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Court métrageTranscription
00:00All I can be is sorry and that is how I am.
00:30I'm afraid you still don't mean it.
01:00We'll try again in the morning.
01:30See you tomorrow, Helly.
02:00Fuck me.
02:17I read it 300 times yesterday.
02:20259.
02:23Again please, now.
02:28What the hell is that voice?
02:31Forgive me for the harm I have caused this world.
02:36None may atone for my actions but me.
02:40And only in me shall there stay live on.
02:47And only in me shall there stay live on.
02:58And only in me shall there stay live on.
03:05I really am sorry, okay?
03:18I'm sorry.
03:19I'm sorry.
03:20No paraphrasing.
03:25Again.
03:27No paraphrasing.
03:28Again.
03:30No paraphrasing.
03:31No paraphrasing.
03:32Only in the future.
03:33No paraphrasing.
03:35And only in the future.
03:37I can see its Señor.
03:39Hi.
03:40And only in the future.
03:41I cannot do that.
03:42I cannot I am sorry.
03:43I cannot do that.
07:44I also wanted to extend an invitation.
07:48Again, I know you work hard, so if an informal tour of O&D ever sounds refreshing, I'd be happy to personally offer that to Irving and any one of you.
07:59Directions are in the front of you.
08:29The division saw us all working together.
08:31That was before O&D started disemboweling people's bowels.
08:35Nonsense.
08:36I'll be back by one.
08:37He's gonna die.
08:40How many times, how many times?
08:52How many times?
08:541,072.
08:58I do.
08:59I do.
09:00I do.
09:05What about the voice behind the door?
09:12What about the voice behind the door?
09:17What about the voice behind the door?
09:29The voice behind the voice behind the voice behind the voice behind the door?
09:30The voice behind the voice behind the door.
09:31Crying baby, you mean?
09:36No.
09:37Like the angry mumbly guy.
09:38Guys, really not supposed to talk about the break room.
09:41The important thing is, you apologize correctly, now you're out.
09:46What you gotta do is trick the machine by thinking about something you're really sorry about.
09:50So, I like to imagine my Audi's love made with a mil for two, which is obviously badass,
09:55but I do pity the husbands.
10:18Hey.
10:21Break room sucks.
10:22But that's why we have protocols and procedures, so we don't end up there.
10:27You'll learn.
10:28I promise.
10:42Hello?
10:45Who's that?
10:46Oh, hi.
10:48It's Irving B. from Macrodata Refinement.
10:52We met in the hall the other day.
10:57Bert's over there by shelf six.
11:00Don't touch anything.
11:05The big envelopes can handle an appendix reissue, but, of course, we ship all the hallway pieces in frame.
11:16Huh?
11:17So much to remember.
11:20Felicia and I make do.
11:22I'm sure it's easier than what you MDR kids get up to all day.
11:28I can only imagine what it's like when the new art comes in.
11:31I mean, you'll see it before anyone.
11:33It's so dumb.
11:36But I actually cried when you guys put up the youthful convalescence of Kier.
11:42No.
11:43I did.
11:44I never thought I'd see the Handbook Passage depicted visually.
11:47It was only up for a month or so.
11:50A man.
11:51What a month.
12:00Come here.
12:02Once the hall art's been cycled through all the departments, it ends up back here.
12:09Wow.
12:14Where did Felicia go?
12:15Supply run.
12:20Voila.
12:27Let not weakness live in your veins.
12:30Cherished workers drown it inside you.
12:33Rise up from your deathbed and sally forth.
12:36More perfect for the struggle.
12:41Exactly.
12:46I can't believe you.
12:49You have this.
13:06I'm sorry.
13:07What time is it?
13:08I have to go.
13:27Really?
13:29I got to 4%.
13:30Yes.
13:31Feels good, right?
13:32I guess.
13:33Awesome.
13:34I'm glad you agree.
13:36Great work.
13:40Told you.
13:41Well, yes.
13:49I'm glad you agree.
13:54Great work.
14:55What's this?
15:16Will you put that away?
15:19What do I?
15:20It's a map of the hallways.
15:22No, it isn't.
15:23I thought we weren't supposed to make maps.
15:26We're not. I didn't.
15:27It's just something I found.
15:28I think Petey made it.
15:29Oh, shit. You didn't turn it in?
15:31You're such a hypocrite lecturing me on following the rules.
15:36I wasn't lecturing you. I'm just trying to keep you out of the break room.
15:39I can't believe Petey was a map, right? Let me see.
15:42He's got wellness, management, perpetuity, everywhere we know of. This must have taken him weeks.
15:48Why aren't we supposed to map the office?
15:50It's an Egan rule. Render not my creation a miniature.
15:54Why?
15:55What the fuck is this?
15:57They look like houses, right? That's how houses look.
15:59Yeah, exactly. Because these are random board doodles.
16:03Well, maybe they're on the outside and Petey found a way to get to them.
16:06So why would they be on a map of the severed floor?
16:09It could be a thing. You don't know?
16:10It's not a thing.
16:11Clearly he was trying to tell you something.
16:14Uh, no.
16:15Go like a boot, Mark.
16:18You're more loyal to this place than to your friend.
16:21I'm loyal to how it felt around here before you showed up.
16:25You mean when Petey was here?
16:26Yeah, because there was balance.
16:28We could have fun and work without the whole goddamn department imploding.
16:33Work is bullshit.
16:35The work is mysterious and important.
16:38And we deal with the uncertainty it brings us
16:41in the way that Kira would have wanted.
16:44Together.
16:46As a family.
16:48I could not,
16:51with a razor to my throat,
16:53be less interested in being your family.
17:01Your best friend left this for you,
17:03and you don't give a shit.
17:08You're right.
17:23I don't give a shit.
17:25Mark.
17:29There.
17:30It's gone.
17:32Thank you, Hellie.
17:32Now we can get back to work.
17:34Mark.
17:39Mark.
17:43It's an emergency.
17:46Okay.
17:47Uh, all right.
17:48I was going to get Mr. Milchuk,
17:49but I thought it best not to break the chain of command.
17:52It's just raining contraband today.
17:54What do you mean?
17:54It doesn't matter.
17:56Has anyone seen anything like this before?
17:58Passage 31, page 110.
18:00Be content in my words,
18:03and Dali not in the scholastic pursuits of lesson.
18:06No books except the handbook.
18:07I know.
18:11What are you doing?
18:12His ego's pissed,
18:13because Hellie called him out for bootleg.
18:14My ego's fine.
18:15I'm just trying to...
18:17Damn.
18:18Mark.
18:19What is this?
18:20Maybe it's another Petey message.
18:22Flip through, see if my name's anywhere.
18:24I bet it's a loyalty test.
18:26Remember the spicy candy?
18:28I'll be turning this into Milchuk.
18:30What?
18:30Why?
18:31It's bootie.
18:32It's bootie with your name on it.
18:33Excellent decision, Mark.
18:34This is an idolatrous text
18:35that should be brought to him immediately.
18:36Okay.
18:53So what's their space like?
19:05Stalactites and shit?
19:06No, it's nice.
19:07Bert's fostered a really welcoming environment.
19:09He understands the spirit of Lumen.
19:13Hellie?
19:17Excuse me, Hellie.
19:18Jesus, Hellie.
19:19I want a camera.
19:20I am so sorry, Ms. Cobell.
19:22What is happening here?
19:24What's happening is
19:25you're going to give me a video camera
19:26so I can tape a resignation to my Audi
19:29right fucking now.
19:31Or you're going to have to explain to her
19:33why she's missing four fingers.
19:35Okay.
19:36Let's just...
19:38It's Cobell, right?
19:41Yes.
19:43Cobell,
19:44do I look like I'm fucking around right now?
19:46No, no, you do not.
19:50Hellie?
19:52Hi, Mark.
19:54I'm just catching up with your trainee.
20:00Mr. Milchak,
20:02could you get the video camera, please?
20:05Yes.
20:05Yes.
20:05Yes.
20:05Yes.
20:05Yes.
20:05Yes.
20:05Yes.
20:05Yes.
20:05Yes.
20:06Yes.
20:06Yes.
20:07Yes.
20:07Yes.
20:08Yes.
20:08Yes.
20:09Yes.
20:09Yes.
20:10Yes.
20:10Yes.
20:11Yes.
20:11Yes.
20:12Yes.
20:13Yes.
20:13Yes.
20:14Yes.
20:15Yes.
20:15Yes.
20:16Yes.
20:31Hey.
20:46Well, boss, I guess this is the part where I should tell you to go to hell.
21:11Except you're already here.
21:16I was never sorry.
21:22I was never sorry.
21:32Helly, I watched your video asking that I resign.
21:50I also received and responded to your previous request.
21:54I assumed that would resolve the issue, but now Miss Cobal says you threatened to cut off your fingers.
22:01I understand that you're unhappy with the life that you've been given, but you know what, eventually we all have to accept reality.
22:15So, here it is.
22:21I am a person, you are not.
22:28I make the decisions, you do not.
22:34And if you ever do anything to my fingers, know that I will keep you alive long enough to horribly regret that.
22:44Your resignation request is denied.
22:48Turn it off.
22:52Welcome your child into a world surrounded by nature?
23:10No thanks.
23:12Uh, scroll down to explore our rustic birthing cabins.
23:18Uh, I don't know.
23:20It just looks more like a shitty ski resort than a birthing center to me, but...
23:26Okay, sure, fine.
23:27But it's gonna be awesome, and you're gonna like it.
23:30How much of this was Reagan's idea?
23:32300% or 400%?
23:34Just get all of your snark out now, or you're never gonna earn your uncle badge.
23:38You know what, I think I might have some more snark in me.
23:41I'm kinda tired.
23:42Okay, tomorrow?
23:43Okay, baby.
24:00Okay.
24:01Nice.
24:02And you understand, little play around.
24:03Okay, baby?
24:05I mean, you know, you care about having to sleep and be ah-na be, because you are disturbing the
24:15sudden he's only hugging himself if he's enjoying the woods.
24:20Like He's picking up for a home.
24:23Or hopefully one would go after a session, uh, through the morning of an hour.
24:29Have you heard from the board yet?
24:49No.
24:52Kilmer wasn't your fault, and it certainly wasn't mine.
24:55They'll understand.
24:59It wasn't your fault, Harmony.
25:05If you want a hug, go to hell and find your mother.
25:09Jesus.
25:10Since Petey reintegrated...
25:11The board's never acknowledged reintegration.
25:13We have to get his chip.
25:19His corpse is scheduled to be destroyed by cremation following his funeral on Sunday.
25:25FYI.
25:29Vision.
25:44Purve.
25:46Wit.
25:48Cheer.
25:50Humility.
25:53Benevolence.
25:56Nimbleness.
26:00Property.
26:03Wiles.
26:07Wiles.
26:07Wiles.
26:08Wiles.
26:09Wiles.
26:10Wiles.
26:11Wiles.
26:11Wiles.
26:12Wiles.
26:12Wiles.
26:13Wiles.
26:13Wiles.
26:14Wiles.
26:14Wiles.
26:15Wiles.
26:15Wiles.
26:16Wiles.
26:16Wiles.
26:17Wiles.
26:17Wiles.
26:18Wiles.
26:18Wiles.
26:19Wiles.
26:19Wiles.
26:20Wiles.
26:20Wiles.
26:21Wiles.
26:21Wiles.
26:22Wiles.
26:22Wiles.
26:23Wiles.
26:23Wiles.
26:24Wiles.
26:24Wiles.
26:25Wiles.
26:25Wiles.
26:26Wiles.
26:26Wiles.
26:27Wiles.
26:27Wiles.
26:28Wiles.
26:28Wiles.
26:29Wiles.
26:30Wiles.
26:31Wiles.
26:32Wiles.
26:33I don't know.
26:40Mark.
26:41Mrs. Selvig?
26:42What are you doing, Keith?
26:45I, I, you know, the news report said that he worked at Lumen, so I thought maybe I knew him.
26:54What are you doing here?
26:55He used to come by my shop. He adored my hibiscus rabbit.
26:59Oh, my God. Wow. That's my world.
27:02Oh, poor, poor man.
27:05Well, on the upside, at least now we both have a date.
27:11Oh, there he is.
27:13If you'd like to go in and pay your respects, I'll wait right here for you.
27:16Yeah, I think I might swing by the bathroom, but I'll see you in a sec.
27:20Service is starting soon.
27:22Yeah.
27:22Uh, whiskey locks.
27:37Oh, it's just wine, sir.
27:38Right. Uh, red, please.
27:40I ain't ready for no family time.
27:58Nobody's gonna hurry.
28:01Hello. Were you a friend?
28:19He was my dad.
28:21Oh, I'm so deeply sorry.
28:29I suppose you were close and everything, hmm?
28:45White, please.
28:45I'm sorry I don't know you. I'm Nina.
28:55Uh, uh, Mark Scott.
28:58I'm Peter's ex-wife.
29:01Oh, yeah, sure. Sorry.
29:08You're from Lumen.
29:10Lumen.
29:10So you didn't even know him at all?
29:25Well, I just figured I'd know him.
29:27Hey, Mom.
29:27You want to start?
29:29Okay, baby.
29:30Hi. You're, uh, are you June?
29:34Yeah.
29:36It's nice to meet you.
29:37Okay.
29:40So you knew my dad?
30:07Um, yeah.
30:14At work.
30:16Oh.
30:17You're one of those.
30:20Do you ever think that maybe the best way to deal with a fucked up situation in your life
30:23isn't to just shut your brain off half the time?
30:29I'm not exactly sure.
30:30I'm going to have you here.
30:36I'm going to perform something for you.
30:40I'm glad you're here, baby.
30:42I'm going to play a...
30:43I'm going to knock your face off.
30:45Rock two.
30:46Rock and roll.
30:48Rock show time.
30:49Say your prayers, little one.
30:57Don't forget my son.
30:59To include everyone.
31:03Tuck you in.
31:04Warm within.
31:05Keep you free from sin.
31:07Till the sandman, he comes.
31:09Sleep with one eye open.
31:14Grip in your pillow tight.
31:18Exit light.
31:22Enter night.
31:26See, don't stand.
31:29We're off to never, never land.
31:40Something's wrong.
31:41Shut the light.
31:42Heavy thoughts unite.
31:44And they aren't of Snow White.
31:48Dreams of war.
31:49Dreams of liars.
31:50Dreams of dragon's fire.
31:52And of things that will bite.
31:56Sleep with one eye open.
31:59And if I die before I wake.
32:26I pray that the Lord my soul
32:28to take.
32:29Pray the Lord my soul to take.
32:30Hushly, baby, don't say a word.
32:35Never mind that noise you heard.
32:39It's just a monster under your bed.
32:43In your closet, in your head.
32:45In your head.
32:46Let me die.
32:50Let me die.
32:52Let me die.
32:54Let me die.
32:56Let me die.
32:58Off to never, never land.
33:08Oh.
33:09Ha-ha-ha.
33:10No!
33:40Mark!
33:42Sweetheart, are you all right? I'm so sorry.
33:44I think I have the cystitis under...
33:46This was a mistake. I have to go.
33:48Okay, well, let me go.
33:50Let us pray.
33:52Our father's garden at the...
33:54So was the funeral just too sad, or...?
34:00Uh, something like that, yeah.
34:02If you ever want to talk...
34:04Oh, no, thank you. I just...
34:06Fine.
34:10But thank you for, you know, being my funeral buddy today.
34:14Oh. Good night.
34:16Good night.
34:40Good night.
34:42Good night.
34:52Good night.
34:54Good night.
34:56Is it your turn?
34:58Is it my turn?
35:00I don't know.
35:30I don't know.
36:00I don't know.
36:30I don't know.
37:00I don't know.
37:10I don't know.
37:16That's Petey?
37:17That's Petey.
37:20How did you...
37:24Would you mind taking that up to diagnostics for me?
37:34Yes?
37:36You requested me, Miss Cobell?
37:44Miss Casey, I'd like you to run a special wellness session with Marguess.
37:50Marguess?
37:51What's the problem?
37:56He just needs it.
37:58Trust me.
38:00Here invites you to drink of his water.
38:16Irving.
38:17Felicia said you'd be here.
38:20Is it awful to say I don't care for that one?
38:26No.
38:27Honestly, it makes me nervous, too.
38:34Such a lovely vista, but I keep thinking.
38:38He could slip.
38:40It was a thrill to have someone from MDR come see us.
38:47To take an interest like you did so.
38:51If I embarrassed myself...
38:53You didn't.
38:54Hmm?
38:55Unless you did.
38:57Are you embarrassed?
39:01No.
39:02Good.
39:06I have four more stops.
39:11Would MDR consider joining me?
39:16MDR would.
39:21You're crazy.
39:24I wish I could nap.
39:26I think I sleep 15 hours a night up there.
39:29It's a character flaw.
39:31Just means you're a party guy, disco king.
39:33I can't be falling asleep, Bert.
39:35Who cares?
39:36The handbook cares.
39:38No workplace shall be repurposed for slumber.
39:42I know the handbook, old man.
39:44I'm more of a first-edition guy.
39:47Original word of Kier.
39:50And I shall whisper to ye dutiful through the ages.
39:54In your noblest thoughts an epiphany shall be my voice.
39:58You are my mouth.
40:01And through ye I will whisper on.
40:05When I am ten centuries devised.
40:08I don't understand.
40:12He doesn't just speak to us through the handbook of the paintings.
40:17He finds other ways.
40:19You think you need your job.
40:26But I've lived abroad as a vagrant, abstaining from my own money to rely on the charity of strangers.
40:34Most were beggars themselves, yet they were happy.
40:38And so for that summer was I.
40:43Your job needs you.
40:47Not the other way around.
40:51I'll take you.
40:52I'll remain in the middle of a while.
40:53You won't leave me alone.
40:54I'll take you.
40:55And you won't leave me alone.
40:57But I don't know.
40:58You're not you.
41:00No.
41:01No.
41:02No.
41:03No.
41:05No.
41:06No.
41:07No.
41:08No.
41:09No.
41:10No.
41:11No.
41:12No.
41:13No.
41:14No.
41:15No.
41:16No.
41:17No.
41:18No.
41:19Mark, I'm gonna go do it. I'm working up till the bell. I think I may still crush this thing tonight
41:29We do
41:33See you soon
41:49You
42:19I
42:37Knew it
42:44Sometimes I ask people to sculpt how they feel out of clay
42:50Would you like to do that?
42:56All right
43:19Destiny
43:20An acrostic poem experience by the author Rick and Hale
43:32D is for dreaming
43:48D is for dreaming
43:57The start of it all
43:59E is for energy
44:07Breaking down walls
44:11S is for stewardship
44:15Of home and of earth
44:18Death
44:19T is for terror
44:24Which gives us more worth
44:26I is for eyes
44:32Which observe us with love
44:36Until end
44:39Meaning newness
44:40Rains down from above
44:43And why?
44:47That's a question we needn't now ponder
44:51For destiny, friends
44:54Shall deliver all yonder
44:57Hey
45:00How are you?
45:03Good
45:03Yeah?
45:04Seems like you're getting the hang of stuff here
45:06Cool?
45:09You
45:10And you
45:16Yo
45:16And
45:17What
45:17I
45:18Poor
45:18Who
45:19Who
45:20Who
45:20Who
45:20Who
45:22Ship
45:24And