourself be surprised.
00:44:53I wanted to go,
00:44:54that's why you told me everything.
00:44:55The thing is that she feels guilty
00:44:57for the individual man test.
00:44:59Do you feel guilty for Natu?
00:45:01No.
00:45:02No, it's not that,
00:45:03more than for her,
00:45:04it's for me,
00:45:05because, fuck,
00:45:06I'm a whore,
00:45:07how am I going to lose a whore?
00:45:08Miguelito,
00:45:09it was for anyone.
00:45:11It's like the other day,
00:45:12we lost and we left,
00:45:13and Vico told me,
00:45:14without losing,
00:45:15nothing happens,
00:45:16because that's how the game is,
00:45:17we can lose,
00:45:18we can win,
00:45:19how am I going to feel guilty for this?
00:45:20Because I don't like to lose,
00:45:21I always like to win.
00:45:23And Yuli,
00:45:24did she last two minutes in the ice cream?
00:45:25She's out.
00:45:26Yes, she didn't last long either.
00:45:27In the morning,
00:45:28she got angry.
00:45:29Why?
00:45:30But,
00:45:31but what happens is that we,
00:45:32well,
00:45:33we were playing and everything,
00:45:34but we weren't making noise,
00:45:36but then,
00:45:37when the men came in,
00:45:38Fanny's laugh
00:45:40made this whore get angry,
00:45:43and
00:45:45Fanny started touching the trays,
00:45:49and Yuli asked for respect,
00:45:51or something like that,
00:45:52and that's when they got it,
00:45:53because the other one told her,
00:45:54you don't respect anything,
00:45:55I don't know how you're a whore.
00:45:58Fanny's laugh,
00:45:59how unpleasant,
00:46:00the voice,
00:46:01look,
00:46:02her laugh,
00:46:03so loud,
00:46:04I told her,
00:46:05shut up,
00:46:06respect.
00:46:07Hilarious
00:46:10prank
00:46:11by the boys
00:46:12of Team Europe.
00:46:14It was pathetic.
00:46:15No, but the crazy thing,
00:46:16Yuli,
00:46:17Yuli is already getting over it.
00:46:18I even saw her look with fear.
00:46:19Because she's always there.
00:46:20Because she always gets involved.
00:46:21But, well,
00:46:22but it was super violent,
00:46:23she hit us in the face.
00:46:24Honestly,
00:46:25it wasn't our fault,
00:46:26for that reaction.
00:46:27And no one else got involved.
00:46:28But also,
00:46:29I insist,
00:46:30the perspective is...
00:46:31I told you something and...
00:46:32Everything,
00:46:33everything they do,
00:46:34and you too.
00:46:35But,
00:46:36we've never run around at night,
00:46:37at 3 in the morning,
00:46:38trying to wake him up.
00:46:39No,
00:46:40I was sleeping a while ago,
00:46:41and, well,
00:46:42and I was wearing earplugs.
00:46:43I woke up because of that,
00:46:44and then Felix came in.
00:46:45Wow,
00:46:46wow,
00:46:47wow,
00:46:48so much for the second floor.
00:46:49Something said,
00:46:50some nightmare,
00:46:51that was probably directed at me,
00:46:52that I didn't extend it,
00:46:53and they kept going up.
00:46:54We have to give it back,
00:46:55let's all do it.
00:46:56That's where it hurts the most,
00:46:57in the morning.
00:46:58Let's get up early
00:46:59and start with the
00:47:00faggots.
00:47:01That's it.
00:47:02Because,
00:47:03oh,
00:47:04you couldn't speak,
00:47:05nothing,
00:47:06nothing,
00:47:07nothing,
00:47:08because the guy is hypersensitive.
00:47:09Please,
00:47:10shh,
00:47:11let me sleep,
00:47:12said the faggot.
00:47:13But he has the ability
00:47:14to turn all the topics around,
00:47:15as if they were
00:47:16personal attacks.
00:47:17Yes,
00:47:18and this happens,
00:47:19he can't even open his bags.
00:47:20Son,
00:47:21it's happened three times.
00:47:22How are you?
00:47:23Don't think badly of him.
00:47:24Let him wait.
00:47:25Let him wait.
00:47:26Let him wait.
00:47:27Let him wait.
00:47:28Let him wait.
00:47:29Let him wait.
00:47:30Let him wait.
00:47:31Let him wait.
00:47:32Let him wait.
00:47:33But, well, nothing.
00:47:34On the contrary,
00:47:35on the contrary,
00:47:36you should know
00:47:37that she is
00:47:38showing her real face.
00:47:39Well.
00:47:40When you feel sick,
00:47:41well,
00:47:42don't worry.
00:47:43I'm not telling you
00:47:44to come and
00:47:45make me a nurse,
00:47:46but finally,
00:47:47how do you feel?
00:47:48How do you say
00:47:49that the worst
00:47:50are seen
00:47:51when you
00:47:52hit the real people?
00:48:02Zero.
00:48:05Nothing.
00:48:07I'm going to call the kids.
00:48:08Yes,
00:48:09we're going to see
00:48:10cinema at home.
00:48:11Zero.
00:48:14Wow.
00:48:19Today,
00:48:20as you well know,
00:48:21it's the talent show.
00:48:24And we're going to play
00:48:25with a talent
00:48:26that many of you
00:48:27have here,
00:48:28which is
00:48:29acting.
00:48:32But we're also
00:48:33going to work today
00:48:34with the emotion
00:48:35of love.
00:48:37Yes.
00:48:38There are different types of love.
00:48:39Like what,
00:48:40for example, Natu?
00:48:41Like maternal love,
00:48:42love between friends.
00:48:43Self-love.
00:48:44Self-love is also
00:48:45very important
00:48:46to your partner.
00:48:47Today,
00:48:48the pairs will have
00:48:49to represent
00:48:50iconic,
00:48:51romantic scenes
00:48:52of all time.
00:48:55The two pairs
00:48:56will do
00:48:57the same scene.
00:48:58Then they will be evaluated
00:48:59and we will see
00:49:00which pair
00:49:01won.
00:49:02We'll start
00:49:03with the first scene
00:49:04and I'll tell you
00:49:05which pairs
00:49:06will compete
00:49:07in the first night.
00:49:08Drum roll.
00:49:11Josué and Gala.
00:49:14That will be
00:49:15the first pair
00:49:16that will work
00:49:17as a team
00:49:18to challenge
00:49:19the recruits
00:49:20Ray and Javi.
00:49:24This is what
00:49:25you will have
00:49:26to interpret.
00:49:27Attention.
00:49:28This is what
00:49:29you will have
00:49:30to interpret.
00:49:34Victor, the hairstyle.
00:49:38Shut up.
00:49:39Shut up.
00:49:40How do I look?
00:49:42You say nice things, Jack.
00:49:44Hold the trigger.
00:49:46Eyes closed.
00:49:47Don't blink.
00:49:48I won't do it.
00:49:49Confess.
00:49:50I trust you.
00:49:58I won!
00:50:04We won!
00:50:05We chose
00:50:06contact zero.
00:50:07How are you
00:50:08doing
00:50:09with this scene?
00:50:10I'm getting emotional.
00:50:11They rehearsed.
00:50:12I think
00:50:13we will
00:50:14interpret it
00:50:15perfectly.
00:50:16Javi, what do you think?
00:50:17Do you trust your team?
00:50:18All the time.
00:50:19Especially
00:50:20in the final scene.
00:50:21It's a game.
00:50:22It's a game.
00:50:24Gala, we know
00:50:25you like to act too.
00:50:26How does it feel
00:50:27to interpret
00:50:28this scene
00:50:29with your partner, Joe?
00:50:30He, like Jack,
00:50:31will have to guide me.
00:50:32Of course.
00:50:33I have a good memory.
00:50:34I remember it.
00:50:35I don't know.
00:50:36Maybe I forgot something.
00:50:41The versus
00:50:42is
00:50:43Miguelito
00:50:44with Natu.
00:50:45You will be together
00:50:46as a team
00:50:47versus
00:50:48Dutch
00:50:49and Fanny.
00:50:50You will have
00:50:51to interpret
00:50:52the next movie.
00:50:54What an insistence
00:50:55to get into trouble.
00:50:56And you,
00:50:57what an insistence
00:50:58to save my life.
00:50:59I think
00:51:00a superhero
00:51:01will follow me.
00:51:02Come on, baby.
00:51:03To give you the dog,
00:51:04you have to put
00:51:05both of your hands
00:51:06like this, you see?
00:51:07And you have to...
00:51:08Like this, look.
00:51:09Like this?
00:51:10That's right.
00:51:11That's right.
00:51:12That's right.
00:51:14With that smile,
00:51:15it can be dangerous.
00:51:18Oh!
00:51:21Oh!
00:51:23Oh!
00:51:24Oh!
00:51:25Oh!
00:51:27And it wasn't just a little bit.
00:51:28It was much longer.
00:51:30The most wanted person
00:51:31in the house
00:51:32will be kissed.
00:51:33Yes!
00:51:34I didn't want a kiss
00:51:35from Spider-Man.
00:51:36Oh!
00:51:37Oh!
00:51:39Miguelito,
00:51:40are you ready
00:51:41to be Spider-Man?
00:51:42Of course.
00:51:43I don't know the first time
00:51:44he's given me a kiss scene.
00:51:45Are you willing
00:51:46to play today?
00:51:47I thought
00:51:48I was going to be Spider-Man.
00:51:49Let's go with the third
00:51:50versus of the night.
00:51:51Yuli Caña
00:51:52with Brandon Zúñiga.
00:51:54Is there a mistake?
00:51:55I'm not worried about this.
00:51:56I'm worried about
00:51:57who's going to have to kiss him.
00:51:58Okay.
00:51:59You'll do a versus
00:52:00with Andrés Cañule
00:52:02and Fernanda Figueroa.
00:52:04Yes!
00:52:05There you go.
00:52:07You'll have to
00:52:08interpret
00:52:09the next scene.
00:52:11Let me do it again.
00:52:20Not bad.
00:52:30So, you give up?
00:52:31Never.
00:52:37Figo is happy
00:52:38with the scene.
00:52:40Very good, Figo.
00:52:43And now,
00:52:44the next versus
00:52:45is composed by
00:52:48Vico
00:52:49with
00:52:50Palom Larraguidel.
00:52:51I told you.
00:52:52Mati!
00:52:53I told you.
00:52:54It's random.
00:52:55It's a mistake.
00:52:56If last night
00:52:57you were sleeping outside
00:52:58because you got home late,
00:52:59imagine tonight.
00:53:00Yes, but this is a game.
00:53:01You're going to participate
00:53:02with your friend from games.
00:53:03I acted very well.
00:53:04I was the star
00:53:05of two TV series.
00:53:06I'm very professional.
00:53:08In a versus
00:53:09that will be composed
00:53:10by
00:53:11Dani Requena
00:53:13and also
00:53:14our friend
00:53:15Djengo.
00:53:20Do you like ghost movies?
00:53:22No.
00:53:23Maybe now you'll like them less.
00:53:25This movie
00:53:27is called
00:53:28Ghost.
00:53:34What are you doing?
00:53:35I couldn't sleep.
00:53:40No, no, no.
00:53:47And let the mud
00:53:48slip through your fingers.
00:54:03Mati, no!
00:54:06We're not actors.
00:54:07We're here
00:54:08for a reality show
00:54:09of real life.
00:54:10We're here to act.
00:54:11But now,
00:54:12we said
00:54:13we were going to play today.
00:54:14But without kissing
00:54:15like this,
00:54:16with the tongue.
00:54:17Why?
00:54:18We wouldn't be acting.
00:54:19We would be in a soap opera
00:54:20from Channel 13.
00:54:21We're here for a reality show.
00:54:22But if this,
00:54:23even if you didn't know,
00:54:24is a casting
00:54:25for the new soap opera
00:54:26from Channel 13.
00:54:27Djengo,
00:54:28what did you think
00:54:29of the scene with Dani?
00:54:30There are techniques
00:54:31in which you can use
00:54:32before a kiss.
00:54:33If Danila has to mold
00:54:34the ceramic,
00:54:35there's no problem.
00:54:36She had to mold
00:54:38in a team.
00:54:39In a team.
00:54:40Dani,
00:54:41what did you think of the scene?
00:54:42Did you like it?
00:54:43I loved the scene.
00:54:44And this is bread eaten.
00:54:46Especially the kiss.
00:54:47Falon,
00:54:48what did you think
00:54:49of this scene?
00:54:50A romantic scene.
00:54:51I loved it.
00:54:52I swear I had thought about it
00:54:53before.
00:54:54Like I wanted to do a scene.
00:54:55With a beak?
00:54:56No,
00:54:57I loved the scene.
00:54:58I loved the song.
00:54:59I'm super professional,
00:55:00Mati.
00:55:01It doesn't complicate me
00:55:02at all.
00:55:03Okay,
00:55:04I think
00:55:05the attitude
00:55:06is very important.
00:55:07Let's play.
00:55:08Very good.
00:55:09Let's play.
00:55:10And the last couple
00:55:11is Félix Sumastre
00:55:12and Lorena Gálvez.
00:55:13You will have to do
00:55:14a very funny scene
00:55:15of Harry
00:55:16meeting Sally.
00:55:17Let's see the scene.
00:55:18I think
00:55:19she's having a good time.
00:55:20Because of her?
00:55:21Yes,
00:55:22because of her.
00:55:23Do you mean
00:55:24that maybe
00:55:25they're simulating
00:55:26the orgasm?
00:55:27It's possible.
00:55:28Don't be silly.
00:55:29Why?
00:55:30Most women
00:55:31have simulated it
00:55:32at one point or another.
00:55:33They haven't simulated it
00:55:34with me.
00:55:35Don't you think
00:55:36you'd notice the difference?
00:55:37No.
00:55:38Silly.
00:55:43Oh, God.
00:55:45Oh, God.
00:55:51Very good.
00:55:53Very good, very good.
00:55:55Hey,
00:55:56what I hadn't told you
00:55:57is that
00:55:58Lorena will be
00:55:59Harry
00:56:00and Félix will be
00:56:01Sally.
00:56:03Yes!
00:56:06What I'd like to ask you
00:56:07to do
00:56:08is to learn
00:56:09the scene.
00:56:10Titanic.
00:56:12No.
00:56:15Guys,
00:56:16in a few more minutes
00:56:17our artistic director
00:56:18will arrive
00:56:19and we
00:56:20will meet
00:56:21at the night
00:56:22for the sixth
00:56:23night of Talent
00:56:24today
00:56:25in Palabra de Honor.
00:56:26A round of applause.
00:56:27See you.
00:56:33I'm the fox.
00:56:34Do you want to be the fox?
00:56:35Yes.
00:56:36I want to be the fox.
00:56:37No, we have to rehearse it.
00:56:38No, no, no.
00:56:39Zero.
00:56:40We have to go out.
00:56:41Yes.
00:56:42And don't rush me
00:56:43because if I start
00:56:44pulling,
00:56:45it's going to be like...
00:56:46With the tongue
00:56:47or without the tongue?
00:56:48It's easy.
00:56:49It's a challenge.
00:56:50But Chelo...
00:56:51Without the tongue.
00:56:52Without the tongue.
00:56:53What's the problem
00:56:54with the tongue?
00:56:55No, the actors
00:56:56don't kiss with the tongue.
00:56:57Yes.
00:56:58Of course they do.
00:56:59Put your hands here.
00:57:00If she puts her tongue in
00:57:01I'm going to laugh.
00:57:02I'll screw it up.
00:57:03I'll screw it up.
00:57:04I'm so jealous.
00:57:05I wanted to try it.
00:57:06I'm so jealous.
00:57:07Let's see how it feels.
00:57:08Oh, oh, oh.
00:57:09Someone's going to sleep
00:57:10downstairs.
00:57:11Again.
00:57:15But here...
00:57:16Here they kiss too.
00:57:17When I say both
00:57:18it's when you give it
00:57:19like a kiss.
00:57:20Ah, a kiss behind the ear.
00:57:21Yes.
00:57:22Well, so far so good.
00:57:23No, well, the kiss is impossible.
00:57:25The kiss.
00:57:26But man,
00:57:27I don't know how we do it.
00:57:31Wow, wow, wow.
00:57:32What are you going to do
00:57:33when they put their tongues
00:57:34in the bell?
00:57:35I don't know.
00:57:38And if they kiss with the tongue
00:57:39what are you going to do?
00:57:40But shut up, Lidia.
00:57:41Vico says,
00:57:42Julie, that he doesn't care
00:57:43if they kiss with the tongue.
00:57:44But ridiculous.
00:57:45Shut up.
00:57:46Balón.
00:57:47We're not going to kiss,
00:57:48but yes, with the tongue.
00:57:49Wash the tongue, Balón.
00:57:50Look at her,
00:57:51the other coalwoman.
00:57:52Cabuinela.
00:57:53Cabuinela, Zapa.
00:57:54All together, Soso.
00:57:55If you're going to do it,
00:57:56do it with everything
00:57:57because if you do it like...
00:57:58Yes, no, I can't.
00:57:59It's not going to turn out well.
00:58:00Oh, I'm so nervous.
00:58:03No, but it's all right.
00:58:04Are you sure?
00:58:05Yes, it depends on you.
00:58:07How does it depend on you?
00:58:08What's wrong?
00:58:09Nothing's wrong.
00:58:10Well, it's all right.
00:58:11It's all right.
00:58:16He has techniques
00:58:17to make it look like
00:58:18you're kissing someone
00:58:19without doing it.
00:58:20I mean, we can kiss,
00:58:21but actors don't kiss,
00:58:22unless they're a couple, right?
00:58:24Are you avoiding me?
00:58:25Are you rejecting me?
00:58:26You're giving me that, aren't you?
00:58:27Because there's always an excuse.
00:58:29An excuse?
00:58:30An excuse for everything.
00:58:31With an excuse.
00:58:32I don't know.
00:58:33Yes, yes, a kiss.
00:58:36Let's see if you have a girlfriend outside.
00:58:38Maybe.
00:58:39Do you have a girlfriend outside?
00:58:40From here?
00:58:41Yeah, but Jenco,
00:58:42why are you so afraid
00:58:43to give him a kiss...
00:58:44With tongue.
00:58:45He told me no tongue.
00:58:46I don't care if he doesn't have a tongue,
00:58:48but what happens here
00:58:49is significant
00:58:50for how everything develops.
00:58:51I don't want him to fall in love
00:58:52with my kisses.
00:58:53Don't tell me how many.
00:58:54Four thousand, right?
00:58:56If it was a ball,
00:58:57I'm sure you'd stick your tongue
00:58:58in the bell.
00:58:59My kisses are very cheap for her.
00:59:03I'd practice kissing a lot.
00:59:06Pure text.
00:59:07Just the scene.
00:59:08Creativity.
00:59:09I'd tell him to just kiss her.
00:59:11What I'd do if it were you,
00:59:13in your case,
00:59:14a lot of playing around,
00:59:15and a little kiss.
00:59:17Not the kiss with the tongue and all that.
00:59:22Jenco, you said you were a professional.
00:59:24Show us how professional you are.
00:59:26What's the drama there?
00:59:28He doesn't want to kiss Daniela.
00:59:30I don't care about the kiss with the tongue,
00:59:31but it's very significant
00:59:32that he doesn't want to kiss her with the tongue.
00:59:34Call me crazy, toxic, jealous.
00:59:36He said he was a professional.
00:59:38But he's not a professional, right?
00:59:40I mean, they tell me
00:59:41I have to kiss him with the tongue.
00:59:42I'll kiss the boy
00:59:43who fell asleep last night.
00:59:44And I'll tell him stories.
00:59:48You have to let go.
00:59:49Yes, but kissing me
00:59:50doesn't complicate it.
00:59:51I mean, really...
00:59:52Me neither.
00:59:53Well, I hope
00:59:54Natu doesn't complicate it.
00:59:56Natu is a professional, too.
00:59:59Dani looks like
01:00:00when you fight with your boyfriend
01:00:01and you turn your back on him
01:00:02like, I don't want to talk to you.
01:00:04I have a reason not to.
01:00:05Ah, but they invited me to come.
01:00:06But why do I always end up among three?
01:00:08Andres, stop breaking walls.
01:00:10Daniela is inviting me to be a kid.
01:00:12Why do you look like that?
01:00:13Because I'm jealous.
01:00:14But why are you jealous?
01:00:15No, I'm tired of asking for kisses
01:00:17and not getting them.
01:00:20Daniela, come here.
01:00:21No, I'm not going,
01:00:23nor are you waiting for me tonight
01:00:24or anything like that.
01:00:26I'll tell you this clearly.
01:00:27Yes, Daniela, very good.
01:00:28What she doesn't contribute,
01:00:29she takes away.
01:00:31But why do you get so intense?
01:00:32Calm down.
01:00:35Very good.
01:00:36There you have a man
01:00:37who gives you the points
01:00:38over the I's.
01:00:39Does it bother you to kiss Daniela?
01:00:40No, I'm not asking for a kiss.
01:00:42No, I'm not asking for a kiss.
01:00:43No, Daniela is difficult,
01:00:44but not impossible.
01:00:45No, I don't have a problem with it.
01:00:46What bothers me
01:00:47is that they pressure me
01:00:48or something.
01:00:49But I haven't pressured you.
01:00:50If I give you a kiss right now,
01:00:51nothing happens.
01:00:52No, no, no, no.
01:00:54Of course,
01:00:55I have to give value to myself.
01:00:56But it's not value.
01:00:57Let's see,
01:00:58I haven't pressured you.
01:00:59The first thing you've done
01:01:00when they gave us the role
01:01:01is without a tongue.
01:01:02It's that the actors
01:01:03kiss each other happily.
01:01:04Hollywood actors,
01:01:05here we are in Hollywood.
01:01:06Obviously,
01:01:07in Hollywood,
01:01:08they kiss with their tongues.
01:01:09It's not that I'm asking for a kiss,
01:01:10nor do I want a kiss,
01:01:11much less.
01:01:12But if you automatically,
01:01:13when they give us the role,
01:01:14you tell me without a tongue,
01:01:15for me,
01:01:16obviously,
01:01:17that's significant.
01:01:18So, nothing happens,
01:01:19you're going to keep
01:01:20falling for me just as well.
01:01:21Neither you nor anyone.
01:01:22You're making it personal.
01:01:23I wouldn't kiss anyone
01:01:24with a tongue.
01:01:25If I have to kiss Reina,
01:01:26I kiss Reina,
01:01:27but I'm not going to put a tongue in it.
01:01:28It's that I don't want a kiss.
01:01:29I swear I don't want a kiss.
01:01:30You don't want it anymore.
01:01:31But you don't want it anymore.
01:01:32I swear I don't want it.
01:01:33You never did it.
01:01:34I swear I don't.
01:01:35You never did it.
01:01:36At first, yes.
01:01:37And now, no.
01:01:38No.
01:01:39Because she felt rejected,
01:01:40and there's nothing worse
01:01:41for a woman
01:01:42than feeling rejected.
01:01:43I feel rejected
01:01:44when I'm almost 24-7 with you.
01:01:45They're not going to kiss.
01:01:46She's going to kiss with a cannonball.
01:01:47They're all going to kiss.
01:01:48They're not going to kiss.
01:01:49They're not causing any trouble.
01:01:50So, if you put it in,
01:01:51it makes me think
01:01:52that you have a girlfriend abroad,
01:01:53that you don't like her enough,
01:01:54that you're homosexual,
01:01:55that you like...
01:01:56I don't know, a thousand things.
01:01:57Wait, wait, wait, wait.
01:02:01She wants to give a reason
01:02:02to something
01:02:03that you don't have to give a reason
01:02:04to anything.
01:02:05It's true.
01:02:06It's true.
01:02:07She's right, Jacob.
01:02:08But the moment you say,
01:02:09I don't want to kiss you with a tongue,
01:02:10it's like, I can kiss you,
01:02:11but not with a tongue.
01:02:12I can kiss you.
01:02:13I can kiss you.
01:02:14I can kiss you.
01:02:15I can kiss you.
01:02:16I can kiss you.
01:02:17No, no, no, no.
01:02:18I can kiss you.
01:02:19But you can kiss her without a tongue.
01:02:23Like, that's what I tell you.
01:02:24Me, I go like this and she goes...
01:02:25No, I don't say anything.
01:02:26I think she's interpreting
01:02:27that I just say it like that,
01:02:28but she's thinking about it too much.
01:02:29Too much, too much.
01:02:30I thought we were friends.
01:02:31I'll give you your point,
01:02:32but as a insecure woman I am,
01:02:35I would feel...
01:02:36Ah, excuse me.
01:02:37That's your problem.
01:02:38Excuse me, but...
01:02:39That's your problem.
01:02:40That's why she's feeling that way
01:02:41and it's also her problem.
01:02:44I'm not to blame for this insecurity.
01:02:46I don't know. I don't know anyone.
01:02:48They're almost telling poor Dani,
01:02:50like, oh, no, you're exaggerating.
01:02:52But nobody's saying it's his fault or her fault.
01:02:55Don't put words in his mouth.
01:02:57Maybe for Janko, the issue of kisses
01:02:59is something more significant.
01:03:01It's not to get to that point.
01:03:03We put two more on each side.
01:03:05After the activity, each one on their side.
01:03:07And that's it. Nothing happens.
01:03:09Dani!
01:03:10Of course.
01:03:11How intense.
01:03:12It's a game.
01:03:13She says that after this, she doesn't want to talk to me anymore.
01:03:15Not at all, Dani, not at all.
01:03:17Do you think that after someone tells me
01:03:19they don't want to give me a tongue kiss,
01:03:21I'm going to get into your bed and tickle you?
01:03:23Are we crazy?
01:03:24Forget about tickling and flirting.
01:03:26You're looking for the gala that you like.
01:03:28Jealous, crazy, toxic.
01:03:30Dani, if you don't want a tongue kiss,
01:03:32I'll get into the scene and I'll make you regret it.
01:03:34That's my girl!
01:03:35Please, move aside.
01:03:37And what, you don't want to give her a tongue kiss?
01:03:39No, no.
01:03:40Come on.
01:03:41It's just that there's nothing important
01:03:43For me, yes.
01:03:44You're giving too many kisses to someone who doesn't have that many kisses.
01:03:47It's a game.
01:03:48Maybe she wants her first kiss with you to be more romantic.
01:03:51I don't want any kisses, Naranjo.
01:03:53She's been in reality for two days.
01:03:55Don't pressure her.
01:04:01Daniela, come here.
01:04:02No.
01:04:03I'm not going, nor are you going to wait for me tonight,
01:04:05or anything like that.
01:04:06No!
01:04:07I'm telling you this clearly.
01:04:08Yes, Daniela.
01:04:09But why are you getting intense?
01:04:10Calm down.
01:04:14Very good.
01:04:15There you have a man who gives you the points on the I's.
01:04:17Do you mind giving Daniela a kiss?
01:04:21The fact that you don't want to give me a kiss is totally disrespectful.
01:04:24It's valid.
01:04:25But I know what I...
01:04:26That allows me to know what I want or don't want.
01:04:28It's not that I'm asking you for a kiss,
01:04:30nor do I want a kiss,
01:04:31nor much less.
01:04:32But if you automatically, when you give us the role,
01:04:34you tell me, without a tongue,
01:04:35for me, obviously, that's significant.
01:04:38You're doing it in a personal way.
01:04:39I wouldn't kiss anyone with a tongue.
01:04:41If I have to kiss Reina, I'll kiss Reina.
01:04:43But I'm not going to put a tongue in her mouth.
01:04:45They're not going to kiss.
01:04:46She's going to kiss a cannonball.
01:04:48They're all going to kiss.
01:04:50They're not causing any trouble.
01:04:51So if you put it on me, it makes me think
01:04:53that you have a girlfriend outside,
01:04:55that you don't like her enough,
01:04:56that you're homosexual, that you like...
01:04:58I don't know, a thousand things.
01:04:59Wait, wait.
01:05:00She wants to give a reason for something
01:05:02that doesn't need to be given a reason for anything.
01:05:04It's true.
01:05:05You're right, Diego.
01:05:06If a boy that I like half-assed
01:05:09starts behaving like this...
01:05:11Daniela, if it is...
01:05:12Goodbye.
01:05:13What?
01:05:14You're doing a circus of this.
01:05:15What circus? I'm talking to...
01:05:16What circus? She's talking to me.
01:05:18What's wrong with you?
01:05:19I'm the one asking her.
01:05:20But it's not a circus.
01:05:21Don't talk about a circus.
01:05:22Nobody's doing a circus.
01:05:23Wait a minute, I'm talking to her.
01:05:24I'm her friend.
01:05:25Okay, but I'm talking to her.
01:05:26You have every right to tell me
01:05:27what she wants to tell you.
01:05:28Calm down, calm down.
01:05:29Turn it down and I'm talking to her.
01:05:30Don't meddle.
01:05:31Meddle in what?
01:05:32Dani, turn it down.
01:05:33She's talking to me.
01:05:34What's wrong with you?
01:05:35But I'm talking to her.
01:05:36Girl, you can talk to me.
01:05:37I'm asking you.
01:05:38I'm telling you what happened.
01:05:39And why are you giving explanations?
01:05:40But I'm talking to her.
01:05:41I'm not talking to you.
01:05:42Yeah, but you're talking to me.
01:05:43You're interrupting my conversation with her.
01:05:44Yeah, but there are ways to say no.
01:05:45You're not polite.
01:05:46There are ways,
01:05:47but you don't mean it as if...
01:05:48But I have a different confession
01:05:49than with you.
01:05:50Say the words well, okay?
01:05:51Okay, okay, okay, okay, okay.
01:05:52I would never let a man
01:05:53shout at you like she did.
01:05:54Yes, but...
01:05:55There is a lack of respect
01:05:56as she has treated me.
01:05:57I'm not...
01:05:58I'm going to put him
01:05:59between the two of you.
01:06:00I'm not...
01:06:01I'm not...
01:06:03Javi.
01:06:04I don't have a confession.
01:06:05Well, if she thinks it's wrong,
01:06:06she has every right to do so.
01:06:07Yes, she has every right
01:06:08to think it's wrong,
01:06:09but there are ways to say things.
01:06:10I saw Javi
01:06:11was a good friend there, honestly.
01:06:12I saw him give his face for me.
01:06:13He's a liar.
01:06:14He has no shame.
01:06:15And that's not good for me, friend.
01:06:16Did I offend you?
01:06:17Yes.
01:06:18With what?
01:06:19I feel rejected.
01:06:20But why are you manipulating me?
01:06:21What does it have to do with...
01:06:22I'm not manipulating you.
01:06:23I'm telling you how I feel.
01:06:24Why are you rejected?
01:06:25I'm not rejecting you.
01:06:26I'm not rejecting you.
01:06:27I'm not rejecting you.
01:06:28I'm not rejecting you.
01:06:29I'm not rejecting you.
01:06:30I'm telling you how I feel.
01:06:31Why are you rejected?
01:06:32Because...
01:06:33Spoiler,
01:06:34there won't be any kisses.
01:06:35I don't want to
01:06:36and there won't be any kisses
01:06:37or anything.
01:06:39I'm not begging you for anything
01:06:40or anything,
01:06:41but what you did to me
01:06:42has generated rejection in me.
01:06:44I think,
01:06:45maybe he just wants to play
01:06:46and get a place
01:06:47to keep him in the contest.
01:06:49Believe me,
01:06:50I don't need that.
01:06:51I don't know,
01:06:52it's a possibility.
01:06:53I can tell you from the start.
01:06:54I told you
01:06:55that I came here to win.
01:06:56Daniela,
01:06:57I don't need to manipulate anyone.
01:06:58Are you letting yourself
01:06:59I'm not going to let anyone manipulate me because I've had that thought from the beginning.
01:07:04Today, a big round of applause for the recruits who face the challenge of epic romantic scenes
01:07:12on the night of talents.
01:07:14A word of honor.
01:07:17Your husband is looking for me at night and I'm hitting him.
01:07:20My husband wants to steal my phalon.
01:07:23You don't either.
01:07:24I can't with two.
01:07:25Are you going to give up now?
01:07:27No.
01:07:28Stay calm. Don't be afraid.
01:07:41Excuse me, but do you really think that I, or El Ray, or El Vico, or Follon, or Miguelito, wouldn't notice?
01:07:49No.
01:07:52I think you're very wrong.
01:07:59El Ray.
01:08:00Are you okay?
01:08:05Yes.
01:08:07Yes.
01:08:08Yes.
01:08:09Yes.
01:08:14I'm going to show you right now.
01:08:16How?
01:08:17Come here.
01:08:18Come here.
01:08:19Stay calm.
01:08:20Stay calm.
01:08:21Stay calm.
01:08:22Stay calm.
01:08:23Stay calm.
01:08:24Stay calm.
01:08:26Stay calm.
01:08:27Stay calm.
01:08:28Stay calm.
01:08:29You're going to get it at home.
01:08:31Like this.
01:08:35With that wonderful smile you have.
01:08:38White teeth.
01:08:45Did you see?
01:08:46It's very little.
01:08:48I don't want to hit you.
01:08:50You're mad.
01:08:51Crazy.
01:08:55Now I can die in peace.
01:08:57It's long, really.
01:08:59Yes?
01:09:01Jilly told me.
01:09:03It's lighting up a little bit.
01:09:05Yes?
01:09:11I won't be able to do this.
01:09:13Don't worry.
01:09:15I was afraid for my life.
01:09:17Jilly won't say anything.
01:09:19Are you sure?
01:09:21Yes.
01:09:23Are you sure?
01:09:25Yes.