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ARY Digital
  • yesterday
HOST : HSY
GUEST : Faran Tahir , Adnan siddiqui

PAKISTAN’S BIGGEST REALITY SERIES SUPER DIVA

The 12 super-talented divas, are all set to enter the plush ‘Villa of Dreams’, an amalgamation of ‘fashion and reality’.

Host: Hassan Sheheryar Yasin (HSY)

Stylist: Tabesh Khoja

Contestants:
Sonia Chaudhry,
Nehlofer Irani,
Syed Misha Khan,
Noor Hira,
Rakeeba Khan,
Rameen Faiz,
Sheeza Malik,
Shanzey Mansha,
Noor Fatima,
Romaisa Tariq,
Maham Mirza,
Esha Malik.

Watch Super Diva Every Mon to Thur at 10 pm only on ARY Digital.

#superdiva #Fashionshow #HSY #hassanshehreyaryasin

#arydigital #superdiva #RadianceAndAllure #SoniaChaudhry #NehloferIrani #SyedMishaKhan #NoorHira #RakeebaKhan #RameenFaiz #SheezaMalik #ShanzeyMansha #NoorFatima #RomaisaTariq #MahamMirza #eshamalik #arysuperdiva

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Category

😹
Fun
Transcript
00:00This is the first time I have been doing this for a long time.
00:24This is such a month,
00:26that I have been doing this very well.
00:28This is how much it has been in my bed for me.
00:30His condition is very difficult.
00:34It's my condition.
00:35Don't change my bed for me.
00:40I didn't keep my bed for me.
00:42I keep my bed there.
00:44I keep my bed with my bed.
00:47My bed is broken.
00:49I will put it in my squad.
00:51If it is completely broken, then what will I do?
00:55I will not put my bed with my bed.
00:56My love.
01:00It's all about emotions and expressions.
01:05This is the message of the whole generation.
01:08At least we can play, smile, and smile.
01:16Let's go.
01:17Let's go first.
01:19It's fine.
01:21Let's go first.
01:22Let's go first.
01:23Let's go first.
01:24Let's go first.
01:25Let's go first.
01:26Let's go first.
01:27I'm a girl.
01:28I got a girl.
01:29I'm going to call her.
01:31Please.
01:32Let's go first.
01:33Let's go first.
01:34Let's go first.
01:35Let's go first.
01:36Let's go first.
01:37Let's go first.
01:38I'm not going first.
01:39I'm not going first.
01:40I'm not going first.
01:41I'm not going first.
01:42I'm not going first.
01:43I'm not going first.
01:44I'm not going first.
01:45My mother says that if the day starts with the beginning of the day, it will not be good.
01:51Okay?
01:52I'm not going first.
01:53I'm not going first.
01:54Then the night starts with the night and the night starts with the night.
01:56I'm not going first.
01:57But you have roommates with them.
01:58I'm not going first.
01:59Let's go first.
02:00I've been happening now.
02:01I'm not taking a look.
02:02I'm seeing the camera.
02:03I'm seeing.
02:04Mom and Sonia are coming.
02:08They always say to me, I'm a girl.
02:09I'm a girl.
02:10I'm a girl.
02:11Now I'm a girl.
02:13Look, who's a girl?
02:14I'm a girl.
02:16I'm like, if you're a girl.
02:17If you're a girl, it's a girl.
02:18You're a girl.
02:19No, no, I will tell you, there will be issues coming.
02:23There will also be issues in the camera.
02:26Let me ask you.
02:30One more time, Noor, I will do the same thing.
02:34Then, if you listen to someone's bed,
02:38I will leave a coat on them.
02:41They start to heal.
02:43I am saying that you are very clean.
02:45They don't get clean.
02:48They don't get clean.
02:50They don't get clean.
02:52They don't get clean.
02:54When I say this,
02:56Noor feels bad.
02:58Now tell me, you are clean.
03:00I am alone.
03:02I will tell you,
03:04I will not look at you with Maham and Sonia.
03:07That's why I am not saying that.
03:09I am not saying that.
03:11I am not saying that.
03:13I am not saying that.
03:15I am not saying that.
03:16I am not saying that.
03:17But the thing is that you keep the same thing.
03:20This is the wrong thing.
03:21I am always saying that.
03:23I am always saying that.
03:25The food that is eating,
03:27the food that is not eating.
03:29Why do I not do that, Maham?
03:32I will say that.
03:34I am saying that.
03:35I am doing that.
03:36I am doing that.
03:37We are not saying that.
03:38Who is God's name as God's name?
03:39Then we will try to fight with us.
03:42You're like us.
03:44That's why we fight.
03:46No, no, no.
03:48Why do we do that?
03:49It was very strange.
03:50Stop me.
03:51No, no...
03:52Don't get a clean.
03:53What's going on, brother?
03:57This is for God.
04:00I mean, I mean, you look at this.
04:03I mean, you look at this at night.
04:05You start with the camera.
04:08Camera, action.
04:10Oh, acting.
04:12I don't want to eat anything.
04:14What's going on?
04:16We have a lot of people here.
04:18We have a lot of people.
04:20If you want to keep your own life,
04:23you will see the eyes.
04:26I've never heard of this.
04:28There's a lot of people.
04:30Why do you want to do it?
04:32Why do you want to do it?
04:34Why do you want to do it?
04:36Why do you want to do it?
04:38Why do you want to do it?
04:40Why do you want to do it?
04:42I said,
04:44In the morning,
04:46we have a lot of people.
04:48So, we should do something good.
04:50In the morning,
04:51I'm talking about some of the world.
04:53Just like that.
04:54Okay?
04:55Yes, randomly.
04:56Yes, randomly.
04:57Oh, brother!
04:58Who has to do it?
05:00As long as I've been working on task,
05:02I've failed my first image.
05:05Okay?
05:06But I'm scared.
05:07I'm scared.
05:09I'm scared,
05:10I'm scared.
05:11But now,
05:12I'm scared,
05:13Oh, my God.
05:14I'm scared.
05:15I'm scared.
05:16I'm scared.
05:17I'm scared.
05:18I'm sorry.
05:19I'm scared.
05:20I'm scared.
05:21Why do you come here?
05:22Who's the bed?
05:23Who's the bed?
05:24I'm scared.
05:25I'm scared.
05:26I'm scared.
05:27I'm scared.
05:28I'm scared.
05:29Mom and Sonia,
05:30both.
05:31Both.
05:32Mom and I were talking to me.
05:34Mom said,
05:35I told you I will take the hand of my hand.
05:37I told you I will take the hand of my hand.
05:39Go to my hand.
05:41I told you.
05:43It is your time to do it.
05:45You do it or not.
05:47I will not give it to the speciality.
05:49It is my channel.
05:51I will not give it to the channel.
05:53I will give it to the best friend.
05:55Why did I give it to the first time?
05:57I get a dog.
05:59I get a dog in the morning.
06:01I am hungry in Delhi.
06:03I don't know, I think I'm going to be Sonia's face.
06:07What are you saying?
06:09God forgive me, God forgive me.
06:13I don't know, I don't know.
06:15I don't know, I just do this.
06:17I just want to see.
06:19If I don't know everyone, I've never done anything.
06:23You tell me Sonia, you've only used Sonia's face to me.
06:27You've only used your game to say,
06:31I mean, it's the best.
06:33You talk about your partner, you talk about your partner.
06:37You talk about your partner.
06:39You don't have a great woman.
06:41I say I'm in the mouth, I say I'm in the mouth.
06:43I say I'm not scared.
06:45If you fought me, I told you something.
06:47I said, you go shut.
06:49You will say that the chin will be broken.
06:53You will do it again and you will sit down and they will be negative.
06:57That's it.
06:59I say I'm 23 years old.
07:01I say, God forgive me.
07:03I say, God forgive me.
07:05I say, God forgive me.
07:07I say, God forgive me.
07:09You are so bad.
07:11I'm 23 years old.
07:13I'm sorry.
07:15I and I say, I gotta give up.
07:17I say, God forgive me.
07:19I pray for a girl.
07:21I'd like to do one day.
07:23I will come to my age as well.
07:25I will meet my day, and I will beat each of my days.
07:27And I'll still assist her to her.
07:29I don't care if I'm hungry and I will do something.
07:31The *** that is fucking screaming.
07:33I said, I said, I'm in my stomach.
07:35I said, I'm by the stomach.
07:37Take care of yourself and take care of yourself.
07:42If you have a skin, it will be fine.
07:45It will be fine with your ears.
07:48My tongue will be fine.
07:51It will be fine with your skin.
07:54The people who live in the inside are the outside.
07:58Yes, the people who live in the inside are the outside.
08:01The people who live in the outside are the outside.
08:03The other people who live in the inside are the outside.
08:08They are fake.
08:10They are in the outside.
08:12They are in the outside.
08:14They are in the outside.
08:16They are in the outside.
08:18If someone is blind,
08:20it doesn't mean you are the same as you are with them.
08:23Right?
08:24If it is the same as you are blind,
08:28it doesn't mean you treat them with them.
08:32So if someone is the one who treat them with them,
08:33they say they are poor.
08:35They say they are poor.
08:38They are poor.
08:40They are poor.
08:41They are poor.
08:42I am the winner.
08:44Every person has different talents.
08:46We were here,
08:48yesterday they were naked artist.
08:50They were trying to communicate with them.
08:51They asked how to prepare their plans?
08:53How is it going?
08:55She said that you know very well
08:57that I am a master of this thing.
08:59I am the queen.
09:01I don't know why they have to meet me.
09:03So, what do you mean?
09:05She said,
09:07she said,
09:09don't do my mind.
09:11That means,
09:13you want your footage.
09:15I am not going to give you footage.
09:17I don't know.
09:19I don't know.
09:21What do you mean?
09:23You put it on your account
09:25and get your videos.
09:27They come.
09:29This is not your house.
09:31So, chill.
09:33I don't understand why
09:35I don't get anything else.
09:37Why is it going on?
09:39Why is it going on me?
09:41It's not going on me.
09:43It's not going on me.
09:45It's not going on me.
09:47It's not going on me.
09:49I don't want to let you close theragics of your face.
09:51It's going on me.
09:53It's not going on me.
09:55It's going on you.
09:57So mama,
09:59it's not going on me.
10:01It's going on me.
10:03That's going on you.
10:05I'm sorry for time.
10:07I have to get into this.
10:09Okay, let's suggest that she was talking to me and she said,
10:16I'm coming and she's like,
10:18No, she's talking to me.
10:20She was talking to me and she was talking to me and she was talking to me.
10:24Okay, so this is my own.
10:28I mean, I don't care who's in my room.
10:31I don't care who's in my room.
10:33She's talking to me and she's coming to me and she's coming to me.
10:36If you're so dumb in your room, then you also make content.
10:40If you're so talented, why are you criticizing yourself?
10:44That's what it comes to mind.
10:47Oh, that's a bad energy.
10:51The person who performed the task.
10:53I'm telling you, it's my courage.
10:55I'm living with so bad and negative energy.
10:59I'm still winning on the task.
11:01I've won three tasks.
11:03Wow, there's no blessing for me.
11:06Alhamdulillah.
11:07I'm reading a prayer and I'm going to pray.
11:09I'm reading a prayer and I'm going to go to Rome.
11:11I'm going to pray for a little bit.
11:13No, it's not God's blessing.
11:14No, it's not God's blessing.
11:16It's the devil's coming to me.
11:18You've been reading a prayer.
11:20You've been praying for prayer.
11:21Let's go, let's go, let's go.
11:22You're going to pray for me.
11:24So that it will be in your room.
11:26Why?
11:27You're cleaning your washroom?
11:29You're cleaning your washroom?
11:31You're cleaning your washroom?
11:32You're cleaning, right?
11:33You're cleaning or not cleaning?
11:34Why don't you do it?
11:35It's finished here.
11:36What's your question?
11:38What's your question?
11:40Do you want to eat Narayta?
11:42No, we don't eat Narayta.
11:44Narayta is falling.
11:45Yes, she doesn't eat.
11:47We don't eat the water.
11:48Why don't you eat the water?
11:51Where is Narayta?
11:53Where is Narayta?
11:55Here we go.
11:56Here we go.
12:03Here we go.
12:04Here we go.
12:05Here we go.
12:06The whole night of the crowd.
12:07What kind of private stuff?
12:09What kind of private stuff?
12:10We don't have to do this.
12:11We don't have to do this.
12:12No, no.
12:13This is something very wrong.
12:14Yes.
12:15No.
12:16Sonia, you have to do this.
12:18Because the whole night is dead.
12:20You see the whole night?
12:21You can see the whole night.
12:24I can't go to the bathroom.
12:26I'm going to the bathroom outside.
12:27You don't have to go.
12:28When I was talking about getting it,
12:30it starts to start.
12:31We don't give them to sit in a chair.
12:33The person is such a negative energy.
12:35Why does it have a concern?
12:37You can't get it.
12:38You have to sit in place.
12:39I don't understand the truth of the people of the people.
12:42You don't have to do it.
12:44I don't have to do it.
12:45I'm not a bad person. I'm a bad person.
12:48Sorry to say, I'm not a bad person.
12:52I'm not a bad person.
12:55You don't have a point of view.
12:57I'm not a bad person.
13:02I'm not a bad person.
13:07I'm not a bad person.
13:11I don't want to say good person.
13:14She said she was going to bowl and she was going to bowl.
13:16And now you're going to bowl?
13:18What difference did you have to do?
13:20I'm very impressed.
13:22When you're talking, we don't know if she's going to bowl and she's going to bowl.
13:26We don't have two points.
13:28I'm not sure what it is.
13:30I don't know what it is.
13:32Everyone knows what it is.
13:34I'm not sure what it is.
13:36I'm not sure what it is.
13:38I'm not sure what it is.
13:40Listen to me.
13:42I'm not sure what it is.
13:44I'm not sure what it is.
13:46You can't beat me.
13:48Please come here.
13:50Please come here.
13:52I'm not sure how to do this.
13:54Don't do good at yourself.
13:56Don't do good at yourself.
13:58I'm not sure what it is.
14:00Don't do it.
14:02Don't do it.
14:04I'm not sure what you will do.
14:06I will not do it.
14:08Please give me.
14:10I will stop.
14:12Okay, I will stop.
14:14What is this?
14:16What is this?
14:18My stomach is bad.
14:20Tell me.
14:22Who is this?
14:24I'm sorry.
14:26I'm sorry.
14:28Don't do it.
14:30You're not sure what it is.
14:32I'm not sure what it is.
14:34You're not sure what it is.
14:36You're not sure what it is.
14:38Why are you talking about it?
14:40I'm not talking about it.
14:42Don't do it.
14:44Don't do it.
14:46Don't do it.
14:48Don't do it.
14:50Don't do it.
14:52Don't do it.
14:54What is this?
14:56What is this?
14:58What is this?
15:00It's a natural thing.
15:02It's a very bad thing.
15:04It's a bad thing.
15:06I'm not sure what it is.
15:08I'm not sure what it is.
15:10It's a bad thing.
15:12I said, I'm a wire sweeper.
15:14I'm going to clean the washroom.
15:16What is this?
15:18No.
15:20He didn't clean the washroom.
15:22He didn't clean the washroom.
15:24He didn't clean the washroom.
15:26I did it.
15:28He didn't clean the washroom.
15:30Yes.
15:32He was clean.
15:34What did he clean?
15:36He took me to clean the washroom.
15:38Who did he clean?
15:40What happened?
15:42He took me to clean the washroom.
15:44He took me to clean the washroom.
15:46I'm not sure what he did.
15:48I didn't understand it.
15:50I didn't understand it.
15:52He did it.
15:54I said, he did it.
15:56I didn't know anything.
15:58He said, don't do it.
16:00He was sleeping.
16:02But he talked about it.
16:04I didn't do anything.
16:06I just did it.
16:08I just did it.
16:10I didn't say anything.
16:12He didn't say anything.
16:14He was off camera.
16:16He asked me.
16:18He was off camera.
16:20He was off camera.
16:22He was off camera.
16:24He was off camera.
16:26I just said that he said,
16:28you're off camera.
16:30You're off camera.
16:32You're off camera.
16:34I didn't understand it.
16:36I didn't understand it.
16:38He said he was off camera.
16:40He said he was off camera.
16:42He said he was off camera.
16:44He said he was off camera.
16:46I didn't understand it.
16:48Today, we're going to do this script.
16:50I've written it.
16:52I've written it.
16:54It's a good idea.
16:56I've written it in a girl's jealousy.
16:58Now, I'll remember my lines.
17:00I'll see it on the screen.
17:02I know my friends are very good with Ramessa and Shan.
17:04They're very sweet.
17:06And I like the same vibe that I've given the two girls.
17:10They're very good.
17:12Both are very good.
17:14They're very good, all the actors are good.
17:16They told me how to tell them.
17:18They just got to be so natural.
17:20I thought it was very good.
17:22I think that the script that I wrote was for myself.
17:27This is so naturally me.
17:29When I saw the shirt, it was very nice.
17:33They were also sharing with me, two-two.
17:36Now, I thought that the script will not win.
17:43Camera, please.
17:44Attention.
17:45Camera, please.
17:47You don't listen to me.
17:49Once I was watching, I never told anyone about this.
17:52I never promised anyone about this.
17:54Just look at me.
17:56I sat down and asked if anyone had passed me,
18:00I'll do this.
18:01I'll do this.
18:02Everyone already does this.
18:04My brother doesn't show anything.
18:06They didn't have to see me yet.
18:08Please make me make me make me make me make me make me make.
18:11I'll do this.
18:12I'll do this.
18:14I'll do this some time.
18:16First of all, you need attention, you need camera
18:22You need attention, you need camera
18:24And talk about your limit
18:26And this is for all
18:28I have to sit down, please
18:30I will take my makeup, I will take my makeup
18:32Best friend
18:38Everyone is on top of me
18:40Everyone is on top of me
18:42I think this is for me
18:44But I really don't care, just gang up and attack me
18:52I'm alone
18:54So you have to do this
18:56Or do you have to do this
18:58You can do this
19:00Friendship
19:02At all
19:04Don't talk about friendship
19:06Because you don't know what is actually friendship
19:08friendship, so I will be more than ever.
19:13On camera, no one is my friend from now till the end.
19:20Don't expect anything from me.
19:29Hello.
19:30How many guys?
19:32We're right now.
19:38I'm sorry.
19:39How many guys have come out?
19:42What are you doing?
19:44Girls?
19:45You're scared?
19:47We're all scared and we're all scared.
19:50We're all scared.
19:52We're all scared.
19:54Hi, this is Hassan Shahriyar Yaseen
20:08and we have reached our Act 10 round at Super Diva.
20:11But before we set up the scene,
20:13I would like to meet you with our incredible judges.
20:16On my extreme right is the legendary Adnan Siddiqui
20:19and then with me is the king of cinema, Mr. Nadeem Baik,
20:23director extraordinaire and of course the incomparable Farhan Tahir.
20:26Farhan, before you set up the scene,
20:28I will tell you about judging.
20:30We have five stars, five being the highest, one being the lowest
20:34and Farhan will let us know what we are looking for in this.
20:37What is it that we need to see?
20:39What is it that we need to notice?
20:40Farhan?
20:40First, I am very excited because these people have worked very hard
20:44and all these scenes have written themselves.
20:47So my Nadeem, I think they have done a beautiful job.
20:50They have done a wonderful job at this.
20:52And I am really excited to see
20:54that what is it that we are looking for?
20:56What is it that we are looking for?
20:57I know that you have given some exercises, expressions, dialogue, delivery.
21:01Tell us about the area of expertise,
21:05what do you have taught them to see?
21:06What do you have taught them to see?
21:08Yes.
21:08Well, one thing that I have told them a lot is how to invest in the moment.
21:14Because acting is not wrong.
21:17Acting is to invest in the moment.
21:20And in that moment, it is true.
21:22So we have to see how clearly and how effectively they can give us that level of performance.
21:31So I think that's what I am looking for in this performance.
21:35Are you guys ready?
21:35Yeah, yeah.
21:36And Mr. Shahid, your next film star, you will be looking forward.
21:40Looking forward to it as well.
21:42So without further ado, at Super Diva, we have Maham, Fatma and Shaza.
21:46I am going to be looking forward to it as well.
22:16I am going to be looking forward to it as well.
22:27Ammi, what is happening?
22:29You are feeling frustrated.
22:33Nothing.
22:33No.
22:35After the day, I will be getting closer to it again.
22:43Ammi, I have said so many times.
22:46Don't get upset.
22:50If you have a wedding, it's a tension.
22:54I will never get married.
22:56That's it.
22:59Amen.
23:01Hello.
23:04Look at this dress. It's so beautiful.
23:07Please, please, please, let me take this dress.
23:10How are you?
23:12Can I show you?
23:14Oh, wow.
23:15Hello.
23:16What a beautiful dress.
23:17Very beautiful. Please, please, let me take this dress. Please, you.
23:21I will take it.
23:23I'm going to sell my salary, right?
23:24Yes.
23:25Just wait.
23:27Yes.
23:28I will tell you my friend.
23:29I will take my dress.
23:31You are right?
23:32Yes, you are right.
23:41I will make food.
23:45I will be...
23:46I will take my dress...
23:47I will take my dress...
23:48I will take my dress...
24:01I'm just trying to...
24:08Ami?
24:13Ami?
24:15Ami?
24:16Yes?
24:18Ami?
24:19What happened?
24:21Ami?
24:22Ami, what happened to Ami?
24:25What happened?
24:26Look, Ami.
24:31Ami?
24:33Ami?
24:41Ami... Ami, Ami...
24:42It's not anything happened to me.
24:43That's why I had been a medicine.
24:45Ami is resting here.
24:46Let's go.
24:47Stop.
24:48Stop.
24:49Ami is resting.
24:51Go.
24:52I'll come to your house and get home.
24:53What happened to you?
24:55What happened to you?
24:56Ami is leaving us.
24:58What happened to you?
25:00I told you I'll get my dress.
25:03I'll get my dress.
25:05I'll get my dress.
25:07I'll get my dress.
25:09You can make food.
25:11Afeel.
25:21Afeel.
25:23Afeel.
25:24Afeel, you can't leave me like this.
25:27Afeel.
25:29Afeel, I said I'll get everything.
25:32Afeel, don't do anything.
25:35I'll get everything.
25:37Afeel, please.
25:38Please, leave me alone.
25:40After leaving, you are our daughter.
25:44Afeel, you can't leave me alone.
25:47Afeel, come on.
25:49Afeel, I'll get everything alone.
25:54Afeel.
25:58Afeel.
25:59Afeel.
26:00Afeel.
26:01Afeel.
26:02Afeel.
26:03Afeel.
26:04Seven, your dad.
26:06Afeel.
26:07Afeel.
26:08We will get married too. I will get married for a little girl.
26:11Please, get up.
26:13Don't leave me alone.
26:35Well done. I want to start with Farhan.
26:37Farhan, Farhan.
26:38Take us through.
26:39Look, the thing is good.
26:41The physicality in the character was different.
26:45Okay, now you are playing the mother, but I could see the mother there.
26:50It's not that you have a lot of dialogues.
26:53But it's how you commit to the role.
26:55So I could see that each one had the distinct way of communicating this story.
27:00So I think that was the biggest winner in the scene.
27:04Absolutely.
27:05I will tell you.
27:07I want to start with Fatma.
27:10Fatma, overall it was a really solid performance.
27:13I didn't think that you were acting first.
27:15That was a great advantage to you.
27:17So congratulations. Good job.
27:19Mom.
27:20All the things I liked was a commitment to role.
27:23You have never been committed to role.
27:25You are a beautiful model.
27:28You want to go back into beautiful things.
27:31You didn't commit to beauty.
27:32You committed to the character, which I really liked.
27:35And the other thing I liked was that you had a little shock.
27:39And the shock for many characters and actors are difficult.
27:43Especially when you are in the camera, you can show shock with an eye expression or a slight jolt.
27:47Just on your body behind you to show that you are not committing.
27:51You don't have to commit.
27:52You don't have to commit.
27:53It was very good.
27:54And I thought that was very good.
27:56Plus your voice control was very good.
28:01Shiza, I think in the beginning you had a little hiccups.
28:06You felt a little made-believe.
28:08And when you are in the scene, you are much stronger.
28:11So that is my take.
28:13Nadeem.
28:14You make people believe in that.
28:24You are a young girl, Fatima.
28:26And you played a mother.
28:28You didn't have a dialogue.
28:29But I could see a mother in your body language.
28:32In the actions that you were doing.
28:35After few seconds in the scene,
28:37I forgot that these are some new actors who are performing.
28:41I started believing in this story that you all three were telling.
28:46The best part about this specific portion was
28:51The collective energy
28:54And you were in sync with each other in the scene.
28:59Whatever the scene was telling you.
29:01Whatever emotion that each one of you was portraying was good.
29:06In any place, I didn't feel like someone is just going out of the character.
29:11So Fatima, you've done a great job.
29:13You didn't have a dialogue.
29:15I could see that.
29:16But you still made me believe in the character that you were playing.
29:21Maham, you had the strongest part.
29:24And you delivered it really well.
29:27Cooking without the props and miming the scene is difficult.
29:32And I'm sure that you were doing a lot of other things in this show.
29:37And this is just one part.
29:39But you've done a good job.
29:41Shiza, your body language was good.
29:46And your dialogue delivery is good.
29:50You made me believe in the pain that you went through.
29:54So great job.
29:57Well done.
29:59Well done.
30:00Well done.
30:01Well done.
30:02Well done.
30:03Thank you sir.
30:04Thank you sir.
30:05Thank you sir.
30:06Thank you sir.
30:07Thank you sir.
30:08Thank you sir.
30:09Thank you sir.
30:10Thank you sir.
30:11Thank you sir.
30:12Thank you sir.
30:13Thank you sir.
30:14Thank you sir.
30:15Thank you sir.
30:16Thank you sir.
30:17Thank you sir.
30:18Thank you sir.
30:19Thank you sir.
30:20Thank you sir.
30:21Thank you sir.
30:23Thank you sir.
30:25You're the result in the process of your Лائن Assimis
30:43Okay.
30:46bhi hachi tii. Aap ko sb se zia da lines bhi mil gai is wujay se. Mager line ziaada
30:51hoona koi kamaal nii hota. To eek actor bada hota hai, koi role bada nii hota. Eek line
30:58wala bhi bhoat bada actor ho sakta hai. Aar bhoat sari line wala role bharbaat
31:02karsakta hai. To aap ne phoob nibhaya. Aap shiza bhoat achi rihin. Mujhe aap
31:09duna ki joh chemistry tii na, woh bhoat achi legi. Aap dunao meh laga ke aap
31:15loge nai eek rehasil ki wii hai. Well done. Aap shuruo mei aap thubi
31:19si ghub raii tii. Mager pakar lia aap ne. Woh bade baat hai ki
31:23pakarna zhururi hai sene ko. Well done all of you. Thank you sir. Thank you
31:26so much. Aadhan. Okay. Aap ne numbers please eke kira kira
31:30nam lene. Aapna please. Okay. Sure. Maham. Aap bhoat uchha laga
31:34mujhe. Saadhe tien. Well done. Aap Fatiha dhai. Yeah. Isi tariqe
31:41aap ka bai dhai hai aap ka team ka sko saadhe aat. Excellent.
31:47Thank you Udanan. Thank you so much. Aam Nadeem aap aapna
31:50scores hume please wada seke. So aam maham you are four. Fatima
31:56you've done a good character of that old lady. Yes. Four. Shiza three. Thank you so much.
32:05For me, I would say Maham, you were four. Fatima, you were four. Shiza, you were three. And his total score is 11 of this scene.
32:20Maham, great performance, great presence and your delivery was very strong, especially when I was behind you. I gave you four.
32:30Fatima, the lines were low, but the way you delivered every single part of the emotion, that was very, very powerful. I gave you four marks.
32:40Shiza, your performance, though it started a little bit, but it ended on a very strong note and your great potential, I gave you three.
32:49Well done, ladies. Well done.
32:51Now we're about to go into the second performance, just with our characters who are playing, Romesa, Shanze and Misha.
33:00Oh, my God.
33:05Oh, my God.
33:07Oh, my God.
33:13Oh, my God.
33:16Okay.
33:17Oh, my God.
33:20It's such a form, it is like he's feeling in his heart.
33:25I will give you a love with him.
33:31I will give you a love with him.
33:35The reward is such that
33:38the reward is not worthy.
33:43To change the reward,
33:45you need to know your mind.
33:50In the words of heart,
33:52where did your mind come from?
33:54Do you have to go on the way of heart?
33:56No.
33:57If you have to go on the way of heart,
34:00then you have to take a step.
34:03Yes.
34:06In this husband,
34:08there is also a burden.
34:12Don't be afraid of those steps
34:14that you can hold your love.
34:16The one that you see the love of love
34:21under the door,
34:23the five of the flowers,
34:25can be made up of them.
34:27What do you think?
34:29What do you think?
34:30I have a love for this love.
34:34With the freedom of the people of this life,
34:37you can only give Hasan Shariah a little.
34:44Do you feel that freedom is yours?
34:48This is not possible because Hasan Shariah is mine.
34:56I thought you did very well.
34:58I really, I think
35:00this was a big challenge
35:01only in the beginning
35:03I will say that
35:03you are a little nervous
35:05but after that you picked it up
35:08and I think you did a wonderful job
35:09thank you so much
35:10we will start with Shanzay
35:13Shanzay, the lines that you had
35:17because I had a lot of fun
35:18in that I wanted a growth
35:20ability to grab our attention
35:24which I think you could have done better
35:25but overall very good
35:27thank you so much
35:28Misha, your feelings
35:29your facial expressions
35:31what we can see from here
35:33they were very strong
35:34dialogue delivery
35:37because at the beginning
35:38I thought you were a little nervous
35:39your nervous tension was better
35:41and you did the end very strong
35:44which was very good
35:46and I think you did a lot of acting
35:49I am very impressed by it
35:52thank you
35:52Romessa, you stole the show
35:54from your first line
35:57delivery to the last line
35:58delivery to the last line
35:59you had the biggest strength
36:00in your three
36:01acting was very strong
36:02presence was very strong
36:03and the voice delivery
36:05was very strong
36:06and a transition
36:07from when she becomes a different kind of a character
36:12that everything changed
36:15overall I thought this was a great production
36:17well written and well executed
36:19thank you sir
36:20so I'll start with the Misha
36:23Misha as he said
36:25your first dialogue
36:27when you come and you know
36:28you sit on that
36:30I think to start
36:32you needed a little more
36:34kick to it
36:35little more energy to it
36:37to get my attention
36:38which you lost a little bit
36:41but you picked it up later
36:43the part where you two
36:46said
36:47both of you said
36:49a same line together
36:50that was a good coordination
36:52and people miss that
36:54but you pulled it off
36:56really well
36:57Shanze
37:00you were good
37:01in your body language
37:02you were very comfortable
37:04in playing this character
37:06and your delivery was good also
37:11Rumaysa you are gifted
37:13you have a good voice
37:16you have a good smile
37:19and you are confident
37:22and you delivered it really really well
37:25thank you sir
37:26thank you sir
37:27thank you sir
37:27I will just say this, I will say that I am very happy that I have been lost in the beginning.
37:37Something happened, I have repeated it again.
37:41I have been very happy, but I have been very happy.
37:45Shantze, very good present. Thank you sir.
37:49Thank you sir.
38:13So Rumeisa, your score is 4. I am very happy. Shantze is 4. And Misha, your score is 3.
38:21If I have a score, it is 12.
38:25I think Rumeisa is someone at the top. She is 4.5.
38:32Thank you sir.
38:33Shantze is 3.5 and Misha is 3.
38:37Misha, great performance.
38:39But it was more than your voice was carrying through.
38:42And I gave you 4.
38:45Shantze, great potential.
38:47You can learn a lot more.
38:49The potential is also.
38:51And you are very comfortable in your role.
38:53But I gave you 3.
38:55I gave you 3.
38:57Rumeisa, yours was my favourite performance of the night.
39:01Absolute favourite.
39:02And I usually don't do this, but I gave you a perfect score of 5.
39:08Rumeisa, 4.
39:10Thank you sir.
39:12Shantze, 3.
39:14Thank you so much.
39:15Misha, 4.
39:17Thank you so much.
39:18Your score is 11.
39:20Thank you so much.
39:21Well, congratulations.
39:22Let me tell you.
39:23Hassan Shariyar, you are all.
39:24Thank you so much.
39:25Thank you so much sir.
39:26Thank you so much sir.
39:39If you are setting this up, I don't feel like setting this up.
39:41Of course.
39:43It feels very beautiful today.
39:45You know, I am so beautiful.
39:47That's you.
39:49Rameen.
39:50One second.
39:51Rameen.
39:52One second.
39:53Rameen.
39:54I have to talk very much.
39:55Excuse me.
39:56You are not looking at me while I'm working here.
39:57I have to talk very much.
39:58I have to talk very much.
39:59What did you do today?
40:00What did you do today?
40:01I have to talk very much.
40:02What did you do today?
40:03What did you do today?
40:04You should wait for your turn at least.
40:05Who is who is junior and who is senior?
40:06I will tell you later.
40:07I think I am done.
40:08Give me a second ladies.
40:09I need some.
40:10Rameen, you saw her attitude.
40:12Because of you, we have so many projects.
40:13We are best friends.
40:14Who is your friend?
40:15Who is your friend?
40:16Who is your friend?
40:17Who is your friend?
40:18I have to ask her.
40:19Who is your friend?
40:20I have to ask her.
40:21And I will take it down.
40:22And I will take it down.
40:23And that's it.
40:24You told me.
40:25You told me.
40:26I will give you the next project.
40:27It's all undercover.
40:28Really?
40:29Yes.
40:30I am so excited.
40:31Excuse me.
40:33What do you think?
40:34You will take my place.
40:35And you will help me take my place.
40:36I will be here because it is my hard work.
40:37And if I have signed my next big project, I don't need it.
40:38Don't forget it.
40:39That project has been made for me.
40:40What are you saying?
40:41What did you hear?
40:42What did you hear?
40:43What did you hear?
40:44What do you mean?
40:45We are friends, Rameen.
40:46We are working on this project for 6 months.
40:48Modeling is a matter of the way.
40:49You will have no need for me.
40:51Don't forget it.
40:52That project has been made for me.
40:53What are you saying?
40:54What did you hear?
40:55What did you hear?
40:56What do you mean?
40:57We are friends, Rameen.
40:58We are working on this project for 6 months.
41:01Modeling is a matter of the way.
41:03You don't have friends.
41:04I can't deal with this unprofessionalism.
41:06Don't do this in my work space.
41:08Excuse me, please.
41:09Listen to me, at least.
41:10Rakeeba, we are friends, man.
41:14You will find any other work.
41:15Why are you doing my work?
41:17What?
41:19You remember, right?
41:20You were doing everything from me.
41:22Now your time is gone.
41:23Now it's my time.
41:24I'm going to shine.
41:26Huh?
41:31Meija, you won't take me.
41:36Meija.
41:42Well done, Rakeeba.
41:43Well done, Hira.
41:44Well done, Rameen.
41:45Farhan.
41:46I think you guys did a really good job, Rakeeba.
41:49I think in the beginning, you were a little nervous.
41:51I felt a little bit that you had some issue with, where can I keep my hand?
41:55You know, but then you picked it up.
41:57Yeah.
41:58And in reality, acting is the only thing.
42:00If you are working on stage, sometimes you forget some things.
42:03But it's not what you forget.
42:05It's the grace with which you cover it up.
42:07Yeah.
42:08Yeah.
42:09And I think you did that very well.
42:11You, I think, brought a very, very strong character.
42:15And I could see that there is an attitude in this girl.
42:18Okay.
42:19And I could see the vulnerability at the end of it.
42:22So I thought it was very well done.
42:23It was very well done.
42:24Thank you so much.
42:25Adnan.
42:26I love the presence.
42:27Your presence is very strong.
42:31Rameen is very strong.
42:33Your body language is very strong.
42:36I was looking for confidence in a model.
42:39Your way to stand up.
42:41All the best.
42:46All the best.
42:47It was a good drama, this part that you guys wrote.
42:52I wish that you could write a little more about the same situation, but nonetheless.
42:59Rakeeba, it doesn't matter, you forget.
43:03But coming back is important.
43:05Hira, you were very good.
43:09Just a little, one thing that I would like to say that in the initial part when you were
43:15sitting and Rameen was doing your makeup.
43:19That part you did really well.
43:21Thank you so much.
43:22And the heart-breaking part could have been a little, little better.
43:27I felt your performance a little weak.
43:30I felt that you wrote a lot of fun.
43:33But under a sense of conviction, you should know that the girl who lives in our house,
43:38who lives and understands that I have a very big thing,
43:41and Rakeeba, you have great presence.
43:46And Rakeeba, you have great presence.
43:49You have great presence.
43:50You have great way of doing that.
43:52I was the character that you probably have modeled on the top of the top of the top of the top of the top of the top.
43:56I was also the core character.
43:58It was very easy.
43:59It was easy.
44:00It was not giving away.
44:01It was very good.
44:03But I felt that because your voice has a strength,
44:07I will deliver a little bit more.
44:09And if you were just a snide way that you put it down,
44:12it could be a bit more snide.
44:14But overall, it was great.
44:16The most favorite part, which I liked, was your beginning.
44:19To give one sentence for three months,
44:22like in fashion,
44:23one's commitment makes three kinds of commitments.
44:26One makes three kinds of commitment.
44:27One makes three kinds of commitment.
44:29It makes three kinds of commitment.
44:30It makes three kinds of commitment.
44:31It makes three kinds of commitment.
44:33That was the smartest.
44:34And for that, I gave you guys very hard marks.
44:36Well done.
44:37Well done.
44:38Rakeeba, you're three.
44:39Well done.
44:40Well done.
44:41Well done.
44:42I liked your body language.
44:43Well done.
44:44Rakeeba, you're three.
44:45Hira, four.
44:46Rameen, four.
44:47Rameen, four.
44:48Rakeeba, three.
44:49Hira, four.
44:50Rameen, five.
45:04Judge صاحب.
45:05Judge صاحب.
45:06کہ آپ کے خیال میں ذہنی تناؤوں اتنا بڑا مسئلہ ہے.
45:08کہ ایک ماں کو اپنی تناؤوں اتنا بڑا مسئلہ ہے،
45:19Judge صاحب یہ ایک ایسی ماں ہیں جو ذہنی تناؤ کا شکار ہیں
45:24ان کی مالی حالت انتہائی کمزور ہیں
45:27یہ کیسے ایک بچے کی پرورش کر سکتی ہیں
45:30objection Judge صاحب
45:32کہ آپ کے خیال میں ذہنی تناؤ اتنا بڑا مسئلہ ہے
45:36کہ ایک ماں کو اس کے بچے سے جدا کر دیا جائے
45:39میں آپ سے درخواست کرتی ہوں
45:41کہ میری موقعہ کو کچھ بولنے کی اجازت دی جائے
45:44میرا اس دنیا میں میرے بچے کے سوا کوئی نہیں ہے
45:47میں کیسے اپنا بچہ کسی اور کو دے دوں
45:49Judge صاحب جو ماں اپنا خیال نہیں رکھ سکتی
45:53وہ ایک بچے کا خیال کیسے رکھ سکتی ہے
45:56objection Judge صاحب
45:57ذہنی تناؤ ایک ایسی بیماری ہے
46:00جس کا علاج مکمل طور پر موجود ہے
46:02لیکن ایک بچے کی اچھی پرورش
46:05اس کی ماں سے زیادہ کوئی نہیں کر سکتا
46:08میری آپ سے درخواست ہے
46:10کہ یہ بچہ ان کی ماں کے حوالے کیا جائے
46:12Judge صاحب میں ان کی موکلہ سے یہ سوال پوچھنا چاہتی ہوں
46:17کہ ان کا ذریعہ آمدنی کیا ہے
46:20یہ باشرہ آخر عورت کو اتنا کمزور کیوں سمجھتا ہے
46:23جب میں ایک بچہ پیدا کر سکتی ہوں
46:26تو میں اس کو ایک بہتر زندگی بھی دے سکتی ہوں نا
46:28Judge صاحب میں آپ سے یہ درخواست کرتی ہوں
46:31کہ میری موکلہ کو تمام مالی وسائل فراہم کیے جائیں
46:34تاکہ وہ اپنے بچے کی اچھی پرورش
46:37اور اس کو اچھی تعلیم دلوا سکتے
46:40اور یہ سارا فیصلہ ہم آپ پر چھوڑتے ہیں
46:43جی پرام
46:48so very well done
46:49i think again
46:51courtroom scenes بہت مشکل ہوتے ہیں کرنے کے لئے
46:54لیکن i will say
46:55sonia there is a stillness about you
46:57which i really like
46:59stillness میں strength ہوتی ہے
47:00and i could see that stillness in you
47:03and i really appreciate that
47:04isha i think your emotional connection
47:07to the character into the scene
47:09was palpable
47:10i could feel
47:11کہ آپ کا بچہ جو آپ سے چھن رہا ہے
47:14so that was nicely done
47:17nilafur i think you have
47:19a really wonderful voice
47:21and i see
47:22کہ آپ کا کوئی theater کی training ہے آپ کی
47:24yes sir
47:25مجھے نظر آ رہی تھی آپ میں
47:26صرف اتنا کہوں گا
47:28ایک دو جگہ
47:29جو ہم نے پہلے ہی بات کی تھی
47:31pacing and picking up the cues
47:33yes sir
47:34is important
47:34کیونکہ خاص طور پر
47:36courtroom drama میں
47:37جیسے ہی energy down ہوگی
47:39the tension will go down
47:41so تھوڑا سا وہاں پہ
47:43we needed to make sure
47:44that we picked up the cues
47:46yes sir
47:47مال
47:47آپ تینوں نے اچھا کیا
47:48میں آپ سے شروع کرتا ہوں
47:51سونیا
47:52دیکھیں جب آپ
47:53کوئی character کر رہے ہوتے ہیں
47:55اردو کا character ہے
47:56تو آپ کی جو
47:57expressions ہوتے ہیں
47:59وہ بالکل اردو والے ہونے چاہیے
48:01ہیں
48:02ٹھیک ہے نا تو مجھے ایسا لگتا ہے کہ آپ کو اپنی اردو پہ بھی کام کرنا پڑے گا
48:06تعلیم نہیں ہو سکتا نا تعلیم ہوگا
48:09ٹھیک ہے نا تعلیم ہونا چاہیے وہ
48:12اور موجود نہیں موجود ہونا چاہیے
48:14موجود نہیں ہوتا موجود ہوگا
48:16ہم ایک جب ڈراما بناتے ہیں
48:19تو پورے پاکستان کے لئے بناتے ہیں
48:20اور وہ پورے پاکستان کی جو قومی زبان ہے وہ اردو ہے
48:23ٹھیک ہے جی
48:24تو اس وجہ سے
48:25آپ کا بھی مجھے اچھا لگا
48:28بہت اچھا لگا
48:29مجھے جو آپ تینوں میں جو
48:30ایک چیز جو میں نے محسوس کی
48:32جو coordination تھی نا وہ تھوڑی پورت تھی
48:34وہ ذرا
48:36strong ہونی چاہیے تھی
48:37آپ کی آواز کی میں نے کل بھی تعریف کی تھی
48:40اس کو اور اچھی طریقے سے استعمال کر سکتی ہیں
48:42مجھے یہاں لگا تھوڑا ساپ کمزور نہیں
48:45اوکے
48:45از ادنان ساید
48:47the coordination could have been a little better
48:51how
48:51you could have looked
48:53at that character that one is defending
48:56or you know you're talking to
48:58نیلوفر tried
49:00moving from her place
49:02which was
49:03which was interesting for me to see
49:06otherwise
49:07نیلوفر your confidence
49:09was remarkable
49:10your voice is really good
49:12your energy is really good
49:14Sonia
49:15somehow
49:17you were talking softly
49:21but you were more convincing for me
49:25I wanted to listen to what you're saying
49:28somehow
49:29آپ کی جو ڈیلیوری تھی
49:31جو بات آپ کہہ رہی تھی
49:33اس میں ایک بات تھی
49:34کہ آپ بہت conviction سے کہہ رہی ہیں
49:36so I wanted to believe in what you were saying
49:39so
49:40well done
49:41great job
49:42the emotions
49:43that you showed
49:45Isha
49:45they were really good
49:47and you didn't shy away
49:49from how you look
49:51you didn't shy away
49:52how you would sound
49:55so that confidence
49:57and
49:58was great
50:00so you all three of you
50:01have done a good job
50:03I wish you could
50:04just
50:05play a little more
50:06with your foot
50:07the
50:08you know
50:09the footwork
50:10or you could
50:10just move around
50:12that would have been
50:13more entertaining
50:14but well done
50:15مجھے لگا
50:18کہ آپ نے جو
50:18ٹاپک چنا ہے
50:19یہ بہت بریف ٹاپک تھا
50:20اور اس ایشو کے پر
50:21highlight کرنا
50:22ایک ایسے پلیٹ فارم کے اوپر
50:23آپ تینوں نے جکی ہے
50:25مجھے اس وقت
50:25سارا تینوں
50:26سوپر ڈی باز نظر آ رہی ہیں
50:27you activated people
50:29and that's for me
50:30a سوپر ڈی باز
50:30نیلو فر
50:31well done
50:32تین آپ کا سکور ہے
50:34جو ایک conviction تھی
50:35نا
50:36ایک لائر کی
50:36وہ نظر آ رہی تھی
50:37سونیا آپ کا ساڑھے تین ہے
50:45نیلو فر
50:48three and a half
50:49سونیا
50:50four
50:51ایشا
50:52three and a half
50:53four and a half
50:54or three and a half
50:55کا مطلب یہ نہیں ہے
50:56that you performed less
50:57but there are certain things
50:59that one is doing
51:00better than the other
51:00نیلو فر
51:01a three
51:03سونیا
51:04i think you were very good
51:05آپ کی بہت اچھی
51:06ایک performance
51:07and it deserved
51:08a solid four
51:09ایشا
51:11well done
51:12you got a four
51:13and نیلو فر
51:14four
51:16سونیا four
51:18and ایشا five
51:19total score 13
51:21we're very lucky
51:26to have
51:26the best team
51:27in television
51:28doing this show
51:29but
51:29اس کے ساتھ ساتھ
51:30میں یہ موقع بھی
51:31لینا چاہوں گا
51:32to thank
51:32فران تاہر
51:34جو انہیں
51:35دو دن میں
51:36literally
51:36in two days
51:37in three days
51:38in total
51:39چپ سپ شروع ہیں
51:40to the time of performance
51:41جس
51:42جو میں
51:43بارک انتسان
51:44چھوڑ کے گیا تھا
51:44آز میں وہ بارک انتسان
51:46نہیں دیکھ رہا
51:47یہ
51:47and the growth
51:48is amazing
51:49باران تاہر
51:50so the credit
51:51goes to them
51:51کیونکہ آپ
51:52کسی کو کچھ بھی کہہ دیں
51:54but you being a mentor
51:55that's also very important
51:57the way
51:57i'm sure
51:58the way
51:58you have given them
51:59the confidence
52:00that can be seen
52:01میں بھی یہ کلاس لوں گا
52:03اور میں بھی
52:04ندیم کی
52:04نیست فلم میں ہوں گا
52:05thank you so much
52:06thank you
52:07thank you so much
52:08all of you
52:09sir thank you
52:10so boys
52:10before i go
52:11i want to thank you
52:12عدنان
52:12thank you
52:13میں جانتا ہوں
52:13کہ تم کتے بزی ہو
52:14اور ابھی بھی
52:14تمہارا وقت
52:15جو ہے وہ
52:15کافی قیمتی ہے
52:16تم نے بھاگنا ہے
52:17مگر تم نے
52:17مرتا وقتی ہے
52:18بہت شکریہ
52:18تمہارا میرے دوست
52:19ندیم
52:20thank you
52:21he's calculating
52:21something
52:22and Nadeem
52:23thank you for coming
52:24pleasure
52:24pleasure
52:25it's a pleasure
52:26have you
52:26and Farhan
52:27i can't thank you enough
52:28what a joy it is
52:30مگر جاننے سے پہلے
52:30میں تم سے ایک سوال
52:31ضرور کروں گا
52:31جیسے آپ جانتے ہیں
52:32کہ ہمارا
52:33super ڈیوہ کا
52:33competition جو ہے
52:34it's a competition
52:35of the all-rounder
52:36can she do everything
52:37کیا وہ
52:38ہماری next start
52:39بن سکتی ہے
52:39اور start بننے کے لئے
52:40سب کچھ کرنا پڑے گا
52:41so تھوڑا سا
52:42on the spot
52:42ڈالوں گا
52:43ادنان
52:43اگر ان سب میں سے
52:45جتے تم نے
52:46performances دیکھی ہیں
52:47کوئی ایسی
52:48performance ہے
52:48جو تمہیں سکتا ہے
52:49کہ تمہاری
52:50co-start بن سکتی ہے
52:51اور اگر ہاں
52:51تو کون
52:52اچھا
52:53یہ ٹیم میں
52:56تھی
52:56رومیسا تھی
52:57رومیسا
52:59شانزے
52:59اور
53:00میشا
53:01ان تینوں میں
53:03وہ صلاحیت ہے
53:04اور
53:05میں ان کے ساتھ
53:07کام کرنا چاہوں گا
53:08اپنی production
53:09میں لینا چاہوں گا
53:10اگر میں نہیں بھی
53:11کرتا ہوں
53:11تو ضرور ان کے ساتھ
53:12اپنی production
53:14میں کام کرنا چاہوں گا
53:15fantastic
53:15یہ تین
53:17یہ تین
53:17fantastic
53:18ندیم تم
53:19ایسی فرمز بناتے ہو
53:21جس میں
53:22میں بھی ترستہ ہونے کے لئے
53:23اگر تم اپنی
53:25نیکس فرم بناو
53:26کیا تمہری اس کے اندر
53:27ایک upcoming
53:27possible
53:28next
53:40star ہے؟
53:41اس کے اندهولند
53:53um she has that confidence and conviction that an actor needs and lastly Farhan
54:01you have worked with everyone, trained everyone, there is one requirement obviously of a star
54:07but there is one requirement of a star that can cross international boundaries
54:11Hollywood can go to Hollywood, is there any performer or contestant that you see and if
54:17you do find someone like that who is she there is good potential in all of them yeah remember
54:23Mesa I think has a wonderful potential of of transitioning and then quick transition
54:31so there's that I think Rameen can do really well and partly because she has a an exposure to
54:41to that part control over language control over language there's a stillness yeah which I really
54:47like yeah yeah yeah many times actors and actresses she does they dissipate their strength
54:53and move very much you know at some point when the other girl was walking and she just said this
54:59and then she kept doing what she was doing that was really well exactly she would do really well there
55:04so with your permission the great host and the acting coach
55:12because of all this happened and you did it seriously thank you so Nadeem
55:18in my opinion there is one of the only one that we have been given to you yes absolutely it's very obvious
55:22with the with the numbers that we all have given her and numbers have all been totaled and they've been
55:27tallied by our team as well and I think we have a clear winner yeah why she is a winner it's just that
55:33one moment when she believed in what she was saying it's just that one moment when she was talking to us
55:41talking to the audience and she believed in it and I could see that I think Mesa uh is the winner
55:47absolutely congratulations for myself congratulations well done thank you so much guys thank you so
55:54much pleasure thank you thank you okay that was great fun yeah good fun
56:03competition abhi khatam nui hua mujhe lagta competition do abhi shuru hua because
56:07last week jab humne fashion show or fashion ki sari segments ki teh to muje paka
56:12yakin tha ke koon si larki hai jo ghar jari hai magar unfortunately yeah fortunately for her
56:16fashion segments were itti strong thine ke humne aapna sara game plan change karna pada
56:21and mujhe laga ke sari abh bhoat zyadha keepable hoti jari hai toh ek or chance dhena pardta hai
56:27this week they have all surprised us the acting competition was unbelievable faran sahab
56:32ne chokhia zokhia magar jis tarah ladkiyou ne woh sari training sikhi or delivery ki performances
56:37ki it was unbelievable stay right here because super diva is just about to blow you away right here on
56:43ary see you tomorrow