1969 Orgasmo HOT MOVIE
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
Category
🎥
Short filmTranscript
00:00:00Why are you?
00:00:01I love you.
00:00:02What are they doing in this video?
00:00:06Why are you running away?
00:00:08Why are you running away?
00:00:14I need you to run.
00:00:17I brush your nose now.
00:00:20I like the new dream for London, now boarding.
00:00:26Come on, please.
00:00:28Over here. Just take a look.
00:00:30Smile, please. Get out.
00:00:32Over here, senora West.
00:00:34Brian!
00:00:36God, my dear. How are you?
00:00:38Hold in a minute.
00:00:44Is it true your husband left you 200 million dollars?
00:00:48The stage was set the night we met
00:01:01For fate had planned it so
00:01:06And just one look was all it took
00:01:10To set my heart aglow
00:01:15Wholeheartedly with all of me
00:01:20I proved how love should be
00:01:24And the days we shared
00:01:26When you still cared
00:01:28Were such sweet ecstasy
00:01:32But then, but then
00:01:35I don't know when
00:01:37You turned up me
00:01:41And you lied to me
00:01:45And so hopelessly
00:01:50I hate the pride
00:01:52And hide inside
00:01:54Of where you'd soon be gone
00:01:58But hoping yet you'd not forget
00:02:02That I'd still wait for you
00:02:06On and do
00:02:08On and do
00:02:09On and do
00:02:10On and do
00:02:11Moon
00:02:12To
00:02:13Zegru
00:02:14Mrs.
00:02:17Welcome, senora West.
00:02:23This is Theresa, your guardian angel.
00:02:27Depend on her to take care of all you're wants and pleasure.
00:02:29She's efficient as an IBM.
00:02:30How do you do, Theresa?
00:02:31Grazie, senora. Please call me Terry.
00:02:33Gracias, señora. Please call me Terry. I stay some months in London so I know some English.
00:02:38Are you thirsty?
00:02:39Make us a cold drink, Teresa.
00:02:43Look, silence and harmony.
00:02:45The village is only a few kilometers.
00:02:48The marina is just 20 minutes if you like boating.
00:02:51Oh, I'm afraid I won't feel up to the sea.
00:02:54All right.
00:02:57Well, here we are.
00:02:59No one will bother you here.
00:03:02Oh, it's lovely.
00:03:04Really lovely.
00:03:09Brian, you've been perfect.
00:03:12Wait before saying so.
00:03:13Oh, the house is beautiful.
00:03:17Oh, Brian.
00:03:21Now you can turn out pictures by Catherine Sumset, just the way you did when you were a promising young artist in New York.
00:03:28Too much time has passed since then.
00:03:30I'm afraid I've lost my spirit.
00:03:34Don't worry.
00:03:35Be grateful that the future will hold whatever your heart desires.
00:03:38But there's been so much pain.
00:03:41The sorrow will diminish.
00:03:43The future will lessen the misery you're now enduring.
00:03:47Remember, you can take courage from the memory of Robert.
00:03:50And now that he's dead, how do I pick up the pieces?
00:03:54Oh, no.
00:04:01Isn't there anything stronger to drink in this house?
00:04:03Of course.
00:04:05I'm sorry.
00:04:05Oh, try to understand, Brian.
00:04:11Uh, I'm so low I need something to pick me up once in a while.
00:04:17I know that I can pull myself together in time, but I need a little freedom after what I've been through.
00:04:23I think I ought to remind you that this kind of freedom isn't very good for your nervous system.
00:04:28I'm worried that things could be messy due to a problem turning up in the formal procedure in New York.
00:04:32I don't ever want to go back to New York.
00:04:40So, have you liquidated the estate?
00:04:43My dear girl, I've told you ten times.
00:04:46Two petroleum companies, four television stations, a chain of department stores.
00:04:50They're not items you can unload as you would a truck.
00:04:52It's a big job and I need time.
00:04:54All right, Brian.
00:04:56I'll rely on you.
00:04:58The only thing that might cause a grievance is the family mansion on Lake Michigan.
00:05:02I've just heard from relatives of Robert.
00:05:05Oh, a horrible, cold old barn.
00:05:09I could never stand being there.
00:05:11The letter was from Robert's two old aunts.
00:05:14They're dead set against selling it.
00:05:15Why don't they buy it?
00:05:17Because they consider it property of the family.
00:05:20Oh, it's not important to me.
00:05:24I'll give it to them.
00:05:25This you could do.
00:05:26Of course, on the other hand, it might be best to get the two old ladies out of our hair promptly.
00:05:30I'd recommend you take it easy and don't worry so much.
00:05:34I'll telephone from New York and assign our best attorneys to settle the probate.
00:05:38Oh, thank you, Brian.
00:05:40You're a treasure.
00:05:41You're a treasure.
00:05:52Teresa.
00:05:54Senora.
00:05:55Take that thing away.
00:05:56I don't want it in here.
00:05:57It's messy in the cellar.
00:05:59I don't care where you put it.
00:06:01As long as I never have to see it or hear it.
00:06:03Here are the pills, Senora West.
00:06:18A journalist has telephoned to see you.
00:06:21Oh, questions, questions.
00:06:24I'm sick of them.
00:06:26They can go to hell.
00:06:27Oh, I've got such a headache.
00:06:29Better try resting.
00:06:44Salve, gente.
00:06:45Buongiorno, signore.
00:06:47Come stane il bambini?
00:06:47This is Senora West's villa.
00:06:49What is it you want?
00:06:50Please, I need tools and a telephone.
00:06:52But you know that I'm cordially penitent, Senora.
00:06:54You see here a daring poor pilgrim and a miserable guy.
00:06:57I'm sorry, but it's impossible to help.
00:06:59Please, Countess, be nice.
00:07:01I tell you, I can fix them over alone.
00:07:02My passion is automobiles.
00:07:04Por favor, reti, don't you.
00:07:05Teresa.
00:07:06Si, Senora West.
00:07:11Give the young man what he needs.
00:07:13And then send him away.
00:07:15Bravo, Senora West.
00:07:17Go, no, no, no, eh.
00:07:19Offer to me.
00:07:21Get her that rose.
00:07:23Oh, where are you?
00:07:26Pick it and take it to Mrs. West.
00:07:28My name's Peter Donovan.
00:07:36Screwdriver.
00:07:42Liard.
00:07:48It's a matter of speaking the same language.
00:07:50Well, that does it.
00:07:59You mean you've finished so fast?
00:08:02Not on your life.
00:08:03It's, it's inexorably broken.
00:08:05Have to get a new part.
00:08:06Oh.
00:08:08For your wonderful eyes.
00:08:10By the way, why don't you let me see them?
00:08:12Is it necessary?
00:08:14Not at all.
00:08:14I'll take you on your word.
00:08:32No, the word wasn't enough.
00:08:34All right.
00:08:40Never mind.
00:08:44How far is it to town?
00:08:47I don't know.
00:08:48Two or three miles.
00:08:50Maybe four.
00:08:51Marvelous.
00:08:52I was afraid it was 50.
00:08:53I'm sorry about having to leave the car here,
00:08:55but I'll be back tomorrow morning with the mechanic.
00:08:58It's all right.
00:08:59Would you like me to have Teresa drive you in?
00:09:01No, no, no.
00:09:02I prefer walking on my hands.
00:09:05Well, so long.
00:09:08It's all right.
00:09:38What are you doing here?
00:09:58Trying to sleep, and then I just happened to bump into the horn.
00:10:01Sorry.
00:10:02But I don't understand.
00:10:03Didn't you go into town?
00:10:04You bet.
00:10:05Six miles, 7,000 lira to pay for a new part.
00:10:09And if the mechanic had come, it would have taken 12.
00:10:11I just had seven.
00:10:12I see.
00:10:14In other words, you didn't have the money for a hotel room.
00:10:16It happens at least once in your life.
00:10:21Just a moment.
00:10:26Yes?
00:10:27Hello?
00:10:29Oh, it's you, Brian.
00:10:30I was afraid you wouldn't call.
00:10:34Saturday.
00:10:35Perfect.
00:10:37Let's see.
00:10:38Today is...
00:10:39Wednesday.
00:10:44Yes, that's right.
00:10:46Wednesday.
00:10:47All right, dear.
00:10:48I'll see you then.
00:10:50Right.
00:10:51Goodbye.
00:10:51Haven't you been taught that it's rude to enter a house without being invited?
00:10:57I was just looking.
00:10:58After all, masterpieces are to be looked at.
00:11:01Otherwise, why bother painting them?
00:11:03Well, I paint for myself.
00:11:05Besides, I'm not a professional.
00:11:08It's perfect.
00:11:09You used a mirror, right?
00:11:12You've got a rather unusual belly button, just like the Botticelli Venus.
00:11:17Oh, stop it.
00:11:19Besides, what do you know about painting?
00:11:28You're not an art critic, are you?
00:11:30Why not?
00:11:31What do you know about me?
00:11:33You're right.
00:11:34In fact, I'm not a critic, not even an intellectual.
00:11:38But I've forgotten all my manners.
00:11:42I'm hungry as a wolf.
00:11:43And wolves do not apologize, could I, Mrs. West?
00:11:49Oh, wait a minute.
00:11:53All right, stay here.
00:11:55But don't touch anything.
00:12:05That's all I could find.
00:12:07But it should be enough for a wolf.
00:12:09I didn't feel I should wake the housekeeper.
00:12:12You needn't have gone to their trouble.
00:12:13Here's a drink, if you feel like it.
00:12:25There.
00:12:26You can settle down here.
00:12:29I hope you'll forgive me if I don't have a pair of pajamas your size.
00:12:33I always sleep naked, and I like the women I sleep with, they sleep naked, too.
00:12:39I see.
00:12:40Well, good night.
00:12:43I see.
00:12:44I love you.
00:13:02I love you.
00:13:04I love you.
00:13:13I don't want that old witch to catch on to anything well I do you're a free woman
00:13:29what's more you pay her why are you afraid of her one has to be afraid of
00:13:35everything these days especially when one's happy besides things are not easy
00:13:43for me now but you are a widow aren't you as of seven weeks I suppose you loved
00:13:51your husband very much didn't you he died suddenly in a car crash very wisely
00:13:58otherwise we wouldn't be here poor Robert he was a good man but closed all he
00:14:06ever thought about was money and you married him for money no I needed
00:14:11affection I thought an older man could give it to me but all he knew how to
00:14:18give was money you want some advice to save your soul give away all the money
00:14:25you've got but not to the poor to somebody richer than you we need not
00:14:31create rich people any more than there already are
00:14:38she's coming back later
00:14:44well mrs. West have a nice trip and give London a smile thank you if you're ever
00:14:50in the neighborhood do stop in goodbye clear everything away Teresa that's all
00:14:59for tonight
00:15:20Peter is that you Peter
00:15:32oh no are you afraid of getting dirty
00:15:48hello Catherine Brian shall I meet you no I prefer to drive wait for me there don't forget you're meeting Robert's aunts oh yes don't worry I'll wear the soberest
00:16:14stress I have
00:16:15all right see you mother right bye
00:16:17Peter hurry you've got to leave right away okay but what's your trouble I'm in a terrible rush if you say I'll never get to London
00:16:29look please don't be offended Peter but I would like you to be in a position of
00:16:35independence until I get back here take it
00:16:38well you're used to being paid before you married the rich man oh forgive me it's
00:16:45just my maternal instinct please go now quietly okay my would-be mother
00:16:51when I get back from London will we see each other again it's up to you if you want me just call
00:16:59Piazza Navona 19 top floor there's no phone but the mailman comes
00:17:06we've reached an accord that's perfectly rational the result is that the family mansion becomes your property in exchange are you disposed to renounce all legal demands on the estate of your nephew Robert
00:17:34demands on the estate of your nephew Robert. I think so. No, no, that's not so. I'm not going
00:17:39to renounce the legacy we expected. I would absolutely contest any attempt to oppose the
00:17:42will of the family. Mr. Osborne, could we buy the house? Legally, yes, but you'll have to meet the
00:17:48place. Then it's simpler to do as I say. On the contrary, the West Mansion is worth more than
00:17:53near money. But Catherine was his wife. It had the honor of having Lincoln as a guest one night.
00:17:58After all, it is the West family's oldest possession. And we cannot forget the sentimental value. We
00:18:03cannot equate sentimentality with economics. Let's hear what Catherine has to say.
00:18:09My dear aunties, the only thing I know is that my poor Robert would have wanted me to give you the
00:18:16family house. Oh, no, irregardless. We West don't want any charity, legal or personal. But Janet,
00:18:22don't be too offended. It was just and generous of our preciousness. I have no wishes. Our poor dear
00:18:27Robert is gone. She's only the widow of my nephew. Poor Robert. He never lived to enjoy his life. A young
00:18:32woman and an older man. It wasn't right.
00:18:34Oh, my God, sir. Get the food of the water right here.
00:18:36But why did he drive himself so hard?
00:18:42You, you, Catherine. Please, a glass of water.
00:18:46Here's his telegram.
00:19:01This is from the brokers for Delta Petroleum. For the Pasadena residents, I can hope for
00:19:09the best, even better than New York. These are the Brazilian oilies for the council to administer
00:19:16during litigation, etc. You can rest assured that you'll be even richer.
00:19:20Oh, you must be mad.
00:19:21Oh, where's my angel? Come on, princess. You're invited to dinner.
00:19:24By whom? A lonely man who's fascinated by you, but who feels he's not worthy of your attention.
00:19:30Hello? Telegram?
00:19:51This station, please. Uh, Rome. Piazza Navona 19. Urgent.
00:19:59Yes? The message, please? Uh, yes, yes, please.
00:20:03No, I'm sorry. I've changed my mind.
00:20:07Oh.
00:20:09Who's there?
00:20:36Teresa, is that you?
00:20:56Teresa, is that you?
00:20:56Teresa, is that you?
00:21:17Oh.
00:21:18Oh.
00:21:19Teresa, Teresa.
00:21:20Oh.
00:21:21Oh.
00:21:32Hey, dear Chef.
00:21:37Oh.
00:21:39Who's there?
00:22:09What caused you to scream someone in the house Teresa come along Teresa there's someone in
00:22:38the house but I tell you I can't have been dreaming the shower was on the window was open but look there
00:22:54the painting was always there somebody must have taken it upstairs you're not well tonight you're
00:22:59feeling terribly anxious but it's only temporary don't drive yourself crazy the lights were on and
00:23:05then they went off in other words you don't believe me how can I when you depend so much
00:23:11on pills to help you escape from reality you need rest in your waist go to your room you'll feel better
00:23:18soon
00:23:26so
00:23:30so
00:23:36so
00:23:42Hello?
00:24:11Hello?
00:24:13Hello?
00:24:15Hello?
00:24:41Hello?
00:24:43Hello?
00:24:45Hello?
00:24:47Hello?
00:24:51Hello?
00:24:53Hello?
00:24:55Hello?
00:25:07And the mountain came to Muhammad.
00:25:11You might have at least called.
00:25:17You hear anything?
00:25:21It was cut off two months ago.
00:25:27No.
00:25:31I'm angry with you.
00:25:39No, not here.
00:25:41Yes, here.
00:25:43I didn't make any fuss about your damn rich house.
00:25:45I live here.
00:25:47I bring my women here on this bed.
00:25:49Women like that?
00:25:51You're worse than she is.
00:25:55Much worse.
00:25:57Yes, that's right.
00:26:01I'm worse than she is.
00:26:03I'm worse than all of them.
00:26:05Oh, yes.
00:26:07Yes, yes, yes.
00:26:09You saw it.
00:26:15Thanks, dear lady.
00:26:17I'm sorry about this.
00:26:23Blouses, signore?
00:26:25Put it on the bill.
00:26:27Hey!
00:26:32Are you trying to lose me after depriving me of a roof?
00:26:35I don't find it funny.
00:26:36Why don't you behave decently and apologize?
00:26:38Well, I didn't ask you to come.
00:26:40I'm wrong.
00:26:41Oh, stop it, Peter.
00:26:42I find the whole thing very distasteful.
00:26:45You're right.
00:26:46I'm sorry.
00:26:47Take it.
00:26:57Teresa, prepare the guest room.
00:27:04Mr. Donovan is spending a week with us.
00:27:06Hey, Eva!
00:27:07Ciao!
00:27:08Come on!
00:27:12I'd like you to meet my, my sister.
00:27:15Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:27:19Hey, Eva!
00:27:20Ciao!
00:27:21Come on!
00:27:22I'd like you to meet my, my sister.
00:27:37Oh, my God.
00:28:07Oh, I'm sorry. Please, try to be more careful when you dance.
00:28:20Ah, Teresa, don't bother. Go to bed and get some sleep.
00:28:24Have some sleep.
00:28:30In my day, I was fabulous.
00:28:32In my day, I was famous for rock and roll.
00:28:40This is your day, Catherine. Ours is yet to come.
00:28:44Peter's right.
00:28:45I'd give half my life to resemble you during the other half.
00:28:49If you only knew the admiration, the enormous attraction I feel for you, the melting sensation
00:28:59I get looking at you, so feminine, so beautiful.
00:29:03There, touching you to be sure you're real.
00:29:14That's a thrill.
00:29:16Oh, Ava.
00:29:16You have so much inside, if you can even give it away to someone like me, rich with no purpose
00:29:25in life, who doesn't deserve it.
00:29:28Well, then.
00:29:36Is that the way it's to be?
00:29:38Teach me how to be young.
00:29:45Good for you. Come on.
00:29:48Oh, it's wonderful to be young.
00:30:12Oh, no, you monster. Don't use the flash.
00:30:28You'll burn everything out on me, and we'll turn out looking dreadful.
00:30:31It has a special film that takes photos in this light.
00:30:37Now, you can do whatever you want.
00:30:40Does it have an automatic shutter?
00:30:41Of course.
00:30:51Come on.
00:30:53All together, a family group.
00:30:59So, Ava, how do you like the house?
00:31:02It's lovely here.
00:31:04Silent, enchanting.
00:31:06It reminds me of our grandparents' house in Beverly Hills.
00:31:09It's an old, dreary house full of old folks and dogs.
00:31:13Oh, he's lying.
00:31:15I bet he's longing to go back.
00:31:17He's always doing that.
00:31:18When he loves something, he says he hates it.
00:31:21Mm, at last.
00:31:21Not for me, thank you.
00:31:30I am no teetotaler, but when I drink on an empty stomach, I don't trust myself to drive.
00:31:37But where do you have to go?
00:31:39Well, back to Rome, I suppose.
00:31:41Oh, not at all.
00:31:42I've already arranged dinner here.
00:31:45Unless you have something more important to do.
00:31:47I don't think there is anyone more important than you, Catherine.
00:31:51At least for the moment.
00:31:52Oh, well, then, come on, have a drink.
00:31:56You won't be driving anywhere tonight.
00:31:58You need some love, just tell me.
00:32:02Oh, yeah.
00:32:05Yeah, anytime.
00:32:08You're feeling down, just tell me.
00:32:11Yeah, anytime.
00:32:14I'll come around, just tell me.
00:32:17Don't worry.
00:32:20Baby, cause I'm one.
00:32:23I'll be there to turn your sadness into fun.
00:32:31Late at night, when it's dark and so cold.
00:32:37Girl, I'll promise you the warmest plan to hold.
00:32:43So anytime.
00:32:45You need some love, just tell me.
00:32:49Yeah, anytime.
00:32:50You feel alone, just tell me.
00:32:54Don't worry, baby, cause I'm the one.
00:33:01I'll be there to turn your sadness into fun.
00:33:09Late at night, when it's dark and so cold.
00:33:14Girl, I promise you the warmest plan to hold.
00:33:18Girl, I promise you the warmest plan to hold.
00:33:20And anytime.
00:33:22You need some love, just tell me.
00:33:26Yeah, anytime.
00:33:29You feel alone, just tell me.
00:33:32Don't worry, don't worry.
00:33:34Don't worry, girl, don't say I'm the one.
00:33:39Yeah, I'll be there to turn your sadness into fun.
00:33:45Late at night, when it's dark and so cold.
00:33:47Tell me, baby.
00:33:49Come on, and tell me.
00:33:52Late at night, when it's dark and so cold.
00:33:53Come on, and tell me, baby.
00:33:54Come on, and tell me.
00:33:57Late at night, when it's dark and so cold.
00:33:58Come on, and tell me, baby.
00:34:00Why don't you tell me, baby?
00:34:03Come on, and tell me, baby.
00:34:06Come on, and tell me.
00:34:09Why don't you tell me, baby?
00:34:12Come on, and tell me.
00:34:15Why don't you tell me, baby?
00:34:18Come on, and tell me.
00:34:21Why don't you tell me, baby?
00:34:24Come on, and tell me.
00:34:27Oh, I wish I didn't feel so tired.
00:34:38It's a pity to break up a night like tonight.
00:34:41Look, I've got some pills that make you stop feeling tired.
00:34:44I took one in the nightclub.
00:34:47It should be taken with four fingers of whiskey.
00:34:57Ava, I'd like to give her a kiss. May I?
00:35:13You must.
00:35:14Oh, not now, darling.
00:35:16You must never say no to a guest, Catherine.
00:35:27Why should you hide when you make love?
00:35:34There are so many ridiculous and repulsive things.
00:35:37And love is the most beautiful in the world.
00:35:40Quite right, sis.
00:35:41Just think, there's people who count their money in public.
00:35:44People who slug each other in the ring.
00:35:46People who make war.
00:35:51How long is it since you've made love, sis?
00:35:54I never remember the last time.
00:35:56I only think of the next.
00:35:57What you've done in the past seems like nothing
00:36:01compared to what you'd like to do.
00:36:05Now, I order you to go to bed.
00:36:07I will take your word for it.
00:36:10Come on, Catherine.
00:36:12Catherine, wake up, darling.
00:36:37It's four in the afternoon.
00:36:38Oh, let me sleep.
00:36:41Please.
00:36:42Come on, you've got to wake up.
00:36:48Oh.
00:36:49Oh, I can't.
00:36:54You'll end up harming yourself.
00:37:00Take this.
00:37:01You'll feel better in a moment.
00:37:03You'll move, Catherine.
00:37:28Yes?
00:37:40Yes?
00:37:40Yes, here she is.
00:37:42Hello.
00:37:42Hello, Brian, how are you?
00:37:50No, don't worry.
00:37:52They're two kids from Boston.
00:37:54Yes, the children of a friend of mine.
00:37:57Tomorrow evening?
00:37:59Perfect.
00:38:01Till tomorrow night, then.
00:38:03No, I'll come there.
00:38:05Right.
00:38:06Bye.
00:38:07Try and leave us and I'll bump you up.
00:38:11Stop that, you moron.
00:38:13But, Peter, it was only a joke.
00:38:16I don't tolerate jokes with guns.
00:38:18And I don't tolerate brutality.
00:38:21You prefer she'd shot you, you idiot?
00:38:23How dare you speak to me like that?
00:38:25And you keep your voice down.
00:38:26All the Brooklyn comes out in you.
00:38:28Brooklyn.
00:38:58I don't want you two to quarrel because of me.
00:39:05Oh, it's not because of you.
00:39:07It's because of me.
00:39:08Come on, let's drop it.
00:39:09Oh, that's too easy.
00:39:11Is that what you did as a little boy?
00:39:13Always.
00:39:14But he means it when he says he's sorry.
00:39:17Well, there's nothing really to be sorry about anyway.
00:39:21Come on.
00:39:21Oh, stop it, Peter.
00:39:23Good night.
00:39:36Good loving.
00:39:46Perhaps, dear Catherine, worry comes from caring.
00:39:49Hmm.
00:39:50That's very sweet of you, Brian.
00:39:52But there's really no need to worry.
00:39:55I feel much better now.
00:39:57You know, these two youngsters have been marvelous for me.
00:40:00They've given me a new perspective on life, on youth.
00:40:05That's so.
00:40:06To be young requires the company of the young.
00:40:08Excuse me, I didn't mean to sound like such an old man.
00:40:11Oh, that's not true.
00:40:13But I must tell you frankly, Brian,
00:40:15I have no intention of getting married again.
00:40:19I'm not asking you to marry me.
00:40:21No, but you were about to when I stopped you.
00:40:25Anyway, you'll always be closest person to me.
00:40:29I'll never let you go.
00:40:31I have always felt the same way about you.
00:40:34What's that?
00:40:36Oh, it's just something for the digestion.
00:40:39I've had a problem with my liver lately.
00:40:41That's why I would like to go home early if possible.
00:40:47I've had a problem.
00:40:49Ah, I know.
00:41:06Welcome back, you tramp.
00:41:36Welcome back, you're welcome.
00:42:06Welcome back, you're welcome.
00:42:36Welcome back, you're welcome.
00:43:06Here, drink.
00:43:13Can you see anything?
00:43:15You may have a concussion.
00:43:17I just tripped, Teresa.
00:43:30It's nothing.
00:43:31I'll be all right.
00:43:35Go back to bed.
00:43:36We'll look after her.
00:43:38Come on.
00:43:48We didn't lie to you before.
00:43:51My father and Ava's father were good friends.
00:43:54Our mothers, too.
00:43:55To the point that they divorced and married each other.
00:43:58So we grew up together.
00:44:00School together.
00:44:01Vacations together.
00:44:02Bed together.
00:44:03Ever since we're children.
00:44:05It's disgusting.
00:44:07You've deceived me so.
00:44:10You've helped us yourself.
00:44:12Why?
00:44:13Why?
00:44:14Are you jealous of something?
00:44:16I'm the one who should be.
00:44:19But jealousy does not exist.
00:44:21Especially in the particular situation we're in.
00:44:24Why did you come here, Ava?
00:44:30I wanted to see who was stealing Peter from me.
00:44:34And when I saw you, I realized he was right.
00:44:39And you made me fall in love, too.
00:44:41I made you fall in love.
00:44:46There are all kinds of love.
00:44:49And all sorts of pleasures.
00:44:51When you came, we were thinking about you as if you were here with us.
00:44:55I was here with you.
00:44:57I was here with you.
00:45:11I was here with you.
00:45:41I was here with you.
00:46:11I was here with you.
00:46:13I was here with you.
00:46:15I was here with you.
00:46:17I was here with you.
00:46:18I was here with you.
00:46:19I was here with you.
00:46:21Just some sleep.
00:46:34Only the free man doesn't need anyone to wait on him.
00:46:37we can get along perfectly well by ourselves
00:46:40without that old bag spying on everything we say and do.
00:46:43Oh, but that's out of the question.
00:46:45Why? You're going off on a cruise and you're closing down the house.
00:46:49And you mean we stay here alone?
00:46:51No, Martino stays on.
00:46:53He lives with his flowers and besides, he's deaf.
00:47:00Tell me, Catherine, before making up your mind,
00:47:05did you like it?
00:47:37Hey, turn it up!
00:47:47It's her.
00:47:47No!
00:48:00No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:48:10Baby, cause I'm the one
00:48:13And I'll be there
00:48:15Turn your set
00:48:16So, to the third question
00:48:28What do you think of yourself?
00:48:32Well, what do I think of myself?
00:48:37When I think of myself
00:48:39I wanna vomit
00:48:41But I'm happy because I realize it
00:48:46You see
00:48:47You two don't realize how nauseating you are
00:48:52There
00:48:53I've told the truth
00:48:55That makes us both more nauseating
00:49:04Why did you do that?
00:49:07Get out of the way
00:49:08Let's drink
00:49:09Come on
00:49:11It's all over, Catherine
00:49:12It's only a game
00:49:13Yes, a game
00:49:15Game of truth
00:49:16And I told the truth
00:49:18You won't screw me anymore with your drugs
00:49:22You slimy little bastards
00:49:24You won't have my neck
00:49:26Go find somebody else for your degenerate games
00:49:30And get out of my house
00:49:32I never want to see you again
00:49:34I never want to see you again
00:49:34You filth
00:49:36I loathe you
00:49:38You畫 nobody else when you would happen unless you do it
00:49:42I'm not gonna be a man
00:49:43I'm sorry
00:49:44Go any yaz權
00:49:47You don't know what do you need to kill somebody just you could do it
00:49:48You don't have to stay
00:49:49You don't have my eyes
00:49:50You μια
00:49:50I'm буду her
00:49:51But you're not going to have to be a man
00:49:52It's all you want to keep me
00:49:53I'm sorry
00:49:54You mentor
00:49:54Irzick you
00:49:55Martino, do you hear me?
00:50:11Take this away.
00:50:21Don't forget, open the gate at five sharp.
00:50:25But before and after that, don't open it for anyone.
00:50:32Five o'clock?
00:50:33Five.
00:50:34Very nice.
00:50:35Five.
00:50:46Five.
00:50:46What's the meaning of this?
00:51:05Leave it once!
00:51:16All right, how much do you want?
00:51:29She asks how much we want.
00:51:31How much does she think she's worth?
00:51:33I knew it was blackmail.
00:51:35I haven't got time to lose.
00:51:37I'm expecting guests.
00:51:38Say what you want and get out.
00:51:40We don't want your money.
00:51:42We want you.
00:51:46It was certainly fortunate for Catherine that when Teresa suddenly walked out on her,
00:51:57she discovered you too.
00:51:59No doubt.
00:52:00It's very peaceful in this desert.
00:52:02Desert?
00:52:03Miss West, what do you mean?
00:52:05What?
00:52:06This is an earthly paradise.
00:52:08I'm majoring in botany.
00:52:10I've never seen any places rich in fungi of all kinds.
00:52:13Oh, really?
00:52:14What are your interests seeing you in it, Annemann?
00:52:16Well, music, photography too.
00:52:19But actually I'm sort of, um, well, an old-fashioned girl.
00:52:23And I think I am too young to take a serious interest in anything.
00:52:27I feel much pleasure whenever I hear such words from the younger generation.
00:52:31No, no, not at all, young lady.
00:52:33Continue on with those principles and you'll wind up like us,
00:52:35taking care of alcoholics without ever having had the pleasure of getting drunk.
00:52:39Are you feeling better, dear?
00:52:43Oh, much better, thank you.
00:52:44In fact, I jotted down the notes you asked for.
00:52:47What papers?
00:52:48About the oil company.
00:52:50If you start losing your memory, Brian, I'll be forced to hire another attorney.
00:52:54Oh, yes.
00:52:55I forgot.
00:52:56I'm sorry.
00:52:57Good.
00:52:58Then it's possible to proceed.
00:52:59Now these are the, uh, details concerning the sale of the villa.
00:53:03Now, your approval is necessary to complete the matter.
00:53:04Please sign here.
00:53:05We expect to see you in London, Cathy, dear.
00:53:06Bye.
00:53:07Bye.
00:53:08See you in Michigan.
00:53:09Maybe in the springtime.
00:53:10And also, I'm very grateful for the concern.
00:53:11You've shown for Catherine.
00:53:12For us, it's a pleasure to be here.
00:53:31You've shown for Catherine.
00:53:32For us, it's a pleasure, Mr. Sanders.
00:53:34Catherine is so sweet and unhappy.
00:53:36I'll telephone tomorrow from the airport.
00:53:38Don't forget.
00:53:39Please call.
00:53:40Hmm.
00:53:41Ciao.
00:53:51Come back alone as soon as you can.
00:53:54I'm in danger.
00:54:01Shut the gate.
00:54:08Here.
00:54:09Give this to her.
00:54:11Magnificent.
00:54:12It would even give a kick to the rotting Mr. West.
00:54:15Hmm.
00:54:16You'd give all your stinking millions to have a taste of this.
00:54:19Wouldn't you, Catherine?
00:54:21We don't want them.
00:54:22We like you.
00:54:24Sweet and agreeable as you were long, long ago.
00:54:28That's all over now.
00:54:31And I don't feel like drinking.
00:54:33You're a liar, Mrs. West.
00:54:35You do feel like it.
00:54:37Except you're also afraid.
00:54:39This is the most exciting moment of your life.
00:54:41Why don't you surprise me and ask to have a drink?
00:54:46Stop it.
00:54:47What do you promise me if I let you drink?
00:54:51Stop it.
00:54:52You hear that?
00:54:53She wants to stop before we've even started.
00:55:07Hello?
00:55:08Brian?
00:55:09Hello, Brian, can you hear me now?
00:55:12Oh, no, no, no, please.
00:55:15Please.
00:55:16Oh, no, no, no, don't hang up, Brian, stay on the line.
00:55:27What?
00:55:32Hello, Brian.
00:55:35Oh, the letter.
00:55:36Oh, it's nothing important.
00:55:38I just wanted to hear about the dividends.
00:55:43Oh, well, it was nothing important.
00:55:45I just wanted to know about the dividends.
00:55:49Yes, I'm fine. Bye.
00:55:56Oh, no, turn it down, please.
00:55:59Having a little trouble, huh?
00:56:01Come on. Go to bed. Go on to bed.
00:56:05We want to be alone.
00:56:07Come on. Blow it.
00:56:15Come on.
00:56:19Girl, I'll promise you a warmest
00:56:21dann to hold
00:56:24so a bit of time
00:56:26you need some love
00:56:28just tell me
00:56:29Oh, my God.
00:56:59Come on.
00:57:29Dad.
00:57:59Dad.
00:58:00Dad, let me out of here.
00:58:02Dad, let me out of here.
00:58:05I'm one, I'll be there.
00:58:08Turn your sin astral.
00:58:10Dad, let me out, let me out of here.
00:58:14Tell me, baby.
00:58:16Come on, tell me.
00:58:19Why don't you come on, tell me, baby.
00:58:22Come on and tell me.
00:58:25Oh, no, no, no!
00:58:28No!
00:58:29No!
00:58:30No!
00:58:31No!
00:58:32No!
00:58:33No!
00:58:34No!
00:58:35No!
00:58:36No!
00:58:37No!
00:58:38No!
00:58:39No!
00:58:40No!
00:58:41No!
00:58:42No!
00:58:43No!
00:58:44No!
00:58:45No!
00:58:46No!
00:58:47No!
00:58:48No!
00:58:49What's happening?
00:58:50She shut us up in!
00:58:51Oh, Catherine, what have you done?
00:58:53What have you done?
00:58:54What have you done?
00:58:55What are you doing?
00:58:56Go back the car!
00:58:57Go back the car!
00:58:58Have you gone out of your mind?
00:59:00Señor!
00:59:01Oh, you get locked in!
00:59:02I want to leave!
00:59:03I want to get out of here!
00:59:04Where are the keys?
00:59:05You're sick, Catherine!
00:59:06Come on.
00:59:07Let's go home.
00:59:08Come with me.
00:59:09I don't want to.
00:59:10I want the keys.
00:59:11Where are the keys to my car?
00:59:13I'll give you the keys.
00:59:14Come with me.
00:59:24They weren't there before.
00:59:27You're suffering from hallucinations, Catherine.
00:59:30You can't go away.
00:59:32Not in this state.
00:59:34Come on.
00:59:35Be good.
00:59:54Peter!
00:59:55Peter!
00:59:56Peter, look!
00:59:57By God, he might fall!
00:59:59Please, Peter, go get him.
01:00:00Please!
01:00:01Where?
01:00:02Up there!
01:00:03Up there!
01:00:04Oh, the same old story.
01:00:07I'll try from up above.
01:00:08Wait.
01:00:14Where are you going?
01:00:15No, wait!
01:00:16Wait!
01:00:17Stop!
01:00:18Stop!
01:00:48Wait a moment!
01:01:04Oh, thanks.
01:01:05Is it yours?
01:01:06Yes.
01:01:07She's been missing since this morning.
01:01:09I'm living down the way.
01:01:13Where are you going?
01:01:14Go back to bed.
01:01:15No, let me buy.
01:01:18No!
01:01:19No!
01:01:20Let me buy!
01:01:21No!
01:01:22Let me buy!
01:01:23No!
01:01:24No!
01:01:25You!
01:01:26Bill!
01:01:27Damn you!
01:01:28You!
01:01:29Stop it!
01:01:30No!
01:01:31Bitch!
01:01:32Damn you!
01:01:33Me!
01:01:34Stop it!
01:01:37Stop it!
01:01:38I'm leaving now.
01:01:39See you later.
01:01:40Thanks again.
01:01:46Who's that?
01:01:47Oh, the senor.
01:01:48Oh, listen to me first by here.
01:01:50We talk away.
01:01:51Here.
01:01:52Go on to town and get some cigarettes.
01:01:53Go on.
01:01:54Come on.
01:01:55Oh, no.
01:01:56Don't beat me.
01:01:57No!
01:02:12Oh, no.
01:02:13No!
01:02:14Oh.
01:02:15Oh, no.
01:02:16No!
01:02:17Oh, no! No, please!
01:02:21Oh, please! Oh, no, please, no!
01:02:25No! Oh, no!
01:02:47Martino!
01:02:51No, don't go away!
01:02:55Don't leave me!
01:02:59Martino!
01:03:01Wait!
01:03:03Martino!
01:03:05No, don't go away!
01:03:07Don't leave me!
01:03:09Martino!
01:03:11Wait!
01:03:13Martino!
01:03:15Martino!
01:03:19Don't go away!
01:03:21Don't leave me!
01:03:23Martino!
01:03:25Gratis!
01:03:27Gratis senor!
01:03:29Thank you very much!
01:03:31Oh!
01:03:33Bye!
01:03:35neoliberalist!
01:03:45Martino!
01:03:47Martino!
01:03:49There's not a drop left in the house.
01:04:06Have you forgotten on a wonderful evening?
01:04:08Where is the telephone?
01:04:20We're against technological progress and we don't want to be disturbed.
01:04:25Put the telephone back at once.
01:04:28I want to order some whiskey.
01:04:30Eva's gone in to lay in a supply,
01:04:33but if you're really thirsty, I'll see what I can do.
01:04:38And I warn you, there's a padlock on the gate.
01:05:01Here we are.
01:05:03But if you want a drink, you've got to be nice.
01:05:05No, no, don't come any closer.
01:05:08Well, I was just trying to be nice.
01:05:10The fact is that we really don't have any more fun with you
01:05:14because you're a poor, demented drunk.
01:05:17I ran into blood.
01:05:18No, no.
01:05:20No, no.
01:05:21I'm not sure you're going to be able to go in a house.
01:05:23I'll be fine.
01:05:25I've got to be a man.
01:05:26I'm not sure you're going to have any more fun.
01:05:27I'm not sure.
01:05:28No, no.
01:05:29No?
01:05:30No?
01:05:31I'm not sure you're going to be a man.
01:05:32I'm not sure you're going to walk it.
01:06:34Uh, yes.
01:06:51Actually, you're a pretty nice girl.
01:06:55Get up.
01:06:55Stand up.
01:07:07Give me the keys to the gate and the keys to the car.
01:07:11Don't do anything silly, Catherine.
01:07:13Stop there.
01:07:23Throw me the keys and then lock yourself inside.
01:07:26Don't do anything.
01:07:27Come on.
01:07:28Come on.
01:07:30Come on.
01:07:31Come on.
01:07:33Come on.
01:07:35Come on.
01:07:36Oh, my God.
01:08:06Oh, my God.
01:08:36Oh, my God.
01:09:06Oh, my God.
01:09:36Oh, my God.
01:09:38It's pure science.
01:09:56Hello? Yes?
01:09:59West Residence. Ah, good evening, Mr. Sanders.
01:10:03She's gone to Rome with my sister.
01:10:06She's gone to do some shopping.
01:10:10I see.
01:10:13Well, I hope she'll be... that she'll be back by that time, okay?
01:10:16Be seeing you soon.
01:10:23I'm sorry, darling, but I had to stop you from saying anything funny.
01:10:27You've done too many funny things already.
01:10:31Now, Mr. Sanders is on his way and you've got to get rid of him.
01:10:36Brian's coming here.
01:10:40Quite right.
01:10:42You have to behave.
01:10:43And if you say one thing, we spill the beans.
01:10:46But no.
01:10:47Our little Cathy will be perfect.
01:10:49Now get up and get yourself into shape.
01:10:52God save you if you let yourself be seen in this condition.
01:10:55No, later.
01:10:57Now you've got to get up and get dressed.
01:11:00Now you've got to get up and get dressed.
01:11:03Here's why.
01:11:04My name is Mr. Sanders.
01:11:05Why?
01:11:07My name?
01:11:09Please, Chris.
01:11:11If there is a word for you, Hong Kong...
01:11:13Let me show you well, if it's better than the world.
01:11:15To be the people of świaku empresa...
01:11:17Now, I'm말ing you.
01:11:19How much do you think it's closer to my thousands?
01:11:21I'm smart.
01:11:22Well, there's never knowing...
01:11:23I'm terribly sorry, but I absolutely must be in New York tomorrow morning.
01:11:45I don't know what to say, Mr. Sanders.
01:11:47Every time they go to Rome, they get lost in the shops,
01:11:50go to the movies, stop buying some restaurant.
01:11:52Quite frankly, I'm pretty fed up with trying to keep up with those live wires.
01:11:59Maybe it's better that way.
01:12:00Catherine needs a little distraction.
01:12:02How is she now?
01:12:03Well, I don't know really what to say.
01:12:05Sometimes she seems perfectly well.
01:12:07And then she gets sudden fits of depression.
01:12:11Forgive me, Mr. Sanders.
01:12:12Perhaps I shouldn't...
01:12:13No, no.
01:12:13Tell me the truth, I beg you.
01:12:15Well, when she gets sad, she drinks a lot.
01:12:18And when she drinks a lot, she says she wants to die.
01:12:21Then...
01:12:22Then she takes sleeping pills and she sleeps for 24 hours a day.
01:12:31Yes, we really must convince her to take a cure.
01:12:34I'm very worried.
01:12:35And I'd be very grateful, Mr. Donovan, if you'd always keep me informed.
01:12:39In any case, I'll be back in a week at the most.
01:12:41What about the power of attorney?
01:12:49And tell Catherine to sign this and dispatch it immediately to the office of Carlini, who's
01:12:53my correspondent in Rome.
01:12:55And should Signora West have need of clarification, this is my number to telephone.
01:13:00Mr. Donovan, you've been of considerable help.
01:13:03Now, what Catherine wanted to know is what the total dividends come to.
01:13:06Tell her these papers concern $120 million in the Italian branch.
01:13:11I see.
01:13:11$120 million.
01:13:17What was that?
01:13:19Ah, the cat's up to his old trick of trying to steal a bottle of milk.
01:13:25Oh, well, tell Catherine, Mrs. West, to call me.
01:13:28Goodbye.
01:13:29Goodbye, gentlemen.
01:13:30See you, Mr. Sanders.
01:13:31Keep your millions, you filthy rich.
01:13:53Telegramma.
01:13:53Too bad you're so crazy.
01:14:00You're so beautiful.
01:14:02I could have loved you and made you happy.
01:14:06All the fault of whiskey.
01:14:10Would you like to make love one last time?
01:14:19Only you and me.
01:14:20Oh, I can't.
01:14:47Bye.
01:14:47Bye.
01:14:48Bye.
01:14:49Bye.
01:14:49Bye.
01:14:49Bye.
01:14:50Bye.
01:14:50Bye.
01:14:50Bye.
01:14:50Bye.
01:14:50Catherine, your supper's ready.
01:15:06Let me out! I'm going mad!
01:15:11I'm going mad!
01:15:14I'm going mad!
01:15:17Twenty pills. It'll be a painless suicide.
01:15:47Let's go.
01:15:56It is our sad duty to inform you.
01:16:26Of the death of your legal representative, Brian Sanders.
01:16:33Oh, no.
01:16:35In a plane crash returning home office.
01:16:40Oh, God.
01:16:43Oh, God, no.
01:16:56Oh, God.
01:17:06This is it.
01:17:07Let's wait at least ten minutes.
01:17:09Okay.
01:17:10Okay.
01:17:11Okay.
01:17:12Okay.
01:17:13Okay.
01:17:15Okay.
01:17:16Okay.
01:17:17Okay.
01:17:19Okay.
01:20:20Bye-bye, Catherine.
01:20:42The party's over.
01:20:52Woo-hoo!
01:20:53God!
01:20:54Uncle Brian, lend us the car.
01:20:55Absolutely.
01:20:56I'll get into the water.
01:20:57I'll explode.
01:20:58The beautiful day for swimming.
01:20:59Brian, see you, darling.
01:21:01Ciao.
01:21:01See you later.
01:21:03See you later.
01:21:03See you later.
01:21:04So, excuse me, Mr. Sun, is he wanted a Scotland Yard?
01:21:23We're running out of gas.
01:21:37What do you care?
01:21:38We got 3,000 oil wells out in Texas.
01:21:41We can double the price of oil and be less traffic on the road.
01:21:50Listen to this.
01:21:51Catherine saved it, too.
01:21:53In a time you feel alone, but there's no need to worry.
01:22:01Go, cause I'm one.
01:22:05I'll be there to turn your sadness into fun.
01:22:16The stage was set the night we met
01:22:21For fate had planned it so
01:22:25And just one look was all...
01:22:29And we're running out of gas.
01:22:39And I'll be there to turn your light on.
01:22:39Yeah, I'll be there to turn your light on.
01:22:40And we're gonna be there to turn your light on.
01:22:43And we're gonna be there to turn your light on.