MEET & GREET WITH YAMI GAUTAM INTERACTION FOR THE SUCCESS OF ARTICLE 370 & NOW DHOOM DHAAM | CINEMA NEWS PAPER | - video Dailymotion

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00:00When we do their own name and section 370, article 370, sorry, article 370, so how would you like to say,

00:09after say, perfection, say it again, article 370, article 370, very important to take the correct name.

00:15So what would you like to say about it, all three projects have been doing really well, so what do you want to say about it?

00:23I would like to say the reason I wanted to come in front of the camera, it's very little, many people complain that you don't see in the media,

00:34but it's okay, we get to know about the film, it's easier for me to convince you about the characters than I play.

00:42But apart from that, especially with article 370, I didn't get to come together and thank the media,

00:50thank the audience for believing in me, for making, for literally giving the true validation

00:59for an actor who gets you, that your choices are correct, how you have done this work.

01:05I feel like that is a true verdict for the audience.

01:09And after that, of course, I had a baby and you get absolutely, that's once a mother, always a mother.

01:18I never got a chance after that to come and express my gratitude to the audience, so this was just a small effort

01:27to come in front of the camera and say thank you, thank you so much for believing in me.

01:33Thank you.

01:35Yami, hi, you know Women's Day is around the corner and basically your film that you've done have had very strong female lead cancer,

01:45you've been the centre-plotted team, so give us a message for all the women out there and also how's your selection process been,

01:52specifically for roles that have been so strongly female-led?

01:56My message to all the women, what can I give them a message? I mean, each and every woman, be it under this roof right now,

02:05along with me, at my home, my mother, my sister, everyone I know, my teachers, when I look back at my school days,

02:18they have had such a profound effect in my upbringing, in anyone's upbringing and we are so strong,

02:28we are so capable of doing so much more that,

02:33people say that the power of a woman, everything is over here in our house, everything is over here,

02:39there is also love, grief, forgiveness, compassion, everything is over here, there is so much strength to the character of a woman that I feel,

02:48despite all the challenges that come in our face and come in our lives, we are sitting in 2025 and there are many issues,

02:57चोμη आएखी तिए जी बाप कर भी सकते हैं, करते हैं, शायदेने भी करते हैं, मेरे पास बात करने कलीए माइख है, आपके पास पूछने क prochaine कलीए पहनoster 54 साहन।

03:10बहुत सारी महिलाए है बहुत सारी ऐस जगाह जहां पर ये सब सुवधाय नहीं हैं.

03:13the more we can bridge this gap somehow and spread the message of women empowerment in true sense

03:22it doesn't mean you have to be brash, it doesn't mean you have to fight, we don't have to fight

03:26we just have to believe in ourselves, that woman sitting somewhere in Rajasthan who is doing some extraordinary work

03:34be it something as beautiful as making the clothes that they make, the fabrics that they make

03:43or sitting in Gujarat, sitting or doing farming somewhere in the south or up north or in the east

03:48everybody is, every woman is worthy of appreciation of love and respect

04:00so that's, I can only fold my hands and thank each and every woman

04:05every, her mahila pujniya hai, that's how I like to put it

04:08so as an actor when I get an opportunity to kind of find my balance between yes this is a great role for a performer in me

04:21and at the same time taking somewhere, you know step ahead jise ham bolte hain, the portrayal of modern woman in today's world

04:30so although I don't think, every film is to be taken in a way, you know, it's now what we've learned

04:34it's cinema, it's film at the end of the day, humarà kami entertainment

04:37but agar moka, mi lta hai to kio nahi

04:40जादा नारी शक्ति है ना आस पास है ने ने कोई बात नी, go ahead now please.

05:10अपने बहुत भारी सवाल पूछ किया, इसका जवाब तो नहीं है मेरे पास अवार्ड के बारे में मैं तो कुछ नहीं बोल सकती, उसमें तो I mean what can I say, I can only thank you all, आपका बोलना ही बहुत काफी है मेरे लिए.

05:40और जहांते की रोल की बात है, पिछले अफकॉस कुछ सालों में SEO opportunities मिली भी और मैंने ढूंडी भी, जहां पे चाहे वो एक Thursday हो, kind of started somewhere in 2019 with Ori and Bala and of course with a Thursday, Dasvi या चोर, Article 370, OMG, और अफकॉस अब्धूमधाम,

06:01तो quantity तो कभी भी मेरा goal नहीं रहा है, बत हाँ, पहले मीडिया में बोलने से थोड़ी सी हिचके चाहत होती थी, पूछते हैं आप बहुत selective हैं क्या, अब अगर काम नहीं होगा तो selective ही मूनेंगे,

06:31और उस वक्त को भी मैं बिलकुल याद रखती हूं, तो मैं बहुत वैल्यू करती हूं उस टाइम की, बहुत जरूरी होता है यह सीखना कि क्या नहीं करना है, बजाए कि क्या करना है, क्या मेरा मन कर रहा है करने का,

06:41यह वाद रहा है, आगे भी जरूरी है, बहुत लंबी है, अभी आप बहुत कुछ सीख सकते हैं, बहुत कुछ करना बागी है, तो इतना ही पहुंच गए, जिस तरीके की मैं हूं, यहां तक भी पहुंच गए, आगे भी पहुंच जाएंगे,

07:03थिए घरन पर्मकाना बजयसा खुछ कर द का, भी पहुंच जाएंगी।

07:31कि अजाये डिनार्ट न कर सक्वेलिछ

07:53कर सेज़िके लिज़ जायार्स है

07:56पार्ma कर सक्ते है hops कहले तु कर से टोज़ दो

08:00फीट बू़ किसा घचे दिए सब्सक्त टाम को किसे अ।

08:06되는 when I've finished reading the script I always take a moment and I just

08:14shut my eyes and I just rewind and try and absorb what I

08:17just finished reading and I listen to the first voice that comes in my mind,

08:22I try getting distracted by any other factor.

08:26वह रहाइभा स्थार्ट नाविक्टेश को यह रूख अवरे विल्स नावाटिश नाविक्टेश यह प्रविश्ड पार्स पार्सल अवरे इंडस्री विल्स प्रवाट आप उस अग।

08:56तो हमने रिए से प्पख प�ने पहले, लुग आपको प्यार करती है, सब्सक्क्राइब it that says to Nonno.

09:13So you can get affected. But I try not to get affected.

09:16And although I read everything what's written about my films about me, but I don't take it to my heart.

09:21Just the way I don't take a compliment to my head, I don't take criticism to my heart.

09:26So that's what I try and follow and just be true to myself as an artist, nothing has changed, I have that simple, that same spot where I sit and read scripts, the same, no, a different pencil now, it's done, and I just need a bound script, I don't understand it, I don't understand it, a little old school that way.

09:56young actors or artists are doing very high level promotion, so I have to say that Yami is doing so good, whether it's article 370 or Dundam or OMT, but why is it not doing so much promotion?

10:15This promotion?

10:16But in which way people go to social media everywhere.

10:24That's not happening, so people, if we talk about the director or producer, they don't go to call, that the actor can be good, I think you should do it.

10:38You should do it?

10:39What should you do?

10:40Promotion, I think.

10:41She means to say that her actor is sitting to city, visiting.

10:45Everyone is visiting, sitting to city also?

10:49What are you talking about?

10:50During movie time.

10:51During movie time?

10:52During movie time?

10:53Oh, during movie time, of course I do.

10:54But you don't see anything.

10:55I do PR.

10:56Moving on.

10:57My PR team is standing here, what are you talking?

10:58No, I'll put it in a very simple way.

11:00Of course, see, jitni aap, koi, jitni chini daalengi utni mithas hogi chai mein par zyadha chini bhi harmful ho sakti ha na.

11:15Toh woha balance ho na bhoot zaroori ya life mein.

11:18Mujha lagta hai, har ek ki aap personality hain, har ek actor ki.

11:22And it's very important to be, as I keep saying, ye kaafi, joh legend actors hain, unki interviews pade hain, sune hain.

11:30Pard ye baat ab samaj mein aai hai.

11:33What is it being true to yourself?

11:34Agar aapne koji aur ban ke ye success haasal ki, toh kya success haasal ki?

11:39Aur agar koji aise producer, directors hain, joh merah social media pe presence dekhke agar mujha cast karenge,

11:45then I'm not the right fit for that kind of role.

11:52Mujhe aisa impression, ya aisa naam banana hai, it's very simple.

11:59That if I'm a part of a film, that means it's a good script, it's a good part, and we're here to make a damn good film.

12:08And mind, the audience will always back me.

12:11And I know that PR, there's no limit, there's no limit, there's no limit.

12:16And that's my style of working.

12:21And that's my style of working.

12:22And that's why I have said that, I have given extra answers.

12:25So you can circle back, if you look at me, I have said that,

12:28that I will reach Yami to be a part of Yami.

12:31And I will reach Yami to be a part of Yami.

12:34Yami ji, I have a last question.

12:36Hi, this is my daughter.

12:37Madam, this is my daughter.

12:38Madam, this is my daughter.

12:39Madam, this is my daughter.

12:40I have seen that, in the world, especially, it's like,

12:41that you can see a certain amount, or certain score,

12:45that you score in the box office.

12:47So I think that will be a shit for bloggers.

12:50And you always have a healthy business.

12:53Oh my God, or article 370, you have a healthy business.

12:57So do you really think that these numbers matter,

13:00really matters to you?

13:01I don't know about scores and healthy.

13:02But of course, if your film is good in terms of numbers,

13:13that means it's telling you that the audience is watching the film.

13:17If that's a correct number, then that means that your audience is watching.

13:21And, especially if I talk about article 370,

13:26it was not such a film that you watch very commonly.

13:30There is no songs.

13:31There is no song.

13:32There is no concept.

13:33There is no concept.

13:34There is no concept.

13:35It's a very fact-based film.

13:40Aisii film ka hold kar paana,

13:43purely on the basis of execution,

13:46performances, music chahe ho, editing ho,

13:49sab kuch ho.

13:50Yeh bhot badi baat hai.

13:51Yeh bhot badi baat hai aaj ke time mein.

13:53So, and,

13:55mein yeh zimhidaari bilkul leti ho,

13:57agar kal ko,

13:58joh bhi ab announcements ab sunhen ge,

14:00ya bhi jase with article 370,

14:02agar if I'm,

14:03I don't know what's the correct word,

14:05but if I'm the protagonist of a film,

14:08my producer should have that faith,

14:10that yes we can carry,

14:11kyunki yeh ek prathaik norm hai,

14:13ki achau hero kohan e film hai.

14:14Toh aapka budget us pe se decide hota hai,

14:17aapki jo positioning hai film ki us,

14:20us ke basis pe ho ghi.

14:22Then I also have to make that kind of backing,

14:24a minimum backing for my producer,

14:26to back on,

14:27to rely on me ki yes we can,

14:29we can rely on Yami.

14:30I rely on script.

14:31I rely on how good a film is,

14:34and how,

14:35what best can I do to,

14:37to give you a performance,

14:39and what can we do as a film.

14:41I am of course chehra hoon abhi,

14:43I am actor hoon,

14:44actor hoon toh aapko mein hi dikhoongi,

14:46but ek film ke picheh,

14:47of course,

14:48sab loog jaante hain,

14:49par ap jaanne ke saad,

14:50saad mujhe lagta hain,

14:51a vakt aaga hai,

14:52ki aur khulke unhhi appreciate karne ka,

14:53chahe aapke writers hoon,

14:54aapke D.O.P's hoon,

14:55aapke editors hoon,

14:56music hoon,

14:57background hoon,

14:58they are the ones who making the film,

15:00because I am very invested in all the departments,

15:02joh maik film saind karte hoon,

15:03min jaan,

15:04min actor se pehle,

15:06sound con kar rahe hain,

15:07editing con kar rahe hain,

15:08music con kar rahe hain,

15:09chah, shoot con kar rahe hain,

15:10chah, woh kar rahe hain,

15:11so I have lot of respect for my technical team.

15:14toh,

15:15toh,

15:16of course,

15:17success ko se pa,

15:18success pa kar kisse achha nahi lagega,

15:20you know,

15:21aur,

15:22achhi baat hai,

15:23but,

15:24apna ek validation,

15:25agar kuch,

15:26agar nahi bhi hota hai,

15:27in the sense,

15:28if a film doesn't do well,

15:29God forbid,

15:30then also you should not,

15:32as I said,

15:33take it to your,

15:34take it to your heart,

15:35there's a next time.

15:36Next time,

15:37hum jase loogun ke liye thoda cum hota hai,

15:39is liye we have to deliver consistently with every film,

15:41and I take it as a good challenge,

15:43I'm not unhappy about it,

15:45aur,

15:46I have any complaint kiare,

15:47mujhe yeh mohka nahi,

15:48kuch nahi,

15:49there's no complaint.

15:50I'm very happy,

15:51it keeps me on my toes,

15:52it keeps me,

15:53my perspective sharper,

15:55so,

15:56I don't know when we'll meet next,

15:58but,

15:59again,

16:00it'll be,

16:01as I promised,

16:02some will be worth the wait.

16:04No,

16:05I won't give you that quote,

16:06no,

16:07I'm not giving you that quote.

16:09Yeah,

16:10I will take the last,

16:11congratulations on any comment.

16:12Thank you.

16:13In the last five years,

16:14we have seen the rise of Yami,

16:16and you know,

16:17the gems you have given to Bollywood,

16:18be it article 370.

16:19I want to know,

16:20what is your next big goal,

16:21not just professionally,

16:22but personally as well?

16:23I think,

16:26one,

16:27personally,

16:28my big goal,

16:29I don't know about big goal,

16:30but,

16:31as I said,

16:32I think,

16:33becoming a mother,

16:34is,

16:35is the most beautiful emotion,

16:36is the most beautiful feeling,

16:38and,

16:39there is,

16:40there's,

16:41I don't know how,

16:43can I describe,

16:44that feeling,

16:46ever in words,

16:48or,

16:49can give you the perfect answer,

16:52it's,

16:53it's,

16:54it's all here,

16:55it's all in my eyes,

16:56and,

16:57every time,

16:58leaving,

16:59home,

17:00for work,

17:01it,

17:02it's just,

17:03it just keeps getting harder,

17:04it's so difficult,

17:05difficult,

17:06but,

17:07I hope,

17:08I hope to make him proud,

17:10I hope when he,

17:11he reaches that age,

17:12when he watches,

17:13his parents work,

17:15he's,

17:16he's proud.

MEET & GREET WITH YAMI GAUTAM INTERACTION FOR THE SUCCESS OF ARTICLE 370 & NOW DHOOM DHAAM | CINEMA NEWS PAPER |

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