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00:00Oh, come on, come on
00:30I don't know
00:34Lord
00:36What I told you in the Karachi
00:38That...
00:40I didn't want to say anything
00:46Why are you coming back, Faraz?
00:48No one said that
00:50The value of your desire
00:52Is in the distance
00:54After you, I asked myself
00:56What is the most important thing for me?
00:58What is the most important thing for me?
01:00Your happiness or
01:02My happiness?
01:04The only answer is
01:06Our happiness
01:08Now, after so many years
01:10We didn't get to be alone
01:12Why?
01:14And, child
01:16You can say happiness
01:18If you can say
01:20If you can say
01:22I will also say
01:24What is the most important thing for me?
01:26I don't want to say that
01:28For any happiness
01:30You put all your happiness in your heart
01:32Lord
01:34This happiness is very important for me
01:36This happiness is very important for me
01:38You said
01:40You said
01:41That
01:42In this age
01:43We will not have a child
01:44We will not have a child
01:45Now
01:46We will not have a child
01:47We will not have a child
01:48We will work with her
01:50Now
01:51Look, go to the shop
01:52And
01:53We will not have a paper
01:54We will not have two papers
01:55That
01:56Give me two papers
01:57Why?
01:58One
01:59For a child
02:00And
02:01One
02:02For a child
02:03And
02:04One
02:05For a child
02:06And
02:07One
02:08You are very good actor
02:09Oh
02:10But
02:11Not so much
02:12I have made this decision very difficult
02:15Don't do it
02:16Please
02:17Please
02:18Don't worry
02:19Please
02:20Please
02:42Oh Nabeer
02:43Where are you from now?
02:45Uh
02:46Nani
02:47Where are you from now?
02:49Where are you from now?
02:50We
02:51Are you from now?
02:52We are from now
02:53We are from now
02:54We are from now
02:55We are from now
02:56You are from now
02:57You are from now
02:58Romantic mood
02:59Oh Nani
03:00A person is always
03:01Romantic mood
03:02So
03:03When
03:04When
03:05What happened
03:06On the marriage
03:07Then
03:08What happened?
03:09You are very happy
03:10You are
03:11Oh
03:12Whatever you hear
03:13You are
03:14You are
03:15Of course
03:16Nani
03:17Thank you
03:18You are
03:19You are
03:20You are
03:21You are
03:22You are
03:23You are
03:24Who are you
03:25Nabeer
03:26Nani
03:27There are
03:28Some people
03:29Here
03:30Here
03:31Here
03:32Tell
03:33Where are you
03:34Nani
03:35Where are you from now?
03:36Nani
03:37She will be in the room
03:38Laila
03:39She said
03:40There is no need
03:41Why?
03:42There is no need
03:43What will you do
03:44Nani
03:45Nani
03:46If
03:47There is no need
03:48What?
03:49What?
03:50What are you talking about?
03:51Why are you not
03:52Maayu?
03:53Yes
03:54This is
03:55This is
03:56This is
03:57This is
03:58This is
03:59This is
04:00You
04:01For
04:14I can go in
04:15Oh
04:16Silla
04:17Everything is fine
04:18Come in
04:19Come in
04:20What was
04:21You
04:22Says
04:23But I don't want you to get married or married.
04:30I don't want you to get married or married.
04:35I don't understand.
04:38Because this is my family.
04:42I don't want to create a whole family in front of them.
04:46When everything is gone and married, we'll discuss it.
04:50What are you saying?
04:51Stop acting, Sabha.
04:53As you don't know what I'm saying.
04:55I don't know what you're saying.
04:58I'm talking to you and Azhar.
05:06Look, I don't want to create any complications.
05:10I've just told you that at this moment, my family is very tense.
05:14And I don't want to leave this issue at this time.
05:19What does it mean to me, Sabha?
05:21You know what I'm saying.
05:23You know what I'm saying.
05:24You're going to leave the office for a long time.
05:27You're late at home.
05:28You're going to reach home.
05:30And you're going to reach home.
05:31I mean, you're attractive.
05:33You're a boss.
05:34You're divorced.
05:35And then with Azhar, this is a special treatment.
05:37Do you know what you're talking about?
05:39Yes, I know what I'm saying.
05:41Maybe you don't know what you're doing.
05:43There's a child coming here.
05:45Sila, I think you should just stop this rubbish now.
05:51I've decided to get to Azhar from Azhar.
05:54I just wanted this.
05:56No.
05:57I didn't want this.
05:59Of course.
06:00Of course.
06:01That's why there's more time with you.
06:04Please, Sila.
06:06Just stop now.
06:07And I think you should leave.
06:10Why?
06:11You're listening to me, right?
06:13You understand why your divorce happened.
06:16What happened?
06:29That's right.
06:30So, Farad-shaab, you've had a lot of time.
06:32You've spent so many days.
06:33It was just a few things like that.
06:36That's why it's been a little late.
06:38Uncle, you don't know.
06:39You won't release such a promotion.
06:41You won't release such a promotion.
06:42You won't have to come to your marriage.
06:44Okay.
06:45Let's go.
06:46Let's go.
06:47Let's go.
06:48Let's go.
06:49Let's go.
06:50Let's go.
06:51Hello.
06:52Hello.
06:53Hello.
06:54What the matter?
06:55Chaudri-shaab didn't look like you.
06:56Where were you?
06:57I was sitting in a tent.
07:00Chaudri-shaab is a young man.
07:02Sayima-ji.
07:03He's wearing his clothes.
07:05He's wearing his clothes.
07:06He doesn't want to wear a wedding.
07:10Do it.
07:11What else do you want to do?
07:12Yes.
07:13What do you mean?
07:14Oh.
07:15Oh.
07:16Oh.
07:17Oh.
07:18Oh.
07:19Oh.
07:20Oh.
07:21Oh.
07:22Oh.
07:23Oh.
07:24Oh.
07:25Oh.
07:26Oh.
07:27Oh.
07:28Oh.
07:29Oh.
07:30Oh.
07:31Oh.
07:32Oh.
07:33Oh.
07:34Oh.
07:35Oh.
07:36Oh.
07:37Oh.
07:38Oh.
07:39Oh.
07:40Oh.
07:41Oh.
07:42Oh.
07:43Oh.
07:44Oh.
07:45Oh.
07:46Oh.
07:47Oh.
07:48Oh.
07:49Oh.
07:50Oh.
07:51Oh.
07:52Oh.
07:53Oh.
07:54Oh.
07:55Oh.
07:56Oh.
07:57Oh.
07:58Oh.
07:59Oh.
08:00Oh.
08:01What do you mean?
08:02Tell me what you're talking about.
08:04Okay, okay.
08:06Actually, I'm going to break this marriage.
08:10Heart attack!
08:12Heart attack!
08:13You're kidding, right?
08:15No, I'm serious, yaar.
08:17Double heart attack.
08:19Leila!
08:20Stop, don't you.
08:22You're crazy.
08:23You said that you don't get married,
08:25you won't get married to anyone.
08:27Look, it'll get married or not.
08:30But it won't get married.
08:31Why?
08:32Why?
08:33Why?
08:34I love her, yaar.
08:35Aww.
08:36You didn't know this story before?
08:38It was another story before.
08:40And so,
08:42now Dolly doesn't want to get married.
08:44Did Dolly tell you?
08:45No, but I know.
08:48Oh.
08:49Oh.
08:50Oh.
08:51Oh.
08:52Oh.
08:53Oh.
08:54Oh.
08:55Oh.
08:56Oh.
08:57Oh.
08:58Oh.
08:59Oh.
09:00Oh.
09:01Oh.
09:02Oh.
09:03Oh.
09:04Oh.
09:05Oh.
09:06Oh.
09:07Oh,
09:07M Seo.
09:09Huh.
09:10Oh.
09:11Oh.
09:12Or what you deserve?
09:13Nabeel, seriously,
09:14do you have any idea what're you're doing right now?
09:15suburbs.
09:16I'm doing the right thing.
09:18And that's why he's a bad guy,
09:20he doesn't like a dolly.
09:22Okay. And you are?
09:24I am or not.
09:26At least,
09:28at least I love him.
09:30And that bad guy,
09:32he's just married in his ego
09:34and convenience.
09:36Who knows?
09:38I didn't tell him myself.
09:40I'm proud of him.
09:42Yeah, absolutely.
09:44I'm not talking to you.
09:46I'm not talking to you.
09:48Nabil, please.
09:50You guys are so old friends.
09:52Do you think I'm talking to you?
09:54No, I don't think you're talking to me.
09:56And what are you?
09:58I hate you.
10:00But I love you.
10:02Do you know all the dolly?
10:06That stupid
10:08pressure is talking to you.
10:10Okay.
10:12It means that at the end of the moment
10:14you want to become a dolly
10:16and become a Shah Rukh Khan.
10:18You're right.
10:20Almost.
10:22But my situation is a little bit difficult.
10:24Because at least Simran
10:26in your dreams,
10:28you have to have to make a dolly.
10:30You're right.
10:32Why are you laughing?
10:34If you're a dolly,
10:36you have to have to make a dolly like that.
10:38I'll see her.
10:40And that's why I won't know.
10:42She seems to have to be a dolly scene.
10:44She seems to have to be a dolly scene.
10:46And she wants to be a dolly.
10:48What do you mean?
10:50How many other scenes of Azzar have to be a dolly scene?
10:54Apparently,
10:56there's no other scene of Azzar.
10:58Okay.
10:59Let's not even go there.
11:00Yeah.
11:01Tell her.
11:02Oh, it's with her dolly.
11:04Dolly's dolly.
11:13Oh, she says,
11:14she has no love.
11:16Oh, what?
11:17I don't have no love.
11:19You're both love.
11:21She's a dolly.
11:22She's a dolly.
11:23I'm a dolly.
11:24I'm a dolly.
11:2514th?
11:26If you listen to her,
11:27you don't say that.
11:28She's a dolly.
11:30She's a dolly.
11:32Let's go.
11:34She's a dolly.
11:35She's a dolly.
11:36She's a dolly.
11:37My name is a lady.
11:39Okay,
11:40what do I do?
11:41What do I do?
11:42She'll ask me.
11:43She'll ask me.
11:45I'll ask you for asking.
11:47You're not.
11:48She'll listen to me.
11:50She'll ask me.
11:51Okay,
11:52if I record her in her voice,
11:54she'll go.
11:55No, no.
11:56Oh, Rani.
11:57I'm not trying to understand.
11:58I don't have a problem today.
12:00I don't have a problem today.
12:01Oh,
12:02M.E. will start again.
12:03What do I do?
12:04Do you understand?
12:05I always understand.
12:06Oh,
12:07you're so much love.
12:11Okay.
12:12If you can't ask me,
12:14then
12:15it's okay.
12:17Oh,
12:18I'm not.
12:19I'm not.
12:20I'm not.
12:21But I have a rule.
12:23I'll be married in a dolly.
12:25I'll become a dolly.
12:27And if you haven't called me,
12:31I'll call the press party tomorrow.
12:33I'll call her for the press conference.
12:35Rani,
12:36I feel like you won't be running from the press conference.
12:39I'll do it.
12:40You're the best.
12:41You've killed me,
12:42the same thing as Seema Chaudhary.
12:45I'm not married in his house.
12:48I don't know my name is Rani.
12:50It's not Rani.
12:52Yes, it's okay.
12:54It's okay, Mamani ji.
12:56What? No, no.
12:58No, Mamani ji, I'm saying a little bit.
13:00Abba ji, I'm not going to be crazy.
13:04Mamani ji, how can I tell you?
13:10What's your problem?
13:12Only five minutes.
13:14Do you think anything about five minutes?
13:18Mamani ji has seen you and I'll do it.
13:20If Mamani ji has seen you,
13:22then I will say
13:24that it's about five minutes, Baba.
13:26Okay, let me go.
13:28Dolly.
13:30If you haven't given me five minutes,
13:32then I'm going to go back to you.
13:34Why?
13:36What?
13:38My dad.
13:40I don't think so old.
13:42I don't think so old.
13:44Tell me.
13:46Tell me.
13:48Tell me.
13:50Tell me.
13:52Tell me.
13:54Tell me.
13:56Tell me.
13:58Tell me.
14:00Tell me.
14:02Tell me.
14:04Tell me.
14:06What is the matter of such a matter
14:08that you've been so much?
14:10You've been so much.
14:12Nabeel.
14:13What?
14:14Don't you do a person
14:16even do anything?
14:17Before I said that
14:18you don't give any compliments.
14:19I didn't come to this
14:20for studying.
14:21You just said that.
14:23What do you want to listen to?
14:25I'm going.
14:27Dolly.
14:28Listen to me.
14:29That's...
14:30Here.
14:31Here.
14:32Here.
14:33Here.
14:34Here.
14:35Here.
14:36Here.
14:37Here.
14:38But my son is not a year.
14:40Yes.
14:41But my son is not a year.
14:42Next month.
14:43I thought we won't be together.
14:45So I'll have to meet you.
14:47What happened?
14:48What happened?
14:50What happened?
14:52Look, Nabeel.
14:54You're doing all this
14:55and I'm not a pity.
14:58I'm not a very difficult one.
15:00Oh, I'm so much so sad.
15:02I've taken a cake with such a big cake.
15:04Nabeel, I've made this decision.
15:06Please, don't bother me any more.
15:09Don't bother me?
15:10Don't bother me?
15:11Don't bother me?
15:12Don't bother me.
15:13Don't bother me.
15:14Don't bother me.
15:15Don't bother me.
15:17Don't bother me.
15:18Don't bother me.
15:19Wait a second.
15:20Wait a second.
15:21Do you not want to do love with someone else?
15:24Yes.
15:25You're going to do this.
15:27Do you?
15:28Yes.
15:29I'll do it.
15:31Think about it.
15:33It's a whole life.
15:35I've thought.
15:36Dolly, you know this thing
15:38that you want to marry your ego
15:40only for your ego?
15:42They love my family.
15:46You've told me about your family.
15:49Oh, you're going to talk to your family.
15:53No, Nabeel.
15:55The time has been over.
15:57Dolly hasn't married yet.
15:59And in marriage...
16:00Nabeel.
16:01The courage in your heart,
16:03you'll find me.
16:05Okay.
16:06Then, once again,
16:07you're going to tell me
16:09that you're not really love me.
16:11Uncle!
16:13I have to come here.
16:15Uncle!
16:16Hello.
16:17I'm going to talk to you.
16:19I'm going to talk to you.
16:29What are you doing here?
16:30No, Uncle.
16:31How are you?
16:32I'm fine.
16:33What was happening here?
16:34What was happening here?
16:35I was coming here.
16:36I was not on the chair.
16:37I wasn't on the chair.
16:38I didn't have a signal on the chair.
16:39I was on the chair.
16:40I was on the chair.
16:41Yes, yes, yes.
16:43See,
16:44in our life,
16:45there are not even
16:46signals on the chair.
16:47Therefore,
16:48we have to go on the chair.
16:49Absolutely.
16:50Really?
16:51Yes,
16:52you were not on the chair.
16:53But,
16:54we were on the chair.
16:55But,
16:56we were on the chair.
16:57Yes,
16:58Uncle.
16:59So,
17:00Excuse me?
17:01Yes.
17:10Aazar,
17:11you have to stay in the office.
17:12You have to come home.
17:13You have to come home.
17:14You have to come home.
17:15You have to come home.
17:16I mean,
17:17you're attractive.
17:18You're the boss.
17:19You're divorced.
17:20And then,
17:21with Aazar,
17:22you have special treatment.
17:25You're right,
17:26you're right.
17:27You're right,
17:28you're right.
17:29Now,
17:30why are you getting divorced?
17:31Now,
17:32you're getting divorced.
17:33Why didn't you get divorced?
17:44Why did you get the phone?
17:46Why are you here?
17:49Where are you?
17:50You are working,
17:51Aaritan.
17:52I was on the side.
17:53All day?
17:54Yes, I have to do the work because I will take a baby for a wedding.
17:57Good.
17:58Do you meet with my uncle?
18:00Yes, I met at the morning.
18:01There was a lot of trouble.
18:05And Silla?
18:10Look, I know that there are misunderstandings with my wife.
18:15I should not say any other person in front of me.
18:17But that day that happened, that...
18:20Look, I don't want to lose patients quickly.
18:24But this is happening a lot.
18:27I am also a human.
18:28There is no limit to me.
18:30In pregnancy, women are like this.
18:33What do you mean, auntie?
18:34That whatever she wants, she will say.
18:37Whatever she wants, she will say.
18:40There are mood swings.
18:42Auntie, there are mood swings.
18:44But you don't trust in your mouth.
18:46I don't trust her.
18:47Before the divorce, I would convince her about Dolly.
18:50And now...
18:51I know.
18:52Silla has something wrong.
18:54If you know her, please understand her.
18:57Please.
18:58I will leave her for her.
19:00I will do double work here.
19:02But it is also a surprise for her.
19:04Aasir, she only wants your attention.
19:07Auntie, this is not the case of attention.
19:09In her heart, she is afraid...
19:11that she will not come to my life.
19:16I am sorry.
19:18You are okay.
19:20There are some mistakes that are so easy.
19:24I love Silla.
19:28But that is my love.
19:30You don't have to lose my heart.
19:32I will lose my heart.
19:34Because...
19:35And we will lose my heart.
19:52Dolly!
19:53This is a big role.
19:55She's not a big role.
19:57You are a big role.
19:58She's not a big role.
19:59She's not sure.
20:00She's not a big role.
20:01Suki, tell me.
20:02Is she not a big role?
20:03Um, mashallah, I'm very loving.
20:05Why, Vicky?
20:06Yes, who is here?
20:08Oh, please, just do it.
20:10This is not fair, man.
20:12These girls who are married, why do they call us?
20:15Why don't they call us?
20:17You're very missy, Laila.
20:19Do it too. I'll call my mother.
20:22Why, Vicky?
20:24Please, don't worry.
20:26You're sitting down with your mother's face.
20:29They're very busy.
20:30Oh, yes! I was going down.
20:32Thank you, Jonathan.
20:34Oh, ho.
20:36You're very beautiful.
20:39I love you.
20:40What?
20:41What?
20:42I love you, Sukiya. You know that.
20:45Oh, I love you too.
20:47How much do you want?
20:48No, no. I'm telling you.
20:50The wedding is happening somewhere.
20:53And the face is on your face.
20:57It seems like no one is happy with your wedding.
21:01Oh, Nabil.
21:02You always have to talk to someone.
21:03You have to talk to someone wrong.
21:04And you're doing this in the room?
21:06They're calling Vicky to me.
21:09And Laila, you called me for gift wrap.
21:12Yes, wrapping paper.
21:14I called it for wrapping.
21:16There are scissors.
21:17Wrapping paper.
21:18It's got scotch tape.
21:19Let's go.
21:20Let's go.
21:21Let's go.
21:22Let's go for scotch tape.
21:23Yes, scotch tape.
21:24Wrapping.
21:25Wrapping.
21:26Wrapping paper.
21:27What colour is it?
21:28I don't know.
21:29Yes, scotch tape.
21:30Let's go.
21:31What did you think of it?
21:32Yes.
21:33That's a good idea.
21:34What colour is it?
21:36What colour is it?
21:37I don't know.
21:38Yes.
21:39So what did you think about it?
21:47Yes.
21:49That's what wrapping paper is.
21:53I don't know.
21:56Yes.
21:57Yes, yes.
21:58I brought all these things to you.
22:00And Vicky Putar, I brought this to you.
22:02This is so loud.
22:04Putar, you made a shirt.
22:06It's so sweet.
22:09And this is for you.
22:12Thank you very much.
22:13What was the need for this problem?
22:15What was the problem?
22:17And I brought this to you.
22:21Let's take it to you.
22:23Assalamualaikum.
22:24What's going on?
22:25Assalamualaikum.
22:26Assalamualaikum.
22:27Assalamualaikum.
22:28Assalamualaikum.
22:29Assalamualaikum.
22:31Assalamualaikum.
22:32Am Đēв excite.
22:33Amutan'i, think exfoli.
22:34How's the do?
22:35He is the female queen.
22:36Assalamualaikum.
22:37So what?
22:38This yes, you know him.
22:41Assalamualaikum.
22:42Assalamualaikum.
22:43Assalamualaikum.
22:44Translating.
22:53Yes, I don't know how to get out of the way.
22:57You are so beautiful.
23:00Varaz, I believe in your film.
23:02Look at 3-3 times.
23:08Of course, you will have a lot of good looking.
23:11Seema.
23:13Okay, so I'll tell you a little bit.
23:15If you don't do a man, I'll ask you a question.
23:18What's your question?
23:19Look, I'll tell you a little bit about the picture.
23:23That's right.
23:25That's right.
23:26We'll be busy at that time.
23:28We'll be busy at the moment.
23:30Let's take a camera.
23:32Yes, I'll take it.
23:34I'll tell you.
23:36You can see the picture.
23:39Yes, I'll tell you.
23:41Yes, I'll tell you.
23:43Okay, I'll tell you.
23:45You'll be close.
23:47You'll be close.
23:48Yes, that's right.
23:49Sit here.
23:50Sit.
23:51Sit.
23:52You'll be close.
23:53Keep the camera on your face.
23:55I'll tell you.
23:56You'll be close.
23:57I'll tell you.
23:58You'll be close.
23:59It'll be close, Saima.
24:00No, it'll be close.
24:01I'll put you in the car.
24:03Faraz, you'll be like the pose,
24:05like we were playing in the kids.
24:07You'll be close.
24:08Faraz, you'll be close.
24:10I'll tell you.
24:12Faraz, come here.
24:14Come here.
24:15Look.
24:19Vala.
24:20Vala.
24:21Vala.
24:22Vala.
24:23Vala.
24:24Silla,
24:25what was needed to talk to you in the hotel
24:28how can you be so rude?
24:29Listen I was really angry, okay?
24:32Oh, now you're not angry?
24:34Now you're going to be angry with you.
24:35Now you'll be angry with your sister.
24:37That's not a lie.
24:39There is no such thing.
24:41Mama had to say all these things.
24:43Please don't have to say anything, Sila.
24:45I know you well.
24:47Whenever you are guilty,
24:49this puppy expression comes to your face.
24:54What will I do now, Sukhi?
24:56Why are you asking me?
24:58What did you ask for me?
25:02Now wait till Sabha Azhar tells you all the things
25:04and then you have to throw your door at home.
25:07I don't believe you, Sila.
25:18Where are you from?
25:20What happened?
25:22It was cut from Kenchi.
25:25It was cut from Kenchi.
25:26It was cut from Kenchi.
25:28It will be fine.
25:30When you did not want to do rapping,
25:32who did not want to do it?
25:34It was cut.
25:36Oh, leave it.
25:37It will be closed.
25:38It will be closed.
25:39It will also be closed.
25:40There will be infection,
25:41then you will know.
25:42Okay,
25:43you stop.
25:44I will take my perfume.
25:45Oh,
25:46stop.
25:47There is no need for it.
25:49Just sit here.
25:50There is no need for it.
25:51There is no need for it.
25:52There is no need for it.
25:53And listen,
25:54it will feel.
25:55But please,
25:56don't have to be so sure.
25:58Don't have to be so sure.
25:59Don't have to be so sure.
26:01Look.
26:02Look.
26:03Look.
26:04Look at her.
26:05How are you?
26:06Why?
26:07You put perfume on your ear.
26:08What?
26:09Sorry.
26:10Look.
26:11Look.
26:12Look.
26:13Look.
26:14Look.
26:15Look.
26:16Look.
26:17What?
26:18What?
26:19You put perfume on your ear.
26:21What?
26:22Sorry.
26:24Look.
26:25Look.
26:26Let's see.
26:32Dolly.
26:33You would say that you are not even to love.
26:35Dolly.
26:36Dolly,
26:37dolly,
26:38dolly,
26:39dolly,
26:40dolly,
26:41dolly,
26:42dolly,
26:43dolly.
26:44Dolly,
26:45dolly,
26:46dolly.
26:47Dolly,
26:49dolly,
26:50dolly,
26:52dolly.
26:53Dolly.
26:54Just try and see one more time.
27:03Nabeel, go here.
27:24I don't want to hear my story, Anand.
27:33I'm telling you, if I didn't get married, then I'll do this.
27:38I'll do the phone to the media.
27:40I'll do something good.
27:43I don't hear anything. You can do it again.
27:46Yes.
27:48Mr. Chaudhary, where are you?
27:52Yes.
27:54Mr. Chaudhary.
27:56Mr. Chaudhary, there are a lot of work in the family.
28:00I can understand.
28:01Yes.
28:02Mr. Chaudhary, I checked the list.
28:04Mr. Chaudhary.
28:06Mr. Chaudhary.
28:08Mr. Chaudhary.
28:10Mr. Chaudhary.
28:12Mr. Chaudhary.
28:14Mr. Chaudhary.
28:18Mr. Chaudhary.
28:22Mr. Chaudhary.
28:24Mr. Chaudhary.
28:27Mr. Chaudhary, are my oldest children.
28:29Mr. Chaudhary, have a problem with them.
28:32Mr. Chaudhary, she is your daughter.
28:34Mr. Chaudhary?
28:35I would call her.
28:37Mr. Chaudhary.
28:39Tell her, why don't you pay her money?
28:41Mr. Chaudhary, she is a stage actress.
28:45Mr. Chaudhary, your family?
28:47Mr. Chaudhary.
28:48Mr. Chaudhary.
28:49Jhingalala?
28:50Yes, yes.
28:51The thing is that the same thing is that people don't like to call this.
28:55No, no.
28:56Which one is wrong?
28:57Look, the people are human beings.
28:59I am saying this to myself.
29:01Now, there is a very old society to them.
29:03I am not understanding.
29:06I can understand.
29:11If you help me, you can do my job.
29:14I?
29:15But what can I help you?
29:18Sir, the thing is that if you want to invite her,
29:24then Seema doesn't have any advice.
29:27But Chaudhary, I don't even know her.
29:30Sir, she was a great actress.
29:35She has been left today.
29:37That's okay, but...
29:39Sir, today I have a need for another person.
29:42I will always be ashamed of you.
29:45Please don't do that.
29:49Thank you, sir.
29:50Thank you, sir.
29:52Thank you, sir.
29:53I will tell you.
29:54I will talk to you.
29:55I will not speak to you.
29:56No, sir.
29:57No, sir.
29:58It's very good.
29:59I will talk to you.
30:00I will talk to you.
30:01I will go to the next time.
30:02I will not see anything after you.
30:03I will tell you how many things are.
30:04I will tell you.
30:05Yes, Faraz Ji.
30:07You took a long time.
30:08It was a long time.
30:09It was a long time ago.
30:12Samia Ji, I saw that you invited a lot of people to the wedding.
30:18If I call one guest, there will be no doubt you.
30:23What is the matter of asking, Faraz Ji?
30:25If you ask this, you did something to me.
30:28No, no.
30:29Now, until you call me, I will not believe.
30:31Then, you will just believe it.
30:33Because I have already invited you.
30:36Who is it?
30:37Who is it?
30:38Yes, she is.
30:39She is the actor of the stage.
30:41Malka Rani.
30:47Do you remember me, Malka Rani?
30:49How much love is it?
30:51How much love is it?
30:52What do you need to call me?
30:54Now, don't do any new issues.
30:56What do you mean to call the wedding?
30:58What do you mean to call the wedding?
31:00Samia Ji, do you have any problem?
31:02My problem will end.
31:05I am so confused.
31:07Oh, wow.
31:08Then, you have to hold your hand.
31:10Hey, hey.
31:11What happened?
31:15You are so lucky.
31:16You are so lucky.
31:17You are so lucky.
31:18You are so lucky.
31:19You are so lucky.
31:20You are so lucky.
31:21You are so lucky.
31:22You are so lucky.
31:23Very lucky.
31:28Come on.
31:29Silla?
31:30Yes.
31:31I am so lucky.
31:32I am so lucky.
31:33No.
31:34There is someone else to see you.
31:35Come on.
31:38Hi.
31:39Sabha.
31:40Hi.
31:41I am going to go.
31:42Make-up, hair, etc.
31:47I am sorry.
31:48I am going to sitra.
31:49Actually, I am going to Lahore.
31:51No.
31:52It is okay.
31:53Come on.
31:54Sit down.
31:55Aasir has just gone out.
31:57Yes, I know.
31:58I have told you about this.
32:00But I came to talk with you.
32:02Yes.
32:03Look, I am sorry.
32:04What the purpose of this life?
32:05Yes.
32:06Ahm.
32:07You are so lucky.
32:08I am so sorry.
32:09I have to be my hat and be moved with you.
32:11I would not have to do this.
32:13It is okay.
32:16Only if I am where I am,
32:18I must do this.
32:19When I left my family in America
32:25I had to come to visit my family.
32:27I have set my life with my own family.
32:30I met Azhar when I was there.
32:33And he realized that no one can live alone.
32:40Maybe I was so close to this realization that you were suffocating.
32:48I don't know if you will believe it or not,
32:50but Azar and I don't have anything.
32:54And nothing can happen.
32:57He loves you so much that he can't do anything.
33:01I don't know what to say.
33:06I didn't feel guilty for you.
33:10I have to thank you that you gave me your position in the right time.
33:17Otherwise,
33:19with Azar like a sweet and genuine man,
33:22anybody can get carried away.
33:27Anyway,
33:28now,
33:30it's been a long time for me to get to Lahore.
33:33Please, Dolly, please give me a blessing from my side.
33:36Are you married?
33:38No.
33:40I have been very long before.
33:42I will leave here.
33:44Why don't you stay in Azar Basata?
33:47That's why I want to go to Azar Basata.
33:49I want to go ahead.
33:50Because knowing him,
33:52he will stop.
33:56I'm really sorry.
33:58So am I.
34:02And good luck with the baby.
34:03I will leave you.
34:04I will leave.
34:05I will leave me to Karachi.
34:06You will leave me to the delivery of my side.
34:07I will leave you to my side.
34:08I will leave you to the delivery of my side.
34:09I will leave you to the delivery of my side.
34:15And Silla,
34:17you should not tell your story to Azar and your side.
34:24Nafis.
34:25Nafis.
34:26Nafis.
34:47Are you girls?
34:49Where are girls?
34:51Where are girls?
34:52I don't know, Aunty.
34:53You have not worn a dress of girls.
34:55Saima Ji,
34:56I am dying to the girls.
34:57I will send girls.
34:58I have to take care of them.
34:59I have to take care of them.
35:00I have to take care of them.
35:02Okay.
35:05How are you, Dula?
35:07Dula is not listening to Dula's name.
35:08You are listening to her and listening to her.
35:10You are not listening to her.
35:11You are not listening to her.
35:12That's why Aunty is tired.
35:14That's why.
35:19Or that's why.
35:23That's why Aunty is so funny.
35:24That's why Aunty is so funny.
35:25I am not your son, Dali.
35:27I know you and Nabil.
35:29But I don't know anything about Nabil.
35:30But I don't know anything about Nabil.
35:32If I do not know anything about Nabil.
35:36I don't know anything about Nabil.
35:37Aunty.
35:38Maybe she is here.
35:40But I have told her that now there is not anything.
35:45You can't do anything now.
35:48Are you doing this because you can't do anything now?
35:51Or is it because you are really good?
35:55What do you feel?
35:57I'm telling you.
36:00But now it's been a long time.
36:03It feels like it can be done at the end of the time.
36:08He's talking about his experience, right?
36:11If you look at facts, nothing is impossible.
36:14You know your mother.
36:17They will leave us.
36:19But they won't hurt us from their children.
36:22Have you told them?
36:23I know your mother and your father.
36:26My mother didn't believe it.
36:28And my father didn't say it.
36:31The story is that why the mother is so hard.
36:34They are the most proud of their children.
36:38I don't know.
36:40Maybe I'm scared of talking to you.
36:43I'm scared of talking to you.
36:44I'm scared of talking to you.
36:46Bye.
36:47Bye.
36:48Bye.
37:01Bye.
37:01Bye.
37:02Bye.
37:04Bye.
37:04the
37:16I
37:19I
37:22I
37:24I
37:26I
37:28I
37:32I
37:33I have a
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