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00:00Every time, every time, every time, every time, every time, every time, every time, Arjun Sarkar.
00:07So, all of these people have a lot of questions.
00:10Arjun Sarkar is with us.
00:14But Arjun is not a good idea of being here.
00:17Because I have a table of weapons, I have a lot of weapons.
00:21So, now, I'm going to talk to you today.
00:26So, Arjun Sarkar, welcome to Arjun.
00:29Arjun Sarkar, welcome to Arjun Sarkar.
00:31So, Mrudulagar.
00:32Mrudulagar.
00:33Namaste Mrudulagar.
00:34So, Mrudulagar is still there and is Arjun.
00:38Arjun.
00:39Arjun Sarkar is still there.
00:41Yes, Arjun.
00:42But how many weapons have you?
00:44It's...
00:45It's...
00:46It's...
00:47It's only dummy weapons.
00:49It's only 3%.
00:51But it's very natural.
00:54It's the art department's work and is important to get this earth.
00:58It's only 3 billion dollars worth of weapons.
01:00It's only 3 billion dollars worth of weapons.
01:03So, it's also always creating the feel and both mood.
01:05I think...
01:06We believe that most of our content are very high.
01:11So, let's go to the show.
01:12Since you have an interview set up, you can't say anything.
01:15You can't say anything in the cinema, you can't say anything.
01:17Seriously?
01:19Yes.
01:19So, yes, we were choosing Arjun, the company, that scream, that dialogues, that same vibe.
01:26I am sure you're hearing the genre of the genre as well.
01:31You also know.
01:32The audience is having fun today and you are having fun today.
01:36But, before accepting this script,
01:41Do you want to know the genre that you want to do with the genre or script?
01:48Or do you want to know the script?
01:52I don't know if you want to do with the genre that you want to do with the genre.
01:57If you want to do it, I shouldn't do a film like Gladiator.
02:01Otherwise, I haven't ever really thought that I should do a film like this.
02:06I don't know if you want to do it.
02:09So, in this case, I feel like I'm in the flow.
02:12I feel like I'm doing something exciting and exciting.
02:15So, in this case, I'm going to do something like this.
02:17In the second dance, I'm going to do something like this.
02:20I'm going to do something like this.
02:23I'm not going to be the producer.
02:26But in the third dance, it just happened.
02:30Just correct time, not match, not time, and do it.
02:36I'm going to set the situation in the correct situation.
02:37In the process of developing this point,
02:42the characterisation process,
02:43now we're talking about violence.
02:46What do you decide to do with the genre?
02:49Because Hit 1 is a franchise.
02:52Hit 1 is not going to be.
02:54Hit 2 is going to be a little violence.
02:57It's not going to be.
02:59How did you decide on this note, this scale?
03:02It's going to be fixed.
03:03It's going to be organic.
03:04It's getting bigger and bigger and bigger.
03:06And it's getting bigger and bigger.
03:07It's getting bigger and bigger and bigger.
03:09If we deal with this case in the cinema,
03:12it's organically steered towards a lot of violence, basically.
03:19Okay.
03:20And when you look at the cinema,
03:21it's not going to be.
03:22It's not going to be violent.
03:23It's not going to be.
03:24It's not going to be.
03:25It's not going to be.
03:26Okay.
03:27Yeah.
03:28Actually, that feeling has already come to the trailer.
03:30Because in the teaser,
03:32we have completely seen the violent side of Arjun Sarkar and Hit 3.
03:36Okay, emotion.
03:38Okay, emotion.
03:39Yeah.
03:40So, when you look at the trailer,
03:42you're supposed to be like,
03:43who is the villain?
03:45I'm going to jump on that film.
03:47I'm going to be able to see it automatically.
03:49I'm going to be able to see it in the cinema.
03:50I'm going to show it in the screen.
03:52Yeah.
03:53I'm going to see the elements of the movie.
03:54Yeah, yeah.
03:55So, I think there's a justification for the trailer.
03:59Okay.
04:00I hope that in the theatre,
04:02you're going to see it in the cinema.
04:03You're going to be much more involved,
04:05you're going to be more related,
04:06you know,
04:07If we understand that, then we are very engaging.
04:10Yes, yes.
04:11So, in the emotions, in the intensity of the cinema,
04:15the temper is cool and calm down.
04:18The element is not.
04:20Yes.
04:21So, as a human being, it's not a human being, it's not a human being?
04:24No.
04:25Off-screen reversal.
04:27Oh.
04:28It's a human being, it's a human being, it's a human being.
04:32I just told before the take, no?
04:34Silas told the same thing.
04:35This one is Arjun Sarkar.
04:37Actually, just before the interview,
04:39Silas gave me what to do.
04:40In the set, I just said the same dialogue.
04:45She's off-screen Arjun Sarkar.
04:47Yeah, yeah.
04:48I say so many times.
04:49See, it's already.
04:50It's true, sir.
04:51Violence?
04:52Yeah.
04:53Interview with the IA certificate.
04:55That's right.
04:56So many times, you make me tell.
04:58Hey, hey, hey.
04:59Hey.
05:00Marie, how violent are you?
05:01No, no.
05:02I'm so silent and quiet.
05:04I want to be quiet.
05:05Without smiling, say that.
05:07Very silent and quiet.
05:09I want to be silent and quiet.
05:12She's only laughing for that.
05:13I want to be, I want to be silent and quiet in my life.
05:16People around me, they don't let me be quiet.
05:18And that's why I end up doing what I do.
05:20It's all people around you.
05:21Their fault.
05:22So, I know very much.
05:24Mridula, can we all talk about Mridula?
05:26Mridula is very, what do you say soft in Telugu?
05:28Ah, Mridula.
05:29So, Mridula is very Mridula and Sriniti is also very Mridula.
05:32Mridula is Mridula.
05:33Mridula is Mridula.
05:34That we accept.
05:35So, Arjun Sarkar needs Mridula in his life.
05:36Yes, yes.
05:37That we accept.
05:38Yeah, that we accept.
05:39But, we're off screen Arjun Sarkar Kabatti.
05:40Would you like to be Arjun Sarkar on screen also?
05:42You have to do the action.
05:43Yes.
05:44Oh, Panjshed Dhamma.
05:45Is that right?
05:46I think I'll be happy.
05:47This.
05:48This.
05:49Come on, come on.
05:50I think I'll be happy.
05:51We want to see Arjun.
05:52You don't have to be happy.
05:53I'll be happy.
05:54We're already doing it.
05:55We will use a lot of the angles.
05:57Okay.
05:58I cannot do all of this.
05:59This must.
06:02I think it's romance.
06:03I think I'll be happy with you.
06:04I think I'll be happy with you.
06:06I can't be happy with you.
06:07I'm happy with you.
06:09Yeah.
06:10So, when you're such a lot of songs in Prema Velva,
06:13You really enjoyed the song.
06:14You did a lot of it.
06:15You did a lot of it.
06:16Oh, let's get a lot of it.
06:18And most importantly, we have a conversation with each other.
06:23No, in all the departments, he is very talib.
06:26But in this department, he doesn't have brains.
06:29So, he doesn't get the message right.
06:30I'm going to talk clearly about the other person.
06:32A little bit.
06:33He's confused.
06:34Correct. Exactly.
06:35You're a little bit more.
06:36You're a little bit more.
06:38Why?
06:39A lot of people relate to that.
06:42I've seen that.
06:44I think a lot of people have a problem.
06:47I think it's very hard to deal with.
06:50It's always a reverse.
06:51So, it is very confusing.
06:53Yeah.
06:54But you should get the message.
06:55I know.
06:56There's no confusion happening.
06:57Do you think it's an injury?
06:59Yes, it's an injury.
07:01Only in theatres.
07:02Only in theatres.
07:03Only in theatres.
07:04Yeah, yeah.
07:05No, but tell me about your characterisation.
07:07As Lella is not in the intense movie, my role.
07:11Actually, I've been saying about my character.
07:12I want to know it from you.
07:13Tell me.
07:14How is Murudala?
07:15Yeah.
07:16Murudala is someone who,
07:21even in general,
07:23doesn't want to talk about that.
07:26And also, you need someone like that to be able to handle.
07:30And the company can be intimidating, right?
07:33But Murudala can...
07:35If you're in a song,
07:37you can just translate what you can do.
07:40Oh no.
07:41You don't do that to Sarkar.
07:42Generally, if someone is meeting Sarkar,
07:44if they know about him.
07:46But she is like that.
07:47Oh, I need you also.
07:48When you're eating that thing.
07:49Correct.
07:50It's an instinctive person.
07:52I don't know.
07:54If everyone is concerned about Sarkar,
07:56she doesn't care.
07:59What Sarkar is to her is what it is for her.
08:03It doesn't matter what the world is saying.
08:05And she will treat him like a kid only.
08:07How she looks at him.
08:09Right.
08:10You know, some affection or whatever.
08:12She won't take the baggage of the world.
08:14And that has a reason also.
08:17That has a purpose,
08:19but which I cannot.
08:20If you watch the film.
08:21Purpose entity.
08:22Purpose entity.
08:23Correct.
08:24Purpose entity.
08:25Yeah.
08:26Yeah.
08:27Yeah.
08:28Yeah.
08:29Oh, that's okay.
08:30Okay, let's forget it.
08:31Yeah.
08:32Look at the dialogue from the film.
08:33Yes, yes.
08:34Okay.
08:35I think,
08:36I think,
08:37I think,
08:38I think,
08:39there is a lot of emotion in that.
08:44And,
08:45I think,
08:46you have a reaction to your mother's daughter.
08:48There is some connection.
08:50The connection.
08:51It is a connection.
08:52It is a connection.
08:53It is a connection.
08:54It is a connection in the trailer.
08:55Very very movements.
08:56Yeah.
08:57But, it is all connected obviously in the film.
08:58Yeah.
08:59In the end basically.
09:00It will all make sense.
09:01Because, in the beginning of the trailer,
09:02we can see a mother's pain.
09:03It is a start out.
09:04I think,
09:05the characterization and the pain.
09:07Some wonderful.
09:08Yes.
09:09It is.
09:10It is a director.
09:11It is a very.
09:12I think,
09:13in the cinema,
09:14it is a lot of round off.
09:15Hard to do.
09:16Hard to do.
09:17Yes.
09:18So,
09:19hit to one,
09:20hit to two,
09:21you,
09:22wall poster cinema,
09:23there is a whole time to see heroes.
09:25How did you feel like entering into this franchise?
09:28I did not do it.
09:29It is like that.
09:30I did not.
09:31I did not do it.
09:32And then,
09:33I did not do it.
09:34I did not do it 100%
09:36and I did not do it any day.
09:37Of course.
09:38But,
09:39you do not do it?
09:40I did not do it.
09:41You should do it at second hand.
09:43You should do it,
09:44then you should do it.
09:45set out, you don't have to learn the genre.
09:48I always look for that.
09:50I always look for the genre-wise,
09:53but I don't think it's perfect.
09:56So, let's try this.
09:58Yes.
09:59Arjun Sarkar's hit,
10:01Arjun Sarkar's latte release,
10:03that made a lot of difference actually.
10:08I think that's why I think that difference is
10:10that difference.
10:13That's why I think it's better.
10:15That's why I think it's better.
10:17Something came in my mind.
10:19Come here.
10:20No, no.
10:21It's a secret, sir.
10:23What are you kidding me?
10:25Okay.
10:26Then what?
10:27Let's come and repeat it.
10:28No, but I'll do it.
10:29Just one last time.
10:30One last time.
10:31One last time. Continue.
10:32Hey!
10:33No.
10:34You said scare her.
10:37Yeah, but not now.
10:38Later I told you.
10:39Oh, later is it? Oh, so sorry.
10:41She did get scared.
10:42I got scared.
10:43I got scared.
10:44I got scared.
10:45I told the idea and I got scared.
10:46So, sorry, man.
10:47No.
10:48Jinji.
10:49She told her the idea.
10:50Here, here.
10:51Here, here.
10:52Here, here.
10:53Actually, she missed my reaction.
10:55Yes, she missed your reaction.
10:56Yeah.
10:57Because I just told her, later you do it.
10:58And then I came here and I just cried.
11:00Yeah.
11:01No, later part, I didn't listen.
11:02So, listen to me.
11:03I'm asking you to do this.
11:04Okay, sorry.
11:05Yeah, yeah.
11:06No, good one.
11:07Good one.
11:08I pulled the crown.
11:09You can just check my heartbeat right now.
11:10Seriously.
11:11I'm sorry.
11:12I'm sorry.
11:13I'm sorry.
11:14I'm sorry.
11:15Okay.
11:16Good job.
11:17Okay.
11:18I'm sorry.
11:19Okay.
11:20Okay.
11:21Yeah.
11:22Okay.
11:23But in the trailer, I chose that wound me.
11:26That is actually my favourite part of the trailer.
11:30Wound me.
11:31That is alcohol.
11:32I chose that body language and that scream.
11:36I don't know how you got that, you know, vibe.
11:41That is a good experience.
11:44That is a good experience.
11:45There is one episode in the film.
11:48There is one episode in the film.
11:49There is a little bit in the picture.
11:51I think, you know, to reset yourself.
11:57You lose something mad, right?
11:59Yes.
12:00That is a perfect movement.
12:01That is a perfect movement.
12:02That is a perfect movement.
12:03If you don't have anything in the script,
12:06just on location, the magic will happen.
12:08That is a movement.
12:09That is right.
12:10Yeah.
12:11So, do you know that body language,
12:14that is automatic?
12:16I will show you that shot.
12:18It was the last shot of that early morning.
12:21When I shoot, I am gone.
12:22Everybody is tired.
12:23Whatever, whatever.
12:24Put that shot.
12:25There is no time.
12:26There is no sunlight.
12:27There is no time.
12:28They put one shot.
12:29And I...
12:31You don't know what I am doing.
12:33Which way I am going.
12:35It is not a clear plan of...
12:37Oh, this is what I am doing.
12:39It is not a clear plan of...
12:40If you do it, I have to react to it.
12:41If you have a bottle,
12:42then you will have to go.
12:43That is the same.
12:44That is the same.
12:45If you do it,
12:46then you will do it.
12:47Then you will do it.
12:48Then I do that reaction.
12:50And then I scream basically.
12:52Because of that,
12:54we knew that we got our trailer shot.
12:57Seriously?
12:58It was that moment.
12:59And everyone was tired.
13:01After that shot,
13:02we had to do the back-up.
13:03We had to do the back-up.
13:04The team and unit was very high.
13:07That is...
13:08Syilish said back-up,
13:11and the cameraman,
13:12everybody was like,
13:13it was a little euphoric.
13:15But we were all doing this.
13:17We know.
13:18We liked something about it.
13:19And the feeling was high.
13:20That is how it felt.
13:21Not all about screaming.
13:22After the screaming,
13:23he does all that thing.
13:25And then there is two seconds of blank space in between.
13:27And then he comes back.
13:28That was also like the ending for it.
13:30Yeah.
13:31That you see the beast mode is on now.
13:33Syilish said back-up.
13:35And then he just comes like that.
13:37He breathes.
13:38Then...
13:39And I say,
13:40it's like I am ready again.
13:41Activate it.
13:42And I think,
13:43in the suit,
13:45in the set,
13:46in the suit,
13:47there is an episode.
13:49In the film,
13:51like the...
13:52Random game,
13:53that part of the film.
13:56Okay,
13:57okay stretch episode.
13:58It is.
13:59It is.
14:00The suit part,
14:01it comes in one flow.
14:02One flow.
14:03One flow.
14:04That is a highlight.
14:05Yeah.
14:06100%.
14:07Yeah.
14:08Because,
14:09there is a close expression in the trailer.
14:13That like,
14:14fear,
14:16determination,
14:18expression,
14:19and that talks a lot.
14:22I think there is a lot.
14:23Correct.
14:24I think there is a lot.
14:25Can you tell more about that episode or that part of the film?
14:28How does it go?
14:30Obviously, that is where we build up the story to it.
14:33Okay.
14:33Chantlou, there are a lot of interesting visuals and a lot of surprises on that.
14:38Okay.
14:40Of course, I cannot reveal it, but I am hoping and I am also in a way sure that that will be a lot, that will be a talked about episode of the film for sure.
14:50I'm sure, yes.
14:51This is the very investigative process on that episode and the survival process on that.
14:57Okay, okay.
14:59Asal, Sailesh Garu, Doctor and Mandar, he is a doctor, lawyer, police, he is a doctor, he is a doctor, he is a doctor, he is a doctor, doctors are good at research.
15:11So, when he took up a crime thriller, I think he did his research very well.
15:16Yeah.
15:17And because of his academic background, I think the research around equality will reflect in the filmmaking of these kind of films.
15:27And he is a doctor, he is a doctor, he is a doctor, he is a doctor.
15:40And he is the director, he is a doctor, he is a doctor, he is a doctor, he is a doctor.
15:56Being a doctor, do you have any interest in these cases?
16:03No, because I was also a part of the process of, from the hit one, I first took a few thoughts and developed a few thoughts.
16:10I didn't want to discuss that.
16:12So, I wasn't surprised, I didn't have any questions.
16:16I have seen him grow with that ideology and make films which are...
16:22So, I got a full structure, I got an idea at the seed level and then I have seen it transforming into a script.
16:29So, the process tells me that it is a question.
16:31You are a natural star and how much you are in your character, how much effort you are doing, how much effort you are doing, how much effort you are doing.
16:43But still, you are doing these roles, how much emotionally demanding roles.
16:48I am very proud of you.
16:51I am very proud of you.
16:53Yes, yes.
16:54I am very proud of you.
16:55I am very proud of you.
16:58Yes, yes.
16:59How much effort you are doing this?
17:01Do you have to do this intentionally?
17:03Do you have a little bit of a mood or something like that?
17:06Yes, yes, yes.
17:07I know for sure that I am very proud of you.
17:09That's why I am very proud of you.
17:12That's why I am very proud of you.
17:14No, no.
17:15Do you work in sets?
17:16Yes, I am very proud of you.
17:18I am very proud of you.
17:19In sets, no.
17:20For example, there are many full nights and nights.
17:24So, in sets, there are some impact, strain, tiredness, and character.
17:30No, you have a lot of impact on this script.
17:33There is no impact on the character on the Arjun Sarkar or script.
17:36What is the importance?
17:38What is the importance of Arjun Sarkar?
17:39Why is this?
17:40What is the importance of the Arjun Sarkar?
17:41In script.
17:42In flow of things obviously.
17:44And in a lot of crime and thrillers,
17:51a general hero is a separate track, like a breather.
17:57But Mrudhala is not that.
17:58Mrudhala is someone who is responsible for the main drive of the film.
18:03This is your first direct Telugu film, right?
18:06Yes, my debut. My Telugu debut.
18:08I was like, I don't think it's an excitement, but I think it's an excitement.
18:11Telugu debut.
18:12Already, Telugu people, I think KGF, are bold and love.
18:17Yeah, they've all been very kind.
18:19People have been very kind and...
18:21I have a lot of love, a lot of support.
18:25They've always been very nice.
18:26So, yeah, they've been very kind and I think I'm very grateful.
18:29God's grace and everybody's blessing.
18:31My Telugu debut.
18:33So, any which way, I don't know. Already, you all love him.
18:35I'm going to be in the theatre.
18:37Of course, I'm going to tell you.
18:39I'm going to tell you a lot about this question.
18:42Because in a serious thriller, in a violent thriller,
18:46I'm going to tell you a lot about Mickey J. Mayer, there's a lot of different choice.
18:51So, I'm going to tell you a lot about that.
18:54Because you're a lot of music director, you're a lot of choice.
18:59Mickey is a great technician in music.
19:01Now, in a little bit, I'm going to tell you all about the music in a thriller that people are playing music.
19:05I mean, as a journalist in general, there are those music that they play in thriller that way.
19:10The love story is, they play in love stories, that's what I'm going to tell you.
19:14Now, for example, if they play in a genre, they'll do it for the genre that they're doing it for a lot of years.
19:22When they were doing that genre, they were doing anything good for me,
19:25because they were doing an unexpected great output,
19:30they were doing very well.
19:32Okay, so I genuinely feel,
19:34Mickey is a great technician.
19:35Mickey understands sound very well.
19:37But did Mickey do a thriller?
19:39It's not.
19:40So, for that, I felt it will always add some new value to it.
19:46If you choose, if you choose, if you choose a thriller,
19:48it will be a little bit more than me.
19:50And I am so glad that we took that call,
19:53because now, Hittri will sound very new and exciting than other thrillers.
19:57So, it's very interesting.
19:58So, now, you are talking about it,
20:01of course, I completely agree and I love Mickey J. Mayer's work.
20:06I am doing it.
20:08But still, it has an experiment and a feeling.
20:11So, you are not sure everything is going to happen.
20:14Oh, experiments only yield great results.
20:16Wow.
20:17What is not an experiment will never...
20:19Shappah.
20:20That's good.
20:21That's good.
20:22Very good.
20:23That's good.
20:24That's good.
20:25Yeah.
20:26So...
20:27Repeat, repeat that line again.
20:28Experiments.
20:29Experiments only yield great results.
20:32Great results.
20:33Great results.
20:34Results will come anywhere.
20:35Yeah, great results.
20:36Something when...
20:37When you do...
20:39When people...
20:40People...
20:41Doubt pade...
20:42Pannells just na pade...
20:44Unexpected great results will come.
20:45Otherwise, expected results will come.
20:47Expected results are never great.
20:49You have to win the game.
20:50I will not be able to get any of any of any video's issues.
20:55But that's why we can make the outputs of the game.
20:59And we will try to destroy the weapons.
21:01There are no weapons to do against anyone.
21:03We will not be able to attack anyone.
21:05We will pick a general weapon.
21:08We will dedicate anyone to our team.
21:09Now, Srinithi, how did you get it?
21:15What excitement he had?
21:17What excitement did you use?
21:19He didn't use it, he didn't dedicate it.
21:23And look at the choice of weapon.
21:25And look at the excitement to use it on me.
21:29Hey, this is dummy, this won't even...
21:31Yeah, but look.
21:33Nothing happened, no?
21:35Okay, but why did you choose?
21:37My choice of weapon is this one.
21:38Because the rest of everything was bloody.
21:40What you were putting in my mouth...
21:44Okay, I'm sorry.
21:46Sir, you can choose one weapon, but why did you choose?
21:50Why?
21:51Why?
21:52The weapon's character is...
21:54Why?
21:55Is it a rifle?
21:56Why because?
21:57When I was thinking about it,
21:59when I was thinking about it,
22:00when I was thinking about it,
22:01when I was thinking about it,
22:03when I was thinking about it,
22:04when I was thinking about it,
22:06I was thinking about it,
22:08when I was thinking about it,
22:09I was thinking about it,
22:10when I was thinking about it,
22:12when I was thinking about it,
22:14I was thinking about it,
22:15I was thinking about it,
22:16this is the right weapon.
22:17Correct!
22:18Okay, Shri Didi, you got the answer now.
22:21So, now, what do you do?
22:23It's okay.
22:24One shot, out.
22:26Yeah.
22:27Knock out.
22:28One shot, out, and then,
22:29I was thinking about it,
22:30I was thinking about it,
22:31I was thinking about it,
22:32I was thinking about it.
22:33Yeah, I was thinking about it.
22:34So, this is just a dummy.
22:35Okay.
22:36So, now,
22:37do you have Silesh?
22:38Silesh is a weapon, right?
22:39Yeah.
22:40Silesh is a weapon, right?
22:41Yeah.
22:42Silesh is a weapon, right?
22:44It's a gun, right?
22:45Yeah.
22:46What's the gun?
22:47I am thinking about it,
22:48I am thinking about it,
22:49not to see it,
22:50but you are thinking about it.
22:51That's how,
22:52the gun is faster.
22:53He is already asking for more days,
22:55but you are telling you,
22:56that gun is faster.
22:57Load it like that.
22:58Load it like that.
22:59He is telling me,
23:00I will give you one more day.
23:01You will give me one more day.
23:02No, one more day.
23:03Okay.
23:04So, Silesh,
23:05we were saying that,
23:06you can take a look?
23:07Yes.
23:08Okay.
23:09Now,
23:10do you want to play a weapon first?
23:11In the cinema?
23:12Yeah,
23:13Are you going to play the first?
23:14No,
23:15No, I don't know.
23:17There's no one in the cinema.
23:18Is it original in the cinema?
23:20Yeah, original unless we are...
23:24Then, in action, we will go for other options.
23:28But actually, there are short shorts in the cinema.
23:31Oh.
23:32That's why we can't wait for this range.
23:37And there are just some random questions.
23:40If it's rapid, we'll get the answers as they want.
23:45So, Nanigaru, did you ever pretend to like a co-star's performance even when he didn't like it?
23:51I didn't pretend to like it.
23:52I wouldn't have addressed it, that's all.
23:55Just come.
23:56Come.
23:57If I can help with it, if I can say something which will help the performance, I would have said it.
24:06But just come where?
24:07Come.
24:08Just come.
24:09Oh, just come.
24:10Calm ground tarant.
24:11Oh, without saying anything, oh, you stayed calm.
24:13Have you ever googled yourself and regretted it?
24:16No.
24:17I didn't google myself.
24:18No?
24:19I...
24:20Like, I remember seeing, like, what is that some new video I wanted to look for which came and I missed it.
24:28So, I've typed like Nani on YouTube.
24:31Ah.
24:32Google, Google, I never googled.
24:34Okay.
24:35Do you have any news or something juicy, regret feel?
24:39That's a lot.
24:40Beginning of the career.
24:41So, I've been learning everything.
24:42So, in the beginning of the career, I don't have any negative headings.
24:49I don't have any negative headings.
24:50I don't have any negative headings.
24:52So, the best headings is it.
24:53I thought, I don't have any negative headings.
24:54I don't have any negative headings.
24:55And in the beginning of the career, there will be a little kind of anger.
24:59But now.
25:00They will be able to try anything.
25:01With that.
25:02Yeah.
25:03Yeah.
25:04Do you think Hit 3 is better than the first two parts?
25:08I don't think so.
25:09I don't think so.
25:10We have done.
25:11No, you are.
25:12You are a ton of pieces.
25:13No, no, no.
25:14I want to do one and two.
25:15I want to do three things.
25:17In comparison, you know, I cannot put.
25:20But I think a lot of effort and everything went into Hit 3.
25:23A little more than the earlier parts.
25:26Okay.
25:27Would you cast yourself as a villain in Hit 4?
25:31No.
25:32No.
25:33I am Hit 3.
25:34Hit 3.
25:35The structure.
25:36Yeah.
25:37So, Arjun Sir is a villain.
25:39That's right.
25:40That's right.
25:41That's right.
25:42That's right.
25:43So, let's take a look at Shrini.
25:44That's right.
25:45Why?
25:46Why?
25:49Have you ever secretly thought your performance is better than your co-star, co-actor?
25:55No.
25:56No, no.
25:57I always think they are doing their best.
25:59But I always think that I could have been better.
26:01That's right.
26:02That's right.
26:03That's right.
26:04That's right.
26:05That's right.
26:06I don't know.
26:07Somewhere in my eyes, it just doesn't look good to me.
26:10I'm like, something is not looking good.
26:12So, I don't know.
26:13Maybe I have to get used to it.
26:14Watching many more movies of mine.
26:15I don't know.
26:16It might be the beginning problem.
26:17But I just feel that.
26:18Yeah.
26:19I don't know.
26:20I don't know.
26:22And do you stalk your own fan edits on Instagram?
26:25Oh, I love the edits.
26:26Oh, no.
26:27Yeah.
26:28I actually go to Insta.
26:29I don't go and see anything.
26:31But if the, you know.
26:32So, it is chaser.
26:34They don't expect it.
26:35I mean, first of all, they don't see you.
26:37They don't meet you.
26:38It's like unconditional love.
26:39One-sided love.
26:40Oh, no.
26:41So, all I could do is just give them one like, you know.
26:43That makes them so much happy.
26:45So, whenever I see those edits, I just like them.
26:47So, I, in fact, like them also.
26:49So, I just love the edits.
26:51I mean, actually, same question as me too.
26:53Do you ever stalk on Instagram, me, fan edits, choose to?
26:57No, it comes.
26:58It, I think, I'm tagged.
27:00It's a lot.
27:01It's a lot.
27:02It's a lot.
27:03It's a lot.
27:04It's a lot.
27:05Yeah, I think, already I know this.
27:06Because they've tagged me also.
27:07Yeah.
27:08I don't know comfort.
27:09I don't know this.
27:10I don't know that.
27:11So, I do see.
27:12But, especially in release times.
27:16It's a lot.
27:17I don't know.
27:18I don't know.
27:19I don't know.
27:20I don't know.
27:21I think social media is a great platform.
27:23Yeah.
27:24Right.
27:25Obviously.
27:26And when we post, we get updates.
27:28So, the initial reaction we get from them only.
27:31So, I, I, I'll be very excited to know that.
27:34Wow.
27:35Yeah.
27:36I think everybody is extremely excited for the film.
27:40Yes.
27:41I hope, on May 1st, I think this whole euphoria will multiply.
27:45Let's hope.
27:46Okay.
27:47We have to wait a lot.
27:49Because the complete genre is different for us.
27:52And the complete emotion, we have to experience a lot.
27:56So, yes, eagerly waiting for the film to experience it in theatres.
28:00Yeah.
28:01Yes.
28:02Thank you so much, Arjun Sarkar and Vridula for being with us.
28:09Thank you so much.
28:10Thank you so much.
28:14Bye.
28:15Bye.
28:16Bye.
28:18Bye.
28:19Bye.