Genre: Romance - Drama - Tragedy
Year: 1931
Director: John Francis Dillon
Stars: Helen Twelvetrees - Lilyan Tashman - Robert Ames
Synopsis:
“Millie” (1931) tells the story of Millie Blake, a woman who, after a failed romantic relationship, decides to live a more unrestrained life. When she discovers that one of her former partners is seducing her daughter, Millie makes decisions in the situation to protect her daughter.
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Year: 1931
Director: John Francis Dillon
Stars: Helen Twelvetrees - Lilyan Tashman - Robert Ames
Synopsis:
“Millie” (1931) tells the story of Millie Blake, a woman who, after a failed romantic relationship, decides to live a more unrestrained life. When she discovers that one of her former partners is seducing her daughter, Millie makes decisions in the situation to protect her daughter.
Enjoyed this classic? Give it a thumbs up 👍 and hit that subscribe button 🔔 to join our Vintage Screen Gems community! More timeless movies await—don’t miss out! 🎬
Category
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FunTranscript
00:02:29I want to live to go everywhere and see everything and fill everything.
00:02:36How would you like to go to New York, Millie?
00:02:38Oh, I love it, but...
00:02:39Oh, it'll be a long time before I get there, I guess.
00:02:48How would you like to go with me?
00:02:52Listen, that's the one thing I won't do.
00:02:55I thought we'd settle that a year ago at Millers Farm.
00:02:59Oh, I mean it.
00:03:01I think you're the most beautiful girl in the world, and I'm the man to take care of you.
00:03:05Am I being proposed to?
00:03:07You're getting the news broken to you gently that you're going to be Mrs. Jack Mason of New York.
00:03:12See, that looks funny.
00:03:39It looks great.
00:04:03Anything else, sir?
00:04:04Ice water?
00:04:05If I want anything, I'll call you.
00:04:07Thank you, sir.
00:04:08Sure.
00:04:22Millie.
00:04:27Why, darling, you're trembling.
00:04:29It's just excitement.
00:04:33Mrs. Jack Maitland.
00:04:37I don't know.
00:04:44Are you... sleepy?
00:04:47Sleep?
00:04:48Oh, no!
00:04:49No!
00:04:51Why don't we drive to New York now?
00:04:53Now?
00:04:54It's only two hours.
00:04:58I'll see you.
00:05:00Who is your boss?
00:05:02My husband.
00:05:05Do you love him?
00:05:08Yes.
00:05:13Afraid of him?
00:05:17I guess I'm silly.
00:05:20Of course, you are.
00:05:21Now, come on, darling, and get some rest.
00:05:23You're all tired.
00:05:24No.
00:05:28A little rest will do you worlds of good.
00:05:34I have to telegraph.
00:05:36Telegraph?
00:05:37Yeah, my mother.
00:05:39Oh, good heavens.
00:05:41I'll telephone her.
00:05:42You get to bed.
00:05:52Hello.
00:05:53Give me long distance, please.
00:06:02Hello, Mrs. Blake?
00:06:04This is Jack Maitland.
00:06:06Millie wants to talk to you.
00:06:07Hold the wire, please.
00:06:08Yes.
00:06:09Hold the phone.
00:06:10Oh, Millie.
00:06:12Millie.
00:06:17Come on, darling.
00:06:18This is long distance.
00:06:20Step on it.
00:06:22I have nothing to put on.
00:06:27Oh, here.
00:06:35Please hurry, honey.
00:06:49Hello, dear.
00:06:54I'm married.
00:06:58I married Jack Maitland.
00:07:01We're in a hotel in Greenwich.
00:07:03Married?
00:07:06Well, if you're married to such a fine man of Jack Maitland,
00:07:09what are you crying about?
00:07:12But I...
00:07:13I never got married before.
00:07:15How can I tell?
00:07:20I'll...
00:07:21I'll write to you when we get to New York.
00:07:25Goodbye, dear.
00:07:33Millie.
00:07:37Did you tell her?
00:07:40Yes.
00:07:41What did she say?
00:07:45She said...
00:07:46for you to be good to me.
00:08:02I got...
00:08:03What?
00:08:04I got my little bath.
00:08:06You did?
00:08:07Well, think of that.
00:08:09Such a big girl.
00:08:10I don't know my little baby.
00:08:12Yes, dear.
00:08:13Do you want your bath now, huh?
00:08:15Mm-hmm.
00:08:16You do?
00:08:17And shall Mama give it to you?
00:08:19Yes.
00:08:20Oh, you dear.
00:08:22Mother loves you so.
00:08:23Precious one.
00:08:24Come on.
00:08:25Stand up.
00:08:26Up she goes.
00:08:27Oh, you're getting so big, Connie.
00:08:28I don't know my little girl.
00:08:30Come on.
00:08:31Shall we go in?
00:08:33All righty.
00:08:35Come in.
00:08:37Time for the baby's bath, Miss Maitland.
00:08:38Oh.
00:08:39Let me give her a bath, will you?
00:08:40I'll do it just like you do it.
00:08:41Now, Miss Maitland, don't tease.
00:08:42Oh, go on.
00:08:43Please let me.
00:08:44I'm sorry, Miss Maitland.
00:08:45Say, whose baby is this?
00:08:46Oh, I'm sorry, Miss Maitland.
00:08:47I'm sorry, Miss Maitland.
00:08:48I'm sorry, Miss Maitland.
00:08:49I'm sorry, Miss Maitland.
00:08:50I'm sorry, Miss Maitland.
00:08:51I'm sorry, Miss Maitland.
00:08:52I'm sorry, Miss Maitland.
00:08:53I'm sorry, Miss Maitland.
00:08:54I'm sorry, Miss Maitland.
00:08:55I'm sorry, Miss Maitland.
00:08:56I'll do it just like you do it.
00:08:57Now, Miss Maitland, don't tease.
00:08:58Oh, go on.
00:08:59Please let me.
00:09:00I'm sorry, Miss Maitland.
00:09:06Say, whose baby is this?
00:09:07Well, what's that all about?
00:09:18Oh, it's that governess.
00:09:19You think she owned my baby?
00:09:21Oh, we see it about 10 minutes a day.
00:09:26Oh, Jack.
00:09:29Don't be cross.
00:09:30Honey, it's awful.
00:09:31I haven't got a thing to do all day long
00:09:33until you come home.
00:09:34It's too bad about you, isn't it?
00:09:36A beautiful home,
00:09:37all the clothes that money can buy
00:09:38and a car to ride around in.
00:09:40Oh.
00:09:41That doesn't make up for being lonely.
00:09:44Yes?
00:09:47Your bags are all packed, sir.
00:09:48And the car's at the door.
00:09:49Yes.
00:09:52Oh, Jack.
00:09:53Are you going to go away again this weekend?
00:09:56My business demands it.
00:09:58Oh, honey.
00:09:59Forget business for a couple of days.
00:10:02Let's be like we're used to.
00:10:03Just the two of us.
00:10:04Are you going to start that again?
00:10:06I'm sorry.
00:10:07I...
00:10:08I won't talk about it anymore.
00:10:09I'm sorry.
00:10:10I...
00:10:11I won't talk about it anymore.
00:10:13I won't talk about it anymore.
00:10:34You're a sweet kid.
00:10:35I won't talk about it anymore.
00:10:36I won't talk about it anymore.
00:10:39I thought you were going to forget again this morning.
00:10:41Forget what?
00:10:42To kiss me.
00:10:44Well, you see, I didn't.
00:10:46Oh, but Jack, I...
00:10:47I mean a real kiss the way you used to.
00:10:52There you are.
00:10:56Well, what's the matter now?
00:10:57I don't know.
00:10:58Don't you love me anymore?
00:11:00Well, of course I do, sweet, but...
00:11:02You don't kiss like it.
00:11:04Well, good heavens, dear.
00:11:05I can't waste all my days billing and cooing.
00:11:07I have business to look after.
00:11:09Well, business didn't bother you when we were first married.
00:11:13You don't love me anymore.
00:11:14That's what it is.
00:11:16I loved you when I married you, and I love you now.
00:11:19Well, then why do you leave me day after day?
00:11:23I get so lonesome I could die.
00:11:25Do you think I go away because I want to?
00:11:28Why are you always kicking?
00:11:30Well, why shouldn't I kick?
00:11:32I'd like a little fun for a change.
00:11:34I'd like a little loving once in a while.
00:11:36And what do I get?
00:11:38You're downtown all day, when you do come home at night,
00:11:40you go to bed and you snore.
00:11:42Listen, I'm not going to stand here and argue with you.
00:11:43I have a train to catch.
00:11:45Goodbye.
00:11:46That's right, run!
00:11:48You big coward, run!
00:11:55Good morning, Melissa.
00:11:56Good morning, Mother.
00:11:57Good morning, Mother.
00:11:58How's the baby?
00:11:59Oh, she...
00:12:00She's just like a little angel.
00:12:02What's the matter, sweet?
00:12:03I'm afraid I was crossed with Jack this morning.
00:12:05Oh, he'll get over it.
00:12:06I'm sure of that.
00:12:07It's just like a little angel.
00:12:08I'm afraid I was crossed with Jack this morning.
00:12:13Oh, he'll get over it.
00:12:14I'm sure of that.
00:12:16It takes time for young people to adjust themselves to each other.
00:12:18And a whole lot of patience.
00:12:19You do like me a little, don't you?
00:12:23I'm sure of that.
00:12:24I'm sure of that.
00:12:25You're a little bit of patience.
00:12:26I'm sure of that.
00:12:27What's the matter, sweet?
00:12:28I'm afraid I was crossed with Jack this morning.
00:12:29Oh, he'll get over it.
00:12:31I'm sure of that.
00:12:34It takes time for young people to adjust themselves to each other.
00:12:39And a whole lot of patience.
00:12:42You do like me a little, don't you?
00:12:45I love you, Millicent.
00:12:48I was thinking only this morning that if I had a daughter,
00:12:52I should want her to be just like you.
00:12:55I could just hug you to pieces with her.
00:12:59Thank you, dear.
00:13:00Maybe that's Jack now.
00:13:08Hello?
00:13:09What?
00:13:11Why, Angie Wickersham.
00:13:15When did you get to New York?
00:13:17And you never told me.
00:13:20Why, Angie and I grew up together.
00:13:23Well, I didn't ring you because I thought you might be too proud to talk to me.
00:13:28Well, then I got thinking you might get sore if I didn't.
00:13:31So I did.
00:13:32So she did.
00:13:34So she did.
00:13:37Oh, I live with a girl named Helen.
00:13:41Oh, I'm working.
00:13:43Say you're a sales girl at Mason's.
00:13:45I'm a sales girl at Mason's.
00:13:47You've got the day off.
00:13:48I've got the day off.
00:13:49Tell her to meet you in front of Mason's at one.
00:13:53Can you meet me in front of Mason's?
00:13:55One o'clock.
00:13:56One o'clock?
00:13:57All right.
00:13:59I'd like to see you pretty bad.
00:14:02Goodbye.
00:14:05I got her to come.
00:14:07You got her to come?
00:14:09She's coming in spite of you.
00:14:12I guess I know how to talk to a friend from home without you telling me.
00:14:16Did you tell her how to bring your room rent?
00:14:19You'll get your money.
00:14:20Now, will you fade?
00:14:22You'll fade.
00:14:43I never knew they had cabarets running in the daytime.
00:14:47Yes.
00:14:48It's a place for tired businessmen to relax in.
00:14:52Oh, hello.
00:14:53Hello.
00:14:54Same as usual?
00:14:56Yes, thanks.
00:14:57I'll take Ginger out.
00:14:58Yes.
00:15:02I come here pretty often.
00:15:04Yes, I see.
00:15:05You're rather well acquainted.
00:15:07It isn't hard for a girl to get acquainted in this town.
00:15:10Oh, Angie.
00:15:11Don't try to fool me.
00:15:13I'm your friend.
00:15:15Tell me, how did you happen to come to New York?
00:15:18Well, I got engaged to a man who got his divorce in Mexico.
00:15:23You would.
00:15:25Well, how can a girl tell what's going to happen in Mexico?
00:15:28Oh, Angie.
00:15:31Hello, Miss Riley.
00:15:32Oh, hello, Max.
00:15:33I'm looking for my girlfriend.
00:15:35Oh, never mind.
00:15:36There she is.
00:15:37All right.
00:15:43Oh, there you are, my dear.
00:15:44Hello, Helen.
00:15:45Uh, Miss Riley, Miss Blake.
00:15:46Oh, uh...
00:15:47Mrs. Maitland now, is it not?
00:15:49Oh, just Milly, if you'd like.
00:15:51Won't you have something?
00:15:53Cream to milk.
00:15:54Not hard to manage, you know.
00:15:56This is a pleasant little witch party.
00:16:00Say, what's that crack?
00:16:02I... I beg your pardon.
00:16:04Beat it. Beat it. Go on, beat it.
00:16:07Oh, well...
00:16:08I hope you don't misunderstand, my dear.
00:16:10No, I... I don't.
00:16:13Oh, then I can relax.
00:16:16Say honestly, Milly.
00:16:18You're a good egg.
00:16:20Well, I hope so.
00:16:21Say, I... I like to call my home.
00:16:23My husband's away,
00:16:24and suppose we have dinner tonight.
00:16:25Gee, that'd be swell.
00:16:26Where the phone?
00:16:28Right over there by the door.
00:16:29I'll show you, Milly.
00:16:31No, don't bother. I can find her.
00:16:36Say, you know, Angie?
00:16:38I like that dame.
00:16:42What ails you?
00:16:44Well, the dirty cheater.
00:16:48Who?
00:16:49Him, her husband.
00:16:51That one with the blonde dame?
00:16:52Yeah.
00:16:56Well, what ever made you bring her here,
00:16:57you little moron?
00:16:59Well, how did I know?
00:17:00Why, he's in here all the time.
00:17:02I've never seen him.
00:17:03Oh, he has that blonde dame in here five days a week.
00:17:06Really?
00:17:07Here we are.
00:17:11Here she comes.
00:17:13Oh, get her out of here.
00:17:14Tell her you're sick. Tell her anything.
00:17:20Here we go.
00:17:21Here we go.
00:17:22Do we have dinner here?
00:17:23Oh, no.
00:17:24The food here is terrible, Milly.
00:17:25Let's go to Cavanaugh.
00:17:26Yes, let's.
00:17:27Well, are we going to have our drinks?
00:17:28Oh, we can get some drinks over there.
00:17:29Yes, and it's so stuffy in here.
00:17:30I feel a little faint.
00:17:31Yeah, come on, Milly.
00:17:32Let's blow.
00:17:33Oh, I love this too, Milly.
00:17:34Let's watch him dance a few minutes.
00:17:37Oh, come on, Milly.
00:17:38Let's not eat here.
00:17:39Well, all right.
00:17:40Let's not eat here.
00:17:41Well, all right.
00:17:42All right.
00:17:43Oh, no, come on.
00:17:44I don't like that.
00:17:45I want to sit down with you.
00:17:46All right, Milly.
00:17:47Come on.
00:17:48Let's go to Cavanaugh.
00:17:49I don't like that.
00:17:50You're not going to have to be a little faint.
00:17:51Yeah, come on, Milly.
00:17:52Let's blow.
00:17:53Oh, I love this tune, that man.
00:17:54Let's watch him dance a few minutes.
00:17:56Oh, come on, Milly.
00:17:57Let's not eat here.
00:17:58All right.
00:18:06Jack.
00:18:09Honey, let's not dance anymore.
00:18:10I want to sit down with you.
00:18:12All right, do it.
00:18:26Oh, I'll bet that dame can suck.
00:18:30Her father was a blacksmith.
00:18:32Really?
00:18:32Come on, beautiful.
00:18:42What can we do for you?
00:18:44Millie.
00:18:45Who is this woman?
00:18:47Who wants to know?
00:18:48Quiet.
00:18:49What for?
00:18:51Say, what are you putting in here for?
00:18:53Please, will you come on?
00:18:54Let's get out of here.
00:18:55Take your hands off me.
00:18:56Dame, anyhow.
00:18:57Will you keep quiet?
00:18:58This is my wife.
00:18:59That wouldn't mean anything to her.
00:19:00Oh, your wife.
00:19:02Will you keep quiet?
00:19:03You'll have everybody in the place in here.
00:19:04Let them come in.
00:19:06Well, Mrs. Maitland, we'll have a showdown, and right now.
00:19:13Tell her what I am to you, or I will.
00:19:15Go on, tell me what he is to you.
00:19:16She doesn't know what she's talking about.
00:19:18I don't?
00:19:19Well, I'm his sweetheart.
00:19:20That's what I am, and you don't mean a thing to him.
00:19:22Millie!
00:19:23Waiter, will you hold her?
00:19:25So this was your important business.
00:19:27Let me go.
00:19:27Citizen, please, will you come out of here?
00:19:29I must start dragging you.
00:19:29Take your hands off me.
00:19:31You and I are through, you chief.
00:19:38Oh, Millie, I'm terribly sorry.
00:19:40Gee, Millie, you look kind of sick, honey.
00:19:41Don't you think we'd better go?
00:19:43I'm all right.
00:19:44Millie, will you come out of this place?
00:19:46If it's good enough for you, it's good enough for me.
00:19:48But you can't be seen here.
00:19:50From now on, I don't care where I'm seen,
00:19:53as long as I'm not seen with you.
00:19:55Come in.
00:20:16Come in.
00:20:20Hello, Millie. How are you?
00:20:23Hello, Millie.
00:20:25I'm glad to see you.
00:20:27Well, this is the heaven divorce dropped you into.
00:20:31Floyd Avenue, on the elevator.
00:20:33Oh, it isn't so bad.
00:20:35Well, I'm dealing with marriage.
00:20:37From now on, I'll play my own way.
00:20:40Well, you salvaged some good clothes anyway.
00:20:43This is nice. Here.
00:20:45Slip it on and they'll take you to the domino room and show you off.
00:20:48And we'll get you a job in the courses, just like we started with.
00:20:51That ought to get you a quick offer.
00:20:53But I can't afford to go out at night.
00:20:56Well, you certainly can't afford to stay home nights.
00:21:00Not at this stage in the game.
00:21:03I've got to get up in the morning early and look for work.
00:21:06Work?
00:21:08Well, of course.
00:21:10When are you going to find time for opportunity?
00:21:12Well, don't you call a good job an opportunity?
00:21:15Well, I wouldn't call it very substantial.
00:21:18Now, just what kind of a job would you like?
00:21:21Well, I...
00:21:23I don't know. I want...
00:21:25I see. You're just going to pass up everything and become a working girl.
00:21:29Yes, I guess that's it.
00:21:31What I can't understand is giving up that baby and not collecting for it.
00:21:35I think it's unnatural.
00:21:37Terrible.
00:21:38But wouldn't it be selfish to take her away from that beautiful home?
00:21:42And besides, it...
00:21:44It isn't really like giving her up.
00:21:46I call her up every night and...
00:21:49And I see her Sunday.
00:21:50It's Sunday.
00:21:59Isn't she a darling?
00:22:09I suppose nothing matters when...
00:22:11When you've got something like that.
00:22:25Call for Mr. Harrison.
00:22:27Call for Mr. Harrison.
00:22:29Call for Mr. Stone.
00:22:31Mr. George Stone.
00:22:33Call for Mr. Johnson.
00:22:34Call for Mr. Johnson.
00:22:38No, thanks. I have my dinner at home.
00:22:40But if I ever come to Akron, I certainly will.
00:22:46You know, I could use you very nicely in one of our shows.
00:22:50Thanks, Mr. Marks.
00:22:51But I don't want to join your show or any show for that matter.
00:22:59Would you like to be a rich broker?
00:23:01No, thanks.
00:23:02All the rich brokers I care to in the last two years, right here.
00:23:12Good morning, Mr. Damien.
00:23:14Good morning, Millie.
00:23:16Hello, Jim.
00:23:17Hello, Mark.
00:23:19Some cigarettes, Keith.
00:23:23Mark, it's a lucky thing for you.
00:23:24You haven't got Miss Blake in your show.
00:23:27Lucky? How?
00:23:29Well, you'd never find another girl lovely enough to match up with her.
00:23:32Oh, that stops me.
00:23:36I bet you went to bed early to crack them out that good.
00:23:39I stepped around till four.
00:23:41Well, you certainly don't look it.
00:23:43No?
00:23:44I have to get my good old eight hours or I'll never get any place.
00:23:49Just what is your ambition, Millie?
00:23:50Oh, to keep my independence and perhaps a little comfort.
00:23:57Finding it difficult?
00:23:59Sort of.
00:24:00Really?
00:24:02You know, independence seems to be a hard thing to hang on to.
00:24:06Well, how about the comfort?
00:24:08Oh, lots of offers.
00:24:09Oh, I see.
00:24:12Then I'll have to wait my turn in line.
00:24:14Huh?
00:24:15Oh, no, you won't.
00:24:17Well, that's interesting.
00:24:19There isn't any line.
00:24:21And that's unbelievable.
00:24:24Oh, yes?
00:24:25Yes.
00:24:26Hello, Millie.
00:24:27Oh, hello, Tommy.
00:24:28Hello, Millie.
00:24:29Hello.
00:24:30How are you doing this this morning?
00:24:31Not so good, Jim.
00:24:32What a crop of eyes you three have.
00:24:35You ought to see the tonsils.
00:24:38Why don't you boys go up to my room and ask Henry to mix you a pick-up?
00:24:41Oh, thanks, Jimmy.
00:24:43These bankers have such tender hearts.
00:24:45Why shouldn't they run the country?
00:24:47Don't ask me riddles.
00:24:49Come on, let's get the life saver.
00:24:53Well, as I was saying...
00:24:55See you later, Tommy.
00:24:59See you later, Tommy.
00:25:01So long.
00:25:06Millie?
00:25:07Goodbye.
00:25:12Marty.
00:25:13I couldn't let him get away with that.
00:25:15As sick as I am.
00:25:16Oh, Tommy, why don't you slow down?
00:25:18You'll never get any places until you do.
00:25:21I wish I felt as good as you look.
00:25:23Uh-huh.
00:25:24Well, you gotta start the night before for that.
00:25:26Hello, Millie.
00:25:27Sorry I was late.
00:25:28Oh, that's all right.
00:25:32Well, what's the idea?
00:25:33This is my day off.
00:25:35Say, when you take a day off, it's a national holiday.
00:25:38What do you say we go to Coney Island and celebrate?
00:25:40No, Tommy.
00:25:41I wouldn't risk having you fired.
00:25:43Oh, don't worry.
00:25:44I take that risk 365 days a year.
00:25:47What do you say?
00:25:48I can fix it with the editor.
00:25:50All right.
00:25:51I'll go get that pick-up and be right back.
00:25:54If we go to Coney, no pick-up.
00:25:57Okay.
00:25:58No pick-up.
00:26:02Goodbye.
00:26:03Have a good time.
00:26:04Have a good time.
00:26:05Mm-hmm.
00:26:10Well, for heaven's sake.
00:26:12Say, who's been gilding these lilies?
00:26:15Hello, Millie.
00:26:16Hello.
00:26:17Hello, Millie.
00:26:18Oh, don't you look great.
00:26:20We're just back from Saratoga.
00:26:22What a season we've had.
00:26:24Oh, they're lovely.
00:26:26You know Mr. Rock, don't you?
00:26:28I'm afraid so.
00:26:29We're lunching at Sherry's.
00:26:30Yeah, what's going on there?
00:26:31A trade convention?
00:26:33Soak your head.
00:26:35Would you like to come along, dear?
00:26:36No, I'm going to Coney with Tommy.
00:26:39What a man.
00:26:41I have my moment.
00:26:43I'll be back in a minute.
00:26:46What in the world do you see in that egg?
00:26:50Oh, he's a nice boy and he doesn't try to pour me.
00:26:53She goes out with men for the darndest reasons.
00:26:59Oh, say, we saw Maitland in Saratoga.
00:27:01And of all the parties he threw.
00:27:04You know, Millie, every time I think of you turning down that Maitland dough,
00:27:07I get chill blamed.
00:27:09When I'm through with a man, I'm through.
00:27:12When I'm through with a man, I'm just beginning.
00:27:15Let's go, huh?
00:27:16All right.
00:27:17You don't mind if we run?
00:27:18No, bring us up sometime, Millie, will you?
00:27:19Sure, I will.
00:27:20Don't let Millie eat too much.
00:27:21No, I won't.
00:27:24Come on, dear.
00:27:25Look at her going to Coney with a reporter.
00:27:32I don't know what it is, but that town you two came from leaves a terrible mark.
00:27:39What kind of a mark?
00:27:41Oh, shut up.
00:27:42What a name and a half of me, you said yes, in your life!
00:27:45Why not?
00:27:47Where is he going?
00:27:48Why?
00:27:49Why not?
00:27:50I don't know.
00:27:51I don't know what I like to do.
00:27:52Oh, yes?
00:27:53I don't know what I like to do.
00:27:55Oh, yes?
00:27:56That blue.
00:27:58That blue?
00:28:00Uh-huh.
00:28:01You want a fool with me?
00:28:09Ow!
00:28:10Oh, that's so good.
00:28:20No waiting. Naughty legs.
00:28:22If you think it's enough, you know.
00:28:23Look at everybody. They look so pretty.
00:28:25I ain't ain't ain't.
00:28:27I ain't ain't.
00:28:29I ain't ain't.
00:28:31Oh, there's...
00:28:33I ain't ain't.
00:28:35I ain't ain't.
00:28:37I ain't ain't ain't.
00:28:39I ain't ain't ain't.
00:28:41Oh, ladies.
00:28:42Oh, ladies.
00:28:44Thanks for a swell day, Tommy.
00:28:48I never knew before I could do it on ice cream soda.
00:28:51You didn't.
00:28:52You know what you need is a guardian.
00:28:54That's right.
00:28:56You know what I need is...
00:28:58a wife.
00:29:00Well, don't look at me and say it.
00:29:02I held a wife's job once.
00:29:05This would be different.
00:29:07Maybe it'd be different, but it'd still be a terrible position.
00:29:14I'd rather be in the tobacco business.
00:29:18Do I, uh...
00:29:21Uh-uh.
00:29:22You don't.
00:29:23Mm-hmm.
00:29:24Good night.
00:29:25Good night.
00:29:26Good night.
00:29:37Hmm!
00:29:39Uh-uh-uh.
00:29:40Yeah-uh-uh-uh.
00:29:41Beautiful night.
00:29:42It's nice to be a geranium and bloom out in the spring and when the birds return from the south, I can merrily sing.
00:29:56Just because they grow in the sign of a cottage, it's not a spill.
00:30:00One would think that the poor thing would never again a spill.
00:30:04Then they find their delicate thanks around the wind to spill.
00:30:07It's nice to be a geranium instead of a jank.
00:30:18Good-bye.
00:30:20Good-bye.
00:30:21Good-bye.
00:30:22Good-bye.
00:30:23Good-bye.
00:30:24Good-bye.
00:30:25Good-bye.
00:30:31Mr. Bond.
00:30:32Mr. Bond.
00:30:33Mr. Bond.
00:30:34Mr. Bond.
00:30:35Moore.
00:30:36Mr. Bond.
00:30:37Master of the
00:30:56Wayne.
00:30:57Hello, everybody.
00:31:00Jimmy, how are you?
00:31:03Jimmy, you've come to spend your vacation.
00:31:05Well, Tommy, I thought you might need some reinforcements about now.
00:31:10Hey, Millie, we're safe. The Marines are here.
00:31:15Hello, Jimmy.
00:31:16Hello, Millie.
00:31:16See, I'm glad to see you.
00:31:18Hello there, Mike. Give me that.
00:31:19Hey, wait a minute. Wait a minute.
00:31:21You don't know how heavy that is.
00:31:23Lead the way, Millie.
00:31:24Right. Come on.
00:31:25Come on, Mike.
00:31:27Hey, what brings Jimmy Damier here?
00:31:34What brings Jimmy Damier anywhere other than a dame?
00:31:40It's nice seeing you again, Miss Millie.
00:31:42Yeah, that'll be all, Mike.
00:31:44Yes, sir.
00:31:47Good night, Miss Millie.
00:31:49Good night.
00:31:52Here, Miss Dillman.
00:31:53Have a little drink for yourself.
00:31:55Well, I might have.
00:31:57One.
00:31:57One.
00:31:57One.
00:31:58One.
00:31:58Hey, Tommy.
00:31:59Tommy, listen.
00:32:00Say, Tommy.
00:32:01Jimmy Damier is out in the kitchen all alone with Millie.
00:32:06Sh-sh-shall I sock him?
00:32:08Don't be silly.
00:32:09Jimmy's my pal.
00:32:11And don't you worry about little Millie.
00:32:14Well, I guess the party's over.
00:32:15I don't know when I've had a better time.
00:32:21You know, you're wonderful to talk to Millie.
00:32:22I loved hearing about your travel.
00:32:23It must be wonderful to see the world.
00:32:24I...
00:32:24I...
00:32:25I guess the party's over.
00:32:26I don't know when I've had a better time.
00:32:28You know, you're wonderful to talk to Millie.
00:32:30I loved hearing about your travel.
00:32:31It must be wonderful to see the world.
00:32:32I...
00:32:33I want you to see my mandarin robes.
00:32:37Don't you think you should put them in a museum for everyone to see?
00:32:39Uh-uh.
00:32:40No, I keep those for people I like.
00:32:42Oh.
00:32:43That's the kick in having them.
00:32:44I see.
00:32:45I see.
00:32:46I see.
00:32:47I see.
00:32:48I see.
00:32:49I see.
00:32:50I see.
00:32:51I see.
00:32:52I see.
00:32:53I see.
00:32:54I see.
00:32:55I see.
00:32:56I see.
00:32:57I see.
00:32:58I see.
00:32:59I see.
00:33:00I see.
00:33:01I see.
00:33:02I see.
00:33:03I see.
00:33:04I see.
00:33:05I see.
00:33:06I see.
00:33:07I see.
00:33:08I see.
00:33:09I see.
00:33:10Well, suppose we toddle along.
00:33:11We?
00:33:12Uh-huh.
00:33:13We.
00:33:14We.
00:33:15We.
00:33:16The party seems to be over.
00:33:17I'll see you home.
00:33:18Will you?
00:33:19Naturally.
00:33:20Have you a hat?
00:33:21That's all I came in.
00:33:25Our host.
00:33:26Oh.
00:33:27Oh.
00:33:28Well, I see.
00:33:29Well, suppose we toddle along.
00:33:31We?
00:33:32Uh-huh.
00:33:33We?
00:33:34We.
00:33:35We.
00:33:36We.
00:33:37We.
00:33:38We.
00:33:39We.
00:33:40We.
00:33:41We.
00:33:42We.
00:33:43We.
00:33:44Uh-huh.
00:33:45We.
00:33:46Oh, he'll be alright.
00:33:47Great kid, Tommy.
00:33:48Oh, he'll be alright.
00:33:56Great kid, Tommy.
00:33:57Oh, it's from the other two.
00:34:02I have gone to the Turkish bath, Johnny.
00:34:09Well, let's get going, shall we?
00:34:11My car's outside.
00:34:21Millie?
00:34:23Yes, just a minute.
00:34:32Good night, Jim.
00:34:36Good night.
00:34:39What's the idea?
00:34:40Aren't I seeing you home?
00:34:42Not this trip.
00:34:45You're kind of slow making up your mind, aren't you, Millie?
00:34:47No.
00:34:48I'm not.
00:34:49I'm not.
00:34:50I'm not.
00:34:51I'm not.
00:34:52I'm not.
00:34:53I'm not.
00:34:54I'm not.
00:34:55I'm not.
00:34:56I'm not.
00:34:57I'm not.
00:34:58I'm not.
00:34:59I'm not.
00:35:00You're not.
00:35:01You're not.
00:35:02You're not.
00:35:03You're not.
00:35:04You're not.
00:35:05My mind's made up.
00:35:08Good night.
00:35:10I see.
00:35:14Good night, Millie.
00:35:30Good night.
00:35:31Good night.
00:35:32Good night.
00:35:33Good night.
00:35:34Good night.
00:35:35Look at this joint.
00:35:36It's all cleaned up.
00:35:37We must have a little fairy in our home.
00:35:50Since when did Tommy take to reading the women's fashion page?
00:36:00Let's go.
00:36:20Hello.
00:36:22Hello, Tommy.
00:36:24Look, bouquet and everything.
00:36:26I've gone romantic on you.
00:36:28Tommy, you're so sweet.
00:36:30I was just thinking about you.
00:36:32I know.
00:36:33I could feel it all the way up Broadway.
00:36:36I wish you didn't have to work.
00:36:39So do I.
00:36:40We ought to have had today together.
00:36:42But aren't you grateful for what we have?
00:36:45Sure I am.
00:36:47Gee, I'm happy.
00:36:48Are you, darling?
00:36:49I am too.
00:36:51Oh, come on, Millie.
00:36:52Marry me, won't you?
00:36:54I want something to hold us together.
00:36:57But, Tommy, love will do that.
00:37:00If it can't, then the rest doesn't matter.
00:37:02But, darling.
00:37:03Oh, it's like I said, Tommy.
00:37:05I tried it once and it didn't work out.
00:37:08Now I...
00:37:09I wouldn't marry the best man living.
00:37:12And you are that to me.
00:37:15But I'll stick to you, Tommy.
00:37:30Good luck, Millie.
00:37:31You deserve it.
00:37:32You certainly do.
00:37:33Say, you know, I didn't think the answer had that much good sense.
00:37:35Oh, I'm a big shot now.
00:37:36Private secretary and everything.
00:37:37Well, that calls for a few hearty congratulations.
00:37:39I think it's just swell, the way you kept abreast with us.
00:37:40Oh, I've been lucky.
00:37:41That's one reason I'm giving that party tonight at the Claritum.
00:37:42We'll be there.
00:37:43Though, as a matter of fact, it's a double celebration.
00:37:44It's for Tommy's good luck, too.
00:37:45Say, what's that reporter bulled out of you now?
00:37:46Jimmy Damia's giving him a publicity job for me.
00:37:47You know, I'm a big shot.
00:37:48I'm a big shot now.
00:37:49I'm a big shot.
00:37:50Private secretary and everything.
00:37:51Well, that calls for a few hearty congratulations.
00:37:54I think it's just swell, the way you kept abreast with us.
00:37:58Oh, I've been lucky.
00:38:00That's one reason I'm giving that party tonight at the Claritum.
00:38:03We'll be there.
00:38:04Though, as a matter of fact, it's a double celebration.
00:38:07It's for Tommy's good luck, too.
00:38:08Say, what's that reporter bulled out of you now?
00:38:11Jimmy Damia's giving him a publicity job for me.
00:38:14Publicity job in the Haymarket Bank.
00:38:16All right.
00:38:17Isn't that grand?
00:38:18It's a surprise, too.
00:38:19Tommy doesn't know what it's all about.
00:38:21That's what I've always suspected.
00:38:23Oh, now, stop it.
00:38:25Why don't you get Mr. Damia to do something for you for a change?
00:38:29Yeah, why don't you start looking out for little Millie?
00:38:31These things don't last, you know.
00:38:33I'm not worrying.
00:38:35After four years?
00:38:37It's time you started.
00:38:40I've decided it's time I looked around for an advantageous marriage.
00:38:45Oh, really?
00:38:46I feel I've done all that can be done with the present situation.
00:38:53Here you are, honey.
00:38:54Well, I'm going to call Tommy.
00:38:56Excuse me.
00:38:57So now she's got him in the bank.
00:38:59Well, he won't have to worry about money anymore.
00:39:02No.
00:39:03But the bank will.
00:39:05Go.
00:39:06Go.
00:39:07You can't.
00:39:08Oh, Tommy, it's going to be a wonderful party.
00:39:11You can come late, can't you?
00:39:13But you know what these assignments are.
00:39:16But it won't take all night.
00:39:18You can come any time before daylight.
00:39:21And, Tommy, I've got a big surprise.
00:39:24I'll tell you at the party.
00:39:27You'll be sure and come now.
00:39:28Oh, all right, honey.
00:39:29But I don't know what time it'll be, though.
00:39:30So long.
00:39:57I don't know what time it will tell you.
00:39:58You're enough.
00:39:59Look, it's probably my heart.
00:40:00Oh, my soul will it.
00:40:01You owe me a dressing for something.
00:40:02Go.
00:40:03Go.
00:40:08Go.
00:40:13I'll try to pretend we make it for sure
00:40:15afterwards.
00:40:16Go.
00:40:17Go�.
00:40:18Go.
00:40:19It's a marуск Field cat Mermaid
00:40:22Oh, boy.
00:40:23It's not a princess.
00:40:25It's a marπως venue.
00:40:26She's a brunette, she's middly the redhead and hard to forget. Look out for your heart, look out for your nerves. She's middly the redhead with dangerous curves.
00:40:41She's good and she's bad, she cannot disguise. An angel and devil look out of her eyes. If you've ever met, you'll never forget. That Millie's a redhead and hard to forget.
00:40:59It's a little surprise. Max just wrote it. You like it? Oh, Jimmy, I love this. I'll have one written for you. Oh, I didn't have any idea, Tommy, it'd be so funny.
00:41:29He's so late. Maybe he's out on a special assignment. Yes, he is. Blonde or brunette. Oh, Jimmy, that doesn't sound like you. Well, I'm not worrying if you're not.
00:41:42Yes, I've been around the world several times. I'm, I'm starting again, just as soon as I can straighten out some matters in Omaha.
00:41:50Oh, I just love to travel. You know, I've given up the idea of marrying for love. I mean, a cute love.
00:41:57Some day I hope to marry a nice conservative gentleman, just to travel.
00:42:04Suppose we have lunch tomorrow. I want to show you my itinerary.
00:42:10Oh, Mr. Hawksworth.
00:42:13Angie.
00:42:16Oh, that's you and I, Dan.
00:42:18Certainly.
00:42:20You, partner.
00:42:21I think I'll go phone Tommy.
00:42:34Sure.
00:42:36Excuse me.
00:42:51You'll pardon me just a moment, won't you?
00:43:10I'm so sorry.
00:43:11Oh, uh, it's nothing.
00:43:13Good evening.
00:43:30Oh, Ella.
00:43:32Ella, will you wipe my shoe off, please?
00:43:34Oh, hello, Helen.
00:43:34How are you?
00:43:37Who's throwing your party?
00:43:38Millie Blake for Tommy Rock.
00:43:40Say, there's a dame ought to have her brains taken out and renovated.
00:43:45Yeah?
00:43:45I'll say so.
00:43:47Passing up a boy like Jimmy Damier to let a cheap reporter play her for a sucker.
00:43:53Talk her out of that and you'll be doing something.
00:43:56Say, maybe I couldn't.
00:43:58What do you mean?
00:44:00I could tell her whose apartment Tommy Rock's parked in right this minute.
00:44:05Well, hello, Millie. I didn't see you.
00:44:07What do you mean?
00:44:08Oh, don't pay any attention to her, Millie. You shut your trap, Roscoe.
00:44:11Go on, Roscoe. You started it. Now finish it.
00:44:13Sure, I will.
00:44:15Get out.
00:44:15No, I won't.
00:44:17She wants it. She'll get it.
00:44:20Go on.
00:44:21He's in Madge Bergman's apartment.
00:44:23You're a liar.
00:44:24Oh, am I?
00:44:26All right. I'll show you.
00:44:29Oh, give me a nickel, someone.
00:44:30Say, you beat it, you meddling little...
00:44:32She can't call me a liar.
00:44:33Here's your nickel.
00:44:35What do you want to listen to her for, Millie?
00:44:36Give me Bryant 3-3-4-2.
00:44:42Oh, come on, Millie. Let's go.
00:44:43She's tight.
00:44:44Let me alone.
00:44:47Hello. That you, Madge?
00:44:49This is Clara.
00:44:51Say, listen, dear.
00:44:52I left my bag at your apartment this afternoon
00:44:54and all my money's in it.
00:44:56Listen.
00:44:57I thought your boyfriend could bring it down.
00:44:59But if Tommy's coming down,
00:45:03why can't he slip me the bag?
00:45:06I'm sitting right by the table.
00:45:08Right by the door.
00:45:11Oh, nobody will see him.
00:45:15Okay.
00:45:16Well, how will you like it when I get the bag?
00:45:25You won't.
00:45:26No.
00:45:27Just watch my table.
00:45:30It's right by the door.
00:45:31Okay.
00:45:31Okay.
00:45:41Okay.
00:45:41Okay.
00:45:42What's wrong, Milly?
00:46:10What?
00:46:12Why the sudden flower?
00:46:14Oh, I was just wondering if Tommy could be...
00:46:17He'll be alone soon.
00:46:19Sure.
00:46:37Thanks, Tommy.
00:46:38That's all right.
00:46:40Hey, look out, Milly.
00:46:41That isn't water.
00:46:42No?
00:46:43Well, come again.
00:46:46Jimmy, I'm a red-headed woman.
00:46:48Look out for me.
00:46:49Come on, everybody.
00:46:50We've been expecting you for a week.
00:46:52Hello, honey.
00:46:53Hello, honey.
00:46:54How are you, Jim?
00:46:55I'm fine, Tommy.
00:46:56Sit down, Tommy.
00:46:58Now that the little white-haired boy is here,
00:47:00let's bring the big surprise.
00:47:02Well, say, what is all this?
00:47:04A surprise for you, Tommy.
00:47:06We're going to start you all out in the world right.
00:47:07Hey, Millie, Millie.
00:47:08Oh, let loose, Jimmy.
00:47:09All right.
00:47:10Say.
00:47:11Don't you like it?
00:47:12Mr. Tommy Rock doesn't know it yet.
00:47:13but as a result of his recent achievements in New York
00:47:15journalism, it gives you the rest of his life.
00:47:17It gives you the rest of his life.
00:47:18Don't you like it?
00:47:19Mr. Tommy Rock doesn't know it yet.
00:47:21A surprise for you, Tommy.
00:47:23We're going to start you all out in the world right.
00:47:27Hey, Millie, Millie.
00:47:28Oh, let loose, Jimmy.
00:47:30All right.
00:47:32Say.
00:47:35Don't you like it?
00:47:37Mr. Tommy Rock doesn't know it yet,
00:47:39but as a result of his recent achievements in New York journalism,
00:47:42it gives me the very greatest pleasure to offer him
00:47:45the position of publicity director at the Haymarket Bank.
00:47:49Say.
00:47:50Will you take it, Tommy?
00:47:53I suppose it's thanks to you, huh?
00:47:55Will you take it anyhow?
00:47:57Will I take it?
00:47:59Good boy, Tommy.
00:48:00Attaboy.
00:48:01Now, as I was saying...
00:48:02Let me finish it, Jimmy.
00:48:02Why, of course.
00:48:05Mr. Rock will take anything without bothering where he finds it.
00:48:09Even a passport number don't mean anything in Mr. Rock's life.
00:48:14He simply gets the idea that he's necessary on the inside
00:48:18and goes right in.
00:48:21Well, Millie.
00:48:22You just heard Mr. Rock say he'd take this position.
00:48:25Well, now that he's in such a taking mood,
00:48:29I'm going to ask him to take something else.
00:48:32The gate.
00:48:33Well, Millie, what ails you?
00:48:34I'm just fixing things up for your blonde friends.
00:48:38I'm big-hearted.
00:48:40Say, what's the idea?
00:48:41Get out, will you?
00:48:42You're crowding a party.
00:48:44Millie, let me...
00:48:44Come on, Jimmy.
00:48:45Buy us a place.
00:48:46This is all night.
00:48:48Oh.
00:48:56Before I go anyplace with you,
00:48:58you're coming somewhere with me.
00:49:00Well, what are you going to do?
00:49:01Never mind, there's something I've got to do.
00:49:04Now, listen...
00:49:04Say, who follows who?
00:49:06I follow you?
00:49:07No, sir, you follow me.
00:49:10Jimmy, I'm a red-headed woman.
00:49:13Ha, ha, ha, ha!
00:49:31Well, what's the idea of coming here, Millie?
00:49:36I don't know.
00:49:37I thought there were a few things around here
00:49:41Mr. Rock wouldn't need.
00:49:43My picture, for instance.
00:49:51Bert, you wouldn't like that around.
00:49:53I don't know.
00:49:58Those little knickknacks.
00:50:00I made them myself just to make things kind of homie.
00:50:05Here, yeah, Millie.
00:50:06Now, come on, put yourself together.
00:50:08Don't you worry about me!
00:50:53Hello, George.
00:51:16Say, did the porter leave my railroad tickets here with you?
00:51:19Yes, here they are, Johnny.
00:51:20Ah, thanks, George.
00:51:21Well, if I don't see you again, Merry Christmas.
00:51:24Merry Christmas.
00:51:27Oh, Jimmy.
00:51:28Oh, hello, Tommy.
00:51:30Where are you going with that turkey?
00:51:31Albany.
00:51:32Albany, huh?
00:51:33Christmas dinner with the wife.
00:51:35Home stuff, you know.
00:51:37Well, you'll be a little late for Christmas dinner in Albany, won't you?
00:51:40No.
00:51:42I don't have to be there until Thursday, the day before Christmas.
00:51:45Oh, well, today is Christmas.
00:51:47Yesterday was Thursday.
00:51:49Thursday?
00:51:50Well, what if it became a Wednesday?
00:51:54I'm going to telephone and find out about this.
00:52:00Hello, Jim.
00:52:01Why, hello, Mark.
00:52:02Merry Christmas.
00:52:03Same with you.
00:52:04What's wrong with Holmes?
00:52:06He's lost something.
00:52:07Yeah?
00:52:08Yeah.
00:52:08What?
00:52:09Wednesday.
00:52:10Oh.
00:52:12Who are you dining with tonight, Jim?
00:52:14I'm dining alone.
00:52:15Who's Millie playing around with now?
00:52:20At this moment?
00:52:22Oh, it may be a grand duke.
00:52:25Or it may be anybody.
00:52:29I think I'll give her a ring, Marks.
00:52:30I'm having a ring.
00:52:45Bailey?
00:52:46Oh, that's delicious.
00:52:48Delicious.
00:52:50That story's been spoiling in the icebox for six months.
00:52:54Oh, well, really.
00:52:57Well, we must be going.
00:52:59Yes, dear.
00:53:01Say, what's the matter?
00:53:03Can't you stand a healthy story since you're married?
00:53:05My dear, married life has done nothing to my sense of humor.
00:53:09Hmm, you're right about that.
00:53:11Oh, will somebody answer that phone?
00:53:15Answer it yourself.
00:53:17It's probably another division of your love parade.
00:53:19Lock the camel up.
00:53:21Oh, yes.
00:53:23Helen, can we drop you somewhere?
00:53:25Oh, thanks, awfully old thing.
00:53:27But I'm spending the afternoon with Millie.
00:53:29Petey, don't you drop me anywhere.
00:53:31All right.
00:53:33Has Millie changed?
00:53:35Oh, don't be silly.
00:53:37Why, she's just trying to forget Tommy Rock.
00:53:39After six months...
00:53:41Say, has it ever occurred to you
00:53:43that there are braids?
00:53:45Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:53:51Is it ever occurred to you there are brains that remember six months?
00:53:55Really?
00:53:57Well, we must be coming along.
00:54:00Bye-bye.
00:54:01Goodbye.
00:54:04Oh, hello, dolly.
00:54:08Mr. Millie, why don't you and I go someplace?
00:54:11Huh?
00:54:13Well, Angel, come on over here.
00:54:18Not with that gang you've got there.
00:54:21Did you get my present?
00:54:23Uh-huh.
00:54:24I was swell, Jimmy.
00:54:26But I don't know why you sent it, because it's going to go right back.
00:54:30I still pay my own way.
00:54:36Oh, Jimmy, how you swear.
00:54:41Say, listen.
00:54:43Why don't you give me a New Year's party at the lodge?
00:54:46You can't do it.
00:54:47Oh, shut up.
00:54:50Does that put you in a better frame of mind, darling?
00:54:56Now have a nice Christmas.
00:55:00Bye-bye.
00:55:08What's the idea about New Year's?
00:55:09You heard me.
00:55:11Oh, I can't stand this, Millie.
00:55:13Why not? You won't be there.
00:55:18Jimmy Damier won at the field, eh?
00:55:22That's a laugh.
00:55:24Yes, and after two years, it's getting on my nerves.
00:55:27Oh, forget her.
00:55:28Forget her?
00:55:30You don't know, Millie.
00:55:32She gets in your blood.
00:55:34I never knew a woman like her.
00:55:39But Millie!
00:55:40Run along.
00:55:41You spend Christmas with your wife.
00:55:43I don't understand.
00:55:44I thought...
00:55:45I've changed my mind.
00:55:47Goodbye?
00:55:49Merry Christmas.
00:55:51And a Happy New Year.
00:56:01Hello?
00:56:11Oh, Tommy.
00:56:14Say, I...
00:56:16I just want to wish you a Merry Christmas.
00:56:22You remember the last one we had together?
00:56:26I haven't been giving it much thought.
00:56:29But thanks for the good wishes.
00:56:32Oh, say, Millie, I'm feeling kind of low.
00:56:36Couldn't I drop over for a little while?
00:56:43No, I'm sorry, Ty.
00:56:45I'm busy.
00:56:47But...
00:56:49Merry Christmas and thanks for calling up.
00:56:51Goodbye.
00:57:01Merry Christmas.
00:57:25Oh, don't cry, Millie.
00:57:27You know what you need?
00:57:29A good drink.
00:57:36Merry Christmas.
00:57:38What?
00:57:40Hey, what are you talking about?
00:57:43You got everything you want, haven't you?
00:57:45Sure.
00:57:47Everything.
00:57:49That's good.
00:57:50I'm sorry.
00:57:51Did you answer that?
00:57:53No.
00:57:55That old Jimmy Damien.
00:57:57He's been calling up all night.
00:58:00He probably lost his keys and wants to get in somewhere.
00:58:06He's not going to get in here tonight.
00:58:11He can only come here when I say so.
00:58:13Say, I know what's the matter with you.
00:58:17That Tommy Rock calling out and sending you those flowers.
00:58:21Sure.
00:58:23All the others have bottles.
00:58:25Say, why don't you get him out of your mind?
00:58:28He's nothing but a good looking tramp.
00:58:31But, Helen, you don't understand.
00:58:34You've never really been in love.
00:58:40Oh, no.
00:58:44Hey, listen.
00:58:46There was an actor in Toledo.
00:58:48Oh, I just cried.
00:58:51My eyes out.
00:58:53Oh, Helen.
00:58:55I didn't mean to make you cry.
00:58:57It's all right, Millie.
00:58:58It's all right.
00:59:00Forget them.
00:59:02They're all alive.
00:59:04Hey, the only thing I ever got out of love is the pain.
00:59:10Men are all trapped.
00:59:13Awful tramp.
00:59:17Scum.
00:59:19Scum.
00:59:20She's raised her heart on hopeless offense.
00:59:33She's Millie the redhead, but nobody cares.
00:59:50They're all right.
00:59:55Table for two, please.
01:00:08Well, hello there, Jimmy.
01:00:10Why, hello, Millie.
01:00:12Hello, Mark.
01:00:21Well, she still goes to the best places, doesn't she?
01:00:24You're bald.
01:00:25You spoiled her.
01:00:30What happened, anyway?
01:00:32Oh, you know how Millie always used to be?
01:00:34Insisted on working and doing as she pleased.
01:00:37I could never be with her unless she wanted me to.
01:00:40Finally, it got on my nerves.
01:00:44Well, you can laugh, Mark, but you never knew her.
01:00:48Praises be.
01:00:51She looks good to me, though.
01:00:53Even if she has a daughter of 17.
01:01:00Is she...
01:01:02Is she anything like...
01:01:03She's going to be a queen.
01:01:05Really?
01:01:07Haven't you seen her?
01:01:09No, no, I haven't seen her since she was a little kid so high.
01:01:12I sent her a present once and I nearly got my head bitten off.
01:01:17Then get an eyeful, boy.
01:01:18You'll wish you were back at college.
01:01:21Taking her to parties.
01:01:23Yeah?
01:01:24Where do you ever see her?
01:01:26Me?
01:01:29I'll let you in on a little secret.
01:01:31To please my old mother, I go to church.
01:01:35Oh, yeah?
01:01:37The kid attends with old Mrs. Maitland.
01:01:40Oh, I see.
01:01:42I know they'll make them slightly.
01:01:46Say, Mark.
01:01:48Call for me Sunday, will you?
01:01:50Golf?
01:01:51Uh-uh.
01:01:53Church.
01:01:56The walls will fall in.
01:02:11The walls of the angels.
01:02:12The walls of the angels...
01:02:14The walls of the angels...
01:02:15The walls of the saints...
01:02:16Oh, my God, angels of name.
01:02:46I'm sorry.
01:03:00Hello, Millie. How are you?
01:03:02I'm fine.
01:03:04Have you seen anything of Jimmy Damier tonight?
01:03:08Why, yes. There he is, over there.
01:03:12Let me have a table.
01:03:13Why, sure.
01:03:16I'm sorry.
01:03:28Bill.
01:03:30Tell Mr. Damier that I want to see him immediately.
01:03:36Is that okay?
01:03:37You bet.
01:03:38All right.
01:03:39Oh, Jim.
01:03:39What?
01:03:43Yeah? Where?
01:03:46There.
01:03:51All right.
01:03:54Will you excuse me?
01:03:55Certainly.
01:03:57I'll be right back.
01:03:58Okay.
01:03:58Well, hello, Millie.
01:04:13Hello, Jim.
01:04:14How are you?
01:04:15I haven't seen you forever so long.
01:04:16Sit down.
01:04:17I wish I could, Millie.
01:04:18But I'm rather...
01:04:20Please.
01:04:21Sit down.
01:04:21I'll be right back.
01:04:22I'll be right back.
01:04:23Sure.
01:04:24Sure.
01:04:27Well, what's on your mind?
01:04:29There's something I want to talk to you about.
01:04:32I'm worried.
01:04:33Well, what about?
01:04:34I've heard from half a dozen people that you're seen around the Maitland home.
01:04:41Oh, yeah?
01:04:42Well, Maitland and I have got a business deal together.
01:04:44Why should that worry you?
01:04:45Because you're seeing my little girl, Connie, and I want you...
01:04:46Now, just a minute, Millie.
01:04:47Just a minute.
01:04:48It's not my fault if she happens to be home when I'm dining there.
01:04:49You've taken her to the theater.
01:04:50Yes, but her grandmother's been along.
01:04:52Why, she's a kid of 16.
01:04:53That wouldn't mean anything to you.
01:04:54Oh, no?
01:04:55Well, I'm much obliged for your good opinion of me.
01:04:56Well, Maitland and I have got a business deal together.
01:04:57Well, Maitland and I have got a business deal together.
01:04:58Why should that worry you?
01:04:59well, Maitland and I have got a business deal together.
01:05:00Well, you've got to the house.
01:05:01Well, you've got to the house.
01:05:02Yes, but her grandmother's been along.
01:05:03Why, she's a kid of 16.
01:05:04Why, she's a kid of 16.
01:05:05That wouldn't mean anything to you.
01:05:06No?
01:05:07Well, I'm much obliged for your good opinion of me.
01:05:10However, I don't think it's anybody's business where I go or with whom.
01:05:12No?
01:05:13No.
01:05:14Well, this happens to be my business.
01:05:15If you hurt my baby, I'll take a break from my father.
01:05:18Well, I don't think it's anybody's business where I go or with whom.
01:05:19No.
01:05:20No.
01:05:21Well, this happens to be my business.
01:05:24Well, I don't think it's anybody's business where I go or with whom.
01:05:27If you hurt my baby, I'll stop at nothing.
01:05:36What a rot.
01:05:40Please, Jim, don't you do this for me?
01:05:44It's only for my peace of mind.
01:05:48It's not much I'm asking, only to keep away from my little girl.
01:05:53If you're so rich, it's all right.
01:05:56Thank you. Will you shake on it?
01:05:58Sure.
01:06:00You've always been a good friend, Jim.
01:06:02Feel better now?
01:06:03A lot.
01:06:04Fine. We'll say it for old times' sake.
01:06:08For old times' sake.
01:06:13Will you sit down and have a drink with me?
01:06:15I wish I could, but I'm very busy tonight.
01:06:19Yes.
01:06:20I know.
01:06:22Well, good-bye.
01:06:26I'll be down next weekend.
01:06:28Isn't it something new?
01:06:29You're coming in from school every weekend?
01:06:32As long as you say I may.
01:06:34It's all right at school, you know.
01:06:36I'll be down next weekend.
01:06:38Isn't it something new?
01:06:39You're coming in from school every weekend?
01:06:42As long as you say I may.
01:06:45It's all right at school, you know.
01:06:46And Uncle Jimmy's going to take me to the matinee next Saturday.
01:06:50It's good of you, Jimmy, to drive her out to school.
01:06:53Oh, not at all. It's only a mile or so beyond the logs.
01:06:56Lucky for me, we were going at the same time.
01:06:58We'll be seeing you next week.
01:06:59Yes, I'll telephone.
01:07:01Good.
01:07:02Goodbye.
01:07:04Goodbye, sweet.
01:07:06Goodbye.
01:07:08Goodbye.
01:07:10Goodbye.
01:07:16Goodbye.
01:07:46Goodbye.
01:07:57Goodbye.
01:07:59Goodbye.
01:08:00Goodbye.
01:08:02Goodbye.
01:08:16Oh, my, but it's lovely here.
01:08:21Like it?
01:08:23Oh, I'm cold.
01:08:29There, now, you come on and sit by the fire.
01:08:32First of all, I'm going to take off your coat.
01:08:37Now the hat.
01:08:42Now, you sit down here and make yourself comfortable.
01:08:45I'll take off your galoshes.
01:08:49It's sure it's cold out, isn't it?
01:08:51Mm-hmm.
01:08:53There.
01:08:54Now we've got to warm up those pretty little legs.
01:08:57I'll warm by the fire.
01:08:58Huh?
01:09:00Hello?
01:09:01Now, this is Mike, Miss Millie.
01:09:03Yeah.
01:09:04Say, maybe I'm talking out of turn, but I just felt I had to tell you this.
01:09:08But listen, if it gets past you, it's going to cost me my job.
01:09:11Well, I picked up your daughter with Damien and I to come home.
01:09:17But Mike, he was taking you to school, wasn't he?
01:09:19Well, he didn't take her to school.
01:09:21He stopped off at his lodge up in the country instead.
01:09:25Yeah, they're there now.
01:09:27The kids seem to think it was just a lark.
01:09:30Oh.
01:09:34Hello?
01:09:35Hello?
01:09:35Hello?
01:09:36Hello?
01:09:36No!
01:10:01I think I can talk your grandmother out of her objections.
01:10:04If you'll just have patience.
01:10:06Oh, I'm crazy to get started.
01:10:08Are you?
01:10:09I've always wanted to be an actress.
01:10:11Ever since I was a baby.
01:10:13Well, I think you're quite old enough to do as you please now.
01:10:16Oh, you're impeached to say that, Uncle Jimmy.
01:10:19Am I?
01:10:27Driver, driver, put it up to $60.
01:10:30I'll give you $50 if you put it up to $60 and keep it there.
01:10:33Gee, it's great to be here talking about my career.
01:10:37Instead of fooling around with the girls at school.
01:10:39Yeah.
01:10:40Yeah, not quite so conventional, huh?
01:10:43Well, if I'm going to have an art career, I certainly can't be bothered about conventions.
01:10:47Certainly not.
01:10:48But I hope your grandmother won't mind.
01:10:50My being here?
01:10:51Yes.
01:10:52I suppose she would.
01:10:53Yeah, I suppose so.
01:10:54Yeah, not so good, huh?
01:10:55Well, you know that my preparing for the stage is a secret.
01:10:57And that my being here is part of that.
01:10:58So, I don't think it's necessary to mention it.
01:11:00I don't think so either.
01:11:01Will you have a little more cider?
01:11:02Do you think I'd bet it?
01:11:03Oh, it can't hurt you.
01:11:04It can't hurt you.
01:11:05Oh, it can't hurt you.
01:11:06Oh, it can't hurt you.
01:11:07Oh, it can't hurt you.
01:11:08Oh, it can't hurt you.
01:11:09Oh, it can't hurt you.
01:11:10Oh, it can't hurt you.
01:11:11Oh, my grandmother won't mind.
01:11:12My grandmother won't mind.
01:11:13Oh, my being here?
01:11:14Yes.
01:11:15I suppose she would.
01:11:16Yeah, I suppose so.
01:11:17Yeah, I suppose so.
01:11:19Yeah, not so good, huh?
01:11:20Well, you know that my preparing for the stage is a secret,
01:11:22I don't think I'd bet it.
01:11:23Oh, it can't possibly hurt you.
01:11:29There.
01:11:35It tickles my nose.
01:11:36Does it?
01:11:37But I like it.
01:11:38Do you?
01:11:39Well, have some more.
01:11:45Don't slow down.
01:11:46Hurry, hurry.
01:11:47All right, all right.
01:11:49I always have such a good time, and I'm with you, Uncle Jimmy.
01:11:54Well, now, suppose we forget the uncle part of it for just now,
01:11:59and you call me Jimmy.
01:12:02All right, Jimmy.
01:12:04All right.
01:12:05And just for that, I'm going to show you something.
01:12:19There.
01:12:20Oh.
01:12:23Oh, how gorgeous.
01:12:24Do you like it?
01:12:26Oh.
01:12:27Now, you just slip that mandarin coat on you.
01:12:29May I?
01:12:30Yes, indeed.
01:12:32Oh, would you please step on it?
01:12:36It's not far.
01:12:37Almost there.
01:12:38Please, hurry.
01:12:39Hurry.
01:12:40Now, let me see it.
01:12:41Oh.
01:12:44And if it matches your beauty, it's yours.
01:12:47It does.
01:12:49Really?
01:12:50Uh-huh.
01:12:51Oh, Jimmy.
01:12:54Oh, Jimmy.
01:12:55You're the most wonderful man in the world.
01:13:09You're the most beautiful girl I ever saw.
01:13:19You want the girl here?
01:13:21Sure.
01:13:22Yes, thanks, disappointment.
01:13:23It's espectacular.
01:13:24Ah, well,
01:13:49I'm going to take a look at you.
01:13:56Jim, it's Millie! Let me in!
01:14:02Hello, Millie. What do you want?
01:14:09What do you mean, bringing in here like this?
01:14:11You dirty swine after all your promises. Where's my little girl?
01:14:14How do I know? She isn't here.
01:14:15No? Well, I'm going to go see you.
01:14:17You're going to do nothing of my kind?
01:14:18Let me go!
01:14:19I'm going to have you on my little girl!
01:14:21No, no.
01:14:22Let me go!
01:14:23Let me go!
01:14:26Help me! Help me!
01:14:30Mother!
01:14:35My baby!
01:14:37I knew it!
01:14:38Look out, what are you doing?
01:14:40I warned you!
01:14:48You don't know who this woman was?
01:14:54You didn't see her when you were struggling with Mr. Damier?
01:15:09No.
01:15:14You didn't see her when you were struggling with Mr. Damier?
01:15:16No.
01:15:17You didn't see her when you were struggling with Mr. Damier?
01:15:19No.
01:15:20Didn't you try to see her?
01:15:21No.
01:15:22Did you hear this unknown woman leave the house?
01:15:27I... I don't know.
01:15:28You will answer yes or no.
01:15:29I don't know, I said.
01:15:31Miss Blake, you've already testified that you heard a woman leave the house just after the shot was fired.
01:15:35Now, weren't you interested in seeing who this person was, who might have been a witness to the shooting?
01:15:40Donaldson.
01:15:41Why not?
01:15:42Because you already knew?
01:15:43Your Honor, I object.
01:15:45Objection sustained.
01:15:47Why not?
01:15:48Why not?
01:15:50Because you already knew?
01:15:51Your Honor, I object.
01:15:52Objection sustained.
01:15:55Why not?
01:15:57Why not?
01:15:58Why not?
01:15:59Why not?
01:16:00Why not?
01:16:01Why not?
01:16:02Why not?
01:16:03Why not?
01:16:04Why not?
01:16:05What were you doing when you thought you heard this woman leave the house?
01:16:11I can't remember.
01:16:14Miss Blake, you received a long distance telephone call from a new Rochelle pay station.
01:16:20Didn't you?
01:16:22I don't know where it came from.
01:16:24Who telephoned?
01:16:27I don't know.
01:16:28What did that person tell you?
01:16:31I can't remember.
01:16:33She can't remember.
01:16:37Didn't they tell you that Demir had another woman at his lodge?
01:16:41And didn't you, enraged by jealousy, go out there and shoot him?
01:16:46Frame it anywhere you like.
01:16:49I don't know what I'm up here for anyway.
01:16:52Your Honor, there's no need for any further questions.
01:16:58Miss Blake?
01:17:00Don't you realize that by refusing to answer, you were placing yourself in a very serious position?
01:17:05I can't quite see why this defendant was placed on the stand.
01:17:12Your Honor, the defendant refused to confide in me.
01:17:14I hope that by placing on the stand, I might get some enlightenment myself.
01:17:18Any further questions?
01:17:19No.
01:17:22Excuse me.
01:17:33Court is now adjourned until two o'clock.
01:17:39Here comes old Fallon.
01:17:42Hello, boy.
01:17:44Well, Bob, what do you think?
01:17:47We've just got one chance.
01:17:49We've got to play it hard.
01:17:50How's Millie?
01:17:52Same as ever.
01:17:53Won't budge an inch.
01:17:54Her silence has put her in a tough spot.
01:17:57Gee, we've got to put this thing over.
01:17:59Now, you fellas got to stay on the job.
01:18:00I'll do my part.
01:18:01Fight down, fellas.
01:18:02Here's the DA.
01:18:09Hello, Frank.
01:18:10Hello, Chief.
01:18:11Give me a good cigar.
01:18:12I'll do my part.
01:18:14You boys do a little more work on him.
01:18:16We've got to keep him thinking our way.
01:18:18But don't overdo it.
01:18:24Hi, Henry.
01:18:25Hi, DA.
01:18:27Hi, Chief.
01:18:29Well, hello, boys.
01:18:30Well, how'd you like it this morning?
01:18:32Oh, you got the case all sewed up.
01:18:34I'll say we have.
01:18:35I was just saying, you proved the clearest case of jealousy I've ever heard of.
01:18:39Jealousy was the motive, all right.
01:18:41I proved that beyond a doubt.
01:18:43How's this?
01:18:44Pointing and accusing finger at the attorney for defense, the orator's voice rang out like a pistol shot.
01:18:50Cherchez la femme, he cried.
01:18:54Find the woman.
01:18:55Is that a headline, or ain't it?
01:18:56There is.
01:18:57Cherchez la femme.
01:18:58No, I think I'd better say it in plain English.
01:18:59Find the woman.
01:19:00Well, I'll use the French in the paper.
01:19:01You know, it kind of gives it more class.
01:19:02Well, that won't be bad.
01:19:03Sure, we're going to have a big afternoon.
01:19:04Say, this little town will be on the map for a while anyhow.
01:19:05If you tried this case in New York, you'd be the next governor.
01:19:06Well, thanks, gentlemen.
01:19:07Well, now if you'll excuse me, I've got to get back to the courthouse.
01:19:08Don't forget to hear my summarization this afternoon.
01:19:09Oh, there we are.
01:19:10We'll be right there.
01:19:11We'll be right there.
01:19:12Freddie, I only hope we can put this over.
01:19:13Oh.
01:19:14Oh.
01:19:15Oh.
01:19:16Oh, Mike.
01:19:17Where's Tommy Rock?
01:19:18Right there.
01:19:19Oh, Mike?
01:19:20Where's Tommy Rock?
01:19:21He's right there.
01:19:22Oh, Lord.
01:19:23Well, my friend, then I can't repent of the year.
01:19:26I'll see you in the past.
01:19:27Mike, where's Tommy Rock?
01:19:37Where's Tommy Rock?
01:19:39Oh, you're right there.
01:19:42And you're right there.
01:19:43Hello, Mike. What are you doing here?
01:19:45Say, what's the idea?
01:19:46What do you mean?
01:19:47Well, I don't like the looks of this thing,
01:19:49and from now on, you can count me out.
01:19:50Now, wait a minute, Mike.
01:19:52You gave us your word you'd keep out of town
01:19:54until the trial was over.
01:19:55Yeah.
01:19:56That was because you guys still would help Millie.
01:19:58Well, it hasn't done any good so far,
01:20:00and I'm going to the district attorney.
01:20:02Now, listen to me, Mike.
01:20:03You can't do that.
01:20:04Why, well, we're all familiar.
01:20:05You know that.
01:20:06Well, I'm not so sure.
01:20:07But you've got to believe us.
01:20:08Now, they've got us almost licked.
01:20:09We've got just the one chance.
01:20:10And you're not going to spoil everything, are you?
01:20:12Are you?
01:20:13Well, I don't know.
01:20:14The way things have been handled,
01:20:15it all looks a kind of screwy to me.
01:20:16Ah, wait a minute, Mike.
01:20:17What's the matter with you?
01:20:18Well, you know that.
01:20:19Who was this other woman?
01:20:21Who was there with Damir at the time?
01:20:24Isn't it reasonable to suppose
01:20:25that she was the one who took the place
01:20:27of the defendant?
01:20:28Who, fated by a life of death,
01:20:30who was there with Damir at the time?
01:20:32Isn't it reasonable to suppose
01:20:34that she was the one who took the place
01:20:36of the defendant?
01:20:37Who, fated by a life of death,
01:20:39fated by a life of dissipation,
01:20:41had been discarded from Damir's affections?
01:20:44She won't tell you why she took that long ride
01:20:47in the middle of the night with a gun in her hand
01:20:49to shoot down a man in cold blood.
01:20:52But isn't it clear to you?
01:20:54Her motive was jealousy.
01:20:56And what right had such a defendant,
01:20:58even to the privilege of jealousy?
01:21:00Why?
01:21:01There's no palliation.
01:21:03No one distraught with grief
01:21:05and an overwhelming sense of injury
01:21:07committed this crime.
01:21:09And if this isn't so,
01:21:10why doesn't the defendant produce the other woman?
01:21:13Find that other woman!
01:21:15Let her come here as she can
01:21:17and tell us otherwise.
01:21:18Mother!
01:21:19Mother!
01:21:20Oh!
01:21:21Connie!
01:21:22No!
01:21:23No!
01:21:24No!
01:21:25Connie!
01:21:26Come away, Connie!
01:21:27No, Mother!
01:21:28I'm going to tell you, please!
01:21:29No, Connie!
01:21:30No!
01:21:31You shouldn't have come!
01:21:32Please don't listen to me!
01:21:34Please, Mother, please!
01:21:35Oh, my baby!
01:21:37Oh, Connie!
01:21:38Why did you come?
01:21:40My mother!
01:21:41Did you think I wouldn't come?
01:21:43Your Honor, what does this mean?
01:21:44It means, Your Honor,
01:21:45we're going to place this young girl on the stand.
01:21:47The unknown woman.
01:21:49The daughter of this defendant.
01:21:51But, Your Honor...
01:21:52We mean, Your Honor,
01:21:53to prove that Millicent Blake
01:21:54went to the lodge that night
01:21:56and shot Jimmy Damier.
01:21:57Not from jealousy,
01:21:59but to rescue her innocent 16-year-old daughter
01:22:02from this blackguard
01:22:04who had lured her there under such circumstances
01:22:06that the shooting was justified.
01:22:08I won't let you!
01:22:09I won't let you!
01:22:10But, Your Honor, this is most unethical.
01:22:11Order!
01:22:12Order!
01:22:13Baby, now!
01:22:14Where in the wetman?
01:22:15Order!
01:22:16Order!
01:22:17Order!
01:22:20I guess we fixed them.
01:22:21Take a look at that jewelry.
01:22:22Take a look at old Santa Claus.
01:22:23Saunders.
01:22:24Chur se la femme!
01:22:25Do you fellas pull this frame up?
01:22:26We just couldn't bear to let the
01:22:27governor's ship get out of Manhattan.
01:22:28You solemnly swear that the evidence
01:22:29you give in this case to be the truth,
01:22:31the whole truth is to be the truth.
01:22:32The truth is to be the fact
01:22:33that you will not be the truth.
01:22:35You must not be the truth.
01:22:36You must be the truth.
01:22:37You must be the truth.
01:22:38You must be the truth.
01:22:39You must be the truth.
01:22:40You must be the truth.
01:22:41I must be the truth.
01:22:42Why?
01:22:43to be the truth, the whole truth and nothing but the truth,
01:22:46so help you God?
01:22:48Yes, sir.
01:22:52What is your name, my dear?
01:22:54Constance Maidman.
01:22:57Is that lady your mother?
01:23:00Yes, sir.
01:23:01Yes, sir.
01:23:12Then juror number nine said that he'd have shot anyone that tried to make an actress out of his daughter.
01:23:17But that kid putting her arms around her mother's neck was the most beautiful sight I've ever seen.
01:23:23I hope she keeps them there. It'll be good for both of them.
01:23:28You driving Millie back to New York, Tommy?
01:23:31Me?
01:23:33What gave you that idea?
01:23:35I don't know. I was just wondering.
01:23:37Here they come.
01:23:54Old lady Maitland certainly stuck by her.
01:23:57Well, so have a couple of other people.
01:24:01It looks like Millie's going back home.