Sinat Xavier About Empuraan Jungle Fight | കാട്ടിലെ കത്തുന്ന മരം ! അത് സിനിമയിൽ തന്നെ കാണണം
#Mohanlal #Empuraan #SinatXavier
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#Mohanlal #Empuraan #SinatXavier
~PR.16~CA.356~CA.184~ED.21~HT.24~
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Short filmTranscript
00:00We had a lot of hope that the film would reach a new level.
00:05When we heard about it and saw the sequence during the shoot,
00:10we were excited and excited at the same time.
00:14When it became a film and reached the press,
00:17we were even more excited and happy.
00:20Have you had the experience of going to see a lot of films?
00:25Yes, I have.
00:26When I was young, I stopped going to school and went to see films.
00:32What was it like when you first got interested in cameras?
00:39When I was young, my father and uncles were in the Gulf.
00:48They worked in the photography field.
00:51My mother's brother and all.
00:53They used to bring a small camera to shoot films.
00:56We used to try to take photos at that time.
00:59We didn't expect to get into this field.
01:01It all happened by chance.
01:03How did you get into photography?
01:06I had done a small course.
01:08I wanted to go to the Gulf.
01:12I had a studio in Ernakulam called Arun's.
01:15I was working there.
01:16While working there, I used to print photos for films.
01:21After seeing those photos, I had a desire to become a photographer.
01:28I had already studied photography.
01:30But I wanted to go to the Gulf as a printer.
01:33I asked around for photographers.
01:38Jayaprakash Banerjee was one of them.
01:42I worked with him for 4 years.
01:44Then I became independent.
01:46Jayaprakash used to post old stills on social media.
01:50I had worked with him for many films.
01:52What was life like as a still photographer at that time?
01:58How did you get to know about custom directors?
02:01We were friends with everyone.
02:04That's how we became independent.
02:06Custom directors were given opportunities to become independent.
02:15That's how I became independent.
02:18How was it to work in traffic?
02:21Traffic was a new language in cinema.
02:26Was it a different experience to work in traffic?
02:29Rajeswaran and I were already in good terms.
02:34I had gone to the Gulf for a year.
02:39When I was in the Gulf, he told me that his film was about to start.
02:42He asked me to come and work with him.
02:44I agreed.
02:45I worked with Sugeeth and Ordinary.
02:47They were waiting for the film to start.
02:49When I heard that the film was about to start, I didn't go back.
02:53I went to the Gulf with my camera crew.
02:56I did my first film and posted it somewhere.
03:00My second film was Traffic.
03:03I have made 65 films since then.
03:06You must have had questions from your friends about Emperon.
03:14How did you approach them?
03:16We didn't have anything to say.
03:19We just guided them.
03:21Were you excited when you heard about the surprise characters?
03:26Were you excited when you heard about the shoot?
03:30There are small surprises in films.
03:33We were excited when we were in the location.
03:37There are small surprises in films.
03:45Apart from that, there is a scale.
03:50Like Raju said, the budget of a Malayalam film is less than you think.
03:58How did you wait for Emperon to start?
04:03There is nothing special about this film.
04:07The character has changed.
04:09It is not Stephen Nirmally.
04:11It is Puraishar Brahm.
04:13The film will be as big as the character.
04:16The scenes he shows and the sequences are big.
04:21That is how the film will become big.
04:25We saw an L-shaped tree in the trailer.
04:33Was that in the stills?
04:35That is all there.
04:37We will explain that in the film.
04:39Those are the stills of Lalettan in both the shades.
04:44Which of Puraishar Brahm's countdown stills is your favourite?
04:51Everything is my favourite.
04:53I have to choose the best one.
04:56I really liked Puraishar Brahm's character in that still.
05:02His face and eyes have a sharp look.
05:07Like I said earlier, it is a similar look to the one we saw in Lucifer.
05:19When Stephen Nirmally and Puraishar Brahm stand together,
05:25who brings in the minute differences in the stills?
05:29Of course, it is him.
05:31When two characters stand together,
05:33there will be small changes in his looks and behaviour.
05:37It will be small expressions when we zoom in on his face.
05:44I try my best not to miss those moments.