Mumbai: Ashutosh Rana opens up about his latest theatre venture, "Humaare Ram", and his portrayal of the character "Lankesh". The seasoned actor emphasizes the importance of audience feedback, stating "The audience is the best judge". He also shares his deep connection with theatre, revealing it's "in his DNA", and discusses the art of voice modulation.
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00:00Ramayana or Ramcharitmanas is a book that has been read and heard by lakhs and crores of people.
00:15But even after this, there are a lot of incidents and chapters that have not been discussed much.
00:24So we have tried to include those chapters as well.
00:27And I feel that when you and I gather those incidents that have not been heard much,
00:36then their presence and availability and return is amazing.
00:42That is what happened.
00:43There are a lot of incidents here that you will get to see.
00:47Whether it is the worship of Devadhi Dev Mahadev,
00:52or you will get to see a perspective that you and I do not know that Shurpanakha's husband was Vidyutjiva,
01:01who was killed by Ravana.
01:03So we only saw the character of Shurpanakha that she goes to Paramatma Ram,
01:07and she has a proposal and we only saw that.
01:12But what is the motivation behind that, we did not see that of Shurpanakha.
01:17We do not know about the Shiva Linga of Mahadev on Rameshwaram,
01:22or very few people know about it.
01:24Paramatma Shri Ram had called Ravana to establish it.
01:27Whereas both were going to kill each other's enemies.
01:34But when you say that whenever someone comes in contact with Maryada Purushottam,
01:40then that becomes the norm.
01:42Then you call your dear Ram, Rij Bhajo or Kheej,
01:45that it will be the opposite.
01:47So why don't you call Ram with any emotion.
01:50Ram's nature is that he makes you doubtless.
01:53So there are many such incidents that you will get to see in this.
02:03The biggest feature of a theatre is that it keeps you alert,
02:06it keeps you aware and it keeps you active.
02:09So for any truth of the moment, we need to be alert, active and aware.
02:14So it helps us to increase these three things.
02:18And when these three things increase,
02:20then in our personal life, you and I become more enlightened than before.
02:25We start using our abilities more than before.
02:28So I feel that this thing is increased somewhere in the theatre.
02:33Why? Because at that moment,
02:35when you and I take birth in this world, we are completely alone.
02:39Similarly, when you go on the stage,
02:42if you look at Sarvatha,
02:44the dialogue that is written or spoken to you,
02:49and it is not just related to you,
02:52it is going live.
02:54So you can respond to the mistake of the other person,
02:57or the cleanliness of the other person,
02:59or the art of the other person.
03:02You can receive and give your return accordingly.
03:06So I feel that this thing is magical.
03:09When these faculties of your brain open up,
03:12then you become more elevated in your personal life than before.
03:21As soon as you step on the stage,
03:23you understand the temperature, temperament of the audience.
03:29Accordingly, you try to fine-tune yourself
03:32without destroying,
03:34without making any kind of noise,
03:39that you spoil your story, story, presentation.
03:43Without spoiling, you fine-tune.
03:46And you understand that.
03:48And I feel that it is not a matter of expression,
03:50it is a matter of experience.
03:52It is a matter of experience.
03:54While doing that, you understand that thing.
03:57Because it goes on and on.
03:59This is the specialty of theatre.
04:01Whether it is a theatre of breadth,
04:03or whether it is a theatre of Kalidas,
04:05or whether it is Bharat Muni,
04:07who has told us everything in the Natya Shastra,
04:09or whether it is that.
04:11So this is a process that goes on and on,
04:14that you have to keep fine-tuning yourself.
04:17Like at the frequency,
04:19right now you and I are talking,
04:21on the radio, there might be news of slow progress,
04:23there might be movie songs,
04:25there might be commentary,
04:27but right now, what are we doing?
04:29We are talking.
04:31So it is a matter of fine-tuning.
04:34So if our frequency matches with that frequency,
04:37which is flowing,
04:39then that thing starts spreading.
04:41So it is the same with the audience,
04:43that you have to match the frequency.