A couple lost in thick fog, take refuge in an old mansion next to a cemetery, and strange things start to happen.
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Short filmTranscript
00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
00:01:29CastingWords
00:01:59CastingWords
00:02:29Oh, my God.
00:02:59Oh, my God.
00:03:29Oh, my God.
00:03:59Oh, my God.
00:04:29Oh, my God.
00:04:59Oh, my God.
00:05:29Oh, my God.
00:05:59Oh, my God.
00:06:29Oh, my God.
00:06:31How'd you make out?
00:06:33Badly.
00:06:34He's one of those rotten people who thinks he owns you just because he gives you a ride.
00:06:38Well, I'm sure you were able to handle it.
00:06:40Temporarily.
00:06:41It's bound to get harder if we go any further.
00:06:43It's bound to get harder if we go any further to him.
00:06:44He's waiting for me outside.
00:06:45Well, we'll keep him waiting, then.
00:06:48As long as you don't mind riding in the open.
00:06:50Okay?
00:06:50Okay.
00:06:51Okay.
00:07:02Okay.
00:07:02Okay.
00:07:02Okay.
00:07:02You feel up to it?
00:07:03Sure, I trust you.
00:07:04Just a minute.
00:07:06This young lady is riding with me.
00:07:08Not now.
00:07:09You're wrong.
00:07:10She's getting in my car.
00:07:11That's what you think.
00:07:14What do you say?
00:07:16I'm coming with you.
00:07:17I'm telling you, for your own good, something will happen.
00:07:22Go to hell.
00:07:41Look.
00:07:42They've got guests.
00:07:44The usual nobodies who think they're somebody.
00:07:47Well, there's two.
00:07:57Need a car.
00:07:57She's the widow of Elsa's lawyer.
00:07:58Gossip.
00:07:59It's true.
00:08:00Parasites.
00:08:01All they do is leave off others and never say anything pleasant.
00:08:04I don't think you're being fair.
00:08:06Who's he?
00:08:08He's a lawyer's partner who married his widow.
00:08:11It's true.
00:08:12Some men will do anything in order to further their careers.
00:08:15Give me a car, will you, Megan?
00:08:16There's no doubt they're enhancing our reputations.
00:08:22In any case, he's looking after Elsa's affairs now.
00:08:26Go on.
00:08:26I want to know why Elsa's husband isn't here.
00:08:29He's away on a business trip in Soren.
00:08:32Poor old Ernest.
00:08:34How I must hate being a runaround for a businesswoman.
00:08:37I know I'd love it.
00:08:44Yes?
00:08:45Elsa?
00:08:46Ernest.
00:08:47What's happening?
00:08:49I'm expecting you.
00:08:50My lawyer's here already.
00:08:51You're still up in Soren.
00:08:53Ernest, but that's absurd.
00:08:55There's nothing I can do, Elsa.
00:08:57The lawyer's away, apparently, on some very personal matter.
00:09:01And he won't be back until late tonight.
00:09:04Then I suppose you'd better wait.
00:09:05It's important to authenticate that signature.
00:09:07If we don't present the document tomorrow, we lose the option.
00:09:10All right.
00:09:11See you later.
00:09:11We're here in Soren.
00:09:25It's about 60 kilometers from Millen.
00:09:28You'll do that an hour easily.
00:09:31What should we do?
00:09:32Stop here for the night?
00:09:33Or keep right on going?
00:09:34I'd prefer to go on to Millen.
00:09:37I would, too.
00:09:39It's getting rather late.
00:09:40Go on.
00:09:42You decide.
00:09:43I don't mind traveling at night, in the least.
00:09:47Come here.
00:09:49I want to call Millen.
00:09:50Keep a change.
00:09:51Thank you, sir.
00:10:10I see from the map there are two roads to Millen.
00:10:23Well, yes.
00:10:24The new highway and the old road.
00:10:25Which is the better?
00:10:26The old one's much shorter, but...
00:10:27It's just that it means going through the valley.
00:10:35And at this time of year, after sundown, there's often quite a bit of fog.
00:10:38Thanks.
00:10:38What do I owe you?
00:10:39$4.50, sir.
00:10:41It's your life, so I guess you can do what you like with it.
00:10:44I guess so.
00:10:46But if you had any dignity, you'd leave your wife.
00:10:48You know damned well I've always loved Elsa.
00:10:52Yes, I know, all right.
00:10:54Right up until last year, Elsa loved me, too.
00:10:57We were happy together.
00:11:01I hope that one day we will be again.
00:11:03It's not that easy.
00:11:05Time you faced up to it.
00:11:09Up to what?
00:11:10It's Elsa's money you love.
00:11:11That's why you won't leave her.
00:11:16You're wrong, Ellen.
00:11:17I have a fortune of my own.
00:11:19Yes, you did ten years ago.
00:11:21But you threw it all away on drinking women.
00:11:27Ernest, I'm sorry.
00:11:28Don't get mad at me.
00:11:30I don't mean it.
00:11:30I'm just made like that.
00:11:33I must be a silly idiot.
00:11:34Because I love you.
00:11:36Yes, I know.
00:11:38But why doesn't she treat you the way I do?
00:11:41You've become a household pet.
00:11:43All she has to do is whistle.
00:11:47She changed completely when her father died.
00:11:50She was suddenly responsible for the enormous fortune
00:11:53he had left her in his will.
00:11:56I don't know how it happened.
00:11:59But within a few days, she was transformed
00:12:00into a hard-headed businesswoman obsessed with deals.
00:12:03And she denies you your conjugal rights.
00:12:06She hasn't let you near her bed in months.
00:12:08Forgive me, Ernest.
00:12:09Forgive me.
00:12:13No need to be angry.
00:12:15Where do you think you're going?
00:12:18You mustn't hate me.
00:12:19I'm a fool for you.
00:12:21Hold me.
00:12:21I adore you.
00:12:24And I can't help it, though.
00:12:25I know it bores you.
00:12:27What's money, anyway?
00:12:29Try paying the bills, and you'd know.
00:12:44Those damn guests seem to be going at last.
00:12:46You better watch your tongue.
00:12:50I know you when you drink.
00:12:54Somebody's coming.
00:12:59I've spoken to my husband on the phone.
00:13:01Has he had the signature authenticated?
00:13:03Yes, but his car's broken down, and I must go and pick him up.
00:13:05Would you like us to go with you?
00:13:07No, no, there's no need.
00:13:08It'll take me no more than an hour.
00:13:10We'll follow you in my car.
00:13:11That way you can hand over the document, and we can go on.
00:13:13All right, if you're in a hurry to get back home.
00:13:16Not really, but I'd prefer to get back tonight
00:13:18so I can present the document tomorrow morning.
00:13:20Better to be early.
00:13:43I can't really see this map in the dark.
00:13:51It's impossible to judge the distance.
00:13:53Do you think we may have missed the training?
00:13:55It's quite possible.
00:13:56Listen.
00:13:57Isn't it the sound of a car coming this way?
00:13:59Yes.
00:14:00Here it comes now.
00:14:04Stop them and ask the way.
00:14:06Well, we can try.
00:14:07All right.
00:14:07All right.
00:14:13Prince, look out!
00:14:43I can't see a thing.
00:14:46I can't imagine why you insisted I'm going home tonight.
00:14:49How was I supposed to know this fog would come down?
00:14:52It's the same every single year.
00:14:54How can you forget?
00:14:57I'm blind.
00:14:57Can you see the lights of Elsa's car?
00:14:59No.
00:15:00She knows I don't know the road.
00:15:01It's damn inconsiderate.
00:15:02Oh, don't worry.
00:15:03She'll stop and wait as soon as she realizes we've lost her.
00:15:06I wish to God I was for sure.
00:15:10I'll have to drive faster.
00:15:13Take care, I beg you.
00:15:14I don't want to get lost out here in the fog.
00:15:23We should never have come.
00:15:26You're going much too fast.
00:15:28Cut it out, woman.
00:15:30I'm quite nervous enough without your nagging.
00:15:32Look out!
00:15:32There's a bend in the road!
00:15:33Don't shout my ear!
00:15:35You're giving me a headache.
00:15:36Stay on the right!
00:15:38Look out!
00:15:38There's a car!
00:15:42No!
00:15:42I don't want to.
00:15:42No!
00:15:43No!
00:15:44No!
00:15:44Come on.
00:16:14Hello there.
00:16:34Can I help you?
00:16:38Take care when you get up to the crossroads.
00:16:40The turning to Millen is ahead on the left.
00:16:42I hope it's a decent road.
00:16:44This fog's getting pretty thick.
00:16:46It's narrow, but not too windy,
00:16:48until you get to a bend over the hill.
00:16:51Wait a minute.
00:16:52Have you by any chance seen a big old car?
00:16:55I can't recall seeing any cars.
00:17:12No.
00:17:14No.
00:17:16No.
00:17:18No.
00:17:20No.
00:17:22No.
00:17:24No.
00:17:26No.
00:17:30No.
00:17:31No.
00:17:34No.
00:17:35No.
00:17:36No.
00:17:38Who are you?
00:18:03Who are you?
00:18:05Stay away from me, for God's sake.
00:18:08Oh, God, don't you.
00:18:12If there were you, I'll leave me alone.
00:18:13Oh, God!
00:18:17Oh, God!
00:18:29No!
00:18:29It can't be the right road.
00:18:47It must be when he turned left.
00:18:49That's what he said.
00:18:50He said it wasn't whiny until we got over the hill.
00:18:52I don't see any hill, do you?
00:18:54It might not be anything, Frank.
00:18:56But I'm sure it's...
00:18:57Are you all right?
00:19:11I think so.
00:19:13What happened?
00:19:14No more road, that's what happened.
00:19:15God knows where we are.
00:19:18Here, give me a hand.
00:19:27Help me!
00:19:36Help me!
00:19:37Help!
00:19:38I keep getting the feeling that we're on another planet.
00:19:51Roads that disappear and then reappear again.
00:19:53Others that are suddenly interrupted and...
00:20:03Help me, somebody!
00:20:06Oh, God!
00:20:07What's that?
00:20:17What's the matter?
00:20:18What happened?
00:20:23I'm being pursued.
00:20:29There's no one pursuing you.
00:20:38Can't you hear it?
00:20:39What?
00:20:43I can't hear anything.
00:20:44A sort of deep sighing.
00:20:49What happened to you?
00:20:51I don't really know.
00:20:52I was driving my car in the direction of Soren.
00:20:54And lost your way in the fog.
00:20:56Exactly.
00:20:56Same thing happened to us.
00:20:57Only we were heading for Millie.
00:20:59Evidently, you took a wrong turning.
00:21:01Just as we did when we left the main road.
00:21:04No.
00:21:04No, you're wrong.
00:21:05I'm sure it was the right one.
00:21:06Then suddenly I found myself in a cemetery.
00:21:08Okay.
00:21:08Okay.
00:21:14I couldn't see anyone or hear anything out of the ordinary.
00:21:29Are you sure that...
00:21:30Yes, quite sure.
00:21:31First of all, there was this horrible sound like someone breathing, harsh and loud.
00:21:39Then all at once, a man appeared.
00:21:43His face was hidden.
00:21:45But he was wearing the uniform of a chauffeur.
00:21:48He was enormously tall.
00:21:51And in the middle of his chest, he had a...
00:21:53Well...
00:21:53Well...
00:21:54I think it's my imagination.
00:21:59Maybe it is.
00:22:00Tell me...
00:22:02Was the man in uniform alone?
00:22:06No.
00:22:08There was an old woman in black with him.
00:22:12You don't believe it.
00:22:14You must think I'm crazy.
00:22:15No.
00:22:16Oh, I wouldn't blame you.
00:22:18And I'm not subject to hallucinations.
00:22:19No, no, of course not.
00:22:22We don't think you're crazy.
00:22:26It's all right now.
00:22:28I promise.
00:22:29You've obviously had a nasty shock.
00:22:31The only thing that really makes any sense is that your car has broken down.
00:22:36And here we are, all three lost in a fog.
00:22:39What we're going to do about it, I don't quite know.
00:22:42The map's not very encouraging.
00:22:44We don't seem to be honest.
00:22:45Well, I wouldn't let that worry you.
00:22:47But there's one good thing.
00:22:48We're near a cemetery.
00:22:49The dead are buried by the living.
00:22:52So there's got to be a village somewhere in the neighborhood.
00:22:56You won't think of going through it.
00:22:58No, we'll walk around the wall until we come to the gate.
00:23:00The village must be on that side.
00:23:02Look what we have here.
00:23:24A Rolls Royce.
00:23:25How strange.
00:23:26What's it doing here?
00:23:28Don't you realize this is just the sort of car to be driven by a chauffeur in uniform?
00:23:35It's the same number plate of the car that...
00:23:37That's really incredible.
00:23:39What is it?
00:23:40What's incredible?
00:23:41That this is the car that tried to run me down less than an hour ago.
00:23:50This cemetery has been abandoned.
00:23:52And I'm afraid the village will be as dead and dark as those unattended graves.
00:23:57What is this awful place?
00:23:59I've never heard of it.
00:23:59I'm sure it doesn't exist.
00:24:01Of course it exists.
00:24:02We're in it.
00:24:03This path must lead somewhere.
00:24:13Look over there.
00:24:15What?
00:24:15The light.
00:24:17Let's go and see who's there.
00:24:33You're blinding me with that flashlight.
00:24:57Didn't you hear it?
00:24:57Amazing.
00:24:58We run into you everywhere.
00:25:01I could say the same thing.
00:25:02It is strange.
00:25:03All right.
00:25:04Come in.
00:25:10Elsa!
00:25:13So you got fog-bound too.
00:25:15What a surprise.
00:25:28Why did you greet us at the door with a gun?
00:25:30When we arrived here,
00:25:31someone was trying to break in.
00:25:34As soon as he saw us,
00:25:35he made off and disappeared into the fog.
00:25:37He seemed to be wearing uniform.
00:25:39Yes.
00:25:41The sort of uniform a chauffeur might wear.
00:25:43Yes.
00:25:44Boots to the knees.
00:25:46Boots, you said?
00:25:53Certainly.
00:25:54I must admit,
00:25:55I too was lost.
00:25:56Temporarily.
00:25:57But I know I would soon have found the road to Millen
00:25:59if these two hadn't crashed into me.
00:26:01It wasn't my fault.
00:26:02I'm sure it wasn't.
00:26:03But the fact remains,
00:26:04we're stuck here now.
00:26:06Quite true.
00:26:13The fog isn't usually this enveloping.
00:26:15It'll be gone by morning, I'm sure.
00:26:17If you'd care to remain here tonight,
00:26:21you are most welcome.
00:26:25There are only three bedrooms available, however.
00:26:28And I'm afraid they haven't been aired for some time.
00:26:30Miss Clinton very kindly helped us after the accident.
00:26:42I blew the horn of my car.
00:26:44And I heard it.
00:26:45So I went to see what was going on.
00:26:47Where are we?
00:26:48In an abandoned village around 15 kilometers from Millen.
00:26:52Any chance we could get there tonight?
00:26:54The visibility's nil.
00:26:55I personally wouldn't attempt.
00:26:57Why don't you sit down, Miss Clinton?
00:27:00Tell me, how did you get out here?
00:27:04On a bicycle.
00:27:06By a path that goes straight through the woods.
00:27:09But I'm sure I'd never find it again
00:27:11now the fog's so thick.
00:27:16I might find it on my motorbike.
00:27:18It's idiotic.
00:27:19Aren't you coming?
00:27:20How did you find yourself here?
00:27:22I must have taken a wrong turn.
00:27:24I obviously turned to the right by mistake.
00:27:26No, you turned left, all right.
00:27:28But instead of carrying straight on,
00:27:29you took another turn that brought you here.
00:27:31But we suddenly found ourselves in a cemetery.
00:27:35There's a network of small roads leading through the valley.
00:27:39You took the one that comes to the cemetery,
00:27:41but luckily you found your way here.
00:27:45And now you know how easy it is to get lost.
00:27:47Why didn't you turn back to Millen
00:27:51when you saw the fog beginning to come down?
00:27:53It seemed more sensible to spend the night down here.
00:27:56You see, this is my house,
00:27:58and I often come here, though...
00:28:00I live in Millen.
00:28:04What does surprise me is that
00:28:06someone like you should lose your way
00:28:08when you know the area so well.
00:28:10But I...
00:28:10I'm a good physiognomist, generally.
00:28:13What does that mean?
00:28:14I've seen you many times.
00:28:16I don't remember ever having seen you.
00:28:18We belong to two different worlds.
00:28:20I'm not surprised to hear you say that.
00:28:23I keep having the sensation
00:28:25that we've crossed the frontier
00:28:26between the real and the unreal.
00:28:28I've never heard anybody mention this place before.
00:28:32That's not surprising.
00:28:33The inhabitants abandoned it years ago.
00:28:35I imagine they had a very good reason
00:28:37for doing so, don't you think?
00:28:39Of course, there are a lot of stories.
00:28:42The country folk around here are superstitious.
00:28:44A mysterious epidemic occurred.
00:28:47They say the victims died
00:28:49by being bitten in the throats
00:28:51by a vampire
00:28:52who drained their blood.
00:28:54in any case,
00:28:57everyone left the village.
00:28:59I heard the 12 people died in one night.
00:29:03And when their bodies
00:29:04were found the following morning,
00:29:06their relatives buried them
00:29:07here in the cemetery.
00:29:08And then everyone left this place forever,
00:29:11abandoning their houses,
00:29:12their land,
00:29:13everything they owned.
00:29:14Oh, God, do you hear that?
00:29:24It's coming from in here.
00:29:26Please, don't open it.
00:29:29It's years since I went down to the cellar.
00:29:32The last time
00:29:33I saw a rat.
00:29:36I'm terrified of rats,
00:29:37so I keep that door bolted.
00:29:40And the electricity's been cut off tonight.
00:29:43It makes me a little nervous.
00:29:45Well, if that's a rat,
00:29:46it's a damn big one.
00:29:48I'll try to kill it with my gun.
00:29:50Open the door and I'll...
00:29:51Please!
00:29:52No!
00:29:53My nerves won't stand it.
00:29:56I beg you not to open that door.
00:29:58All right, as a wish.
00:30:02Well,
00:30:03whatever it was,
00:30:04it's gone away.
00:30:16I've noticed that you have an interest
00:30:18in that family portrait.
00:30:19It's Julia Clinton.
00:30:21Yeah.
00:30:22She resembles you a lot.
00:30:23And my aunt was a very eccentric woman.
00:30:26She was a witch, so they say.
00:30:29Maybe that's why she made a collection
00:30:31of all those weird pictures.
00:30:34It might explain it.
00:30:35In actual fact,
00:30:36I don't know anything for certain.
00:30:38It's gone in this house long after everyone else deserted the place.
00:30:43And there were only those graves out there in the cemetery
00:30:45to show that people had once been here
00:30:47and had the life drained out of them by a vampire.
00:30:50Did she inhabit the place alone?
00:30:52No, she found she had to employ a man to act as valet, gardener, chauffeur.
00:30:57He was really extremely tall and ugly, but she trusted him and evidently he drove her Rolls-Royce very well,
00:31:05until one day he got drunk and crashed it into the cemetery wall just outside the house.
00:31:09They were both killed immediately.
00:31:12Both killed?
00:31:13Yes, in 1942.
00:31:15She had her head crushed.
00:31:18The steering wheel punctured the chest of the chauffeur.
00:31:21My dear, what's the matter?
00:31:31I'm sure it's your nerves.
00:31:32She seems to be in a state of shock.
00:31:33Do something.
00:31:34Get your seat.
00:31:34She can't get her breath.
00:31:35Help me get her to the window.
00:31:36Yes, I'll...
00:31:37She had an attack like this before.
00:31:46Take deep breaths, dear.
00:31:47It'll pass.
00:31:48Is that any better?
00:31:49Is the air helping?
00:31:51Perhaps we should lie down.
00:31:55No, thank you.
00:31:57Better now.
00:31:59You gave us quite a scare.
00:32:01I didn't realize you were in such a nervous state.
00:32:03I'm sorry, but I...
00:32:04Come and sit down quietly.
00:32:06Yes, right.
00:32:12Does she usually suffer from nerves?
00:32:14Yes.
00:32:16Since the death of her father.
00:32:17Was he killed in an accident?
00:32:19No, it was a heart attack.
00:32:24He was in his daughter's bed with a young girlfriend of hers from college when he died.
00:32:29It was a scandal for months.
00:32:30But why?
00:32:31Nowadays, I suppose it seems like nothing to the young.
00:32:37But 30 years ago, it was a really shocking thing.
00:32:40Attitudes have changed quite a lot.
00:32:42Anyway, Elsa lost her mother when she was still a child.
00:32:47She was very attached to her father.
00:32:49It wasn't really surprising she took it hard.
00:32:55She had a nervous breakdown over it.
00:32:57She had a nervous breakdown over it.
00:33:00She was very small.
00:33:01She couldn't have started with her mother.
00:33:02She was very happy.
00:33:02She was very successful.
00:33:03She hasn't had a nervous breakdown over it.
00:33:03She was too late.
00:33:04She was holding her to the hospital.
00:33:05She was very happy with her.
00:33:06She was very unhappy.
00:33:07Feeling better now?
00:33:13All right.
00:33:21I must have collapsed.
00:33:23Yes.
00:33:25So sorry.
00:33:26Better take one of these.
00:33:27It'll help you relax.
00:33:30They're tranquilizing.
00:33:34Can I be of any help to you?
00:33:37No, thank you.
00:33:41I hope you made yourself comfortable.
00:33:44Yes, I'm much obliged.
00:33:46If there's anything you need, I'll...
00:33:47No, thanks.
00:33:49I'll be all right.
00:33:50Good night, then, Mr. Porter.
00:34:07Good night.
00:34:20Good night.
00:34:55This will keep you warm now.
00:35:25Sleep well.
00:35:29Give me a hand, will you?
00:35:43All right.
00:36:17This is all I have to offer you.
00:36:23I'm terribly sorry.
00:36:24Don't worry.
00:36:25That'll be fine.
00:36:26I hope you won't be too uncomfortable.
00:36:27I'm grateful for your hospitality.
00:36:29How is that woman feeling now?
00:36:39I gave her a sedative and she went to sleep at once.
00:36:41I got the impression she wouldn't be able to get to sleep too easily.
00:36:43If you want anything else in the night, don't hesitate to call me.
00:36:46The others have already settled in.
00:36:49Good night.
00:36:50Sleep well.
00:36:51Good night.
00:36:52And thank you.
00:36:54Good night.
00:37:06Good night.
00:37:07Good night.
00:37:11Where are you going?
00:37:23I want to see how Elsa is.
00:37:26She's asleep by now.
00:37:27No need to go waking her.
00:37:29Well, how do you know?
00:37:31Let that Clinton woman see to her.
00:37:33I'm extremely tired.
00:37:35Let's get a little rest.
00:37:37Tomorrow is a very important day for us.
00:37:41Let's go.
00:38:11Let's go.
00:38:13Let's go.
00:38:15Let's go.
00:38:17Let's go.
00:38:19Let's go.
00:38:25Let's go.
00:38:27Let's go.
00:38:33Let's go.
00:38:35Let's go.
00:38:37Let's go.
00:38:39Let's go.
00:38:41Let's go.
00:38:43Let's go.
00:38:45Let's go.
00:38:47Let's go.
00:38:49Let's go.
00:38:51Let's go.
00:38:53Let's go.
00:38:55Let's go.
00:38:57Let's go.
00:38:59Let's go.
00:39:01Let's go.
00:39:09Let's go.
00:39:11Let's go.
00:39:13Let's go.
00:39:14Let's go.
00:39:15Let's go.
00:39:16Let's go.
00:39:17Let's go.
00:39:18Let's go.
00:39:19Let's go.
00:39:20Let's go.
00:39:21Let's go.
00:39:22Let's go.
00:39:23Let's go.
00:39:24Let's go.
00:39:25Let's go.
00:39:26Let's go.
00:39:27Let's go.
00:39:28Let's go.
00:39:29Let's go.
00:39:30And you think the answer's in there?
00:39:33Well, it's possible.
00:39:35Go on, then.
00:39:42You see?
00:39:44It slides quite smoothly.
00:39:48No sign of Russ.
00:39:49What are you getting at?
00:39:51But don't you recall?
00:39:53She told us that this door hadn't been opened for a good many years.
00:39:56Yes, that's true.
00:39:57No, I'm going in.
00:39:59I just want a quick look.
00:40:05It's so dark.
00:40:06What do you hope to see?
00:40:08I didn't believe the story about that rat.
00:40:10Why not?
00:40:12What are you looking for?
00:40:17That scratching sound we heard couldn't have been a rat.
00:40:24You see?
00:40:26There are no scratches on the lower part of the door.
00:40:29If it wasn't a rat, what was it?
00:40:31I have no idea.
00:40:33But I intend to find out.
00:40:35Look.
00:40:36What do you think did that?
00:40:37It's certainly not a rat.
00:40:43Let's get out of here.
00:40:44It gives me the creeps.
00:40:45I'm scared, Frank.
00:40:51I'm scared, Frank.
00:40:52Oh.
00:41:15I know.
00:41:17It's a little bit more.
00:41:18I feel like looking for a lovely little edge.
00:41:21There's so many masks on the fans.
00:41:23I'm scared, Frank.
00:41:24I'm scared.
00:41:25I'll do it.
00:41:26I said, I'm scared.
00:41:28I'm scared, Frank.
00:41:29I'm scared.
00:41:30I'm scared.
00:41:31I'm scared.
00:41:32I'm scared.
00:41:33I'm scared.
00:41:34I'm scared.
00:41:35I'm scared.
00:41:36I'm scared.
00:44:08Shall we dance?
00:44:09Are you asleep?
00:44:26No.
00:44:27What do you want?
00:44:29I wondered if you'd like a little company.
00:44:32I'm perfectly all right on my own.
00:44:34Please go awake.
00:44:36Wouldn't you like a little drop of whiskey?
00:44:39No.
00:44:39You must be lonely.
00:44:41It's horribly sinister in here.
00:44:43I wish you'd leave me alone.
00:44:45I'd be terrified.
00:44:46Not only your bedroom.
00:44:49All the rooms are alike, including mine.
00:44:51In fact, I feel very uneasy.
00:44:52Really, I do.
00:44:53Really, I do.
00:44:56And I thought perhaps a little whiskey would do us a world of good.
00:45:00I don't want your whiskey or your company.
00:45:02Go away.
00:45:03But I...
00:45:03Get out of here.
00:45:04You mean you really want me to go?
00:45:10Yes.
00:45:10Yes.
00:45:19I always thought there was something out about you.
00:45:21Now I know what.
00:45:22Get out.
00:45:24I never bother with women who despise men.
00:45:50I'm thirsty.
00:45:52Everything all right, Dad?
00:45:54Pretty good.
00:45:55I feel more like your brother.
00:45:57You're cute tonight.
00:45:59You wouldn't think so if you were sober.
00:46:01I'm only your daughter.
00:46:02Oh.
00:46:02May I have a glass of orange?
00:46:04You may look good, but you're in a foul mood.
00:46:06I admit you're a handsome man, Dad.
00:46:09Oh, thanks.
00:46:11But one thing gives away your age.
00:46:12That's interesting.
00:46:14Do tell.
00:46:16Your preoccupation with little girls.
00:46:18Oh, Dad.
00:46:20Your behavior's disgusting.
00:46:21You were propositioning that child.
00:46:24Adeline's no child.
00:46:25She's your age.
00:46:26I know that.
00:46:29Today it's Adeline.
00:46:31It'll be her little sister next.
00:46:33Like me to find out if she likes old men, too?
00:46:35No, thanks, Elsa.
00:46:36I manage alone.
00:46:36I don't usually sleep with my daughter's college friends.
00:46:41At least, not many.
00:46:43I take it you had a row with Ernest again.
00:46:46Yes, I did.
00:46:47I'm happy to hear it.
00:46:49Let me warn you.
00:46:51He's a scoundrel.
00:46:52A good-for-nothing.
00:46:53Ernest is extremely rich.
00:46:54That's what he likes you to think.
00:46:56He'll get through his inheritance and...
00:46:57Sorry, I beg to differ.
00:46:59Have it your own way.
00:47:00I warned you.
00:47:01Now, if you'll excuse me.
00:47:03I have someone waiting.
00:47:11A martini very dry.
00:47:12Wait.
00:47:15Ernest, I didn't expect you.
00:47:18I'm glad you could make it.
00:47:20Really?
00:47:22Do you want to start again?
00:47:26I don't see why not.
00:47:28Be reasonable, Elsa.
00:47:29I'm no longer at that age when love can blind one.
00:47:32I see where you are.
00:47:33Capricious, dominating, a spoiled child.
00:47:36You mean you don't want me?
00:47:38Yes, yes, I do.
00:47:39I'm crazy about you and you know it.
00:47:40But your behavior is unbearable, Elsa.
00:47:43Oh, I'm not so awful.
00:47:47All right, then.
00:47:48Let's try again.
00:47:51Come on.
00:47:53Let's go.
00:48:10I'm sorry about yesterday.
00:48:18I promise never to make a fuss about anything again.
00:48:21Let's hope not.
00:48:23Where should we go?
00:48:24Wherever you like.
00:48:25Let's go to my place.
00:48:53Are you quite sure?
00:48:54Yes, I am.
00:48:56The two of us alone.
00:48:57I don't know.
00:50:57In your house, Daddy.
00:51:09In your bedroom.
00:51:12In your own bed.
00:51:27In your bedroom.
00:51:58Who is it?
00:52:02Me, Porter.
00:52:06Miss Clinton, can I come in?
00:52:07Are you there?
00:52:12Are you there?
00:52:12Are you there?
00:52:13Is there anything you wanted?
00:52:26No, not really.
00:52:28I'm just a bit lonely.
00:52:31And I thought...
00:52:32Come in, Mr. Porter.
00:52:34And close the door.
00:52:42Thought.
00:52:43Perhaps you'd like a drop of...
00:52:45whiskey.
00:52:46I don't enjoy drinking alone.
00:53:03I don't enjoy drinking alone.
00:53:16And I wondered if you would like to keep me...
00:53:20Tomper.
00:53:22Wait just a minute.
00:53:24What?
00:53:25Would you mind doing me a favor, Mr. Porter?
00:53:28No, any...
00:53:29Turn around.
00:53:31What do you mean?
00:53:31You don't mind, do you?
00:53:35For a second.
00:53:37Oh, I understand now.
00:53:39You're modest.
00:53:41I will.
00:53:43I like Molly's girl.
00:53:44I will.
00:53:44I will.
00:53:45Let's get up.
00:53:46Ah!
00:53:46Anybody...
00:53:47I will.
00:53:47Alabama...
00:53:48Two.
00:53:48Two.
00:53:49Mm?
00:53:50Three.
00:53:51Three.
00:53:51Three.
00:53:52Three.
00:53:53Two.
00:53:53Three.
00:53:54Three.
00:53:56Three.
00:53:57Two.
00:53:58Three.
00:53:59Four.
00:54:00Three.
00:54:02Eight.
00:54:02Four.
00:54:04Four.
00:54:06Three.
00:54:07Five.
00:54:08Four.
00:54:09Four.
00:54:10Five.
00:54:12Four.
00:54:12That's it!
00:54:42Fred?
00:54:55Fred?
00:55:12Are you there?
00:55:35Oh, please answer.
00:55:40Ah!
00:55:42Ah!
00:56:10Don't scream at me!
00:56:17I almost died.
00:56:22I'm sorry, but how the hell was I to know it was you?
00:56:25Why, for the torture?
00:56:26What are you doing in there?
00:56:28Looking around.
00:56:29And you'll never guess what I found.
00:56:31If it's something awful, I don't want to know.
00:56:33Don't be silly.
00:56:34Come and look.
00:56:36Fred, let's get out of here.
00:56:38I don't like it.
00:56:40This tunnel leads to a crypt.
00:56:42Honestly?
00:56:43Don't be afraid.
00:56:44Come on.
00:56:45It's just a chapel I found, attached to the family vault.
00:57:04I don't believe it.
00:57:05Oh, no.
00:57:06You can't stop.
00:57:07I can't see it.
00:57:08You don't know what to do.
00:57:09You're a little bit too.
00:57:11I don't know.
00:57:12I'm sorry.
00:57:13I'm sorry.
00:57:14You're a little bit too.
00:57:15I don't know.
00:57:16You're a little bit too.
00:57:17You're a little bit too.
00:57:18Elsa.
00:57:32Elsa.
00:57:40Elsa.
00:57:44Good night.
00:57:48I'm only your father, you know, not God.
00:58:04Just a man like any other with defects as well as virtues.
00:58:08I'm anything but perfect. I'm only a man.
00:58:12You can't expect a husband to be perfect either.
00:58:15But he has a right to be a husband.
00:58:18Don't deny me that. What have I done to deserve this?
00:58:21It's you. You.
00:58:23You who's destroying our marriage.
00:58:25It's your fault, Elsa.
00:58:27I heard a cry, so I thought I'd see if you were all right.
00:58:44But it must have been a nightmare.
00:58:45Yes, it was a nightmare, that's all.
00:58:48You seem very upset.
00:58:51If you'd like me to, I could lie here with you until you feel better.
00:58:59Tell me about the dream you had. Was it a bad one?
00:59:01No.
00:59:04It was something very personal.
00:59:06I'd prefer not to talk about it.
00:59:08Don't talk about it then.
00:59:13I'm terribly tired.
00:59:14I think I'll try to sleep.
00:59:32This passage under the garden must have been built to reach the crypt of Martha Clinton's family.
00:59:37Whatever it is, it's a spooky place.
00:59:47That's very strange.
00:59:49Why? I don't see anything strange about it.
00:59:51Someone's removed the cover of this coffin.
00:59:54Look.
00:59:56Julie Clinton.
00:59:581864 to 1942.
01:00:00When she died, she was nearly 80 years old.
01:00:02Julie Clinton?
01:00:04It means that Miss Clinton's story was true.
01:00:07But she and her chauffeur were killed.
01:00:10How did we see that man on the way here?
01:00:12That's what I want to find out.
01:00:15Can you see anything?
01:00:19Nothing inside.
01:00:20Well?
01:00:21I don't understand it.
01:00:22She's either making fools of both of us with her fables about vampires,
01:00:27or there's something most peculiar going on around here.
01:00:30Do you think the vampire was her aunt?
01:00:32I'm not sure, but there's a lot of evidence to make me...
01:00:35Make you think so?
01:00:36Well, yes.
01:00:37If you're trying to scare me any more than I am already, you're wasting your time.
01:00:40I'm not trying to scare you.
01:00:42It's just that I'm trying to...
01:00:44get to the bottom of this goddamn mystery.
01:00:52No!
01:01:02No!
01:01:03No!
01:01:04No!
01:01:05I
01:01:35I
01:02:05I
01:02:07I
01:02:09I
01:02:11I
01:02:13I
01:02:15I
01:02:17I
01:02:23I
01:02:25I
01:02:27I
01:02:29I
01:02:31I
01:02:35I
01:02:39I
01:02:41I
01:02:43I
01:02:45I
01:02:47I
01:02:49I
01:02:51I
01:02:53I
01:02:55I
01:02:57I
01:02:59I
01:03:01I
01:03:03I
01:03:05Must have gone braving mad.
01:03:07Stay here and try not to move.
01:03:16Laura, come here quick.
01:03:25What's the matter with him?
01:03:27The man's dead.
01:03:28Are you sure?
01:03:29Yes.
01:03:30I think he had a heart attack.
01:03:33Perhaps it was the shock of seeing us coming out of that tomb.
01:03:35No.
01:03:36He's quite cold.
01:03:37You mean?
01:03:42That's rigor mortis.
01:03:43He's been dead quite a while.
01:03:44See that?
01:03:46He was murdered.
01:03:47But then how did he shoot it up?
01:03:49I
01:03:51Don't know, but the barrel of his gun's still warm.
01:03:55Do you hear that?
01:03:56Yes, I did.
01:03:57What is it?
01:03:58What is it?
01:04:00God knows.
01:04:06Stay there.
01:04:07Who are you?
01:04:08Stay where you are.
01:04:09I'll shoot you.
01:04:14What are you waiting for?
01:04:15A fire?
01:04:17Stop.
01:04:18I'm warning you.
01:04:19Let's go, please.
01:04:30You're right.
01:04:31Dangerous to stay here.
01:04:34We'll take him back to the house.
01:04:35Here.
01:04:37Help me.
01:04:38Help me.
01:05:05What happened?
01:05:06Hurry, please.
01:05:07Shut the door.
01:05:17Now, please tell me what you were doing out there.
01:05:19Porter's dead.
01:05:20Dead.
01:05:22But how?
01:05:24Have you seen my wife?
01:05:25No.
01:05:26Why?
01:05:27Well, she...
01:05:29just disappeared.
01:05:30Disappeared?
01:05:33Yes, we went to sleep last night.
01:05:35And when I woke up, there was nobody beside me.
01:05:38I took the liberty of knocking on Elsa's door.
01:05:40But there was nobody there either.
01:05:42You're saying that both Elsa and your wife have disappeared?
01:05:46Yes.
01:05:47I've searched everywhere and found no trace.
01:05:52Oh, my heavens.
01:05:54What's the matter with Mr. Porter?
01:05:56He's dead.
01:05:57I'm afraid.
01:05:58He's dead.
01:06:01I don't believe it.
01:06:03How did it happen?
01:06:05He had a heart attack.
01:06:07Probably brought on by a great shock.
01:06:10But we can't know for sure until there's an autopsy.
01:06:13I hate to change the subject.
01:06:15But I smell burning.
01:06:16So do I.
01:06:17Look, it's coming from there.
01:06:19You're right.
01:06:47you're right.
01:07:08Laura, do your best to put this fire out.
01:07:10All right, but hurry back and help me.
01:07:17She's coming, too.
01:07:47You keep an eye on her.
01:07:49Oh, please don't leave us alone.
01:07:50I have to.
01:07:52But why?
01:07:53Because there's something I have to do.
01:07:55What's so important?
01:07:56To uncover the truth.
01:07:58Here, take this.
01:08:01You know how it works, don't you?
01:08:02Yes.
01:08:03I take off the safety catch.
01:08:04Yes, that's it.
01:08:05Then all you do is pull the trigger.
01:08:10Be back soon.
01:08:16How is she?
01:08:36I'm afraid she's still suffering from shock.
01:08:39There's a certain amount of excitation.
01:08:42What she really needs is medical help.
01:08:46I don't know where you're going.
01:08:48But I don't advise trying to get to Millen, if that's your idea.
01:08:51It is?
01:08:52Just what I'm going to do.
01:08:53Don't.
01:08:55You'll never make it.
01:08:56You know what this fog's like.
01:08:59I'm sure you're right.
01:09:01But I'm going to do my best.
01:09:02I'm going to do my best.
01:09:04Goodbye.
01:09:32Listen, if you get to Millen, go straight to the police.
01:09:38Don't worry.
01:09:39I will.
01:10:02I'm going to do my best.
01:10:32Oh
01:11:02how could you leave me alone like that but I thought you were sleeping yes of course I was I was woken up by a sound
01:11:16and I didn't have any idea where you were well there's no need to worry now that I'm here
01:11:20where have you been I went to see if I could find a blanket somewhere you don't want to get cold
01:11:25no I want to get dressed immediately it's better for you to stay there I want to get dressed
01:11:29all right all right if that's what you want I'll help you where did you put your clothes in that cupboard
01:11:48the gun give me the gun I put it on the bed
01:11:52oh
01:11:58come on come on oh for god's sake
01:12:04get out of here
01:12:07so
01:12:19you're coming in here
01:12:19I'll shoot
01:12:20Get out of here!
01:12:46Don't you stand there! Help me!
01:12:50Help me!
01:12:59What is it?
01:13:03Alice.
01:13:05What are you doing here?
01:13:07I don't...
01:13:09Where is he?
01:13:12What's wrong, Mrs. Tremont?
01:13:14Tell me what it is.
01:13:17The pills I took.
01:13:18What pills?
01:13:20The pills that mine gave me.
01:13:23Pills too hard.
01:13:25Pills for my insomnia.
01:13:29I couldn't go through it.
01:13:31I can't stop it!
01:13:33I can't stop it.
01:13:37No!
01:13:39No!
01:13:40No!
01:13:42It's funny everyone...
01:13:46It's funny.
01:13:48I've just come to the bathroom.
01:17:07My congratulations.
01:17:08It worked perfectly.
01:17:10Easily the best performance of your illustrious career.
01:17:14Too bad it wasn't a theater.
01:17:19It's curious to what point a human being can be terrorized.
01:17:22Porter's heart literally stopped beating.
01:17:24Else has been driven insane.
01:17:26And those two kids are convinced that Porter's body shot it.
01:17:30Without realizing that the only live bullet was the one left deliberately in the gun.
01:17:35And that all the others were blanks.
01:17:39We must destroy the loudspeakers and tape recordings as soon as possible.
01:17:47Igor will take care of that.
01:17:49Don't worry about it.
01:17:50It'll be dawn soon.
01:17:51We must hurry.
01:17:52I can just imagine the faces of the policemen.
01:17:54When those two start talking about walking corpses and vampires.
01:17:57And when we tell them that nothing happened here at all.
01:18:01They'll probably end up in an asylum along with Elsa.
01:18:03Certainly.
01:18:06It's you.
01:18:09Everything went very smoothly.
01:18:10In fact, exactly as we planned.
01:18:12There's a minor detail that should be cleared up.
01:18:18The cost of the operation.
01:18:19We would like double.
01:18:24What are you doing?
01:18:25Have you gone mad?
01:18:27What do you want me to?
01:18:36That sounds like a shot.
01:18:37Someone fired a shot.
01:18:38What was it?
01:18:39Wake up, Mrs. Tremont.
01:18:40Please don't go to sleep again.
01:18:41Not now.
01:18:42You mustn't now.
01:18:48What did you have to do that for?
01:18:50We've done everything you wanted us to do.
01:18:52What do you want from us now?
01:18:55Don't point that.
01:18:56Don't point that.
01:18:57Don't point that.
01:18:58Just give us the amount we agreed to do it for.
01:19:00Whatever you like.
01:19:01No.
01:19:05No.
01:19:06No.
01:19:08Don't shoot me too.
01:19:09I'll never tell anybody about it.
01:19:11You've nothing to fear from me.
01:19:13I'll never tell anybody about this.
01:19:14What do you want?
01:19:15No.
01:19:16Try it.
01:19:17I'll never tell anybody about it.
01:19:18We will see you, L.A.
01:19:19Not the plane.
01:19:20It's nothing.
01:19:21No.
01:19:22No.
01:19:23No.
01:19:24No.
01:19:26No.
01:19:28No.
01:19:32No.
01:19:33No.
01:19:34No.
01:19:35No.
01:19:36No.
01:19:37No.
01:19:38Oh, my God.
01:20:08Oh, my God.
01:20:38Oh, my God.
01:21:09Open the door.
01:21:10I have to move this desk.
01:21:16Are you all right?
01:21:18Oh, Fred.
01:21:20I thought I'd never find you.
01:21:23We've no time to lose.
01:21:25We'd better get out of here.
01:21:26We can't possibly leave these two here alone.
01:21:28There's no choice.
01:21:32We must get to the police and send an ambulance.
01:21:35It's almost dawn, and we only have the motorcycle.
01:21:40Let's go.