NYPD Blue Season 1 Episode 20 Good Time Charlie
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TVTranscript
00:00lieutenant come on in janice
00:13you're being promoted oh yeah i'm getting my gold shield
00:27congratulations thanks this is for real you're being assigned to intelligence as you know that
00:36unit's being reorganized so you probably won't be transferred for three to four weeks lieutenant
00:41i got any idea how this happened i've only been in the end of crime three months this was a contract
00:46from the organized crime unit from inspector with starza evidently you were effective in an
00:53undercover assignment form you want to tell me anything about that
00:57i reported a corrupt solicitation inspector list stars i had me do some work for him did you know
01:08inspector list stars is going to work for the dea i heard rumors about that well i guess you just
01:15wanted to make sure your work was acknowledged before you left personnel's idea was that you
01:21would work in a squad here while intelligence gets reorganized you okay with that yeah sure
01:27putting all the cards on the table you had a personal relationship with john kelly
01:33yes uh that's been over for a while now no problem working with them now not for me
01:41no sir you might want to ask detective kelly
01:44kelly
01:45okay
01:48thanks
01:52talk about coming from left field huh
01:55yeah
01:56uh detective john kelly
02:02detective
02:03can i help you
02:04it's just detective john kelly please is the detective expecting you no he's not expecting me
02:10he's a post-personal friend john charlie john i gotta talk to you in a deeply personal manner
02:16i mean the features of the fan john i'm getting jammed john let's not voicemail it though john
02:21okay
02:22some uh some malevolent asshole has sent these pictures to my wife huh to kitty john can you believe that
02:34who do you think might have done it
02:37i have no grievances with anyone you know that john
02:41and i uh stayed up last night but i thought maybe there might be someone who has grievances against me
02:47these people i may have inadvertently offended in business transactions uh kited checks and things
02:56okay okay let's not get ahead of us i'll sit down go ahead sit down
03:01they sent these pictures to kitty
03:06department on fifth
03:08what'd she say
03:10she said
03:12how can you do this to us then she went to mystique
03:16she went to mystique john she would not go there it's the off season unless she was incredibly
03:20grief stricken and distraught
03:23okay say she was coming back
03:25of course she's coming back
03:27she's a girl
03:28she learned to deal with this
03:29we got to find a prick that did this
03:32no one gets hurt here john
03:33not me
03:34not me
03:36kitty and manette
03:38two of the most extraordinary
03:39decent women to ever grace
03:41this planet
03:43okay i can't help you officially but let's think about this first of all the people on this list
03:48these are personal friends of mine that's what hurts me
03:51let me tell you what i'm thinking
03:52um
03:53they have no motive to do this because if they break you up they don't get any money
03:59right
03:59has there been another extortion attempt you haven't told me about
04:04john
04:05i am trying to protect
04:08my ass
04:11and my marriage
04:12i am being totally honest with you
04:15which is why i don't think there's anybody on the list
04:18which leaves manette right
04:22menette
04:25did she ever ask you to leave your wife
04:32yes
04:33did she talk about you guys splitting up
04:35um also
04:36menette
04:38that little bitch
04:41she maneuvered me into these photographs
04:43that's it
04:45she probably paid the photographer for my own money
04:48that's it
04:48i open up my heart
04:50and allow her to make a home there
04:52what does she do
04:53she defecates in my broad room
04:55well
04:56the scales have fallen from these eyes of mine
05:00i am gonna put a ten ton weight
05:04on that worthless bag of gumbo
05:07if i ever find her
05:09charlie you're talking like an asshole
05:11listen to me john
05:12if i wasn't really rich
05:14i'd be an asshole
05:30i am gonna put something in the mist
05:33of her
05:34she Jana
05:35you
05:36take it
05:37you
05:37you
05:39you
05:40you
05:40you
05:41you
05:42you
05:44you
05:44you
05:46you
05:47you
05:47you
05:48you
05:48you
05:50you
05:51you
05:51you
05:52you
05:53you
05:54you
05:56you
05:57you
05:58you
05:59you
05:59you
07:00Wait.
07:03What's going on?
07:05What?
07:06Picked your dad up for birthday present.
07:08From Yanni's?
07:09Yeah, it's a Greek shop, you know.
07:11If he doesn't like it, it doesn't fit.
07:13He can exchange it.
07:15I'm sure he will love it.
07:18I got the receipts.
07:20That was very thoughtful.
07:21You know, I got to be in court tomorrow afternoon, so I thought that I'd meet you here and then we'd just go over together about six.
07:30Okay.
07:31I know.
07:31If you still have work, I'll go to the restaurant myself and you can meet me there.
07:35I, uh, I don't feature me going in there on my own.
07:39First time meeting your whole family.
07:41Would you stop worrying?
07:44These are the least formal people you will ever meet.
07:48Look, I've been thinking.
07:51I'm not going to dance.
07:54Whatever you want to do.
07:56Is that going to make everybody mad?
07:58Andy, this is a birthday party.
08:02People are going to have fun.
08:05And whatever you want to do, I'll be fine.
08:11All right, I'll meet you here at six.
08:18I'll break some plates, but I'm not going to dance.
08:28I'll be in the squad until then, unless you object.
08:58Fancy's going to talk to you about it.
08:59Hmm.
09:00How do you feel about it?
09:02I feel okay, if you feel okay about it.
09:05I mean, I don't have any problems with it.
09:08Well, I'll talk to him.
09:09And congratulations.
09:11Yeah.
09:11Yeah.
09:12Thanks.
09:19Hey, it's Mrs. Fancy.
09:20Hey, Detective.
09:21How you doing?
09:22Great.
09:22Thanks.
09:24Lieutenant, your wife's here.
09:26What?
09:26The girls are fine, all right?
09:28Everybody's fine.
09:29So what's going on?
09:31I want to buy you an early lunch.
09:33Well, let me make a few phone calls and grab my coat.
09:37Okay.
09:41Got it.
09:42No, what was that first name again?
09:46Minette?
09:462-14 James Street.
09:49Got it.
09:50Mm-hmm.
09:52That's Minette Coleman?
09:54Yeah.
09:55Shooting homicide.
09:56White female.
09:58That's Charlie Lear's mistress.
10:00Your friend that stole that F train two years back?
10:03Yeah.
10:04He was in here all pissed off at it today.
10:06For what?
10:07Somebody sent his wife some pictures of him and her.
10:09Him and this Minette?
10:12That Minette.
10:17It's hard to figure.
10:18Your buddy would come here, talk to you, and then go whack this girl.
10:22I know.
10:23Of course, he did steal the F train.
10:25That's right.
10:26I saw a man leave her apartment about two and a half hours ago.
10:34Can you describe him?
10:35Well, I mostly saw him from the back.
10:39He's 5'10", brown hair.
10:41He had a camel's hair coat on.
10:44And he looked like a guy I'd seen visit her before.
10:47And when he was leaving, he was creating kind of a ruckus, muttering to himself profanities and stuff.
10:53You talked to him?
10:55No, no.
10:57About two or three times, though, in the next hour, I thought about him and how I had heard, like, a car backfires a few minutes before he left Minette's apartment.
11:07And I thought, you know, I should check on Minette and make sure she's okay.
11:13And when she didn't answer, I just had a feeling I had to call you guys because she was home.
11:19What do you do, Mr. Gaines?
11:20I'm a night RN at St. Vincent's.
11:23If you saw this guy again, you think you could idea him?
11:26Well, I don't know.
11:27I'd give it a whirl.
11:29All right.
11:29Thanks for your help.
11:30Yeah, no problem.
11:31You have my numbers if you need me.
11:32Yeah, thanks.
11:33Emmy says she was shot through the pillow.
11:41Yeah, this is no good, Andy.
11:43This guy just described Charlie Lear.
11:45Excuse me.
11:46Detective, this just came in over the radio.
11:49Sanitation worker found a gun in the dumpster three blocks over on 6th Avenue by the basketball court.
11:54Okay, tell him we're on the way over.
11:56Yes, sir.
11:56Look at it this way, John.
11:58Would your pal be bright enough to toss his iron?
12:01No, no, no.
12:02I mean, if he had a gun, wouldn't you figure he'd be more the type to be shopping over at Barney's now with the butt sticking out of his waistband?
12:09You want to tell me what's going on?
12:14I'm pregnant, Art.
12:19How did that happen?
12:21We both know how that happens.
12:24I don't understand.
12:26You're telling me the birth control failed?
12:28Yes, it failed.
12:29It happens, Art.
12:34Dr. Sloan said there's a small percentage of times when something goes wrong.
12:38I can't believe what I'm hearing.
12:40I thought you'd be happy.
12:43The doctor said you weren't supposed to be pregnant again.
12:47The last time was too hard.
12:48I just came from seeing him.
12:50He thinks it'll be all right.
12:52There's only a very small chance there'll be any problem.
12:56A small chance.
12:59Arthur, everything doesn't always go according to plan.
13:04Not everything goes by the book.
13:08Did you do this on purpose?
13:11How can you ask me that?
13:12So that's a no.
13:13That's a no.
13:16But if you're asking do I regret having a life inside me, the answer to that is no also.
13:26Can't you be happy?
13:28That your life might be at risk.
13:29That we're going to have another child.
13:43No, I'm not going in there with you.
13:48William, let's sit down and let's talk about this.
13:51No, Art, I'm going home.
13:54I don't want to sit down with you.
13:56I don't want to have a meal with you.
13:57I don't want to look at you.
13:59You break my heart.
14:00F-A-T-N kicked that gun back we got from the dumpster.
14:21Turns out it was registered to this Charlie.
14:24That's your friend?
14:25Yeah, I put him in front of a lineup, but I couldn't get a positive idea on him.
14:30And he's got the guy in the interview?
14:31Yeah.
14:32You want me to get off this?
14:33Well, do you think you're known the guy could help us?
14:36I think so.
14:37I mean, he's kind of a flake, but I usually can make sense out of him.
14:40All right, well, it's Sipowitz's case.
14:43You work it with him.
14:44Okay.
14:46I'm John.
14:47Yeah.
14:47Janice Lakausi's getting her shield.
14:49Yeah, I know.
14:50She told me.
14:51Um, would you mind her working in the squad till she goes over to intelligence?
14:55I don't foresee a problem with that.
14:57As far as your personal relationship...
15:00Yeah, that's over.
15:00That's a settled thing.
15:01Yeah.
15:01That's over.
15:02Okay?
15:03Okay.
15:06Charlie, that pistol we pulled out of the dumpster three blacks away,
15:09that's registered to you.
15:11The last time I saw that pistol was three months ago,
15:15bounced around my underwear drawer.
15:17Anybody could have picked it up.
15:19John, I was an ID, was I?
15:21Not by these people in this lineup.
15:23Where were you for the last few hours?
15:25I wasn't an ID, was I?
15:28Because if I was an ID, I'm going to check into the puzzle house.
15:31The ID was inconclusive, but where were you, Charlie?
15:35I can tell you if I have to.
15:37This qualifies as a jam, Charlie.
15:39I'd recommend you tell us.
15:44I was at my other girlfriends.
15:46Claudia.
15:46Claudia.
15:47Low.
15:47She's a good kid.
15:49Claudia's misfortune in life.
15:51She happens to be trapped in a loveless marriage.
15:54I would appreciate it if you would approach her discreetly.
15:57We'll do it.
15:58We can't.
15:59Does Claudia live with her husband?
16:01Yeah, yeah, she does.
16:03He's not in town a lot.
16:04He's a salesman who sells sexual garage doors.
16:07I think he's in Troy today.
16:08He may be back by now.
16:10You got an address?
16:11Yeah.
16:12Yeah.
16:14She lives in Chelsea on 21st Street.
16:18This is the phone number.
16:23You call it, and then hang up.
16:27Then call it again.
16:28If someone answers and hangs up, that's Claudia indicating that there is no longer a husband
16:33on the premises and is safe to come over.
16:36Sit down.
16:39Come on, John.
16:40I gotta go pick up Mike Trevor.
16:42Poor guys and Alky.
16:43I pick him up every week at this time.
16:46Yeah?
16:46What, do you take him to a meeting or something pious like that?
16:50No, I take him to the Harvard Club to get loaded.
16:55Are you a risk of flight, Charlie?
16:57Look, you guys, um, I came in here.
17:03I come out of my own hook.
17:05I give up Claudia's name.
17:07She's gonna say I'm not guilty.
17:08I didn't do it.
17:09Now, in case you haven't noticed, I am very torn up about this thing.
17:12I would like to go and medicate my grief.
17:16You better make yourself available to us.
17:20On my honor.
17:21Mm-hmm.
17:22Mm-hmm.
17:51I was expecting someone else.
17:57Yeah, I can see that.
17:58New York City Police Detectives, can we come in?
18:04Uh, what's this about, anyways?
18:06I'm expecting someone.
18:08Would that be Charlie Lear?
18:10What's this have to do with Charlie?
18:12Is he in trouble or something?
18:14Mrs. Lowe, what were you doing between 9 and 11 this morning?
18:17Uh, watching TV, sleeping.
18:23Alone?
18:25This is about Charlie, isn't it?
18:29Right.
18:30He gave you the number.
18:32You used the signal.
18:33Between 9 and 11?
18:35If Charlie says he was here, he was here.
18:38No, that's not the way it works.
18:40Do you say he was here?
18:43Sure, he was here.
18:44What time was he here?
18:45I'm not positive I was asleep.
18:48I heard the door.
18:50And I never looked at the clock.
18:52So he didn't use the phone or he didn't use the signal?
18:55He might have.
18:57I might have gone back to sleep.
18:59You're dying me to leave.
19:01I'm not positive I don't get up until late.
19:04So whenever he said he left, he left, okay?
19:08Look, um, my husband, he doesn't have to know about this, does he?
19:12Would you be willing to testify in court that Charlie was here this morning?
19:18Is this something serious?
19:20Yeah.
19:21Just like the penalties for perjury.
19:24Oh, God.
19:30Yeah.
19:31Sure, he was here.
19:32He was here.
19:33Okay?
19:37We'll be in touch.
19:38I, uh, I, I, I, I want to be straightforward about this.
19:50I am beginning to feel resentful.
19:52I also want to say that if my reputation at the club wasn't already tarnished, your guys
19:58pulling me out of it like that, put it in the crackle.
20:01Okay.
20:02Your alibi doesn't stand up, true.
20:06I mean, I said I was with Claudia.
20:08I had sex with her one and a half times.
20:11She didn't mention that.
20:12Women, well, it happens to be true.
20:14She said you might have been there.
20:16She doesn't remember when you arrived and when you left.
20:19She said she was asleep.
20:21Sleeping while I had sex with her?
20:23What does that say about me?
20:24Look, I'll tell you what it is.
20:26Claudia is a good woman, but naive about the world.
20:28You scared her.
20:29You scared her bad.
20:30You scared her bad, Kelly.
20:32You mistook her nervousness for a lack of conviction.
20:34Now, you let me go and talk to her.
20:36I will get her over this case of the vagues of her.
20:39Did you do this?
20:41I did not.
20:42You were loaded.
20:43You were pissed off about the pictures.
20:45Did you go over to Minette's?
20:47I didn't kill anybody, John.
20:49Maybe you were too drunk to remember.
20:52Look, I'm not going to say I have total recall about every event since my christening.
20:57So you just let me go and talk to Claudia, okay?
21:01No.
21:02Are you putting a bag on me?
21:03I'm going to read you your rights, too.
21:05Come on.
21:05I said I didn't do it.
21:06You put the bag on me.
21:07All right, come on, Charlie.
21:08Let's go.
21:08Come on.
21:09You guys are now going to have a chance to go around with the Cobra.
21:14What do you mean, the Cobra?
21:14Alan Biden started two years behind me at Harvard.
21:19By the time I graduated, he was in second year law.
21:23Believe me, the Cobra is going to get his way.
21:26And, John, I am particularly displeased with you.
21:30I am particularly displeased with you.
21:34Hey.
21:35Hi.
21:36Hi.
21:36So, I guess I show up in the squad, Mom, huh?
21:42Yeah.
21:43Hey, I'll be good.
21:45By any chance, you wouldn't feel like going for a beer, would you?
21:49Touching base?
21:50I'm working on this guy.
21:54I wanted to tell you that I'm glad we're going to get to work together.
21:57The last couple months haven't been that great for me, and I know it may be awkward starting
22:04out, but I think we can get past that.
22:06And I'd like us to wind up friends.
22:10I'd like that, too.
22:12Let's see what happens, all right?
22:14See you, John.
22:15All right.
22:18You make us call?
22:20Yeah.
22:20To the Cobra.
22:22I think all lawyers should have reptile nicknames.
22:25Did he kill this girl?
22:29I don't know.
22:30I don't know.
22:55Time for bed, girls.
23:09Good night, baby.
23:10Good night, Dad.
23:13Good night, Mom.
23:14Good night, sweetie.
23:15Good night.
23:16Good night, you.
23:20Sweet dreams.
23:21Arthur, are you asking me to get an abortion?
23:41Is that what you want?
23:42You know what I believe about that.
23:44Then why are you being this way?
23:45Let me finish.
23:46You know what I believe.
23:52But if your life's going to be jeopardized...
23:55You should talk to the doctor.
23:56He thinks it'll be all right.
23:58What if it isn't?
24:00I don't want to lose you.
24:02I don't want the girls to lose you.
24:06I know what's in your deepest heart, Arthur.
24:08I'm asking you to let life in.
24:14Let this life in.
24:20I think it's too much of a risk.
24:26I'm having this child.
24:28I'm having this child.
24:38I don't believe for a minute that Charlie killed that girl.
24:56I don't believe that you believe it, John.
24:59You just got back from Mustique?
25:02Putting Charlie's peccadillos into the proper perspective.
25:05Sexual fidelity has never been Charlie's strong suit.
25:10He's suffered from these transient infatuations for years, as you well know.
25:16We even joke about it, Charlie and I.
25:20Do you know what I told him this morning?
25:23Charlie, I said if anything ever happened to your pecker,
25:26I don't know what the hell you'd used to think with.
25:29Mrs. Lear, have you let go of any of the help recently?
25:33Charlie, maybe being unreliable, taking things?
25:38No one, no.
25:40Anyone have access to the apartment, might want to put Charlie in trouble,
25:44make him look like he did this.
25:46Oh, you're thinking about the gun now, that Charlie's gun was used in the shooting?
25:51We're not bears with security, but...
25:54No, no one specific comes to mind.
25:58Did you know the dead woman, Manette Coleman?
26:00Hardly, except as a type.
26:05Oh, they're all very much the same, John, these, um, women of Charlie's.
26:10These other women don't bother you?
26:13Well, it's been awkward at times.
26:16And embarrassing, right?
26:18Well, I've never much cared or had to care what other people think.
26:23Who do you think sent these pictures?
26:24Well, I assume she did, the, the girl who was killed.
26:29Charlie said they were addressed to you.
26:31Yeah.
26:32You have that envelope?
26:33No, I, I threw it away.
26:40Charlie's being arraigned this afternoon.
26:45He told me not to come down.
26:48He sounded upset.
26:50Charlie hates being unhappy.
26:52Thanks for your help.
27:00Tell him, um, I asked for him.
27:05I'll do that.
27:06Say she set him up.
27:21She had access to the gun.
27:22Yeah, but what do you do about that witness description?
27:25And the mistress's story limps that he was there.
27:29You know what?
27:30Let's go call this mistress again.
27:32I'll give her a call.
27:33Yeah.
27:33John, the Cobra has struck.
27:41Look who's there.
27:43I'm out.
27:44Had to put up a cool million, John.
27:46That was the bond.
27:48When this news reaches certain quarters,
27:50four or five of the city's most cooperative and beloved bankers
27:54are going to go into simultaneous arrest.
27:56I'll make that call.
28:00Keep stepping on your joint, Charlie.
28:05John, I tell you what I'm going to do.
28:09I am going to personally sleuth the hell out of this case
28:12to find out who has cast this shadow over Kitty's and my life.
28:16No, you're not.
28:18You are going to check into a hotel.
28:20You are going to stay away from Kitty.
28:22And you are not going to see this girl.
28:25I can't spend time by myself.
28:26You better figure out how, Charlie.
28:33What if I did this job?
28:36I'm going to have to take you to jail.
28:38Hey, hey.
28:52Lear's girlfriend said her husband's going to be there tonight.
28:54She'll see us tomorrow morning.
28:56All right.
28:57What happened to good-time Charlie?
28:59I sent him over to a hotel.
29:02Well, that's probably just where he went.
29:05Yeah.
29:06Hey, you've got that birthday thing tonight.
29:08Mm-hmm.
29:12You haven't met her family yet, have you?
29:14No.
29:15This is it.
29:17They're probably expecting some young hotshot DA type.
29:21I walk in.
29:24I got her father a present.
29:27Where'd you get him?
29:29Greek fisherman's cap.
29:33They're families from some island over there.
29:35They all used to fish.
29:38He doesn't like it.
29:39He can take it back.
29:41John, uh, do you think my hair's too long?
29:45Too long?
29:47Yeah, in the back, smartass.
29:48Hey, man.
29:49You look great.
29:50You look fine.
29:51Yeah?
29:51Yeah.
29:53Knock him dead.
29:55All right?
29:55Yeah.
29:56Knock him dead.
29:57Hi.
30:18This is so head.
30:19Hi.
30:19Hello.
30:20Hello.
30:20I am Costas Costas.
30:43I am Andy Subwoods.
30:45No, my friend.
30:47No?
30:48You are Andreas, Sibiris.
30:57Leo.
31:00And you, you are my hero.
31:05I'm his Sylvia.
31:09Tell me of these two movies.
31:11I'm coming.
31:15These are my brothers.
31:18This is Sibiris.
31:20Welcome, Andrea.
31:22Little George.
31:23Hi, Andrea.
31:24Wow.
31:25My grandfather was also George.
31:28Theo.
31:29He's not so little, huh?
31:32No, no, he's a big guy.
31:34My niece, a lady.
31:38Andrea, I prepare all this myself.
31:41I closed at three o'clock.
31:44Looks great.
31:47I'll have to go.
31:50Enjoy.
31:51Coca-Cola.
31:53Nothing more.
31:59No.
31:59No, you don't have to go behind the barn here.
32:04People drink in front of me all the time.
32:07Sure, Andrea.
32:08Yeah.
32:09That's okay.
32:10Okay.
32:11Okay.
32:11Let's go.
32:12Let's drink.
32:13Let's go.
32:17All right.
32:18Happy birthday, sir.
32:19For me?
32:20Yeah.
32:22Yasu Costa!
32:23Yasu!
32:24Yasu!
32:25Yasu Costa.
32:26Do you think I am alcoholic?
32:56I wouldn't know, Theo.
32:58You gotta figure that out on your own.
33:02I am drinking since I am 12 years old.
33:05Well, there you go, then.
33:06Hmm?
33:13Well, where are my new hats?
33:17Good.
33:18I love this hat.
33:23Yeah.
33:24I come to this country.
33:26I start out by washing dishes.
33:28Next, I am busboy.
33:30And then I manage a restaurant at night.
33:32Many hours work.
33:34My lovely wife stays beside.
33:37My brothers, they come one by one.
33:40Many years work.
33:41We own our own restaurant.
33:42And then two more.
33:43And then we have this girl, this Sylvia, this wonderful Sylvia, my Arigiro, with her beautiful
33:54eyes, where I can still see her mother.
33:58And there.
33:59I do not ask what your intentions are, huh?
34:02Whatever they are, they are your own business.
34:06I have good intentions.
34:08This is your own business.
34:09Your intentions for Sylvia.
34:11My intentions are good.
34:13Real good.
34:14The best.
34:15If you ask for her hand, it's your own schedule, huh?
34:19So, you know, it makes me very proud of this tighter, this fighting district with her.
34:32And tonight, we toast her happiness, and we toast the man who made her happy.
34:39Now, you don't have to toast, okay?
34:44Don't worry about bad luck or anything.
34:46Not to toast to your beloved.
34:47Ha, ha, ha, ha, ha.
35:17Ha, ha, ha, ha, ha, ha.
35:47Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
35:55Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
35:56Oh, George, you look like you're going to fall over.
35:58You're great.
36:00Oh, yeah, I'm a real pistol.
36:03Andy, I've got to go.
36:05What do you mean?
36:06I've got to take a statement from a dying witness.
36:09Would you mind taking me?
36:12No.
36:12How many hoax you got to get in order to get out of here?
36:15Listen, if this statement doesn't take too long,
36:18he wants to help me later.
36:20We'll see how it goes.
36:22Andy, this has been the greatest night of my life.
36:39Hello?
36:45Sorry, sweetie.
37:15I thought we decided not to pierce your ears for another year.
37:23I know.
37:25Am I grounded?
37:27No.
37:28Does that mean I can pierce mine?
37:30No.
37:32Do it every hour.
37:34Don't forget.
37:35Okay.
37:36I'm ready to accept that we're gonna have this child.
37:46That's big of you.
37:47I'm not saying it right, okay?
37:48Then what are you saying, Arthur?
37:49I guess I trained myself not to want things.
37:51Not to want what I can't have.
37:53But what are you saying?
37:54I'm ready to accept that we're gonna have this child.
37:56That's big of you.
37:57I'm not saying it right, okay?
37:58Then what are you saying, Arthur?
37:59I guess I trained myself not to want things.
38:04Not to want what I can't have.
38:07But we can have this.
38:08I was worried for you.
38:09And I kept reminding myself how dangerous it was for you.
38:24And I just equated it with your dying.
38:30That if I wanted it, I'd lose you.
38:34And now you're telling me it's okay.
38:39And I just couldn't make that leap.
38:43All I could think about was losing everything.
38:46You're not gonna lose me, Art.
39:05I'm so sorry, baby.
39:09I want this child more than anything.
39:13I just couldn't make that leap.
39:16I think it's gonna be a boy.
39:21I just wanna be a boy.
39:44Andy?
39:45Andy?
39:48Andy?
39:49I don't want any company.
39:54Andy?
39:57Open the door.
40:00Please.
40:01All right, the door's open.
40:15Shut up.
40:16Will you shut the hell up?
40:18Shut the hell up!
40:20Shut up!
40:21Come on, shut up.
40:23You, uh, want a refreshment of some kind?
40:29A little rub of the brush?
40:33Andy, I don't understand what happened.
40:36You don't understand?
40:38No?
40:39What part don't you understand?
40:40I thought you were okay.
40:41I thought you had just that one sip for the toast and that you were okay.
40:47I don't take one little Greek toast like some kind of fag.
40:52I drink, I drink.
40:54So you stopped and bought a bottle, huh?
40:57What is this, some kind of interrogation that's gonna happen?
40:59No, I just wanna know.
41:02What happened?
41:04I had a couple of drinks is what happened.
41:08You were doing so great with that.
41:11Look, I had, I had the one drink and that was okay.
41:16So I had a second one and I, uh, I watched some TV and TV pissed me off so I took care of that.
41:26I did a little repair job.
41:28That was, that was around the fourth drink.
41:30You like this so far, huh? You like this story?
41:33No.
41:34No?
41:36Then get the hell out of here.
41:37Go on back to them friggin' bunch of Greek maniacs.
41:40Andy.
41:41Get out.
41:42Go on, just get the hell out of here.
41:45Go on back to those, uh, those happy-go-lucky bunch of moron sheepherders.
41:52Asking me what my intentions are.
42:00Hello.
42:01Hello.
42:10I got a joke.
42:14What's your father's middle name?
42:16Castus.
42:17Castus, Castus, Costus, Castus, Castus, Cast-Castus.
42:32Bunch of freaking Greek maniacs.
42:36Get out of here.
42:47Get the hell out.
43:06Get the hell out.
43:36Hey.
43:42I'm sorry I'm late.
43:44No problem.
43:50I had to go last night with Sylvia's family.
43:53We got along okay.
44:06I really don't like this.
44:22I'm in a difficult position with my husband.
44:25I appreciate you talking to us again.
44:29I will unofficially say that Charlie was here with me, but I will not confirm it due to my domestic circumstances.
44:40I was hoping you'd understand that.
44:41Hey, Claudia.
44:43How come you say Charlie Lear was with you when this other girl got murdered, but you say it so we think you're lying?
44:53I was unclear about the time.
44:54Or maybe you are sure that he was with you, but you got a reason to make us think differently.
45:00I don't understand what you're saying.
45:03I wouldn't figure that the reason was yours, Claudia, because, no offense, but you don't seem too smart to me.
45:09So let's say that somebody paid you to have the reason, right?
45:12If you have money problems, maybe your old man's not selling too many garage doors, so someone comes along and they offer you money to jam up Charlie Lear.
45:25I will not be talked to this way.
45:27You see, here is a rare case where being stupid can help you, Claudia.
45:32If this wasn't your idea, then you got a fine opportunity to step up and tell your story.
45:38And by doing that, you can avoid having a 25-year bite taken out of your potentially fine life.
45:47Otherwise, you sit there breathing through your mouth and we'll build a case around you.
45:51Andy.
46:05Here.
46:08Claudia, I think you're serving somebody else's interest here.
46:16It's time to be smart, think about yourself, and tell me exactly what happened.
46:22That's all you have to do, okay?
46:23All I was supposed to do was to get Charlie here and to keep him here.
46:42And if anybody came out, I'd ask him back away from the story.
46:46See, I was pissed off.
46:47I didn't know about the other mistress.
46:50So Charlie was here when he said he was here.
46:52Yeah, he was here with me.
46:57I don't know who killed that girl.
46:59Who paid you?
47:04Who paid you?
47:06I should have a lawyer.
47:11Should I have a lawyer?
47:12You can have a lawyer, or you can be smart.
47:15Mrs. Lear?
47:35Mm-hmm.
47:36Come in.
47:37Hey, John.
47:41Charlie, what are you doing here?
47:42I tried to do what you said, John, but I went to three hotels, and I sacked three mini bars.
47:51Where's Kitty?
47:51Hey, can I get you something?
47:53Can I get someone to get you something?
47:55No, you can't.
47:56Charlie, where's Kitty?
47:58See, she's probably in the room.
48:00Um, you know, it's all over, guys.
48:05It's 99% I did it.
48:07So I had the means, the motive, the opportunity.
48:11All you're missing is the balls.
48:13I thought about it, but I was in a blackout.
48:17I was like a blood-mad dog.
48:19You go throw yourself in a shower or wrench her head in a can.
48:23Our business is with your wife.
48:25What is it?
48:27You're under arrest, Mrs. Lear.
48:31I don't understand.
48:33You don't?
48:34Little Claudia gave you up.
48:36You need a lawyer.
48:38You want to find out how much time off you can get for giving up whoever it is that you paid
48:42to dress up like Charlie and kill that girl.
48:45You did?
48:47Charlie.
48:48You set me up.
48:51Charlie.
48:52You.
48:54Black-hearted, joy-hated pig.
48:59I hate you, Charlie.
49:00I bet you do.
49:02I bet you do.
49:04Hey, Annie, take her back.
49:05I'll meet you.
49:06You nefarious bitch.
49:08You're not the rest of your life.
49:09You'll call from the station house, just like a regular station.
49:12You're stiff from the street, just like you're Joe the Ragman.
49:17No, no, no.
49:17You don't calm down when you're going with them.
49:19You hear me?
49:33What a heck of a turn of events, huh, John?
49:38I want you to stay put.
49:40I want you to stay right here.
49:42Okay.
49:47They cut me orders for another chance, didn't they, John?
49:50Yeah, they did.
49:50So, maybe I'm going to check into one of those detox centers in Minnesota where they make
50:00the movie stars, make their very own beds.
50:03Maybe I'm going to check into the oak room at the plaza.
50:05So, but I'm going to, I'm going to go to sleep.
50:12Or I'm going to sleep because I didn't kill anybody.
50:17I didn't kill anybody.
50:21The information is on the hot sheet.
50:23Do you have a copy of that?
50:24I'm going to use a consultation with her, sheister.
50:30I'll hang around bigger than booking.
50:32Okay, let's talk about this.
50:59I got drunk last night.
51:15At the party?
51:17No.
51:18At that party, I had a half a swig of that ooze or whatever the hell it is those people drink.
51:24I got drunk at home.
51:27Why'd you get started?
51:29For good luck.
51:31They were toasting Sylvia.
51:35And there's no lightning bolts.
51:38The ground doesn't open up.
51:40Hey, I'm cured.
51:42I can drink like a normal person.
51:44So, let me stop and pick up a bottle of old rotgut premium special reserves.
51:50Show how far I've come.
51:52What'd she see?
51:54She heard enough.
51:55She got the gist.
51:57This was a mistake.
51:59Right?
51:59It does not erase ten months.
52:02Hey, you should have heard the things I said there, John.
52:04It was the booze, Andy.
52:06I drank the booze.
52:07This was a mistake, Andy.
52:09That's all it was.
52:09I wanted to be through with it, you know?
52:16You don't just, uh, deduct a day from your total.
52:21You gotta start all over again.
52:22Then start over.
52:27I'm afraid to go outside.
52:30Okay.
52:30You know what we're gonna do?
52:31You come have dinner with me, and you can take her to the booking later.
52:35Nah.
52:36I'm gonna stick around.
52:37Come have dinner with me.
52:39I don't know what's that here.
52:47Okay.
52:56Hey.
52:58Good job today, John.
52:59Yeah, thank you.
53:01Um, you know where I can find some roses?
53:03Um, how about on the corner of seven?
53:09Are they fresh?
53:10Yeah, I think so.
53:11What's up?
53:14Lily and I are gonna have another baby.
53:17Oh, yeah?
53:18Yeah.
53:19You know, as long as everybody's healthy.
53:22Congratulations.
53:23Yeah.
53:24Good night.
53:25Good night, Pops.
53:28Bye, Doc.
53:29Good night, Ethan.
53:31I have a message for you.
53:32Good night, Ethan.
53:33How you doing?
53:35I'm good.
53:36How about you?
53:40I'm doing all right.
53:41busy day, huh?
53:48Yeah.
53:49We got a collar on that, uh, shooting homicide.
53:52Surprise perk, huh?
53:53Yeah.
53:54Buy a day for me.
53:55Yeah, well, I'll probably bring you along slow.
53:58Yeah.
53:58Take your purse.
53:59Yeah.
54:00Hey.
54:00Hey.
54:01I have all my...
54:02Hey.
54:03A cop that's all new.
54:05Yeah.
54:06Oh, yeah.
54:09Oh, uh, Janice LaCalcie, Robin Marcus.
54:13How you doing?
54:15Okay.
54:16Robin was in the, uh, bodies.
54:19Oh, yeah?
54:20That's nice.
54:21Yeah.
54:22Um, I got some phone calls.
54:24Okay.
54:24It was nice meeting you.
54:25Yeah.
54:25Me too.
54:29Oh, wow.
54:30I threatened to stop by as soon as I got back, so here I am.
54:36Yeah, I could see that.
54:37Nice surprise.
54:38Is this okay, me, sir?
54:40Yeah, no, it's fine.
54:41Oh, would you like to get something to eat?
54:43Let's do that.
54:45Okay.
54:46Start a train.
54:47Yeah.
54:47Okay.
54:49Good night.
55:00I talked to you a second.
55:25Oh, we'll check again.
55:27Hi, uh.
55:30I apologize, ruining everything like that.
55:36I apologize for everything.
55:44Anyways.
55:50You're a drunk.
55:56Yeah.
55:56Yeah.
56:00Are you going to keep drinking?
56:10I don't want to, no.
56:19I don't want to hurt you like that.
56:21I don't want to hurt you like that.
56:30Or yourself.
56:37Yeah, I don't want to do that, either.
56:45I'm going to have to think about all this, Andy.
56:51Yeah.
56:53I expected you would.
56:54I got to watch one.
56:56I thought, yeah.
56:57I got to watch one.
56:58I'm going to have to see her.
56:59Yeah.
57:00I was going to have to worry.
57:09Yeah.
57:10Yeah.
57:11I don't want to hang around here.
57:12Yeah.
57:12I didn't even have to.
57:12Yeah.
57:13Yeah.
57:13I saw you.
57:13Go.
57:13Yeah.
57:14Yeah.
57:15Yeah.
57:16Yeah.
57:17Yeah.
57:17Yeah.
57:19Yeah.
57:20Yeah.
57:20Yeah.
57:20Yeah.
57:21Yeah.
57:21Yeah.
57:23Yeah.
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