Bad Blonde (1953), also known in the U.S. as The Flanagan Boy, is a thrilling British film noir that fuses the high-stakes world of boxing with the seductive pull of forbidden love. Directed by Reginald Le Borg, this black-and-white drama delivers a gritty tale of ambition, betrayal, and crime. Produced by Hammer Film Productions, known for their later horror classics, Bad Blonde stands out as an early example of British noir with an American-style punch.
📽️ Originally released in 1953, the film is a fascinating relic of post-war British cinema, capturing both the glamour and shadows of the boxing underworld. At its heart lies a tragic romance that spirals into greed and murder, keeping audiences hooked with its tight pacing and moody cinematography.
🎞️ Plot Summary
Set in post-war London, Bad Blonde follows American boxer Johnny Flanagan (Tony Wright), who is on the rise in the British boxing scene. Johnny is managed by Italian trainer Giuseppe Vecchi (Frederick Valk), a seasoned coach who believes he’s found a champion.
Johnny soon meets and falls for Lorna Vecchi (Barbara Payton), the beautiful and manipulative wife of his manager. Lorna is a classic femme fatale—blonde, ruthless, and seductive. She’s tired of her aging husband and sees Johnny as her ticket to a better life.
As their affair intensifies, Lorna begins to whisper dark ideas into Johnny’s ear. She urges him to break free of Giuseppe’s control—by any means necessary. Caught between his loyalty and his lust, Johnny finds himself on a dangerous path.
When Giuseppe learns of their affair, tension explodes. A shocking turn of events leads to murder, cover-ups, and the unraveling of Johnny’s career. But in classic noir fashion, justice is never far behind. The ending delivers a haunting reminder that passion and crime often lead to ruin.
📽️ Originally released in 1953, the film is a fascinating relic of post-war British cinema, capturing both the glamour and shadows of the boxing underworld. At its heart lies a tragic romance that spirals into greed and murder, keeping audiences hooked with its tight pacing and moody cinematography.
🎞️ Plot Summary
Set in post-war London, Bad Blonde follows American boxer Johnny Flanagan (Tony Wright), who is on the rise in the British boxing scene. Johnny is managed by Italian trainer Giuseppe Vecchi (Frederick Valk), a seasoned coach who believes he’s found a champion.
Johnny soon meets and falls for Lorna Vecchi (Barbara Payton), the beautiful and manipulative wife of his manager. Lorna is a classic femme fatale—blonde, ruthless, and seductive. She’s tired of her aging husband and sees Johnny as her ticket to a better life.
As their affair intensifies, Lorna begins to whisper dark ideas into Johnny’s ear. She urges him to break free of Giuseppe’s control—by any means necessary. Caught between his loyalty and his lust, Johnny finds himself on a dangerous path.
When Giuseppe learns of their affair, tension explodes. A shocking turn of events leads to murder, cover-ups, and the unraveling of Johnny’s career. But in classic noir fashion, justice is never far behind. The ending delivers a haunting reminder that passion and crime often lead to ruin.
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Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:29The End
00:01:59Come on, take a chance, they're only human
00:02:05I think
00:02:07Go on, Len
00:02:10Show them, Len, go on
00:02:11No, shut up
00:02:12Time waits for no man
00:02:15Ah, here we are
00:02:19Name?
00:02:20Name?
00:02:21Flanagan, Johnny Flanagan
00:02:35What do you do, Flanagan?
00:02:36Merchant Seaman
00:02:37Is your legs all right, son?
00:02:40They'll keep me on the feet
00:02:41Quiet, quiet
00:02:44And now, ladies and gentlemen
00:02:46I give you Merchant Seaman
00:02:48Johnny Flanagan
00:02:50Well, there they are
00:02:59Take your pick
00:03:00He'll do
00:03:02Right
00:03:06Three rounds each
00:03:08Two minutes
00:03:09Five pounds if you're on your feet at the end of it
00:03:11Don't disappoint the crowd
00:03:12And fight Cleve
00:03:13Right, to your corners
00:03:14Seconds down
00:03:26Seconds down
00:03:26One, two, three, four
00:03:38One, two, three
00:03:40One, two, three
00:03:42One, two, three
00:03:46One, two, three
00:04:16One, two, three
00:04:46One, two, three, four.
00:05:16Five, six.
00:05:19What's the matter? Ain't you working today?
00:05:22Seven.
00:05:24Eight, nine, you're out.
00:05:27The winner, Johnny Flaggen.
00:05:36See me on the changing tent.
00:05:38Sure. Don't forget the fire, huh?
00:05:40Look, my boys ain't paid to stand up against that sort of stuff.
00:05:47Who do you think you're fooling?
00:05:48I don't get it.
00:05:49My offer was for amateurs.
00:05:50So?
00:05:51You know too much to be one of them.
00:05:53Not that I'm trying to get out of giving you that.
00:05:55Frank, I can use it.
00:05:56Just a minute, son.
00:05:59You've got a style there.
00:06:01Reminds me of somebody I knew once.
00:06:04Can you help me out?
00:06:05I can, Sharky.
00:06:06Charlie Sullivan.
00:06:09Well, where are you now?
00:06:10How are you?
00:06:11I'm fine.
00:06:12Good for you.
00:06:13That explains a lot of things.
00:06:14I thought that boy couldn't just be an accident.
00:06:16That's right.
00:06:16I taught him all I know and some of the things I learned from you.
00:06:19So making him a champion there, Sharky.
00:06:21That's why I wanted you to see him.
00:06:22At five pounds, a look.
00:06:25This calls for a drink.
00:06:28If I can borrow that.
00:06:30Come on.
00:06:31So there was I, caught up in a bar with these three drunken sailors.
00:06:41Well, I thought it was curtains for Charlie.
00:06:43Oh, straight up, did.
00:06:44Then suddenly, in sails, Johnny.
00:06:46Bam, bam, bam.
00:06:48Ah, beautiful, Sharky.
00:06:49Beautiful.
00:06:50Yeah, I knew he was a fighter that moment I set eyes on him.
00:06:55What are you doing now?
00:06:56Well, they paid us off on the last trip.
00:06:58We're sticking together till another ships in.
00:07:01Same again.
00:07:08What do you say?
00:07:11Well...
00:07:12No.
00:07:16No, it's not for me anymore.
00:07:18What are you talking about?
00:07:19All your life you've been hoping for a fighter like Johnny.
00:07:21It might have been me.
00:07:24I couldn't make it.
00:07:25That boy hasn't got a weak point.
00:07:27Well...
00:07:28Well...
00:07:29Ah, he's young.
00:07:33He's a good lad, huh?
00:07:34Yeah, seems like a nice youngster.
00:07:36That's the trouble.
00:07:37They're all nice youngsters to start with.
00:07:39Johnny's different.
00:07:40Yeah, perhaps he's got a different way of running out on you.
00:07:43My boy don't run out.
00:07:46Look, he knows I think you're the best trainer in the business.
00:07:49But I've got a booth now.
00:07:51That boy's too good to be backed about three times a day.
00:07:54Sorry, I love.
00:07:55I've lost all my contacts.
00:07:56What about that promoter pal of yours?
00:08:00Italian chap.
00:08:03You mean Giuseppe Vecci?
00:08:05Yeah.
00:08:06That's his name.
00:08:07Look, run the boy for a month and then I'll Vecci come down and see him.
00:08:11But he's retired.
00:08:13I don't even know if he's in England.
00:08:16He is.
00:08:17I checked.
00:08:20You did?
00:08:21Well, is it all fixed?
00:08:37That must be drunk or balmy.
00:08:39Yes, it's fixed.
00:08:41Are you sure Giuseppe's in London?
00:08:42Yeah.
00:08:43They told me he's going to be at the Majestic for a couple of days and he's going on hold.
00:08:46Tomorrow I'm going to take you to see a big-time promoter.
00:08:49Here's to the partnership.
00:08:52And here's to a champion.
00:08:54Now, just a minute.
00:08:55You've just gone into training.
00:08:56From now on, none of that.
00:08:59And none of that either.
00:09:00Oh, shit.
00:09:01Somebody here to see you, sir?
00:09:10Who is it?
00:09:11It's Sharky, Giuseppe.
00:09:13Ah, Sharky.
00:09:15Leave this for a second.
00:09:26What do you know Sharky?
00:09:28It's very nice you pop and say hello.
00:09:30It's been a long time.
00:09:31It has.
00:09:32This is Johnny Flanagan.
00:09:33It's a pleasure, Johnny.
00:09:34Have some coffee, some food.
00:09:36You eaten?
00:09:36Okay.
00:09:37Clamp yourself a cigar, Sharky.
00:09:38Clamp yourself a chair, Johnny.
00:09:40Right.
00:09:41Ah, well, how's the booth?
00:09:43How's it going, Sharky?
00:09:44Did you ever try to make any money out of one?
00:09:46What you got on your mind, Sharky?
00:09:49Johnny, he's got the makings of a champion, Giuseppe.
00:09:52He'll go all the way.
00:09:53I want you to see him work out when you come back from your holiday.
00:09:55When I come back for my holiday, I will need a rest.
00:09:58Huh?
00:09:59I've seen lots of boys, Sharky.
00:10:02Everyone a champion.
00:10:03Too many champs.
00:10:04They're gonna fight us.
00:10:06No offense to your boy, Sharky, but you know how it is.
00:10:08Oh, come on, Giuseppe.
00:10:10So you'll see him when you get back.
00:10:11You won't regret it.
00:10:12Okay, okay, but I don't know how long I'm gone.
00:10:15What's a boy do for a month?
00:10:17Ain't you seen all the sights in London yet?
00:10:19Just about.
00:10:20That's Lorna, my wife.
00:10:27We married six months ago.
00:10:28My last trip to the States.
00:10:30Your wife?
00:10:31You don't believe, eh?
00:10:33Hey, Lorna!
00:10:35Lorna!
00:10:37Lorna!
00:10:38Do you have to yell all the time?
00:10:43Johnny Blanigan here don't believe you're my wife.
00:10:49So maybe there's some special way a married woman should look?
00:10:52How, Junior?
00:10:53Oh, you're making a boy blush, Lorna.
00:10:59Come on, we're wasting our time.
00:11:02Don't get all skimmed up.
00:11:03Sit down, sit down, sit down.
00:11:06They're just one of Lorna's jokes.
00:11:08He's American, just like me.
00:11:10You're a nice boy, Johnny.
00:11:12Relax.
00:11:14Sharky, I gave up the fight game when I got married.
00:11:18Didn't think I was going to have the time.
00:11:20But I can always look at another fight, eh?
00:11:24Lorna, she's the boss now.
00:11:26What do you say?
00:11:28We go to a fairground tonight?
00:11:29So last night in town.
00:11:32Why spend it slummy on some fairground?
00:11:36Sharky is an old friend, Lorna.
00:11:39All right, have it your way.
00:11:41I've been bored before.
00:11:43It won't be for long.
00:11:44It will be fun.
00:11:46Tonight you show me what you can do, no?
00:11:48Okay.
00:11:50Goodbye, Mrs. Vetchy.
00:11:52Be seeing you, Giuseppe.
00:12:00Tonight.
00:12:01Now, there's no time for anything.
00:12:02No time at all.
00:12:04What's the matter with you?
00:12:06Nothing.
00:12:06Well, listen to me.
00:12:07You've got to go in there tonight and win.
00:12:09Do you hear me?
00:12:09Yes.
00:12:11I'll show that dame.
00:12:12I'll show you, I'll show you, I'll show you, I'll show you, I'll show you, I'll show you, I'll show you, I'll show you, I'll show you, I'll show you, I'll show you, I'll show you, I'll show you, I'll show you, I'll show you, I'll show you, I'll show you, I'll show you.
00:12:42Use your feet!
00:13:12Come on!
00:13:15Come on!
00:13:16Come on!
00:13:17Come on!
00:13:18Come on!
00:13:20Come on!
00:13:21The winner's final!
00:13:28Was a good fight, Johnny.
00:13:30We had it fixed just for you.
00:13:32Ah, nobody fooled Giuseppe.
00:13:35I fixed too many boys to believe that one.
00:13:38You don't need fixing?
00:13:40Your shape are bright.
00:13:41Real big.
00:13:42I tell you, Johnny.
00:13:44I've got the connections.
00:13:46I handle just you.
00:13:47We go all the way.
00:13:49We get to be a champion, eh?
00:13:53No strings to him?
00:13:55No.
00:13:58Well.
00:13:59Well?
00:14:00What's the deal?
00:14:01I take Johnny over in manager's commission.
00:14:0325% and I pay all expenses.
00:14:05Try again Giuseppe.
00:14:06Is there something wrong with 25?
00:14:08How more than is wrong with 15?
00:14:09Look.
00:14:10Well, they're so busy cutting me up.
00:14:11Don't forget to cut in Sharky and Charlie, eh?
00:14:13Twenty for you.
00:14:14Twenty for Charlie.
00:14:15Twenty for Sharky.
00:14:16Twenty for Sharky.
00:14:17What Sharky cut for?
00:14:18I thought it was Charlie.
00:14:19There's no deal without it.
00:14:20You'll be doing the training.
00:14:22I like what you say, Johnny.
00:14:24You speak up well for your friends.
00:14:26Loyalty is a fine thing.
00:14:28You've got it for them.
00:14:29You've got it for them.
00:14:30You've got it for me.
00:14:31It's a good.
00:14:32It's a deal.
00:14:33That's settled.
00:14:34I have a place in the country.
00:14:35Meat house.
00:14:36Got it cheap.
00:14:37A fellow owed me money.
00:14:38No servants.
00:14:39Lorna and I like to be alone.
00:14:40You'll help with the washing up.
00:14:41You and Johnny and Charlie come down to work there, no?
00:14:42Yes.
00:14:43I promise you, Johnny, I'm a funny man.
00:14:44If I like a boy, I do the best I can.
00:14:45Do you mind if your wife leaves now?
00:14:46I'd like to crawl under a shower.
00:14:48Sure, Johnny.
00:14:49Sure.
00:14:50You must be tired.
00:14:51We are both going.
00:14:52That was a top five.
00:14:53Ah?
00:14:54Arriba, derci.
00:14:55Do you mind your servant?
00:14:56We are all going to be one big head, eh?
00:14:57Yeah?
00:14:58No servants.
00:14:59No servants.
00:15:00Lorna and I like to be alone.
00:15:01We all help with the washing up.
00:15:02You and Johnny and Charlie come down to work there, no?
00:15:04Yes.
00:15:05I promise you, Johnny, I'm a funny man.
00:15:07If I like a boy, I do the best I can.
00:15:09Do you mind if your wife leaves now?
00:15:11I'd like to crawl under a shower.
00:15:12Sure, Johnny, sure.
00:15:13She won't be a happy family.
00:15:21Ha, ha, ha, ha!
00:15:43This road work's gonna make an old man out of me.
00:16:01What's the matter with you? I feel wonderful.
00:16:03So you should. You've got the bike.
00:16:05No, no, no! Anything but water! No!
00:16:07Ha, ha, ha! What the day, boy, isn't that? It's a lovely lake, isn't it?
00:16:13Yeah, smash it.
00:16:15Yes, Giuseppe's doing us proud here, all right.
00:16:17Hey, Johnny?
00:16:19Here, you better get that sweat off in the lake.
00:16:43Gin. Oh.
00:16:45How many?
00:16:51Pretty good, no?
00:16:53Used to be a taxi dad, sir.
00:16:55I took a part interest in the Silbering over on East 42nd Street and Lana was thrown in with it.
00:17:0153.
00:17:03Then I get rid of the Silbering but keep Lana.
00:17:04Nice profit, huh?
00:17:05Uh-huh.
00:17:06Shut up.
00:17:07So what's wrong with you?
00:17:08What's wrong with you?
00:17:09What's wrong with you?
00:17:10Is it going to be a taxi kid?
00:17:12I lost a taxi dad, sir.
00:17:14I took a part interest in the Silbering over on East 42nd Street and Lana was thrown in with it.
00:17:1753.
00:17:19Then I get rid of the Silbering but keep Lana.
00:17:21Then I get rid of the silvery, but keep Lana.
00:17:27Nice profit, huh?
00:17:31Shut up.
00:17:32So what's wrong with dancing for a living?
00:17:34What's wrong with that kind of life?
00:17:35Is beating the brains out of some stupid slob in the ring any better?
00:17:39No, I don't dance with anyone anymore.
00:17:42Why?
00:17:43Because you bought all the tickets when you married me.
00:17:46I hope you are happy.
00:17:48Well, Lana...
00:17:51I guess we don't play anymore tonight.
00:18:00Got a confession, Johnny.
00:18:02Only reason I win all the time, I've been cheating.
00:18:06Then just a little bit, aren't you?
00:18:21Let's go.
00:18:30He's shaping up good, huh?
00:18:31Make me feel young.
00:18:32Pretty soon he'll be ready.
00:18:38Slow and easy, then.
00:18:39Don't want to rush him.
00:18:41Sure, sure, sure, sure.
00:18:42He's in no hurry.
00:18:43When he's good and ready, we go straight to the top.
00:18:46I can't work while she's watching me.
00:18:49Get her out of here.
00:18:50What's the matter?
00:18:51Is her crazy?
00:18:52She do some harm?
00:18:53You can't talk to me like that.
00:18:54What do you think you are?
00:18:56A military secret or something?
00:18:58I'm through.
00:18:59Johnny.
00:19:00Oh, relax, Johnny.
00:19:01No, no, she's my wife.
00:19:02She belong here.
00:19:03What's the matter if she watch?
00:19:04I don't like such attitude.
00:19:05Maybe you don't like one.
00:19:06What's the matter if she watch?
00:19:07I don't like such attitude.
00:19:08Maybe you don't like one.
00:19:09What do you like?
00:19:10You can't talk to me like that.
00:19:13What do you think you are, a military secret or something?
00:19:16I'm fruit.
00:19:17Johnny.
00:19:18Relax, Johnny.
00:19:20No, no, she's my wife.
00:19:22She belongs here.
00:19:23What's the matter if she watch?
00:19:25I don't like such aptitude.
00:19:27Maybe you don't like women.
00:19:29No, no.
00:19:30Do me a favor.
00:19:31Go into the house.
00:19:32The boy is shy.
00:19:34All right, Chippy.
00:19:35Just tell the body not to flatter himself.
00:19:38I didn't come out here to see him.
00:19:40I've seen better bodies hanging in a butcher shop.
00:19:48Come on, let's get going.
00:19:53All right, it's time.
00:20:03It's a terrible thing.
00:20:06Shockey, you tell me, what is going on?
00:20:09We just don't get on together.
00:20:11But why?
00:20:12My brain is in a twist.
00:20:14There's something bad about Lama.
00:20:15I don't understand.
00:20:17Why can't we just be one big happy family?
00:20:20Just help it.
00:20:21Sometimes people just don't like each other.
00:20:23I don't say such a thing.
00:20:24Look, maybe if I...
00:20:26Leave them alone.
00:20:27They'll sort it out themselves.
00:20:28And be friends.
00:20:29Maybe.
00:20:30Anyway, they'll learn to keep out of each other's way.
00:20:31I'll fix something.
00:20:32Forget it.
00:20:33Forget it?
00:20:35Forget it?
00:20:36I know forget it.
00:20:37Is that no good?
00:20:38Stop flapping your wings.
00:20:39You're not even built like an angel.
00:20:40I know him it like that.
00:20:42Not out of my room.
00:20:43It's all wrong.
00:20:48You wait.
00:20:49I'll make it all right.
00:20:51You see who is built like an angel.
00:21:09Johnny!
00:21:10How's the cure this morning?
00:21:11Okay, I guess.
00:21:12Everything fine now?
00:21:14Comfortable?
00:21:15Food good?
00:21:16Sleep all right, eh?
00:21:17Fine.
00:21:18Good.
00:21:19I tried to make that you are happy, Johnny.
00:21:21How about making J.P. happy too?
00:21:23Anything you say, Giuseppe.
00:21:26Is Alana's birthday today?
00:21:28I give a little party.
00:21:30You and Shaki come and have a good time, no?
00:21:32I'm in training, Johnny.
00:21:34How often birthday comes?
00:21:36Once a year.
00:21:37Me?
00:21:38I don't dance.
00:21:39I got two left feet.
00:21:41I'm no good at parties.
00:21:43Johnny.
00:21:44There are two things I love.
00:21:48Is Alana and my mama need to do?
00:21:51I'm in Italy.
00:21:52Now you come into my life, I begin to love you too.
00:21:55What you say?
00:21:56You come to party?
00:21:58Make me happy, no?
00:21:59Okay, but don't expect too much.
00:22:01You said goodbye.
00:22:03Arrange a party.
00:22:05Nobody has nothing to do but have a good time.
00:22:08You're going?
00:22:12Well, what could I do, Shaki?
00:22:15The poor guy almost broke down.
00:22:17I hadn't got the heart to say no.
00:22:19You should have seen his face.
00:22:21I hope you feel the same when you see Lorna's face.
00:22:24Don't she look like a million bucks?
00:22:37Lorna.
00:22:38Here's to Lorna.
00:22:39The most beautiful wife anyone ever had.
00:22:42Happy birthday.
00:22:43Happy birthday, Lorna.
00:22:44And my champagne.
00:22:50Give me a bottle.
00:22:54Charlie means a good thing not coming, eh?
00:22:56Just look at this.
00:22:57Just one big, happy family.
00:23:00Good luck.
00:23:18Good luck.
00:23:19It's a special occasion.
00:23:20Wait a minute.
00:23:21Some more champagne for the boys.
00:23:23Let's see if he's enjoying himself anyway.
00:23:35Come on, Johnny.
00:23:37Relax.
00:23:38Forget about training tonight.
00:23:40Tell you the truth.
00:23:41I'd much rather be having a glass of beer with old Charlie myself.
00:23:44Cheers.
00:23:46Ouch!
00:23:48Is that a good Lorna?
00:23:50I was following the dancing for you.
00:23:52I've got two left feet.
00:23:54Sorry, boy.
00:23:55What do you say?
00:23:56Do me a Lorna a favor.
00:23:57You dance with her.
00:23:58Hey.
00:24:01Do you want to?
00:24:02I don't mind.
00:24:14I tell you I fix it.
00:24:17They do it to make Giuseppe happy.
00:24:20But what's the difference?
00:24:22I'm no angel, huh?
00:24:24I know make miracles.
00:24:26There's a miracle.
00:24:28Top of a miracle for me.
00:24:40I beg your pardon.
00:24:41It's all right.
00:24:42There's a disgrace.
00:24:52Let that wheel of fate keep turning and hold me tight, if a miracle could happen, well,
00:25:18this was meant to be, not just for a year, but for eternity. So take me in your arms, embrace me, and with your kiss, excite me into your life, and fight me forevermore.
00:25:43I don't care whether it's wrong or right, just let forever begin tonight.
00:25:58I figured we'd give Giuseppe a break tonight by declaring a truce.
00:26:09What about tomorrow?
00:26:11Tomorrow can wait.
00:26:16Giuseppe's off, they dropped.
00:26:18He'll pass out and won't know a thing until tomorrow.
00:26:20...
00:26:39...
00:26:40Come on, Giuseppe.
00:26:41Come on.
00:26:42Come on.
00:26:43Hey, nice.
00:26:44Slowly.
00:26:45That's it.
00:26:50Help.
00:26:51Come on.
00:26:52Help.
00:26:53That's it.
00:26:54Come on.
00:26:59Troy.
00:27:00Here I'll eat.
00:27:04I'll help put him to bed.
00:27:12It's too hard to sleep.
00:27:22I'm going for a swim.
00:27:31Here you go.
00:27:32Let's see you do it for yourself.
00:27:33This is simple.
00:27:35Always I get into bed by myself.
00:27:37It's just the question of doing things right.
00:27:40So I'll see.
00:27:44Here you go.
00:27:51It's a simple thing.
00:28:10You see, Zaki, I tell you, you don't think Giuseppe is an angel.
00:28:36You just think Giuseppe flapped his wigs, but he fixed everything, just as he said, fixed everything.
00:28:51Yes, Giuseppe, you fixed everything.
00:29:01No, no, no, why don't you keep your mind on that job?
00:29:05You can't fool me, sign your timings off.
00:29:07I've had enough.
00:29:25What's the matter with you? Why don't you keep off your feet?
00:29:28What are you thinking of all the time? You're not thinking about the job at all.
00:29:30Keep up! Keep up!
00:29:32What's happening to us, Lorna? What's happening?
00:29:34Just let it happen, Johnny. Let it happen.
00:29:36Let it happen. Let it happen.
00:29:38Let it happen.
00:29:40Let it happen.
00:29:42What's happening to us, Lorna? What's happening?
00:29:52Just let it happen, Johnny. Let it happen.
00:29:56Let it happen.
00:30:01Let it happen, Johnny. Let it happen.
00:30:03What's the food?
00:30:33No good, eh?
00:30:34It's fine.
00:30:35Then why is everybody acting like that you'll seek or something, eh?
00:30:39Eh?
00:30:40We're restless.
00:30:41We want to fight.
00:30:43It was supposed to be a surprise.
00:30:46But I tell you, I got you a fight.
00:30:49Met you with Lou Kosov.
00:30:51Kosov?
00:30:52The Liverpool boy.
00:30:54You fight him in a moment.
00:30:55All I've got to do is to...
00:30:57Ah, skip the details.
00:30:58That's not my job.
00:30:59Not your job?
00:31:01What do you mean, not your job?
00:31:03Don't come to talk with me.
00:31:05You listen.
00:31:06Who you fight?
00:31:08Where?
00:31:09How?
00:31:10All of it is your job.
00:31:11Kosov is a good boy.
00:31:13And don't you never get cocky with me?
00:31:15Don't you never try it?
00:31:17Don't you never try it?
00:31:18Don't you never try it?
00:31:27What's the matter with him?
00:31:32He's a bit overtrained.
00:31:33Don't worry.
00:31:34You get over it.
00:31:35I promise you.
00:31:59Aren't you glad to see me, baby?
00:32:05What's come over you?
00:32:07Have I done something wrong?
00:32:09You ought to know.
00:32:12Somebody's found out.
00:32:13It doesn't matter.
00:32:15Anyway, it's finished, that's all.
00:32:18Finished.
00:32:19Why, darling?
00:32:21Leave me alone.
00:32:23Don't be like that.
00:32:24Do it to some other man.
00:32:26Go back to Giuseppe, where you belong.
00:32:28Him?
00:32:29I'd rather die.
00:32:31You're his wife.
00:32:33He's a good guy.
00:32:35You don't know what he's like.
00:32:38To other people.
00:32:40He's Giuseppe.
00:32:41Everybody's friend and always good for a laugh.
00:32:46But with me.
00:32:49It's sweat.
00:32:50And slobber.
00:32:53Never lets me alone.
00:32:55I hate him.
00:32:57I hate him more than anybody's ever hated anyone.
00:33:02When he touches me,
00:33:05I have to close my eyes so I can't see him.
00:33:09And when he kisses me,
00:33:11I pretend that it's Johnny.
00:33:14You.
00:33:16You.
00:33:18Why should I pretend anymore?
00:33:22You won't have to.
00:33:23Why, John?
00:33:27Why?
00:33:29Because I can't go on.
00:33:30I can't live with my conscience.
00:33:32I feel dirty.
00:33:35I want no part of this thing you've forced into my life.
00:33:38Go back to him.
00:33:40Let me be what Giuseppe wants.
00:33:42What Sharky and Charlie want.
00:33:45What I want.
00:33:46What about me?
00:33:47What about what I want?
00:33:52Johnny, I love you.
00:33:53I love you.
00:33:54You don't know what you're doing to me.
00:33:57Please don't be like this.
00:33:58I can't stand it.
00:33:59I'd die without you.
00:34:00You'll get over it.
00:34:01I'll kill myself.
00:34:02You won't.
00:34:03I will.
00:34:04You'll see.
00:34:05I'll do it.
00:34:06I'll do it.
00:34:07I'll do it.
00:34:08I'll do it.
00:34:14Lola!
00:34:36Well, won't you come in?
00:34:50I think it's time I had a word with you, Mrs. Vichy.
00:34:53What about you?
00:34:54I'll do it.
00:34:55I'll do it.
00:34:56I'll do it.
00:34:57I'll do it.
00:34:58I'll do it.
00:34:59I'll do it.
00:35:00I'll do it.
00:35:01I'll do it.
00:35:02I'll do it.
00:35:03I'll do it.
00:35:04I'll do it.
00:35:05Mrs. Vichy.
00:35:06What about?
00:35:07I'll make it short and sweet.
00:35:08Lay off.
00:35:09What are you getting at?
00:35:10You don't need details.
00:35:12Tomorrow we go to London.
00:35:14Just keep away from Johnny till after the fight, understand?
00:35:16Yeah, I understand.
00:35:17Only that you're talking out of turn.
00:35:19Why don't you hang a sign around his neck saying, keep off?
00:35:22You don't miss a trick, do you?
00:35:25A boy like that hasn't got a chance.
00:35:28I'm warning you, just keep away from him.
00:35:31Go away, Sharky.
00:35:33Wrap your kid in cotton wool.
00:35:36Nobody's going to bother me.
00:35:37You know I could go to Giuseppe.
00:35:39You can go any place.
00:35:42Personally, I don't even want to go to London.
00:35:46All right.
00:35:47That's all I wanted to know.
00:35:48That's all I wanted to know.
00:36:17Take care of at this Brent Shavnay.
00:36:21Who's coming now?
00:36:22Oh, I would have to know.
00:36:23Let's go.
00:36:24Give me.
00:36:25Yes?
00:36:26Oh yeah!
00:36:28Nonuwelful.
00:36:29Oh no!
00:36:30Girl, Karma.
00:36:31Oh, my God.
00:36:32Yes?
00:36:33No, thing ya.
00:36:34Oh no!
00:36:35Let that close.
00:36:36Oh yeah!
00:36:38zychy!
00:36:39Oh no!
00:36:40Hello, Johnny Flanagan.
00:37:07What do you want?
00:37:11It's so good to hear your voice, Johnny.
00:37:13I just had to call you.
00:37:16Didn't Giuseppe say anything about me?
00:37:18He said you weren't feeling so good and might not be able to make the fight.
00:37:21Where are you? Do you feel better?
00:37:23I've been to a doctor.
00:37:24Lorna, what's wrong with you?
00:37:26I'm glad it happened. Glad.
00:37:28It'll keep us together.
00:37:30What? What will?
00:37:32Johnny, don't you understand?
00:37:35I'm going to have a baby.
00:37:37Oh, Johnny, you must help me.
00:37:42Does Giuseppe know?
00:37:45I can't talk now. I must go.
00:37:49Lorna. Lorna!
00:37:54Lorna!
00:37:55Ladies and gentlemen, this is an eliminating contest of 15 rounds, 350 rounds, for the light heavyweight championship of Great Britain.
00:38:17Between Lou Cotter, of Liverpool, and Johnny Flanagan, London.
00:38:31Gentlemen, at the weigh-in, Cotter weighed 12 stone, 7 pounds.
00:38:45Flanagan weighed 12 stone, 3 pounds.
00:38:49Gentlemen, your officials for this contest, your referee, Mr. Joe Blue.
00:38:55I keep up, Mr. Bert Fisher.
00:39:00In the centre, boys, referee.
00:39:03There are no personal room.
00:39:09The safety corners, and a spell for now, thank you.
00:39:12So.
00:39:17Seconds out.
00:39:18Come on, come on.
00:39:48Alright, let's go.
00:39:58Come on.
00:40:18Come on, run up!
00:40:48Come on, run up!
00:41:10Alala, feel better?
00:41:12He was not good at the start, but now he pick up.
00:41:16That's better now, keep it that way.
00:41:18Nearly had him.
00:41:22Box him, Johnny.
00:41:24Box him all the way.
00:41:46Seconds out.
00:42:16Go.
00:42:19Go.
00:42:24Go.
00:42:25Oh.
00:42:26Go.
00:42:28Go.
00:42:30Go.
00:43:02One, two, three, four, five, six, seven, eight, nine.
00:43:11Ten years and such a thing happens to me.
00:43:14Ten years is a bad business.
00:43:17Put a lot of money on the boy, lost a bundle.
00:43:23I've been thinking.
00:43:25You know what I think?
00:43:27Maybe I make a mistake.
00:43:29Maybe you did.
00:43:31I'm a disappointed man.
00:43:34For months I get all worked up.
00:43:36For what?
00:43:37That everything comes down on me like a ton of bricks?
00:43:40What's the matter, getting old?
00:43:42Thanks, getting old.
00:43:44Was a bad fight, no?
00:43:46No, it wasn't a bad fight. It was bad luck.
00:43:49Maybe.
00:43:50Let's get it straight, Giuseppe. You want to get out?
00:43:53Yes, I want out.
00:43:55You're out.
00:43:56Come on, let's go.
00:43:58No, no.
00:43:59Oh.
00:44:00Don't go like that.
00:44:05Johnny.
00:44:07Have we got nothing to say?
00:44:09I'm sorry.
00:44:10And that's all?
00:44:11I should have won. I'm sorry I didn't.
00:44:14I wish I hadn't let you down.
00:44:16So just like a candle has got blown out.
00:44:22I can't light it again.
00:44:24I'll light you, Johnny.
00:44:26I want to see you make a good.
00:44:33Ah.
00:44:35Tell you what I do.
00:44:37You all come back to the house with me.
00:44:39And you stay till Charity has got something lined up, eh?
00:44:47Okay, Giuseppe.
00:44:48We'll take you up on that.
00:44:52No hard feelings, eh?
00:44:55Forget it, Giuseppe.
00:44:56You'll be ringside yelling your head off when I win my next fight.
00:45:02See you in the car.
00:45:04You bet my life I yell my head off!
00:45:09You're giving you the air?
00:45:11You don't like it when things go wrong.
00:45:14You're coming back to the house, aren't you?
00:45:15Good night, Giuseppe.
00:45:16Good night, Giuseppe.
00:45:17Good night, Giuseppe.
00:45:18Good night, boys.
00:45:24Have you told him yet?
00:45:26No.
00:45:29We've got to play it smart, Johnny.
00:45:31It'll be best for both of us.
00:45:33I've messed up everything.
00:45:35We'll work something out.
00:45:39I'm a fighter.
00:45:40That's all I was born for.
00:45:42For these.
00:45:45I'll never fight again when Giuseppe finds out.
00:45:48I'll be finished.
00:45:50He'll see to that.
00:45:52Poor Giuseppe.
00:45:54Poor fat guy.
00:45:56Got himself trapped with a fine dame, didn't he?
00:46:00Forget Giuseppe.
00:46:01I can't.
00:46:02He'll go through hell when he finds out.
00:46:04It'll kill him.
00:46:06If that happens,
00:46:08there's no problem anymore.
00:46:10You're wasting your time with that sort of talk.
00:46:12He's a rich man, Johnny.
00:46:14And I'm his wife.
00:46:16What are you getting at?
00:46:17Something could happen.
00:46:19You could make it happen.
00:46:24It's an idea, Johnny.
00:46:26You must be mad.
00:46:28You've got to do something.
00:46:29Well, we can go away.
00:46:32I'll get a job.
00:46:34Washing dishes?
00:46:36You can keep it.
00:46:37I lived like that until Giuseppe came along.
00:46:40I've had that.
00:46:43I'll think of another way.
00:46:45There is no other way.
00:46:47Either you listen to me or I'll work things out my way.
00:46:50But you've got to give me a chance.
00:46:52You've had your chance.
00:46:54Oh, no.
00:46:56Alright.
00:46:57Keep out of my way.
00:46:59And don't come crying to me when things go wrong.
00:47:02I'm through with you.
00:47:03I'm through with you.
00:47:23Lorna.
00:47:25We're going into town.
00:47:26I've got to send some telegrams.
00:47:27You want to come along?
00:47:29Well, you can't move around here all day.
00:47:31You go ahead, Sharky.
00:47:32I'll go across to the barn.
00:47:34If I'm going to work in your booth, I'd better get back into training.
00:47:54I'll go.
00:47:57Lorna, we can't go on like this.
00:47:59I must talk to you.
00:48:00Save it.
00:48:01I won't.
00:48:03I won't just sit by and keep quiet.
00:48:05You must come away before he finds out.
00:48:07Look.
00:48:08Don't get ideas.
00:48:10Let me worry about it.
00:48:12You go back where you came from.
00:48:15Get lost.
00:48:17Ah, wake up.
00:48:22Like me.
00:48:24You'll soon forget.
00:48:27Why should a baby worry you?
00:48:29Lorna, please, I...
00:48:30Careful.
00:48:32Giuseppe's got good eyesight.
00:48:37I must have been crazy getting sore for you like that.
00:48:47Guess it must have been the body.
00:48:50But it won't happen again.
00:49:09Any others, sir?
00:49:13No.
00:49:14Here.
00:49:15Thanks.
00:49:19Charlie!
00:49:21Charlie!
00:49:23Hey, look, fellas, look what I got.
00:49:24Look.
00:49:25Gallagher's joining Scotland.
00:49:27He says I can have a booth and 50% if I can dig up my own fire to be ready in three days.
00:49:43He's going hysterical.
00:49:46Your enthusiasm's killing me.
00:49:47Once we're back in Arnest, Charlie boy, everything will be fine.
00:49:50Look, Charlie, you don't have to come if you don't want to.
00:49:54I'm sorry, fellas.
00:49:55I don't know what's got into me the last few days.
00:49:56Forget about that.
00:49:57Fight's all over and done with.
00:49:58Scotland are we smashing?
00:49:59Charlie!
00:50:00Charlie!
00:50:09Charlie!
00:50:10Charlie!
00:50:12He's a party!
00:50:13He's a party! He's a party!
00:50:17Giuseppe is a bambino! Oh, what I say! I'm a papa!
00:50:21What?
00:50:22Yeah! Just think of that! Papa, son o padre!
00:50:26Lana just tell me! Giuseppe, she tell me!
00:50:29Look like you've got a bambino! He's a wonderful, eh?
00:50:32He's a marvellous, eh? Merri-viglioso!
00:50:37To me, bambino!
00:50:40The shop is bambino!
00:50:44Hey, Johnny! What do you say?
00:50:47I bet a boy! What do you think?
00:50:49Look like me or Lana? Like me?
00:50:53Bit fat, maybe, but bingamba!
00:50:55That means pretty smart, eh?
00:50:58I bet he'll be a fighter, just like you!
00:51:01Lana! You know what?
00:51:04I made up my mind!
00:51:07Mr. and Mrs. Giuseppe Becci and the little bambino go to Italy!
00:51:11Right away, next week, I send a telegram to mama!
00:51:14No more fight this day, sir!
00:51:18Settle down! Be with my mama and sister!
00:51:21Just one big family! It's a good idea!
00:51:24Lana piccola mama! It's a good to be a mama, huh?
00:51:29Play music! Ah! Play music! It's a party!
00:51:34Come on, let me drink to the future!
00:51:36You all get drunk, eh?
00:51:38Ah, it's a party! The best time we ever had!
00:51:42What was the idea?
00:51:58what was the idea i've got plans to make just like you have poor giuseppe how could you do
00:52:14a thing like that too poor giuseppe my eye why don't you grow up he dropped you quick enough
00:52:22one bad fight and he dropped you johnny must we be like this to each other
00:52:43why did you do it lono why when i heard you were going i had to do something
00:52:48i had to hurt you john lorna but it doesn't have to be like that like i told you something could
00:52:56happen we can do it easily look
00:53:03i signed a false name at a drugstore in london lorna you're crazy you don't understand only that
00:53:10it's murder johnny i'd do anything for you if you won't do it i'll do it
00:53:24all right give it back to me johnny give it back to me no
00:53:27don't forget it i'll do it
00:53:43johnny darling
00:53:57i love you lorna but i can't do this i i can't then find another way john for my sake
00:54:06find another way
00:54:25so
00:54:27Let's go.
00:54:57Are you going fishing today, Jeff?
00:55:10It's a beautiful, my song.
00:55:13I never get tired of it.
00:55:15Something you can't remember me about.
00:55:18Oh!
00:55:19Where are you going, Johnny?
00:55:33Confusing with me.
00:55:34Oh, no, I've got to have a shade first.
00:55:36So do Brutto with love, Barba.
00:55:38You wait for me.
00:55:39No, I guess I'll go for a ride.
00:55:41Oh, in this heat?
00:55:42Maybe I'll set off a pound or two.
00:55:44Yeah, yeah.
00:55:46What's up?
00:55:47What's up?
00:55:48What's up?
00:55:49What's up?
00:55:51What's up?
00:55:53Let's go.
00:56:23Let's go.
00:56:53Let's go.
00:57:23Let's go.
00:57:53Let's go.
00:58:23Let's go.
00:58:53Let's go.
00:59:23Let's go.
00:59:53Let's go.
01:00:23Let's go.
01:00:53Let's go.
01:00:54Giuseppe!
01:00:55Where's Giuseppe?
01:00:57Did you take the boat after me?
01:00:58Of course.
01:00:59Giuseppe!
01:01:00Giuseppe!
01:01:01Why doesn't he wake up?
01:01:04Something that could happen.
01:01:07Giuseppe!
01:01:08Giuseppe!
01:01:09Giuseppe!
01:01:10Come on, let's get in the dinghy.
01:01:12No horse.
01:01:13In the boat house.
01:01:15All right.
01:01:16Let's go.
01:01:19Let's go.
01:01:46He was a big man.
01:02:12Fat. He woke up not feeling well.
01:02:15Hot?
01:02:17Tango.
01:02:19He could have just overbalanced. You say he couldn't swim.
01:02:26Mr...
01:02:28Flanagan.
01:02:30Mr. Flanagan.
01:02:32The others have explained their movements to my satisfaction.
01:02:36Now, where were you?
01:02:38Me?
01:02:39At the time of the accident.
01:02:41I wasn't here.
01:02:43So I'm told.
01:02:45Where then?
01:02:46I went for a ride.
01:02:48Yes?
01:02:49Down the lanes. I had a rest on the grass and went to sleep.
01:02:54Oh?
01:02:55When I got back, they told me.
01:03:00I see.
01:03:03That's all right.
01:03:06I don't know any more.
01:03:08We all saw him leave, Inspector.
01:03:10And he didn't get back until after the police got here.
01:03:15I think that'll do.
01:03:18I'm sorry to have distressed you.
01:03:22I know how you feel.
01:03:24Accidents will happen.
01:03:29Oh, uh...
01:03:30You won't be leaving before the inquest.
01:03:33Come on, Johnny.
01:03:34I'll just go and get a bit of fresh air.
01:03:53Well...
01:03:54I've got to go and pack all the training gear.
01:03:57I wonder what I should do about Giuseppe's family.
01:04:00That lawyer of his in London probably cabled him.
01:04:02Cabled him?
01:04:03Sure.
01:04:04He'll be turning up here any day now.
01:04:05Here?
01:04:06I won't have him here.
01:04:07I won't.
01:04:08I don't see what else you can do about it.
01:04:10I should have thought you'd have enjoyed playing the grief-stricken widow.
01:04:13Mrs. Vecchi?
01:04:31I am Giuseppe's sister, Mrs. Corelli.
01:04:36This is my husband.
01:04:38We've got your cable.
01:04:39I'm Sharky.
01:04:40The wife.
01:04:42She could not come to meet us?
01:04:44No, I'm sorry.
01:04:46Can I help you with those?
01:04:47Oh, grazie.
01:04:49This way, please.
01:05:12I'm Lorna.
01:05:13I'm glad you arrived safely.
01:05:17I'm Lorna.
01:05:18I'm glad you arrived safely.
01:05:21Donate vestiti neri.
01:05:25Donate vestiti neri.
01:05:26Have you no black to wear?
01:05:40Would you like some tea or something cool?
01:05:44It's a very hot day.
01:05:45You must be tired.
01:05:46One is not tired when one seeks the truth.
01:05:51Will you be staying long?
01:05:52As long as is necessary.
01:05:53Well, the inquest is on Tuesday.
01:05:55Inquest?
01:05:56It does what?
01:05:57It is official.
01:05:58It will say how it dies.
01:05:59Sunstroke, heart...
01:06:00It is official.
01:06:01It will say how it dies.
01:06:02Sunstroke, heart...
01:06:04You are the boy.
01:06:18Eh?
01:06:19You are very young.
01:06:22In my game, you have to be.
01:06:25My brother likes you very much.
01:06:33very much. And you? You like him, yes?
01:06:38Yes.
01:06:53If you've got something to say, say it so we can all understand.
01:06:55My mama says you are nervous. Why?
01:06:59You've had a long journey. You should have a rest.
01:07:02You should not tell us what we need.
01:07:11After hearing the evidence from the various witnesses
01:07:14and giving due consideration to all the circumstances,
01:07:18I find that the deceased Giuseppe Carino Vecci
01:07:22met his death as a result of drowning,
01:07:26which, in the opinion of this court, was accidental.
01:07:32You know, don't you, Sharky? Yes, Johnny.
01:07:44I know.
01:07:50You know, don't you, Sharky? Yes, Johnny.
01:07:54I know.
01:07:58You want me to tell you how I... No, I can guess.
01:08:05But why? That's all. Tell me why.
01:08:08She's going to have my kid.
01:08:10I couldn't let yourself be taken. I can't let Lorna down.
01:08:14There's nothing else to do. I can't go on.
01:08:18She's really got you, hasn't she?
01:08:22That dame got you so twisted you didn't know what you were doing.
01:08:25That old Italian woman. She knows.
01:08:30I'm afraid of her, Sharky. I'm scared of her.
01:08:36I can't stand it.
01:08:39You keep your head, son.
01:08:42We'll get you out of this place.
01:08:44Come on.
01:08:52We're leaving.
01:08:54No.
01:08:58Johnny, I won't let you.
01:09:00Try and stop us. You've done enough already.
01:09:02Oh, no. I love you. I love you.
01:09:06Oh, Johnny, I won't let you.
01:09:08Johnny, please don't do this to me.
01:09:12Johnny.
01:09:13Come on, Johnny.
01:09:14Please, let me take care of her.
01:09:16But you took care of Giuseppe.
01:09:17Johnny's mine.
01:09:19Giuseppe never was.
01:09:32Giuseppe.
01:09:36Thanks.
01:09:42Hi, my mom.
01:09:47My mom is sorry for you.
01:09:49She say you have been a fool.
01:09:51You are young.
01:09:53But she is different.
01:09:56She knows.
01:09:58Giuseppe sent telegram.
01:10:01He say he is to be Papa.
01:10:04But that is not so, is it?
01:10:08What do you mean?
01:10:15My mamma say you are not with child.
01:10:18Not Giuseppe's nor anybody's.
01:10:20My mamma an old woman.
01:10:23She knows these things.
01:10:25There is an expression on the face of a woman that tell us.
01:10:29Let her tell you.
01:10:31There is no child with her.
01:10:34And she knows it.
01:10:36You lie.
01:10:38I tell the truth.
01:10:55My brother was a rich man.
01:11:05Now you have his mother.
01:11:08Much good may do for both of you.
01:11:25I tell you.
01:11:44Johnny you must talk to me.
01:11:47Poor Giuseppe.
01:11:49Poor fat guy.
01:11:51He died all for nothing.
01:11:52It wasn't for nothing, Johnny.
01:11:54It was.
01:11:56Because I'm going to tell the police.
01:11:58You can.
01:12:00Johnny, I love you.
01:12:02We'll go away someplace.
01:12:04Nobody can stop us.
01:12:06South America, any place.
01:12:08There's enough money. We'll forget.
01:12:10It's too late to forget, Lorna.
01:12:12There's no point in it anymore.
01:12:14All I want is for you to leave me alone.
01:12:16You've done enough.
01:12:18Get out of my sight.
01:12:20Go away and stay away.
01:12:22Don't.
01:12:24Honey, we're a pair.
01:12:26Two of a kind.
01:12:28We've got to stick together.
01:12:30Can't you understand?
01:12:32Life doesn't mean anything otherwise.
01:12:38It doesn't make any difference to me now.
01:12:40I'm dead already.
01:12:42Get out.
01:12:44The only one people I want to see are the police.
01:12:48If you do that,
01:12:50what about me?
01:12:52I don't care what happens to you.
01:12:54Get out.
01:12:56Get out.
01:12:58Get out.
01:13:08Get out.
01:13:10Get out.
01:13:12Get out.
01:13:14Get out.
01:13:16Get out.
01:13:18Get out.
01:13:20Get out.
01:13:22Get out.
01:13:24Get out.
01:13:26Get out.
01:13:28Get out.
01:13:30Get out.
01:13:32Get out.
01:13:34Get out.
01:13:36He's had nothing all day. I've made him some soup.
01:13:42Get him to eat it. He'll take it from you.
01:13:49I'm going out.
01:13:51I'm going out.
01:14:05Here. Have this. Later.
01:14:08Oh, now. Come on, son.
01:14:10Leave it there.
01:14:12Okay. But I want to see that bowl empty when I come back.
01:14:15I promise, Sharky.
01:14:17Good.
01:14:19A couple of pals here, Sharky.
01:14:21We won't let you down, son.
01:14:49How was Johnny?
01:14:53I tapped on his door about an hour ago.
01:14:56I was still asleep, I suppose.
01:14:58Lorna back yet?
01:15:00I haven't heard her.
01:15:19Oh, Johnny.
01:15:20Jolie.
01:15:21Jolie.
01:15:22What did you do, Johnny-boy?
01:15:23What did you do?
01:15:24What did you do?
01:15:25What did you do, Johnny boy?
01:15:27What did you do?
01:15:29What did you do?
01:15:35Jolie!
01:15:37What did you do, Johnny boy?
01:15:39What did you do?
01:15:49She drove you to it.
01:15:51Drove him to it.
01:15:55That tramp.
01:15:57That dirty tramp.
01:15:59She won't get away with it this time, Charlie.
01:16:01Not again, she won't.
01:16:03Go and phone the inspector.
01:16:05Tell him we got Giuseppe's murderer. The real murderer.
01:16:07Charlie!
01:16:09We'll fix her good and proper.
01:16:25Let's goください!
01:16:27Try both for your inspector and inspector.
01:16:31Well, Harry, will you?
01:16:33We'll be waiting.
01:16:35Inspector.
01:16:37Inspector?
01:16:39Well, Arie, will you?
01:16:46We'll be waiting, Inspector.
01:16:49Inspector?
01:16:52He's coming over. Be here in three minutes.
01:16:56Johnny?
01:16:57Go and see for yourself.
01:17:09What are you doing in there?
01:17:11Fixing you.
01:17:12It's not often suicide can be made to the past murder.
01:17:14You can't pin anything like that on me.
01:17:16No, it's pinned already.
01:17:18What?
01:17:19The stuff he uses in your room.
01:17:21Try and blind it before the inspector does.
01:17:39Go and see for yourself.
01:18:09Go and see for yourself.
01:18:39Hurry, hurry, hurry!
01:18:56Here it is!
01:18:57Hurry, hurry, hurry!
01:18:59A five-pound note to any one of the boys that can stand up against one of my challenges.
01:19:03One five-pound note.
01:19:04One shooting to come in and see the best man win.
01:19:06Come on, Arie.
01:19:07One shooting to see nature in the right.
01:19:10Now then, we're the lad with some guts.
01:19:12There we are.
01:19:16There's a fine, brave boy.
01:19:18Now step inside and watch him win his way to fame and fortune.
01:19:20Get him some boots and trucks.
01:19:30Get him some boots and trucks.
01:19:34I'm surprised you didn't get the rich side because I could kill you all!
01:19:37Hurry, hurry, hurry!