In Egypt, a three-sided pyramid is discovered buried beneath the desert surface by an archaeological team led by Dr. Miles Holden. After a remote-controlled rover vehicle sent to map the interior goes offline the team enters the pyramid to recover it. They soon become lost and enter a room with an unstable floor that collapses beneath them, injuring Zahir whose leg is crushed and pinned beneath debris. Sunni attempts to climb back up but is attacked by an emaciated feline creature and forced to retreat. The team leaves Zahir to look for a way out. Moments later, Zahir's screams are heard - the team return to find only his severed leg left pinned under the rock.
Chased through a tunnel by a pack of the creatures, they are rescued by an Egyptian soldier who is then killed by a larger creature. The team comes upon a carved mural that depicts passages from the Book of the Dead and its guide to immortality – Anubis's weighing of the heart for access into the afterlife. Sunni falls into a pit and is impaled on several spikes before she is set upon by the creatures. The team try to rescue her but she succumbs to her injuries and they are forced to retreat.
Chased through a tunnel by a pack of the creatures, they are rescued by an Egyptian soldier who is then killed by a larger creature. The team comes upon a carved mural that depicts passages from the Book of the Dead and its guide to immortality – Anubis's weighing of the heart for access into the afterlife. Sunni falls into a pit and is impaled on several spikes before she is set upon by the creatures. The team try to rescue her but she succumbs to her injuries and they are forced to retreat.
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CortometraggiTrascrizione
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00:29:49Okay, man, don't worry. We're gonna get you out of here.
00:29:52Okay, come on, guys. Help me, please.
00:29:54Michael, Michael.
00:29:55Okay.
00:29:56Michael, calm down.
00:29:57You need to push, all right?
00:29:58All right. All right, push.
00:30:00One, two, three.
00:30:02Oh, my God.
00:30:04Oh, push, push, push.
00:30:11Hey, hey, hey. Okay.
00:30:14What are you doing to the phone?
00:30:15You're not gonna get reception down here.
00:30:16We're like 90 feet below ground.
00:30:18The walls are six feet thick. Jesus, who's your head?
00:30:21Hey, look at me.
00:30:22We're never gonna be able to get this rock off of the virus.
00:30:25And even if we do...
00:30:31There's water in there. Get it out.
00:30:33Hey, look at me.
00:30:35Look at me. Look at me.
00:30:37Hey, please, I want you to swallow these, okay?
00:30:39I want you to swallow.
00:30:41He's gonna be okay, Doctor. He's not gonna die, is he?
00:30:48Vinci!
00:30:49Just shut up, please.
00:30:51You're not helping right now, okay?
00:30:54Michael, Michael.
00:30:55Just shut up.
00:30:56Hey.
00:30:57Hey, baby.
00:30:58Look at me.
00:30:59Michael.
00:31:00You are gonna get out of here, okay?
00:31:01Just breathe.
00:31:02That's right.
00:31:03That's right.
00:31:04That's right.
00:31:05Oh, stay back. Something could still fall.
00:31:11What are you looking at?
00:31:15This shaft should take us back to where we came from.
00:31:19You know, I think I can get up there.
00:31:21No, no, no, no. That's not a good idea. That's not a good idea.
00:31:23I've been rock climbing my entire life.
00:31:26If you give me a boost, I can brace myself in there and shimmy up.
00:31:29She wants to climb this shaft. Can you tell her she's crazy?
00:31:32I can do it.
00:31:36Don't worry.
00:31:39Help me.
00:31:41Here.
00:31:42Take this.
00:31:43Or we can watch on the monitor.
00:31:46Okay, that's it.
00:31:49Is that you picking that up?
00:31:50Yeah?
00:31:52All right.
00:31:53Okay.
00:31:55Okay, Sunny, be careful.
00:31:57Michael, calm down.
00:32:03All right, go slow.
00:32:04Yeah.
00:32:08Okay, be careful, Sunny.
00:32:09Go slow. Go slow.
00:32:10Yeah.
00:32:16All right, just take your time, okay?
00:32:19But, you know, at the same time, don't take too long.
00:32:24Just let us know if you see anything.
00:32:26Okay.
00:32:27Okay, Sunny?
00:32:29Oh, God.
00:32:32You okay?
00:32:33Yeah.
00:32:34Be careful, please.
00:32:35Be careful, okay?
00:32:43What do you see?
00:32:45I see two people trying to break my concentration.
00:32:52Are you okay?
00:32:54Did you guys hear that?
00:32:56I can't see anything.
00:32:57No, it's just...
00:32:58It's too dark.
00:33:01Hang in there, Zaheer.
00:33:03Okay, let us know as soon as you see anything, okay, Sunny?
00:33:06I think something is up here.
00:33:15There's some kind of little tunnel perpendicular to us.
00:33:18Okay.
00:33:20I don't know.
00:33:24No, no, no.
00:33:26No, no.
00:33:28No, no, no, no.
00:33:30I don't know.
00:33:32No, no, no, no, no.
00:33:33I can't see anything.
00:33:35Oh, my God, Sunny.
00:33:36Are you okay?
00:33:37Yeah.
00:33:38I'm fine.
00:33:40You okay, Fitzy?
00:33:42I'm okay.
00:33:43I think I've got shit in my head.
00:33:44Dad, do you my bag?
00:33:45Here, use this.
00:33:47What happened up there?
00:33:49I saw something.
00:33:50It was almost there, and it popped out at me.
00:33:53He's gonna sting, okay?
00:33:56So was it...
00:33:57Was it a dog yet?
00:33:58I didn't get a good look.
00:34:00But when I saw it, I lost my head in the back.
00:34:04I saw it's eyes.
00:34:06Well, what was it?
00:34:08Okay, hold on.
00:34:09It was the same thing we saw before he lost contact with Shorty.
00:34:13Sorry, sorry.
00:34:13You know, maybe it's the soldier, you know?
00:34:16He knows we're down here.
00:34:17He's probably gonna...
00:34:18The soldier popped out of a hidden tunnel and scratched my face.
00:34:24Maybe there's a way out over there.
00:34:33Michael, Michael.
00:34:39These carvings tell a story.
00:34:40You see these figures holding the spears.
00:34:43These are the same ones we saw in the Apex.
00:34:46This...
00:34:46This is...
00:34:47This is a warning.
00:34:51A warning?
00:34:54A warning for what?
00:34:56I don't know.
00:34:57I think we should just stay here.
00:35:00That soldier will come looking for us eventually.
00:35:02No, Michael might not have that long.
00:35:04Okay, we have to look for another way out.
00:35:05All right, then fine.
00:35:06What is your plan now, Nora?
00:35:07If there's a gate here, then behind those stones there's a passage and maybe another way out.
00:35:12And if the gate has been standing here for thousands of years, maybe it's standing here for a reason, who are we to destroy it?
00:35:18Jesus!
00:35:19Stop being an archaeologist for a minute here and stop being a human being!
00:35:22Look, she's right, okay?
00:35:24We have to look for help.
00:35:26Maybe we can try the shower.
00:35:27Nora!
00:35:28Look at her face!
00:35:30We don't know what's up there!
00:35:34Look, guys, we can't...
00:35:35We can't just sit around here.
00:35:37Okay, we've got things up there scratching people's faces.
00:35:40It stinks in here!
00:35:42So put your mask back on.
00:35:44No, I'm serious, man.
00:35:46Listen, like...
00:35:47If we can survive this drop, then so can it.
00:35:51Whatever it is.
00:35:53And while we're trapped in here, we're like...
00:35:55We're just like food in a bowl right now.
00:36:00All right, Vine.
00:36:06Bear, you got it?
00:36:07Let's go over here.
00:36:09Yeah, I'm fine.
00:36:12Okay, one more.
00:36:20Ready?
00:36:20One, two...
00:36:22Oh, God.
00:36:28I don't know if it's safe in there.
00:36:30For all we know, that air could be...
00:36:32Yeah, we'll take our chances.
00:36:36If you ask me, it's not going to be any worse than the air we're breathing in here.
00:36:39Yeah.
00:36:42Hey.
00:36:47No.
00:36:48No, what?
00:36:50You want to sit here in the dark?
00:36:52No.
00:36:54Besides, if we get lost, then maybe we can follow the light back.
00:36:58Okay?
00:36:59You're not going to need the hatchet, but it's just in case.
00:37:01I'm going to go get you help, okay?
00:37:08I'm going to come back for you.
00:37:09I'm going to move on.
00:37:10Bye-bye.
00:37:10Bye-bye.
00:37:11Bye-bye.
00:37:11Bye-bye.
00:37:11Bye-bye.
00:37:12Bye-bye.
00:37:13Bye-bye.
00:37:30Bye-bye.
00:37:32Oh, my God.
00:38:02Hey, listen.
00:38:06It's that soldier.
00:38:07Shadeed! Shadeed! Shadeed!
00:38:09Help us!
00:38:10Hello!
00:38:11Where's it coming from?
00:38:15I can't tell.
00:38:18What?
00:38:22Did you guys hear that?
00:38:28What's happening to him?
00:38:30You guys, that's not Shadeed.
00:38:31That's Michael.
00:38:32You should go, go, go.
00:38:34What you should eat.
00:38:35Go, go, go.
00:38:44Shouldn't we just go with them?
00:39:02How were we supposed to find Shadeed?
00:39:09Hello?
00:39:13Shadeed!
00:39:16Are you still there?
00:39:22Michael!
00:39:23Oh, my God!
00:39:28Oh, my God!
00:39:32Oh, my God!
00:39:32Oh, my God!
00:39:37No, no, no.
00:39:40No, this isn't happening.
00:39:43No.
00:39:48Okay.
00:39:49No, this is not possible.
00:39:51I think we have to get out of here.
00:39:52No, no, no, no, no.
00:39:53No, no, no, no.
00:39:53That's not Shade.
00:39:53No, where is he?
00:39:55No, no, no.
00:39:57No, it's not happening.
00:39:59No.
00:40:00No.
00:40:01I don't believe me.
00:40:02No.
00:40:02No, no, no, no.
00:40:02I'm so sorry.
00:40:05I'm so sorry.
00:40:06I know you care for him.
00:40:07We have to go.
00:40:08Oh, my God.
00:40:09I'm so sorry.
00:40:11I'm so sorry.
00:40:12Honey.
00:40:13I can't.
00:40:14Michael!
00:40:14Michael!
00:40:14We have to join the others, okay?
00:40:18Okay, come on.
00:40:19You've got to focus now.
00:40:20We've got to get out of this room.
00:40:22It's not safe for us.
00:40:24Come on.
00:40:24Where did he go?
00:40:26Come on.
00:40:27Come on.
00:40:29Come on.
00:40:29Come on.
00:40:30Come on.
00:40:31Come on.
00:40:31Come on.
00:40:31Come on.
00:40:31We should never have fallen.
00:40:44All of them.
00:40:46What's taking them so long?
00:40:49Should we go back there?
00:40:51Shadeed!
00:40:53Shadeed!
00:40:53Can you hear us?
00:40:56All right.
00:40:59What happened to Zaheer?
00:41:01Zaheer is dead.
00:41:03He tried to shift the boulder.
00:41:05It rolled over and crushed him.
00:41:07That's impossible.
00:41:07We couldn't shift that thing between the four of us.
00:41:09I don't know.
00:41:10I think he was chipping away at it with the hatchet.
00:41:12Oh, that's a load of bull.
00:41:14We heard the screams.
00:41:17If there's anything we've learned today, it's that you're talking out of your ass.
00:41:20No, she's right.
00:41:21You're...
00:41:21You're lying to us.
00:41:25What about the eyes I saw at the top of the tunnel?
00:41:27Whatever took a chunk out of my face killed Zaheer.
00:41:30Calm down, lady.
00:41:31Oh, don't tell me to calm down.
00:41:33I'm sorry.
00:41:34The robot guy has just been devoured by a creature we cannot identify, for Christ's sake.
00:41:39Calm down.
00:41:40Who the hell did you...
00:41:41Nobody made you come.
00:41:43My job is to follow you guys through the camera.
00:41:45What?
00:41:45You're just following orders now?
00:41:46Step up and take responsibility for your own axle.
00:41:49Hey!
00:41:51Step up!
00:41:51Keep her away from me!
00:41:53Jesus, Sonny.
00:41:54Relax.
00:41:55Don't tell me to relax.
00:41:56This asshole has led us into a death trap.
00:41:59I don't need this right now.
00:42:00Look, Sonny.
00:42:01All right?
00:42:02You're panicking and you're freaking out.
00:42:04You're just looking for someone to blame right now.
00:42:06I found him.
00:42:06Well, that attitude is not going to help us out right now, is it?
00:42:11All right, just relax.
00:42:14Come on, just breathe.
00:42:17All right?
00:42:17I'm sure we can find a way out of here.
00:42:21What we need to do is to find Shadid.
00:42:24He got in here.
00:42:25We can get out.
00:42:26Yeah.
00:42:27How's that?
00:42:28Yeah, great.
00:42:34What's up?
00:42:35I don't know.
00:42:36No, it's nothing.
00:42:38Come on, Fitzy, you go first.
00:42:41But.
00:42:42But.
00:42:44Me?
00:42:44Yes.
00:42:46Well, I'm a bloody guinea pig.
00:42:50Oh, for God's sake.
00:42:53You seen how tight this is?
00:42:54Just go.
00:42:55Oh, bloody hell.
00:43:01Oh.
00:43:01Are you sure this is the way?
00:43:13Can't be sure of anything in this place.
00:43:15Oh, my God.
00:43:25So, remind me again, guys, what do I do if this thing jumps out at me and scratch my face off?
00:43:30You try to put as much distance as you can between you and Ed.
00:43:33All right, well, this is probably about as fast as I can move right now.
00:43:36Smooth faster, Fitzy.
00:43:37Okay, I don't want to be here long enough to find out.
00:43:44Guys?
00:43:49Guys?
00:43:50Yeah?
00:43:50Ed, something's behind us.
00:43:52What are we doing?
00:43:53What are we doing?
00:43:53Keep going.
00:43:54Just move, move.
00:43:57Just move, Fitzy, move.
00:43:59Go, go, go, go, go, go, go as fast as you can.
00:44:01Fitzy.
00:44:02It's coming faster.
00:44:03Oh, great.
00:44:04Shit.
00:44:05Oh, no.
00:44:05Don't stop.
00:44:06Oh, no.
00:44:10Oh, my God, it's coming in.
00:44:12Shit.
00:44:13Keep going, keep going.
00:44:15It's coming faster.
00:44:19Oh, guys, the soldier's here.
00:44:21It's Shadid.
00:44:22Where the hell was he going from?
00:44:23It's coming to my foster mother's here.
00:44:25Hurry up, Fitzy.
00:44:27Keep moving, keep moving.
00:44:32Come on, come on, come on.
00:44:33Help.
00:44:35Get back.
00:44:36Get back.
00:44:37Everybody, get back.
00:44:38Get back.
00:44:38Get back.
00:44:38What the hell was that?
00:44:56What the hell was that?
00:45:00Oh, my God.
00:45:16Oh, shit.
00:45:19It's Shadid.
00:45:20Come on.
00:45:22Kill the lights.
00:45:23Kill the lights.
00:45:23Oh, shit.
00:45:24I'm not.
00:45:26Oh, it's so good.
00:45:28Not yet.
00:45:33I'm so sorry.
00:45:35I'm so sorry.
00:45:37Don't move on.
00:45:43It's so cool.
00:45:56Oh my God.
00:45:58Don't you hear me?
00:46:00I'm sorry...
00:46:02Yes.
00:46:04Yes.
00:46:06Yes.
00:46:08Ah!
00:46:16Oh, what?
00:46:18What happened?
00:46:20I have no idea.
00:46:22Did you see the claws on the leg?
00:46:24What the hell is going on down here?
00:46:50Is it gone?
00:46:54Oh, Sonny, that scratch is becoming really infected.
00:47:03Your eye's not looking too good either.
00:47:06We need to find an exit right now.
00:47:14Please tell me there is something on this wall that explains how to get out of here or at least what the bloody hell is after us.
00:47:22This panel depicts the final judgment, the weighing of souls.
00:47:26What?
00:47:27It's from the Egyptian Book of the Dead.
00:47:30When a person died, they passed into a room.
00:47:33They were brought before Osiris and a panel of judges.
00:47:36And next to them was a massive scale.
00:47:38Then the god Anubis weighed their heart against Mat, the goddess of truth.
00:47:43And if it balanced perfectly, they passed into the afterlife.
00:47:47They believe they were sent to the sky to dwell among the stars.
00:47:51I thought the Book of the Dead was just full of spells and incantations.
00:47:54No, it's more than that.
00:47:56It's a guide to immortality.
00:47:58No, this was central to Egyptian philosophy.
00:48:01This is the final milestone.
00:48:06What do you believe in this rubbish, do you?
00:48:11They believed it.
00:48:12I think the priest acted out this ritual.
00:48:14None of this matters unless we get out of here.
00:48:16We've got to go.
00:48:17Let's go, let's go.
00:48:19Let's go.
00:48:31Let me see.
00:48:33Still in.
00:48:49What was that?
00:48:50I thought you said that doesn't touch anything.
00:48:52What now?
00:48:53No.
00:48:54No.
00:48:55No.
00:48:56No.
00:48:57No.
00:48:58No.
00:48:59No.
00:49:00No.
00:49:01No.
00:49:02No.
00:49:03No.
00:49:04No.
00:49:05No.
00:49:06No.
00:49:07No.
00:49:08No.
00:49:09No.
00:49:10No.
00:49:11No.
00:49:12No.
00:49:13No.
00:49:14No.
00:49:15No.
00:49:16No.
00:49:17No.
00:49:18No.
00:49:19No.
00:49:20No.
00:49:21No.
00:49:24No.
00:49:31No.
00:49:40No.
00:49:41No.
00:49:42No.
00:49:47No, no, no.
00:49:48Come on, come on, come on, come on.
00:50:18Come on, come on, come on, come on.
00:50:48Come on, come on, come on.
00:51:18Come on, come on, come on, come on.
00:51:48Come on, come on, come on.
00:51:52Come on, I got your hand, I got you, I got you.
00:51:55Come on, come on, come on, come on.
00:51:59Come on, come on, come on, come on.
00:52:06Come on, come on, come on, come on, come on, come on, come on.
00:52:14Jesus, oh my God.
00:52:20Come on, come on, come on, come on, come on.
00:52:28Okay.
00:52:29Fitzy, get it on the corner.
00:52:31Take the rope.
00:52:32I'm gonna throw it to you, all right?
00:52:33Get the end.
00:52:34You got it?
00:52:35Please, honey, just hold on.
00:52:36We're coming right down, all right?
00:52:38Watch out.
00:52:39Go ahead.
00:52:40Just have to be careful.
00:52:42Go ahead.
00:52:43Grip tight, grip tight.
00:52:44That's all right.
00:52:45We're doing great.
00:52:46Grip tight, grip tight.
00:52:47That's all right.
00:52:48We're doing great.
00:52:53Oh, Jesus.
00:52:54Jesus.
00:52:55Here we go.
00:53:07Okay.
00:53:08Is that better?
00:53:09Is that better?
00:53:10Okay.
00:53:11Try to dance the breeze so hard, all right?
00:53:13Long rest.
00:53:18Come on, Chase, place it with me.
00:53:19Cradle her head.
00:53:21Just take her head.
00:53:29Oh, God.
00:53:30We're gonna get you out of here, okay?
00:53:31All right, guys.
00:53:32All right, we're gonna get you off, Sonny.
00:53:34Okay.
00:53:35You got all legs?
00:53:36Yeah, yeah.
00:53:37Okay.
00:53:38Pull straight up, all right?
00:53:39On the count of three, one.
00:53:41Two.
00:53:42Three.
00:53:53Stop.
00:53:54Stop, stop.
00:53:55Okay.
00:53:56It's not working, okay?
00:53:57Okay.
00:53:58I don't think Mr. Ross is gonna bleed out.
00:54:00Okay.
00:54:02Shit!
00:54:04Okay, let's try again.
00:54:05No!
00:54:06She can't take it.
00:54:07Just give her a second, all right?
00:54:09Oh, my God.
00:54:10Oh, my God.
00:54:11Oh, my God.
00:54:12Oh, my God.
00:54:13Jesus.
00:54:14Hold her.
00:54:15Hold her.
00:54:16Hold her.
00:54:17Hold her.
00:54:18Hold her.
00:54:19Hold her still.
00:54:20She can't twist.
00:54:21I can't.
00:54:22I can't.
00:54:23She's coming.
00:54:24She's coming.
00:54:25Okay.
00:54:28Sonny.
00:54:29Oh, God.
00:54:31Oh, my God.
00:54:32Oh, my God.
00:54:33Oh, my God.
00:54:35I think I can get her leg off.
00:54:37I think if I just get her leg off, then we can get her out of here.
00:54:41That's it.
00:54:42Oh, my God.
00:54:43No, no, no, no, no.
00:54:44We need to get her off.
00:54:45Oh, my God.
00:54:46Oh, my God.
00:54:47Help.
00:54:48Those creatures can come back at any minute.
00:54:49we have to go now.
00:55:14Dad?
00:55:15Your neck.
00:55:18Oh, shit. Is that... like the... the digger?
00:55:23Probably. Just...
00:55:24What?
00:55:25But why is it... why does it appear now?
00:55:27The mask stopped the onset.
00:55:29For some reason, the progress has been flowed.
00:55:32Well, why didn't you say anything?
00:55:34What difference does it make?
00:55:35If I'm infected, we all will be. It doesn't...
00:55:37Sorry.
00:55:42Okay, we gotta get out of here right now.
00:55:44Well, that's our only choice.
00:55:48You okay, Fitzy?
00:55:54Yeah.
00:55:55Alright.
00:55:56Those things... I think they're sphinx cats.
00:55:59But like the statue?
00:56:01The ancient Egyptians lived at cats, like Bastet,
00:56:03were the guardians of the underworld.
00:56:05They could have been placed here
00:56:06to protect whomever was buried in here.
00:56:08Alright, this way.
00:56:10But how have they survived all this time,
00:56:12you know, without any food or water?
00:56:14I think they ate each other.
00:56:15Each generation feeding the next.
00:56:17Like rats.
00:56:19Great.
00:56:20So to survive down here,
00:56:21you have to resort to cannibalism.
00:56:23That would explain the air toxicity.
00:56:25Okay.
00:56:26I see you.
00:56:27I see you opening overhead.
00:56:29Missy, bring your camera here. I need the light.
00:56:45How can we possibly be back here?
00:56:47It's a labyrinth.
00:56:49Wait, wait, wait, wait, wait.
00:56:51Let's just...
00:56:52Let's just think this through logically.
00:56:54Alright, we...
00:56:55We can't go that way.
00:56:56That's a sand trap.
00:56:58And we know...
00:57:00That that's a dead end.
00:57:02But Corporal Shadi got in here somehow,
00:57:04so there has to be a way out.
00:57:06Look.
00:57:10Shorty.
00:57:11You know, this antenna might still be broadcasting a signal to the outside.
00:57:25Well, what are you thinking?
00:57:29Well, one second.
00:57:36I can, uh...
00:57:37I can rewire...
00:57:38I can rewire my camera to it and...
00:57:40And we can record a message and send it to one of the outside monitors.
00:57:44Well, will that work?
00:57:46It's worth a shot.
00:57:47I mean, I...
00:57:48I can't guarantee anyone's gonna see it, but...
00:57:50Yeah.
00:57:51We'll improve our odds.
00:57:52What's that?
00:57:53Ah...
00:57:55Fuck.
00:57:56Ah, brilliant.
00:58:10Okay, so, uh, be quick, Doc Tixon.
00:58:13I'm not sure how long this aerial battery's gonna last.
00:58:16And also...
00:58:18You know, the...
00:58:19Cat creatures.
00:58:21Hopefully someone will bother to play back these tapes when they find our gear.
00:58:26Unless they find it.
00:58:31My name is Dr. Miles Holden, and I was a professor at Princeton University.
00:58:36I am trapped in the excavation site with my daughter, Dr. Nora Holden, and cameraman Terry Fitzsimmons.
00:58:42And we need help.
00:58:45Two of our team members, engineer Michael Zahir and documentary filmmaker Sonny Marsh, are dead.
00:58:52This pyramid, unlike any other structure I've ever encountered, seems to have been built with the express purpose of keeping whatever is inside from escaping.
00:59:01Okay, if you come down here.
00:59:04Bring guns.
00:59:10Is that good?
00:59:12Yeah, it was good.
00:59:13It was really good.
00:59:18Did you feel that?
00:59:19Ah.
00:59:20Huh.
00:59:31Huh.
00:59:32Oh, wow.
00:59:33It's like a vacuum pulling the air out.
00:59:35W-W-What is it?
00:59:37I think something's back there.
00:59:39I think it's a way out.
00:59:40How do you know that?
00:59:41I know.
00:59:42Whoa, whoa, whoa, careful, Doc.
00:59:43Remember the last time you started touching things?
00:59:45Whoa.
00:59:46Whoa.
00:59:47Whoa, whoa, whoa.
00:59:48Careful, Doc.
00:59:49Remember the last time you started touching things?
00:59:51Whoa.
00:59:52Whoa.
00:59:53Whoa.
00:59:54Whoa.
00:59:55Whoa.
00:59:56How did you find that?
00:59:57I didn't spend my entire life buying a desk or nothing.
00:59:59Whoa.
01:00:00Whoa.
01:00:01Whoa.
01:00:03Whoa.
01:00:04Whoa.
01:00:05Whoa.
01:00:06Whoa.
01:00:07Whoa.
01:00:08Whoa.
01:00:09Whoa.
01:00:10creepy stuff you think should have came this way I do this doesn't look like the Egypt stuff you
01:00:18find at the British Museum hey guys this possibly could be a link to an older civilization
01:00:40so um how are you feeling go I want to get out of here oh yeah what do you um
01:01:03I need you feel any sicker or you know what I really haven't had that much time to think about it
01:01:10oh man so from the shitty room to the kitty tomb that you know also smells like shit
01:01:26you think this was built to be some sort of prison then doc oh well many temples in the ancient world
01:01:33were thought to be the earthly dwelling places of the gods some were benign and giving others like
01:01:39the gods the Aztecs worshiped were violent they were imprisoned and then they were fed a steady
01:01:45died of human sacrifice to appease them thousands were sacrificed as their hearts were cut out their
01:01:51bodies were kicked down the pyramid steps so what's your point whatever we're dealing with
01:01:59it's not benign and giving
01:02:01let's go deeper into this hellhole make it completely impossible for them to discover our bodies
01:02:19oh shit
01:02:27oh shit
01:02:27I think we found the bottom of the pyramid
01:02:41well now we just have to find
01:02:51the right escape shaft
01:02:55dad
01:03:09oh
01:03:09dad
01:03:10what
01:03:11jesus
01:03:15well well well well
01:03:18you were not the first ones here
01:03:21what happened to you
01:03:22that's a free mason symbol
01:03:34we must have built the offshoot tunnel that we entered
01:03:37yeah that makes sense
01:03:39right yeah this is all very interesting but
01:03:43our main priority should be getting out of here
01:03:47the masons aren't important
01:03:49they were excellent tomb robbers
01:03:51they couldn't find a way out
01:03:52shut up
01:03:56what
01:03:57you can't read this
01:03:59what is that
01:03:59here give it to me
01:04:01guys can we
01:04:04drop the history crap for five minutes please and get out of here
01:04:08just read it
01:04:08it's a journal
01:04:11fits in need your light
01:04:13may 21st
01:04:16may 21st 1897
01:04:18the path we took upon our entry into the pyramid has been blocked
01:04:22we may have located a means of escape in burial champ
01:04:28that's the last entry
01:04:34it looks like burial chamber to me
01:04:41well then
01:04:43there might be a means of escape
01:04:46you're right
01:04:48we have to keep going
01:04:49we don't want to end up
01:04:50as换
01:04:50in the
01:04:57no
01:04:57no
01:04:58no
01:04:58no
01:05:00let me...
01:05:00i will sleep
01:05:01no
01:05:01mom
01:05:02let me know
01:05:02oh
01:05:03come on
01:05:03can you come on
01:05:04can you come on
01:05:04no
01:05:04can you come on
01:05:04can you come on
01:05:05can you come on
01:05:06can you come on
01:05:07can you walk or you can
01:05:12i'm sorry
01:05:13can you come on
01:05:14do put it
01:05:15can you come c
01:05:17Oh, my God!
01:05:19What? No!
01:05:21No! No!
01:05:23No!
01:05:25Oh, my God!
01:05:41Oh, my God!
01:05:43Oh, my God!
01:05:45You're the guy!
01:05:47You're the guy!
01:05:51There must be some sort of latch
01:05:53or mechanism that your dad felt.
01:06:07You know what?
01:06:09Screw it.
01:06:11I'd rather face him once and for all
01:06:13and spend the rest of my life running.
01:06:15Are you out of your mind?
01:06:17Nora, come on.
01:06:19Look at all this shit we've been through.
01:06:21Someone will find my tapes.
01:06:23The least I can do is let people know who killed me.
01:06:27What is wrong with you?
01:06:29My dad just died and all you care about is getting your shot.
01:06:33It's not about the shot, Nora.
01:06:37I just don't know what else to do.
01:06:39What else to do?
01:06:41Cincy, please don't leave me.
01:06:43Cincy, please.
01:06:45Cincy, please.
01:06:47Cincy.
01:06:49Look your cat.
01:06:51You're welcome.
01:06:53What is it?
01:06:55It's a normal P Duchamp.
01:06:57It's all-out.
01:06:59I'm sorry.
01:07:01I'm sorry.
01:07:03You're going to need you.
01:07:05You're right.
01:07:06I'm sorry.
01:07:07You're right.
01:07:08You're right.
01:07:09I'm not gonna have any help.
01:07:10You're right.
01:07:11You have my cat.
01:07:12You've never been through.
01:07:13You're right.
01:07:14You're right.
01:07:15I'm sorry.
01:07:16I don't know.
01:07:46Oh, God.
01:07:55He's still alive.
01:08:16Oh, God.
01:08:25Oh, God.
01:08:27Oh, God.
01:08:36Oh, God.
01:08:39Oh, God.
01:08:44Oh, God.
01:08:54Oh, God.
01:08:56Oh, God.
01:09:15Oh, God.
01:09:25Oh, God.
01:09:34Oh, God.
01:09:36Oh, God.
01:09:45Oh, God.
01:09:47Oh, God.
01:09:49Oh, God.
01:09:59Oh, God.
01:10:09Oh, God.
01:10:11Oh, God.
01:10:20Oh, God.
01:10:22It's me.
01:10:23Oh, God.
01:10:32Oh, God.
01:10:34This isn't me.
01:10:35No, this can't be happening.
01:10:37It's impossible.
01:10:39It's Anubis, who are the devourer.
01:10:45He took my father's heart to weigh his soul.
01:10:48What are you talking about?
01:10:53Anubis, half man, half jackal, he ate the hearts of those he found to be impure.
01:11:03In the Book of the Dead, the last judgment is the final gate before resurrection or damnation.
01:11:12If there's a way out, it's inside that room.
01:11:17We don't have a choice.
01:11:19We can either stay here and die, or we can...
01:11:22We can die trying.
01:11:42We can die.
01:11:43Oh, God.
01:11:44It's the soldier.
01:11:45Oh, God.
01:11:46It's the soldier.
01:11:47It's the soldier.
01:11:49Oh, God.
01:11:51It's the soldier.
01:11:54Come on, Nora.
01:12:22I'm so sorry, Dad.
01:12:24Come on, Nora.
01:12:42Grab his flathead.
01:12:52Wait.
01:13:00It tells a story of Osiris.
01:13:14Osiris.
01:13:18Osiris, no, no, no, no.
01:13:20You said Anubis.
01:13:22Osiris was his father.
01:13:24It's the same symbol for both words.
01:13:28The Egyptians believe Osiris came from the heavens and brought agriculture and tool making...
01:13:32You find this stuff fascinating, okay?
01:13:34But right now, what we should be working on is how to get out of here.
01:13:38That's what I'm trying to tell you.
01:13:40Osiris knew that his time had come on Earth so he had this pyramid built for his journey to the afterlife.
01:13:44Nora, I promise you, look, I've got it all down on tape.
01:13:48All right, you can watch it back as soon as we're out.
01:13:50Anubis turned his wrath on the people.
01:13:54He had hundreds of them sacrificed so he could join his father in the afterlife.
01:13:58Since his soul was corrupted, he was looking for a pure one.
01:14:02A pure heart, if you will.
01:14:04The only way to enter the final gate of heaven.
01:14:08My father was right.
01:14:10This pyramid became a prison.
01:14:12Closed by the Egyptians to get rid of their own god.
01:14:16Nora, does this thing give us any clues on how to get out of here?
01:14:20It says something about a star map.
01:14:22Right, then you've got to find it, okay, because your friend Anubis is going to be back any minute now.
01:14:28The exit shaft points to where the dead was supposed to be resurrected.
01:14:34Well, then...
01:14:36I mean, there must be at least six shafts in this room.
01:14:38How do we know which is the right one?
01:14:43The stars.
01:14:48Look at the ceiling.
01:14:50Fitzy, turn off your light.
01:14:54Look at the ceiling.
01:14:56In between the hieroglyphs, all those dots.
01:14:58That's the star map.
01:15:00So what exactly are we looking for?
01:15:02The tetrahedron.
01:15:04The three-sided pyramid is also the hieroglyphic symbol for the Sirius star.
01:15:12Look, there it is.
01:15:14The brightest one.
01:15:18It's right above this shaft.
01:15:19It's got to be our way out.
01:15:21Okay, all right, let's go check it out.
01:15:25Okay.
01:15:26Come on.
01:15:28It's got to be the one.
01:15:30Look!
01:15:31The rope.
01:15:32It's got to be how the soldier entered.
01:15:33Thank you, Captain Egypt.
01:15:36You think that thing will hold us both?
01:15:39I guess we have to see.
01:15:41Okay.
01:15:42Okay.
01:15:43All right, you go first.
01:15:44Here, take this.
01:15:47Just in case.
01:15:49I'll be right behind you here.
01:15:50Okay, hold back.
01:15:56Okay.
01:16:00You okay?
01:16:01Yeah, I'm good.
01:16:02Try and get your leg up on that ledge.
01:16:06Leg up on that ledge.
01:16:07You can't be much further now.
01:16:08Shit, it's back!
01:16:09Go, Nora!
01:16:10Go!
01:16:11Don't look back!
01:16:12It's back!
01:16:13Go, Nora!
01:16:14Don't look back!
01:16:15You can't be much further now!
01:16:19Fuck!
01:16:22Shit, it's back!
01:16:24Go, Nora!
01:16:25Go!
01:16:26Don't look back!
01:16:27man, he's got it!
01:16:28Don't look back!
01:16:29Shit, it's back!
01:16:29Go, Nora!
01:16:30Go!
01:16:31Don't look back!
01:16:32He's got it!
01:16:33Just gjithy, Nej!
01:16:33Go, Nora!
01:16:35Go!
01:16:36Don't look back!
01:16:37It was your colleague!
01:16:37Don't look back!
01:16:38Shit, it's back!
01:16:39Go, Nora!
01:16:40Go!
01:16:41Don't look back!
01:16:41What?
01:16:42Shit!
01:16:43It's back!
01:16:43Oh
01:17:13No!
01:17:43No!
01:17:44No!
01:17:45No!
01:17:46No!
01:18:13No!
01:18:43.
01:19:01Let's each…
01:19:03No!
01:19:10No!
01:19:13Oh!
01:19:43Oh, my God.
01:20:13Oh
01:20:43Oh
01:21:13Oh
01:21:43Oh
01:22:13Oh
01:22:43Oh
01:23:13Oh
01:23:15Oh
01:23:17Please
01:23:19Please help me
01:23:21Please help me
01:23:23Oh
01:23:25Ah
01:23:27It
01:23:29Oh
01:23:31Oh
01:23:33Oh
01:23:35Oh
01:23:37Oh
01:23:39Oh
01:23:41Oh
01:23:43Illuminate
01:23:45My silhouette
01:23:47I
01:23:49Meet my fate
01:23:51With every breath
01:23:53My
01:23:55heart escapes rising through a hole in the ceiling disintegrate the body that i'm holding
01:24:07i will sacrifice more than a thousand lives my soul won't be crucified i'll come back with life
01:24:25give back what you took from me
01:24:38give back what you took from me
01:24:42prepare my grave for what i know is waiting i will come in
01:25:04all that i am fearing there's no way out
01:25:09now i must shed my skin the only way through the flame of fire within
01:25:19i will sacrifice more than a thousand lives my soul won't be crucified
01:25:26give back what you took from me
01:25:39in the dark there is light in the day there is night
01:25:49in the peace there is fight i started a war in the dark there is light
01:25:58in the day there is night
01:26:10in the day there is
01:26:22in the day there is night in the peace there is fight i started a war
01:26:33in the city that we walk back but that's let on with you
01:26:36because if we think about that almost 30 lives
01:26:39as always i think we are out there
01:26:41today we've got about 29
01:26:42now
01:26:43not millions in thereading
01:26:44and they don't want to move in
01:26:45as well like and so that this is probably the it is
01:26:46near thebreak of ull
01:26:47as well
01:26:48but it's minor
01:26:51enough that many people haven't been gasbed
01:26:53as hosted these 8 hours
01:26:54to make those cold tattoos
01:26:55even done
01:26:57if they found a lot of pressure
01:26:58as if they come to me