Poker Face Season 1 Episode 8
#CrimeTVShowUSA
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Short filmTranscript
00:00I think you were 40 years ago.
00:04Don't you think I was?
00:06That's it.
00:14Max! You understand?
00:16I know you do!
00:24Ah!
00:30Ahh!
00:34The End
00:41The End
00:44The End
01:48I feel as if I've stepped into a time machine.
01:54Oh, my God.
01:56Is that a steam bed?
01:58The perks of being a dropout.
02:00I can just do what I do my way.
02:03It's nice.
02:04I don't think in all these years that I've told you, but I'm sorry.
02:13No, Laurie.
02:14It was my fault.
02:16Not yours.
02:18After what happened, I needed to leave the company.
02:23Besides, it was almost 30 years ago.
02:27I kept up with your work, you know.
02:29The superheroes in space with the fourth dimensional explosions.
02:36New tools.
02:37That's all it is.
02:39CGI.
02:41I think you would have loved it if you gave it a shot.
02:44I needed something real to hold on to.
02:51And the service was nice.
02:54Laura, you're here for a reason, aren't you?
03:10These were always my favorite.
03:12I don't know how you'd do it.
03:17Capture a soul with latex and paint.
03:24Do you think it's possible to be forgiven by the dead?
03:30No.
03:31I tried for 30 years.
03:34The best we can do is forgive ourselves.
03:37Max and I were getting divorced.
03:49I haven't spoken to him for years.
03:51I'm sorry.
03:52We were still partners at work.
03:54We kept the facade.
03:56But at home, things had gotten really bad.
04:00On the day he died, I asked him to come and see me to talk through some of the final things of the divorce agreement.
04:05And one thing led to another, and I started a fight.
04:10It was the same old fight.
04:12I was singing again.
04:14But this time, something broke.
04:18He ran outside from the house, and he turned and looked at me one last time.
04:29And jumped.
04:32Oh, Jesus.
04:33Before he went over the edge, his eyes.
04:41Eartha, I came here to hire you.
04:46No, no.
04:49I came here to beg you.
04:51I need you to make me one of your maquettes, of Max.
04:54I need to look into his eyes and beg the forgiveness of a ghost.
05:00And maybe he'll forgive me, and maybe he won't.
05:02Maybe I'm damned to follow him over that cliff.
05:06But I need to know.
05:09That's why I'm here.
05:10You can say it.
05:20I've lost it.
05:21I must sound nuts.
05:23Grief is a strange creature.
05:25I just can't let that be the last time that I see his face.
05:28I need to apologize.
05:30I need to beg his forgiveness.
05:32And you're the only one who can bring him back from me.
05:34You are the only one who can understand.
05:36I know you do.
05:38You would do the same thing.
05:40Dad.
05:42Dad.
05:43I know you're the only one who can bring him back from me.
06:13Max.
06:37Oh, Max.
06:38I'm so sorry.
06:43My God, Laura.
06:54My God.
06:56How could you?
06:57It was 40 years ago.
07:01If I could undo it, I would.
07:04But it's done.
07:06We're here and now.
07:10Forget that you saw it.
07:13And let it go.
07:14Laura, I can't.
07:16I can't lie about this.
07:18I came here to tell you that I'm going to take the footage to the police.
07:24Please.
07:25No.
07:25No.
07:26No.
07:26There's no other way.
07:28I've made up my mind.
07:36Okay.
07:38This is...
07:39Just hold on.
08:03Has... has anyone else seen the footage?
08:07No one else but me.
08:09I wanted to tell you first before I went to the police.
08:13I owe you that.
08:16I think you should tell Arthur. Tonight.
08:19I think he would want to hear it from you.
08:22Before all this comes out.
08:25Max.
08:27You're right.
08:30All of this is right.
08:32And now that I have accepted it,
08:35it's like a weight has been lifted from my shoulders.
08:39Thank you for being strong for both of us.
08:47I-I can't feel my hands.
08:50What did you do?
08:54It's already in your system.
08:56In-in a few minutes your heart will start to slow.
08:59It will be painless, just like falling asleep.
09:06Max, there's nothing that you can do. Just let it happen.
09:10You're insane.
09:13The footage is locked on my drive, Laura.
09:18You can't get to it.
09:20I have all of your passwords.
09:23I'll delete the file and burn the original film.
09:27This is everything, Max.
09:29This is everything that is mine.
09:31And I-I can't let you take it.
09:39Max!
09:41Max!
09:42You understand?
09:43I know you do!
09:49You would do the same thing!
09:52Look into my eyes, Laura.
09:55Remember this.
10:00Ah!
10:02Oh, God!
10:21Oh, God!
10:48Shit!
10:51Ah!
11:19L.A.M. Archive.
11:21Raul, how you doing? It's Laura.
11:24I need you to pull some film for me and bring it to the house.
11:27It's from the Dragonfish Behind the Scenes shoot in the 80s.
11:31It's reel number 166-3246.
11:38How's the family?
11:57Doing great. Johnny's getting on a roll this semester. How's the shop?
12:01Never better.
12:02That's fantastic.
12:03How's the new job?
12:04Terrific. I like my co-workers. It pays the bills.
12:07That's wonderful.
12:08Sure. It's a bit of an adjustment, but I'm loving married life.
12:12How's it look?
12:13Great. Best cut ever.
12:15Oh, my God. The mountainous volume. The sheer metric tonnage of bullshit in this place.
12:20Every word, I swear to God. I think maybe I'm getting more sensitive or something.
12:25I'm developing an eye twitch. Can you see that?
12:29Yeah.
12:30Yeah. How do you handle it?
12:32It's a boner shop.
12:34Hey, I need you to deliver this to a 52 Cherokee old farmhouse just outside of town. Extra little for you.
12:41What's in it?
12:42What do you think?
12:43Right.
12:44In the case of one-year-old Yamir.
12:45Not the father.
12:46You are not.
12:47Every time.
12:48Not the father.
12:49This is for all the lonely people.
12:53Thinking that life has passed them by.
13:00Don't give up until you drew from the silver.
13:03Hello?
13:04This is for all the lonely people
13:09Thinking that life has passed them by
13:14Don't give up until you
13:19Drew from the silver...
13:21Hello?
13:22And ride that highway in the sky
13:25Hello?
13:27Got a delivery?
13:28Bag of human hair?
13:30Hello?
13:30Hello?
13:33Jesus!
13:34Hey
13:35Oh
13:36Oh, hi
13:39I got your, uh, bag of hair from the, uh, the barbershop
13:43Ah, right
13:45Right
13:47Right, right
13:49Uh, hair
13:52You're welcome
13:54Uh, so, uh, no need for an explanation
14:02I, uh, I'm Charlie, by the way, uh, Charlie Cale
14:07Arthur
14:09Hey, Arthur
14:10So, uh, just leave it, uh, leave it here?
14:16Perfect
14:16Too easy
14:20Too easy
14:20Hey, man, uh, listen, I'm getting the vibe you want to be left alone, and I, I really, I respect that, so I apologize in advance, but
14:31Well, with the hair and the, uh, the monster in the window, consider my interest, Pete, so, uh, what do you do?
14:41Charlie, usually I, I like to talk about what I do, but today I just buried an old friend, so right now all I feel like is getting shit-faced
14:57My eyes not twitching
15:01Uh, which is to say that's the first honest thing I've heard all week
15:07Uh, and I'm sorry for your loss
15:09Hey, listen, I, uh, I don't know what kind of a griever you are, but
15:13If having some company helps, I, uh, I'm in no rush to get back to work
15:21Sit, leave, doesn't matter to me
15:25That blessed honesty, that, gotta say, it's, uh, mana from heaven
15:30That one stung, Arthur
15:43So, when I blew smoke out of it, it was supposed to go out the trunk, and then went out the ass, and it covers the first three rows of people
15:59They split
16:00Everybody else just howled
16:04Ah, love, art, Jesus, you are a cool, cool dude, man
16:18God, and this is a major relief, because with the hair and everything, I thought maybe you were potentially some kind of a serial killer
16:28Well, if I was a serial killer, I wouldn't need hair, I already have hair
16:33Well, you could be a serial killer, of a bolt
16:37Oh
16:37Aha
16:38Should I call you a cab?
16:41I got the cuda, I got the car, so, I'm all set
16:44You're not gonna drive
16:46No, no, to sleep in
16:48You know, there's a cop right up there, and you could crash here tonight
16:52No, it's not scary at all, that's great
16:55Yeah, Jesus, eh? Monsters, monsters, monsters
17:02Wow, wow, holy cow
17:06All this comes from inside your head
17:10I mean, it must be a horror show in there
17:14Hell, you got no idea, kid
17:18Monsters, screams from the void
17:22Void screams?
17:24Yeah
17:25Very heavy
17:26All right, so, I'm standing, and I'm looking, and I'm thinking, and so, feel free to say it's a no-go, but, do you need an assistant?
17:36Now, before you answer that, I should warn you that I only accept cash, and you can feel free to underpay me
17:42Well, why not? Welcome to the house of horrors, Charlie Kale
17:50All right
17:55Mama mia
18:08I'm doing tutorials
18:10Oh, yeah, sorry, I just, I see you working on it all the time, I got curious, so, uh, what's it, uh, what's it gonna be?
18:18I'm calling it the Orpheus Syndrome
18:20Oh, yeah? What's it about?
18:22It's a non-narrative
18:23Oh, uh, you want some of this jelly toast? It's freaking delicious
18:30You bought jelly?
18:31Hmm, no, it's, uh, you have some of it in your fridge
18:35Yeah, well, that's fake blood
18:36Do you know how expensive that stuff is? That costs more than real blood
18:40Arterio-licious
18:44Oh, shit, fuck, I'm sorry
18:48No, no, no, don't worry, I'll take care of that
18:51Yeah, okay
18:51I'm taking this on the film bin
18:53I'm sorry
18:54It's all right
18:55Arthur, I need you to make me one of your maquettes, a max
19:09I need to look into his eyes and beg forgiveness from a ghost
19:13And maybe he'll forgive me, or maybe he won't
19:16Maybe I'm damned to follow him over that cliff
19:19But I need to know
19:21That's why I'm here
19:24You okay?
19:39We got a new job
19:41I'm gonna need you full-time for a few weeks
19:48Hey, I, uh, look, uh
19:50I know this is weird
19:53But, uh, whatever that lady asked you for
19:57Whatever she told you she was here for
20:00She wasn't, okay?
20:02She was lying
20:03I could tell
20:04Oh? Snoop?
20:09Hmm
20:11I, I don't know what lies mean
20:14When you're that deep in grief
20:16She's a friend
20:20I wanna help her
20:22Let's get to work
20:25So, to help your friend
20:30We're building a model of your dead friend's head
20:33Twisted web
20:34So this is Max, huh?
20:37And, uh, what's your name?
20:39Laura?
20:40Those were the good years
20:42The early years
20:43What happened?
20:44Why'd you stop working with them?
20:45Pair of monsters or what?
20:48No, it wasn't that
20:49Well, what was it?
20:54It was my fault
20:55It was supposed to be my big debut as a director
21:00Creature Feature
21:01Black Lagoon style
21:03And we had a terrific young actress
21:07Lily Auburn
21:08She died
21:14On the set
21:15And
21:19It all died that day
21:22Christ, what the fuck?
21:27It was an accident
21:38We were shooting a scene
21:40Where she went underwater
21:42And the sea monster attacked her
21:44We had a big tank set up
21:47With an emergency system
21:49If she had an issue in the tank
21:51She'd hit a button
21:52And this red emergency light bulb would go off
21:56And we'd cut and pull her out
21:59Eyebrows
22:01It was a crazy day
22:04We were running behind
22:06And Lily was having trouble in the tank
22:10She'd go in
22:11And the red light would go on
22:13And we would cut and pull her out
22:16Over and over again
22:19I got frustrated
22:21Everybody was
22:23And then on the last take
22:26Everything went perfect
22:28The sea monster attacked her
22:30She thrashed
22:31She struggled
22:32We got it
22:34So
22:35We were elated
22:37But
22:39She wasn't moving
22:43And when we
22:44Pulled her out of the tank
22:47She was dead
22:52Fuck
22:55Why did she set off the red light bulb?
22:59I don't know
23:00I can't believe
23:03That it was
23:04Because I was frustrated with her
23:06And she didn't want to let me down
23:10But
23:12I do believe that
23:16I believe it
23:23I killed her
23:26So that's why you walked away from all this
23:31You better believe in that
23:33You know
23:36I lost a friend
23:38She was my best friend
23:40Natalie
23:41And
23:43You know
23:44I wonder if I could have saved her
23:46But
23:46I didn't
23:48And
23:49So I walked away too
23:51You know
23:53I keep thinking it's behind me
23:56Right
23:56But then
23:56I keep just like
23:57Playing it back out again
23:59Trying to
23:59Trying to make it right
24:01Trying to change it
24:02I don't know
24:03I mean
24:05Does it ever end?
24:07Do I believe that the dead can forgive us?
24:12No
24:12I don't believe that
24:14Bullshit
24:15What?
24:16I mean
24:17If you didn't think
24:18The dead could forgive us
24:19You wouldn't be making your whole movie
24:21The
24:21The Orpheus Syndrome
24:23I mean
24:24That's what it's all about
24:24Bringing the past back to life
24:26Like a ritual of penitence
24:28Ritual of penitence
24:29Who appointed you Pope?
24:31I was recently anointed
24:32Thank you
24:33I
24:33Come on man
24:35Cut the shit
24:36I mean
24:36You got
24:37Orpheus
24:37Who's
24:38Going through film gates
24:40Into the underworld
24:41Which looks like a water tank
24:42To bring a girl
24:43Back from the dead
24:44The guy's got a movie camera
24:46For a face
24:47The other guy
24:48That cyclops monster
24:49He's got a
24:50Red light bulb
24:51For an eye
24:52I mean
24:52I'm not judging
24:54It's just
24:55You know
24:55It all makes sense
24:56You gotta revisit the past
24:58To get past it
24:59Huh?
25:00Hey
25:01That's true
25:02Hey
25:02Domine
25:04Vamingus
25:05Stingus
25:06I'm gonna make some hot pockets
25:08You want some?
25:10Yeah
25:10Alright Arthur
25:11It's cool
25:16Yeah
25:17Yeah
25:18Huh
25:23L.A.M. Archives?
25:43They still got you in the basement
25:45Huh?
25:48Arthur
25:48I haven't heard your voice
25:50In such a long time
25:51How are you my friend?
25:54I'm fine
25:55I need you to do a favor
25:56I need you to post some footage for me
26:00Real numbers
26:011-6-6-3-2-3-4
26:04Through
26:051-6-6-3-2-4-6
26:08That was everything on April the 12th
26:121989
26:13Are you sure?
26:19That's um
26:20I know
26:22I know
26:23What's wrong there
26:24I'm not supposed to check anything out
26:27But that's okay buddy
26:30Um
26:31Max is digitizing everything for the 40th anniversary
26:36He got through that pile of stuff already
26:38Nobody's gonna miss it
26:40Thank you old friend
26:42I'll bring him over tomorrow
26:44Yeah
26:44Hey I'm Raul
26:59Um
27:00I'm here to deliver some film to Arthur
27:03Is he around?
27:05That's terrific
27:05He's inside
27:06I'm uh
27:07I'm Charlie
27:08His uh
27:08Assistant
27:09And
27:10Head deliverer
27:11You're the head of delivery
27:12No I uh
27:13I deliver heads
27:14Alright
27:16Alright cool
27:17Yeah he's right in there
27:18Okay thank you
27:20I like your car
27:21I like the Honda
27:23It's my mother's car
27:24It's okay
27:25Ah geez
27:33Nice patch of concrete
27:34So much to ask for I guess
27:36Ugh
27:37Ugh
27:41Ugh
27:44Ugh
27:48Ugh
27:51Oh
28:02Ugh
28:02Ugh
28:03That was it. That was it.
28:16Jesus fucking Christ! Are you fucking kidding me?
28:19You can do this. We need you to do this.
28:22Honey, this is what you're being paid for.
28:24This is insane.
28:33Well, I can do this.
28:40This is the king.
28:44I'm not too familiar with your family.
28:50I'm not really good at that.
28:55I have no idea how to do it.
30:03I'm sorry. I don't have it.
30:09What do you mean? It's with the rest of the dragonfish footage.
30:14I don't have any of it. I checked it out.
30:17What the fuck checked it out?
30:19What, are we a lending library? To whom did you check it out?
30:24Sorry, Laura. Arthur has it.
30:28I'm gonna call him right now, and I'm gonna go over there, and I'm gonna go get it for you.
30:39Don't worry about it, Raul. Forget I ever called.
30:42Please, don't be mad at me.
30:44I spent my whole life thinking that I killed that girl.
31:09I'm sorry. If I had thought, I never would have. I never.
31:19I thought she was being... I don't even know. An actress. A silly actress.
31:29And we had put everything into that production. Our houses. All of us.
31:36And we were bleeding money. I shielded you two. You didn't even know how in the hole we were.
31:40Every day we went over.
31:43Arthur, it was an accident.
31:48Raul said that Max had digitized these reels.
31:54Did Max see this?
31:57Did he tell you he saw it?
32:02I am so sorry that you held this for all these years.
32:07But I did, too.
32:11I did it. And I held it.
32:14So you boy geniuses can make your monsters.
32:17And not have to wonder what it all cost.
32:21I was doing the dirty work always for both of you.
32:25And you can pretend that you didn't see it.
32:26But don't you fucking judge me for it.
32:29I move forward. Always forward.
32:32And I am not going to lose what I built.
32:35And you're right that the dead can't forgive me.
32:43But they also can't hurt me.
32:49Laura, let me ask you this.
32:53Did you have anything to do with Max's death?
32:57He jumped right in front of me.
33:02Like he wanted to punish me.
33:06My hand to God.
33:14No one will see this footage.
33:17No one will see this footage.
33:17No one will see this footage.
33:27Arthur, I am so sorry.
33:40Arthur, I am so sorry.
33:40I will see you.
33:57Look at that.
33:57He's願いky.
34:00He's so sorry.
34:00He will see you as well.
34:03He's so sorry.
34:04Christyude is so sorry.
34:05Oh.
34:35Oh, he wouldn't.
34:57Arthur!
34:59Arthur!
35:00Arthur!
35:03Stay calm, ma'am.
35:04The police will be there shortly.
35:05Can I get your name and information?
35:07Would you just send somebody quick, okay?
35:11Please.
35:12Oh, shit.
35:15I'm sorry.
35:17I gotta go, okay?
35:19All right.
35:22What the fuck?
35:34Oh, his heart was always...
35:45He always had trouble with his heart.
35:48I'm just happy he didn't suffer.
35:50I'm calling with a legal question.
35:55L.A.M. funded Arthur's work.
35:57I'm wondering when we can get possession of his workshop.
36:02Well, today, if we can, I'd like to see what's there
36:05and pull some pieces for our 40th anniversary celebration tonight.
36:09As a tribute.
36:10Okay.
36:16Uh-huh.
36:20Uh-huh.
36:23Okay.
36:24We'll work at it and call me back.
36:26Excuse me.
36:46Hi.
36:47May I help you?
36:48I was, uh...
36:50Hi.
36:50Uh...
36:51Laura, right?
36:54I'm Charlie.
36:55I was, uh...
36:57I was Arthur's assistant.
36:59I dropped off the head.
37:00Right.
37:02How may I help you?
37:04Uh...
37:06Gee, this is...
37:07This is sort of weird.
37:09I thought I'd know how to put it when I got here,
37:11but, uh...
37:12It was so sudden, his death.
37:15And, uh...
37:17Well, I'd gotten kind of close to him.
37:19Like, I really cared about the guy.
37:22Anyway.
37:24He never left the house.
37:26Like, literally never went anywhere.
37:30But I think...
37:31Maybe the day he died, he came to see you.
37:36Ah, gosh.
37:37I'm sorry.
37:38You know what?
37:39I feel really intrusive here.
37:40Maybe I shouldn't have come.
37:42I shouldn't have come.
37:43I'm sorry.
37:45Oh, I get it.
37:47It's...
37:47It's all right.
37:50Why don't you come inside?
37:53Thanks.
37:54My mother had a framed, embroidery thing
37:56over a commode growing up
37:57that said,
37:59strange blessings.
38:00And that's what yesterday made me think of.
38:03I didn't expect him,
38:04and he just showed up out of the blue.
38:07And I'm so glad he did,
38:09that I got to say
38:10goodbye to him,
38:12to see him one last time.
38:14Strange blessings.
38:16God.
38:17But he wanted to talk about the past,
38:19about Max,
38:20all of it.
38:22I'm sorry.
38:23And if I'm overstepping, please,
38:26but, uh,
38:27do you feel like in talking
38:28and whatever you guys said,
38:31that maybe he reconciled his guilt?
38:35I don't know what I'm asking.
38:39I...
38:39Maybe I just want to know
38:41if you got some peace in the end.
38:44Peace?
38:46I don't know.
38:48Peace, that's...
38:49that's many different things.
38:51But I-I think...
38:53No.
38:55I know that he was...
38:58He was able to let go of blaming himself
39:01for Lily's death.
39:04Does that help you?
39:05Oh, yeah.
39:08That's...
39:09That's...
39:09That's wow.
39:10That's, uh...
39:12Albatross.
39:13Over here.
39:15I, uh...
39:16Jeez.
39:18Uh...
39:18Thanks.
39:20I...
39:20And look,
39:22I...
39:22I'm sorry to show up
39:24and bother you.
39:25No.
39:26It feels good to give someone else
39:27some comfort.
39:29Arthur gave me that, too,
39:30with his maquettes
39:32and our conversation.
39:34That's great.
39:35Al,
39:36it really did help me.
39:38Yeah, well,
39:39I bet.
39:40I bet.
39:40How could it not?
39:42Oh.
39:44Help me to say goodbye to him
39:46and feel some kind of release
39:47that I wasn't responsible
39:49for Max's death.
39:51I thank you so much
39:53for coming by.
39:54It's really great to meet you.
39:56You take care, Charlie.
40:00Uh...
40:00You said
40:05you weren't
40:06responsible.
40:08What?
40:10I...
40:10Could you repeat
40:11what you said before?
40:12I think my hearing is going.
40:14That I wasn't responsible
40:16for Max's death?
40:18And that, like Arthur
40:19had to let go,
40:20I have to do the same.
40:23Max's death
40:24wasn't my fault.
40:25And Arthur's heart problem
40:27just caught up with him.
40:29Neither were a result
40:30of my actions.
40:31I didn't kill them.
40:36Are you okay?
40:41Yeah.
40:42Well, goodbye, Charlie.
40:44I hope I've given you
40:45some peace.
40:46Yeah.
40:47What?
40:56What?
41:04Hey, hat delivery.
41:06No, she killed both of them, okay?
41:08She basically told me.
41:09I mean, not even basically.
41:10She just told me.
41:10I mean, not directly,
41:11but, you know,
41:12she was lying,
41:13and I could tell she was lying, so...
41:14What is this?
41:14It's a woman's intuition?
41:16No, it's not like
41:17a tampon commercial, okay?
41:18It's a real thing.
41:19It's no big deal,
41:21but I can detect lies.
41:22I...
41:23Wait, what are you doing here?
41:24Oh, Arthur,
41:25he checked out some film,
41:26and then Laura
41:27requested the same reel,
41:28so I'm in some deep shit,
41:31and I gotta get it back.
41:32What?
41:33Yeah, I know.
41:34Weird coincidence.
41:35I mean, nobody's looked
41:36at this stuff for years.
41:38Coincidence, my foot.
41:39Okay, so let me get this straight.
41:41You dropped the film off to Arthur.
41:43I went to drop the head off to Laura.
41:44He was watching the film.
41:46Then, when I got back from Laura's,
41:47he had gone there,
41:48so whatever he saw on that film
41:51made him go to Laura's, yeah?
41:53Okay.
41:55What's on those reels?
41:56It's behind the scenes
41:57of the Dragonfish set
41:58the day Lily died.
42:00Yeah, I thought it was pretty dark.
42:02He wanted to see it,
42:03but he was going through some shit.
42:04Yeah.
42:05You gotta face the past
42:07to get past it.
42:09All right, man.
42:11Well, we gotta watch that stuff.
42:14We gotta see what he saw.
42:15How does this thing work?
42:16Is it like a VCR?
42:18Hold on.
42:19Laptop, please.
42:20Yeah.
42:20Laptop.
42:22Okay.
42:24Okay, here.
42:25Max, we're digitizing
42:26the entire archives.
42:28I think I could get a copy
42:29from our cloud drive.
42:31Double-O face scan, Batman.
42:33Yeah, I know it.
42:35Yeah, security is nuts.
42:37Okay.
42:38Good, good.
42:39Uh, let's, uh,
42:40let's start with this one,
42:41246.
42:42246.
42:42Okay.
42:43246.
42:45That's weird.
42:46The files showed up
42:47for the real 245 and 247,
42:49but no 246.
42:51Max.
42:53What?
42:54So, if Max had this
42:56on his files,
42:57you'd need his face, right?
42:58Okay, so Laura
42:59used the maquette
43:00to access the files
43:01and, uh,
43:02delete it.
43:03She what?
43:05But, but, but,
43:06wait a second.
43:09We have the original film.
43:10Oh, God, shit, man.
43:16Arthur was killed
43:16for whatever was
43:17on that real film.
43:18Look, we gotta find it
43:20before it...
43:21All this stuff
43:31goes to L.A.M.,
43:32but back up
43:34the loose film separately.
43:36I'll take care
43:36of that myself.
43:37I want every bit of film.
43:39Don't leave
43:40a scrap behind.
43:42You got it.
43:45All right.
43:47Whoever you are,
43:48come out, come out.
43:50I can smell
43:51your hot pockets.
43:54Come on, fanboy.
43:56Out!
43:59Raoul.
44:02What's that?
44:04You tell me.
44:07Arthur brought
44:08that reel of film
44:09to my house
44:10last night
44:11and burned it.
44:13Chill.
44:14Shit.
44:15He burned it.
44:16It was all destroyed.
44:19Bullshit.
44:19And I don't know
44:20what you think
44:21is going on here,
44:22but this
44:23is over.
44:25So go get back
44:26in your fucking basement.
44:28hurry up!
44:40Hurry up!
44:40Hurry up!
44:42What are you looking for?
44:44I want every last piece
44:45of it.
44:47Don't miss a single
44:48loose scrap of film.
44:49I want it all backed up.
44:50It's going to me.
44:52He's placed it out.
44:53I'll take the Medusa
45:06headbands.
45:07Get up with that.
45:10There it is.
45:15That's great.
45:27I also want to have
45:30a tribute
45:31to Arthur tonight.
45:33all the maquettes
45:35from his workshop,
45:36from my home,
45:37from the office.
45:37I want a whole room
45:39dedicated to him
45:40and to the film
45:42that he never got to finish.
45:44Well, I'll be there
45:45in an hour.
45:46Get it done.
45:47This evening
45:48is going to belong
45:49to Arthur and Max.
46:09Laura wants all this stuff
46:10up on the second floor.
46:11Okay?
46:12And we don't have much time.
46:13We're already running late.
46:14Why are you carrying it
46:15like a baby?
46:15He's fragile.
46:18Oh, fuck my life.
46:19He's going to be gone
46:20in like five minutes.
46:21He's going to be gone
46:23in like five minutes.
46:23Okay, but I'm speaking
46:24to him a little bit.
46:25Be quiet.
46:29Be quiet.
46:32Eight millimeter.
46:34Thirty-five millimeter
46:35which I particularly
46:37love the most, yeah?
46:39So, pretty much,
46:41uh...
46:43Can you please
46:45hold on a minute?
46:49What's going on?
46:51It's company policy
46:52that nothing leaves
46:53the archives.
46:54You violated that policy,
46:57so I'm afraid
46:57we're going to have
46:58to let you go.
47:00Are you serious, Laura?
47:03It's company policy.
47:05It's me.
47:06Hey, look me
47:08in the eyes, Laura.
47:09Laura, what is wrong
47:11with you?
47:13Security will escort you out.
47:15Um, we have a problem.
47:17There's a horse loose
47:19on the premises?
47:20Where are you,
47:41what you want?
47:42Where are you,
47:43or what you want?
47:45Not here.
47:46Medusa?
47:47No, no, not Medusa.
47:49Shit.
47:55Huh?
47:56Ah, yes!
47:57There it is!
48:00Ah, shit.
48:02Horse!
48:03Who are you?
48:04Oh.
48:05Hi.
48:07Okay, uh...
48:08All right, all right, all right.
48:10I'm sorry,
48:10this thing is not designed
48:11for quick removal.
48:13Escort her off the premises.
48:15And if she steps
48:17one hoof
48:19on this property again,
48:20have her arrested.
48:25Oh, my God, look.
48:27Look, that's the horse
48:28from Caligula's Revenge.
48:30That's so cool.
48:31Amazing.
48:34Charlie?
48:36Well...
48:37Hey.
48:39Okay, I'm not even
48:40going to ask.
48:41Oh, it's my purse.
48:42Ah, listen,
48:42so I found the film.
48:44Okay, check it out.
48:45He spliced part of it out
48:46and then he hit it
48:47in one of his monsters
48:48in the snake hair.
48:50The Medusa
48:50from Cecil Moosh.
48:51Yes, yeah,
48:52the Medusa from that.
48:53Shit, wait.
48:55Is that one of those
48:56sad, you're fired boxes?
48:57Yeah, you know,
48:5840 years, man.
48:59She couldn't even
49:00look me in the eye
49:00when she did it.
49:01Shit, man.
49:02I'm sorry.
49:03That's...
49:03I was sick
49:04of that basement
49:05and I guess
49:06she was a murderer
49:07so time was right.
49:10Hey, uh...
49:11You think your, uh,
49:13key card
49:13is turned off yet?
49:17Thank you, everyone.
49:19We are so glad
49:20that you are here.
49:22Tonight
49:23is bittersweet.
49:25I never expected
49:26to be
49:27celebrating
49:28without
49:29Arthur and Max
49:30by my side.
49:32Okay.
49:33It's now or never, right?
49:34Oh, no,
49:35it's gonna be now.
49:36Okay.
49:36And I knew
49:37that if they were
49:38here tonight
49:39they would be
49:40so happy
49:41by what I have done
49:46to keep
49:47this company
49:47alive.
49:51Or at the very least
49:53they would understand.
49:58I-I hope
49:59that they would
50:00understand
50:01why I did
50:02what I did.
50:06I'm sorry.
50:18I...
50:18It's very funny.
50:26As we look back
50:27on our history
50:28there are so many
50:31moments
50:32to be proud of.
50:34When Lily
50:35died
50:36on the set
50:37of Dragonfish
50:38I thought
50:39it would end us
50:40forever.
50:42But
50:42tonight
50:44we put
50:45the past
50:46behind us
50:47once and for all.
50:51What I mean is
50:53the past
50:54cannot
50:55the past
51:01cannot
51:02hurt us.
51:05I am...
51:06I'm...
51:07This is...
51:08I have to...
51:14just...
51:16play it.
51:19L.A.M.
51:37began as a
51:37humble practical
51:38effects shop
51:39conceived by
51:40three CalArts
51:41animation students
51:43in 1975
51:44Arthur,
51:46Max,
51:47and Laura
51:47founded the company
51:49on one simple
51:50idea
51:51that imagination
51:52could be made
51:54real.
51:58This collective
51:59childhood love
52:00of monsters
52:01is what inspired
52:02them to build
52:03L.A.M.
52:04Throughout the years
52:05this powerful trio
52:07have set the standard
52:08for monster creation.
52:10And in order
52:11to feel real
52:12it has to be
52:13real.
52:15We see
52:15creation of
52:17life from
52:18clay
52:18not only in
52:19the Bible
52:20but in
52:21every ancient
52:22mythology
52:23around the
52:23world.
52:25When I'm in
52:26my studio
52:27I am
52:29bringing
52:30things to
52:30life.
52:34And there's
52:35just no other
52:35feeling.
52:36Stop it!
52:37Shut it off!
52:38You feel like
52:38you're a divine.
52:42shut it off!
52:55Shut it off!
52:59Stop it!
53:01Stop it!
53:02Stop it!
53:02Stop it!
53:03Stop it!
53:04Stop it!
53:05Stop it!
53:06Stop it!
53:07Stop it!
53:08Stop it!
53:09Stop it!
53:10Stop it!
53:11Stop it!
53:12Stop it!
53:13Stop it!
53:14Stop it!
53:15Stop it!
53:16Stop it!
53:17Stop it!
53:18Stop it!
53:19Stop it!
53:20Stop it!
53:21Stop it!
53:22Stop it!
53:23Stop it!
53:24Stop it!
53:25Stop it!
53:26Stop it!
53:27Stop it!
53:28Stop it!
53:29Stop it!
53:30Oh, my God.
54:00Max?
54:06Max?
54:09Max!
54:12Max!
54:14Look into my eyes, Laura.
54:18Remember this.
54:20Now!
54:30...