Amor Amargo Capitulo 74 en HD Completo
Amor Amargo Capitulo 74 en HD Completo
Amor Amargo Capitulo 74 en HD Completo
Amor Amargo Capitulo 74 en HD Completo
Amor Amargo Capitulo 74 en HD Completo
Amor Amargo Capitulo 74 en HD Completo
Amor Amargo Capitulo 74 en HD Completo
Amor Amargo Capitulo 74 en HD Completo
Amor Amargo Capitulo 74 en HD Completo
Amor Amargo Capitulo 74 en HD Completo
Amor Amargo Capitulo 74 en HD Completo
Amor Amargo Capitulo 74 en HD Completo
Amor Amargo Capitulo 74 en HD Completo
Category
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Short filmTranscript
00:00Sometimes women like me are capricious and temperamental.
00:05We don't understand the word no.
00:30Da da dee da dee da dee da dee.
00:34Pa ra pi ra si la si pa ra...
00:36Ahem.
00:37Hi, son. How's everything?
00:39Good, mom.
00:40Good, mom. You?
00:41Who's that food for?
00:43To take to the office.
00:45Isn't that a lot of food?
00:47No.
00:48Well, I take it to share with...
00:52With...
00:54Okay, mom. We need to talk.
01:00There are no lies between you and me.
01:05No secrets, right?
01:06No, son.
01:07No?
01:08I always tell you everything.
01:12And to be honest, mom,
01:15I'm your son.
01:18And...
01:20I'm no one to judge you
01:23or disapprove of you.
01:26You can do whatever you want.
01:28Is that clear?
01:30Yes, son.
01:45I know I haven't given you the best impression,
01:48but this one you see here,
01:50who seems so hesitant, so out of place...
01:53What do you want?
01:54Guillermo, where do you want to go?
01:57I just sent your email with all the work you asked for,
02:00point by point.
02:02But I also sent a series of projections
02:05of what could be a new model of distribution
02:07of craftsmanship in stores for next year.
02:17I'm glad you're making the effort to do it right.
02:20It's not an effort.
02:21Actually, I'm a guy who studied.
02:24Who prepared.
02:26A guy who dreamed of being successful.
02:31My aunt always told me I was useless,
02:34good for nothing,
02:37that I wasn't enough, that I wasn't worth it.
02:42Not just her,
02:44my wife,
02:46my friends.
02:51Even my own mother told me things
02:56that stayed with me.
02:59Guillermo, I'm sorry for what you're telling me,
03:03but I'm glad you're believing in yourself.
03:05I need this job, Tomas.
03:10I need to start over to believe in myself again.
03:15That's why I'm here.
03:17And I know that despite everything I've done wrong,
03:20you still trust me
03:22and you don't know how grateful I am.
03:27Well, I do feel something special for him, son.
03:32It hasn't been long, but suddenly I started to feel this.
03:38Look, I know I said I didn't want to bring food to the office,
03:43especially that I wouldn't fall in love again.
03:47And there I am.
03:48Oh, but those two decisions seem like a bunch of nonsense to me, Mom.
03:51I do like to take food to eat in the truck.
03:54Well, in the truck.
03:57And I also said I wouldn't fall in love again, and look.
04:02So you've already solved your situation with Miriam?
04:04Oh, Mom.
04:06There's nothing to solve there.
04:08Or well, if there is something, but we don't want to see it
04:11or we're not accepting it.
04:14Are you with Candela?
04:16You kissed your classmate.
04:18Mom, look at yourself.
04:21I mean, if you look at yourself in the mirror, you shine.
04:26You look beautiful, you look beautiful, yes.
04:30And if the reason you're like this is what you feel for this man,
04:36go ahead.
04:37And if the reason you're like this is what you feel for this man,
04:43go ahead.
04:50I love you, Mom.
04:51I love you, honey.
04:57Come in, please, Ofelia.
05:02This was my daughter's office.
05:05And then it was Gabriela's.
05:08But since you don't want to know anything about the factory or me,
05:14use it yourself.
05:18And I want you to know that I share your pain.
05:22Who better than you to take care of it?
05:26It's me.
05:27Sorry.
05:29Sorry.
05:30Sorry.
05:33Hello?
05:34Yes, who is this?
05:36Ma'am, I'm Catalina, Enrique Olivares' niece.
05:41My uncle asked me to call you and tell you that he has problems in Todos Los Santos
05:45and that he needs your help.
05:47Please come to town because he needs to talk to you.
05:51Miss, could I call you back later?
05:54Can you?
05:59Problems?
06:01No, no.
06:02Nothing important.
06:04It's from the bank.
06:05They always offer you insurance.
06:12My dear children!
06:14I'm so happy to see you!
06:17Doctor.
06:18Catalina, I'm so glad to see you.
06:21I was talking to Eulalia,
06:23a woman from the hospital who knows Lorenzo very well.
06:27She told me that he used to keep all the papers that seemed important to him.
06:34And I suspect that he has a document that I urgently need.
06:49Miriam.
06:53I know you told me to call you, but I preferred to come see you.
06:58How are you, sir?
06:59Very well.
07:00Tell me about yourself.
07:02I'm fine.
07:04It's just that I still don't have an answer to your concerns.
07:09I mean, I know what's coming and there's no answer.
07:14Well, there is, but you already know it.
07:17The staff is leaving.
07:18We are running out of people and there is no money flow.
07:21What if we look for a solution together?
07:24Sounds interesting.
07:26Of course. Right now?
07:28Yes, please.
07:30Yes, come in.
07:32Would you like a cup of coffee?
07:35Lately, I've tried not to meddle where they don't call me,
07:39but sometimes I remember the moment my beautiful aunt said in a meeting that she wanted your dead father.
07:47I know you'll never recognize it, but she said it.
07:51I heard her.
07:53If she did it, I don't know.
08:04Tomás wasn't looking for the worst moment of the factory to execute it.
08:08We knew from the beginning what we were getting into,
08:10we knew the situation they were going through and the risks we were running.
08:15Uh-huh.
08:45From what perspectives?
08:47To do a series of them,
08:48ranging from not paying and going to court,
08:51to small payment agreements, debt recognition, refinancing.
08:56There are many.
08:58Yes, there are many because I don't understand anything,
09:02I'm not an expert on these issues and I don't have experience.
09:08I can help you.
09:15Leonor, do you have proof that Enrique is involved in Beatriz's death?
09:26No, but I suspect.
09:33You knew his obsession for my daughter.
09:36Yes, but in the end he ended up getting married.
09:41I knew that poor woman.
09:44He looked for her just to have a child.
09:47Much younger than him, a young belly, a sick mind.
09:54I remember that he was very excited to have a child.
10:00Did he have it?
10:02No.
10:03With the abuse that woman gave him, how was he going to get pregnant?
10:08In other words, she denounced him for abuse.
10:10Yes, and I supported her.
10:13No woman has to bear the abuse of a man and you know it.
10:18Yes.
10:19And on top of that, you have the fire in Tomás' offices.
10:24Leonor, with this Enrique is in jail.
10:29What worries you so much?
10:32I don't want to give him a single cent.
10:35I don't want him to ever get out of jail.
10:40I want him to pay like Máximo did.
10:43But I want him to suffer day by day until the last day.
10:54Thank you very much for everything you taught me.
10:57And if you need more time to understand the proposals well,
11:01you know I'll be there for you.
11:05Hey, just one more thing.
11:08Why are you doing all this?
11:12The decision doesn't just come from me.
11:15It's also from Tomás.
11:34TACO
11:39Go ahead and make him a taco.
11:41Don't forget they're on duty.
11:42Thank you for everything.
11:44Be careful.
11:51Alicia, how are you?
11:54Do you need anything? Sit down.
11:57Yes, I was looking for you.
11:59Fernando, I was at the orphanage.
12:04Really? Tell me, did something happen?
12:08Well, they asked me to get a DNA test.
12:13A DNA test? Why?
12:17Well, I'm looking for my son.
12:24They have to send that test, I don't know where, to see if they can help me.
12:29Lucia told me they asked you for a DNA test.
12:33Maybe you can tell me where you're going to do it.
12:47What happened, friend?
12:49Friend, what happened?
13:00Oh!
13:03Oh my God.
13:05Come with me, be careful.
13:07Sit down, sit down.
13:09Oh, friend, I'm so excited.
13:10I want to be a godmother.
13:12Tell me yes, what are we going to do with mothers?
13:14Of course yes.
13:16What's wrong with you?
13:18I'm happy.
13:19Do you know what that means?
13:21That you're going to be a mom and I'm going to be an aunt.
13:23Yes.
13:24This is going to be a new life for Tomás and me.
13:26We are more than ever, yes.
13:28With this news, your grandmother's heart will surely soften.
13:33There is hope for everyone.
13:35And finally we are going to leave the past behind.
13:45Look, here we can do the test.
13:49If you want, we can do it together.
13:52Yes, of course.
13:54Yes, of course, I would love to.
13:59Alicia, can I ask you a question?
14:03As many as you want.
14:06Well, how long ago that ...
14:10About your son, when ...
14:13That ...
14:15They took my son.
14:2035 years.
14:24It's been a long time.
14:28Yes.
14:31A long time.
14:36I would like to see Enrique.
14:39I wanted to see my dead son.
14:43But Paulo, in the middle of everything, regretted doing it.
14:51Do you think I can see him?
14:52Yes, yes.
14:54Yes.
14:56Of course.
15:06Friend, we have to make a huge party.
15:08Of those where the smoke comes out and you see if it's a boy or a girl or twins.
15:11Friends, if they are twins ...
15:13How?
15:14I can't, don't ask me.
15:16Let's see, calm down, please.
15:18Don't ask me that.
15:20And I'm so excited.
15:22But I'm going to make the artesanas that make you very happy.
15:24No, don't say that.
15:25Friend, yes, and that the boy is the model.
15:27Or the model.
15:28Or our models.
15:32Let me know when you're going to tell Tomás.
15:34I want to record him to see what face he puts on.
15:36Yes, right?
15:38What face do I put on?
15:40Of nothing, my love.
15:42When I tell you that I love you a lot.
15:44But a lot, a lot, a lot, a lot.
15:46A lot?
15:48A lot.
15:50Let's see my face.
15:52A lot.
16:22A lot.
16:53A lot.
17:16What do you want?
17:18What are you doing here?
17:22Get out.
17:25Your presence never pleased me, get out.
17:27Yes, I know.
17:29And although I can leave, I'm not going to.
17:33I'm not afraid to look you in the eye, Enrique.
17:36Get out of here, man.
17:38Guard!
17:40Get this crap out of here.
17:44Guard!
17:45Enrique!
17:46Get this thing out of here!
17:47Scream, scream, scream, scream all you want,
17:50because you no longer intimidate me.
17:53Why did you come?
17:59Do you think this is my end?
18:04Do you think I'm going to be here forever?
18:09Did you come to make fun of me?
18:11Well, you're wrong.
18:13I'm going to get out of here
18:14and I'm going to make them pay one by one
18:16for everything they've done to me.
18:20You don't know how long I've lived hating you
18:24and hating me for not leaving you in time.
18:28You don't know what my life has been
18:30since you forced Paulo to marry me
18:33and you forced him to kick me out of town
18:35without even thinking about it.
18:37It's just that you never wanted to listen to me,
18:40nor did you understand that you were looking at me
18:41when you were about to become my woman.
18:43You went from being, I don't know,
18:45a piece of meat to a woman.
18:48A simple woman.
18:50Those of us who believe in love
18:52are called delusional
18:54or are called crazy.
18:57You were blinded by madness,
18:59just like I was, Enrique.
19:02I not only risked my life,
19:05but I also risked my life
19:07for the sake of you.
19:08Not only my life,
19:10but also my son's.
19:13Your son?
19:15My son.
19:18Your son.
19:20Did you know he's alive?
19:24Did you know that the son you had killed
19:2635 years ago
19:29to have a free path
19:31is alive?
19:38Yes.
20:01Hello?
20:03My uncle asked me to tell you
20:05that he's in jail and wants you to visit him.
20:06He only trusts you.
20:08Are you listening to me, ma'am?
20:10Hello?
20:12Hello?
20:14I'm listening to you.
20:16You already gave me the message Enrique gave me.
20:18Anything else?
20:20No, nothing else.
20:30Give me that cell phone.
20:32Give it to me.
20:34Why?
20:36I told you not to get involved.
20:38You're stupid!
20:40Don't you realize you're getting yourself in trouble?
20:42Stop threatening me.
20:44I'm not going to become a traitor, Vera.
20:46I never agreed with what my uncle did,
20:48but that doesn't mean I'll turn my back on him
20:51and you're not going to tell me what to do.
20:53What happened, honey?
20:55Oh, no.
20:57Your savior is here.
20:59Look, Catalina, we talked last night.
21:01What you're doing is not right,
21:03so you'll see.
21:04You're threatening her, Vera.
21:06What are you going to do to her when you get home?
21:08Mr. Nobody, stay out of it.
21:10I'm not Mr. Nobody.
21:12My name is Gilberto Santos.
21:14No, Gil, don't listen to her.
21:16It's not worth it.
21:18Leave Gil alone, Vera.
21:20You're going to defend him.
21:22You're very wrong.
21:24You would have chosen the right place to be.
21:30You spent your whole life following Beatriz San Jose
21:32and you despised the one who really loved you.
21:34And look at yourself, Enrique.
21:36Look at yourself.
21:38Look at where you are.
21:40Shut up.
21:42Poor thing.
21:44I'm not going to shut up
21:46because you have no right to shut me up.
21:48I expected to see you like this,
21:50behind bars.
21:52I knew that one day you were going to face justice.
21:54Shut up.
21:56I won't let you talk to me like that.
21:58You're in there.
22:00Shut up!
22:03Because I don't feel anything for you anymore.
22:06No hate,
22:08no contempt, nothing.
22:11And now that you're sunk, Enrique,
22:15I just want you to know that I forgive you.
22:18You forgive me?
22:20Yes, I only have my forgiveness for you.
22:22Don't touch me.
22:24Because only God,
22:26life,
22:28or the universe, whatever you want to call it,
22:29is giving me the best gift of all.
22:33Knowing that somewhere
22:35my son is alive.
22:37Your son?
22:39Yes.
22:41But how can your son be alive?
22:43I had him killed.
22:45How can you believe your husband, Pablo?
22:47He only confirmed
22:49what my heart told me,
22:51but it was very hard for me to believe.
22:54It's beautiful
22:56to know
22:57that this mother's heart
22:59wasn't wrong.
23:02It's beautiful to know
23:04that God did hear my pleas.
23:07I forgive you, Enrique.
23:09Yes, because I want to walk lightly
23:11to fly as far as I can
23:13to find my son
23:15and hug him.
23:17And if one day I find him,
23:20don't worry
23:22because I'll never tell him
23:24who his father is.
23:25The kind of monster you are.
23:31And you won't be ashamed
23:33to tell him who gave birth to him?
23:36I'll never tell him
23:38that you ordered his death.
23:42I forgive you, Enrique.
23:47Poor thing.
23:49It hurts you.
23:52I forgive you.
23:53I forgive you.
24:13Hey!
24:15What's wrong, Simona Alejandro?
24:17Why are you so angry?
24:20It's just that I feel sad
24:21because my magic doesn't work.
24:23Don't say that
24:25because you're going to believe it.
24:27You said it before.
24:29Why are you saying it now?
24:31Let's say I think I'm happy,
24:33but in reality I feel very sad.
24:35And I don't know,
24:37now my magic isn't working.
24:42Well, look,
24:44I'm here so you can tell me
24:46why you're like this.
24:48It's because Toñito is ready
24:49to leave the orphanage.
24:51And it makes me very sad
24:53because I'm going to be alone
24:55and there won't be anyone with me.
24:59Could it be that you're pressuring yourself?
25:04Simón,
25:07sadness is also part of life
25:10and I think you shouldn't hide it.
25:15You should feel it.
25:16How can you think that?
25:18Being sad is horrible.
25:21Look, there are times when sadness
25:23comes into our lives
25:25just to feel it.
25:28It happened to me
25:30when my mom died
25:32and then when my dad died.
25:35Hey,
25:38you and I think
25:40that you don't have a mom
25:42or a dad
25:44just like me.
25:47So I say
25:49that's why we're so close.
25:55Did you notice something else?
25:57Let's see.
25:59What were you doing just now?
26:01You were imagining
26:03that you weren't sad anymore
26:05and suddenly your godfather came
26:07to invite you to ride a bike.
26:09So it did work.
26:14Well,
26:17now you're sad.
26:24I wanted to toast with you,
26:26but if you don't want to,
26:28it's fine.
26:30Toast?
26:32Because I'm in jail?
26:34Yes.
26:36I won.
26:38I unmasked you.
26:40Checkmate.
26:43I must admit that
26:44it's not a checkmate.
26:46It's not a checkmate yet
26:48because I'm going to do it.
26:51I don't see how.
26:53A magician never reveals his secrets,
26:55remember?
26:57Oh, Houdini.
26:59To your health.
27:01Leonor,
27:03I just want to know why.
27:05Tell me why you betrayed me.
27:07We were a team, remember?
27:09You, me,
27:11against Jaime, Tomás, the Jimenez.
27:12Yes.
27:14That's how it was
27:16until you decided to manipulate me
27:18to make you my factory
27:20and my granddaughter.
27:22What nonsense are you talking about?
27:24About your dirty intentions
27:26of wanting to conquer my granddaughter.
27:28Oh, you disgust me, Enrique.
27:30You are a pathetic and miserable being.
27:32Nobody touches my granddaughter.
27:34Your granddaughter?
27:36And what about your family?
27:39Your family?
27:41You decided your family,
27:43not me, ungrateful.
27:45No one would have cared
27:47for Gabriela better than me.
27:49No one would have loved her as much
27:51as I would have loved her.
27:53Shut up. Shut up.
27:55Shut up.
27:57I am the one who will not rest
27:59until I have killed you
28:01like that in a cell
28:03when a judge dictates a life sentence.
28:05For God's sake,
28:07do you think these damn bars will contain me?
28:09No one will be able to finish me.
28:11No one will finish me.
28:13Not you, not the miserable Tomas.
28:16You lost.
28:18Accept it.
28:20I have not lost.
28:22And I warn you from prison
28:24or from hell.
28:26I'm going to get rid of you.
28:28I'm going to leave you in the damn ruin.
28:32I don't know how.
28:34Oh, yes.
28:35Through your niece Vera.
28:37That bitch is nothing more
28:39than a cockroach.
28:41And I'm going to crush her like this.
28:43She has no idea
28:45that I'm going to destroy her
28:47like I'm destroying you.
28:49Okay.
28:51Very well.
28:53Let's see what you do
28:55when I get those payments.
28:57I'm going to erase that smile from your face.
28:59Yes.
29:01And I swear,
29:03that I have never in my life sworn
29:06that I'm going to destroy you.
29:08I'm going to leave you in the ruin.
29:12I want to see you do it.
29:24Very well.
29:26Cheers.
29:33Cheers, bitch.
29:35While you're alive.
29:43Get all this out of my way.
29:45Yes, ma'am.
29:47Yes, ma'am, yes.
29:49I'm going.
30:03Answer her, Cata.
30:06Come here.
30:10What's going on, Vera?
30:12You can pick up your things now.
30:14He's not with me anymore, Cata.
30:16He's against me.
30:18And you're against me.
30:20I'm not interested in talking to you
30:22or making you understand anything.
30:24I want you far from this house, do you understand?
30:26And if you don't come right now,
30:28the garbage is going to take all your crap.
30:31Hey.
30:33Don't worry, don't worry, Cata.
30:35I'm with you.
30:37I'm going to pick up your things,
30:39I'll take you to the inn,
30:41and Mrs. Gloria will help you.
30:43Don't get like this.
30:45I don't like to see you like this.
30:47It hurts me that my own sister does this to me.
30:50Yes, I understand.
30:52But look, think that it's best for you.
30:54You don't need your uncle or your sister.
30:57I'm here with you.
30:59When I was a child, they abandoned me.
31:00And here I am with you.
31:10Marta, it's delicious.
31:13I've never eaten like this in my life,
31:15in all my life.
31:17Oh, you're so exaggerated.
31:19I just put chicken broth on it
31:21to tie it up.
31:23And he tied it up.
31:26Maybe I'm very hungry.
31:28Or maybe you're a chef.
31:30You don't know.
31:32It could be the company.
31:34Because they say that everything is enjoyed
31:36more with the right people.
31:38Really?
31:40How do you turn around to do a compliment?
31:42You're funny, huh?
31:44Oh, yes, yes.
31:46Now you think I'm funny, right?
31:48But when you kicked me out of the factory,
31:50you didn't seem to be laughing.
31:52Hey, well...
31:54They almost lynched me.
31:56Well, yes, what did you want?
31:58You didn't pay us our salaries.
32:00I even had to climb out of the window
32:02so they wouldn't leave me like Santo Cristo.
32:04Do you remember how fat I was?
32:06I had to hold my head.
32:08Oh, you looked like Spider-Man.
32:10I know.
32:12I couldn't move in two days.
32:14I was all scratched from the back.
32:16Yeah, but it's good that everything was resolved
32:18and that you're okay.
32:22And that I can see you smile.
32:26You almost don't do it.
32:28And you have a very nice smile.
32:31Something else, something else?
32:34That I like you.
32:37And that you make me the best person.
32:45Of course you can stay here.
32:47I don't have a lot of rooms left,
32:49but I have a place for you.
32:51And knowing that you're Gil's girlfriend,
32:53Gil is like a son to me.
32:56Thank you, Mrs. Gloria.
32:57Don't tell me you too.
32:59Oh, yes, what happens is
33:01that I had problems with Vera.
33:03Away from that woman,
33:05you'll be safer.
33:07Don't worry, Catalina.
33:09You'll have a good space here.
33:11What a horror.
33:13What planet will be against us
33:15that is turning us into displaced people?
33:17Come, Catalina.
33:19Don't let the vibe of someone
33:21who doesn't see anything good in life affect you.
33:23Oh, come.
33:25Oh, but what a mess you are.
33:31Since you're dying so much for my sister,
33:33why don't you take care of what you do?
33:36I don't know.
33:38I don't know.
33:40I don't know.
33:42I don't know.
33:44I don't know.
33:46I don't know.
33:48I don't know.
33:50I don't know.
33:52I don't know.
33:54I won't let him get against me.
33:56Take care of yourself, Vera.
33:58Because people like you or your uncle end up badly.
34:00Shut up!
34:02Shut up and don't talk nonsense!
34:04You're not going to give me sermons, do you understand?
34:06Shut up and get out!
34:09And I won't kill you
34:11because you don't deserve that.
34:24What are you telling me, Dr. Hernández Calvillo?
34:27We're no longer going to be jumping guards.
34:32Lorenzo has stored in his house
34:34all the important things
34:36that he considered
34:38could endanger the files.
34:42In fact,
34:44I think there must be the missing material
34:46in the clinic.
34:48And I have to go in there
34:50and look among his things.
34:52If someone realizes
34:54that you were there without permission,
34:56you can get into a lot of trouble.
34:59That man is so abandoned
35:01that I don't think anyone will notice.
35:06Would you come with me?
35:14You're very mysterious.
35:16What do you want to talk to me about?
35:18Or do you just want to walk around town like this?
35:20Well, I was doing a little time
35:22and I wanted to walk like this.
35:24So I put my hand out.
35:26But the time has come for me to tell you something.
35:29What is it? What's going on?
35:31I know what we're going to do with the ring.
35:33But it's going to be a surprise.
35:35Let's go to the car and I'll tell you.
35:38Just to tell you
35:40that everything is beautiful in your life,
35:42Tomas.
35:46Really?
35:48Yes.
35:52What?
35:54I love you, woman.
35:56And I don't want you to cause more trouble between us.
35:58I won't do it anymore.
36:00Let's go. Let's not waste time.
36:02Let's go.
36:12If only
36:14you acted
36:17and realized the love I feel for you.
36:21But no.
36:22You let me down.
36:27If you knew how desperate it is
36:30every second that passes and you don't answer me.
36:36Damn it.
36:44And well, all that's left is for Tomas to approve this.
36:49But all your proposals are already in there.
36:52I appreciate it.
36:55Hey,
36:57I mean, if I can add something,
36:59I think that to attract foreign investors
37:02we could include a video.
37:04Yes, of course.
37:06I don't know, a presentation that makes them feel
37:09what is the essence of all saints.
37:11Of the factory,
37:13of their people,
37:15of the people who sow,
37:17who process the cocoa
37:19and who make it with so much love.
37:20Because, you know,
37:22what they're putting on their table is not just cocoa.
37:26It's love,
37:28it's dedication and it's passion.
37:30You're absolutely right.
37:32You're absolutely right, of course.
37:34Of course.
37:36Because what the investors are looking for
37:39is for their money to mean something,
37:41not just to keep generating.
37:44Yes, they're looking for something else.
37:46Miriam,
37:47without fear of making a mistake,
37:49I can tell you that
37:51you are everything this factory needed.
38:00I wish my grandmother would think like that,
38:02but she never,
38:04she never considered me.
38:06I have always loved this factory a lot.
38:11Look, I understand that my sister
38:13had to go to the front because
38:14she's the eldest, right?
38:16She's the one who had to represent
38:18the company.
38:21I don't want to offend anyone,
38:23but the fight between Gabriela and your grandmother
38:25is the best thing that could happen to this place.
38:29Because now you're the one in the front.
38:45I would have liked
38:47to cry in other circumstances.
38:49No, no.
38:53Thank you for allowing me to be part of this,
38:55for opening up.
38:57I know I'm going to sound a little daring,
39:00but I would love to be able to invite you
39:02to dinner someday.
39:04You know,
39:06to get to know us better,
39:08like...
39:10you know.
39:12Like co-workers.
39:15Yes,
39:17that's exactly what I wanted to say.
39:19Well,
39:21no one has invited me out for a long time,
39:23so I accept.
39:25To get to know my colleague better, right?
39:28Well, there's not much to know about your colleague.
39:31I'm a little bored.
39:33I bring you your sugar-free Coca-Cola.
39:36Thank you, my daughter.
39:38Doctor.
39:40Oh, Dele, I don't know what to tell you.
39:42My things, if you're going to make them public.
39:44Doctor, don't get upset.
39:46On the contrary,
39:48why don't you tell us?
39:50You can't go into a house like that
39:52without knowing what to expect.
39:54Dirt and disorder.
39:56But most likely,
39:58the file I've been looking for is in there.
40:01Claudio,
40:03you retired as a doctor,
40:05but have you ever been given
40:07your doctorate in honoris causa as a private detective?
40:10I swear to God,
40:11I don't know what you're talking about.
40:13Oh, my God, Delirio.
40:15Your grandmother doesn't trust me.
40:17But she loves you.
40:19She worries about you.
40:21Come on, tell me.
40:23How can I help? I'm very curious.
40:25Tell me.
40:27Tell me, Claudio, tell me.
40:29Come on, tell me.
40:31Tell us.
40:33Well, if you want,
40:35we can go to the retirement home right now.
40:37And that way you'll know the place
40:39and you'll meet the people who run it.
40:42Do you think that place is for me?
40:44Well, I don't know, but...
40:47If you really want to give a little love...
40:51But I feel so empty
40:54that I don't know if I have love to give.
40:56I think I'm the one who needs love.
40:59Well,
41:01maybe the best way to receive is to give.
41:04Have you thought about that?
41:06I don't know anymore.
41:08In this life they say so many things
41:11that I'm already...
41:13Oh, don't worry.
41:15...in the crown.
41:18It's better to give than to receive.
41:20They lie.
41:22What could be better?
41:24That the ideal is to let go and trust.
41:26They lie.
41:28Letting go is very difficult.
41:30I can't let go of what I've become.
41:32That the one who wakes up early, God helps him.
41:34It's a lie.
41:35That God squeezes, but doesn't choke.
41:37It's a lie.
41:39And I can trust less when everything goes wrong.
41:41Well, if you don't feel safe,
41:43it's better not to go,
41:45because you can get away with it.
41:47Although for me,
41:49working at the retirement home
41:51is making me see life in a different way.
41:53There are big men with money,
41:55but what they need is a lot of love,
41:57more than money.
41:59Of course you're going, Mom.
42:01If you are a being full of love,
42:03maybe that's what you lack.
42:05Recognizing that you are full of love
42:07and that you are ready to share it with your neighbor.
42:10Huh?
42:12My daughter doesn't know what to make me do.
42:14As if I were a brat
42:16with no place in the world.
42:18Let's do one thing.
42:20Come with me,
42:22and if you don't like it, it's okay.
42:24Don't come back.
42:26You're going, right?
42:28Yes?
42:33Yes.
42:53This will be the way
42:55to bury the past
42:57and give rise to a new life,
42:59a new story.
43:01Yes.
43:03A new story.
43:05To give shade to those who need it.
43:08That's right.
43:10Because
43:12I'm not talking about this tree, precisely.
43:15What? I don't understand.
43:19I'm talking about
43:21a new life,
43:23a new hope,
43:25of a being that deserves
43:27a world without bitterness.
43:29A new story for both of us.
43:31And
43:34for this baby that's on its way.
43:38We're going to be parents.
44:03A new story for both of us.