Helen Vera
  • 11 hours ago
Me Atrevo A Amarte Capítulo 3 en HD Completo
Me Atrevo A Amarte Capítulo 3 en HD Completo
Me Atrevo A Amarte Capítulo 3 en HD Completo
Me Atrevo A Amarte Capítulo 3 en HD Completo
Me Atrevo A Amarte Capítulo 3 en HD Completo
Transcript
00:00I came out of nowhere and I barely managed to see you.
00:05Are you okay?
00:06No, how are you going to see me? If you had come, you would have screwed it up.
00:09In a little while, you would have broken my jaw.
00:15What? Do you think it's funny or what?
00:18No, no, it's just that you worry more about the horse than about yourself.
00:24Well, yes, because my bride is not just a horse, she is my best friend.
00:30We are like twin souls and I don't recommend getting her mad.
00:34So you better go slower than this road is not a race track.
00:38You're right. For nothing in the world do I want to fight with such beauty.
00:44Hey, no, don't try to be smart with me, I haven't given you a foot to tell me those things. What's wrong with you?
00:49Nah, I'm actually talking about the mare.
00:57She's hot.
00:59Hot, right?
01:11Well, it looks like there are very beautiful women in San Agustín. I'm kind of liking this place.
01:18What about you? Did you like the mare?
01:20It's beautiful.
01:26But not just because it's beautiful, but because it shows that it's sincere, wild and very brave.
01:39You see, with someone like that, yes, I dare to love her.
01:47Let's go.
01:49Let's go, my bro.
01:59Victoria only cares about the hacienda.
02:03She is so voluntary, always breaded with dirt, with her mare from here to there.
02:11Oh, I would like her to behave like a young girl of her age.
02:16Oh, I don't know, that she had friends, I don't know, maybe a boyfriend.
02:23Oh, that's going to be very difficult, because Victoria will be very pretty, but with the character that she carries,
02:31it's going to be a piece of cake. Let's see what boys she throws at you.
02:37And now add that there aren't that many boys around here, well, that are worth it.
02:42And those that there are, then they go to the city and we don't see them again, not even the dust.
02:49Oh, Carmen, that overwhelms me so much.
02:53How I would like my daughters to find good boys.
02:59Oh, because there is every abusive that...
03:02No, no, no, no, God doesn't want anyone to hurt them.
03:06Oh, I would love them to marry a respectful man, to love them, to form their own family.
03:14Like I did mine, as it should be, Carmen.
03:18Well, yes, but you see that the girl now doesn't even want to get married and we don't even talk about children.
03:24That's how fashion is.
03:26Oh, well, but forming a family is not a matter of fashion, it's like love.
03:33In all eras it's the same.
03:36It's a feeling that moves everything, that makes us dream, that makes us smile, that makes us live.
03:46That's not why I want my daughters to fall in love.
03:49Find a man who makes them happy.
03:52His future worries me so much.
03:55Each one dreams of achieving things so different.
03:59Starting with my little girl.
04:01Oh, she spends her time drumming on her drums.
04:06And she only talks about music.
04:10And soon she will stop being a girl.
04:13And she will open her heart to love.
04:16And there won't be a boy for her.
04:19Miss Pérez Oler, we have the pleasure of inviting you to the town's party to be a DJ.
04:28Come with me.
04:32It's a great opportunity as a DJ.
04:36How will I go without my parents noticing me?
04:42And there you have it, Pérez Oler.
04:45And there you have Paloma.
04:47She dreams of being a fashion designer.
04:49She even went to study online.
04:52Stuck to the computer.
04:54That's how she's going to meet a boy.
04:56With that intention, you must create the mold of the dream.
05:02Very well.
05:04What would my perfect date be like?
05:08Oh, how beautiful.
05:10Oh, how beautiful.
05:15Well, beautiful should be with someone who makes you fall in love.
05:23Oh, what a victory.
05:26If at least she dressed like a lady.
05:29But you see, always with that field outfit.
05:33She looks like one of those day ladies.
05:36The plague is just beginning.
05:38With a good date, I think we can control her.
05:46Oh, well, how do you want me to dress?
05:49She's always in her field outfit.
05:51And attending to the sowing.
05:54Oh, don't complain, Diana.
05:57Victoria won't notice the rags.
05:59But how about Marisol?
06:01Oh, your eldest daughter is always so tidy.
06:04She even looks like a doll, beautiful.
06:07Oh, yes, she's the closest to me.
06:11You see how committed she is to Father Juan Diego's nursing home.
06:15So many good things my daughter has done for them.
06:18Be careful.
06:19Good.
06:37Bro, bro, bro.
06:39What?
06:40I just saw the most beautiful woman I've ever seen in my life.
06:43How many times have you heard that, Angel?
06:46No, but this time it's serious.
06:49Seriously, hey, there are beautiful girls here.
06:52I'm starting to like the idea of ​​spending a season, huh?
06:55You start, galán, huh?
06:58Look, I like to appreciate female beauty, it's different.
07:02Why are you wearing a belt?
07:03My sister Lucrecia brings you short, don't do it.
07:06Between Lucrecia and I there is nothing, Angel.
07:09She has other interests.
07:12Look, you know I don't get involved in your relationship.
07:15But more in my favor.
07:16We can have a great time here.
07:19I remind you that we came for work.
07:22Not in the plan of conquest.
07:24But one thing does not take away the other.
07:27Also, don't tell me you wouldn't like to tame the leopard.
07:31With someone like that, I do dare to love.
07:37I mean ...
07:50What happened to my potrilla?
07:52How is the situation?
07:54Well, more or less, grandmother.
07:56Ah, I already went through the herds, yes, yes.
07:58Yes, plague.
07:59No, no.
08:00It can't be possible, Victoria.
08:02We have had all the necessary care to take care of the harvest.
08:06How can that be happening?
08:08Calm down, dad.
08:10With a good antler we can control it.
08:12You know, the important thing is that everything goes well.
08:15The hacienda depends on those crops.
08:17I know.
08:18And you can be calm because we will save this harvest.
08:21Calm down.
08:23Oh, how Victoria loves this hacienda.
08:27She has become Valente's right hand.
08:29With her, no need for the boy.
08:32Stop rushing so much for your daughters.
08:35Oh, what a mother dreams of eating her happy daughters.
08:39Well, the important thing here is that you have very good daughters.
08:43Yes, that's right.
08:45Valente and I have formed a beautiful family.
08:48Even though when we got married, he wasn't really in love with me.
08:53But you see, the years of coexistence, support, affection and understanding were uniting us.
09:03And now we love each other more than ever.
09:06We are a marriage that proves everything.
09:12It is very important that I confirm my nephew's appointment with the owner of the ranch.
09:17And make sure to close that purchase-sale contract.
09:22I hope so, Mr. Larios.
09:24Let me know when everything is ready.
09:30I'm going to buy the ranch in La Paz.
09:32And I'm going to face Valente Pérez Soler.
09:38You'll see, son.
09:40I'm going to make him pay for all the damage he did to us.
09:44I'm going to turn his life and his marriage into a real hell.
09:53Are you sure this is all the infected seed?
09:56Yes, Valente.
09:58We'll save the rest with the fumigate, you'll see.
10:02The sprinklers are ready. I loaded them myself.
10:06Gabino, burn everything.
10:09The rest, let's fumigate.
10:11Go ahead.
10:12Go ahead.
10:21I myself altered the fungicide gallons as Godfather asked me.
10:26It doesn't matter how much they sow.
10:29The Pérez Soler will not be able to save their harvest.
10:33As the saying goes, they fell the trap.
10:36Well done, Lito.
10:38Now, with the loss of the harvest, my dear son-in-law
10:43will not be able to cover the payments.
10:46And I'm going to have to do it.
10:49I will choose them.
10:51Finally, Fernando Pérez Soler's ranch will be mine.
10:58And this one is going to tumble into the same hells.
11:03If you're listening to me, old fox.
11:08Gabino, go.
11:10Good morning.
11:11Good morning.
11:13Mr. Dionisio Paz Chavarria?
11:15That's me.
11:17I'm Alejandro, Deborah Monteiro's nephew.
11:20Nice to meet you.
11:21And he's my friend, Ángel.
11:23Nice to meet you.
11:24Nice to meet you.
11:25Well, as you know, my aunt is very interested in buying the ranch.
11:29I was waiting for you.
11:31Lito, get the horses ready.
11:33Yes.
11:35We're going to take a walk so you can get to know the ranch, right?
11:39Perfect.
11:40It's been many years since I've lived here,
11:42but I can assure you that the ranch is in excellent condition.
11:48La Paz is a magnificent ranch.
11:52And I appreciate to say that we have the most fertile land for planting.
11:58In the whole region.
12:00Not like others, who take longer to sow than to fill themselves with pests.
12:05Like this.
12:14Here in La Paz, the seed you sow, the seed that grows and burns healthy and strong.
12:22How many would like to have our prosperity?
12:29Yes.
13:00La Paz, Mexico
13:24Don't you know?
13:25How handsome that Fuereño was.
13:27He looked like he came out of a magazine.
13:30Really?
13:32But look, tell me more.
13:34He was tall, he had big hands.
13:37How are you going to see it, Paloma?
13:38He said he was in the car.
13:40He looked at her.
13:41They looked at each other and fell in love.
13:44Stop bothering your sister.
13:46Oh no.
13:48It's a shame it's Fuereño.
13:49I'm sure he's just passing by.
13:52You don't know the mess out there.
13:55It turns out that some Fuereños arrived at Don Dionisio's ranch.
14:00And they say they are very happy to see the rabbits.
14:05Girls.
14:06Oh, mom.
14:08Oh, Carmen, you make me blush.
14:16Deal made, Don Dionisio.
14:18Well, as soon as we finish the paperwork,
14:22the prosperous Rancho La Paz will be yours.
14:27Of course.
14:28Good afternoon, Dad.
14:30Hi, Grandpa.
14:33I'm sorry, I didn't know you had visitors.
14:38Alejandro.
14:40Mr. Angel.
14:42I present to you my daughter Diana and my granddaughter Marisol.
14:47Nice to meet you, ma'am.
14:49Nice to meet you.
14:51Hi.
14:52Hi.
14:53A pleasure.
14:54Delighted.
14:55Hi.
14:56Hi.
14:57The boys come from the capital, huh?
15:00They're going to do great projects here.
15:07Should I put it on?
15:08No.
15:09Let them go.
15:11And, well, what brings them to San Agustin?
15:14I imagine work matters.
15:16Rather, they are businessmen looking for new opportunities.
15:22And I think they will have a great future ahead.
15:27Well, working people like you are very welcome in San Agustin.
15:32And here we are very hospitable, right, Mom?
15:35Yes.
15:36And we would love to invite you to dinner tomorrow.
15:39Thank you, but we really don't want to bother.
15:44Please, don't feel committed.
15:48Well, I think it's a good idea.
15:51Surely my older granddaughters will love to live with you.
15:58You are like the age.
16:00Yes, it will be a pleasure for us.
16:04Well, we live here, here in the hacienda next door.
16:08Well, then, we'll see you tomorrow.
16:14It's getting late.
16:16Thank you very much.
16:17We'll wait for you tomorrow.
16:19Perfect.
16:21See you later, ma'am.
16:23See you later.
16:24Goodbye.
16:25Goodbye.
16:26Goodbye.
16:32But...
16:33Ah, I think it's Checa.
16:35Yes.
16:36It's kind of weird.
16:38Yes?
16:41Man, it's all chopped up.
16:42Let's see, guys.
16:43Get out of there the myau and the tire to change the tire.
16:47What a waste.
16:48Oh, man.
16:50What a waste.
16:51Hi, Chuy.
16:52Hi, Victoria.
16:53Are you going to the river?
16:54Yes.
16:55Well, be careful, it's crowded.
16:56Okay, Victoria.
16:57Gabino, come, I'll help you.
16:59Go ahead.
17:00No, the one that Delfino and my dad saved.
17:02We're going to the town.
17:06Let's see.
17:07Nice to meet you.
17:10Are you okay?
17:11Yes, yes.
17:12Okay.
17:16Alejandro.
17:20In this place we threw ourselves into the river the day my mother died.
17:28I didn't think I'd remember it, but I did.
17:31Or here.
17:34Help, there's a child.
17:35He fell into the water.
17:36Help.
17:37I'm going to take him to the river.
17:39Hey, hey.
17:43Do something.
17:46Do something.
18:07Help me.
18:08Help me.
18:17Help me.
18:21The log hit him.
18:23He's going to drown.
18:25He's taking him.
18:47Help me.
18:54Help me.
18:57Help me.
18:58Help me.
18:59Mom.
19:00Help me.
19:23Heels up.
19:30Breathe.
19:50Don't worry.
19:51Don't worry.
19:53You're safe now.
19:58Hey!
19:59Let her go.
20:00Let her go or I'll break your face.
20:03Come on.
20:05Come on.
20:06Hey, hey, hey.
20:07Don't worry.
20:08Let's go, bro.
20:11Are you okay?
20:12Are you okay?
20:17Don't worry.
20:18Let's go.
20:19Let's go.
20:25What do you see in that foreigner?
20:28He's a good guy.
20:29He's very lively.
20:30Stop it, man.
20:32You should thank the foreigner.
20:34He saved her from drowning.
20:39Are you okay?
20:40No, I'm not okay.
20:51Juan.
20:53How are you?
20:55Fine, and you?
20:56I'm fine.
20:57Hey,
20:58give me a hand.
20:59I have a party tonight and I'm going to be a DJ.
21:02You know my parents don't give me permission.
21:05Help me get out of the hacienda without getting caught.
21:08Please.
21:10No, Mia, no.
21:11It can be dangerous.
21:12No.
21:13Besides,
21:14how about you get into trouble for doing that
21:16and hiding from your parents?
21:17No.
21:18And I can get into trouble with my parents.
21:20What if they fire them because I helped you?
21:22How do you think?
21:23Your parents have been working here for a while.
21:25I mean, my mom would never dare to fire Carmen.
21:29So,
21:31are you going to help me?
21:32Please.
21:35Okay, yes.
21:44Victoria,
21:45you shouldn't have jumped into the river so soon.
21:46You'll drown.
21:47But I didn't drown.
21:48Stop scolding me as if you were my dad.
21:51But I'm like your older brother.
21:52And I'll always see you like this.
21:54Thank you for worrying,
21:55but you saw that nothing happened to me.
21:57And don't talk to my dad like that,
21:58because I'm not going to forgive you.
22:04They're going to ask me to work soon,
22:05and I don't know where I'll be able to do it in San Agustin.
22:09And with the fashionista who's been here all her life,
22:12she's going to be a bit more of a jerk.
22:14Something will come out, daughter.
22:15You'll see.
22:16Have confidence in yourself.
22:18As always.
22:19Hello.
22:20Daughter, look how wet you are.
22:22What happened?
22:23A guy came out of nowhere on the road
22:26and almost broke my leg with his car,
22:28but I'm fine.
22:30And who was that jerk?
22:32I don't know, I don't know him.
22:34I'm going to take a shower.
22:35Yes, honey, but you're okay, right?
22:37I'm going to see if you need anything.
22:43I'll bring you a towel, wait for me.
22:49It was very strange.
22:51It's like I'm seeing what happened 25 years ago again.
22:58I saw my mom again.
23:01Wow, that's strong.
23:02How do you feel about that?
23:05It affected me a lot.
23:08I don't even know how to react.
23:10I don't know how to react.
23:20And now I can't stop remembering my mother choking.
23:27I felt the same despair again.
23:31As if it had been yesterday when we threw ourselves into the river.
23:34I'm very sorry, bro.
23:41Hello, aunt.
23:42I was anxious to talk to you.
23:44How did it go?
23:45Could you buy the ranch?
23:47Yes, we already talked about it.
23:49Your name will soon be on the paperwork for the signature.
23:52Well done.
23:53I didn't expect less from you, my love.
23:56The first step is already taken.
23:58Oh well, I'll leave you because your sister wants to talk to you.
24:01Urge her.
24:02Yes.
24:04Which little brother do you have?
24:06I don't know.
24:07Yes.
24:09Hello little brother, how are you?
24:11I miss you a lot.
24:13Me too, little sister.
24:15So when I have you in front of me, I'm going to kiss you.
24:19You are the girl of my eyes.
24:21The only one.
24:22Let's see, let's see, let's see.
24:23A lot of love, a lot of love.
24:25And for me there is no greeting.
24:26What happened with the guardian angel?
24:28Guardian angel.
24:30Well, for me the guardian angel too.
24:33I send you both a lot of kisses.
24:35But tell me, what are you doing?
24:37Is the town beautiful?
24:39Well, it's not boring.
24:41For now, Alejandro has already saved the life of a peasant.
24:45Who is she?
24:46What happened?
24:48Well, we don't really know much.
24:50What we do know is that she is a very, very, very, very beautiful girl.
24:57Well, yes or no?
25:00Oh, you two.
25:02How were you drowning?
25:05You shouldn't have thrown yourself into the river, Victoria.
25:07No, I knew that that wet clothes had another explanation.
25:10Oh, no, it's good that my mom didn't insist on her questions, because ...
25:15Thank God you're okay.
25:17Now, tell me.
25:19What?
25:20Who was it?
25:25Because not everyone risks their life for a stranger, right?
25:28Oh, no, tell me. How was he? What did he say to you? Was he handsome?
25:35Don't worry.
25:36And this is safe.
25:43Marisol was about to drown me. How do you want me to remember that?
25:47Well, I saw it.
25:48I just know that they thank you.
25:50So I'm not going to see him again.
25:52Not him.
25:53But you will be able to meet another one.
25:55Mom invited some foreigners to eat at the house.
25:59What for?
26:01To meet them, silly.
26:03No, one of them is ...
26:05Oh, he's so handsome. His name is Angel.
26:08I saw him in the village and I felt like my heart was coming out.
26:12It was like love at first sight.
26:14Are you crazy, Marisol?
26:16You know what?
26:17What?
26:18And the best of all is that he comes with a friend.
26:20And it's perfect for you, Victoria.
26:23Oh, yes, like that.
26:29I reacted like an idiot in front of her.
26:33I didn't even ask her if she was okay.
26:35Oh, Alejandro, take it easy.
26:37You did what you could, you saved her life, and you also left her in good hands.
26:42What I am going to tell you.
26:44While you were enjoying yourself and kissing her on the lap, well ...
26:48I noticed something quite interesting.
26:50I was breathing mouth to mouth, Angel.
26:54I was saving her life.
26:56Well, while you were breathing mouth to mouth,
27:01I was working and ...
27:03I noticed something.
27:05That in the truck of the newspapers it said,
27:07Hacienda Pérez Soler.
27:09Which means that your journalist works in that hacienda.
27:13And which means that tomorrow you will see her.
27:16Because we are going to eat there.
27:17Then I'm lucky.
27:20Because tomorrow I'm going to see her.
27:23That's right.
27:32You didn't come down for dinner, are you okay?
27:35Mia?
27:40Oh no.
27:42This bitch escaped.
27:44This bitch escaped.
27:48What if I tell mom?
27:50I'm going.
27:53Come on, let's dance.
27:59Hey, girl.
28:01Not even bathing will take away all the dirt I want to do to you.
28:05Well, stay strong, nothing with me.
28:07What's more, get a forest and get lost.
28:10You heard her, stay.
28:12And you wash with me.
28:15You wash.
28:19Really, Mia?
28:21You risk a lot doing the DJ.
28:23Well, I like to be a DJ and the risk is worth it.
28:25Besides, if it's you, I'm not in danger.
28:45I'm going.
29:05How does it feel to kiss Angie?
29:12Dolphin.
29:14Thank you for being with me in the good and the bad.
29:19There was more missing, brave.
29:21You know you can count on me and the boys.
29:25The sale of this harvest will allow me to liquidate the debt and save the hacienda.
29:33So it will be.
29:36Fine.
29:38Thanks for the trust.
29:39This time I will be able to show my father-in-law that I do not need his help to get the hacienda forward.
29:48Because soon the hacienda, Pepe Soler, will be only mine.
29:55Cheers.
29:57Cheers.
30:00And my son-in-law?
30:03He will be isolated when he knows that I paid his debt.
30:07And he will have to give me his seedlings.
30:11But your granddaughters will not be angry, godfather.
30:14Especially Victoria.
30:16She knows she has worked a lot in those crops.
30:19They will be very angry when she finds out.
30:22And what do you have with my granddaughter?
30:25Nothing.
30:27What do you have with the girl?
30:29I already saw you.
30:31You'll see when you see her.
30:32I want to remind you that you are not up to my granddaughter.
30:37And if I agreed to be your godfather, it was so that you would not starve.
30:43Just for that.
30:45But you are still the same as the others.
30:48Part of the gang.
30:50You should be grateful to have been named my right hand.
30:58Do you understand that?
30:59My right hand.
31:01Do you understand?
31:03Is it clear to you?
31:25Oh, she is beautiful.
31:28So you work for the Peros Soler.
31:33The Foreño not only saved me from the river,
31:37he also saved my life.
31:40He gave me breath mouth to mouth.
31:43You know?
31:45No one had kissed me like that before.
31:49Yes, I know it wasn't a love kiss, but it was a kiss.
31:57How can I feel his warmth?
32:01I had never felt something like that with anyone.
32:07No, don't worry, I'm not going to get emotional with him.
32:11Besides, that Foreño is not even in the pool, so ...
32:15Well, there's no point in thinking about him.
32:22Alejandro, I didn't wake you up?
32:24Not at all, aunt.
32:26I'm just surprised by your call.
32:28Did something happen?
32:30No, no, no, nothing of that, my love.
32:32I just called to let you know that Amber and I are preparing everything to travel to San Agustin.
32:36Perfect.
32:38I will be very happy to have you by my side
32:40while we finish the paperwork for the purchase of the ranch.
32:43What did you think of the town?
32:45I haven't been able to go around much,
32:48but today I was in the river, aunt.
32:51Oh yeah?
32:52Yes.
32:54And I had some memories.
32:56It was strange.
32:58I felt a lot of anguish.
33:00I saw my mother fighting against the current again.
33:04It was terrible.
33:06I don't understand, aunt.
33:08In a river with such a strong current.
33:11Why did my mother throw herself into the river with us?
33:14What could force her to do something like that?
33:16You're going to have to ask the person responsible.
33:19The owner of the Perez Soler ranch.
33:22He is the only one to blame for your mother's death.
33:25He is the only one to blame for your mother's death.
33:28Hello.
33:30My love.
33:32Look how you come.
33:35My God, you have to think about your health, please.
33:39I'm worried that you work so much for the ranch.
33:43For the ranch.
33:45And especially for you, for our family.
33:49For you, my love.
33:50Yes, my love.
33:52I want you to have everything you deserve.
33:57But you know I already have it, right?
33:59Yes, the most valuable thing for me are my daughters.
34:03And you, who are my king.
34:06And that's why I want you to take care of yourself.
34:09And you have to go to the doctor.
34:11Do the studies he asked you.
34:13Okay.
34:14Please.
34:15Promised.
34:16I'm going to go after the harvest.
34:17You promised.
34:19How can I deny you anything?
34:21No.
34:23You don't deserve it.
34:25My greatest blessing in life is to have you by my side, Diana.
34:30And you too.
34:32You are also my greatest blessing.
34:35And I love you with all my heart, my brave.
34:39Diana.
34:47Diana.
35:01What's wrong, Paloma?
35:03Where were you last night?
35:05If you don't tell me, I'm going to accuse you with Mom.
35:08I didn't do anything wrong.
35:10I just went to a party, as they say in the village.
35:13Mia, it's dangerous.
35:14Then there are fights at those parties and even shootings.
35:18What if something happens to you?
35:20Oh, but I wasn't alone.
35:21I went with Juanito.
35:23Don't leave like that again without telling anyone.
35:26At least let me know, even if Juanito accompanies you.
35:29Is that clear?
35:31Uh-huh.
35:34Well.
35:36Now tell me, how did it go?
35:38How did it go?
35:40And Mia Pérez Oler, you better not leave any details out.
35:44I want to know everything.
35:46Totally. Look.
35:48First Juanito.
35:58Mom!
36:06Mom!
36:09Mom!
36:11Mom!
36:22It hurts me not to have you by my side, mother.
36:26I have so few memories of you.
36:31I know you were always very loving.
36:33As a son of my aunt Debora, I will always be grateful that you have taken care of us.
36:39But you are my mother and you have always missed me a lot.
36:46No, no, don't worry.
36:48As you asked me, I have taken care of Ambra.
36:55She was very young and never remembers.
36:58As for me, I'm fine.
37:04I just regret not having had you by my side all these years.
37:13Why, mom?
37:16Why did it have to be like this?
37:22Why?
37:23Why did it have to be like this?
37:33Here it is.
37:35No, no, no, don't take that expense.
37:37We can't now.
37:39Okay, it seems good to me.
37:41We will only respect the expenses that go to the drawer, right?
37:44You can.
37:47My loves.
37:49It's time for your coffee with your cookies.
37:53Just what I needed, my love.
37:57Thank you, my love.
37:59By the way, I need you to give me the donation for Father Juanillo's parish.
38:05You see that we help them every year and you know they need that money.
38:11Yes, yes, of course.
38:14Fortunately, the hacienda is doing very well and I think we can help them, don't you think?
38:19Of course, my love.
38:20Well, I'm leaving, I won't distract you anymore.
38:23I'm going to see how Carmen is doing with breakfast.
38:29Dad, haven't you told my mom that we are screwed?
38:33Let's see, she and my brothers must know that we are on the brink of bankruptcy, dad.
38:37They have to be aware of our situation and not spend what we don't have.
38:41Calm down, Victoria, calm down.
38:43You talk as if the hacienda had no choice.
38:45You talk as if the hacienda had no choice.
38:49I know that the next harvest will help us cover the debt.
38:53And of course, we are going to start recovering little by little.
39:00For now, you have no reason to worry your mother.
39:05Calm down.
39:09Have an egg.
39:11Now, dad.
39:16Squeeze more.
39:18Yes, I'm going, I'm going.
39:20You know I love spicy food.
39:22Come on, try it.
39:30Spicy?
39:32Yes, it's spicy, isn't it?
39:34Enough, enough.
39:36Salito, please.
39:41Take these papers to the notary.
39:43I want the sale of the La Paz Ranch to be carried out as soon as Mrs. Debora arrives in San Agustín.
39:52She will be the new owner.
39:55Don't worry, godfather.
39:57I'll take care of it.
39:59Excuse me.
40:01Debora, Debora.
40:04Debora, no.
40:06It's not the Debora I think it is.
40:10It's not the Debora I think it is.
40:13That girl really didn't have to die.
40:17What are you talking about?
40:20I'm talking about that whore who said she was going to have a brave son before marrying Diana.
40:28Do you remember? I told you.
40:30How to forget it.
40:31After getting involved with that whore, I had to marry my daughter to that bastard.
40:44He doesn't deserve her.
40:46He didn't deserve her.
40:50As despicable as the father.
40:52But of course, they carry the same blood.
40:55But I'm going to make it all worth it.
40:59What the miserable father Fernando did to me.
41:04You have to do something, Dionisio.
41:06Can you imagine if that woman is Debora?
41:10When she left here, she swore she would return to take revenge.
41:25Palito.
41:28I need you to investigate if that Mrs. Debora lived here in San Agustin years ago.
41:37Investigate it.
41:42If it's the same Debora, we have to prevent Diana.
41:47Your daughter doesn't deserve this woman to come and put her life on the line.
41:52For whatever you want, don't sell her the ranch.
41:56Do it for Diana.
41:58You know perfectly well...
42:02Don't touch me with that subject.
42:05You know you're forbidden to talk about that.
42:09And the fact that you've been living in this house for many years
42:14doesn't give you any right to meddle in my decisions.
42:23Don't forget your place here.
42:26You are the creator.
42:28You are the servant.
42:30And I am free to sell the ranch to the devil himself.
42:36If you want.
42:39And when my daughter Diana...
42:42Don't forget that you swore to take the secret to the grave.
42:46Mom.
42:51I must admit that those boys gave me a very good impression.
42:55My dad said they are successful businessmen.
42:58Very polite and gentlemen.
43:00Doll, it's not right that you show so much enthusiasm for a boy you don't know yet.
43:05I don't know.
43:07We don't know how they are.
43:09I wouldn't like you to have a bad experience, my doll.
43:12Oh mom, don't exaggerate. We just invite them to eat.
43:14Besides, I think Victoria would get along well with her friend.
43:18He looks like a serious and pleasant boy.
43:21No, no.
43:23No, I have a lot to do.
43:26Marisol likes one of them.
43:28Really?
43:29Yes.
43:31Hey, hey, hey, calm down.
43:33We don't even know who those boys are,
43:36nor where they come from, nor what they are up to.
43:39So calm down.
43:40Honey, calm down.
43:42They're just going to come to eat, to chat for a while.
43:46So please come back at the right time from the field so we can eat together, okay?
43:53Honey?
43:56Please.
43:57Okay?
44:01Coming!
44:08I'm coming, I'm coming.
44:11Ah.
44:15Hello.
44:16Good morning. And you, what are you doing up so early?
44:20I was at the river.
44:24You can't imagine what my aunt told me.
44:28I already know who is to blame for my mother's death.
44:32But what are you talking about?
44:34The owner of the hacienda, Pérez Soler, stole it from me.
44:37He took everything.
44:39So I'm telling you right now, I'm not interested in that food.
44:47Come on, come on, help me choose what to wear.
44:50I want to impress Ángel.
44:51Look, don't you think I'm interested?
44:54I see you liked the guy, even though you barely know him, Marisol.
44:57Well, that's what it's about, getting to know each other.
45:00And I don't know, maybe this time I fell in love.
45:03Look.
45:04What?
45:05Alejandro is going to love you when he sees you.
45:08I don't want to party, but I'm worth a reverend cucumber.
45:11That guy.
45:13Well, mom thinks Alejandro is a good match
45:15and it's time for you to be interested in the boy.
45:17No, no, no. Forget it, Marisol.
45:19I have no interest in falling in love.
45:22The only important thing for me right now
45:24is to save the crops from fumigation.
45:27Ice cream, delicious ice cream.
45:30Take your ice cream, yes.
45:36Ice cream, delicious ice cream.
45:38Take your ice cream.
45:39Mom, did you buy me an ice cream?
45:41Yes, do you want an ice cream?
45:43Yes.
45:44What flavor do you want it?
45:45Let's see, which one do you like?
45:47Strawberry.
46:06Now I'm going to brush my teeth.
46:11Has nothing changed in this town?
46:33Do you like it?
46:34Yes.
46:35Let's see.
46:36No, look.
46:37It doesn't weigh.
46:38What would you put there?
46:39Me.
46:40You?
46:41Do you want to go up?
46:42Yes.
46:43Let's see.
46:45Let's see, sit there.
47:04Let's see.
47:27How little I doubt your love.
47:31First we lost you, dad.
47:35And then you left your mom.
47:42Are they 10 kilos each?
47:44Very heavy, miss.
47:45Okay.
47:47It's done, thank you.
47:50What do you mean no?
47:51Victoria, Victoria.
47:52Of course I can.
47:53What are you doing?
47:54Daughter, I'll help you.
47:55You won't be able to.
47:56Of course I can.
47:58I'll carry it.
47:59It's too heavy for you.
48:01Go to the truck.
48:02Come on, I'll help you.
48:04I could do it with you, but thanks for helping me.
48:07You know that for you I would do anything, my queen.
48:11My name is Victoria.
48:12Hey, hey, come on.
48:15I can't even tell you a joke because then, then you lend it to him.
48:19You know I'm the only one in town who can stand your bad moods.
48:23But I don't care.
48:24Because I love you.
48:27You know that no one here is going to shoot you for your character, right?
48:31Instead, I love you as you are, Victoria.
48:34What?
48:35Acting like your donkey, telling him to tie me up.
48:37Come on, Lito.
48:39First of all, no one asked you to be my donkey.
48:41Second, I told you a thousand times that I don't want anything to do with you.
48:43Why do you insist?
48:45And don't worry.
48:46If I stay single, it will be my problem.
48:49And what's more, I don't need your help.
48:52Don't you see?
48:59You're going to be alone.
49:00You too.
49:02I don't think so.
49:04Let's go.
49:16Bye, little girl!
49:24I was looking for you.
49:25I thought you were going to go to lunch.
49:29I'll call you later.
49:35Let me help you.
49:39That looks heavy for you.
49:42No one accompanied you?
49:44No, it wasn't necessary.
49:45I can do it myself.
49:47There wasn't a truck available either.
49:49There's a lot to do in the field.
49:50We need to go there.
49:52Even so, your bosses shouldn't have sent you alone.
49:57For you to get used to working in the field, this...
50:02This is very heavy for you.
50:05Please, let me take you in my car to the farm where you work.
50:11I'll get the car.
50:13No, don't bother.
50:14I can ask a truck driver to help me with this.
50:17No way.
50:19I'll help you.
50:21Please.
50:25Okay, then.
50:34Let's go.
51:04I know you won't find a love like mine.
51:12Tell me, how does emptiness feel?
51:19I know you feel the cold of loneliness.
51:27I gave you a very sincere love.
51:30I gave you my caresses and kisses.
51:34Don't make me cry.
51:39Tell me, how does it feel to know that you lost a love like mine?
51:49To know that you lost another chance.
51:54Tell me, how does it feel to know that you won't touch my body?
52:04I gave you a very sincere love.
52:08I gave you my caresses and kisses.
52:12Don't make me cry.
52:23Tell me, how does it feel to know that you lost a love like mine?
52:29I think you came back to work after the scare at the river.
52:33Yes, I feel good.
52:35You look very good.
52:39He is my friend Angel.
52:42Hi.
52:43Hi.
52:45My name is Alejandro.
52:48What's your name?
52:50It's time you got interested in a boy.
52:53Why do you want to know?
52:56Well, here my friend refers to you as brave.
53:01Yes, I was surprised when you jumped into the river to save that boy.
53:08You could have touched him.
53:10I told him that you were very brave.
53:13Well, they say that the river is dangerous because it swallows people,
53:16but I think they are just stories that tell the people.
53:23And what stories are those?
53:26They say that many years ago a peasant went crazy out of nowhere.
53:32She ran out as if she brought the devil inside.
53:34No one could stop her.
53:37And that in her madness she jumped into the river with her children to kill herself.
53:42And no one survived.
53:45I don't understand what kind of mother could do that, really.
53:49Psst.
53:52What happened?
53:53What happened?
53:54Get out, girl.
53:58I said get out!
54:03I don't think she feels bad.
54:05What happened to her?
54:09But...
54:15Did she take a screw or what?
54:19Wait!
54:21Are you crazy or what?
54:24Crazy!
54:33What happened?
54:34Why did you react like that?
54:38You were talking about my mother, Angel.
54:41My mother wasn't crazy.
54:43She jumped into the river to save us.
54:49What would Mario and I do in that place?
54:54Because now my aunt blames the owner of the Pérez Soler farm.
54:59Yeah.
55:01I'm sorry, bro.
55:04I guess it would be better if we don't go to lunch, right?
55:07No, on the contrary.
55:09Now more than ever I want to go to the Pérez Soler farm.
55:13I want to find out what happened to my mother.
55:16I need to know the truth.
55:18I need to know the truth.
55:48I need to know the truth.