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مدي 1 تي في : Best of 21/02/2025 - 21/02/2025

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00:00Salaam alaikum and welcome to this special episode of the best of patchwork episodes for this patchwork week.
00:20Today's show is brought to you by the latest news from the patchwork industry.
00:34Hello again and welcome to this special episode of the best of patchwork episodes for this patchwork week.
00:50Today's show is brought to you by the latest news from the patchwork industry.
01:02Today's show is brought to you by the latest news from the patchwork industry.
01:12Today's show is brought to you by the latest news from the patchwork industry.
01:24Today's show is brought to you by the latest news from the patchwork industry.
01:34Today's show is brought to you by the latest news from the patchwork industry.
01:52Today's guest is the artist Mohamed El Mousachi.
01:54Hello and welcome.
01:56Hello Osama, I'm happy to be here with you in this beautiful show.
02:02It's my first time on Median TV.
02:04Hello, it's a pleasure to have you on the show.
02:08Hello Mohamed, how are you?
02:10I'm fine, thank God.
02:12We've seen some of your clips. Can you tell us a little bit about your journey, your path and your new album?
02:19Let's start with the beginning. How did you start?
02:24I started like any other professional artist.
02:28In the beginning, I was in a school festival.
02:32One day, I started listening to classical music like Hesni and Mami.
02:38That's how I started.
02:42How old were you at that time?
02:46I was 7, 8 or 9 years old.
02:52How did you choose your influences?
02:56What made you decide that this is your style?
03:02It was spontaneous.
03:04I didn't choose anything.
03:06It was spontaneous.
03:08It was a musical style that I was comfortable with.
03:10I was creative with it.
03:12When I was young, I was able to write melodies.
03:16I was more into it than when I was young.
03:20It was difficult for me to find my own style.
03:25I didn't know how to create my own style.
03:29We reached a point where we wanted to create a modern style.
03:35Now, we can say it's a modern style.
03:40One of your features is that you participated in the distribution of melodies and the writing of lyrics.
03:48This is a very simple thing for a singer.
03:54But it requires a lot of effort and time.
03:58It's not easy to write, compose and distribute ideas.
04:04You have to sing and act at the same time.
04:07It requires a lot of effort.
04:09You can see the song in 3 or 4 minutes.
04:12It requires a lot of effort.
04:16Tell us about your rituals.
04:18Do you write melodies and lyrics?
04:20I like to be alone when I write melodies and lyrics.
04:24I like to be alone at home.
04:26My ritual is to be alone and calm at night.
04:31I write most of my songs at night.
04:33I don't have a specific ritual.
04:35You concentrate on being alone.
04:37What do your parents and friends say about your talent?
04:42My parents have known me since I was 10 months old.
04:52My brothers and sisters want me to play musical instruments.
04:58I grew up with music.
05:02You were a musician when you were young.
05:05Yes, I was a musician.
05:08I wanted to study and become a singer.
05:11My parents wanted me to study and become a singer.
05:18What did your friends and teachers say about you?
05:21They supported me from the beginning.
05:25I found courage from the beginning.
05:27I was supported by my environment.
05:29I think your inspiration is singing.
05:32Can you give me a name?
05:35Did you grow up listening to music?
05:46I used to listen to a lot of Hasni songs.
05:50Do you know how to say Hasni?
05:52I went to a school.
05:54Do you know a lot of Hasni songs?
05:56Yes, I know a lot of Hasni songs.
05:58I used to listen to a lot of Hasni songs.
06:04What about non-Hasni songs?
06:06There are a lot of Hasni songs.
06:10When did you first record in a studio?
06:16The first day was in a city that is dear to my heart.
06:25It was the first time I went to a studio.
06:30I went to a studio in the house.
06:35I recorded the first cover.
06:37It was called Libini.
06:39I went back to the Hasni studio.
06:41It was my first experience.
06:43I will never forget it.
06:47The song is still in the program.
06:49I must sing it in the program.
06:51You have a good memory of the song.
06:57When you first entered the studio,
06:59did you feel something new?
07:01Or did you feel like a stranger?
07:05I was a little scared.
07:08But I felt comfortable.
07:10I felt like a new person.
07:12I felt like a new person.
07:14I felt like a new person.
07:16I felt like a new person.
07:18Thank God.
07:20Many years have passed since you started.
07:22You have released many beautiful and successful songs.
07:25Thank God.
07:26You have made a number of music videos.
07:28You have been in this career for 15 years.
07:33What difficulties do you face in the artistic field?
07:37The first problem is the production.
07:42I am a writer.
07:45I can say that I work with artists.
07:48You have to take everything out of your pocket.
07:52The studio, the music video, the production.
07:56This is the first difficulty.
07:58This is the first difficulty I face.
08:04Sometimes you have to take a deep breath while reading.
08:06You are a reader.
08:08In the morning, when we were discussing the program,
08:11I found out that you are a journalist.
08:14Thank God.
08:15You have very good characteristics.
08:17Thank God.
08:19It was my father's condition.
08:21It was one of the best days.
08:23It was my father's condition to make music.
08:27It was a condition.
08:28Yes, it was a condition.
08:29But reading is the first achievement.
08:31The original success in life is reading.
08:33I thank him for this condition.
08:35Of course, thank him.
08:37Because it affects my personality as an artist.
08:40It affects my personality as a journalist.
08:42We look up to you.
08:43I wish one day I was like you.
08:45You inspired me.
08:46You inspired me.
08:47I am happy to see you.
08:48I am happy to see you.
08:49Reading was important to prove yourself,
08:53to raise your head.
08:55Reading has an extraordinary effect.
08:57My discussion is about the latest forms of media.
09:02Yes, the latest forms of media.
09:04And your relationship with social media.
09:05Your relationship with social media.
09:06Yes.
09:07How is your relationship with social media?
09:08Are you on good terms or not?
09:10What do you mean?
09:11Media or me?
09:12Media or social media?
09:13There is a good development in the Arab and Moroccan media.
09:18New types of media are emerging.
09:23It is not good.
09:24But television is a special genre.
09:27And traditional media is a special genre.
09:34It is nice to see a young man on television.
09:37Young people don't watch TV much.
09:41It is a sacred thing.
09:43It is an important source.
09:45At the same time, it has an advantage.
09:47Young people are still aware of it.
09:49Television is still able to produce good content.
09:55From this passage, I learned many blessings from my friends.
09:59And from my fellow artists.
10:01I am proud to be a part of media.
10:05I think television is very important.
10:10It gives value to art.
10:13I wish you all the best.
10:15Thank you so much.
10:16I wish you a long and successful career.
10:19Among the people who bless you,
10:26there is a great Moroccan artist.
10:31Who is he?
10:32He is one of the people who always tell you to think about the person who supports you.
10:39Her name is...
10:41I consider her my mother.
10:43She knows my relationship with her.
10:45Don't say she is older than you.
10:47She knows.
10:49She knows.
10:51Honestly, her support...
10:54I saw a good side of her.
10:56I don't know.
10:58I met her in a competition in 2018.
11:02When she was performing,
11:06I don't know how to describe her.
11:10She is benevolent.
11:11Exactly.
11:12She is a desert of chemistry.
11:16When she teaches at her school,
11:19I am happy.
11:20I don't care what the committee thinks.
11:22With all due respect to them,
11:23I am happy that she is still young.
11:25When she comes from far away,
11:28it shows how humble she is.
11:32It shows how she is in the right place.
11:34Her name is supported in social media.
11:38Any work you share,
11:40she supports you financially.
11:42I am very happy for her.
11:44I hope one day,
11:46when I grow up,
11:47I will have a day with her.
11:48I see a good side of her.
11:50It is very nice to see such respectful stars
11:53who support the talent of young people
11:57and at the same time,
11:58support them in their school life
12:00and in their professional future.
12:02It is good to have talented artists
12:05with a lot of money,
12:07but if they are talented
12:09and have a lot of money,
12:10it is a big and important addition.
12:13Let's move on to the film section.
12:19Let's see some of the films
12:21that are currently in theaters.
12:30You disgust me.
12:31You are here with your big two cents on Capitanie.
12:50This is my dad.
12:52And Maya is my daughter.
12:56When I was on the other side of the planet,
12:58he asked me to give him historical titles.
13:01Give me a title for your next cartoon.
13:04This was our film section
13:06with Cineatlas.
13:08Cineatlas is in Rabat, the capital,
13:10and also Cineatlas, the new city.
13:13Now we are back with the guest of today's episode,
13:16the talented and talented artist,
13:19Yehia Kabal.
13:21I would like to ask you
13:23what are the opportunities for you
13:25to perform on stage,
13:27on stage,
13:28in some festivals.
13:29Of course, you can do this,
13:31but isn't there something
13:33coming your way?
13:35After the song,
13:36I found some offers
13:37that are not yet confirmed,
13:39but God willing,
13:40I will not perform on stage
13:42for any artist
13:43until he performs.
13:45Maybe a well-known festival
13:47in Morocco,
13:48I don't remember the name of it,
13:50but if I have the opportunity,
13:52it will be a great honor for me.
13:54In my area,
13:55Tangier, Tietouan,
13:56thank God,
13:57I used to watch them
13:58as a rehearsal,
13:59as we say,
14:00especially after the song,
14:02so I started to shine a little bit.
14:07We are back with you
14:08in the Best Of patchwork section,
14:10and this time
14:11with this interviewee
14:13from the interview
14:14that we gathered on this set
14:16with the artist,
14:17Nasser Migri.
14:21Good evening,
14:22my name is Younes Kanhiyeh,
14:23and I have a question for you.
14:25You released a song called Ammi.
14:27This song is not for me.
14:29It's for your uncle.
14:30No, it's not for me.
14:33What is Ammi to you?
14:34Ammi,
14:35in Morocco,
14:36we call someone big,
14:37but here we call him
14:38Wa Ammi.
14:39We didn't know
14:40how to pronounce it,
14:41but it's Wa Ammi.
14:42Wa Ammi.
14:43But,
14:44it's Nasser.
14:45No, no,
14:46if you look at the lyrics,
14:47isn't there something
14:48that affects my family
14:49or one of the members of the family?
14:51Of course,
14:52when you say
14:53that you have reached
14:54a level of respect
14:55for yourself,
14:56I see that
14:57maybe
14:58from close or from far,
14:59when you say
15:00from far,
15:01it affects
15:02the members
15:03of your family
15:04or Mr. Younes Migri.
15:05I read
15:06in the comments
15:07that you have
15:08a family problem
15:09before you
15:10release a song.
15:11Yes,
15:12after that,
15:13when I answer people,
15:14I tell them
15:15that this is not
15:16a family problem.
15:17This is
15:18a problem
15:19of the generation
15:20dialogue.
15:21And here,
15:22where I was
15:23with Abou Hassan,
15:24we were
15:25one of the leaders
15:26who may
15:27still be one,
15:28which is
15:29between us,
15:3050 years,
15:31and we decided
15:32to have
15:33a generation dialogue
15:34with brother Osama.
15:3550 years.
15:3650 years
15:37between me
15:38and Abou Hassan.
15:39May God have mercy on him.
15:40And we did
15:41songs,
15:42we did
15:435 albums,
15:44you understand,
15:45we had a lot
15:46of ideas
15:47in the night,
15:48and we have
15:49been working
15:50on this
15:51issue
15:52for a long time.
15:53And we
15:54didn't
15:55want to
15:56separate
15:57from the
15:58family.
15:59I don't
16:00regret anything,
16:01you understand.
16:02On the contrary,
16:03the family
16:04before everything,
16:05and my family
16:06was alive
16:07because they
16:08encouraged me.
16:09In this
16:10blessing,
16:11I received
16:12messages
16:13from
16:14Amity Jalila,
16:15may God
16:16grant her
16:17a long life.
16:18I received
16:19a message
16:20from
16:21her,
16:22she told me
16:23that
16:24she was
16:25very
16:26touched
16:27by this
16:28message.
16:29She told me
16:30that if
16:31she was
16:32touched
16:33by this
16:34message,
16:35she would
16:36leave the
16:37house.
16:38So,
16:39this is a
16:40beautiful
16:41family dialogue,
16:42and I am
16:43always here
16:44to preserve
16:45this dialogue
16:46and this
16:47love.
16:48Recently,
16:49we were in
16:50Tunisia and
16:51France,
16:52and you had
16:53a problem
16:54with the
16:55plane.
16:56What happened
16:57to you?
16:58We saw
16:59a story
17:00on Instagram.
17:01I wanted
17:02to tell you
17:03that a problem
17:04is not a
17:05problem,
17:06it's not a
17:07problem.
17:08Sometimes,
17:09there are
17:10companies
17:11that are
17:12cheaters,
17:13but it's
17:14not a
17:15problem.
17:16I immediately
17:17asked
17:18my
17:19colleagues
17:21to stop
17:22the
17:23colonel
17:24at the
17:25airport,
17:26and all
17:27the police
17:28officers
17:29at the
17:30airport.
17:31I
17:32asked them
17:33to take
17:34my suitcase
17:35away,
17:36and to
17:37buy
17:38another
17:39suitcase.
17:40I told
17:41them that
17:42I don't
17:43have money
17:44to buy
17:45another
17:46Maybe there was a problem with the guitar.
17:49This poor thing.
17:50This poor thing.
17:51This is one of the problems.
17:53I'm sorry, but this is one of the problems.
17:55The plane didn't take off.
17:56There is a system in some Arab countries,
17:58where the dimensions of the guitar are a little big,
18:03so you have to finish it.
18:04I see.
18:05There is a supplement, there is a place,
18:06now they have to ask for a visa.
18:08I don't have a problem with any law,
18:10except that the songs are fluid.
18:12I came to finish,
18:13but I need a musical instrument.
18:15Ok.
18:16I don't have a guitar, I don't have a flute,
18:18I don't have everything,
18:19without a musical instrument.
18:21When I got on the plane,
18:22they told me I had to pay another seat for this guitar.
18:25So I told them, I'm changing companies.
18:28I'm buying a plane ticket on the spot.
18:31It's a great experience.
18:32I've never missed a plane in my life.
18:35It's a very, very great experience.
18:37And it strengthens the relationship between us and Tunisia.
18:41Look how they know me, they respect me.
18:43The whole airport is waiting for me,
18:45but I find a solution.
18:46Why?
18:47Because I have television and radio in Paris
18:50that I don't have to miss.
18:52With commitments.
18:53Yes.
18:54So, how do you do it?
18:55Look, Osama,
18:56I'm going to give you this appointment.
18:58Don't let me down.
18:59Look, I can't find my seat here,
19:01and I can't meet you when you're traveling.
19:04We need a commitment, as you said.
19:07Let's go back to the artistic field.
19:09Hello.
19:10The acting experience.
19:13How did you learn to act in a couple of plays?
19:16Yes, with a great teacher, Nabil Hloul.
19:19We used to greet him,
19:21and we wished him a long life,
19:24health and well-being.
19:26He was my teacher in acting.
19:29He taught me a lot and gave me a lot of time.
19:32I used to go to his house,
19:33to his corner,
19:35and we used to sit side by side,
19:37and his door was always open.
19:38He used to tell me,
19:39even if it wasn't a play,
19:40he would come to me,
19:41and he would give me lines in French,
19:44in Arabic,
19:45and I would memorize them,
19:46and he would teach me how to act.
19:49It wasn't a movie,
19:50it was a play.
19:51It was a difficult play.
19:53I didn't know that he would greet the Moroccan actors.
19:58From the beginning of the play,
20:00until today,
20:01you have a very difficult profession.
20:04Just like music,
20:05when you come to sing in a concert,
20:07you don't say,
20:08cut, action.
20:09You have to sing it directly,
20:11and there is no diction.
20:13So, I learned a lot from the actors in the play.
20:17I learned a lot from this teacher.
20:19I used to go to his house,
20:20to Socrates' court,
20:22and I had two very important roles in the play.
20:27I played the role of Plato,
20:30and I played the role of Omar el Ferdowsi.
20:34Omar el Ferdowsi was a great actor,
20:37and he was cast to play Socrates.
20:40Do you understand?
20:42I learned a lot from him,
20:45and I met the people in the play,
20:48Anfisa Dak,
20:50Lilla Sofia El Hadi,
20:52I learned a lot from her,
20:53her way of speaking,
20:55the way she dealt with her text,
20:58and Sirachid Fekak.
21:00It allowed me to meet a lot of important actors in the country.
21:06I wish you more success,
21:08and more relationships with people.
21:10What festival do you have after Ramadan,
21:14and what are the upcoming projects?
21:16This year,
21:18I feel that this year,
21:202025,
21:21I will come back.
21:23Thank God,
21:24in January and February,
21:26we went to three countries,
21:28we released an album,
21:30we went to important international events,
21:32in the country,
21:33in Tunisia,
21:34in France,
21:36I met important managers in other countries,
21:39in Europe,
21:40there were festivals,
21:42in Tunisia,
21:43there were festivals,
21:44in the summer,
21:45God willing,
21:46of course,
21:47Morocco is not forgotten,
21:48it is necessary to be present with its first audience,
21:50which is the Moroccan audience,
21:52the Moroccan Kingdom.
21:54There were festivals in the Middle East,
21:56in the Gulf countries,
21:57God willing,
21:58especially in the Emirates,
22:00and there was another surprise in America,
22:04God willing,
22:05we tried to go to a festival in West Palm Beach,
22:09I think I went there.
22:10Ah, American, yes, Morocco Fest.
22:12Exactly,
22:13so I would like to greet the high class,
22:15the artist,
22:16Mohamed Laroussi,
22:17who is the manager of the festival,
22:19and I wish him good luck,
22:20and I thank him for the invitation,
22:22from now on, please support me.
22:23The news is available,
22:24so follow the news of Nasser Migri,
22:26we have reached the end of the episode,
22:27leave us a last word,
22:28and after that,
22:29we will finish the song with Ali El-Touine.
22:31A last word.
22:32Thank you,
22:33I found the people who stood with me,
22:35in this return,
22:36which is an important stop,
22:38I would like to thank the media,
22:41who trusted me,
22:43and helped me,
22:45to go back,
22:46I don't want to go back to the artistic field,
22:49I want to go back to it,
22:50I would have been lost,
22:51I thank you very much,
22:53I thank my friends,
22:55who are far away from me,
22:56and close to me,
22:57a friend is not someone who stays with you,
22:59and drinks coffee with you,
23:01a friend is a person who stands with you,
23:03a person who stands with you,
23:05and when you need something,
23:06you find it with you,
23:07and when I traveled,
23:09and visited many places,
23:11I met many men,
23:13and men,
23:14and men,
23:15so thank you,
23:16and our motto,
23:18as Moroccans,
23:19is always,
23:20God is the king of the country.
23:22Thank you,
23:23we reached the end of today's episode,
23:24thank you for the technical and artistic support,
23:26and thank you,
23:27I wish you a lot,
23:28a lot,
23:29a lot of happiness,
23:30and I'll see you in a few months,
23:31and now,
23:32I'll see you,
23:33with the beautiful music,
23:34and the beautiful voice,
23:35of Nasser Mekri.