LOVE AT FIRST SIGHT? ππ Meet Meem, a young and vibrant girl who's about to experience the magic of love! Watch Episode 19 of Meem Se Mohabbat to see how her life changes forever! #MeemSeMohabbat #Episode19 #PakistaniDrama
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''WELCOME TO [ENTERTAINMENT WORLD],YOUR ULTIMATE DESTINATION FOR INTERNATIONAL DRAMAS!
π YOUR ULTIMATE DRAMA HUB! π
GET READY TO BINGE-WATCH THE MOST ADDICTIVE PAKISTANI π΅π°, KOREAN π°π·, AND TURKISH πΉπ· SHOWS THAT WILL KEEP YOU ON THE EDGE OF YOUR SEAT! πΊπ
NEW UPLOADS DAILY! π π STAY UP-TO-DATE WITH THE LATEST EPISODES AND NEVER MISS A MOMENT OF YOUR FAVORITE DRAMAS! π
DON'T MISS OUT! FOLLOW ME AND JOIN OUR DRAMA-LOVING COMMUNITY! π
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FunTranscript
00:00He is our friend. He knows what he's going to do. He needs to be done.
00:07This? This is not a love? This is not a love? This is not a love?
00:13Please, don't you?
00:18If you are with me, 25 February, at 8pm.
00:22what is this love? This is not a love?
00:25I don't know, don't you?
00:27I don't know, don't you?
00:29You're some love.
00:33I don't know.
00:36I don't know or do you?
00:43You are, and you should be.
00:54Asallah, my son, give me a hug.
00:57That whoever is, he will start looking at it.
01:01And leave it from love.
01:04All of you, Naveed Sahibah,
01:06who loves love,
01:08who loves love,
01:11What do you love? You don't even know the meaning of love.
01:19What did I say to you about your engagement?
01:23What was the reason I told you?
01:27How did you tell this story to an intern at your office?
01:32What do you think?
01:34You don't see anything, you don't see it. You don't see it.
01:40You don't see it. You don't see it.
01:44You don't see it.
01:46Wow!
01:47My mother, my father, I feel that you have been praying for the rest of us,
01:52which has changed so much.
01:55I feel so happy you are.
01:57Mashallah!
01:59Where is the relationship between the people who wrote the book and wrote the book?
02:04And now, you are taking your career so seriously.
02:08You are going to the construction site with the Talha.
02:10You want to learn the work.
02:12You want to study the work.
02:14I want to give you the work of God.
02:17Mashallah!
02:18Have you ever tried to acknowledge this change?
02:23What do you mean, Baba Ji?
02:27I didn't understand anything.
02:29Because of this change of change, the person should also be thankful for him.
02:38Who is that?
02:42I am talking about Talha.
02:44I am talking about myself.
02:53and writing a lot of time,
02:56Roshi's love for learning and career
03:01is the shock of Tala's cause.
03:08What I'm saying is that you are saying?
03:14Yes, I feel that Roshi Tala's love.
03:23I don't know about Tala, but during the marriage of the month, I have this idea that Abid
03:32also loves Tala for Tala.
03:37But how can this relationship happen, Baba-jaan?
03:40She has a child with her, whose full responsibility is on her.
03:44That's right, Sadaf.
03:46How can she handle such a big responsibility?
03:50Roshi is a child, right?
03:53You both have read and read.
03:55In the 21st century, you don't do such a big deal.
04:07The love that only the feeling of Roshi has been created in Roshi,
04:16how can it be?
04:20I don't know.
04:23I don't know.
04:25I don't know.
04:28I don't know.
04:31I don't know.
04:34I don't know.
04:36I don't know.
04:39I don't know.
04:41I don't know.
04:42I don't know.
04:44I don't know.
04:45I don't know.
04:47I don't know.
04:49Roshi will be in Roshi's relationship with Roshi.
04:52So my goal is to think about it in a moment,
04:57in a moment, yes.
05:03The person will be a better person.
05:52Oh, sir. Thank you. You have sent me a side. I have learned a lot today.
06:18You look at me, you take your time and your studies.
06:22You can get an internship and a job.
06:26What do you mean, sir? You're leaving me from the office.
06:32Yes. I don't have to do that in our office.
06:40I don't have to come from tomorrow.
06:44I don't have to come from tomorrow.
06:48I don't have to come from tomorrow.
06:52I don't have to come from tomorrow.
06:54I don't have to come from tomorrow.
06:56I don't have to come from tomorrow.
06:58I don't have to come from tomorrow.
07:00I don't have to come from tomorrow.
07:02I don't have to come from tomorrow.
07:04And who have you put in your mouth?
07:06Sabyika has put in your mouth?
07:07Sabyika has put in your mouth.
07:08Ayat, my office is not a theater where you have stood up yesterday.
07:12Sir, I have not done anything.
07:14Sabyika has put in your mouth.
07:16If he has put in your mouth,
07:18he has put in your mouth too.
07:20Enough.
07:23It will be very much.
07:25I have not done interfering with your friends in your own lives.
07:30That selfish girl is your friend.
07:36Who loves Mohit and not uncle.
07:39First and after warning.
07:42Stay out of my personal life.
07:46My father and Mohit,
07:49leave my family.
07:51And keep working from your work.
07:54Today, I'm telling you.
07:56Tomorrow, I don't have to do anything.
08:08You are such an amazing man.
08:11You are like,
08:21You love your love.
08:23You lord your naked face.
08:25It's changed to my mom.
08:27Everything changed in your mind
08:29that you didn't like.
08:31But you don't have any reason for it.
08:32You don't have any good attention to me.
08:39And that's the selfish girl who hurt you.
08:42Her heart of my husband and my uncle.
08:44She has such a great idea.
08:47What are you talking about?
08:52Are you in your mood?
08:53Yes, I'm in your mood.
08:54I'm in your mood.
08:56I'm in your mood.
09:09You're not capable of being able to.
09:13Look at your life
09:15and think about what you're saying.
09:17You're not capable of being able to.
09:18You don't have a feeling.
09:18You don't have to.
09:20What are you doing?
09:21You don't have to.
09:22What are you doing?
09:22No.
09:23You don't have to.
09:23What are you doing?
09:24What are you doing?
09:25What are you doing?
09:26Why do you think that you do anything and say anything?
09:31Neither do you think about yourself, nor do you think about yourself,
09:35but I will not be able to make myself proud of you.
09:56Why do you think that you do anything and say anything?
10:08Don't worry, your heart is a fool, understand.
10:26If you look at yourself, look at your eyes.
10:34Every day, I'm looking for you.
10:41Why do you think that you want me?
10:47What do you think about yourself?
10:54In the love of love, this is just the work that you do.
11:02But this story is complete.
11:24It's the first and the last few days.
11:38Stay out of my personal life.
11:42But tomorrow, it's your dream.
11:44It's not today or never.
11:46It's not today or never.
11:48It's not today or never.
11:50It's not today.
11:52It's not today or never.
11:54It's not today or never.
11:56It's a nightmare.
12:06It's not today or never.
12:08It's not today or never.
12:10You don't have the power of love, right?
12:15I have changed your head from your head.
12:20I have changed everything that you didn't like,
12:23but you don't have the power of love.
12:25You don't have the power of love.
12:29I am very wrong with you.
12:34You don't have the power of love.
12:40I know the power of love.
12:44That's why I have abandoned myself.
12:47So you can get the power of love,
12:50which you deserve.
12:54What will you do with a human being?
13:10Oh, my God.
13:40Oh, my God.
14:10Oh, my God.
14:40Oh, my God.
15:10Oh, my God.
15:12Oh, my God.
15:14Oh, my God.
15:16I'm a little girl.
15:18Baby, I'll go.
15:20Baby,
15:24I'll do all the work with you.
15:30I'll do all the work with you.
15:32I'll do all the work.
15:34I'll do all the work with you.
15:36I'll do all the work with you.
15:38Oh, my God.
15:40Oh, my God.
15:42I'll do all the work with you.
15:44I'll do all the work with you.
15:46I'll do all the work with you.
15:48I'll do all the work with you.
15:50Oh, my God.
15:52Oh, my God.
15:54I'll do all the work with you.
15:56I'll do all the work with you.
15:58I'll do all the work with you.
16:00I'll do all the work with you.
16:02I'll do all the work with you.
16:04Oh, my God.
16:06I'll do all the work with you.
16:08Yes, I'll do all the work with you.
16:10I'll do all the work with you at 8 o'clock.
16:12And until 8 o'clock,
16:14you'll do all the work with me.
16:16I'll cut my money.
16:18I'll cut my money.
16:20I'll cut my money.
16:22My mother, my brother and my sister
16:24is my icon.
16:30You live with your mother?
16:32Who is your daughter?
16:34Where is your daughter?
16:36Where is she?
16:38She didn't get married.
16:40Where did she come from?
16:53So, the kids?
16:54Pupo.
16:55Ranu tells you to your children.
16:59To your children?
17:01Do you have a child?
17:03B.B.G.
17:07Let's go.
17:08I'll leave her.
17:09Let's go.
17:17Stop.
17:20How many good acting have I done?
17:22Good acting?
17:24Stop.
17:25I'll come.
17:26It's okay,
17:27you'll be right back.
17:28I've been sitting at my office.
17:30That's fine.
17:32I went to see him.
17:33I'm pretty.
17:34I'm not trying to see you all.
17:35It's too difficult to look at your bones.
17:38If you've given your script,
17:39you'reifting yourself.
17:41Okay, so if you've got your own place.
17:42I'll move on.
17:44Shut up.
18:14You didn't see such an important meeting in today's meeting.
18:21There's also a feedback on our new design proposal.
18:27I'm not so important,
18:33because you've said something to me about it.
18:37She won't come to the office.
18:39Let's talk about the work.
18:45What did you get out of it?
18:51Let's go.
18:53You've got something to pay for your friend.
19:02You didn't have a very good CL.
19:06You didn't have any interest in your life.
19:12If you look for 4 days,
19:14you will also come to the rest of the people.
19:17What a big issue is,
19:18if you know that you're with your age of age.
19:22What do you get out of that age?
19:24What do you get out of that age?
19:26Your name, your reputation is wrong.
19:30After all,
19:32Your friend, your boyfriend, your boyfriend, your son,
19:34what do you get out of that age?
19:36What do you get out of that age?
19:38What do you get out of that age?
19:40Look at this.
19:42Sure.
19:43Sure.
19:44I got a job.
20:01Package is also good.
20:12Let's go, finally, you will have to solve your problem.
20:17Now we have time for another question.
20:20Did you edit those CCTV videos?
20:25Edit?
20:29No edit.
20:31In that video, the colors are also filled.
20:34All the package is prepared.
20:36What else?
20:38Your ex-girlfriend will also be in this moment.
20:41That maybe in the party,
20:43your ex-girlfriend will be in this moment.
20:45Your ex-girlfriend will also be in this moment.
20:47Do you like this?
20:48Your videos will send you.
20:52It's the time of use.
20:54You will be sitting on your hands on your hands.
20:57If I'm in this place,
20:59then when I'm in this place,
21:01when I'm in this place,
21:03it will be the entire world.
21:05That's why you're not in my place.
21:10The real time is when you're in this place,
21:12when you're in this place,
21:14when you're in this place,
21:15you're in this place.
21:17Check it out.
21:18I've emailed you.
21:20If you need to feel it,
21:21you can't wait for it.
21:22I know.
21:23I'll see you.
21:24I'm in this place.
21:25I'll see you again.
21:26I'll see you again.
21:27I'll see you next time.
21:28I know you're in this place.
21:30You should see the next slide.
21:31I know.
21:32That's why I'm here.
21:33That's not a good thing.
21:34I know.
21:35I know.
21:36I know you're in this place.
21:38I don't wanna show you.
21:39I can't wait for it.
21:41I know.
21:43I know.
21:44I'm here.
21:45You know.
21:46I know.
21:47Now when the boys and girls went back to the toy store, they saw all the toys there.
22:13Tommy plays the trombone. Donna loves to dance. Richard is the richest with a penny in his pants.
22:29Harriet is hard to find. She hides in silly places. Yipper loves to sit around just making foolish faces.
22:38Papa, Pika, Aunty, Rosh. My friend, Papa, Mary, Rosh.
22:57Mohid, children don't do such things. Where are you learning these crazy things?
23:06I've never heard such things like you. Okay?
23:16Mohid, you're a good boy. Don't do such things.
23:24You're a good boy. Close your eyes and try to sleep.
23:28Don't be late. Close your eyes and I'll tell you a story.
23:32I'll sleep. Okay?
23:34You're a good boy.
23:35You're a good boy.
23:36And if you fill the quiΓ©n.
23:37No love.
23:38Hang on.
23:40geometry.'
23:41My soul is very sinful.
23:42You're a good boy.
23:43Anytime.
23:44γ‘γ―
24:04Oh, my God, you're sitting here, I've been looking for the place in your department.
24:32I didn't have a mood for my class.
24:34Let's go. We have to go out here.
24:36I don't have a class today.
24:38It's not my mood.
24:40Don't be such a bore, man.
24:42Delhi has to know your man's internship.
24:45And today, it's the mood.
24:47Samira, please go wherever I have to go.
24:50I just want to be alone for a while.
24:52What happened, Roshi?
24:54You're being disturbed.
24:56I've never seen you so serious today.
24:59I've never seen anything.
25:00You're not serious about life.
25:02I've never seen anything in life.
25:06You're hiding something from me.
25:08Tell me.
25:09I'm not hiding anything, my mother.
25:11Leave me alone.
25:12Where you go, leave me alone.
25:14Leave me alone for a while.
25:29There's no way there.
25:30I have never seen anything.
25:31I am not lying about that.
25:44I have never seen anything.
25:45I have never seen anything about this.
25:46What about you?
25:47I have not seen anything about you.
25:48How much did you buy something?
25:49How much did you buy something?
25:50You have not even bought some from you?
25:53How many girls run away from your house?
25:54You're running out of the house,
25:57they're like a man.
25:59What are you saying?
26:03Look, baby, you're not going to be wrong.
26:06I'll be doing my second marriage for Rohail.
26:10Now my son will be going to be a daughter of the young man.
26:15Your Rohail is which one of the land of the Mughal?
26:19What is Rohail's situation in your Rohail's situation
26:21that you need for it.
26:23A small house of furniture
26:25and this place of four houses.
26:28You need to thank you
26:30that you married Rahel in such a big house.
26:33With such a girl,
26:35she has such a lot of money.
26:39A big girl.
26:40A dumb girl.
26:42Four dumb brothers and sisters
26:44have killed Rahel.
26:46Aunty,
26:48I've also known you before.
26:50Whatever you want to say,
26:52but for my brothers,
26:53there's no one word.
26:54If not, what would you do?
27:01Aunty,
27:02you didn't say this.
27:04What is it?
27:06It's wrong.
27:07If you go away,
27:08you'll get out of the house.
27:10Rahel,
27:11you're crazy.
27:13Yes!
27:14That was the fruit.
27:17What's happening?
27:18Where did you go?
27:19What is the fruit?
27:20What's happening?
27:21What's happening?
27:22Begum, say.
27:23What?
27:24What?
27:25My Little Mole.
27:52Hi, Bobby.
27:55Where are you, uncle?
27:57Not any phone, not you.
28:01It was a little busy.
28:03You're going to have exams.
28:09Uncle, how are you?
28:11I miss you very much.
28:13Come on.
28:18Uncle, I can't come here.
28:20Why?
28:22Ah, because of the exam.
28:27No, there's no other thing.
28:31Look, you've never given me any update for the office so many days,
28:37nor any report for everyone.
28:43I'm not going to the office, uncle.
28:45Why?
28:47Something happened in the office?
28:49Why did you leave the office?
28:52I didn't leave the office.
28:54They left me out.
28:58What are you saying?
29:02They left me out.
29:05They left me out.
29:07They left me out.
29:08They left me out of the house.
29:10They left me out.
29:12They left me out.
29:13They left me out.
29:14This house is not just my house. It's my house and my husband and my husband.
29:21And you can't meet both of us.
29:25I can see this house differently.
29:29Come on, go straight to my house.
29:33I'm sorry, I can't come here.
29:36After that, I don't want to break this house.
29:40This house is our house.
29:44I'm sorry.
29:56What is this house?
29:59What is this house?
30:06Oh, my God.
30:20I'm coming to you.
30:22I'll tell you.
30:24I'll tell you.
30:26I'll tell you.
30:28Daddy called?
30:30Yes.
30:32I'm calling for a call.
30:34I'm telling you.
30:36I'm telling you.
30:38I'm tired.
30:40I'm tired.
30:42I'm telling you.
30:44I can't leave you alone.
30:46I can't leave you alone.
30:48Come on, honey.
30:50I'm a little child.
30:52I'll leave you alone.
30:56You were thinking about your love.
31:00If you're interested,
31:02tell me.
31:04I'll leave you alone.
31:06I'll leave you alone.
31:08Otherwise,
31:10there are very good friends.
31:12Thank God.
31:14You've got a great job.
31:16Yes.
31:18After some months,
31:20I'll leave you alone.
31:22I'll leave you alone.
31:24Now,
31:25your career
31:26is on the right track.
31:32Mother,
31:33I like a girl.
31:34You can take her home.
31:36Who is she?
31:38And how do you know her?
31:42Mother,
31:43I'll leave you alone.
31:45My friend,
31:46I'll leave you alone.
31:47We met a couple of friends.
31:49My family.
31:51I'll leave you alone.
31:53I'll leave you alone.
31:55I'll leave you alone.
31:57You should know that
31:59your relationship is my relationship.
32:01You can tell me.
32:03And tell me,
32:05that you've seen a girl
32:07and you've seen a girl.
32:09My son,
32:10you're telling me.
32:11Why are you telling me?
32:12Why are you telling me?
32:13You're telling me,
32:14you're telling me,
32:15you're telling me.
32:16Well, Mother.
32:17Now,
32:18you've got to ask me
32:19for this time.
32:20You've got to marry me.
32:21You want me to marry me?
32:23So,
32:24do what I'm saying.
32:25Mother,
32:27I really want you to sing.
32:29You don't need a good word.
32:31You don't need a good word.
32:33Just like I'm saying,
32:35just like that.
32:36Just like that.
32:38You'll tell her
32:40that you've seen your son
32:41Arsalan Khan's relationship
32:42in the text.
32:43You've seen her
32:45in the text.
32:46You've seen her friend
32:47Sambra's daughter
32:48in the wedding of Hira.
32:50And you went to the wedding
32:53to the wedding.
32:55Okay?
32:56Okay.
32:58Okay.
33:08you're fitting?
33:09Okay.
33:10Okay.
33:11Okay.
33:12Okay.
33:13Okay.