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Short filmTranscript
00:00:00Hey, baby, tell me, who do you love more, me or Vanessa?
00:00:25I love you more, Vanessa is, there she is, ever since she got her as horrible scars, I'm just, hey, you're on the other hand.
00:00:55Please, don't stop on my account, I've never filmed a porno, especially not one starring my own boyfriend and sister.
00:01:15Alright, give me the camera, come on now, delete that shit.
00:01:18Why? You always said you wanted fame, this will make you go super viral.
00:01:25Vanessa, Bane's the company's top model, if this gets out, we're all finished.
00:01:31Dad's never gonna forgive you, now give me that damn camera!
00:01:37Fine.
00:01:37Wise, wise, because you know what, shooting sexually explicit content of your boyfriend and your sister, that's probably gonna damage your career a lot more than it will, ass.
00:01:58Oh!
00:01:59Vanessa!
00:02:01Oh!
00:02:02Ah, that fucking face!
00:02:03Well, Blaine, you got what you wanted, it's over!
00:02:16Look out, you were the one who turned Blaine from nothing to a top model.
00:02:22And now he's messing about with Abby, I don't get how he could do that to you.
00:02:25Doesn't matter, we've already separated.
00:02:29It's because you've not been with enough guys.
00:02:31I've got a perfect stripper lined up for you.
00:02:38He's a real wizard in the bedroom.
00:02:48This.
00:02:50Adam.
00:02:50Just hang tight.
00:02:52He'll be your son.
00:02:56Speaking of, that looks like the guy I booked.
00:02:59So just wait for Adam, he'll be wearing a suit and tie.
00:03:04He's gonna burn your mind.
00:03:07Cassidy, I work with the most beautiful people in the world.
00:03:10It takes a true stunner to impress me.
00:03:13You can keep him.
00:03:13Mr. Todd, there's still no updates on the woman with the scar on her arm.
00:03:31You're only able to believe it.
00:03:35Look, just expand the search radius.
00:03:37Okay, I need to find her.
00:03:38Now.
00:03:38You're late.
00:03:43That's not very professional.
00:03:45Yeah, excuse me.
00:03:45I'm in a rush.
00:03:46You shouldn't be so rude to your customers.
00:03:48Look, I'm losing my patience.
00:03:54It's you.
00:03:56Yes.
00:03:57It's me.
00:03:58So, we fucking here, or do you want to go to the hotel?
00:04:08Finally, I found you.
00:04:10What's your name?
00:04:33It doesn't matter.
00:04:36Fine.
00:04:37I'm the best.
00:04:38I'm the best.
00:04:41I'm the best.
00:04:41I'm the best.
00:04:42I'm the best.
00:04:43I'm the best.
00:04:43I'm the best.
00:04:44I'm the best.
00:04:44I'm the best.
00:04:45I'm the best.
00:04:45I'm the best.
00:04:46I'm the best.
00:04:47I'm the best.
00:04:47I'm the best.
00:04:48I'm the best.
00:04:49I'm the best.
00:04:50I'm the best.
00:04:51I'm the best.
00:04:52I'm the best.
00:04:53I'm the best.
00:04:54I'm the best.
00:04:55I'm the best.
00:04:56I'm the best.
00:04:57I'm the best.
00:04:58I'm the best.
00:04:59I'm the best.
00:05:00I'm the best.
00:05:01I'm the best.
00:05:02I'm the best.
00:05:03I'm the best.
00:05:04I'm the best.
00:05:05I'm the best.
00:05:06Oh my god, are you okay?
00:05:34Can you get up?
00:05:36Come on, stay with me.
00:05:42Okay, come on, come on.
00:05:47Come on.
00:05:51I'll get you out of here.
00:05:55From now on, I'll look out for you.
00:05:59Good morning.
00:06:06Good morning.
00:06:11Does it bother you?
00:06:13No, not at all.
00:06:16It's a symbol of your bravery.
00:06:17Well, you certainly know how to charm a woman.
00:06:21And please do.
00:06:31Last night was, um, was really good.
00:06:37Here's a little something for you.
00:06:39I don't want your money.
00:06:44Why?
00:06:44No.
00:06:45Keep it.
00:06:46You earned it.
00:06:49Wait a minute.
00:06:53You don't remember me?
00:06:57You don't remember me?
00:06:58I'm the one.
00:07:02Sorry.
00:07:03One second.
00:07:06Yeah?
00:07:06What's up?
00:07:07Vanessa, bad news.
00:07:08Blaine's throwing a tantrum about the shoot.
00:07:11What should I do?
00:07:12Um, okay.
00:07:14Calm down.
00:07:15I'm on my way.
00:07:15Shit.
00:07:18This is for the Todd group shoot.
00:07:19If this goes sideways, that nightmare Mr. Todd is going to be on my case again.
00:07:24Me?
00:07:25A nightmare?
00:07:26Right, um, thank you for last night.
00:07:30I will see you, I guess.
00:07:32Nanny, yeah.
00:07:46Alright.
00:07:47Find out which studio Vanessa's at, okay?
00:07:58Vanessa!
00:08:00Thank goodness, Blaine is flipping out.
00:08:01He's saying his arm is broken.
00:08:04I'm sure you know how to handle that spoiled brat.
00:08:07Yeah, I'll handle it.
00:08:09Blaine, are you seriously going to throw away this deal?
00:08:12It's not like I want to.
00:08:15You broke my arm.
00:08:17Can you tell me how I'm meant to shoot if I can't even strike the pose?
00:08:23If you said I broke your brain, I'd believe you.
00:08:27What's that got to do with your arm, though?
00:08:29Give her a rest, will you, love?
00:08:30How's this?
00:08:32If you publicly apologize to me?
00:08:36Not happening.
00:08:40It's on you, remember?
00:08:41Today's the last day for shooting.
00:08:43If you can't pull this off, can you really deal with the top group's wrath?
00:08:45Vanessa, if we lose the top group's decline, our company's in serious trouble.
00:08:58There must be some other models available.
00:09:01I reached out.
00:09:02All the top models are booked today.
00:09:03Christ, fine.
00:09:06I'll apologize.
00:09:07Blaine, I'm so sorry.
00:09:09Can you come back for the shoot?
00:09:11Oh, you know, I would really like to, but there is one little stipulation.
00:09:16Abby here.
00:09:17It's got to be behind.
00:09:19Canva.
00:09:21Abby is an amateur photographer.
00:09:23She's not ready for the top group.
00:09:25Blaine and I went over all the details last night.
00:09:28The top group are going to love it.
00:09:29So you two are just here to cause trouble?
00:09:34As if you haven't messed me about enough already?
00:09:47Since this shoot is a bust, I might as well take the heat.
00:09:51So your arm's broken?
00:09:53Yeah.
00:09:53You can't move it?
00:09:54No.
00:09:56Oh, looks like it's working perfectly fine.
00:09:59It's you.
00:10:09You know what?
00:10:11I'm not doing the shoot period.
00:10:13Do you know why?
00:10:14Because I want to see how you clean up this little mess.
00:10:22If you won't shoot, Blaine, I'll find someone who will.
00:10:25Or are you going to find a new model in, like, two seconds?
00:10:37Guess what?
00:10:46Here's my new model.
00:10:49Wait.
00:10:50What, me?
00:10:53I'll pay double the standard rate.
00:10:55Just help me out.
00:10:56I'm desperate.
00:10:59Yeah.
00:11:00Okay.
00:11:00All right.
00:11:00Awesome.
00:11:02You're going to be great.
00:11:03You two can scram now.
00:11:05You really think you can just snatch someone off the street to replace Blaine?
00:11:09Modeling isn't just about looking pretty.
00:11:12He might freeze up and make a fool of himself in front of the camera.
00:11:15Vanessa, he might have the looks, but he's got no experience.
00:11:19This flops, we might lose the Todd group as a client.
00:11:21I wouldn't be where I am now if I didn't take a few risks.
00:11:33Let's start with this.
00:11:35Keep his makeup natural.
00:11:37Highlight his features and contours.
00:11:40Let's make him glow.
00:11:41Got it?
00:11:46It's taking forever.
00:11:48Why isn't he out yet?
00:11:49He's probably pissing his pants.
00:11:50He's not a star.
00:11:51Hmm.
00:11:52Unlike Blaine.
00:11:53Hmm.
00:11:54That's right.
00:11:55I am a star.
00:11:56And I'm very, very sexy.
00:11:59And I just don't believe it's some random nobody off the street.
00:12:03You're not close to that.
00:12:05No?
00:12:05Yeah.
00:12:06Of course.
00:12:06Of course.
00:12:19It's not just his face.
00:12:44His whole vibe screams top model.
00:12:47He could steal anyone's spotlight.
00:12:49Oh, for fuck's sake.
00:12:51Anyone can look good with a bit of makeup and a blazer with no shirt.
00:12:55Come on.
00:12:56I want to see.
00:12:57I want to see how he crashes and burns when the lights start flashing.
00:13:02That's what I want to see.
00:13:07Better than I expected.
00:13:10It's okay to be a little nervous before your first shoot.
00:13:13But I'm here.
00:13:16Just trust me.
00:13:18You're going to be great.
00:13:18Okay, light.
00:13:22Let's shoot.
00:13:25Yeah.
00:13:26Okay.
00:13:29That's so good.
00:13:31Really.
00:13:34Open up your shirt a little bit.
00:13:37Yeah.
00:13:38Wow.
00:13:39Maybe pick up the magazine.
00:13:40We'll look through there.
00:13:42Yeah.
00:13:42You're a model.
00:13:44You're so good.
00:13:46Okay.
00:13:47That's it.
00:13:47Joyce, let's get his next look ready.
00:13:58This is the L.A. premium brand shoot, Blaine.
00:14:01This would have taken you to the next level.
00:14:03It's too bad.
00:14:04You're such a whiny little bitch.
00:14:08You both messed up.
00:14:09Big time.
00:14:10Big time.
00:14:10I can't believe that this shoot has just landed on this random gobshide slap.
00:14:35Would you do something about it?
00:14:37Chill.
00:14:38I'm working on it.
00:14:40No way, he's new.
00:14:41Look at him go.
00:14:42His outfit is practically perfect.
00:14:45It's like made for him.
00:14:46It's going to sell out in no time.
00:14:48I used to put Blaine on pedestal, but he's nowhere near it now.
00:14:51Exactly.
00:14:52He was the company's top guy, but now he's got outshone by a newbie.
00:14:55Wow, babe, you've crushed it.
00:15:00These shots are turning out better than anyone would have expected.
00:15:04Sure you're not thinking of ditching your job, Mom?
00:15:07Hey, look, I'm just glad I didn't screw it up.
00:15:09I was actually wondering, are you free tonight?
00:15:14I was thinking we could go on like an actual date for-
00:15:16Ah, is this yours?
00:15:17Your phone's been going off.
00:15:19Oh, thanks.
00:15:27Six-pack strippers.
00:15:30Guess we know how he pays his bills.
00:15:33Dude's a stripper.
00:15:36A cheap one, too.
00:15:39He's got that serious look, but he's in that line of work.
00:15:45And this is pretty cozy with that male stripper.
00:15:48Could she be his regular?
00:15:51Who knew she would be living that kind of life behind the scenes?
00:15:59You have no shame.
00:16:01And I thought you were a professional bringing a stripper to work.
00:16:04Nothing short of fucking embarrassing, love.
00:16:11Don't show me a lot of professionalism, Blaine.
00:16:15Oh, it concerns him now.
00:16:18When the talk group finds out you've used a stripper for their campaign,
00:16:22think they'll be cool with that?
00:16:25Is the chute still not wrapped?
00:16:26Why are you guys dragging your feet?
00:16:29Mr. Dale, the shoot's done.
00:16:31The photographer insisted on using a stripper as their model.
00:16:36This could really hurt the talk group's image.
00:16:39What?
00:16:40A stripper?
00:16:43Who's the photographer?
00:16:44Where's this guy?
00:16:47Bring him here.
00:16:49That's them.
00:16:51Look, it has nothing to do with him.
00:16:53It's all on me.
00:16:56No one messes with the talk group and walks away with it.
00:16:59Let's see what the stripper thinks.
00:17:04Mr. Todd.
00:17:07Mr. Todd.
00:17:08You didn't tell me you were coming in tonight.
00:17:12The hell?
00:17:13Why did he just call you Mr. Todd?
00:17:16No, no, no.
00:17:17You've misheard him.
00:17:18She mentioned hating Mr. Todd before.
00:17:21If she figures out who I really am,
00:17:22she won't come near me at all.
00:17:24What he meant to say was
00:17:26Mr. Todd doesn't judge people on their occupations, right?
00:17:31Exactly.
00:17:35This guy's got it all.
00:17:36He perfectly embodies the brand's executive vibe.
00:17:42I'm sure Mr. Todd would be delighted with his work.
00:17:50Lawrence, you have an eye for talent.
00:17:53I'll show you the shots.
00:17:54He absolutely nails his outfit.
00:17:56How could he not?
00:17:57The brand is perfectly made for the...
00:17:59Mr. Lawrence, by the way,
00:18:05I was the original model
00:18:07and if this shoot hadn't been done with me,
00:18:09if I was given a chance,
00:18:10I would have been a lot fucking better.
00:18:15Exactly.
00:18:16Blaine's a pro.
00:18:17He's lightiest ahead of these amateurs.
00:18:20Aren't you the ones who turned it down?
00:18:23Let me get the back right now.
00:18:26But if you guys can't show some respect,
00:18:28what's the point of being a pro?
00:18:33You're messing up the shoot.
00:18:34What?
00:18:34Both of you,
00:18:36get out.
00:18:37Yes, Lawrence.
00:18:38I'm out of luck.
00:18:39Get them out.
00:18:40Just listen.
00:18:42You're a man's eye clipper.
00:18:43Take it.
00:18:43Take it.
00:18:43Mr. Dale,
00:18:52you should take a look at these photos.
00:18:54No need.
00:18:55I was just stopping by to take a quick look.
00:18:57I'll let you get back to it.
00:19:01Why are the Todd group reps
00:19:03being so nice all of a sudden?
00:19:05Are they usually that bad?
00:19:08You have no idea
00:19:09how picky Mr. Todd is.
00:19:10He is a total perfectionist,
00:19:15moody,
00:19:15just asshole.
00:19:18Okay, there was one time
00:19:19everything was arranged on set,
00:19:21but he nitpicked
00:19:22every single tiny detail.
00:19:24He had me pulling all my letters.
00:19:25And one time,
00:19:26he fired someone.
00:19:28Just randomly,
00:19:29out of the blue
00:19:30because he was in a bad mood.
00:19:31So yeah,
00:19:32I don't like him at all.
00:19:33He's a jerk.
00:19:34I swear to God,
00:19:36if I ever meet him,
00:19:37I'm going to give him
00:19:38a piece of my mind.
00:19:39Maybe it was a
00:19:40misunderstanding.
00:19:43You've never met this guy.
00:19:45And you're seeing these things?
00:19:47Yeah,
00:19:48don't bring him up again.
00:19:50She's got the wrong impression here.
00:19:51I need to fix this.
00:19:54These shots are amazing.
00:19:55Have you
00:19:56ever thought about
00:19:57ditching your job
00:19:58from modeling?
00:19:59Ditching my job?
00:20:00Well, yeah,
00:20:01you can't be a stripper forever,
00:20:02right?
00:20:03What?
00:20:04No, no,
00:20:05Vanessa,
00:20:05I am not a stripper.
00:20:07Luke, come on.
00:20:07You've got the look,
00:20:09you've got the charm,
00:20:10you kill it in front of the camera.
00:20:13I'll sign you up.
00:20:15Whatever deal you want.
00:20:16Really?
00:20:18Whatever deal I want.
00:20:19So,
00:20:29this is it.
00:20:31Are you sure
00:20:32you're cool with staying here?
00:20:34Um,
00:20:35yeah,
00:20:36not really feeling it.
00:20:37You got any other options?
00:20:39Nope.
00:20:41Master bedroom's off limits,
00:20:43obviously.
00:20:43This place isn't a mansion.
00:20:46I don't know why
00:20:47I insist on staying here.
00:20:49Well,
00:20:49I switched jobs for you.
00:20:50I don't have anywhere to go.
00:20:52Come on,
00:20:52have my back here.
00:20:56All right,
00:20:57look,
00:20:58if I'm being honest,
00:20:59I'd, uh,
00:21:01rather stay with you.
00:21:03Stop.
00:21:05I'm your boss now.
00:21:07You gave me a roof.
00:21:09All right,
00:21:09I'll pay it back.
00:21:11Yeah,
00:21:11well,
00:21:11you're not a stripper anymore.
00:21:13See,
00:21:13you can't stop at that point.
00:21:15All right.
00:21:17Just get some rest,
00:21:18okay?
00:21:18We have some working tomorrow.
00:21:20Where are we going?
00:21:22We'll find out
00:21:22when we get there.
00:21:32Mr. Todd,
00:21:33this clerk sent over
00:21:34the LA's final promo shots.
00:21:36Want to take a look?
00:21:37I have to admit,
00:21:38you've got a knack
00:21:39for this modeling thing,
00:21:40sir.
00:21:41Photos turned out amazing.
00:21:43No,
00:21:43no,
00:21:43no,
00:21:43listen,
00:21:43just,
00:21:44just,
00:21:44just get someone else
00:21:45to redo the shoot,
00:21:45okay?
00:21:46What about Miss Clark?
00:21:48I don't know.
00:21:48Tell her that the brand
00:21:49postponed the campaign
00:21:50or something,
00:21:51but look,
00:21:52these photos cannot leak,
00:21:53okay?
00:21:54If they do,
00:21:55people might figure out
00:21:56who I really am,
00:21:57right?
00:21:58Figure out what?
00:22:03Um,
00:22:04my,
00:22:05my secret side job,
00:22:06yeah,
00:22:06I'm worried
00:22:09that it might
00:22:10cause you some problems.
00:22:13Why did Jim come back?
00:22:16Read your mind?
00:22:18Want to stay another night with me?
00:22:21Sweet dreams.
00:22:22All right,
00:22:32what's going on?
00:22:33Why are we here?
00:22:34Clothes.
00:22:35Duh.
00:22:36You're my new model.
00:22:37I need you to look sharp.
00:22:39Welcome.
00:22:40Hi.
00:22:41These two.
00:22:42Okay,
00:22:43we need these ASAP.
00:22:45Why can't?
00:22:45Absolutely.
00:22:46Um,
00:22:47just a sec.
00:22:50Wait,
00:22:51wait,
00:22:51wait.
00:22:52Hold on.
00:22:54I want to buy those outfits.
00:22:56And Mr. White,
00:22:57what brings you here?
00:22:59I'm afraid we'll have to prioritise
00:23:03Mr. White's order.
00:23:04Yours will have to pay.
00:23:06But we ordered first.
00:23:08Isn't it first come,
00:23:08first serve?
00:23:11In this world,
00:23:12please.
00:23:13Lanes at the top.
00:23:16So yeah,
00:23:17he comes first.
00:23:25So,
00:23:26you're waiting or not?
00:23:28Is this how you treat your customers?
00:23:31Yeah,
00:23:31I'd like to talk to your manager.
00:23:32Manager's tied up.
00:23:34If you insist on causing trouble,
00:23:36I'll have security to show you out.
00:23:45What seems to be the problem?
00:23:55It's them.
00:23:56They're trying to mess up Mr. White's order.
00:24:01Mr.
00:24:02Yeah,
00:24:02start talking.
00:24:03Now.
00:24:05Of course.
00:24:06You're done.
00:24:13Fired.
00:24:14Now get out.
00:24:21I am so sorry about all this.
00:24:24We'll get your order processed right away
00:24:26and throw in
00:24:27an 100% discount for your trouble.
00:24:29How does that sound?
00:24:38What a load of shit!
00:24:42That's mad!
00:24:43These are no name,
00:24:44no fame,
00:24:45and you're treating them like this?
00:24:46How we run this place
00:24:47is not your concern.
00:24:49From now on,
00:24:50the two of you
00:24:51are blacklisted.
00:24:52Don't expect
00:24:55any future collaborations
00:24:57with us.
00:25:02Thanks.
00:25:13What a day, huh?
00:25:16Yeah.
00:25:17Abby and Blaine
00:25:17were practically glowing with envy.
00:25:19I mean,
00:25:19you've got my back,
00:25:20but are you not
00:25:21worried about
00:25:22pissing off the brand?
00:25:23No.
00:25:23No?
00:25:24No, not at all.
00:25:25No, there's plenty
00:25:26of other luxury brands out there.
00:25:40What are you looking at?
00:25:42I'm just
00:25:42looking at you.
00:25:43I feel the way
00:25:46behind my eyes
00:25:49I've been waiting
00:26:00I've been waiting
00:26:04It's late.
00:26:08We have work for you.
00:26:10We should get some rest.
00:26:11I feel the aching
00:26:12good morning.
00:26:23I thought you might want to start
00:26:25your day right.
00:26:26get a grip, Vanessa.
00:26:39He's your model now.
00:26:41Now it's some wild fling.
00:26:46Morning.
00:26:46So, you made all this?
00:26:53Thought you might be hungry.
00:26:55Try it.
00:27:06Yeah?
00:27:07Yeah, it's better than I expected.
00:27:11Wow, company.
00:27:12Yeah, I don't get used to it.
00:27:17Try it.
00:27:21Really?
00:27:23Is that what it's going to be like
00:27:25having you in my house?
00:27:27Well, thank you.
00:27:36Morning, everyone.
00:27:37Morning, Vanessa.
00:27:38Wait a sec.
00:27:40Isn't that the same guy
00:27:41you brought in a few days ago?
00:27:44Yeah.
00:27:44He's my new model.
00:27:45Hey, guys.
00:27:46I'm Jason.
00:27:47Look forward to working
00:27:48with you all.
00:27:50I thought you said
00:27:51your name was Aaron.
00:27:54Stacey.
00:27:55So, you two arrived together.
00:27:58What?
00:27:58Are you living together, mate?
00:28:00Joyce, seriously.
00:28:01Let's just get this done.
00:28:03Okay, are the cameras ready?
00:28:05She really signed
00:28:06that cool boy into the company.
00:28:07Just wait.
00:28:09This is going to be fun to watch.
00:28:16Vanessa, over here, now.
00:28:20All right, everyone.
00:28:21Take five.
00:28:22It's one thing messing around
00:28:30in your personal life,
00:28:31but bringing a stripper
00:28:32into the company.
00:28:36You ready to deal with the fallout
00:28:38if this backfires?
00:28:39Dad, I didn't pull this out of thin air.
00:28:42Jason is talented.
00:28:43Talented?
00:28:43Talented?
00:28:45He's playing you with smooth talk.
00:28:47I've let you run things your way,
00:28:51but hiring him,
00:28:52that's where I draw the line.
00:28:55I need to fire him now.
00:28:57I'm not going to fire him.
00:29:01I promise, he's really talented.
00:29:03Just look at him.
00:29:06You're really going to take sides
00:29:08against your father?
00:29:09Sis, Dad's only trying to protect
00:29:11the company's reputation.
00:29:12Just do what's right.
00:29:15And let him go.
00:29:17Abby, stay out of this.
00:29:18It's none of your business.
00:29:21Dad, can you please
00:29:23just trust me for once?
00:29:25I've been pulling in
00:29:26projects first for you.
00:29:27Dad, when another client,
00:29:28Vertex Group,
00:29:29finds out you've let her
00:29:30use a stripper for the shoot,
00:29:32they're going to flip.
00:29:33Abby's got a point.
00:29:35Either he goes,
00:29:37or Abby and Blaine take over.
00:29:39Your choice.
00:29:42I appreciate it, Dad.
00:29:50I've always led
00:29:51the Vertex Group's shoots.
00:29:53And you're just going to let
00:29:54Abby take it, just like that?
00:29:57You took it for granted, Vanessa.
00:29:59Don't blame Abby.
00:30:01Abby, if you think you can
00:30:02steal this shoot from me,
00:30:03you better know how to handle it.
00:30:07You know what, actually?
00:30:08Let's make this interesting.
00:30:09Let's split into teams.
00:30:13Let the Vertex Manager
00:30:14choose the winner.
00:30:15You want a competition?
00:30:16Fine by me.
00:30:17Just don't cry if you lose.
00:30:19What would I be losing?
00:30:22Your model's an amateur.
00:30:24And he's going to run
00:30:25circles around him.
00:30:26We'll see.
00:30:28Hey.
00:30:30You good?
00:30:31Yeah, I'm fine.
00:30:32All right, listen.
00:30:34The Vertex shoots in three days.
00:30:37You got a plan yet?
00:30:38No, not yet.
00:30:41All right, well,
00:30:43Vertex is all about
00:30:44the bold jewelry design, right?
00:30:47So,
00:30:48why don't we work with that?
00:30:50Like this.
00:30:51Oh, yeah, that's it.
00:30:57Base the idea around
00:30:58the Eternal Night Rose.
00:31:00You know,
00:31:00dark,
00:31:01edgy.
00:31:03Allison can pull off
00:31:04some really killer outfits.
00:31:05Eternal Night Rose?
00:31:09Sounds cool,
00:31:10but will I look right in that?
00:31:12Are you kidding?
00:31:13Black is your vibe.
00:31:16Look,
00:31:16this is going to be great.
00:31:17Can you just please trust me?
00:31:18Dark theme, huh?
00:31:22Nice move, Vanessa.
00:31:24But I'm still going to
00:31:25outshine you.
00:31:35Still forcing that stripper
00:31:36to be a model, huh?
00:31:39This is getting embarrassing.
00:31:41Maybe you don't worry
00:31:42about yourself
00:31:43for once.
00:31:45I can't wait to see you
00:31:47crash and burn today.
00:31:48Hi,
00:31:57I'm Abby Clark,
00:31:59the lead photographer
00:31:59for this project.
00:32:01Vanessa Clark.
00:32:03Good to see everyone.
00:32:04At Vertex,
00:32:05we only care about results.
00:32:09I trust both of you
00:32:10will deliver.
00:32:11My shoot is inspired
00:32:19by Vertex's latest feature,
00:32:22Eternal Night Rose.
00:32:24Centered
00:32:25around the themes
00:32:26of darkness
00:32:27and the duality of man.
00:32:34This works for me.
00:32:36The free fits the brand.
00:32:37This is stunning.
00:32:46I'm already seeing
00:32:47the partnership potential.
00:32:57All of these, sis.
00:32:59didn't we both go
00:33:01to the same thing?
00:33:11Well, what do you know?
00:33:13We both also went
00:33:14for the Eternal Night Rose theme.
00:33:17No, are you serious?
00:33:18You copied me.
00:33:20But I decided
00:33:22to take it a step further.
00:33:24I've gone for
00:33:25a more gothic theme.
00:33:27Creating a real
00:33:28sensual beauty.
00:33:29Darker,
00:33:30more sensual.
00:33:33I know our customers
00:33:35are going to love this.
00:33:41These are absolutely
00:33:42incredible.
00:33:44The detail,
00:33:46the mood,
00:33:46it's...
00:33:47It's all perfect.
00:33:52The model nails it.
00:33:54It brings the right
00:33:55kind of balance,
00:33:56the right energy.
00:33:58With him,
00:33:58you can actually
00:33:59see the jewellery,
00:34:00not just the model.
00:34:01This set
00:34:02fits our brand
00:34:03to a tee.
00:34:05It's both.
00:34:06The other,
00:34:08previous one,
00:34:10just doesn't have
00:34:10the same impact.
00:34:11It's called me.
00:34:16It's like you might
00:34:17have to help
00:34:17your kid in six.
00:34:20All right.
00:34:22Well, after our discussion,
00:34:23we're all in agreement.
00:34:28We'll go with
00:34:28the second set.
00:34:31Miss Vanessa Clark,
00:34:33looking forward
00:34:34to collaborating with you.
00:34:35Amazing.
00:34:36Thank you so much.
00:34:37Love you.
00:34:41God.
00:34:45You know,
00:34:47you really
00:34:47can't steal
00:34:49what someone just has
00:34:50naturally.
00:34:53True creativity
00:34:54comes from within,
00:34:56sis.
00:34:58Better luck
00:34:58by this time.
00:35:01Right.
00:35:02I'm off.
00:35:04To celebrate.
00:35:06Have a good day.
00:35:06Bye.
00:35:11Look at you.
00:35:14Come on,
00:35:15I knew you had it.
00:35:16You're my lucky charm.
00:35:19So,
00:35:19what are we,
00:35:20celebrating?
00:35:21I was thinking
00:35:21I'd take you out.
00:35:23I know the best sushi restaurant.
00:35:25What,
00:35:25just sushi?
00:35:26What else were you expecting?
00:35:28I don't know,
00:35:29something a little more,
00:35:30uh,
00:35:31exciting.
00:35:34Take it early, then.
00:35:36All right, fine.
00:35:36Take it away.
00:35:37Wait.
00:35:37Wait.
00:35:37Wait.
00:35:37Wait.
00:35:37Wait.
00:35:37Wait.
00:35:37Wait.
00:35:37Wait.
00:35:37Wait.
00:35:37Wait.
00:35:37Wait.
00:35:38Wait.
00:35:38Wait.
00:35:38Wait.
00:35:39Wait.
00:35:39Wait.
00:35:40Wait.
00:35:46Cassie!
00:35:47Oh my god!
00:35:48I missed you so much!
00:35:51Oh, this is Cassie,
00:35:52my bestie.
00:35:53Hey, nice to meet you.
00:35:53Hi, nice to meet you too.
00:35:55It's so nice.
00:35:55Oh, thanks to you.
00:35:57I thought you were so mysterious
00:35:58about that.
00:36:00Oh, I got you.
00:36:01Looks like you've upgraded.
00:36:03So, come on,
00:36:04Spill.
00:36:04How did you two meet?
00:36:05How long has this been going on?
00:36:06That stripper, the other night, that, that wasn't him?
00:36:19That stripper, the other night, that, that wasn't him?
00:36:22No way.
00:36:23The guy that I hired just called me and said he couldn't find you.
00:36:27I assumed you'd bailed or something.
00:36:31Look, to be fair, you were the one, you know, coming on to me that night, but, yeah, you mixed me up with someone else.
00:36:41But, you, you were the one who was asking me to do the whole thing.
00:36:44Yeah, I think we're-
00:36:44That's enough.
00:36:46That's enough of that.
00:36:48Um, maybe it's a sign, Vanessa.
00:36:53I mean, he's not bad.
00:36:54Why don't you give him a shot?
00:36:56Yeah, it's, it's not like that.
00:37:00He's just my model.
00:37:08Oh, looks like everyone's gone to lunch, so we can just go.
00:37:11Hey.
00:37:11Hey.
00:37:12Jason, what are you doing?
00:37:14Vanessa, what are we?
00:37:18Like, are you seriously telling me there's nothing between us?
00:37:23What are you talking about?
00:37:24You know exactly what I'm talking about.
00:37:37Vanessa, we've got a problem.
00:37:39The Vertex Group announced their collaboration with the Clark Group.
00:37:42Yeah, I know.
00:37:43They picked my pitch earlier.
00:37:45I didn't think they'd move this fast, though.
00:37:47They did use your photos, but Abby's the official photographer.
00:37:52What?
00:37:54Hey!
00:38:01You better knock this Vertex deal out of the park.
00:38:05Don't let your old man down.
00:38:07I won't dance.
00:38:09I've got this.
00:38:13Ever thought of knocking, Vanessa?
00:38:15What's this, hon?
00:38:16You couldn't come up with your own ideas, so I had to steal mine.
00:38:20Is that what we're doing now, Abby?
00:38:22That's enough!
00:38:23I don't know what you're talking about.
00:38:26This wasn't her doing, it was mine.
00:38:28What are you saying?
00:38:30Abby's fresh.
00:38:31She needs this high profile project to boost her career.
00:38:35I made the call, and she's getting it.
00:38:39Are you serious?
00:38:41That was my idea!
00:38:42Why should she take all the credit?
00:38:44It's all staying in the family, Vanessa.
00:38:47Whether it's Abby or you, the company benefits.
00:38:49The company benefits.
00:38:52We're family.
00:38:54Don't be so selfish.
00:38:56Selfish?
00:38:59Do you know how many hours my team spent working on this project?
00:39:04As chairman of this company, my word is final.
00:39:09If you have a problem with that, we'll have to leave.
00:39:13Fine. I don't want to work here anymore, anyway.
00:39:26Vanessa, are you really leaving?
00:39:28It's your company.
00:39:30Yeah, but there's more out there for me.
00:39:33Don't worry, it won't affect you guys.
00:39:35Oh, I'm coming with you.
00:39:36I've literally had it with this place.
00:39:39Way too much drama.
00:39:40Count me in. I only sign off because of you, Vanessa.
00:39:44I'm not staying here without you.
00:39:46I've been itching to start out on my own.
00:39:48Let's start a studio.
00:39:50We're with you, Vanessa.
00:39:51I'm with you as well.
00:39:52Yeah.
00:39:53You guys!
00:39:54Hey, what about me?
00:39:57I switched jobs for you, remember?
00:39:59You owe me one.
00:40:01Alright.
00:40:03I will let you go.
00:40:04Let's start a studio together.
00:40:08Yay!
00:40:10Woo!
00:40:12Alright, let's get out of here.
00:40:24Dad, those people who are pirates were really letting Vanessa take them?
00:40:28They're loyal to Vanessa.
00:40:29If they want to go, there's not much I can do to stop them.
00:40:35So she's just going to go off and compete against us now?
00:40:39Don't worry.
00:40:40I'll make sure people know.
00:40:42If they work with her, they're crossing us.
00:40:45She'll learn quickly.
00:40:46Without us, she won't get far.
00:40:48Since we've launched the Phoenix Studios, we haven't landed a single deal.
00:41:00Every brand we've reached out to either thinks we're amateurs or flat out ignores us.
00:41:06How do we fix this?
00:41:07Just trust me.
00:41:11I'll figure something out.
00:41:13That's it for today.
00:41:14Meeting dismissed.
00:41:24You alright?
00:41:26My father's told every big brand not to work for me.
00:41:31If we don't learn something soon, Phoenix will die before it's even taken off.
00:41:37Hey, come on.
00:41:39It's going to get better.
00:41:41But it's late.
00:41:43You should go home and get some rest.
00:41:45No.
00:41:48No, I can't give up that easy.
00:41:51You go ahead though.
00:41:53I'll make some more calls.
00:41:57Alright.
00:42:12So, can I see Mr. Scott?
00:42:14No.
00:42:15Just five minutes of his time.
00:42:16He has already made it clear he's not interested in your studio.
00:42:20Please don't come back.
00:42:22Sis, without the family behind you, you've really hit rock bottom, huh?
00:42:26It's none of your business, Abby.
00:42:31Look at this.
00:42:33An invite to the Todd Group Banquet.
00:42:36They're announcing their collaboration with the Clark Group there.
00:42:39Too bad you're not invited.
00:42:42The Todd Group Banquet?
00:42:44Why didn't I think of that?
00:42:47Don't get too excited.
00:42:49The Todd Group is picky with their photographers.
00:42:51I'm not sure you're up to it.
00:42:52The Todd Group Banquet.
00:43:02What's going on here?
00:43:04Oh, I'm...
00:43:06I'm making invites to the Todd Group Banquet.
00:43:08I'm pretty convincing, right?
00:43:09I'm just hoping they don't notice it's fake.
00:43:12Wait, why?
00:43:14Why?
00:43:15Yeah, why?
00:43:16Because it's the Todd Group?
00:43:17There's gonna be major players from all over the place.
00:43:18I could land some killer collaborations from this.
00:43:19Yeah, but you know that's risky, right?
00:43:20Yeah.
00:43:21Of course I know.
00:43:22Yeah.
00:43:23Of course I know.
00:43:24But...
00:43:26I'm all out of options.
00:43:28It's this or nothing.
00:43:29So, are you coming with me?
00:43:30With me?
00:43:31To the Todd Group Banquet?
00:43:32Yeah.
00:43:33To the Todd Group Banquet?
00:43:34Yeah.
00:43:35Uh...
00:43:36Yeah.
00:43:37Yeah.
00:43:38Uh...
00:43:39Yeah.
00:43:40I...
00:43:41I...
00:43:42I...
00:43:43I...
00:43:44No, I actually...
00:43:45I have something I need to handle that day.
00:43:48Um...
00:43:49But to answer your question, yeah, that does help.
00:43:52I don't know.
00:43:53I don't know.
00:43:54I don't know.
00:43:55I don't know.
00:43:56I don't know.
00:43:57I don't know.
00:43:58I don't know.
00:43:59I don't know.
00:44:00I don't know.
00:44:01I don't know.
00:44:02To answer your question, yeah, that does look...
00:44:05Real.
00:44:08I'm just...
00:44:09I gotta...
00:44:10Yeah.
00:44:19This is my shot.
00:44:21If this doesn't work, my studio's done.
00:44:28Invitation, please.
00:44:33Invitation, please.
00:44:42Go ahead.
00:44:48Mr. Todd?
00:44:49She's going inside.
00:44:52That was way too easy.
00:44:54Did I just pull this off?
00:44:56Guess the Todd Group's security isn't as tight as their reputation.
00:44:59I don't know.
00:45:00I don't know.
00:45:05Vanessa!
00:45:06Why the hell are you here?
00:45:07What?
00:45:08You get to waltz in and I don't?
00:45:10How did you get an invite?
00:45:11You didn't sneak in, did you?
00:45:14I'm too busy for this, Abby.
00:45:16Court right-handed, huh?
00:45:18You really think you can crash the Todd Group's banquet without an invitation?
00:45:22It's fake.
00:45:23Nice try, though.
00:45:24Vanessa!
00:45:25Did you really sneak in with a fake invite?
00:45:27A fake invite?
00:45:28She must really be desperate.
00:45:29Can you believe that?
00:45:30No one will want to work with her after this.
00:45:31What makes you so sure it's fake?
00:45:32Well, look at the real ones.
00:45:33It's got a code right here in the corner.
00:45:34Yours?
00:45:35It's missing.
00:45:36Care to explain?
00:45:37Mr. Simpson!
00:45:38Mrs. Simpson!
00:45:44Can you believe that? No one will want to work with her after this.
00:45:49What makes you so sure it's fake?
00:45:52Because the real ones.
00:45:54It's got a code right here in the corner.
00:45:57Yours?
00:45:59It's missing.
00:46:00Care to explain?
00:46:03Mr. Simpson!
00:46:06Just the man I need.
00:46:08How can I help?
00:46:10Someone crashed the party.
00:46:12Can you help her find the door?
00:46:14Let me see.
00:46:21I'm afraid if you don't have a legitimate invitation, you'll have to be.
00:46:31Miss Clark!
00:46:33Just wait a second.
00:46:35Danny Rogers.
00:46:37Mr. Todd's personal assistant.
00:46:41And sent her to collection.
00:46:44Are you sure you didn't mix things up, Mr. Rogers?
00:46:47She wasn't invited.
00:46:48She snuck in with a fake invite.
00:46:52Look.
00:46:54There's no number.
00:46:56Miss Clark here is one of Mr. Todd's honoured guests.
00:47:00The reason why it doesn't have a code on there is because I personally sent her the invitation.
00:47:07She's...
00:47:08Mr. Todd's honoured guest.
00:47:12How the heck is that even possible?
00:47:15Who is she?
00:47:16Why is she going to be one of Mr. Todd's VIPs?
00:47:19Even Mr. Rogers is giving her respect.
00:47:21That bitch always steals my spotlight.
00:47:36Mr. Todd's honoured guest.
00:47:37After careful consideration, we've chosen our partner for the upcoming season.
00:47:49Let's get to the moment we've all been waiting for.
00:47:51Mr. Simpson, there better not be any slip-ups.
00:47:57Remember our little deal?
00:48:00Chill out, Miss Clark.
00:48:02Everything's locked in.
00:48:05I do the business deals around here.
00:48:08No one can change my mind.
00:48:10Unless it's Mr. Todd.
00:48:12And he doesn't usually get involved in this.
00:48:15Good to know.
00:48:17Vanessa, no matter how hard you crash this banquet, you'll always be in my shadow.
00:48:22Once I nail this partnership with the Todd Group, let's see how you deal with the fallout.
00:48:27The partner for the Todd Group is...
00:48:31Thank you, Todd Group, for selecting...
00:48:34Phoenix Studios.
00:48:39What?
00:48:41How is this happening?
00:48:49How is this happening?
00:48:52What makes her think she can be part of the Todd Group?
00:48:55The Todd Group, can you just watch me?
00:48:57I've got a project that may catch your eye.
00:49:02Wow, thank you.
00:49:05Didn't you say everything was set?
00:49:09Are you playing me?
00:49:11No!
00:49:12I think no one...
00:49:14Danny, what the hell happened?
00:49:19There's no mistake.
00:49:21The Todd Group chose Vanessa's studio to be our partner.
00:49:28You're corrupt, Colin.
00:49:30So you're out.
00:49:40Danny, come on.
00:49:42I messed up.
00:49:43But I'll do it again.
00:49:44After all I've done for you, can you not cut me some slack?
00:49:49Mr Todd is cutting you some slack by not calling the police.
00:49:54So, are you leaving on your own or do I need to call security?
00:49:59Miss Clarke?
00:50:00Miss Clarke?
00:50:01Would you like to follow me?
00:50:02Our contracts are ready.
00:50:03Let's make this official.
00:50:04Miss Clarke?
00:50:05There's the contract.
00:50:06Have a look through.
00:50:07If everything's in order then feel free to sign.
00:50:08So, um, what made the Todd Group sign with the Phoenix Studios?
00:50:09Temple.
00:50:10It's your talent.
00:50:11It speaks for itself.
00:50:12Well, you won't be disappointed.
00:50:13Well, you won't be disappointed.
00:50:14You won't be disappointed.
00:50:15Miss Clarke?
00:50:16Miss Clarke?
00:50:17There's the contract.
00:50:18Have a look through.
00:50:19If everything's in order then feel free to sign.
00:50:20So, um, what made the Todd Group sign with the Phoenix Studios?
00:50:25Temple.
00:50:26It's your talent.
00:50:27It speaks for itself.
00:50:28Well, you won't be disappointed.
00:50:30Excuse me, may I ask who that is?
00:50:46Oh!
00:50:47That is, uh, Mrs. Todd.
00:50:50Um, Mr. Todd's mother.
00:50:52She's the chairwoman.
00:50:53After Mr. Todd's father passed, she took over just to keep the business thriving.
00:50:59That's really impressive.
00:51:09How come he looks just like Jason?
00:51:19So, any more questions about the contract?
00:51:26Nope.
00:51:27All set.
00:51:28I look forward to working in the Todd Group again.
00:51:30Great!
00:51:35I don't know how you could throw away such a major deal.
00:51:39She's only after your money and the Todd name.
00:51:43Jason, what's he doing here?
00:51:46And who's that woman?
00:51:47He doesn't even know who I really am.
00:51:51No way.
00:51:52Isn't that the chairwoman of the Todd Group?
00:51:53I can't believe you'd throw away such a major deal.
00:51:59All for some woman.
00:52:02She saved my life, Mom.
00:52:05She's not just some woman.
00:52:06Some woman.
00:52:07You could have just written her a check and called it a day.
00:52:10Yeah, I have my reasons.
00:52:11So stay out of it.
00:52:13What?
00:52:14What's she done to make you so obsessed?
00:52:16She's only after your money and the Todd name.
00:52:20If that's all it was, it'd be easier.
00:52:21What?
00:52:22Nothing, Mom.
00:52:23Look, just what you were afraid of won't happen.
00:52:26Okay?
00:52:27She doesn't even know who I really am.
00:52:29But you say her.
00:52:30You see her.
00:52:31I won't say anything.
00:52:34Okay?
00:52:35Yeah?
00:52:39Only you could fool something this obvious.
00:52:41Yeah, alright, and don't you have a meeting?
00:52:43Come on, go, go, go.
00:52:53Oh, hey, are you, uh, are you done with work?
00:52:57The chairwoman of the Todd group.
00:53:01How do you know her?
00:53:02I don't.
00:53:05You were laughing with her.
00:53:11What are you talking about?
00:53:12No, no.
00:53:13I, I just, I ran into her and I thought maybe I'd help you secure the Todd deal.
00:53:21Oh, I'm sorry.
00:53:22So I was real?
00:53:23Yeah.
00:53:24Yeah.
00:53:26But, I have good news.
00:53:27Yeah.
00:53:28I secured the Todd group deal.
00:53:29No way!
00:53:30That's huge!
00:53:32I honestly didn't even think my studio would be in the running for it.
00:53:35Yeah, well, you deserve it.
00:53:37Come on.
00:53:39So, uh, where do you want to go?
00:53:41Studio?
00:53:42Yeah.
00:53:43Where do you want to go for some fee?
00:53:45To us and to our company for nailing that Todd group collaboration.
00:53:55You know what?
00:53:56Cheers, everyone.
00:53:57Woo!
00:53:58Cheers!
00:53:59Vanessa, you're a genius.
00:54:01You really made it happen with the Todd group.
00:54:04And that's not all.
00:54:05We had calls from big brands that want to work with us too.
00:54:08Well, tomorrow's a big shoot, so let's crush it.
00:54:11More deals are just around the corner.
00:54:13Woo!
00:54:15Okay, drinking is fun and all, but let's switch it up.
00:54:19Truth or death?
00:54:20All right, truth.
00:54:30Do you have a girlfriend?
00:54:37Not yet.
00:54:38Ah, not yet.
00:54:40Does that mean there's one on the horizon?
00:54:43That's your next question.
00:54:50Looks like you're not off the hook.
00:54:52So, is there anyone you have your eye on?
00:55:00Yeah.
00:55:01Yeah, I do.
00:55:07All right, all right.
00:55:08Quit tearing at me.
00:55:09Just please spin the bottle again.
00:55:11Oh, what, so this is the master bedroom?
00:55:18No.
00:55:19Okay.
00:55:20All right.
00:55:21I thought this was off limits.
00:55:22Not anymore.
00:55:23No?
00:55:24No.
00:55:36Look at all I want to do.
00:55:41Not anymore.
00:55:42Both children are doing well and there's no to esas physically at all, you know so...
00:55:45And you need to know that she done nothing without being judged with you.
00:55:47He's passionate and he knows how to make a girl feel special.
00:56:17Why aren't we prepping yet? It's almost time to shoot.
00:56:21We've been waiting for over an hour. What's the hold up inside?
00:56:25Are you Vanessa?
00:56:27Yes, that's me. Hi, Mr. Bailey.
00:56:31Can we get started?
00:56:33Just keep waiting. Can you see? I'm not ready.
00:56:38But we said we'd start at 9 and it's past that, so what are we waiting for?
00:56:44If you can't be patient, you really think you're ready for a partnership with the Todd Group.
00:56:48I don't understand why Mr. Todd partners with all these small studios.
00:56:53I think the studios might be small, but we can handle ourselves against the big companies.
00:56:58You think we can compare with the big boys?
00:57:02What do you have? Pretty face?
00:57:06What did you...
00:57:09You slept your way into this job.
00:57:17Huh. Shocking.
00:57:19A big company like the Todd Group can't get timing right.
00:57:23Or show basic respect to its partners.
00:57:26If that's how it's gonna be, we're out.
00:57:29Oh, you're leaving so soon.
00:57:32I've hit the nail on the head and you're feeling guilty.
00:57:35See, you can't take the heat.
00:57:38If you want the shoot to keep going, I suggest that you beg me for it and nicely.
00:57:43Your mouth is fucking foul.
00:57:48Consider that free mouthwash.
00:57:50No need to beg.
00:57:51You bitch!
00:57:52Just you wait!
00:57:53I'll...
00:57:54You!
00:58:00Yo, Mr. Todd!
00:58:01Long time to see!
00:58:04Um, do you want...
00:58:05Do you want to tour the studio?
00:58:07Where's everybody from Vanessa's studio?
00:58:09Wasn't they meant to shoot today?
00:58:11It was a total disaster.
00:58:13She had to wait a little bit longer and then she splashed water on the floor and left.
00:58:17What?
00:58:18You drove her away?
00:58:20Mr. I...
00:58:21It didn't look like that.
00:58:28This is truly outrageous.
00:58:29What's our next meeting?
00:58:30Vanessa?
00:58:31Let's just head back for now.
00:58:36Miss Clark, I'm so sorry for the trouble.
00:58:39It's on us at the Todd Group for dropping the ball with our team.
00:58:42Edwin's been let go.
00:58:43We'd be so grateful if you'd reconsider and come back for the shoot.
00:58:51Great!
00:58:52Okay, thank you.
00:58:53You're all done.
00:58:55Well, I think you got it.
00:58:56Stunning.
00:58:57Amazing.
00:58:58We'll see you later.
00:58:59Bye, guys.
00:59:00Miss Clark!
00:59:01Hi.
00:59:02Um...
00:59:03I just wanted to come by personally and apologize for what happened earlier on.
00:59:13I hope that doesn't change your view on the Todd Group.
00:59:16No way!
00:59:17I'm really appreciative to the Todd Group for this opportunity.
00:59:20Good.
00:59:21Good.
00:59:22Good.
00:59:23And Mr. Todd is, uh, very impressed with your skills.
00:59:28We look forward to seeing what you do next.
00:59:30I really appreciate your help today.
00:59:33The shoot turned out way better than I expected.
00:59:35Good.
00:59:36I'm glad.
00:59:37And, uh, if you need any help in the future, just let me know.
00:59:45Danny's been stepping up for me, helping out more than I expected.
00:59:49So, uh, how was today?
00:59:51Smooth sailing?
00:59:52Hey.
00:59:53Oh, I'm sorry.
00:59:54What did you say?
00:59:55I asked how today was.
00:59:56You seem kind of... out of it.
00:59:57It's nothing.
00:59:58I'm probably just overthinking, but, uh...
00:59:59I think Danny might have a crush on me.
01:00:00Wait, what?
01:00:01I think Danny might have a crush on you.
01:00:02Wait, what?
01:00:03I think Danny might have a crush on you.
01:00:04Wait, what?
01:00:05I think Danny might have a crush on you.
01:00:06Wait, what?
01:00:07Yeah, he's always coming in, like, last minute to save me.
01:00:08I mean, why else would he be so attentive?
01:00:09Look, I swear, if you start swooning over other guys, I'm gonna turn green.
01:00:11Swooning?
01:00:12Yeah.
01:00:13Swooning?
01:00:14Swooning?
01:00:15Yeah.
01:00:16I don't like Danny at all.
01:00:17Well, then who do you like?
01:00:18I think Danny might have a crush on you.
01:00:20I think Danny might have a crush on you.
01:00:22Wait, what?
01:00:23Yeah, he's always coming in, like, last minute to save me.
01:00:26I mean, why else would he be so attentive?
01:00:28Look, I swear, if you start swooning over other guys, I'm gonna turn green.
01:00:33Swooning?
01:00:34Yeah.
01:00:35I don't like Danny at all.
01:00:36Well, then who do you like?
01:00:39I like...
01:00:41You're trying to trap me into saying something.
01:00:44Well, yeah, I've been very obvious about how I feel about you, Vanessa.
01:00:49Like, I wanna be with you.
01:00:52Like, I wanna be with you.
01:00:55Like, I wanna be with you.
01:00:57Like, forever.
01:01:01You not see that?
01:01:14But, come on.
01:01:15I know you feel something for me, too.
01:01:21I guess...
01:01:24I am kind of empty.
01:01:27I wanna take the longest trip with you.
01:01:33The one that starts right when we say I do.
01:01:39From Mary Hall...
01:01:41Guess what?
01:01:47The Todd Group loved our promo shot.
01:01:53Our studio is making waves.
01:01:55We've got brands lining up to collaborate with us.
01:01:59You guys are killing it at the moment, so I say we head to the shooting gallery.
01:02:02You're the best!
01:02:03Woo!
01:02:04Woo!
01:02:05Woo!
01:02:06Woo!
01:02:07Woo!
01:02:12Oh my God!
01:02:14This shooting stuff is way harder than it looks.
01:02:16If I'd have known, I would have chosen something less intense.
01:02:19Nah, don't worry.
01:02:20I'll show you the ropes.
01:02:21Ha ha ha!
01:02:22Look who's trying to be a sharp shooter.
01:02:23Well, if you think you can do better, why don't you give it a shot?
01:02:24Seriously, you think you can stack up against Blaine?
01:02:25He's got the second best aim in the city, right after Mr. Todd.
01:02:26Mr. Todd?
01:02:27Yeah, this place is owned by Mr. Todd.
01:02:28He's got the top score, but watch out.
01:02:29Blaine's gunning for that record.
01:02:30You didn't know that, no Vanessa?
01:02:31I don't know what, you just thought you'd stroll in here and embarrass yourself?
01:02:32I think you'd be a good man.
01:02:33You're a good man.
01:02:34You're a good man.
01:02:35Come on.
01:02:36You're a good man.
01:02:37Why don't you give it a shot?
01:02:38Seriously, you think you can stack up against Blaine?
01:02:41He's got the second best aim in the city, right after Mr. Todd.
01:02:44Mr. Todd?
01:02:45Yeah, this place is owned by Mr. Todd.
01:02:46He's got the top score, but watch out.
01:02:48Blaine's gunning for that record.
01:02:49Blaine's gunning for that record.
01:02:50You didn't know that, no Vanessa?
01:02:53I don't know what, you just thought you'd stroll in here and embarrass yourself?
01:02:59You think you can beat the record?
01:03:05Aye.
01:03:07You can't even beat me.
01:03:10Oh, very confident.
01:03:22Alright then, how about we make ourselves a little deal?
01:03:26You lose, you hand over your portion of the Todd Cruz partnership to me, eh?
01:03:31So, when you can't win fair and square, you resort to cheating.
01:03:35Classic blame.
01:03:38Come on, let's go.
01:03:40No, no, no, no. I can take you on.
01:03:42But if you lose, what's your game plan?
01:03:46Lose. Lose me!
01:03:49You think you can just walk in here and break the record like it's a walk in the park?
01:03:55I'll see.
01:03:57Oh, alright. Very confident.
01:04:00My goodness, I have never seen somebody so eager to get embarrassed.
01:04:06You can't even swing that thing, man.
01:04:09I'm not buying it either. But how about this?
01:04:12If you beat Blaine, Vanessa can take any project.
01:04:16I don't think you're sure about this. You don't have to do it. Just an approval point.
01:04:21Lose.
01:04:23Your boyfriend's got this.
01:04:25Oooooh!
01:04:28Baby, you're on fire!
01:04:34Ah, yes.
01:04:37Even better than last time.
01:04:39Indeed. You know something? I think you should just throw in the towel to save yourself a bit of embarrassment.
01:04:46Not a chance. I believe in Jason.
01:04:51I don't think I would have to go out with you.
01:04:53I don't know what you're doing.
01:04:54I've been dead right now.
01:04:55But you know what I've been doing?
01:04:56Why are you doing it?
01:04:57I've been sleeping.
01:04:58I've been sleeping.
01:04:59I've been sleeping with a pain in a while.
01:05:00I've been sleeping.
01:05:01I've been sleeping with a malian.
01:05:02I've been sleeping.
01:05:03I'm sleeping with a garbage spray.
01:05:05I'm sleeping with my wife.
01:05:06I'm sleeping with a dish.
01:05:07I'm sleeping in on a ice cream.
01:05:09The man's sleeping on a handshake.
01:05:10What can I do?
01:05:11How do you do?
01:05:12Did I just see that?
01:05:24Ten shots, ten hits.
01:05:26We just broke the record.
01:05:28Someone just beat Mr. Todd's record.
01:05:31Beat Mr. Todd's record? How's that even possible?
01:05:34How's that possible? Who are you?
01:05:37Breaking Mr. Todd's record and sharing his last name.
01:05:40Could he be?
01:05:42How are you so good you just shattered Mr. Todd's record?
01:05:47It's nothing. I just picked it up in college.
01:05:51I was shooting champ every year.
01:05:54Okay, I'm definitely overthinking this.
01:05:57He's just a regular guy.
01:05:59There's no way he could be Mr. Todd.
01:06:01Remember, you owe us a project.
01:06:04Why should I?
01:06:05There's projects I've got to secure.
01:06:08No way.
01:06:09You've obviously cheated.
01:06:10You've obviously done some of them for the gums of something like that.
01:06:14Not a chance I would lose.
01:06:15Why is it really that hard to just admit someone's better, Blaine?
01:06:21I'm going to get you two.
01:06:23You're so good.
01:06:31I thought Blaine and Abby were going to explode.
01:06:34Yeah, look, I'm done letting them push you around.
01:06:37Yeah, you're the best.
01:06:39You know, it takes me my lucky day.
01:06:40I learned how to shoot and secure projects for free.
01:06:44Well, what if Abby goes back an ordeal?
01:06:46Then I'll snatch the projects from her.
01:06:49Line gets under my skin.
01:06:52What if you find out I've been hiding something?
01:06:56I dare you to try me.
01:06:58If Vanessa discovers I've been keeping my true identity a secret, will she walk away?
01:07:04I need to tell her soon.
01:07:12Vanessa.
01:07:16What's going on?
01:07:17I'm here to apologize.
01:07:22Come back with me.
01:07:23I've saved a spot for you at the Clark Group.
01:07:25You kicked me out.
01:07:28Remember, Dad?
01:07:30I've been much happier since I left.
01:07:32So why would I come back?
01:07:34The Clark Group is struggling.
01:07:35We need your talent.
01:07:38Sounds like you can't handle it, Abby.
01:07:40If Dad's here begging for my help,
01:07:43things must be bad.
01:07:45You.
01:07:49Vanessa.
01:07:51What will it take to bring you back?
01:07:53I'll give you half the company's shares.
01:07:57How does that sound?
01:07:58Dad, are you serious?
01:08:00That's not fair.
01:08:05I'll think about it.
01:08:06Excellent.
01:08:08Give it some serious thought.
01:08:09I'll be waiting for you at the Clark Group.
01:08:13Get out of my fucking way.
01:08:15The shares are meant for me, Vanessa!
01:08:17Just wait.
01:08:18I'll make sure you never enjoy them.
01:08:20You know, I like your car.
01:08:30It's a smooth ride, like you.
01:08:36Stop it.
01:08:36Are you sure you can't come to dinner?
01:08:40No, look, I can't.
01:08:41I've got something to do tonight.
01:08:43But call me when you're done,
01:08:44and I'll pick you up.
01:08:45What could you possibly have to do at night?
01:08:49Better not have another client.
01:08:59I know where to have the energy.
01:09:01Good.
01:09:02Better keep it that way.
01:09:02You know, send me, send me home.
01:09:09Woke up in the morning feeling low.
01:09:12I can't.
01:09:13Dress up in my garment feeling no shame.
01:09:16Oh, shit.
01:09:18Thanks.
01:09:19Oh, shit.
01:09:20Oh, shit.
01:09:24Oh, shit.
01:09:25Oh, shit.
01:09:26Oh, shit.
01:09:28Oh, my God.
01:09:58This is Vanessa Clark. I'm calling about Jason. He's been in a car accident. You need to come to the hospital immediately.
01:10:07I'm here for Jason. He was in a car accident. Where is he?
01:10:12He's down in the hole to your left.
01:10:14Thanks.
01:10:19Jason, are you okay? Are you seriously hurt?
01:10:25No, I'm fine. Just... just a scratch.
01:10:28Nothing major.
01:10:30Thank God. You scared the life out of me. How did this happen?
01:10:36Someone cut the brakes, Vanessa.
01:10:39This was your car. They're aiming for you.
01:10:42It's Abby. It has to be. It's all about the sheriff. She's trying to take me out.
01:10:53I'm so sorry. It's all my fault you got her.
01:10:56I promise I'll get to the bottom of this.
01:11:00My God. You're all right, dear?
01:11:06You're all right, dear?
01:11:08Uh, Mrs. Todd, what are you, uh, doing here?
01:11:12Oh, you-you must be here to see Mr. Todd, right?
01:11:20The-the nurse just told me he's-he's across the hall.
01:11:23Yeah, yeah, he's fine.
01:11:25Just a few scratches.
01:11:26Wait. Mr. Todd got in a car accident, too?
01:11:37Yeah, yeah, that's-that's right.
01:11:42So-so you and Mr. Todd in a car accident at the same time?
01:11:47Yeah? Crazy coincidence, huh?
01:11:51Should I go and see him? He's been so good to the studio, I-
01:11:54Ow!
01:11:55Are you okay?
01:11:57Where does it hurt? Should I call someone?
01:11:59No, no, I just-I need-I need you.
01:12:02You know, a spoonful of sugar and all.
01:12:05Even now, you're talking nonsense.
01:12:08I'm glad you're safe.
01:12:10Okay, if-if this was you,
01:12:12I-I don't-I don't know what I'd do.
01:12:17You're so stupid.
01:12:20Look, it's late.
01:12:21I'll go get you some tea.
01:12:23Just rest, okay?
01:12:25Okay.
01:12:38I have a question.
01:12:44Okay.
01:12:44How would you feel if, like, someone close to you told you a lie?
01:12:53Depends on the lie.
01:12:55And if they had good reason?
01:12:58Um, I mean, I'd-I'd still be upset.
01:13:01A lie's a lie.
01:13:03They just really have to make it up to me.
01:13:05Uh, why are you asking?
01:13:07Are you lying to me?
01:13:08No, no, I'm just, um, just wondering.
01:13:15Wondering if-if you want to go out sometime.
01:13:18I mean, we've not been on a real date since we got together.
01:13:21That's true.
01:13:22Okay, so, we'll go on one after you've been discharged.
01:13:26All right, deal.
01:13:27I'll, uh, I'll make a plan.
01:13:28All right.
01:13:31Surprise me.
01:13:32Surprise you?
01:13:33Mm-hmm.
01:13:38You're so dumb.
01:13:40It's in your hair.
01:13:41Mm-hmm.
01:13:43Where are you?
01:13:47Where are we?
01:13:48And Jason, why all the suspense?
01:13:51Yeah.
01:13:51Oh, my God.
01:14:03He's in.
01:14:04You like it?
01:14:04Yeah.
01:14:05Okay.
01:14:14You really know how to treat a woman, don't you?
01:14:16Vanessa, I can't keep hiding from you.
01:14:23Tonight, I'll tell you everything.
01:14:26And then, I'll propose.
01:14:32Vanessa.
01:14:36I love you.
01:14:39And I want to be with you forever.
01:14:41I love you, too.
01:14:52Actually, there's something that I've been, like, dying to tell you, and...
01:14:57Oh, my gosh, they're so pretty!
01:14:59Oh, my gosh, I love you, too.
01:15:12Vanessa, I've got a secret, okay?
01:15:16And...
01:15:16Okay.
01:15:18I hope that you won't be upset.
01:15:20You're really hiding something?
01:15:22Just say it, Ernie.
01:15:24Actually...
01:15:25It's you and me.
01:15:28Falling in love every day till we're both on in gray.
01:15:32Yeah, it's you and me.
01:15:34I am...
01:15:35Oh, shit.
01:15:41Shit.
01:15:42Oh, shit.
01:15:43Oh, shit.
01:15:43Jason, Grandpa's very ill.
01:15:55You need to come home now.
01:16:01Um, I've got some, like, personal stuff that I have to handle.
01:16:05Can you head home?
01:16:06So you...
01:16:07You can't stay tonight?
01:16:10What's going on that's so urgent?
01:16:11It's really important, but I'll fill you in when I'm home.
01:16:14All right?
01:16:15Here.
01:16:17Okay.
01:16:18But I don't get it.
01:16:19What's the rush?
01:16:29So this is your urgent matter?
01:16:31Comforting the other woman?
01:16:33What's really between you and Mrs. Todd?
01:16:36Why the closeness?
01:16:37Yes.
01:16:37Yes.
01:16:41Hey, Vanessa, are you in there?
01:16:58Hey, Allison.
01:17:07Yeah.
01:17:08Hey, have you seen Vanessa?
01:17:09Is she at the office?
01:17:10She wanted me to tell you.
01:17:12You're fired.
01:17:13What?
01:17:14Seriously?
01:17:15Why?
01:17:15Yeah.
01:17:16She seemed really upset.
01:17:18Good luck, okay?
01:17:19Upset?
01:17:20Hey, Allison.
01:17:21Hey.
01:17:21Hey.
01:17:21Hey.
01:17:21Hey.
01:17:21Hey.
01:17:21Hey.
01:17:21Hey.
01:17:22Hey.
01:17:22Hey.
01:17:22Hey.
01:17:22Hey.
01:17:22Hey.
01:17:22Hey.
01:17:22Hey.
01:17:22Hey.
01:17:23Hey.
01:17:24Hey.
01:17:24Hey.
01:17:26Hey.
01:17:28Hey.
01:17:28Hey, Vanessa.
01:17:33Hey.
01:17:34Hey, what's going on?
01:17:35Hey, everything was fine yesterday.
01:17:36What happened?
01:17:38You're asking me?
01:17:40You were with some other woman, and you're asking me what's wrong?
01:17:43When was I ever...
01:17:45Mrs. Todd?
01:17:50No, I can explain that I'm really not...
01:17:52I saw it with my own eyes.
01:17:53I don't need you to explain.
01:17:55Just let go.
01:17:56No, I'm not moving.
01:17:57Let go.
01:17:57Come on, Vanessa.
01:18:07Don't start feeling sorry for a playboy.
01:18:10The Todd Group is hosting a photography competition, Max Bud.
01:18:14Where's we get a chance at a long-term strategic partnership?
01:18:18A long-term partnership?
01:18:19If I can nail this competition, my studio's future is set.
01:18:37Vanessa, what brings you to the national photocopcast hosted by the Todd Group?
01:18:41Aren't you just a little ashamed to show your face here?
01:18:44Ashamed?
01:18:45Please.
01:18:47Speaking of shame, look in the mirror.
01:18:50This is a national contest, Abby, remember?
01:18:54Better not play any plagiarism stunts.
01:18:57You'll be blacklisted quicker than you can cry about it.
01:18:59You bitch.
01:19:00Go ahead.
01:19:02Say one word, I dare you.
01:19:04Welcome, ladies and gentlemen, to the annual photo contest for the Todd Group.
01:19:08Just wait.
01:19:09When the results are in, I'll make sure you're crushed beneath my feet.
01:19:12Oh, I'll be right here, eagerly waiting for the fallout.
01:19:16Let's kick things off by welcoming our first contestants.
01:19:19Hey, everyone.
01:19:26The photos I'm showing today are from my incredible travels.
01:19:34This shot is breathtaking.
01:19:36I get it 98 points out of 100.
01:19:38I'm in love with this.
01:19:40It's as far as truly a star on the rise.
01:19:4299 points.
01:19:44Vanessa, get ready to be beneath my feet.
01:19:49I need to report this work.
01:19:51Vanessa, are you seriously doing this out of spite?
01:19:54This photo clearly shows signs of AI generation.
01:19:57And stealing the work of the renowned photographer, Feliciano Bowe.
01:20:03You're lying.
01:20:04This is a setup.
01:20:07I have the original shot right here.
01:20:10What's your excuse now, Abby?
01:20:11Don't listen to her.
01:20:13She's just out to get me.
01:20:15Two photos don't prove anything.
01:20:17Yeah, I heard they're not exactly the best of buds.
01:20:22And now this is ruining the competition.
01:20:24The judges have thoroughly vetted this work.
01:20:27Miss Vanessa Clark, please do not disrupt the competition.
01:20:31But this is clearly AI generated.
01:20:33I want a judge to review this.
01:20:35Come on, sis.
01:20:36Everyone knows that you're just jealous and trying to make me look bad.
01:20:40Give it a rest.
01:20:43Vanessa, please do not disrupt the competition.
01:20:45You see, I had the Todd Group's tech team run the numbers.
01:20:50Abby's work?
01:20:52Total AI generation.
01:20:54Now that breaks the rules.
01:20:57So, I'm announcing Abby's disqualification
01:21:00and banning her from working with the Todd Group
01:21:02and any of their associates.
01:21:04Jason, what's he doing here?
01:21:07Who do you think you are?
01:21:09You can't just ban me.
01:21:10The Todd Group tech team isn't your personal squad.
01:21:14Get a load of this guy.
01:21:15Some stripper playing Mr. Todd.
01:21:19Imagine that.
01:21:24Get a load of this guy.
01:21:26Some stripper playing Mr. Todd.
01:21:29Imagine that.
01:21:29Mr. Rogers, he's here to cause chaos.
01:21:35Get him out of here fast.
01:21:37Using AI to cheat, hmm?
01:21:39Seems like you're the real troublemaker, huh?
01:21:41Shit.
01:21:42It looks like Jason's really got Mr. Todd backing him.
01:21:45Even Mr. Rogers is in his corner.
01:21:47Mr. Rogers,
01:21:48that man is a male stripper.
01:21:51What's all for this?
01:21:52Shit.
01:21:53Shit.
01:21:54The judges here have been bribed by Abby.
01:21:56I mean, she's ruining the contest and the whole industry.
01:21:58I'm going to talk to you, she's not going to touch this.
01:22:06I'm looking for Abby Clark.
01:22:08You're under arrest on the suspicion of attempted murder.
01:22:11Yeah.
01:22:11No, you've mistaken me for someone else.
01:22:14Easy.
01:22:14Let me go.
01:22:16I didn't kill anyone.
01:22:17I'm being framed.
01:22:18It's Vanessa.
01:22:18She's setting me up again.
01:22:20You mess with my car.
01:22:21You put lives at risk.
01:22:23Do I need to show everyone the proof, Abby?
01:22:25I can't believe she'd go this far against her own sister.
01:22:30Sister?
01:22:31They're half-sisters, remember?
01:22:35You're going to pay to this, you bitch!
01:22:46Blaine, help me.
01:22:48Officer, I had nothing to do with this.
01:22:50It was all Abby.
01:22:51Blaine!
01:22:52I'm a grateful jerk.
01:22:54I did everything for you.
01:22:55How could you betray me like this?
01:23:01Are you okay?
01:23:02Is she hurting you?
01:23:02Don't touch me.
01:23:05Okay, look, Vanessa.
01:23:06There's something I need to say, and it's not...
01:23:08No need for explanations.
01:23:09I already know what's going on.
01:23:12You're cozying up to Mrs. Todd, right?
01:23:14The tech team is all ears when you're around.
01:23:17No, no, no, Vanessa.
01:23:18You got this wrong.
01:23:19Mrs. Todd is my mom.
01:23:21Like my mom.
01:23:23What?
01:23:25So...
01:23:26So Jason Todd, the CEO of the Todd Group.
01:23:31Is it fun to play games with me, Jason?
01:23:34Watching me get played like some sort of idiot?
01:23:37Hey, hey, just listen!
01:23:38I don't need your explanation!
01:23:40Don't follow me!
01:23:42He knew I can't stand Miles.
01:23:53Yet he strung me along like a puppet.
01:23:55I can't believe I fell for it.
01:24:01You think you can just walk away, did you?
01:24:03It's a chance.
01:24:06It's a chance.
01:24:06It's a chance.
01:24:06It's not a chance.
01:24:11Oh, Vanessa, my dear.
01:24:15You have fucked up my life.
01:24:19And now, you, my darling, are coming today.
01:24:25Calm down, stop.
01:24:46What's going on, Melissa?
01:24:47Melissa!
01:24:48Who are you?
01:24:49What the hell?
01:25:05Is Blaine out of his mind?
01:25:06He can't seriously be trying to burn me alive.
01:25:09Help!
01:25:09Is anyone there?
01:25:10I'm trapped!
01:25:14Scared me, Esra.
01:25:16Vanessa!
01:25:17What are you there?
01:25:18Jason!
01:25:18Jason, please come and help me!
01:25:20I'm trapped!
01:25:23Sorry it took you so long.
01:25:24Are you okay?
01:25:25I thought I lost you.
01:25:27Hey, hey, hey, hey, hey, hey!
01:25:28Come on, let's get out of here!
01:25:43Hey, hey, you're awake, hey.
01:25:45Are you okay?
01:25:46You hurt?
01:25:47Yeah, I'm okay.
01:25:51But what were you thinking, rushing into the fire like that?
01:25:54Look, if something happened to you, I would lose my mind.
01:25:58Don't think playing the hero makes me forget that you lied to me.
01:26:04Look, I messed up.
01:26:06I didn't know who I was.
01:26:07I know that.
01:26:07I'm sorry.
01:26:08I'm sorry.
01:26:11Could you give us a moment?
01:26:12Yeah, of course.
01:26:13Thanks.
01:26:17Look, you can hate me if you want.
01:26:20Don't look away from me.
01:26:22You had a million chances to tell me who you really were.
01:26:25But you kept me in the dark.
01:26:26You made me think that you and Mrs. Todd were together.
01:26:32The only person that I love is you.
01:26:34Then why are you hiding your identity?
01:26:37And then stick around?
01:26:38This wasn't just some love at first sight thing, was it?
01:26:47You still don't remember who I am, do you?
01:26:49You really don't remember who I am, do you?
01:27:03Oh my god.
01:27:05Are you okay?
01:27:08Can you get up?
01:27:09Come on, stay with me.
01:27:10Come on.
01:27:11It was you.
01:27:20You were the one I saved from the fire.
01:27:24I've been looking for you.
01:27:27For years.
01:27:31There was so much smoke and fire.
01:27:35But I didn't see anything except your arm.
01:27:37And when I met you at the club.
01:27:43I saw the scar on your arm.
01:27:47And I knew it was you.
01:27:50Jason, you don't owe me anything.
01:27:53I'm not here because you saved me.
01:27:58I'm here because I love you.
01:28:07Vanessa.
01:28:15Marry me.
01:28:21I'll marry you.
01:28:37I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I'm here because I