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A survivor leaves a quarantined island and uncovers horrifying secrets among the infected in the dangerous mainland beyond.
Transcript
00:00In 28 years later, we tried imagining how a world would rebuild itself after an apocalypse.
00:11Initial conversations were often about imagining what does 28 years later mean?
00:17If the infection is still on Britain, what does the infection look like?
00:21Get back to the truth.
00:23How does the rest of the world respond to that?
00:27Has the country been quarantined, essentially abandoned?
00:31Holy Island, which is where our film begins, it's protected by a causeway that you can defend.
00:38But there's a lack of machinery, no electricity or fuel.
00:41Everything that surrounds our life now, suddenly it's useless.
00:45The mainland then becomes somewhere over there, which has both promise and threat.
00:52When countries collapse for one reason or another, they're often abandoned.
00:56There's a ruthless, pragmatic, dog-eat-dog dimension to the way these things play out.
01:05And the infected, these are extraordinary creatures.
01:10They haven't died and come back to life.
01:13They're living people who've got sick and been infected with the rage virus.
01:17That dictates some stuff.
01:21They need to drink, they need to eat.
01:23If they've survived 28 years infected with this disease, what would they look like?
01:28Are they similar to anything in the animal kingdom?
01:31What would they be similar to?
01:32When you're doing a movie, you're looking for those images that will terrify people.
01:41There's a visceral element to cinema where you have a responsibility to push the envelope as far as you can go.
01:48I want that sense of suffocating intensity.
01:55It doesn't feel like a sequel.
01:58It feels like an original film.
02:00First World đã chết 내일 minh.
02:03J
02:16Like.
02:16Close the world.
02:17I can't.
02:18When your world.
02:19You don't.
02:19Close the world.
02:20I got some new memories when you see them early.
02:21

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