Nina De Azúcar Capítulo 68 en HD Completo Nina De Azúcar Capítulo 68 en HD Completo Nina De Azúcar Capítulo 68 en HD Completo Nina De Azúcar Capítulo 68 en HD Completo Nina De Azúcar Capítulo 68 en HD Completo Nina De Azúcar Capítulo 68 en HD Completo
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Short filmTranscript
00:00I'm going to go to hell for what I did.
00:05No, you were fine.
00:06I feel like a liar from the beginning.
00:08I even believed when I said that the kitchen had caught fire.
00:11You were fine.
00:12I was running to look for you.
00:14And yes, it's good that we came here because I don't want a bad life in the house.
00:18Yes, yes, me neither.
00:19Let's go.
00:23This way, my love.
00:24Thank you, my love.
00:31How does everyone look at you, Moran?
00:34Well, they know me.
00:36What were they talking about?
00:37About you.
00:39Yes, we were just talking about how unlucky that the kitchen caught fire on the same day we invited you, right?
00:44Thank goodness we told you to have dinner early.
00:46Excuse me, miss.
00:48Excuse me.
00:50I hope you have the same taste for wine.
00:53Well, the baby doesn't drink, he's a minor.
00:55Yes, yes.
00:56Yes, yes.
00:57And daddy is in recovery.
00:58So, neither.
01:00I'll drink alone then.
01:01It doesn't bother them, of course.
01:05And the belly?
01:06How's it going?
01:07He's the one in charge.
01:09But uncomfortable.
01:10No, I like it.
01:11In fact, I recommend it to everyone.
01:13Gigi!
01:14You're here!
01:15Hi, did you wait for me?
01:16I thought we were alone.
01:18Well, but you see, if we are more, more fun.
01:21And I couldn't refuse the invitation of the ball player.
01:25And you are?
01:27Renata Salaverri.
01:29Renata Salaverri, nice to meet you.
01:31Nice to meet you.
01:32I am Guille, from the town.
01:34I am a very good friend of this beautiful marriage.
01:36And I am the king of the mother dough.
01:41Well, shall we order?
01:42Yes, yes.
01:43Can you wait for me a little bit? I'm going to the bathroom.
01:45Just a second.
01:46I'll go with you.
01:47I just felt like it too.
01:48Let's go.
01:49What a coincidence.
01:50With the permission of the lady.
01:54This girl is intense.
01:55Intense and dangerous, ball player.
01:57Be careful, because they are watching you.
01:59Yes, I already realized.
02:00That's why we took her out of the house.
02:02Yes, tell me.
02:03Do you know something, Mr. Puchoso?
02:04Yes, I know many things.
02:05He left the country on the same day of the attack.
02:08You're killing me.
02:10And that's not all.
02:12Come back tomorrow.
02:17We sigh to the rhythm of the dance.
02:19Uff, with the skin so irritated, more than one.
02:23I'm sure.
02:24Tell us your story.
02:27And it is that here, in Ritmo Romantica, your ballroom radio,
02:30we want to know everything.
02:32We want to find out and find out everything.
02:35That's why a person is with us who usually speaks to everyone equally.
02:41But today he has some beautiful and special words for that person.
02:47How are you, Mayor Montes?
02:50Hello everyone.
02:51Thank you all for receiving me.
02:56There is a message.
03:04Friend, you have to put Ritmo Romantica radio right now.
03:07Are you going to give me a prize or something?
03:09I don't know, but my account is reliable.
03:11I can't stop highlighting your action, Mr. Mayor.
03:15Tell me, Leandro, please.
03:17Because today I am here to talk about love.
03:21Emotion.
03:23Of the skin, of that magic of vibrating to the rhythm of another person.
03:32Of not giving up when your whole body beats for someone unique.
03:39Because out there, we all have someone unique for each of us.
03:46And I have been lucky enough to find her.
03:53Here in my hands, for those who are listening to us, I have the name of that person.
04:00So you who are listening to me on the other side,
04:03who do you think is the person Leandro Montes loves?
04:09I think we all prefer him to say it, right?
04:12I say it, I say it, yes.
04:14And with pride.
04:17Sheila.
04:19Sheila Globo.
04:22She is my love.
04:25She is the queen of my feelings.
04:31She is the only mermaid who has really managed to conquer me with her greatest charm.
04:39Her values and her passion.
04:44Mermaid, as we know you here in Ritmo Romantica,
04:49this ballad is for you and it goes with all the love in the world from Leandro Montes.
04:56Oh, friend.
04:57Another dream come true.
05:00To have your great love.
05:08You are as beautiful as the full moon.
05:13The one who suffered the most was my mother.
05:15She never had a relationship with Ignacio, her half-brother,
05:18and no matter how hard she tried to get involved and get me involved,
05:23Paloma never loved her.
05:24And she didn't recognize me as a granddaughter of her husband.
05:27I understand you.
05:29It's hard for her to deny you in front of the world.
05:31It's embarrassing for her.
05:34My father directly changed me for another son.
05:37But hey.
05:39Oh, Miguel.
05:41I know it's hard, but you always have to go hand in hand with the truth.
05:50Hernan Cornejo.
05:52Oh, he's from the board.
05:54Nina.
05:56Vera Nina.
05:58Well, but I can tell you.
06:00The message is on my cell phone.
06:01I think I could tell my husband.
06:04Sorry.
06:05I saw it there, I read it.
06:07He wants us to introduce ourselves.
06:09I don't like that man.
06:10Why?
06:13What coordinates.
06:15We have coincided in some events and he knows me, but I don't like him.
06:21It's a matter of skin, he will be.
06:23Mysterious.
06:24Just that you mention it, that's what I was going to say.
06:27It's mysterious.
06:28Oh, do you hear me?
06:29No.
06:30No, I meant.
06:32Well, what happens to you with him, yes.
06:35Why, Guillermo?
06:36Do you get along with everyone?
06:38No, no.
06:40But when you get along badly with someone, there is a reason, right?
06:44That's what I'm going to.
06:45Sure, but maybe I'm more intuitive than you.
06:48And I realize when someone doesn't have a good vibe with me.
06:52When someone does.
06:55Well, I'll answer him later.
06:57You don't answer him.
06:58Oh, my love.
06:59Don't worry.
07:01I know how to take care of myself.
07:04Although I love that you take care of me.
07:13Well, go ahead.
07:22Do you use a little water?
07:23No, thank you.
07:24I'm with Mate.
07:27Sir.
07:28Fruit.
07:29No, thank you. I'm helping.
07:31Excuse me.
07:32Thank you, thank you.
07:36How are you?
07:37Good, good, good.
07:38Oh, I was telling you the previous thing about Fornejo.
07:41He doesn't close me anything.
07:42No?
07:43And Renata less.
07:45Yesterday she reviewed Nina's birthday.
07:46Can you believe it?
07:47You do it too.
07:48Oh, I do it.
07:49Of course.
07:50I've seen you.
07:51You die of jealousy.
07:52But no, man.
07:53That was because.
07:54Nothing.
07:55I take care of her.
07:56Nothing else.
07:57You have a point.
07:58But.
07:59I think you have to relax too.
08:01So you can enjoy the beautiful things that also happen to her, right?
08:05That sounded very helpful to me.
08:07Very of someone you have around there.
08:10Who likes to meditate.
08:11Put a myth.
08:12All that stuff.
08:14Perfectly.
08:15Who are you referring to?
08:16And I know her very well.
08:17But we don't talk precisely about meditating.
08:18When we are together, you know?
08:19Oh no?
08:20And what are we talking about when we are together?
08:22We are together.
08:23We have a good time.
08:24When we are together.
08:25No, no.
08:26We are not together.
08:27When we are together.
08:28With whom?
08:29Don't speculate.
08:30Open up.
08:31With me.
08:32You are the fool.
08:33I'm with me.
08:34I can't believe it, right?
08:35Don't stop.
08:36Listen.
08:37We've known each other for so long, brother.
08:47You?
08:49Me.
08:54And I, as well.
08:55You, as well.
08:59And I, as well.
09:01I live in the house, brother.
09:08If he is going to start a fight, you don't know.
09:12And you are Mario.
09:14And you are talking like Ramiro.
09:16Oh no.
09:17Yes, grandma.
09:19At this moment, I am imagining it.
09:20So freely.
09:21No, no, no.
09:22Who doesn't post a picture like this?
09:25Look, look, look, I'll show you.
09:27In my private social media,
09:28I have a picture at the edge of the pool
09:31with my yellow bikini.
09:33Oh, my! What account is that?
09:35What's your username? I don't follow you.
09:37Well, it's an alternative.
09:40Oh!
09:41But I don't think I'm doing anything wrong, Ramiro.
09:44It's your job, honey.
09:46Yes, I know.
09:48But I told you to do it.
09:50I trust him, but I don't want to look like a stalker.
09:54You don't want to be the toxic one?
09:55Of course not.
09:57But Ramiro is mine!
09:59He's mine, he's mine!
10:02So get out.
10:05I can't allow it, Grandma.
10:06Besides, he's in Punto Caramelo.
10:09Well, look, little girl.
10:11He's not naked.
10:14So we have to calm down,
10:15because my granddaughter is dancing reggaeton in here.
10:20So we have to calm down.
10:22Nothing bad is going to happen, sweetheart.
10:25Do you see those beautiful cakes over there?
10:27Yes, I made them.
10:29Oh, they're tempting.
10:33But you made them with your own hands.
10:36The rest, you can see them from the outside.
10:41But what if they buy them?
10:43Your cake is already mine.
10:48Oh, Grandma, I'm going to say something
10:50that I don't think I'll ever say again in my life.
10:54I'm jealous.
10:56I had to say it, and I said it.
10:59There, there, calm down.
11:02No, no, you're not, you're not, you're not.
11:07Johan?
11:08I didn't know you were a photographer.
11:10Me neither.
11:11There are three of us.
11:12They changed my model last minute.
11:15Yes, yes, that's right.
11:17It's still a quiet photo shoot, right?
11:19Of underwear, but...
11:22Quiet?
11:24A photo shoot of underwear with a sportsman
11:29has to be fire.
11:33Well...
11:35We're trying to sell underwear,
11:38and for that we have to sell the model.
11:41His strength, his power, all his secrets.
11:48Let's see, Renata, let's see.
11:50We came to take pictures, and pictures are pictures.
11:52Yes, so we could start like this,
11:53we kick him, which would be...
11:56Photos and videos.
11:57Oh, and videos!
11:58We're going to record too.
12:00Didn't they tell you?
12:01Intense day, but nice, right?
12:03Destiny is challenging you, Jaguar.
12:06Don't you like challenges?
12:08Yes, yes, I like challenges, I love challenges.
12:11So, take off your coat.
12:14What?
12:15Okay? Yes, get ready.
12:16Get ready, we'll start in five.
12:18Guys, lights, let's start!
12:20Those are the best hands.
12:24Come here, come here.
12:26You're getting me in trouble, brother.
12:28What?
12:29You're getting me in trouble.
12:30Do you stay here all day?
12:31All day.
12:32Do you take care of me?
12:34I take care of you.
12:34You take care of me.
12:36This is for you, this is for you.
12:39So you can dance, so you can enjoy it until the morning.
12:41This is how it is.
12:42My kiss, your kiss.
12:52Oh, God.
12:56Oh, doll.
12:58You...
13:00You left for a gift?
13:03I brought a whole move.
13:07Oh, my God.
13:08Oh, my God.
13:10Wait a minute.
13:12Your match to the lighthouse
13:14was very inspired
13:16because all the cement was gone with that vase.
13:19Sheila, please, speak with propriety.
13:21It's not cement, it's clay.
13:23Oh, my siren, you're learning.
13:25The siren loves these first moments of gossip.
13:29Besides,
13:31looking at it like this,
13:33I feel it's a clear example of...
13:37It's too much.
13:38Too much.
13:40Too much clay.
13:42But it's also too much time,
13:47too much desire,
13:50too much thinking.
13:52Oh, I think it's a very nice gesture.
13:54Yes, right?
13:55Besides, having sent it by distributor
13:57makes the secret stay alive.
14:00It's very romantic.
14:02In fact, let's bring this dream creation to life.
14:06Look how cute it is.
14:08Yes, good idea.
14:09Besides, all bald and bald
14:12makes it look like the Egyptian funerary jars
14:14they used to put the viscera of their dead.
14:17Oh, how bad you are.
14:20Have you seen?
14:21I just made it, Sheila.
14:23Again.
14:24I'm not satisfied with anything.
14:26Oh, my God.
14:27Diane, you've failed.
14:28What's wrong with you?
14:29Yes, it's failed.
14:31No, it's a joke, a joke.
14:34Just a little bit.
14:36Oh, but don't treat yourself like that.
14:37Treat yourself nicely.
14:39I know the past is heavy,
14:41but every love story is a new beginning.
14:45Allow yourself to write a new beginning
14:47with this dream creation.
14:49Yes, it's a dream.
14:51Oh, thank you, you're absolutely right.
14:54You're a beautiful friend, really.
14:57And besides, I think Leandro has done very well
15:00in not letting you go.
15:02When love is strong,
15:04there is no tidal wave that can destroy it,
15:07not even if it stops.
15:08It's true.
15:10I love it.
15:11Oh, me too.
15:17We don't have anything to start with.
15:19Or do we?
15:20The most important thing.
15:22You.
15:23Shall we start?
15:25It seems that Moran is eager to pose for me.
15:30I have a physiotherapy session later.
15:33Cesar!
15:34Do you need a babysitter?
15:36No, no, no, but he's my manager and he takes care of my image.
15:38Don't be stupid.
15:40Now you follow my orders.
15:43Okay.
15:45We have to get warm first.
15:47Both of us.
15:49You, so you don't get hurt,
15:51and I, to get everything I want.
15:55Shall I sit down?
15:58No.
15:59Dedicate a goal to me.
16:01With all your might.
16:02Do what you know how to do best.
16:04Johan!
16:12Let's start.
16:17Okay, that's it.
16:18That's it, give me more of that.
16:22That's it, Moran.
16:24Jump like a beast.
16:29You make me crazy.
16:32You make me crazy.
16:36You drive me crazy.
16:43You like what you wear.
16:45What you wear.
16:46You admire your underwear.
16:52It gives you freedom.
16:53It makes you feel strong.
16:54It adjusts to your body.
16:55You enjoy it.
16:58That's it, come on.
16:59Enjoy it, enjoy it more, Moran.
17:01Give it all you've got.
17:03That's it.
17:04That's it, you want to show your power.
17:06The strength you have.
17:08Come on, Moran.
17:11That's it.
17:13That's it, give it all you've got, Jaguar.
17:22Look at me, think of me as what you want to have.
17:25What you want to achieve.
17:29More, Moran.
17:30This thing that moves you.
17:31The ultimate fiber of your body.
17:32This thing that wouldn't let you stop.
17:58Now show me the glory.
18:00Stretch out to the sky just to give it to you.
18:06That's it.
18:07Stretch out more.
18:10Give it to me.
18:11Think of everything you've achieved.
18:28I'd wait for you again.
18:31I won't, I won't.
18:37Answer our error without a solution.
18:42You were your own fault, or was it me?
18:46We were always the same, and nothing is ever the same.
18:49No one can change me.
18:51A thousand bells ring in my heart.
18:56I love you, Regina!
19:16Now the pylon.
19:18You've won, but you're tired.
19:25I only want what's good for you.
19:28It's not necessary to lie.
19:34How easy it is to torment yourself afterwards.
19:40But I'll survive.
19:43I know I can survive.
19:46Great, yes, I love what you give me.
19:48I love everything that moves you.
19:52You have no idea what moves me.
19:55As I was saying, I know everything I know
19:57because of my grandmother Nina.
19:59But you've improved all the recipes.
20:03For example, the mousse that was made of strawberries
20:05is now made of dulce de leche.
20:09Jaguar's favorite.
20:13Jaguar effect.
20:14Please, Guille, work.
20:18Mrs. Ema, we have to help Nina to calm down.
20:23While my assistants are talking
20:26and the mousse is ready,
20:28we call this dessert Mousse Jaguar Nina
20:32because it has the best of both worlds.
20:34My passion for pastry
20:36and my love for Ramiro's dulce de leche.
20:40Nina, they're looking for you.
20:43I didn't know they were recording.
20:45I'm coming.
20:46Done, I turned it off.
20:47I didn't know they were recording.
20:49Why are you following me all the time?
20:51Because you and my daughter need extreme care.
20:54Daughter?
20:55I came because they're looking for you, sister.
20:57Really?
21:02It's Luis, Nina.
21:03And it looks like he's stealing breakfast.
21:05No, Guille, Luis has paid for breakfast.
21:07He bought it.
21:08What? Then...
21:21Is the other man the one waiting for Nina?
21:30Nina.
21:32Be careful.
21:48Hi, were you looking for me?
21:50That's right, I'm Hernan Cornejo.
21:53How are you?
21:54Guille del Pueblo, at your service.
21:56How are you?
21:57He's my friend.
21:58He's the baker from the bakery.
22:00How nice.
22:02I don't like bread, unfortunately.
22:05They're all anti-bread.
22:07Well, welcome.
22:08Welcome to my bakery.
22:10Beautiful.
22:11The bakery, of course.
22:21I like them.
22:22I like them too.
22:24A lot.
22:26Cesar, come here.
22:27I'm calling you.
22:29Let's see what we have.
22:31Later I'll show you well.
22:33Now we have to go on.
22:34Get out.
22:35Okay.
22:36And you know it.
22:37Without a tie.
22:39What a jerk he is!
22:50You didn't kiss me?
22:52That's how I like it.
22:54More relaxed.
22:56More natural.
23:07Go on.
23:15Check the advance amount of Sheila's contract.
23:19And join a non-exclusivity clause with the channel.
23:23And present Acuña Benitez's claim.
23:31I'm coming.
23:32I'm coming.
23:34I'm coming.
23:35I'm coming.
23:36I'm coming.
23:43Do you always open the door without knowing who it is?
23:46I'm a fortune teller.
23:48And there are things I don't say no to.
23:50I like it.
23:52What else do you guess with me here?
23:54Tell me.
23:55That we're going to share it.
23:59Of course.
24:01Like we couldn't last night, right?
24:05Not at all, sugar.
24:07Well, it's not like you went that far, right?
24:10Not at all, sugar.
24:11Another one is true.
24:13Are you challenging me?
24:16Are you scared?
24:18No.
24:20I love it.
24:22Because we can go far.
24:24Very far.
24:26Very far.
24:56Flavor of Ayinomoto.
25:27With Leche Gloria,
25:28your children will have the nutrients and vitamins
25:30so they don't lack anything.
25:43It's beautiful.
25:45Delicate.
25:47I love it.
25:51A unique piece.
25:56I love it.
26:06Hi, Dai.
26:07Mirtis!
26:09I was waiting for you.
26:10Oh, yeah?
26:11How are you?
26:12What's up?
26:13You sigh between shifts.
26:15It's just that you caught me.
26:17I was talking to the fortune teller.
26:19Look.
26:22Oh.
26:24You don't like it?
26:26No.
26:27Yes.
26:28Yes.
26:29Yes.
26:30It's...
26:31It's a gift...
26:33Particular, right?
26:35And it's also an expression...
26:37Big.
26:39Of love.
26:41Yes.
26:42Especially big.
26:43Big.
26:44Exactly.
26:46And how are you?
26:49What happened?
26:50When did you meet?
26:51No, no.
26:52We haven't met.
26:53The fortune teller sent him.
26:55On a motorcycle, poor thing.
26:57And after all this,
26:58don't you want to meet him already?
27:01Yes.
27:02But, well, it seems he's indecisive like me.
27:04Oh, well.
27:06But not like me.
27:07What?
27:09What?
27:11Are you going to see him tonight?
27:13Oh!
27:14I know I already told you,
27:15but I love this new Mirtisult in the square.
27:17Oh, I'm excited.
27:19I'm very excited to meet him tonight.
27:21You don't know,
27:22it injects me with a kind of adrenaline
27:24and helps me not think so much about...
27:26Don't even mention it, please.
27:28It's okay to go out on a motorcycle,
27:30to have ice cream,
27:31because they are two exes who love each other and everything,
27:33but that's it, right?
27:34Life goes on.
27:35Yes.
27:36Yes.
27:37Exactly.
27:39And that's precisely why I've come
27:41for you to make a radical change in my look.
27:43Another one?
27:44Yes.
27:45I need something totally different.
27:47Something strong.
27:48Something furious.
27:49Something that looks completely different.
27:53Something furious?
27:54Uh-huh.
27:55Yeah.
27:56Do you have an example?
27:57Oh, yes.
28:04Wow!
28:05I love the new Mirtis.
28:07What do you think?
28:09Give me your head.
28:11Am I going to look good?
28:12Beautiful!
28:13I'm going to look beautiful!
28:14I love it!
28:20Renata is strange.
28:22When she showed up here,
28:24it seemed like she had the whole intention
28:26of wanting to stay as president of the hotels,
28:28and then she comes out with this.
28:30Her movements clearly speak of a play.
28:32I tell you, I don't lose sight of her.
28:34Yes.
28:35And Ramiro told me by message
28:37that you went to help Nina.
28:39Yes.
28:40Do you distrust Renata?
28:42Yes.
28:43And you know me.
28:44I like justice.
28:45Thank you very much for helping Nina
28:47in this new stage as an entrepreneur.
28:49Oh, Ignacio, please.
28:50If she is an entrepreneur,
28:52isn't she the baker of her own business?
28:54Yes, but this is on another scale.
28:56No, it won't cost her anything to adapt.
28:58Yes.
28:59Look, let's see.
29:00In a short time, she fell in love with the footballer.
29:02She wrote a book.
29:03She married him.
29:04She traveled to Europe.
29:05And she's going to be a mother.
29:07Do you think she can't handle this?
29:10Of course she can.
29:11She's going to be a mother.
29:12She's going to be a mother.
29:13She's going to be a mother.
29:14Of course she can.
29:15Oh, and she just got out of a coma.
29:17Yes.
29:19Well, what should I worry about?
29:21Your heart.
29:23I don't understand.
29:25That Renata, who is a whore.
29:27She wants the hotels, of course she does.
29:29But she's not going to take them
29:31until she has the full combo.
29:33What would be the full combo?
29:35Nina's inheritance.
29:36And her husband.
29:38No, wait.
29:40Do you think Renata is going to go after Morán?
29:42Ambition, power and lust
29:44go really well together
29:46and become an obsession.
29:51I'm sorry.
29:58I forgive you and I applaud you.
30:02We're good friends, right?
30:04Yes.
30:05And I'm not ashamed to say it.
30:07I signed up for this dating app.
30:11Very good, Delatador.
30:12Good for you.
30:14We are in that stage of life
30:16where you have to allow yourself some tastes.
30:20Yes.
30:21And I like that you preach with the example.
30:29More coffee?
30:31More.
30:40I'm going crazy.
30:48Alessandro!
30:50What's up?
30:51Check your cell phones.
30:52That's not good.
30:53Cell phones are private.
30:54And friends don't hide secrets.
30:56Do you tell me everything?
30:57Of course.
30:58Well, I don't.
30:59I don't.
31:00Well, the more you hide me, the more I'm going to find out.
31:02Please stop being so childish
31:04and take care of keeping Renata's beast at bay.
31:07Me?
31:08Yes.
31:10What do you mean?
31:11She's the one looking for me, not me.
31:13And it's your fault for bringing me this underwear ad.
31:15I'm the holiest juggler on the planet.
31:28Tell me, ball boy.
31:29Tell me what that guy is doing.
31:31He's talking to your wife.
31:35Don't hang up.
31:37Tell her we're leaving.
31:38What?
31:39We can't.
31:40What do you mean?
31:41Are you going to edit the picture too?
31:43No, and I don't know.
31:44But the order is given by the one who puts the money.
31:46Don't you know?
31:47What are you talking about?
31:49I was trying to listen to the conversation,
31:51but your call just came in.
31:52I need you as a spy, baker.
31:54Are you very close?
31:55Ah, close, yes.
31:58But not so close.
31:59There's a table in the middle.
32:01The pastry table?
32:02They're so small.
32:04Don't worry.
32:05Don't worry, ball boy.
32:06I'm here.
32:07I'll take care of it.
32:08How can you see through my eyes, baker?
32:10Is it as flashy as the picture?
32:12I don't know.
32:13I don't know, but I see through your eyes.
32:15Only through your eyes,
32:16because I only have eyes for Eva.
32:18What?
32:19Ah, yes, he's very handsome.
32:21But not as much as you, obviously.
32:23Oh, thank you.
32:26I love you.
32:27Me too.
32:28No, no, I don't.
32:30Well, ball boy.
32:32I'll take care of Nina.
32:33I'll take care of her, okay?
32:34I'll tell you anything, compadre.
32:36Compadre?
32:37We never talked about being a compadre.
32:39Well, but...
32:40But we set it up, right?
32:42I'll let you know if anything comes up.
32:44Over and out.
32:49Nina is with a guy I don't like at all.
32:52What guy?
32:53I don't know.
32:54A guy who's involved in the hotel chain.
32:56A guy named Cornejo.
32:57I don't know why, but I don't like him.
32:59You see?
33:00Cornejo.
33:01Hey, guys.
33:02The shots are looking great.
33:05Yeah?
33:07Let's see.
33:17You know, the world of the hotel chain is fascinating.
33:21I'm sure you'll love it.
33:22Besides, you have to keep in mind
33:24that you and Aer are top-notch bakers.
33:28Have you heard of me?
33:30Who hasn't?
33:33Well, maybe you've heard
33:34because I'm married to the football player, Jaguar Moran.
33:37Who?
33:40It all helps, obviously.
33:42But you don't have to be modest, not with me.
33:44You have a book,
33:45you have a bakery that belongs to you.
33:47Your colleagues speak very well of you.
33:49You probably want to expand.
33:51Yes, of course.
33:52Here's your coffee.
33:54Thank you, I don't want to interrupt.
33:58Don't you have to bake anything inside?
34:01Not right now.
34:03Are the breads ready?
34:05Yes, I just sent them.
34:08I have a question.
34:09I heard about a wonderful dessert
34:11called Lemon Delight.
34:12Yes, perfect.
34:14Yes, it's our flagship dessert.
34:16Can you please bring me a plate?
34:20Yes, of course.
34:21If you ask me, I'll bring it right away.
34:24I'm sure you will.
34:25I've heard wonderful things.
34:26Anyway, as I was saying,
34:28I'm completely at your disposal.
34:31Besides, it's a pleasure to talk to you in person.
34:44At your request.
34:47Your Lemon Delight.
34:48And if you'll excuse me,
34:49I have to go.
34:50Goodbye.
34:51Goodbye.
34:54Can I give you some house advice?
34:56It's much tastier if you give it a good bite.
35:00A big bite.
35:01One of those that leave you speechless.
35:03Now?
35:04This is good.
35:06Listen to me.
35:11Delicious.
35:12It's delicious.
35:13Extraordinary.
35:14It's wonderful.
35:17Excuse me for a moment, please.
35:19Of course.
35:20I'll stay with this wonder.
35:25Is that Ramiro Venina?
35:27Your husband doing a bio.
35:29Yes, look.
35:30People, yes.
35:31Believe it or not,
35:32in the midst of my recovery,
35:34the brand of underwear, Claudio Cain,
35:37called me to be his new figure,
35:40ambassador of his underwear,
35:42internationally.
35:43So I'm going to show you a little bit.
35:46Not so much.
35:47You'll see the campaign.
35:49I'm not going to take off my coat either.
35:51But you'll see a little more.
35:54How are you going to take off your coat?
35:56I would say that he already took it off.
35:59And rather now he has put it on.
36:01But friend, can you show us a little bit
36:03of what you recorded in the back?
36:05Come on, please.
36:06For the people, a little bit.
36:08Let's see, just an advance.
36:10A little girl.
36:11A little girl.
36:12There it is.
36:13A little girl.
36:14A little girl.
36:15A little girl.
36:16Why doesn't Cesar want to show?
36:18What is he hiding?
36:19Girl, the ball player is working.
36:22Leave him.
36:23Do you work naked?
36:25And you?
36:28No, no, no.
36:29No, girl.
36:30No one should work naked.
36:32He's not naked.
36:33He's in underwear.
36:34I mean, it's the same as wearing a soccer shorts,
36:37like that, but smaller.
36:38The same.
36:39Ah, small shorts have nothing.
36:42And it's all in the air.
36:44All right?
36:45Yes.
36:48Yes, all right.
36:49All right.
36:52He doesn't love me anymore.
36:54He doesn't love me anymore.
36:55Girl, that ball player loves you.
36:57But he loves to be in underwear.
36:59You are his life.
37:00Hormones are hormones.
37:15Generation in generation.
37:17And it's the sa-sa-sa flavor of Ajinomoto.
37:21You can also enhance the flavor of all your meals
37:25with the sa-sa-sa flavor of Ajinomoto.
37:39Coffee?
37:40Yes, right?
37:41Yes.
37:42With a little milk, I think it fits perfectly, right?
37:44Go ahead.
37:45I bring you.
37:46Don't go.
37:48What's up?
37:49The kitchen is nearby, I'm not going to get lost.
37:55Or are you afraid of being alone?
37:58No.
37:59It's what I want to do with you.
38:13Shall we have breakfast?
38:16Yes.
38:22And what does the city that never sleeps tell you?
38:25New York?
38:27It's dreamy.
38:29Have you never been?
38:31No.
38:33When I finished my degree, I didn't have time to travel.
38:37You should.
38:39Traveling is beautiful.
38:41It connects you.
38:43You get to know yourself.
38:45You get to know people.
38:49Did you meet people there?
38:51A lot.
38:53But most of them for work.
38:56I met the case of a man who said that his restaurant
38:59was the one that put the most cheese on the pizza.
39:02And my client was offended and decided to sue him.
39:05And did he win?
39:07He always eats well.
39:09Good for him.
39:11Congratulations, Dr. Montes.
39:15Look, if you have to work or answer messages,
39:18don't worry, we can leave this for another day, okay?
39:21Hey, hey, hey, calm down.
39:23I want to be with you.
39:27I also want to be with you.
39:29It makes me feel free.
39:32And I want to do whatever I want with you.
39:38Exactly.
39:40I love that.
39:42I love that.
39:45Just like I want this right now.
39:50What?
39:52I booked two tickets to Las Vegas.
39:54Two days, two nights, two people.
39:56You and me.
39:58Let's go.
40:02Yes.
40:04Let's go.
40:12How many nights do you come back to me?
40:17It's that you realized that I am for you.
40:43Angel.
40:47Mirta.
40:52What a coincidence.
40:55A lot, right?
40:57This coffee is not so crowded.
41:00Yes, it is.
41:02It's a coincidence.
41:04It's a coincidence.
41:06It's a coincidence.
41:08It's a coincidence.
41:11Yes, it's true.
41:13I just chose it because of that.
41:17Oh, really?
41:19Me too.
41:20It's much quieter.
41:24How about a change of look, Mirta?
41:27You are beautiful.
41:30Well, you've always been beautiful.
41:35I'm not telling you to take a seat
41:38because I'm waiting for someone.
41:41No, no, no.
41:43Don't worry.
41:45I'm also waiting for someone.
41:47Oh, really?
41:48Yes.
41:50Has he arrived yet?
41:53I don't know.
41:55The person didn't tell me what clothes he was going to wear.
42:00It's the first time we're going to meet.
42:05Okay.
42:07Can I have a moment?
42:09Yes, of course. Sorry.
42:26Good Lord.
42:38I can't imagine this world without you.
42:43You are a goddess.
42:48I've come to warn you about Renata Salaverri.
42:51What about her?
42:52A new player has joined this game.
42:54Look at this. There must be something big going on in here.
42:57And she's not willing to lose.
42:59Besides, she's not only after your fortune,
43:02but also your husband.
43:04Renata Salaverri has a lot of problems.