Etoile Season 1 Hindi Episode 2
Category
🎥
Short filmTranscript
00:00Good morning, Miss.
00:02Can't stay at home, can't stay in school.
00:04Old folks stay, you're pulling a fool.
00:08Stay on the streets, I'm a girl next time.
00:10Good morning, Miss.
00:12Can't stay at home, can't stay in school.
00:16Old folks stay, you're pulling a fool.
00:20Stay on the streets, I'm a girl next time.
00:22Excuse me, Miss.
00:24I'm going to pass with you.
00:26I'm going to pass with you.
00:28Hello, Daddy. Hello, Mom.
00:30I'm your ch-ch-ch-ch-ch.
00:32Cherry Bomb.
00:34Hello, world.
00:36I'm your wild girl.
00:38I'm your ch-ch-ch-ch-ch.
00:40Cherry Bomb.
00:42Donates love and straight sounds too.
00:46Come on, baby, let me get to you.
00:48Bad nights cause a teenage blues.
00:52Get down, ladies, you got nothing to lose.
00:54Hello, Daddy. Hello, Mom.
00:58I'm your ch-ch-ch-ch-ch-ch-ch-ch.
01:00Cherry Bomb.
01:04All right, Daddy.
01:06I'm her.
01:08I'm your ch-ch-ch...
01:10You're ying.
01:12This time goes away.
01:13I'm Puerto Rico.
01:14We don't have room for cards, Miss.
01:16We don't have room for cards.
01:18We don't have room for guards.
02:01Play.
02:31Play.
03:00Play.
03:11Good morning, Jack.
03:41Okay.
03:42Let's talk about Fall Gala.
03:43Let's talk about the new season.
03:44Advanced sales have increased.
03:46And I think that the most important reason
03:48is the brilliant French it all, Cheyenne Toussaint.
03:51We are very happy with Cheyenne.
03:53Yes, it's different.
03:54You need to see it quickly.
03:56You need to buy tickets.
03:58You need to buy tickets quickly.
04:00You need to buy tickets quickly.
04:02You need to buy tickets quickly.
04:04You need to buy tickets quickly.
04:06You need to buy tickets quickly.
04:08You need to buy tickets quickly.
04:09You need to buy tickets quickly.
04:10You need to buy tickets quickly.
04:11You need to buy tickets quickly.
04:12Thank you for talking to us.
04:13So, today we were talking about Jack McMillan,
04:15who is Executive Director of Metropolitan Ballet Theatre,
04:18which is in Lincoln Center.
04:20Let's go to the studio.
04:22Let's go.
04:23What's that?
04:24What's that?
04:25What's that?
04:26Cheyenne.
04:27Cheyenne.
04:28Cheyenne.
04:29Oh, come on, Pat.
04:30All right.
04:31All right.
04:32Okay.
04:33Thanks, Jack.
04:34Hey, Pat.
04:35My wife, you did not want to buy tickets with her,
04:36but I thought you could cut for me off.
04:37I'm Glyph onto her.
04:39Glyph?
04:40You had told me?
04:41Oh.
04:42Okay.
04:43Cool.
04:44And tell us to all.
04:46No good.
04:48Cheyenne's better, everyone.
04:49My wife cried when she took her for Cheyenne.
04:52She cried and cried and she cried again.
04:54I was really sorry.
04:56My son of 12 years old told me,
04:58Wife, loss Cheyenne,
05:00it's worse that the incendie of Notre Dame
05:02It must be fun.
05:04Pardon?
05:05He's an intelligence, that's what I wanted to say.
05:07You've never mentioned that Cheyenne could be part of this exchange.
05:10Even not the possibility of it.
05:12You'd have to consult us, to inform the minister.
05:14Madame, the minister is very busy.
05:16I didn't want to get into details.
05:19On which planet Cheyenne Toussaint is at the menu?
05:22You gave me a mission.
05:23To make the vending billets.
05:25Well, the vending billets...
05:27We have Thomas Bell.
05:30Everyone is very enthousiaste.
05:32It's a success.
05:33And after, what will be Geneviève?
05:35You're going to send our most greats opera to Disney?
05:37To make the vending billets?
05:39Or to make the vending billets.
05:40Very funny.
05:41Michy back, that's a good news.
05:44I promised you, and I got the word.
05:46To make it back to Michy, it was all the interest of this exchange.
05:49The only interest.
05:50To start, she never had to be vired by dance school.
05:53And she wasn't supposed to be exchanged against our star.
05:56A chocolate croissant?
06:01Not?
06:02Like me?
06:03Is it true, Madame Labing, that you encouraged the company to make a crime?
06:08No.
06:09Pardon?
06:10I'm not too much.
06:14I didn't encourage anyone to do anything.
06:17That's not what we heard.
06:18Yes, sure.
06:19Eh bien, ils ont du mal entendre.
06:22J'étais à New York, au milieu des klaxons, des coups de feu, des…
06:26C'est un poste important que le vôtre, Madame Lavigne,
06:28directrice générale de l'Opéra français et du ballet national.
06:31Directrice par intérim.
06:33Par intérim, oui, pour le moment, mais si…
06:34Et nous attendons de vous que vous soyez sur tous les fronts des étoiles
06:38jusqu'au menu détail.
06:40Mais je vous assure que c'est le cas.
06:42Cet échange avec New York est provisoire.
06:45Cheyenne sera rapidement de retour et votre femme pourra sécher cela.
06:50Ma femme est morte?
06:51Mais vous avez dit qu'elle a pleuré quand Cheyenne est partie?
06:54C'est ma femme qui a pleuré.
06:55La sienne est morte.
06:57Il y a deux ans.
06:58Vous étiez à l'enterrement?
07:00C'est vrai.
07:02Tellement émouvant.
07:03Les éloges, ils nous ont ramené à la vice.
07:06C'est comme si elle était encore là, votre femme.
07:08Elle me ment tellement.
07:10Euh, il y avait autre chose?
07:13Oui.
07:14Le taureau.
07:15Le taureau?
07:16Le taureau.
07:17Où ça en est, cette histoire de taureau?
07:19Ah, le taureau.
07:21Oui, le problème du taureau a été réglé.
07:23Totalement?
07:24Oui.
07:25Tant mieux.
07:26Oui.
07:27Mais il n'y a aucune inquiétude au sujet du taureau.
07:36Genevieve.
07:37Trespin.
07:38Trespin.
07:39Hummm.
07:41Mouah.
07:42Je ne sais pas que vous êtes dans France.
07:43Oui.
07:44Il y a quelque chose d'ailleurs.
07:45Apelle, l'a dit un éprisonné.
07:46Excuse me.
07:47Il y a des les deux des amis.
07:48Il y a des les deux amis.
07:50Il y a des amis.
07:51Il y a des amis, nous aussi.
07:52Oui.
07:53Il y a du tout le nom.
07:54Il y a des des amis.
07:55Il y a des des amis me disaient que j'aime.
07:57Il y a des des amis.
07:58J'aime, j'aime.
07:59J'aime, j'aime bien.
08:00On peut aussi nous aussi?
08:01Non.
08:02Alors, comment est-ce que vous nous avez ici?
08:03Juste pour nous de la présence de Claire.
08:04Claire ?
08:05Minister of Culture?
08:06Yes.
08:07I know.
08:08I know.
08:09I've met her.
08:10The mood is good.
08:11How is it?
08:12How is it?
08:13Okay.
08:14Can I tell you?
08:15Can I tell you?
08:16No.
08:17Because I'm not sure.
08:18I'm not sure.
08:19I'll try.
08:20We've opened an ice cream shop.
08:22Ice cream shop?
08:23We have a very full time.
08:25Some days ago, we've said that we are a leader.
08:28Our dream can be full.
08:29One minute.
08:30But for the ice cream shop?
08:33That's why we want to open a shop for the Louvre.
08:36And we want to take a special place for the government.
08:39I'm not sure.
08:40For the ice cream shop?
08:42Which flavor tastes like?
08:43I don't know.
08:44Vanilla?
08:45You've said something very much.
08:47So let's go.
08:48Our time is less.
08:49Come on, Jen Jen.
08:51Please, I'll find my name.
08:52We'll meet Krispy.
08:56Ice cream shop.
08:57Anything.
09:03Go.
09:13Can't you have some fruit trees.
09:15Taylor, like French.
09:16Hello so much.
09:17Don't cry so much.
09:18This is what there is.
09:19Hello so much.
09:20Not certain because of our deaths.
09:21We're told the military to the people state.
09:22I'm just four months as long as of the family.
09:24Well, I'm sure we know everybody is directly.
09:25Everything's not good or we don't care.
09:26No it's fine.
09:27Very good.
09:29So much.
09:30Excuse me, are you going to pick up on any other road?
09:46This is not a bus.
09:51How much fun is it?
10:00How much fun is it?
10:04How much fun is it?
10:05How much fun is it?
10:08I love it!
10:09Here we go!
10:13Here we go!
10:15The pride of the national ballet!
10:19Our blessed Michie Duplessis.
10:22Lucien, I have a gift for you.
10:27I wanted to offer something very precious.
10:33These points have belonged to my idol,
10:36the great Sylvie Guilhem.
10:41Michy!
10:42She is where?
10:44She is where?
10:46She is where?
10:48Look!
10:50Look!
10:52Michy, come on!
10:54Michy, Michy, Michy!
10:58What day!
11:00Excuse me, ladies and gentlemen.
11:04For France, it's a star in the future,
11:06but for me, for us,
11:08it's our girl who comes home.
11:11I can't believe that I can finally...
11:14What is this? A jogging?
11:16Jack thought it would be funny.
11:17Let's go.
11:18Let's go.
11:23The talent and the future of Michy
11:26have always been here, in France.
11:28And today, she is back.
11:30Our Michy is back.
11:32As it was written.
11:38We're all happy to find her.
11:40But I don't doubt it.
11:41The old songs?
11:43No, not any one.
11:44They belong to Sylvie Guilhem.
11:46Ah!
11:47I invited Sylvie to dinner,
11:48plutôt.
11:49Flo, Florent,
11:50il est temps de ramener
11:51cette jeune fille
11:53à la maison.
11:54Mais pas un vrai métier.
11:56Mais pas un vrai métier.
12:00Voilà, comme vous pouvez le constater,
12:01l'émotion est très vive ici.
12:02On s'en fout qu'il soit amie avec Beyoncé.
12:04On s'en fout qu'il soit amie avec Beyoncé.
12:07On s'en fout qu'elle écrit une action de recommandation.
12:09C'est quand la dernière fois qu'il en a écrit une ?
12:11Qu'est-ce qu'il a gagné ?
12:12Il a combien de trophées dans ses collettes ?
12:14Parce que moi, j'en ai 37.
12:15J'en ai cinq dans le placard.
12:16Et j'en ai donné un à mon jardinier à Noël.
12:18Mon jardinier est un artiste.
12:20Mon jardin est un artiste.
12:21Mon jardin est un artiste.
12:22Et je fais plus confiance à mon jardinier qu'à celui-ci.
12:24Il a trouvé ces fameux objets.
12:25Il est bidon.
12:26Oui.
12:52Qu'est-ce que t'es pas si fier?
12:54J'y ai rendez-vous avec ça?
12:55Bien, merci.
12:56Oh, pardon.
12:57Je suis Dr. Spare.
12:58Hello?
12:59Je suis venus au dessus du jour et de la parler.
13:00Que veut-ce qu'il le dit ?
13:01Oui, tout ce qu'il est fine.
13:02Il n'a toutiant pas de翻vers.
13:03Je ne sais pas ce que je disais.
13:04Oui, la tonneuse siècle est un homme.
13:05Il y a quelque chose de temps à me aussi.
13:07Il a fait une réalité avec moi.
13:09Il y a Rock, que l'ai battuée,
13:11il y a eu.
13:12Il y a la marque de députée en l'école.
13:13Il y a la hause-t-il et tout ça.
13:15Il y a eu, j'ai d'entrée.
13:16But my attention got stuck in a moment.
13:20I remember that I left my clothes in the house in the washer.
13:23And I also knew that someone would come and keep the clothes on the table.
13:27I didn't like this.
13:29After that, I was surprised by the girls of BTS.
13:32How did they send them to duty?
13:35And how did they do typing and salutes?
13:37How did they do the eggs?
13:39How did they keep the plastic bags here?
13:41And I thought, I got a jump.
13:46Uh, Mappi, uh...
13:56Oh.
13:57Ah.
13:59Dr. Spare, I help all my people.
14:02I will get to go quick.
14:03We'll go with coffee and we'll get a drink.
14:06Yeah, ever.
14:06Bye.
14:11Okay.
14:12Everything is cut off.
14:14I'm going to tell you what's going to be further.
14:15I'm a warrior princess.
14:17I'm a warrior princess.
14:18I'm a warrior princess.
14:19Did you hear it good?
14:20I have packed the color pieces.
14:22I don't have to charge in my headphones.
14:23And I can't do anything because these plugs are different.
14:25I don't have to do anything.
14:26My toothpaste, my soap, my dental floss.
14:28I told myself to buy them.
14:29But I don't have to buy my brand.
14:30And I don't have to buy them.
14:31Toothpaste, soap and euros too.
14:33I don't have to buy them.
14:34I don't have to buy them all.
14:35That's all.
14:36And I'm where?
14:37I don't understand anything.
14:38You're in Paris.
14:39But in Paris, I'm in a bad way.
14:41Look.
14:42Can you tell me where I need to buy them?
14:43No.
14:44What you If I need to buy them?
14:45Oh, I don't eat it.
14:46A life.
14:47You're in Paris.
14:48I'll just buy.
14:49If I live here, I just need to buy them.
14:51I'll draw a car that on myobject.
14:53I'm going to buy Munich.
14:54I'm going to buy them in Munich.
14:55You are so glad it will.
14:56I don't want to buy the trip.
14:57I don't need to buy them.
14:58I keep the triathlon.
14:59I'm not even going to buy them.
15:00Look, you're trying to buy them.
15:01I'm a free and stay.
15:03I think I'll play them for the trip.
15:05So sit on your car.
15:06I don't' like it.
15:07I'm going to buy them.
15:08Maybe you are going to buy them.
15:09You know the car.
15:10I'm going to buy them.
15:11And how do I do that, Jack?
15:13And how do I do that?
15:41I can't get into it.
15:42This is a bull.
15:43And the stage is not wearing a pink.
15:45The pink looks like a pink.
15:46And the pink looks like a pink.
15:48And my main superhero's costume is red.
15:49So change it.
15:50If you are a champion of your superhero's enemies, then okay.
15:51And at 3, you can have a solo performance with a bull.
15:54Can you change your costume?
15:56It's been a long time for you.
15:58The first three days, someone's dress is not supposed to be red.
16:00Our show is 4 hours.
16:02It won't happen.
16:03Francesco, can you change the bull's scenes so that you don't have to go in front of your superhero's enemies?
16:08You don't have to go around.
16:09He's just a little bit.
16:10He's a little bit.
16:11He's a little bit.
16:12He's a young man.
16:13Or, keep the bull's away from the distance, so that he's not going to go forward.
16:17He might not wear a pink.
16:18He might not wear a pink.
16:19I can't wear his hat.
16:20Or you don't always wear a pink.
16:21In the middle of it, this bull's a black, a black woman.
16:23Do you think you can make a pink?
16:25Yes, I've got a pink.
16:27They show you.
16:28They're very short.
16:29You can't even listen to it on his face.
16:32How can you see it?
16:33How do you see it?
16:34How do you see it?
16:35What do you see it?
16:37Josh is, Junoon is,
16:39is the one who is going to collect
16:40This is very good
16:42Very good
16:45Okay, so we need to...
16:46What time was that?
16:48I remember when I was a background dancer
16:50I remember that Josh
16:52and Junoon
16:53I didn't ask him to ask him
16:55I was ready to be prepared
16:57Okay, so as I said
17:00I will send you all the way
17:01I will not be able to send you
17:03I will listen to Samuel
17:03No, I will not
17:04If there is a job
17:06I will not be able to tell you
17:08I will not be able to tell you
17:09No, I will not be able to tell you
17:10Wherever you are
17:11Wherever you are
17:12I will not be able to see the photo
17:13Subways, scaffolding, city bikes
17:14Airport
17:16Billboards
17:17Don't leave one place
17:18What will you do?
17:19MBT or Metropolitan Ballet Theater?
17:21No, not
17:22Cheyenne
17:23Oh, okay
17:24If you feel bad about the performance
17:25We will get more money
17:26Then we will go
17:27Are you ready for the Gala program?
17:29Almost
17:30And Cheyenne
17:31Are you ready for the Gala program?
17:32Are you ready for the Gala program?
17:33Are you ready for the Gala program?
17:35Oh, you are ready for the Gala program?
17:36Oh, you are ready for the Gala program
17:37Partner
17:38I thought you will give Larry
17:39I will give him a strong partner
17:40He will have to do the Gala program
17:41You know
17:42No, Larry
17:43No
17:44Why is he not the Gala program?
17:45He will control it
17:46He is on the Chutti
17:47He is on the Gala program
17:48He will not be able to go
17:49Why?
17:50Cheyenne
17:51Cheyenne
17:52No
17:53No
17:54No
17:55There is any
17:57Oh, we are going to play
17:58Okay, the other question
17:59How much is it possible
18:00to enjoy the drinks
18:01And do any of the people
18:02and do not do the best
18:03Nicholas
18:08That's why
18:09Let's go.
18:10Let's go.
18:39Let's go.
18:40Let's go.
18:41Let's go.
18:42Let's go.
19:09Let's go.
19:10Listen, Ms. Genevieve Levine.
19:11I'm also very disappointed.
19:12I didn't get soap here.
19:13And I was probably going to Germany.
19:15People cry that there will be infection.
19:17So forgive me.
19:18I'm good.
19:19And my line is good.
19:25My mom is very hungry.
19:27Come on.
19:28Come on.
19:29Come on.
19:30Come on.
19:31Come on.
19:32Come on.
19:33Come on.
19:34Come on.
19:35Come on.
19:36Come on.
19:37Come on.
19:38Come on.
19:39I'll take 20 euros.
19:41Do I have some francs?
19:42Do I have some francs?
19:43Take your food and sit in the kitchen.
19:45And I'm very happy to meet you.
19:48I'm a very big fan of you.
20:07I'm a very good man.
20:08And you are amazing.
20:09With all these lights.
20:10Sheyenne Monitoal.
20:11I'm very happy to have been listening to you.
20:12Sheyenne Monitoal.
20:13My mom was bored.
20:14I'm very happy to stop asking me.
20:15I was so happy to ask you,
20:17me.
20:18Nicolaus.
20:19When I worked with you last time,
20:20I didn't work to your face against my face.
20:21Now I'm looking better.
20:22Really, it's better.
20:23You're amazing, right?
20:24This is a huge plan.
20:25Now it's a lot better.
20:26In truth, it's better, isn't it?
20:28It's a great thing for the air pump.
20:29No.
20:30It was like the air pump.
20:33Sheehan, you know Larry.
20:36Not so much. Hello.
20:37Sheehan, this is a very special thing for me.
20:41Very excited.
20:42Sorry, I listened to you about grandpa.
20:44Yes, that's it.
20:45It's been a long time.
20:47It's not been a memorial since we were all fighting together.
20:50We were hoping that we will take a while together.
20:53But there's no tension here.
20:55It's more important to you.
20:56We have to dance with you.
20:57We're out of here, family.
20:58Absolutely.
20:59So start?
21:00Okay, so you both have been doing this dance before.
21:03Just not with one another.
21:04So we play music and play music.
21:08So let's start.
21:10From the beginning.
21:12My God.
21:13This is like a dream.
21:16So exciting.
21:22Stop.
21:23Larry, I'm listening to you a story.
21:28Okay.
21:29When my mother was little, five or six years old, she lived in a small town in the city.
21:37It was a very small town.
21:38It was a very quiet town.
21:39It was a very quiet town.
21:39It was a very quiet town.
21:40It was a very quiet town.
21:41And then, one day, she was murdered there.
21:44It was a bad thing.
21:45Who did that?
21:46No one knows.
21:47It was a very big deal.
21:49Oh, baby.
22:00Oh, yes!
22:02Oh my God, Philip is a murderer.
22:08Oh my God, Philip is a murderer.
22:23What are you doing now?
22:26Oh my God, Philip is a murderer.
22:34Oh my God!
22:36Oh my goodness!
22:38Oh my goodness, Philip, Philip, will kill you?
22:43Oh my goodness, Philip, your brother.
22:45Uh!
22:48Yes, oh my goodness.
22:51We're all tempted to kill you.
22:53Dariinderi ke saath sex karinge haa kyunki abbas yahhi bacha hai
22:57yahhi aqela bacha hai kyunki isne baqi saab ko maara ndala uske liye naam de kiya ise
23:00dekh ho mujhe nini lagta ye koi inaam hai haa bilkul inaam hii toh hai
23:05kyunki yagawao ki saari orto kye saath sex karayga ghano aisa chelta raha
23:09bahes kertee rehe koi maanne ko taiyar nahi tha
23:12aakhir me meri maa ne aapne apron mein haath daala usme se unho ne ganchi nikaali
23:19Oh
23:49It was a man who killed a man, but he was the best dancer.
23:52There was a lot of people who died.
23:54I don't know how it was, it wasn't the police's name.
23:57Larry left his house and left his uncle or auntie.
24:02I didn't understand that story.
24:04I didn't understand that.
24:06Larry is not in the show.
24:07Of course.
24:08So what do you do?
24:09I was thinking about the bird.
24:11Last time he danced with his dad, he knows Larry's better.
24:14If you remember the bird, you remember the bird.
24:16Okay, he's a bird.
24:17If you like the bird, you can dance with his dad.
24:18So what do you do?
24:19We need to kill him.
24:21But this man, because of this man, the man's dead.
24:25But we have to save him.
24:27Don't leave him, kill him, kill him, kill him, kill him.
24:31Then my mother ran away and ran away.
24:34She got his heart in his heart.
24:36She put a sword like a car and put it on her.
24:39She turned around to the house.
24:42She turned around to see everyone.
24:43What a problem.
24:44Then the bird started to see.
24:46What is the problem?
24:47If you know about my mother, you can understand her.
24:50Larry and Bert are our best performers.
24:52I have stood up.
24:53How cold are my circulation.
24:56Fuck.
24:57Look at any partner.
24:59Look at her, she'll be happy.
25:01Okay.
25:02Okay.
25:03That's a problem.
25:04I think he died.
25:05Oh, my God.
25:35Shayne.
25:37Shayne.
25:37Shayne.
25:38Shayne.
25:39Shayne.
26:05You are a male dancer in your heart.
26:07You are a male dancer?
26:09How can I play?
26:11I'm just going to explain.
26:13I can tell them that you are all afraid.
26:15But no, I've heard a story.
26:17That story, when you give people to people.
26:19Who said that?
26:21I didn't say that.
26:23Look, I don't know that you are a great dancer, dance.
26:27That was a tanj.
26:29That means that it wasn't a tanj.
26:31If you want to dance, then you will be right.
26:33You won't go.
26:34It's not a tanj.
26:36I'm not a tanj.
26:38It's a tanj.
26:40You are a tanj.
26:42It's not a tanj.
26:44It's a tanj.
26:46It's a tanj.
26:48That's a tanj.
26:50This is a tanj.
26:52You won't like me.
26:54You won't like me.
26:56You can make your own friends.
26:58You will also be all alone.
27:00Either you,
27:02Bat Khatam
27:19Vendez-vous
27:32Jovenezo, nous, nous aimions le temps d'une chanson de votre vie qu'un amour, de l'amour, de vous-en-moi, vous-en-moi, vous-en-moi, vous-en-moi.
28:02Nous, nous aimions le temps d'une chanson de votre vie qu'un amour, de l'amour, de l'amour, de l'amour, de l'amour, de l'amour, de l'amour, de l'amour, de l'amour, de l'amour.
28:32Je le mettrai dans votre chambre. Je vous fais un escouille.
28:36J'ai besoin de rien.
28:37Vous l'avez demandé, c'est-à-dire une escouille ? Je suis en train de le préparer.
28:41Bien, faites-le avant le décorant, s'il vous plaît.
28:44Oui, madame.
28:44Timmy ? Timmy ! Ma petite Timmy ! C'est pas vrai !
29:07Maman ! Papa !
29:12Qu'est-ce qu'il y a ? C'est quoi le problème ? Simi.
29:15C'est Simi.
29:15Oui, et alors ?
29:16Tu m'avais dit qu'elle était morte.
29:18Non, pas du tout.
29:19Tu m'as téléphoné, tu m'as fait sortir de répétition, tu m'as dit que Simi était morte. J'ai dû prendre des calmants.
29:23Pourquoi tu lui as dit que Simi était morte ?
29:25Ben, c'est pas le cas.
29:26Elle est là, c'est elle, dans mes bras.
29:28C'est Elga qui a dû te dire ça. Elle était toujours à côté de la plaque.
29:31C'est qui, Elga ?
29:32La nounou.
29:33Ma nounou s'appelait Fiona.
29:34Oh, c'est elle qui est morte.
29:37C'est ça, Fiona est morte.
29:39Fiona est morte ?
29:40Oui, mais Simi va très bien.
29:42Enfin, il y a un problème avec les selles de Simi, mais Viviane t'expliquera.
29:47Et les paparazzis ? Qui les a prévenus ? Qui leur a dit quel vol je prenais ?
29:50Mais Mushi, c'est un événement, mon cœur, le retour de la fille prodigue.
29:53Je suis pas une fille prodigue, papa. On m'a virée ici, alors je suis partie bosser là-bas et on m'a renvoyée ici.
29:58Oui, enfin, ce n'est pas l'histoire que recommande l'attaché de presse.
30:00On a rendez-vous avec elle dans 30 minutes, il ferait bien de te changer.
30:03Viviane, c'est quoi le problème avec les selles de Simi ?
30:06Elles sont très liquides, il faudrait changer son régime.
30:11Oh !
30:12Il se bourrait quand tu te disais d'un jour, Darlaque-Marie.
30:15Il s'est pas la même chose, il s'est fait le make-up.
30:18Il s'est fait le même chose, mais il s'est fait le même chose.
30:20Non, il ne s'est pas là, Ruko.
30:22Il s'est fait le même chose.
30:24Il s'est fait le même chose, je n'ai pas le même chose.
30:26Il s'est dit, il s'est fait le même chose, il s'est fait le même chose.
30:29Non, il s'est fait le même chose.
30:31Il y avait beaucoup de gens.
30:33Ok, Laisseviter, Swanlek, Viennose.
30:38No, no, qu'il vous a dit?
30:40Sorry.
30:41Il s'est moins frise une chose.
30:42Slippin beauty ?
30:43Un minu, playla.
30:44Il s'est déprimé .
30:45Oh, vraiment !
30:46Tu devrais ver la même chose.
30:47C'est juste le pro-log, je n' Het n'est pas le même chose.
30:49Il s'est dit, il s'est pas vu, il s'est pas le même chose.
30:52Il s'est donné fait les des peuples et les deux premiers.
30:55Oh.
30:56Ha.
30:57Look at that.
30:58Let's zoom through the window.
31:03Oh.
31:05Look at that.
31:06Look at that.
31:14Hello.
31:25Here we go.
31:28Okay.
31:29Sure, here we go.
31:34We will see you did that in the presentations,
31:38we will see you sad.
31:41Really weird.
31:43Ah!
31:44No.
31:45Okay everyone, it's better, we progress, slowly but surely.
32:11But slowly.
32:13Well, it's done for today.
32:19Hello, Vincent.
32:21It's not good.
32:23Hello everyone, place the bars in the center, please.
32:27Go, quickly.
32:33Come on, come on.
32:35Thank you, it's a pleasure to...
32:37Ah, this is an infant gâté.
32:39How cool is life when we don't have the rules?
32:41She has to dance to New York, it's not good.
32:43It's not good.
32:45It's not good.
32:47It's not good.
32:49It's not good.
32:51You're better, sir.
32:55I'm not good.
32:57I'm not good.
32:59You're better.
33:01I'm not good.
33:03I'm not good.
33:05I'm not good.
33:07I'm not good.
33:09I'm not good.
33:11I'm not good.
33:17Thank you, ma'am.
33:19You're welcome.
33:21You're welcome.
33:23You're welcome.
33:25You're welcome.
33:26You know who I am?
33:27How do you know?
33:29I'm good.
33:30I'm not good.
33:31I'm good.
33:32I'm good.
33:34You're welcome.
33:36I mean, which you are right here,
33:38you're right here.
33:39I'm good.
33:40You're welcome.
33:41Hello, ma'am.
33:42I'm good.
33:44Why do you know?
33:45I'm so happy.
33:46I am.
33:47You're welcome.
33:49You know who I am?
33:50You are right.
33:51Do you know who I am?
33:53You should marry.
33:54I
34:24Do you want anything?
34:25No, nothing.
34:26Shit.
34:27Do you want to come back?
34:28Why?
34:29Because I'm telling you.
34:30Oh, so the superstar had a wall and I had to admit it.
34:33Yes.
34:34Take a break, girl.
34:36Oh, another break.
34:37Goodbye.
34:39What do you want?
34:40You miss it.
34:41No.
34:42Come on, girl.
34:43Your dreams are big.
34:44You want to be famous.
34:45And it seems to be famous.
34:46And it seems to be famous only because of it.
34:49You're famous.
34:50I know.
34:51I saw it in the past.
34:52It's so good that I didn't say it.
34:53I'm just a crowd answer and you know it.
34:55No.
34:56You're a tea bag.
34:57Tea bag?
34:58Just inside, outside, inside, outside.
35:00Why don't you smell the flavor well?
35:02Oh, God.
35:03If you work hard, you'll reach the top.
35:05And you'll know it.
35:06It's the best.
35:07I want a partner who's a man.
35:09The theater and Larry are just like a fool.
35:12Bird and Larry are the best performance.
35:14They're green peppers.
35:15I want red peppers.
35:16Did you ask Jack?
35:18Absolutely.
35:19I'm very happy to hear it.
35:20Bullshit.
35:21That's me.
35:22You're perfect.
35:23Then you're perfect.
35:24Listen.
35:25Dance is a lot of shock.
35:26I don't understand.
35:27But I don't have my life.
35:28I'll come back with you.
35:29I'll wait for you.
35:32I'll wait for your call.
35:36I don't have a number.
35:37Good afternoon.
35:38I'm in the Lincoln Square of Bode live.
35:40Here is a joint press conference from the world's friends from the first world's
35:42ised institutions from the top of New York's Metropolitan Ballet Theatre and Paris's Ballet national.
35:51with the Metropolitan Ballet Theatre of New York and our dear Ballet National.
35:57This famous exchange of talents dominates the conversation of cultural circles here in France.
36:21Hello, Genevieve. Are you listening to me?
36:23I'm listening to you, Jack. Hello, New York.
36:26Hello everyone. I'm here in Paris.
36:28I'm Genevieve Lavigne, Director General of Ballet National.
36:51I'll be coming back.
36:52I'll be coming back as soon as you get a new energy from Paris You get a new energy from New York.
36:59You have much time for this.
37:01Do you remember this?
37:02Well, I repeat, this exchange is provisor.
37:05It's indiscutable and there's never been any questions.
37:09This idea was very powerful and I've heard a lot of things.
37:14Forever I'm sure I'm not convinced.
37:16I remember a few years ago that I didn't suggest it to him.
37:18Really?
37:19I don't remember anything.
37:20I suggested it to your boss.
37:21But when I was responsible for it, they didn't tell me.
37:24We'll probably forget it.
37:25It won't be possible.
37:26There's something that can happen.
37:27Maybe you haven't told it.
37:29Whatever it is,
37:32we're all here today, right?
37:33Yes.
37:34I would like to introduce you to the American artists
37:37who have the ability to join the Paris company.
37:40First, I would like to welcome you to the Etincelante Michy Duplessis.
37:45Or rather, I would like to say,
37:46good return among you, dear Michy.
37:52The dance is his way of expression.
37:54We also welcome the renowned renowned Tobias Bell.
37:59Tobias.
38:00What would you like to share with us today?
38:03I don't get a Crest toothpaste here.
38:05Before I start my work,
38:07I don't want to get all my personal things.
38:09And I really don't want to sing.
38:11Thank you, Tobias.
38:12Back to you, Jack.
38:14Thank you, Genevieve.
38:15And I would like to speak to you,
38:17Leobache, Robert Deville,
38:19and Marion Laurent,
38:20who came to Paris.
38:21Oh!
38:22What am I forgetting?
38:24Oh!
38:25Yes.
38:26Ballet, Chantoussant.
38:28Chantoussant.
38:30Now, you can ask your questions.
38:33Hello?
38:34We are live?
38:35Hello all.
38:36Hello all.
38:37Bonjour, Missami Francai.
38:39What are you doing?
38:40What are you doing?
38:41What are you doing?
38:42What are you doing?
38:44What are you doing?
38:45What are you doing?
38:46What are you doing?
38:47What are you doing?
38:49What are you doing?
38:50What are you doing?
38:51What are you doing?
38:52What are you doing?
38:53What are you doing?
38:54What are you doing?
38:55What are you doing?
38:56What are you doing?
38:57What are you doing?
38:58My friends and sisters are here.
38:59What are you doing?
39:00How are you doing?
39:01What are you doing?
39:02What are you doing?
39:03What are you doing?
39:05My friends and sisters,
39:06I am very happy.
39:07Pink!
39:08Pink?
39:09Pink?
39:10Thank you, Crispin.
39:12And hi everybody.
39:13I'm happy to be here.
39:15Mr. Mia.
39:15Is this your hope,
39:17Crispin Chamblee andした family,
39:18Mr. Schulda will have a smile?
39:19I am very happy.
39:20Now, I have been so surprised.
39:21I want to ask them.
39:22I have been so mad.
39:23I have never asked her.
39:24How did Pink seem?
39:25and i wish you all the best
39:53krispy thank you pink new year ke liye milte hain
39:57to hama jaazat leete hain dosto ab hum milenge pehle ke de
40:03or thank you crispin haa kya baat hai khatm karne se pehle
40:08mein local press ko batana chahun ga ki
40:10aaj se tien hafthe baad humara annual fall gala hai
40:14jis mein aap miss tusson ko pank saal baad new york mein perform
40:18karte dekh pahengue wo perform karengi kristopher wielden ke bound 2 mein
40:22aur unke partner ka naam hum baad mein batayengue
40:24mein kuch kehsatthi ho jack shane tum kuch kehna chahthi ho haa please
40:29ok shane tusson aapko kuch betana chahthi ho
40:34shane
40:35shane
40:37mein aap sab ko yeh batana chahthi ho ki aapko
40:39mire partner ka naam jaanne ke liye inntazaar karne ke koji
40:42zharat nahi hai
40:43uska naam abhi bata sakti ho
40:45lekin maane jen aadmiyo ko maara tha unka kya
40:47mein perform karungi bound to gail rodriguez ke taf
40:52ee tumne suna
40:53yeh tumhara naam lere rahi hai
40:54ish liye tum kaam pard nahi aaree thae
41:01mujhe laga jil me thae
41:03show ke liye tayyar ho jau gal
41:05aachha performance nahi hai
41:07paro se ki laike nahi hai
41:09tumhara to banga hai na usse
41:10kahaan se khis kar ali hai usse
41:12thank you everybody
41:13aur kya koi mujhe batayega ki
41:15yaha aachhi ekspreso kaha miltii hai
41:17yeh mazak nahi hai
41:19thank you
41:21ish announcement ke liye shane
41:22yeh kafi dilchesp hooga
41:24aur aap sabay uske liye shukriya
41:26janaviv tum paris se bai bolna chao ghi
41:28no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
41:58Hi, guys.
41:59Come on.
42:00Come on.
42:01Come on.
42:02Hello?
42:05What are you doing?
42:21Hello?
42:22What are you doing?
42:27Hello?
42:28I'm asking you something.
42:30You're an American?
42:32Criographer?
42:33Mr. Top Gun?
42:34What?
42:35I asked you something.
42:36But I didn't hear anything.
42:38What are you doing?
42:40I'm checking the floor.
42:41I'll go back.
42:42The floor is big.
42:43I told you to go back.
42:44What are you doing?
42:45I have a space.
42:46How did you feel this floor?
42:50It's up.
42:53Something more.
42:55I have a space.
42:56I have a space.
42:57I have a space.
42:58I have a space.
42:59But I don't understand.
43:00How are you going to meet?
43:01What are you doing?
43:02You don't understand.
43:03Go here.
43:04Listen.
43:05I've danced on the floor.
43:06That's very good.
43:07I can dance anywhere.
43:08Anywhere?
43:09You know.
43:10Do you know, when I was young, I was young, in the woods, in the woods, and in the woods,
43:20I was dancing on the streets, and this was me.
43:22But now, see, everything I have, I will become a hero from zero.
43:25Transparent.
43:26Do you speak French?
43:28No, I don't speak French.
43:29Do you like it?
43:30Yes, I speak tiny, tiny food in French.
43:32What do you say in French?
43:34Today, it's your lucky day, Mr. Tiny Dancer.
43:37Tell me if it's wrong or not.
43:39What?
43:40Look at my dance.
43:41I don't have enough.
43:42That's why, just look at your dance.
43:44I'm going to see your dance.
43:46What?
43:47You land very heavily.
43:49Just a little.
43:50Your posture is good, but you feel like you're in a mood every time.
43:53How do you become a hero?
43:54If you're on the left side, that means you had a problem in the right side.
43:57Hamstring?
43:58Ankle.
43:59Show off.
44:00Triple cabriol was only two.
44:02Let's leave this.
44:03There's a lot of things.
44:05What do you call your name?
44:06Maverick.
44:07Gabon.
44:08What do you call your name?
44:09Maverick.
44:10Gabon.
44:11What do you call your name?
44:12Maverick.
44:13Gabon.
44:14Maverick.
44:15Gabon.
44:16Comment have you called your name?
44:17You're cool.
44:19What do you call him?
44:20You're so great.
44:21I mean…
44:22I want you to give him some flowers and talk to me.
44:37The American Maverick, I work with him.
44:39He's for me.
44:41You want to say Tobias?
44:43The chelou.
44:44The statue.
44:45Did you meet him?
44:46He came to see me.
44:47He said he wanted to work with me.
44:48Oh yeah.
44:49He might not be like that.
44:52But you met him?
44:53Yes.
44:54I want to work with him.
44:55Talk to him.
44:56Let's do it.
45:00Please.
45:04I'm going to think about it.
45:05I'm going to take care of my right hand.
45:06How long have I told you?
45:08I'm going to talk about it.
45:09I want Léo.
45:10He's good with the chelou.
45:19So i've turned the Holly in some miss.
45:21Now you'll go so I can take care of her family.
45:22Do you have any chance?
45:23Come come on!
45:24Go on.
45:25Go!
45:26Hey, hey, hey, hey!
45:27Come, come, come, come.
45:28Go, go, go!
45:29Oh you got home!
45:31Come, I'm pontiah.
45:32Come, move!
45:33And come.
45:34Hit!
45:35Hit!
45:36Hit!
45:37I'm hit!
45:38On hit!
45:39To win, 손,!
45:40Five, two, three, six, hit, hit, hit!
45:42I'll finish my job.
45:44Hi everyone!
45:46Good to see you, Caroline, you look good at your class. You're pregnant, right?
45:52And you too, right?
45:54First of all, we'll start with a big and gentle tempo with Pilius.
45:58Left hand bar, and one, and two.
46:08Up from the top.
46:16Turn to second.
46:22Hands up.
46:28Up, and go to the top.
46:34The second round is back.
46:38I've been waiting for a quarter and half.
46:40I'm going to sleep with a half a hour.
46:42I'm going to sleep with a half a hour.
46:44I'm going to sleep with a half a hour.
46:46Let's go.
46:48Let's go.
46:50Let's go.
46:52I'll be back.
46:54Here we are, stuck by this river, you and I, underneath the sky that's ever falling down,
47:21down, down, down, ever falling down.
47:28Through the day, as if on an ocean, waiting here, always failing to remember why we came,
47:49came, came, came, I wonder why we came.
47:56Hey.
48:03I, I, I, I, I, I, I.
48:10I like you
48:40The silk of your full lips can speak
48:43And with the sunset's voices blend
48:48In the open air our bodies leap
48:52And like a falling leap
48:56Into the night the sand
48:59And even angels have they wait
49:04To say you are gone
49:08Not through earth but the fast ray of dawn
49:13And when the birds with your voice sing
49:16With childlike faith I will run
49:19To meet your light in the rising sun
49:24Or something like your eyes will see
49:29The wind and the sand
49:33The rainbow's colors that never end
49:39Into life you can bring
49:45Bring every air and fear
49:49And even angels have they wait
49:54To say you are gone
49:58Not through earth but the fast ray of dawn
50:03And when the birds with your voice sing
50:06With childlike faith I will run
50:10To meet your light in the rising sun
50:14The paintéeream
50:27Theimore Ilsots
50:28The Kernond
50:29Theheure
50:32Therà
50:32The знак
50:33Thezeniu
50:33The deer
50:35The Schule
50:35The
50:37The
50:37Sand
50:38The
50:39The
50:39The
50:40The
50:40The
50:41The
50:41The