La actriz mexicana recuerda cómo fue trabajar con José Ron en la telenovela La mujer del Vendaval en 2012.
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00:00I think we both have matured a lot.
00:02I remember, for example, the woman from Vendaval,
00:06he...
00:08I'm going to say it, but...
00:10he was frustrated when he was wrong.
00:12We can work with memory,
00:15we can work with an apper,
00:17and it's complicated.
00:19People then think that
00:21to use an apper is very simple,
00:23and it's easy,
00:24and it's easy to learn from memory.
00:26It requires a very special ability
00:29to use an apper correctly,
00:31because, well, for repetir,
00:32cualquiera puede repetir,
00:33but actuar while you're listening to someone
00:35and you have a person in front.
00:37And I remember that he was frustrated
00:39when he was equivocating.
00:40He was frustrated,
00:41so much, much, much.
00:42And now I see it a lot more...
00:44aterrizado,
00:45more maduro,
00:46more obsessive
00:48when studying,
00:50but,
00:51more tranquility in that sense.
00:52I think I've also matured a lot of things.
00:55I find this novel
00:56with the surprise
00:57to be able to access my emotions
01:00in a way more easily.
01:02I've always been there,
01:05but it's more easy.
01:07I've always been there,
01:08but it's more easy.
01:09Something happened within me
01:10that, well,
01:11I don't know,
01:12maybe I empathize more
01:13with these situations
01:14that are happening to my character.
01:15I'm a mom in my life real.
01:17I'm a mom in my life.
01:18I'm a mom in my life.
01:19I'm a mom in my life.
01:20I'm a mom in my life.
01:21I have a series of things
01:22that I move a lot
01:23as a woman,
01:24as a human being.
01:25So,
01:26I think
01:27in general,
01:28that would be that
01:29to me,
01:30the matured
01:31of both.
01:32I mean,
01:33this time has been passed,
01:36but,
01:37absolutely,
01:38the complicity still has been there.
01:39We have a very good team.
01:42We make a lot of strong
01:43together,
01:44the one to the other,
01:45when we see situations
01:46that can be vulnerable
01:47by the nature of the scene,
01:50or by how it is happening,
01:52between him and I talked to him to put things on the table that can improve what we are doing.
01:58An attack of laugh that we did, because it was very, very, very fun, very frustrating,
02:06because you know that when you get an attack of laugh, it's a attack of laugh,
02:10no, no, no, no, there's nothing to do. Fortunately, our director didn't take a bad,
02:17we also shared with Danny Luján, but it was a scene where we were
02:21like him and I and Danny Luján in the second plane, like that she entered the scene and
02:26salied, and I don't know what happened, the truth is that no, I don't remember what happened,
02:29but I saw it and I started to give a lot of laugh, and he saw it and he started to give a lot of
02:36laugh, and it was an attack, attack, attack of laugh, that we could not stop, but really,
02:40that you can get to be able to finish the scene, because you know, there is this thing
02:44great of not being able to stop laughing, but I mean, I have a lot of people watching,
02:49I have a lot of people watching, I have a lot of people watching,
02:53I have a lot of people watching, and I have a lot of people watching this video,
02:58so they have to stop there in the audience, and say the text from there,
03:00and I have a lot of people watching Tata and I, because it was already
03:04here because our part, let us know, has left, has got to be able to hand
03:05and read a lot of work on Danny that was coming to dance and
03:08. So, well, so we were here, I think we were in the event, but I think,
03:13esto resume muy bien el tipo de
03:15relación que tenemos, que finalmente es
03:17de mucho respeto, de mucha amistad,
03:20este, compartimos
03:21cosas, ¿no? Como del sentido
03:23del humor y demás. Hay otras que por supuesto
03:25chocamos mucho, este,
03:28pero bueno, pues,
03:29¿no? Así son las
03:31relaciones humanas. Yo soy muy rápida para hacer
03:33las cosas, extremadamente rápida.
03:35Yo tengo récord de cambiarme
03:37en dos minutos, yo estoy cambiada,
03:39o sea, corro, regreso,
03:41y Ron es muy ritoso,
03:43diría yo, o sea, él se toma
03:45su tiempo para hacer
03:47cada cosa, y a todo
03:49le da un momento y un espacio,
03:51entonces es como, ¡córrele!
03:53Entonces, mi camerino está
03:54al final, el de él está como más,
03:57como al principio del pasillo,
03:59entonces siempre paso y le toco
04:01la puerta de ¡córrele! ¡córrele, ya te gané!
04:03Entonces llega, poniéndose el zapato,
04:05no, es que tú, este,
04:07no, te vistes más rápido, porque es solamente un vestido,
04:09no, no, es un vestido, es un vestido, collar,
04:11aretes, anillos, ta, ta, ta,
04:13entonces creo que eso, eso es a lo que más
04:15chocamos, que yo soy muy rápida y él es bastante
04:17más lento.