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मुंबई, महाराष्ट्र: अभिनेता बाबिल खान, निर्देशक अमित गोलानी और लेखक विश्वपति सरकार ने हाल ही में IANS को एक खास इंटरव्यू दिया, जिसमें उन्होंने अपनी आगामी फिल्म लॉगआउट के बारे में खुलकर बातचीत की। उन्होंने फिल्म के मज़ेदार बिहाइंड-द-सीन पलों को भी साझा किया। इस इंटरव्यू में टीम ने मोबाइल फोन के अत्यधिक उपयोग और इसकी वजह से हर पीढ़ी में उत्पन्न हो रही समस्याओं पर भी अपनी राय रखी। बाबिल खान ने इस दौरान अपने पिता, दिवंगत अभिनेता इमरान खान को याद करते हुए उनकी बेहतरीन अदाकारी की तारीफ की और कहा कि FTII द्वारा उनके पिता की फिल्मों का फिर से रिलीज होना गर्व की बात है।

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Fun
Transcript
00:00So welcome to INS and sir, we will start with you because this is your idea.
00:05So how did it all start?
00:07It started with some self-reflection.
00:10It started with self-reflection that I am not able to focus because I am addicted to this mobile device.
00:17And then I started noticing patterns about it, started reading about it online.
00:21It is a real thing apparently.
00:23And then we were discussing something else in the film.
00:27There was a subplot that someone has stolen the phone and somebody uses that against that person.
00:32So I realized that this is the whole film.
00:36And that's how the journey started.
00:38That's how we started bouncing ideas and then in 6-8 months we had a script ready.
00:43So you said that it is because of self-reflection.
00:47And we all know like it's not just you, you or you. It's everyone now.
00:52It's not everyone now.
00:53It's not everyone now.
00:54It's not everyone else.
00:55But in self-reflection, you must have come across a lot of person, a lot of people in your life who are…
01:02This is my point.
01:05Whose obsession is beyond like control.
01:09So how do you…
01:11Just do a simple exercise when you are going out.
01:13Just watch people down the street.
01:15We are watching people down the street.
01:18I thought it was everyone's phone.
01:20Or someone is talking on the phone.
01:22Or someone is watching something.
01:23Mobile payments.
01:24Everything is this device.
01:26If you are alone, you are definitely on your phone.
01:29You will go outside.
01:30If you are taking a ride, every rider, every driver is talking to somebody.
01:35I don't know who is on the train.
01:37But they are consistently talking.
01:39But what do you do that?
01:40Like I scold that driver.
01:42What do you…
01:43He does that a lot.
01:44Yeah.
01:45He is trying to do it.
01:46But he does that.
01:47He does that.
01:48Please stop.
01:49You have to take a side.
01:50Talk about it.
01:51Yes.
01:52Because obviously, this is a very jualant mudda.
01:54You know, accidents in India…
01:56You know, data shows that accidents are on the phone.
01:59Selfie related accidents are the most in our country.
02:02Most in our country.
02:03A lot of accidents.
02:04It's a way of dying.
02:06Yeah.
02:07It's a…
02:08So, as we were talking about his idea and how the story was developed.
02:11We have seen your Maamala Legal.
02:14This one is very different from that.
02:16So, this…
02:17As compared to the earlier projects,
02:21Do you think that you are not talking about the story of this generation?
02:24Or just another story?
02:26Maamala, I did not direct.
02:28I am the producer on the show.
02:29I have done a lot of other things.
02:32But, like Biswapati said…
02:35When the idea came,
02:38We started to bounce together.
02:40So, it was not that I had a different bounce script.
02:44When they started to write,
02:46We were discussing.
02:47Then, we were going to write.
02:49And then, we were discussing together.
02:51And then, we were discussing together.
02:52We were narrating a little bit.
02:53So, from the beginning, I was involved.
02:55And…
02:56This story did not tell me.
02:58It was related to me when they took that topic.
03:02So, I think…
03:03I was not thinking about it.
03:04It is a different age group.
03:05It is different.
03:06And we are not talking about it.
03:08We are not talking about it.
03:09The generation gap is now reduced.
03:13We have also started our creative journey.
03:16In a way, it started social media.
03:18Because, we have also made videos on YouTube.
03:20We have also done a little bit of popularity.
03:24So, we have also seen an angle.
03:27Obviously, at that time, it was not that scale.
03:31But, we were aware of that world.
03:34So, it was not an alien feeling when I was approaching it.
03:38As a director personally.
03:39You were thinking something when he was talking about it.
03:41Yeah, I just realised you guys were OG influencers.
03:43But…
03:44I mean, it wasn't influencers worldwide.
03:46Yeah.
03:47But, yeah.
03:48YouTubers…
03:49Yeah.
03:50Okay.
03:51Yeah.
03:52Right.
03:53OG influencers.
03:54And, how was your experience?
03:56The whole experience about the film and the story.
04:00And, everything that you would like to say about it.
04:05Because, I have repeated.
04:06I want to…
04:07Yeah, yeah.
04:08You know.
04:09The thing is.
04:11It is a very intense journey.
04:14And, in a very short time.
04:16It is a lot of emotions.
04:19But, it is a light feeling.
04:22It is a lot of fun.
04:24It is a lot of fun.
04:25It is a lot of fun.
04:26I have to be a lot of pressure.
04:28I was working on my problems.
04:29I am working on my problems.
04:30So, the environment is very supportive.
04:34And, very free.
04:35And, very…
04:38You can experiment.
04:40It is a lot of fun.
04:43But, at the same time,
04:44you have also told that the film is a lot like this.
04:46So, you have to land here.
04:47Yes.
04:48It is a very supportive environment.
04:52You are talking about this very intense film. I have seen some of your work like Kala, Kala, I don't know how to pronounce it.
05:01And then I have seen Railway Men in Bits and Pieces. That was intense.
05:07You have to be involved very emotionally.
05:11So after all this, do you feel that I have to be a light light hair fairy time?
05:17He told me that I am doing two romantic comedies.
05:24He said it on the last day of the shoot.
05:26And then we have two more intense films.
05:30So does this kind of role attract you, do you think?
05:33I think I attract the role.
05:36I don't know what it is.
05:38But maybe something happens when you're in your head, you seem to attract those things in your head.
05:43Maybe I am doing comedy, but now there is something that attracts those things.
05:49I mean, it's very intense.
05:51There are some emotions in your head when you come out.
05:54It's not in my head.
05:56I always feel that it's my remote control in my head.
06:00See, you all are storytellers.
06:02I have seen your work.
06:03I have seen your work.
06:04I have seen your Jadugr.
06:05It was very good.
06:06So it's been a little bit of time.
06:08So, and I think that apart from telling stories around it,
06:14obviously messages are there.
06:16But somewhere, a solution should also be.
06:20If I ask you, like a normal citizen,
06:22or a normal citizen,
06:23or a normal citizen,
06:24or a normal citizen,
06:25or a normal citizen,
06:26what do you think?
06:27That is, that a problem is real.
06:29Especially the children,
06:30the children,
06:31the children,
06:32who have to take a doctor,
06:34to leave the addiction to the game.
06:37What do you think can be a solution to it?
06:41If I ask you as a general citizen.
06:43If we look at the trends of the global level,
06:45the first thing is,
06:46don't give the children a phone.
06:48Give the children a phone.
06:50Please don't give the children a smartphone.
06:54Because there are a lot of things
06:55that make them addicts,
06:56and make them a content.
06:58So after an age,
06:59give them a phone.
07:00And secondly,
07:01you have enough locks and mechanisms on your phone,
07:05that there is a daily time limit of apps,
07:07all these things.
07:08You have to monitor them.
07:09Especially after an age,
07:10especially after an age.
07:13So I think these are all things
07:15that have been banned in the global level.
07:16Like in Australia,
07:17social media has been banned.
07:18For anybody below 15.
07:20I think China has also,
07:22last to last year.
07:23A lot of countries are talking about it.
07:24I think China has also been banned.
07:25But Australia has also been banned.
07:26I think two years back,
07:30they implemented that.
07:32After 9 PM,
07:33something like that.
07:34Yeah,
07:35something like that.
07:36Because there is late night gaming,
07:37and there is also a lot of culture.
07:39So actually,
07:40even before smartphones,
07:42when we were in college,
07:43there was a lot of land gaming.
07:45So professors had internet access off at night,
07:47after 12 o'clock.
07:49So yeah,
07:50we have to do this kind of things.
07:52Yes, yes.
07:53And Babel,
07:55I think he is in the role.
07:57I mean,
07:58How do you guys think that
07:59for this role,
08:00he is there?
08:01He has paid a lot.
08:03He's very hard.
08:04He's very hard.
08:05He's very hard.
08:06He's very hard.
08:07He's from the audience.
08:08He auditioned like anybody else,
08:09and I liked his audition.
08:11And we are talking about
08:14that there is a unique rhythm
08:16that every actor has something.
08:18We found it very fascinating that he took the hidden humor to a different level
08:27When he was scared, he was not scared like he was thinking about it
08:32He was taking his own things, so it was very interesting
08:35So we thought we would meet and then we thought that he was ready for a lot of work
08:40So that's the fit for us
08:43Recently, I know the story is completely different, I have seen it in different pieces
08:50One more had come CTR, control, so that is also similar to this
08:56A fundamental difference I think is that it is AI around and it is a bit of science fiction
09:02Our thing is around phone, social media is just a subset
09:07It is around what can happen if it is a real problem that I will take your phone
09:12So you have all your information on the phone and you don't even know it
09:16So how can a person misuse it?
09:19This is actually one layer
09:21The other layer I think is a celebrity and fan
09:24Obsessed fan
09:27Is he a fan or a consumer?
09:30Is he a fan or a consumer?
09:32When we were talking about it, we had a live stream that came out of a YouTube channel
09:39And he said, sir please open the door, we have to meet you
09:42And he was a big fan and he didn't open the door and then the next live stream is like that
09:46Literally two minutes later
09:47He said, do you understand that we are so big fans?
09:50So you flip the perception
09:53So it's just what people perceive of you on that device is not who you really are
09:59So in that kind of film
10:01So this is the parasocial relationship is the other layer
10:04So I think this is closer to the real world and today
10:08Versus the threat that comes from
10:11As a storyteller, you must be following a lot of influencers
10:16Or you don't follow them, they are closely observing them
10:19Yes
10:20There are some content that you think are genuine
10:24So what kind of content do you personally feel that genuine is?
10:28Is there something that is being used in society?
10:32I don't know, but I can tell you what I am seeing
10:37I mean, what do you think for me?
10:40It depends on the topic
10:43But it depends on some topics
10:44Like the podcast culture
10:46I really like that
10:48I mean, I have 2-3 hours
10:52So I do that as a learning opportunity
10:55On that side of the social media
10:57There is also a fun side
10:59So you have little comedy means
11:02That is a different aspect that I enjoy myself
11:06And since obviously
11:10Web or film
11:12You know, everybody says that
11:15You know, there is a trend in Hindi cinema
11:18That if there is a crime thriller, it will be made
11:23If there is a courtroom drama, it will be made
11:26Do you see this as the next wave of story?
11:30You know, it depends on the influencer
11:33Honestly, I think that
11:35The phone is so integral
11:36That there are films on the phone
11:38It is very little
11:39So I am saying that
11:40It should probably happen
11:41That people acknowledge this device
11:43And make other stories
11:45Because it is such an important tool
11:47And to capture cinematically
11:48It is very boring
11:49Because what will you do
11:50One person will talk
11:51And the other side will be cut
11:52And the other person will talk
11:53And the other person will talk
11:54So make some interesting stories
11:56Around it
11:57It is very important
11:58In this device
11:59There are a lot of stories
12:00That are related to this generation
12:02The device has been 10 years
12:03So how many pictures have been made?
12:05No, 10 years
12:06I mean, it is not
12:07I mean, it is a smartphone
12:08I mean, it is a smartphone
12:09After the Jio
12:10There is a smartphone
12:11The smartphone, social media, reels
12:13It has been 3-4 years
12:14It is a smartphone
12:15It is a smartphone
12:16It is a smartphone
12:17It is a smartphone
12:18It is a smartphone
12:19It is a smartphone
12:20It is a smartphone
12:21Yes
12:22You also have followers
12:24Yes
12:25Can you tell me a few incidents
12:27I mean, it is weird
12:29And maybe
12:30Probably you are scared
12:32No, my followers are very much
12:35And I love them
12:37Honestly
12:38It is not me
12:40I will tell you
12:42I will tell you
12:43I can make a story
12:44But I will tell you
12:46I am not really
12:47I am very scared
12:48He is scared
12:50I will tell you
12:51I am scared
12:52I will drive to the body
12:53And I will drive
12:54And I will find it
12:55I am enjoying it
12:56I am very enjoying it
12:57You have
12:59And now
13:00You are working closely with Yashraj
13:02Now
13:03Yes
13:04What can we see in the future
13:06From your kitty
13:07Yes
13:08Yes
13:09It is now
13:10Hopefully
13:11Towards the end of this year
13:12Early next year
13:13It will start
13:14NDA
13:15We will start
13:16But yes
13:17I will not tell you
13:19But there is exciting stuff
13:22There is a lot of exciting stuff
13:23There is a lot of exciting stuff
13:24Yes
13:25So
13:26It will be fun to collaborate with them
13:28I hope
13:29Yes
13:30You are wanting to tell something
13:31But you are not telling
13:32No, I am sorry
13:33I am sorry
13:34I am sorry
13:35I am sorry
13:36I am sorry
13:37Basically
13:38Formally
13:39They will have to announce things
13:40So first
13:41We will not want to say anything
13:43It will be
13:44Not proper
13:45You both
13:46When I started the interview
13:47You both were talking about
13:48Like how
13:49An idea came to your mind
13:50And then you know
13:51Started discussing
13:52And how it took a shape
13:53In six to seven months
13:55So recently
13:56Subhash Gheesh sir
13:57He gave an interview
13:58And he was talking
13:59In that
14:00You know
14:01Interview about the bad script
14:02And bad stories
14:03And which has led to
14:04A kind of
14:05Downfall of Hindi cinema
14:07And all that
14:08And he said
14:09He said
14:10I have written script in my team
14:12And he said
14:13He said
14:14He wrote it in 15-20 days
14:15And he said
14:16He said
14:17Something like that
14:18He said
14:19So
14:20It was something that
14:21You know
14:22Struck me
14:23And then I was thinking
14:24How
14:25How much time
14:26Because
14:27I think
14:28I think
14:29I think
14:30I think
14:31I think
14:32I think
14:33I think
14:34The script
14:35Are never finished
14:36They are abandoned
14:37So
14:38At one time
14:39When you think
14:40Yes
14:41Now
14:42If I change more
14:43Then
14:44Things will break
14:45Then
14:46You should have to stop
14:47So
14:48Our
14:49democratic
14:50Yet
14:51Aggressive
14:52Process
14:53To fix
14:54So
14:55The audience
14:56That
14:57Of
14:58The audience
14:59So
15:00I think
15:01The audience
15:02You're
15:03It will be approved on the first pitch.
15:05So actually, the pitching process is not tough for us.
15:08We had only worked so hard that it was approved.
15:12And with each film, it will be the same as depending on the process of each person.
15:17But I think in our process, we have the most important time for script writing.
15:25Because whatever problems you can fix on the script,
15:29everything else costs lots of money and time and crew.
15:35If you give the entire script, you are convinced that,
15:38like he said, democratically,
15:39we do a lot of internal narrations just to figure out
15:42what is working and not working.
15:44In that way, we take time for a bit.
15:46In fact, we take a little bit of time for infamously and notoriously,
15:49but I think that has its own value.
15:52Because it looks at the final product.
15:54You said you spilled some beans about that.
15:57You are doing your next two projects are also that's intense.
16:00Yes, yes, yes.
16:01But that is the idea.
16:02That is the idea.
16:03No, in truth.
16:05Actually, if you sign the idea,
16:07then you don't say anything.
16:09But isn't it good that you will get a surprise?
16:14You will get a surprise.
16:15So that is also a good surprise.
16:18Don't surprise me.
16:19Yes, actually.
16:20Before we finish this interview,
16:22I just came across a news that FTI,
16:25Irfan sir's old films are releasing.
16:30Yes, yes, yes.
16:31So, you know, what do you have to say about it?
16:34No, I love watching these films.
16:37Yes, yes, yes, yes.
16:38And I think…
16:39When…
16:40And it was the 90s actually.
16:42If I am not wrong.
16:43Yes, yes.
16:44Actually, after NSD,
16:45there was a lot of work on FTI,
16:46there was a lot of work on student projects.
16:49Yes, yes, yes.
16:50It could happen.
16:51But…
16:52I think…
16:53I think that…
16:54When a man surrenders his work and his art,
16:59then he passes away,
17:01then he stays alive.
17:03And when he comes back to life,
17:06you bring him back to life.
17:08You have seen his work of 90s?
17:11I mean, have you seen it?
17:12I haven't seen it.
17:13I haven't seen it.
17:14I haven't seen it.
17:15No, no, no.
17:16I haven't seen it.
17:17Sunday.
17:18I haven't seen it all.
17:20I haven't seen it all.
17:22I haven't seen it all.
17:23But I haven't seen it all.
17:24I haven't seen it all.
17:25I haven't seen it all.
17:26I haven't seen it all.
17:27I haven't seen it all.
17:28So thank you so much.
17:29Our interview is almost done.
17:31Would you like to add something from your side?
17:33No.
17:34Our film is coming.
17:35It's a very entertaining thriller.
17:40And it is on a topic which is very relevant today.
17:44So I hope the audience watches it.
17:46And I think they will definitely like the performance.
17:49In the movie.
17:50Or double-pressure.
17:51Yes.
17:52So yeah, please watch it on Z5 on 18th April.
17:59Tr 확실히 something else.
18:00Thank you so much.
18:01Bye.
18:03Same list.
18:04Lash including his series.
18:07And for tuning in.
18:08Bye.
18:09See you later.
18:10You have a secretary.
18:11See you later.
18:13Thank you all.
18:14See you later.
18:16Bye.
18:17Bye.
18:18Bye.
18:22Bye.

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