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Super Diva Episode 5 | Reality Show | 5 May 2025 | HSY | ARY Digital

HOST : HSY
GUEST : Faran Tahir

PAKISTAN’S BIGGEST REALITY SERIES SUPER DIVA

The 12 super-talented divas, are all set to enter the plush ‘Villa of Dreams’, an amalgamation of ‘fashion and reality’.

Host: Hassan Sheheryar Yasin (HSY)

Stylist: Tabesh Khoja

Contestants:
Sonia Chaudhry,
Nehlofer Irani,
Syed Misha Khan,
Noor Hira,
Rakeeba Khan,
Rameen Faiz,
Sheeza Malik,
Shanzey Mansha,
Noor Fatima,
Romaisa Tariq,
Maham Mirza,
Esha Malik.

Watch Super Diva Every Mon to Thur at 10 pm only on ARY Digital.

#superdiva #Fashionshow #HSY #hassanshehreyaryasin

#arydigital #superdiva #RadianceAndAllure #SoniaChaudhry #NehloferIrani #SyedMishaKhan #NoorHira #RakeebaKhan #RameenFaiz #SheezaMalik #ShanzeyMansha #NoorFatima #RomaisaTariq #MahamMirza #eshamalik #arysuperdiva

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Category

😹
Fun
Transcript
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01:00We don't have water, and we don't have enough time to get there.
01:05The time comes down, because my tongue is very painful.
01:09Nine thousand, nine thousand, nine thousand.
01:12It's only four hours.
01:15I'm telling you that we have only three hours of sleep.
01:19It's too difficult.
01:21It's so painful in the tongue.
01:24It's a lot of pain.
01:27I love that you are.
01:29My mindset was that I would only come as a Randpop model,
01:34because my height was a lot.
01:36It was a lot of pain.
01:37But the way I did it, I realized that I had a diversity,
01:40and I had to carry my clothes.
01:42I had to invest in it.
01:43At home, I didn't have all the money.
01:46But I thought that I would only be a Randpop model.
01:50I think, when I learned that,
01:52that's also my expertise.
01:54Exactly.
01:57Oh my god, the fog.
02:02It was a lot of fog.
02:04There were five or four people in the elimination.
02:08Did they have it?
02:09No.
02:10But I think...
02:11They did it.
02:12They did it.
02:13They did it.
02:14They did it.
02:15Yes, it was very obvious.
02:17Rukiba.
02:18Rukiba was very high.
02:21Why did they stand up?
02:22Why did they stand up?
02:23No, because they said that highest and lowest.
02:24Yes, they didn't.
02:25They said that the ones who stand up here...
02:27Highest means,
02:28we are the highest in the elimination.
02:30The people of the elimination.
02:32They are the highest in them.
02:34They are not the highest in them.
02:35No, no, no.
02:36No.
02:37They said that who scored the highest?
02:40The most highest.
02:41Any who scored.
02:42Because the highest marks are the highest marks.
02:44The lowest marks are the highest marks.
02:45This is from the four.
02:46And the four of them are the highest marks.
02:47Five.
02:48Five.
02:49Five.
02:50Five.
02:51Five.
02:52Five.
02:53Five.
02:54Five.
02:55Five.
02:56Five.
02:57Many.
02:58These were the trongers where were the four left.
02:59Five.
03:00A study.
03:01I separated from the baba这里.
03:02You never said to gas at the inn's height.
03:04fantastic.
03:06Yes.
03:07You came out there to go alone today.
03:10The other one said.
03:12Yes.
03:13You've wanted to go alone.
03:14I've wanted to go alone.
03:15I've wanted to die after all.
03:16Your thoughts right now.
03:17I'll leave you alone.
03:18I'll go to the dinner till.
03:20You're going to sleep safely.
03:21I was asleep for you.
03:22How did my outfits look yesterday?
03:23, your outfits look Ноы 인 downtown.
03:26I swear to God but I think I had to carry it in a better way.
03:32I said I did it in a very good way.
03:34First time like that.
03:36I think he is so many seniors who are the judges
03:40that they have caught up in his mind.
03:44Because so many people are never able to tell
03:47that I am indecisive or I am overthinking.
03:49So I do. Both things are in my mind.
03:51I never thought they are going to catch so quickly
03:54you were overthinking.
03:56And I was like, this is my personal trait.
03:59This is when I don't tell anyone, I don't know.
04:02But I think that we have to keep our expressions
04:06you know, that no one can read
04:09Bro, what's happening? What's happening in his heart?
04:11But these people, I think,
04:13I think, as a model
04:15I am at first time.
04:17I really like it. I never walked, you know, in such an environment
04:20where you have to, you know, be in a choreography
04:23and then there's a certain attire on you
04:25and you have to compete, you know.
04:27If you want to ramp,
04:29then in the mind of the person's mind,
04:29there's also an element of competition.
04:31That, bro, I have to compete.
04:33If it's fun,
04:34it's going to go from here,
04:35the designer will be clapping and everything.
04:37It's a different feeling.
04:38But when you know that there's a certain sort of responsibility
04:42on your side, you have to prove yourself,
04:45you have to look pretty,
04:46you have to show the outfit.
04:47When you have to do so much,
04:49obviously, you overthink, bro.
04:51You think twice before doing anything.
04:53I mean, you think...
04:54Competitiveness,
04:54there's a lot of pressure on everything.
04:58I feel like that sisterhood is also finished.
05:00Exactly, that's what I'm saying.
05:00I don't know,
05:03like, but I don't know how to do it.
05:05But because,
05:06obviously,
05:07those are against it.
05:08What are you against it?
05:10And at the end,
05:10the thing is that,
05:12only one is going to win.
05:13Exactly.
05:14But in Allah's custom,
05:15I didn't do anything.
05:16I don't care if I win or not.
05:17Like, I don't care if I win or not.
05:19I'm having fun.
05:20I'm having experiences.
05:21I'm having fun today.
05:23I enjoyed it.
05:24I enjoyed it.
05:25I enjoyed it.
05:25But at the end,
05:27you know,
05:27I didn't get any bad remarks
05:29about anything.
05:30I mean, if someone doesn't say this,
05:31you can do it good.
05:33They were like,
05:34you were good.
05:34Okay?
05:35So, yesterday,
05:35when I first time,
05:36they told me,
05:37bro,
05:37this is such a good outfit.
05:38Then, you can carry it good.
05:40So, it just hit here.
05:42Yeah.
05:42Bro, what?
05:43What did I do?
05:44I could do it.
05:44I also knew that I could do it,
05:46obviously.
05:47Because,
05:48for that 15 second walk,
05:50we gave how much time for that.
05:51Exactly.
05:52At 8 o'clock,
05:52I did a rehearsal,
05:53I did a slate.
05:55Okay?
05:55Then,
05:56I did makeup on sitting.
05:57So, it was so much pressure.
05:58Last minute,
05:59I need to use washroom.
06:00I had to go to washroom a lot.
06:01But, I was unable to.
06:03Obviously.
06:03Because, I can't just,
06:05unprofessional,
06:05it couldn't be in the last moment.
06:07So, back of the mind,
06:08there were like,
06:08five to six things,
06:09which were not going on.
06:12Let me tell you,
06:12Maham,
06:13Maham was standing right behind me,
06:15when ramp went on,
06:16and we were talking about two hours,
06:17and we were talking about two hours.
06:17That was then too.
06:18Yeah, listen.
06:19So, she was like,
06:20Noor, I'll tell you,
06:20who can potentially go to today?
06:23I told you,
06:24I told you,
06:24there was no name for anyone.
06:26She said,
06:26Shiza and Noor Fatma.
06:28And,
06:29when elimination happened,
06:31they both were there.
06:33And I'm like,
06:34How do you know that,
06:36that I am going to get this?
06:37Yeah.
06:38I am going to get this.
06:39She is like,
06:40you are going to get this?
06:40Yeah, I told her first,
06:41I told her that,
06:42that it was Fawzi.
06:42She is like,
06:42that she is going to get this.
06:43So, she is like,
06:43that she is going to get this.
06:44So, no,
06:45I told her,
06:45she is going to get this,
06:46and she is going to get this,
06:47she is going to get this.
06:48She is wearing Fawzi's outfit.
06:49Maham has.
06:50It is getting too much now.
06:51It is getting more of my nerves.
06:53Yeah.
06:54And then,
06:54it is called Shiza.
06:55Like,
06:56it is called Shiza.
06:57If I don't know this,
07:00look,
07:01Shiza has performed so well.
07:03We couldn't say it.
07:04And I was like,
07:05I didn't say it.
07:05I couldn't say it.
07:06But we are not.
07:07I can never say it.
07:08She is very talented.
07:11The one who is very pretty.
07:12And she is only dominant,
07:14I told her,
07:15I will tell you,
07:16and I will tell you,
07:17who can go and tell.
07:18Yes, tell.
07:19Kati, Nour, Fatma and Shiza.
07:21Nour, we are talking about
07:22Nour, Fatma and Shiza.
07:23Nour, Fatma is saying that.
07:24And then,
07:25and then,
07:26what?
07:27No,
07:28that's not bad.
07:28You hear that.
07:29She is saying that.
07:30She is like,
07:31this is interesting.
07:32She is like,
07:32I am not doing this.
07:34I am going to get the bad news.
07:35I am going to get the money on the site.
07:37I mean,
07:38I am not going to use it.
07:39I mean,
07:39I am going to get the value of it.
07:40I do not want to give it to her.
07:41I am going to tell her,
07:42but if she doesn't know the mother,
07:44and she is playing with her mind,
07:45she is very intelligent.
07:46I will tell you,
07:47I am going to tell you,
07:48a little bit of anger.
07:49We were sitting here,
07:50we were talking about it.
07:53And she said,
07:54the mother is going to get the money,
07:56and Shiza is coming.
07:57She is saying,
07:58but she is going to get the water,
08:00and she has seen the water.
08:01She says,
08:02she has the water back,
08:04and she has the water back.
08:05That's so hard.
08:06She has the water back,
08:06and she says,
08:09you put it back.
08:10She is back.
08:11I am going to get the love of God.
08:13When the series comes,
08:14you have to watch it.
08:14I have seen it.
08:15She has seen it.
08:16She has seen it.
08:17But you can't just say that to her.
08:18She is supposed to be in class.
08:19Shiza doesn't realize that
08:21mom treats me like a maid.
08:22I will tell you everything later.
08:23Like,
08:23I have noted.
08:24Like,
08:24they worked together a few times,
08:26and some people told me,
08:27She looks not good.
08:27She makes her like,
08:28work around like a little.
08:29She looks,
08:30that's sad, dude.
08:31Yeah, you know,
08:32the **** can get you water.
08:34And don't tell her to go clean the glass.
08:35I mean, like,
08:35I have asked her once again,
08:37but that was because I was in the chair,
08:38and then I was like,
08:39thank you so much.
08:39I was like,
08:40please,
08:40please,
08:40let me pour this bottle.
08:41No,
08:41if you are here,
08:42that's obviously different.
08:43But if you want to say it,
08:44I don't need a bottle.
08:46Don't put it.
08:47And it's like,
08:48what the hell are you doing, bro?
08:51Don't put it on yourself.
08:52Why are you going to miss me?
08:53This is so rude.
08:54Very rude.
08:55Oh, which I used to study,
08:56I used to study.
08:57There was cameras everywhere.
08:58I used to say that,
08:59if I used to say that,
09:00I would say,
09:01I would say,
09:01I would say,
09:02I would say,
09:03I would say,
09:04I would say,
09:04guys,
09:05I would say,
09:05I would say,
09:08I would say,
09:10I would say,
09:11but I would say this.
09:13I would say,
09:14I would say,
09:15I wouldn't say that,
09:16I would say that,
09:17that shirt will,
09:17I will,
09:18I would say,
09:18I wouldn't say that,
09:19I would say that,
09:20but I would say that,
09:20I don't like this,
09:23but it's like,
09:24it's personal.
09:25Sonia told me that her straightener
09:27used to be,
09:28Yes,
09:28that was angry.
09:29and Nalka was opened
09:31and she was on the switch,
09:33she was there.
09:33She was there.
09:34She said, I was wearing my hair yesterday and I was like, I'm going to blow dry.
09:37She said, no. Don't touch my blow dry.
09:38I was like, damn!
09:41That's not nice. It's not fair.
09:44You know, but she was saying like, I think Khawji Sarna, like heels,
09:49she gave her mom, she gave me heels.
09:54She said, you're my ****.
09:56She said, what was it?
09:57You know who was wearing the heels?
09:59Who was wearing them?
10:00You know.
10:01I mean, she changed, so I think she was wearing his pants.
10:05It's my pants.
10:07Three potential finalists.
10:08Let's see, Shiknay Gaur.
10:09If she won't win, she won't win.
10:12If she won't win, she won't win.
10:14I'll give you a transfer.
10:15If I won't win, I'll give you a gift.
10:17Sure.
10:18I promise.
10:19Charles and Geet's bag.
10:21Charles and Geet's bag.
10:22You had to transfer?
10:23Yes.
10:24I'll transfer, ****.
10:25No, don't tell me, go to the first flight.
10:31I'll be in the UK, London.
10:32Hello?
10:34Yes, I said, if I have to take my RAM, I would have taken her.
10:37Aww.
10:38Celebrity move, bro.
10:41What do they say?
10:42Someone who can sing, act and model.
10:44Some people here can just act.
10:45They want like, cool body language is a lot of matter.
10:48Yeah.
10:48You cannot be a celebrity.
10:50H.S.Y. said,
10:52You have to be a celebrity, the celebrity will influence.
10:54But who doesn't have a sense,
10:57to talk about it,
11:00it's a celebrity.
11:01What will they influence?
11:03You have done a very good thing.
11:08Like, you know, I'm talking with my eyes.
11:11Yeah.
11:12All like the Bratz Club or something.
11:16Excited.
11:16I'm Edda.
11:17Excited.
11:18That's the scene.
11:19Excited.
11:20I'm getting dressed.
11:22Is it back when you see me?
11:25Assalamualaikum, I'm your host Hassan Shahriyar, Yaseen.
11:28And as you are watching, it is week two.
11:30And it is day one.
11:32In week one, whatever happened, it was all about fashion.
11:35It was all about discovering yourself,
11:37finding your personality,
11:39finding your talent.
11:41But the most important thing was to show your hunger.
11:45Do you want to become a super diva?
11:47Some people did a great job.
11:49And some people made a weak actor too strong.
11:54But now, the game has changed.
11:56Now, our super divas are not only about fashion,
11:59but about acting.
12:01Because super divas are not just for fashion.
12:03They are for fashion, television, movies, and social media.
12:07In all areas, they have changed.
12:10And today, the actors who are going to competition,
12:13who are going to give skills,
12:14who are going to give tuition,
12:16it is going to be amazing.
12:17Because we have a very big star.
12:19I will tell you about that.
12:21But first, let's go meet the girls and see,
12:23what is going to be done in the villa of dreams.
12:33Hello, boss.
12:35Hello, ladies.
12:36Hi, boss.
12:37How are you all?
12:38All right.
12:39Okay, okay?
12:40Please sit.
12:41Today, we will recap a little bit.
12:43First of all, you all,
12:45week two, day one.
12:47Welcome.
12:49In the super diva, at this time, there are a lot of fun competitions.
12:55I thought that a weak contestant has changed.
13:01And I thought that there are very strong contestants,
13:03they are also strong.
13:05If you can sum up this week,
13:07do you describe it in one word,
13:11how do you feel?
13:12What will you say?
13:13Start with you.
13:15Powerful.
13:16I think thrilling.
13:17Thrilling?
13:18Yeah.
13:19What did you find the most thrilling?
13:21The rap.
13:21Yeah.
13:22It was like very new and very fun for me.
13:26Bravo.
13:28How are you today?
13:29I'm fine, sir.
13:30I know that you are falling yesterday.
13:34Sir, my rod is falling on my shoulder.
13:37I don't even go to my shoulder.
13:39Look, this is a horrible thing to happen.
13:42Yes, sir.
13:42And I'm sorry that you have to hurt someone.
13:44I don't want to hurt anyone.
13:46At SuperDiva,
13:47your safety,
13:48your comfort,
13:50and your well-being is our number one priority.
13:53And you haven't forgotten that.
13:54Because for me,
13:55contestants' mental health and physical health is very important.
14:00Why do you keep your focus on your mental health?
14:03Yes.
14:03Because what happens is that we don't have a discussion in Pakistan.
14:08We forget that mental stability, mental health, mental well-being is very important.
14:14And that's why I will tell you that after 4 days, I decided that in the next coming days,
14:22we will take a mental health specialist to come and speak to you, to help you, to be able to find your way during this very tough competition.
14:31Thank you so much.
14:32Thank you so much.
14:32No, not at all.
14:33My pleasure.
14:35Fatma.
14:36Sir, I realized that I am very special.
14:40Before I was very weak, I was pretending that I am strong, but I was not.
14:44I would avoid them.
14:47I would not avoid them.
14:48I would face them.
14:49Tell me,
14:50the strength within you are sitting here,
14:53this competition was not a competition.
14:55I'm sure there will be a lot of people with you.
14:59But you are very strong.
15:02And to say this, there is a lot of strength in this person.
15:06Today, no person doesn't believe their fault or their weakness.
15:10And we are all here for you.
15:12You have to do something for us.
15:14But you find your strength and we will encourage you.
15:17Well done.
15:21I'm good.
15:21I would say entertaining.
15:23Not for me, but I think for audiences.
15:25Like me as well.
15:28Like, it's very entertaining.
15:29Maham, what did you feel this week?
15:33Sir, I have learned to be responsible.
15:38I am very responsible.
15:40I have been working for three years.
15:41In three years, I had to go to the shoot.
15:44So, what do you want to go there?
15:46Before that, the process of behind-the-camera
15:49I never had to get a chance of passing.
15:51I never had to do anything.
15:52But when I came here, behind-the-camera,
15:55I had to do everything.
15:57And I had to remember that I had to get any trouble with you.
16:00I had to get any trouble with me.
16:02And after that, I had to prepare for the responsibility.
16:06I also had to work on the task.
16:09To do planning on the task.
16:12And to try to do good things.
16:13And to be helpful.
16:15So, I felt like this was a mixture.
16:17So, I felt super-deep in my mind that I am very thankful for myself.
16:20That they have made me responsible.
16:22Well done.
16:23As-salamu alaykum.
16:25Wa-ra-salamu alaykum.
16:26Tell me.
16:27So, I felt like I was in my comfort zone.
16:31And I heard that comfort zone will kill you, right?
16:34So, I felt like I was left from the comfort zone.
16:37I mean, that was really amazing, the feeling.
16:40It is a beautiful feeling.
16:41This feeling was amazing, whatever I was feeling.
16:44I was lost.
16:45Good. I am glad that you are left from the comfort zone.
16:47Well done. I am happy you have felt that way.
16:50Rameen, how are you?
16:51I am good. How are you?
16:52Good.
16:53This week, I have learned the power of unity and time management.
16:58That's a good thing.
17:00What are your thoughts?
17:01I am fine.
17:02I am fine.
17:03I am great.
17:04I would say,
17:05Isha, tell me.
17:06What did you learn?
17:06I learned a lot of interesting things.
17:09I think I have grown so much, that I have no mental fear.
17:12That, if it is a bad thing, if it is a bad thing, if it is a bad thing, then I will increase my score.
17:17The last show, everyone has said that there is such a big project.
17:22If you cut it out, everything will be so good.
17:24So, the project will be fired.
17:26This is a quote that says,
17:28Team work makes the dream work.
17:31And this is a very true thing.
17:33And it feels very good that this is coming very quickly.
17:36Now, it is very early in the competition.
17:40But this is a good sign.
17:41Sanze.
17:42Hello, boss.
17:43How are you?
17:43I am fine.
17:44Tell me about it.
17:45Tell me about it.
17:45Actually, when someone says something, my mind is very quickly.
17:49And ultimately, it comes to my mind.
17:50So, my mind is a great thing.
17:52We say that, be careful that you give your time and time.
17:57Make your friends as well.
17:59Make your friends as well.
18:01Isha.
18:03First of all, how do you think about it?
18:05It is a good sign.
18:07And you are taking your friends for this?
18:12No, she is not well.
18:14So, we are our roommate.
18:15She was not going to get up.
18:17So, I took her.
18:19I said, no.
18:20You have to come.
18:21You have to come.
18:22Sir, it is a good sign.
18:26Okay, let me hear you.
18:27If your treatment is a little bad,
18:30a little bad.
18:31And you want to take one or two days off.
18:34We will not push you in a good condition.
18:39If you want to take a break today.
18:41If you want to take a break for one day.
18:43Then go to your room and rest.
18:45Whatever we have learnt.
18:46I will introduce you to a team member.
18:49and she will give you a lesson.
18:50And you can join us again tomorrow.
18:53Please go and rest.
18:54What have you learned?
18:55I will do it in a good condition.
18:57I have to do it in a good condition.
18:58Then you will be successful.
18:59I have not said that I'm in fever.
19:02I am not going to get out of my room.
19:04I will not drive away from my room.
19:08I do not work, I do not stand there, I do not stand there, but I do not stand there, I do not step back, if you want to be successful, stand there, I do not stand there, I do not stand there, it was very difficult for me, let me see you, team airway was very helpful, everyone was very helpful, thank you, thank you team airway,
19:38and thanks to you, you have very appreciated me, back stage too, you have very appreciated me, probably your confidence that you gave me, that's why I was standing there.
19:49This sense of strength is in very small people, and I am very impressed, but with your impression, I will say this, this is a very good thing, but because I am a mentor here, I am a boss here,
20:05and I will give you some advice, if you can rest a little, do not do it, do it today, I will not show you in your marks.
20:12Thank you, thank you so much.
20:14Okay?
20:15Hanji.
20:16Sir, I have learned something about love and feelings, I am not friends, I am only friends,
20:23Shilza Atamnawita has no friends?
20:24No, all are my friends, but they are my friends, they are my friends.
20:29Yeah, so I am very alone, I am at home, I am at home, I am at home, I am at home, I am not talking to anyone, I am just watching movies, I am using phone, I am sleeping at home.
20:39You are reading that book table?
20:40Yes.
20:41I am listening to that book.
20:42Why am I reading that book?
20:43Yes.
20:44I am looking for that book.
20:45So I am looking for a book.
20:46I am writing your book.
20:47I am reading books here at first day, second day, something like this, make-up room.
20:49I have some fun, I am playing and I am playing, playing.
20:50Well, I am talking over and I will play.
20:52And I am sitting in the park and playing with some minutes later, and I saw the same things that I am doing a lot.
20:56So I am gonna feel at home and I have learning how much love and the other things.
20:59So I learned something that I have learned in your life, that you have a love and a feeling
21:06that you are not a part of the time, but if it has been a part of the time, then you
21:11have to finish it.
21:12You don't have to keep anything in your heart.
21:14So I learned something here.
21:16Excellent.
21:17Excellent.
21:18Lots to learn.
21:19Yes, Jasmine, I have said that this show is exciting to me because it is my business.
21:25It is my business.
21:26I am working for 30 years.
21:28But I will tell you, I have learned a lot from 30 years.
21:31But as I learned from you in the past week, I have learned from your strengths and weaknesses.
21:36I will say thank you for that.
21:37This has been an incredible experience.
21:40But now the time has come to change the gears.
21:43So now the opportunity we have given you, which we have to level up to you,
21:50probably get a lot of people.
21:53If ever, get a lot of people.
21:54In these days, you have to do such an activity where you will learn everything about business.
21:59We have the most unbelievable star who has come all the way from Hollywood to come and give you a class.
22:09He is the star of Marvel's Iron Man.
22:16He has been in Disney's Jungle Book.
22:19He has been in Star Trek.
22:22He has been in Supergirl.
22:24He has been in shows like Grey's Anatomy.
22:28He is an incredible star.
22:30One of our Pakistan's biggest international stars.
22:36Who is it?
22:37I will tell you too.
22:38But what will you teach?
22:40Are you ready?
22:41Yes.
22:42You have dialogue delivery.
22:43Okay.
22:44Expressions.
22:45Understanding.
22:46You will write a script.
22:47And then you will write a script for yourself to understand what movie writing is.
22:53So you will understand acting.
22:55You will understand script writing.
22:57After script writing.
22:58You will be able to do different kinds of tasks.
23:01You will become director.
23:02You will become actor.
23:04You will become producer.
23:06From beginning to end, in three days, on the last day,
23:10You will be able to show yourself a telepilot or a show or a theatrical scene.
23:17You will be able to show yourself a shot, executed, produced, direct by you.
23:22Okay.
23:27For this challenge, I don't have interest in your makeup.
23:31That's why for the next few days, the makeup room is closed.
23:35Okay.
23:36No makeup.
23:38I need your raw, natural beauty and actual talent.
23:44This is a talent competition.
23:46So without further ado, please give an incredible welcome to Farhan Tahir.
23:53Hello, hello, hello, hello.
23:56How are you?
24:00Thank you, thank you, thank you, thank you, thank you.
24:02How are you guys?
24:03Good?
24:04Excited?
24:05Yes.
24:06Nervous?
24:07Yes.
24:08Yes, you should be.
24:09Yes.
24:10Yes, you should be.
24:11I think both of the excitement and nervous should go hand in hand.
24:13Absolutely.
24:14When I sleep with nervousness, you try to do better.
24:18Right?
24:19Yeah.
24:20Let's do this.
24:21This is your chair.
24:22This is my chair.
24:23This is your chair.
24:24This is your chair.
24:25Alright, let's sit down.
24:26To start, ladies, I'm going.
24:27I'm going.
24:28Because you are in hands.
24:29When I'm in my heart that I'm sitting there, I'll learn everything.
24:32But because I'm not part of the Super Diva competition, I'll go.
24:36Varhan, all the best.
24:37Thank you so much.
24:38We'll see you later on.
24:39Thank you so much.
24:40I'll see you in a bit.
24:41Yes.
24:42Take advantage of this opportunity.
24:43This is a once in a lifetime.
24:45Yes, sir.
24:46All the best.
24:47Alright.
24:48So, acting.
24:50What do you think of acting?
24:51You say, what do you think about acting?
24:53When you think about acting, what do you think about acting?
24:56What do you think about acting?
24:58What does your mind say?
24:59Sir, acting is an emotion.
25:00Right?
25:01Right.
25:02You've written a script.
25:05Now, I'll kill it.
25:07Don't leave your expression, don't leave your emotions.
25:12It's not acting, right?
25:13That's a great conversation.
25:15I'll reveal something about this.
25:17People think that acting is an expression and emotion.
25:22No sir.
25:23Acting is just truth.
25:26Exactly.
25:27People think that we are actors who are talking to you.
25:30We are not talking to you.
25:32That's why I tell you that we all act at the same time.
25:35If you sit in your friends, you will act with one hand.
25:38If your mother comes to you,
25:40then another character is out of you.
25:43So we act every day.
25:46It doesn't mean that we are talking to you.
25:48It means that we are investing ourselves at the same time,
25:52at the same time.
25:55And when you invest yourself at the same time,
25:58then it becomes easy.
26:00Then you don't think that your tone is going to happen.
26:03What's your head?
26:05It doesn't matter.
26:07I'll give you a small example.
26:09If you are doing this character,
26:11and you know this character,
26:13it seems that your mother is going to be a female.
26:17Now, if your character is sitting in the same way,
26:21then it is a valid choice.
26:23Yes sir.
26:24Okay?
26:25It's another valid choice,
26:27that you get this story and you go to shock.
26:29you don't believe in shock
26:31don't believe in that
26:33that this is happening
26:35that this is a valid choice
26:37yes sir
26:39one more thing is that you can't hear
26:41that this is happening
26:43so as actors
26:45what do we do
26:47we make a palette
26:49and then we choose
26:51from them
26:53what color should we choose
26:55okay
26:57so actors
26:59the simplest choice
27:01is the bravest choice
27:03yes
27:05what do we do? we do
27:07we do act
27:09be natural, be real
27:11exactly
27:13and I think acting is all about your connectivity
27:15with people, with emotion, mental
27:17physically
27:19that's what it is
27:21and as much believable as you are
27:23the only believable audience
27:25and then people relate
27:27that this is with me
27:29exactly
27:31we have to do that
27:33that people can relate
27:35exactly sir
27:37the second thing is
27:39that the character is a mystery
27:41exactly
27:43because especially in today's time
27:45the attention span is so small
27:47that the minute we solve
27:49something
27:51your phone comes and we are texting
27:53okay, as an actor
27:55what do you work for?
27:57that you have to move a little bit
27:59whenever the audience or somebody thinks
28:01that they know what this character is about
28:03you just shift it a little bit
28:05so that the attention of the other person
28:07comes back to the character
28:09to the character
28:11if you don't run from the action
28:13then I think it becomes one of the most
28:15wonderful experiences
28:17because you are actually relating
28:19the first thing is
28:20the second thing is
28:21you can't act in a vacuum
28:23I have seen many actors
28:25who have made their tones
28:27their moods
28:28they have made everything
28:29from home
28:31you need to come
28:32practice
28:33practice
28:34research
28:35but in reality
28:37the scene
28:38if you and me
28:39are in a scene
28:40it is your and me
28:41right?
28:42okay?
28:43what do I have to do the biggest work?
28:45I have to listen
28:47I have to see
28:48I have to see
28:49I have to make this tone
28:50but if this character
28:51is coming to me
28:53then I have to adjust
28:54how do I have to do it?
28:55I have to blend in
28:56chemistry
28:57yes
28:58and that spontaneity
28:59yes
29:00in the moment
29:01in the moment
29:02what's wonderful
29:03sir, one thing is
29:04that if you have something
29:05ready for your
29:07ready
29:08and you have to do the lines
29:09and you have to do one thing
29:11and you have to do the expression
29:12and you have to do the expression
29:14then if you have to meet another situation
29:16then what will you do?
29:17then what will you do?
29:18you will not be actor
29:19then you will not be actor
29:20this is the thing
29:21we do two things
29:22one thing people say
29:23characters arc
29:25arc
29:26what is that
29:27you have started
29:29and you have to go here
29:31to turn
29:32to the movie
29:33or the movie
29:34which is the need
29:35The arc
29:36you have to do it
29:37because a story
29:39that you have heard
29:40is to listen
29:41but I always say
29:44one arc
29:46and a matrix
29:47and one character
29:48make the matrix
29:49what you get
29:50in that matrix
29:51can be found
29:52that you can choose
29:53things
29:54as you can get
29:55where you are
29:56I think
29:57whenever you arrive
29:58somewhere
29:59Okay, if you've cried a lot in this scene, then the next scene, if you're going to cry so much, it will end up.
30:07Then the economy will come.
30:09Yes, okay.
30:10So these are small things we have to look into.
30:15What is this technical side to it?
30:18Emotions.
30:19Emotions.
30:20Emotions.
30:21Emotions.
30:22Emotions.
30:23Emotions.
30:24Emotions.
30:25In a natural way.
30:26In a natural way.
30:27In a natural way.
30:28In a natural way.
30:29In a natural way.
30:30In a natural way.
30:31If you're going to take something to a shop, then you don't have to do much.
30:35You're just doing the same thing when you go to a shop.
30:39You're going to give me this bottle.
30:42Nothing complicated.
30:43I think acting is just, if we can pretend this on camera, naturally, this is what acting is.
30:50Absolutely.
30:51Absolutely.
30:52Like acting is all about being human.
30:54Body language is all about being human.
30:55It's all about being human.
30:56Exactly.
30:57All about that.
30:58It is.
30:59And you, see, you go into any genre.
31:01If you're doing science fiction, then you can't play science fiction.
31:05Yes.
31:06You play its reality.
31:08Exactly.
31:09Okay.
31:10The science fiction is for the audience to decide that it's science fiction.
31:13It's for you.
31:14It's for you.
31:15It's for you.
31:16It's for me.
31:17I'm sorry, I'm calling you all.
31:18No, no, you're not.
31:19When I say human, I always watch movies.
31:22They say that there's a survival show.
31:24Everyone is a fighter and this and that.
31:26That character is very hate.
31:27He's crying.
31:28But think about it.
31:29He's the only person who's acting human there.
31:31Exactly.
31:32We'll go and we'll go to the survival show.
31:34Exactly.
31:35Okay.
31:36Now, there are little tricks.
31:38If you're crying,
31:40then you try to not cry.
31:43Okay?
31:44Yeah.
31:45One person who's coming to the eyes and is trying to cry.
31:49He's crying.
31:50That's acting.
31:51That's fine.
31:52He's crying.
31:53Exactly.
31:54Because then,
31:55I always say that
31:57I don't cry.
31:59In fact, you're calling me to the audience.
32:01I'm calling.
32:02So, if I'm crying,
32:03and I'm crying so much,
32:04that the audience says,
32:05you're crying so much,
32:06then why am I crying?
32:07I'm crying.
32:08The usability is more important.
32:09Exactly.
32:10Exactly.
32:11You have to create that connectivity.
32:13One advice you gave before
32:16starting any kind of acting,
32:18that you've never forgotten
32:20before starting any kind of acting.
32:22Before starting any acting or anything.
32:24What you have to keep in mind,
32:26that you have to keep in mind
32:27the sense of truth.
32:29Okay.
32:30Always find the sense of truth.
32:33Wherever you go,
32:35as long as you understand
32:37that there is a truth to this,
32:40this is not a lie.
32:41Yeah.
32:42Then it becomes easier.
32:44Our activity,
32:45would you try to teach us?
32:47Like, I need some classes from you.
32:49Yes.
32:50This is what we're going to do.
32:51We're going to work on our voice.
32:53Yes.
32:54How to get in touch with our own voice.
32:55Yes.
32:56How to get in touch with our own voice.
32:57Yes.
32:58Okay.
32:59We think,
33:00to speak from here.
33:01No.
33:02We don't speak from here.
33:03We speak from here.
33:04Yes.
33:05We speak from here.
33:06The actual voice is here.
33:07So, we will work on the voice.
33:09Okay.
33:10We will work on some movement.
33:12How to relax ourselves enough.
33:15so that it becomes easy for us to let the character come through us.
33:21We will work on another thing which is,
33:23how to empty ourselves out enough,
33:26that we can let the character also come and share this body with us.
33:32This body with us.
33:33Yeah.
33:34We will work on our own.
33:35We will work on that character.
33:36And there is a bridge that is always in you and in the character.
33:40Exactly.
33:41So, we will work on that.
33:42Then, we will work on another thing which is,
33:44how to get clues from the script.
33:47Hmm.
33:48Okay.
33:49And finally,
33:50I will say this to you,
33:51and we will also work on that.
33:53That you will write a small monologue.
33:57What topic on the monologue?
33:58You can choose simple to simple.
34:00Your favorite.
34:01Your favorite.
34:02Your favorite.
34:03After that,
34:04we will understand for one minute.
34:06What is it?
34:07Anyway,
34:08take a little break.
34:09And then we will maybe go outside for a little bit.
34:11And we will wrap this up.
34:13And then tomorrow,
34:14wear comfortable clothes.
34:16Yeah.
34:17Okay, sir.
34:18And then we are going to move around a little bit.
34:20We are going to do a few things.
34:22And we will have fun.
34:23Okay.
34:24All right.
34:25Let's go.
34:26Where are my wonderful, wonderful super divas?
34:41Let's sit down.
34:42Okay.
34:43I have thought about it.
34:44I am thinking about it.
34:45I am thinking about it.
34:46I am thinking about it.
34:47Because we have a little bit of time in the episode.
34:51I am thinking about it.
34:52I am thinking about it from three groups.
34:56Oh.
34:57Okay.
34:58That would be easier for us.
34:59Yeah.
35:00Okay.
35:01And I will make three or four situations.
35:03I will make it.
35:04Yeah.
35:05And then you can decide how to do it.
35:07Okay.
35:08Okay.
35:09First, tell me who is in the team.
35:11Who is in the team?
35:12We are two.
35:13You two and one.
35:14Tell me.
35:15I don't know what everybody wants to do.
35:17But I want to do something intense.
35:18Okay.
35:19Okay.
35:20So, be with you.
35:21So, I can see.
35:22Because we have to make three teams.
35:24We have to make three teams.
35:25So, you two and who is in the team?
35:27Who is in the team?
35:28Shanzi, do you want to be with us?
35:29Yes.
35:30It is your choice.
35:31Yeah.
35:32So, there is a group of three.
35:33There is a group of three.
35:34There is a group of three.
35:35There is three and there is three.
35:36Yeah.
35:37Okay.
35:38Okay.
35:39Now, what are you doing?
35:40Illness?
35:41Yeah.
35:42Illness.
35:43Illness.
35:44What are you doing?
35:45The script I told you.
35:46Like a strict household.
35:47Okay.
35:48And she is my older sister.
35:49Okay.
35:50And she is going to be like very bossy.
35:51And she is going to be like very bossy.
35:52And she is going to be like patakakakar.
35:53He is outside.
35:54Now, we are going to see him.
35:55And this and that.
35:56Bad influence, good influence.
35:57Okay.
35:58Good influence, bad influence.
35:59Yeah.
36:00Ahh.
36:01Will someone do a child's custody?
36:02Lawyers?
36:03Okay.
36:04Sure.
36:05We can do that.
36:06I will make two scripts.
36:07I will not tell you.
36:08I am going to flip at the end time.
36:10I am going to flip it.
36:11I am going to do this.
36:12Because you can copy everything.
36:13I am going to tell you.
36:14I am going to tell you.
36:15Here.
36:16You have to show your talent.
36:17If someone listens to that.
36:18That is my work.
36:19No.
36:20That is my work.
36:21That is my work.
36:22That is my work.
36:23That is my work.
36:24That all the talent will equally look at everyone.
36:25Okay.
36:26It is not that somebody goes into the background just because another person is being prominent.
36:32That is not how we are going to do it.
36:33Yes sir.
36:34If we are going to copy it.
36:35If we are going to do the best from the original.
36:36What is the best from the original?
36:37Yes.
36:38Okay.
36:39If we are going to do the best from the original.
36:40If we are going to be over confident now.
36:41Yes.
36:42You have to hold your character.
36:43Exactly sir.
36:44Okay.
36:45You are deciding?
36:46We will do it.
36:47Yes.
36:48That is the presence of the her makeup.
36:50Yes.
36:51We will do our gender.
36:53Which men are going to do something
36:54of their family at home.
36:55So the状況 comes.
36:56And what�로GA will often do we like the other?
36:57One is always go into the predictingortment of their child.
36:58Okay.
36:59Yeah.
37:00Don't think about the situation.
37:01Don't desde obvious the situation.
37:02Okay.
37:03Don't make the place to be fundo.
37:04So the situation.
37:05Create our customers.
37:06And after that everything
37:07can establish make the characters.
37:10How will react with those three characteristics at this situation.
37:13So you will have illness, now I will leave you to what I have to write and how I have to write.
37:18Tomorrow, you will have to write your own work.
37:24That the script you are writing, you will have to give me the script.
37:29If you want to adjust or give me some suggestions, then I will give you.
37:34Sir, we need to change.
37:35You need to change.
37:36This is the time and after this there is no changing.
37:38Betrayal of best friends.
37:39Betrayal of best friends.
37:40Okay.
37:41Betrayal of best friends.
37:42You guys are?
37:43Marriage problem.
37:44Marriage problem.
37:45Okay.
37:46Marriage problem, conservative household and illness.
37:49Done.
37:50How many minutes do we do?
37:51Three to three.
37:52That means the lines are very much less.
37:55They are not written so much that they relate.
37:58Normal.
37:59That means less than one minute.
38:01Three minutes.
38:02There should not be more scenes.
38:04So what are we doing yesterday?
38:05We are doing warm-up first.
38:07After that we will do improvisation.
38:09We will do improvisation.
38:10Okay.
38:11We will take that improvisation.
38:12We will take any scenes.
38:13And we will do improvisation.
38:14Yeah.
38:15We will forget the script.
38:16Okay.
38:17Just to get this thing going in our bodies, in our minds, in our souls, in our spirit.
38:24After that we will perform them.
38:29We will perform them.
38:30We will perform them.
38:31We will perform them.
38:32When we do improvisation tomorrow.
38:33We will do these scenes.
38:34How will it happen in the theatre?
38:38And how will it happen on the screen?
38:40It's not about right or wrong or good or bad.
38:43It's about having the confidence to make a choice and commit to it.
38:48Yeah.
38:49That's all.
38:50So that's the assignment.
38:51Now you can write.
38:52Let me show you tomorrow.
38:54And then let's have fun tomorrow.
38:55Yes.
38:56I am very excited.
38:57Awesome.
38:58Awesome.
38:59Good.
39:00Come on.
39:01Good night.
39:03Have a good night.
39:05Thank you sir.
39:06Thank you very much.
39:07I am excited.
39:08I hope you guys are.
39:09We are.
39:10Very excited.
39:11Good.
39:12We will do it.
39:13Perfect.
39:14I am going to go.
39:15Yeah.
39:16Bye.
39:17Bye.
39:18Bye.
39:19Bye.
39:20Bye.
39:21Bye.
39:22Bye.
39:23Good night.
39:24It's going to be one hell of a night.
39:25Let's just do.
39:26Hands go.
39:29There are also chutney.
39:31It's so cute.
39:33I love Irvai.
39:34Oh my god.
39:35Yo, yo, yo.
39:38Now someone asked me.
39:40What did you say today?
39:41What did you say today?
39:43What did you say today?
39:44I have eaten some food.
39:45You have eaten some food.
39:47Okay.
39:48Leave it for someone else.
39:50I have eaten some food.
39:51I have eaten some food.
39:52I have eaten some food.
39:53I have eaten some food.
39:54Come on, come on.
39:55Come on, come on.
39:56There is no scene to go before.
39:58Hey, hey.
39:59You should go.
40:00There are all kinds of food.
40:02And then they say,
40:03I am very good.
40:05Sonia.
40:06Where are you Sonia?
40:08I will take my hand.
40:09I will take it.
40:10Sonia, tell me.
40:11I will take it.
40:12Just fine.
40:13Okay.
40:14Sonia, give me some food.
40:15What do you want?
40:16Sonia, give me some food.
40:19Give me some food.
40:20Give me some food.
40:21Give me some food.
40:22I am eating food.
40:23Come on for me.
40:24Let's take one minute.
40:25Guys, see.
40:27These are all so many means.
40:28They have taken out of me.
40:29They have taken out of me.
40:30Look, they have left me.
40:31What happened?
40:32I did not even do this.
40:34Eat a sandwich, baby.
40:36Are you all watching?
40:39These are sandwiches.
40:40They are talking about love and love.
40:43I have taken it.
40:44Don't give it to the camera.
40:46Sorry, I'll take it myself.
40:48Don't give it to the camera.
40:50You don't record the camera when you show it.
40:52No, I'm doing it.
40:55I'm doing it naturally, the people who are acting.
40:59You have to eat food because you have to do it.
41:02And then you have to do it.
41:03You have to do it too.
41:06You have to do it too.
41:07Yes, you have to do it too.
41:09You have to do a lot of things girls.
41:10Let's move.
41:12I'm glad.
41:13You have to take the camera here.
41:17I would say that whatever you want to do is perfect.
41:21You know, practice act and see if you are doing it right or not.
41:25You have to check both situations.
41:26How are you doing it right now?
41:27And I think we are lucky that we can practice in one room.
41:32It's easy week.
41:33It's so difficult to do it because one person will eliminate on acting.
41:36Do you know?
41:37So, we have to give our best.
41:39Because one person will get out of acting.
41:42In the next week, I think that the ramp will start.
41:44The proper designers and everything.
41:46Yeah.
41:47And I have to walk designers and everything.
41:51So, we have to make it.
41:52Yes.
41:52I like to see this.
41:55Your body language is your way.
41:56We will learn how to get it.
41:58Delivery, dial-lock, delivery.
41:59And lastly, you are not dull in your characters.
42:05It means that 3 people add 2 people overpower and one person is dull
42:11So you don't have to overshadow your character, you have to give your character a pace
42:15That's all
42:17What are you?
42:18They are my two psychos
42:20They don't like them
42:22Then?
42:23I don't know, she gave her a character of mother
42:26Mother
42:27What does she look like?
42:28What do I do?
42:29The way she is sitting there
42:31And the way she is humble
42:33Who is she?
42:34I am so sorry
42:36I am so sorry
42:38I am so sorry
42:39I am so sorry
42:40I am so sorry
42:41I am so sorry
42:42I am so sorry
42:43I am so sorry
42:44I am so sorry
42:45I can be a mom
42:46Yeah
42:47I don't know
42:48She said
42:49Let me down
42:50I am so sorry
42:51Who is she saying?
42:52Bro I am frustrated
42:53I have not written a word
42:54Everyone is working
42:55I don't want to
42:56You know
42:57So in the video you have to do it
43:00They are not cooperating with her
43:01They didn't listen to me
43:03I mean
43:04Why would she go there?
43:05God, the person is one
43:06But she is trying to
43:07She is trying to
43:08She is trying to
43:10She has to do it
43:11I have told her she is missing
43:13She is a very strong character
43:14Exactly
43:15And that's something
43:16She will do it
43:17And one thing more
43:18One thing more
43:20Something I have written
43:21She has also worked on the demand
43:22Exactly
43:23And she can do it
43:24It's a little bit of a scene and a little bit of a emotional scene.
43:28It shows that they can prove themselves to each other.
43:32But if you don't want to listen, then what will I do?
43:35I will take them and take them and take them.
43:37Then after that, everyone will get me.
43:39You try it.
43:40I am going from here.
43:42Don't do that. I am in tension. I will be in tension.
43:46I don't want to come.
43:48I have said that.
43:50I have said that.
43:52I have said that.
43:54What happened?
43:55But this is not your...
43:56Relax, girl.
43:58Yeah.
44:00We should love them visually.
44:03Dialogues, etc.
44:05I feel like if we start with this scene,
44:09that we are sitting here and it will be our starting.
44:12You know, if I am making it, then I am making it.
44:16I feel like it will be my boss.
44:20You are working with me.
44:22Yes.
44:23You are working with me.
44:24Now tell me.
44:25I don't know what story is.
44:26So I want to show my acting.
44:27I am just trying to show my acting.
44:29Do you focus yourself on your acting?
44:31He is saying that other people are doing good.
44:34He will do good things so that other people are doing good,
44:36but you are wasting time in the discussion.
44:38Do you know that?
44:39I need to be perfect.
44:42Whether they put me with the team,
44:46I know how to live number one.
44:50And I don't want to live number two.
44:52I can't afford number two.
44:54If I'm doing good performance from the first day,
44:57I was alone.
44:58I knew that I was here alone.
45:00Now, I think you will be prepared for yourself.
45:03You will also show yourself.
45:05Because I want to come with you.
45:07The main character is the main character.
45:11The main character is that
45:13he does a lot of love with his child.
45:16He does a lot of love with his child.
45:19He does a lot of compromise for his child.
45:23If he is a child or a child,
45:26any gender can say.
45:28If he comes to you and says,
45:32My daughter is my daughter.
45:34If I die,
45:36then who will do my daughter's child?
45:38Because in this life,
45:40girls are not alone.
45:44I'm taking a little bit of a situation.
45:48It's very emotional.
45:50I mean,
45:51I'm a teacher.
45:52He said,
45:53I'm just a little bit of a dialogue that you do,
45:55the only thing you can do to change,
45:56you can do a dialogue.
45:57Perfect.
45:58Perfect.
45:59Your performance should be good.
46:00The dialogue is mixed.
46:02We always want to forget.
46:04You focus on your acting.
46:05Okay, one more.
46:07When will it turn out to you?
46:08When will it turn out to you?
46:09When the dialogue will be written properly,
46:11it will be detailed.
46:12Emotions are not matter.
46:13Emotions also matter.
46:14If there is a dialogue, then you don't get emotional.
46:17Okay, let me tell you this whole situation.
46:19I just want to live without writing.
46:21I didn't write.
46:23I wanted to write this.
46:24Now, you can write without writing.
46:26I know myself.
46:28Because, see, a person who is a writer.
46:31You know, it's not teamwork.
46:34I don't write.
46:36Because, look, I'm writing myself.
46:38No problem.
46:40Okay.
46:41We do it.
46:43We understand you.
46:45So, this is my point.
46:46Okay, that's the right.
46:48I'm asking you to do it alone or join us.
46:51If you join, then you have to listen.
46:53Okay, I'm asking you.
46:54We will listen to you.
46:55We add the baby.
46:57Who says, I don't want to come.
46:59I can't come.
47:00I don't want to come.
47:02I love you.
47:03I love you.
47:04I feel.
47:05It's not that I have to take someone's attitude.
47:07I don't have to take this.
47:08I have to focus on myself.
47:10Okay, I'm asking you.
47:11I'm asking you.
47:12Do you want to be a disease?
47:14Tell her.
47:15She's saying.
47:16Okay.
47:17I understand.
47:18I can do my voice too.
47:20Okay.
47:21I can do my voice too.
47:22But, she says,
47:23I'm asking you.
47:24I'm asking you.
47:25I'm asking you.
47:26I'm asking you.
47:27You're not taking the screen time.
47:28You're sitting here.
47:29When you talk about this,
47:31you have to take a lot of screen time.
47:33Now, let's go in quickly.
47:34Discuss.
47:35Everyone has written it.
47:36Let's have to go.
47:37Let's go.
47:38Go.
47:39Two lines are your two lines.
47:40Two lines are my two lines.
47:41Do you think we have to write it?
47:42No.
47:43You can't write it.
47:44The monologue also means it.
47:46But we don't do monologue.
47:47Monologue is the same.
47:48Activity is the same.
47:49The same is the same.
47:50The same is the same.
47:51The same is the same.
47:52The same is the same.
47:53Let's make the characters use.
47:54It's the same.
47:55It's not a monologue.
47:56Because monologue is the same.
47:57No, no.
47:58The same is the same.
47:59They don't get understand.
48:00They want to use word monologue.
48:01Monologue is very powerful.
48:03We can do like this.
48:04You give a monologue.
48:05Your monologue.
48:06I don't know.
48:07Another one is the same.
48:08We have created a team group.
48:10You want your character to define your monologue.
48:12My character to define your monologue.
48:14Then you want to define your character.
48:17And then,
48:18I will finish with one of our shares.
48:19It's not our 3 minute segment. You have one minute, you have one minute, you have one minute.
48:25It's just like that.
48:26Lies, exactly.
48:28Realize.
48:29The actual eyes, they understand, they are really cute.
48:34It's good.
48:36How are we going to pronounce in front of them that real eyes, real eyes, real eyes and real lies.
48:44Dude, this is it.
48:48And then I'm saying, you realize?
48:49It's really rough work.
48:50We've recognized, we've seen our eyes.
48:52We've seen it.
48:53And we've got out of front of them.
48:56You're the girl's daughter.
48:58You're my son, Nand.
49:01What do I do with you?
49:02Tell me about your husband.
49:06What do I do with you?
49:07You don't stay alone.
49:09Nand, Nand.
49:09Nand, Nand.
49:10Yes, Nand, Nand.
49:12I can't stop here.
49:13No, I can't stop here.
49:14My dialogue delivery will be very strong.
49:18You have to say it.
49:19Yes.
49:19You have to say it.
49:20Anyway, you can't stop.
49:22You've got to fix it.
49:23It's teamwork.
49:24You can't even tell me about it.
49:26You have to win.
49:27You have to win.
49:28One person won't win.
49:29I have to cry and I have to throw the money.
49:30Exactly.
49:31You said that I am sitting like that.
49:34You are a husband.
49:35You said that I am sitting like that and you said that...
49:37No, no, no, no, no.
49:40No, no.
49:40I don't want to speak.
49:41You don't want to speak.
49:42I'm saying that I am a man.
49:43I'm a man.
49:44After that.
49:45You said that I had to talk to you with a man.
49:48I said yes, yes, yes.
49:50I'm sorry.
49:51I don't know.
49:52No, no.
49:54I'm sorry.
49:56I'm sorry.
49:57You came alone in my room.
49:58Look at me first.
50:00I am showing my character.
50:02I am saying that I am going to do it again.
50:04I am like this.
50:05Okay.
50:06This is already sitting.
50:08We both are sitting.
50:09Okay.
50:10This is in your clinic.
50:11I am sitting here.
50:13I am like this.
50:14I am like this.
50:16I am like this.
50:18I am like this.
50:19Isha after a long time, bro, where are you going from?
50:22Do you know people from the first time?
50:25One minute, please.
50:27When you are saying that Isha after a long time, what are you going to do with your expressions?
50:31You are going to do with your expressions.
50:32No.
50:36How are you going to do it?
50:37You are going to laugh.
50:38You are going to hide your tears.
50:40You are going to count on your emotions.
50:42I mean, when I am going to cry,
50:44you just have to hold my hand like that I am a fighter.
50:49I am going to cry,
50:51but you are going to say that I am going to cry,
50:54but I am not going to cry.
50:55Why are you going to cry?
50:58I am going to cry.
50:59I am going to cry.
51:00Right.
51:01I mean, overall I'm telling you that you have to ask that you have to come from peace, what is this?
51:06I'm watching, I'm watching you, I'm not coming to you.
51:10I mean, you have no work at home, you have no relationship with your family.
51:13When did you get married?
51:14This is a normal conversation.
51:16You're going to be following them.
51:17And you're so sweet, you're saying that you're saying that…
51:21Yes, yes.
51:22You answer with expression.
51:23But in this, three or four things I want to add,
51:26Look at that time…
51:28Look at that situation…
51:30We've got to kill Philip.
51:32If this script is our script,
51:34even with a girl's hands,
51:35because here…
51:36It's not going to go.
51:37Listen to me.
51:38I'm telling you,
51:39here all the girls,
51:40who are,
51:41who are,
51:42who are,
51:43who are,
51:44who are,
51:45who are,
51:46who are,
51:47who are,
51:48who are,
51:49who are,
51:50who are,
51:51who are,
51:52who are,
51:53who are,
51:54you're not going,
51:55we're going here
51:56how can we go
51:58and show you
52:00the word
52:01we do not do.
52:02You know,
52:03your intention is okay.
52:04I will say,
52:05I am going to talk and think more.
52:06Okay?
52:07And then,
52:08that's why you're running in your heart.
52:09Now you can not stop learning.
52:12I am going to talk to him though.
52:13I am saying,
52:14that they are being dispensed like his
52:14.
52:16And I don't mind of anything else….
52:19Guys,
52:20where do you land now?
52:21Don't ask me now.
52:23No, I'm taking reviews for everyone
52:25You don't have to read it, go back inside
52:27No, go back
52:31Look at me, I'm ready for your writing
52:33I'm okay
52:35I'm okay
52:37What are you writing in my life?
52:39Where's my okay?
52:43I'm okay, I'm okay
52:45I'm awake
52:47I said, I'm a journalist
52:49What do you mean?
52:51What do you mean by me?
52:53I'm making a script
52:55We've acted in my mind
52:57And it seems like it
52:59It seems like it's the feeling
53:01It's a great feeling
53:03It's fun
53:05It's not right
53:07It's not right
53:09It's not right
53:11It's not right
53:13It's not right
53:15It's not right
53:17But it's not right
53:19It's a great feeling
53:21It means your sound, your pronunciation
53:23I'm, I'm not the need
53:25It's not right
53:27It's not right
53:29It's not right
53:31It's not right
53:33It's not right
53:35Yes, I didn't feel good.
53:37I didn't feel good.
53:39Yes, I didn't feel good.
53:41We have done anything.
53:43We have done anything.
53:45We don't have to do anything extra.
53:47You don't have to do anything extra.
53:49Yes, you have to do anything.
53:51We went outside and called me.
53:53I said, oh my god, we need you on a shoot.
53:55And I said, oh my god, I'm going for a shoot.
53:57And then you say, okay, I want to go to your office.
54:00So it feels like it's going to work.
54:02Why didn't I come to work?
54:04Exactly.
54:05I said, oh my god.
54:06I started a little jealousy here.
54:08After that, when you get jealous, you will call me.
54:10And then you will do anything about me.
54:12And then I will do my posing.
54:14I got this project.
54:16Yes, I made a project.
54:18We are happy.
54:20This will act.
54:22Let's see how it will act.
54:24You will be happy.
54:28It's not, it's not.
54:30I'm happy.
54:32I am happy.
54:33Sorry, do it.
54:34I am happy.
54:35I am happy.
54:36I am happy.
54:37Then, I am happy.
54:38I sit back with my office.
54:40And then, it will have a risk.
54:43And then, she is like, no, no.
54:47Which topic of your?
54:49Your concept is a strict household.
54:52Do you have a big girl?
54:54I am little girl.
54:55She is in PR.
54:57And all the characters of the house.
55:04Guys, I am going to tell you.
55:06All the characters of the house of the house,
55:10why do they have this?
55:12It's pure, clean, beautiful love
55:16which is only done with her cousin
55:18because she doesn't have a good girl outside.
55:20Yes.
55:21I don't support this.
55:23I don't want to talk about that.
55:25That's the same thing.
55:27No, no, my cousin.
55:29I just mean to say that
55:31you don't like
55:33you're little girls and
55:35you like that.
55:37But I think that you're safe in your home
55:40because your parents influence you.
55:42You don't do your parents.
55:44If you feel good from your parents,
55:46that's fine.
55:48I'm saying that they don't see acting.
55:52You don't have such a long margin.
55:54It won't be true.
55:56It won't be true.
55:57No.
55:58I don't have a mother.
56:00I said,
56:01Sir, there was a story between two daughters and one mother.
56:03He said that you have three daughters
56:04and they don't have married.
56:06Oh, man.
56:07It's just marriage.
56:08You don't have two daughters.
56:09You don't have three daughters.
56:10She's one girl.
56:11I don't need to be a mother.
56:12She's one girl.
56:13She's not one girl.
56:14She's like,
56:15Why would she say that she's more than her?
56:16She's like,
56:17She's just married.
56:18She's like,
56:19Oh, it's okay.
56:20We will develop your characters.
56:21Who's with three daughters?
56:23Who's with my mother?
56:25You think mine or auntie?
56:26you think mine are good?
56:28A little auntie
56:30why are we eating this?
56:32Why do we eat this for 5 minutes?
56:34I'm not eating it
56:36It's like this
56:38okay
56:44What is this?
56:46It's just so much
56:48It's just the flowers
56:50What is this?
56:52Oh look, it's that dal, oh yum, it's like mushroom, mustard, chawal mustard, it's chawal mustard.
57:06Is this mustard as well? No, it's chicken.
57:10I don't have a look at it.
57:12Where did you come from?
57:14I didn't have a look at it.
57:16I didn't have a look at it, I didn't have a look at it.
57:18Do I have rice pass, please?
57:20Chawal mustard.
57:22Do I have rice pass?
57:24Do I have rice pass?
57:26Yes, put it.
57:28Do I have rice pass?
57:30Yes, put it.
57:32I will put it.
57:34Do I have a look at it?
57:38It's so big, it's not easy to fight.
57:42It's so hard to fight.
57:44It's so hard to fight.
57:46You are going to be sportive.
57:48You can't do it.
57:50I will explain that this is a very disease that is the case of the disease in Pakistan.
57:55The disease is also the case of the disease in Pakistan.
57:57The disease is found in Pakistan.
57:59We can do this.
58:00Isha's line is written, that Isha is the doctor.
58:03Isha's line is written in the clinic.
58:05Isha is sitting in the clinic.
58:09Okay?
58:10That's my nurse.
58:14That's my nurse.
58:16You become a nurse.
58:18That's why I will also give her motivation.
58:22If she comes to chemotherapy.
58:26Sister's character is a very highlighted character.
58:30Best friend.
58:32Best friend.
58:34Let's write.
58:36Isha.
58:38Coming clinic.
58:39Dialogues.
58:40Dialogues.
58:41We will also write for Isha.
58:42Isha's 4 or 5 dialogue.
58:44And authentic words that you used.
58:47You were talking good.
58:49You were talking good.
58:51You were talking good.
58:53Who?
58:54The inner topic I chose.
58:56I personally felt good.
58:58And I hope that you will chat so much.
59:02That you will do things with them.
59:06I think.
59:07You were talking good.
59:08Three minutes.
59:09Three minutes.
59:10Three minutes.
59:11Three minutes.
59:12How will we do it in three minutes?
59:14Tell me.
59:15Three minutes.
59:16Three minutes.
59:17One performance.
59:18It's a great job.
59:19How are you doing it?
59:20How are you doing it?
59:21Please.
59:22Why I am not hungry.
59:23Why are you doing it?
59:24I am doing it.
59:25I am doing it.
59:26I am doing it.