Approved | 1h 5min | Comedy, Drama, Musical | 31 March 1950 (USA)
Dance-hall owner Dick Lane is in dire need of some big-name acts or he will lose his business. Several country-western stars come to his rescue by agreeing to appear on a TV special to be broadcast from his club.
Director: Will Jason
Writers: Dorothy Raison, A. Robert Nunes
Stars: Spade Cooley, Richard Lane, Barbara Woodell
Dance-hall owner Dick Lane is in dire need of some big-name acts or he will lose his business. Several country-western stars come to his rescue by agreeing to appear on a TV special to be broadcast from his club.
Director: Will Jason
Writers: Dorothy Raison, A. Robert Nunes
Stars: Spade Cooley, Richard Lane, Barbara Woodell
Category
🎥
Short filmTranscript
00:01:00♪
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00:02:05This story begins in 1917,
00:02:07when hobble skirts embobbed hair with a rage.
00:02:10Football's secret weapon was the new forward pass,
00:02:13and everybody was dancing the waltz.
00:02:16Well, that is, almost everybody,
00:02:18for it was the beginning of the jazz era.
00:02:21There were a few, though, who refused to heed
00:02:23the unmistakable signs of the time.
00:02:26Especially was this true of our friends
00:02:28Steve and Mary Byrne.
00:02:31They operated Walsland Ballroom,
00:02:33where three-quarter time still ruled unchallenged.
00:02:36♪
00:02:44♪
00:02:49Thank you very much.
00:02:50I have a very great artist I'd like to present to you
00:02:52right now, my son Donald.
00:02:56♪
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00:04:13Lucky we picked a good day for the picnic.
00:04:16Yeah.
00:04:17I suppose many of our friends will be enlisting.
00:04:20Oh, uh, John, did you remember to bring the beer?
00:04:23Oh, the beer, yeah, oh, sure.
00:04:25And the ice to keep it cold.
00:04:26It's in the car.
00:04:27Wait a minute and I'll give you a hand.
00:04:28Steve Byrne!
00:04:30No one to ask you questions.
00:04:32And you, John.
00:04:34What have you two been doing that you're trying to hide?
00:04:36My band and I have enlisted.
00:04:38We'll leave for camp tomorrow.
00:04:40But why so soon?
00:04:42Those are my orders, Mary.
00:04:45I don't know how we'll ever manage without you, John.
00:04:48We've already engaged another orchestra to take John's place.
00:04:51Sure, and with your daughter Louise to help you,
00:04:53you won't have any trouble with the ballroom.
00:04:55Oh, we won't need Louise to help, will we, Steve?
00:04:59Oh, Mary.
00:05:01Mary, I...
00:05:04I've enlisted, too.
00:05:05In fact, I report the same time John does.
00:05:09The both of you go in.
00:05:12How are the fish biting, Donald?
00:05:14Those fish are biting.
00:05:15They're biting each other.
00:05:16Ha, ha, ha, ha, ha.
00:05:19How are the fish biting, Donald?
00:05:21Those fish are biting.
00:05:22They're biting each other.
00:05:24Ha, ha, ha, ha, ha.
00:05:26♪
00:05:56Hold it, boys.
00:05:58Friends, tonight's our last night,
00:06:00so let's make the most of it.
00:06:02A little waltz, boys.
00:06:03Everybody dance.
00:06:06Hold it, boys.
00:06:07Friends, tonight's our last night,
00:06:09so let's make the most of it.
00:06:11A little waltz, boys.
00:06:12Everybody dance.
00:06:35♪
00:07:05♪
00:07:36But why won't they ever come back?
00:07:39I'm afraid you're too young to understand, Donald.
00:07:42But try to be brave, just like your father was.
00:07:46Will you promise me that?
00:07:48I promise.
00:07:49And when I grow up, can I leave the orchestra,
00:07:51just like my father used to?
00:07:53Yes, Donald.
00:07:54But why can't I start now?
00:07:57You have to start growing up first.
00:07:59You'll be going to Texas, Donald,
00:08:01to live with your Aunt Martha.
00:08:05That was your father's wish.
00:08:07♪
00:08:20With the end of the war,
00:08:21ragtime and jazz were the rage.
00:08:23It seemed nobody was waltzing anymore.
00:08:26But Mama Byrne loyally carried on waltzland,
00:08:29a memorial to the kind of music
00:08:31that has been her life.
00:08:33♪
00:08:53I sure wish your grandmother changed her mind
00:08:55about selling waltzland.
00:08:56I'm afraid she won't, Bill.
00:08:58Besides, I think it's better that she comes east with me.
00:09:00I'll be able to watch out for her that way.
00:09:03Are you still going to take that job,
00:09:04singing with a band?
00:09:05Mm-hmm.
00:09:07Well, now, if I don't,
00:09:08how is the public ever going to find out about your songs?
00:09:11But please don't tell Grandma.
00:09:14Hello, Mama.
00:09:15Looking for us?
00:09:17My granddaughter's been here for two weeks,
00:09:19and I've seen her for exactly two hours.
00:09:21I'm sorry, Grandma,
00:09:22but it's such a beautiful day for fishing.
00:09:25Oh, it is, eh?
00:09:26And what has he fished out of you so far?
00:09:29Come on in and have lunch with your old grandmother.
00:09:31I'll come out again and fish some more.
00:09:34See you later, Bill.
00:09:36♪
00:09:54I've got him.
00:09:55I've got him.
00:09:56Oops.
00:09:57Better get a gap hook.
00:09:58Ha, ha, ha, ha, ha, ha.
00:10:00Young man, I don't appreciate your sense of humor.
00:10:02Well, now, Colonel,
00:10:03I just wanted to let the fish know
00:10:04that you're still alive up here.
00:10:06Well, I'd suggest you find some better way
00:10:07to satisfy your charitable impulses.
00:10:10I'll be going, prankster.
00:10:12I'd like to continue my reverie here.
00:10:14Okay, but I thought maybe you'd like to join me
00:10:16in a hamburger on the house.
00:10:18Well, now, son,
00:10:19I ain't never been a fellow to hold a grudge.
00:10:21I'd be mighty proud to break bread with you all.
00:10:24Magnetoria.
00:10:26Say, how's the songwriting coming, son?
00:10:29Just fine, Colonel.
00:10:30Hey, hey, toast that bun
00:10:31and put plenty of butter on it.
00:10:33Been writing any new ones lately?
00:10:35Yeah, I've got one.
00:10:36Hey, take a piece of that cheese
00:10:37and slip it in there
00:10:38to disguise the taste of that monkey, will you?
00:10:40Looks like you sure fell
00:10:41for that pretty young granddaughter
00:10:42of Mama Burns, didn't you?
00:10:43Oh, she's a...
00:10:44Say, here's another thing, boy.
00:10:45Take a piece of that lettuce
00:10:46and put it on there
00:10:47with plenty, plenty of that relish there, will you, son?
00:10:50That's the right smart-looking fellow
00:10:51to put a little butter on it.
00:10:53That's the right smart-looking fellow
00:10:54at that age.
00:10:55Coffee?
00:10:56Yes, with extra cream, son, extra cream.
00:10:58That disguises the taste of the coffee there.
00:11:01There.
00:11:04Beautiful, isn't she?
00:11:06Better, considering she comes from an old cow.
00:11:08Now, look here, Colonel,
00:11:09just what do you mean...
00:11:10Just a moment.
00:11:11The implication is
00:11:12that I'm not used to just ordinary hamburger.
00:11:14Sirloin for my loins every time.
00:11:16I'm sorry, Colonel.
00:11:17I was referring to Jenny,
00:11:18Mama Burns' granddaughter.
00:11:19Young lady gonna visit long here?
00:11:21No, she's going back east.
00:11:22Gonna take Mama Burn back with her.
00:11:24Mama Burn wouldn't leave here.
00:11:26She will when she sells Waltzland.
00:11:29I'm gonna miss her.
00:11:30Mama Burns helped most everybody on this pier,
00:11:32including me.
00:11:33One time I had to run in with the law.
00:11:35Nothing serious, mind you.
00:11:36As soon as the law realized who I was,
00:11:38everything was all right.
00:11:40And who were you?
00:11:42Young man like most folks around here,
00:11:44you laboring under a misapprehension
00:11:45because I choose to fish all day.
00:11:47You like to call me a lazy loafer,
00:11:48but I want you to know this in return.
00:11:50I was a big man in Kentucky before I retired.
00:11:53Hi there, everyone.
00:11:54This is George Sanders again
00:11:55with some of your favorite records.
00:11:57In fact, here's one
00:11:58that I've been getting a lot of requests for.
00:12:00It's Spade Cooley's great recording
00:12:02of a tune titled, Wake Up, Susan.
00:12:04But first, here's a bit of mighty interesting news
00:12:06concerning our fiddlin' friend.
00:12:08Yes, the King of Western Swing
00:12:10has signed a contract to star in a motion picture.
00:12:12That's right, he's going to star in a motion picture.
00:12:14And according to the latest reports,
00:12:16he's mighty busy soaking up some of our record.
00:12:19Soaking up some of our special brand of California sunshine
00:12:22before making the picture, of course.
00:12:24But now, enough of this chitter-chatter.
00:12:26Let's make with the music.
00:12:27So take a listen to Spade Cooley,
00:12:29the King of Western Swing, as he plays Wake Up, Susan.
00:12:40What a fan.
00:12:41If Mama Byrne could hire that outfit,
00:12:43she wouldn't have to sell Walt's land.
00:12:44Well, now, son, if that's all she needs,
00:12:46why don't you hire this Spade Cooley?
00:12:47Just like that, huh?
00:12:49What will we pay him with, hamburgers?
00:12:51Well, if money's all she needs, son,
00:12:53you are looking at the main entrance to Fort Knox.
00:12:56Ha, ha, ha, ha!
00:12:58What's so funny?
00:13:00This young hamburger chap, he just insulted me.
00:13:02And for that, sir,
00:13:04I refuse to be your guest.
00:13:06Oh, I'm sorry, Colonel.
00:13:08I accept your apology.
00:13:09But the idea of you owning a gold mine struck me as funny.
00:13:12Now, I didn't say I owned a gold mine.
00:13:14I simply said this, that if Mama Byrne wants to keep Walt's land going,
00:13:16I'd be willing to invest money in the project.
00:13:18Now, is that so fantastic?
00:13:19Well, it is a little hard to believe.
00:13:21I mean, you know...
00:13:22Clothes don't make the man, my dear.
00:13:23It's what's in them, among other things.
00:13:26And there's more where that comes from.
00:13:29What did you do, rob a bank?
00:13:31Now, for that, son, you ought to be horse-whipped,
00:13:33and I know just the horse that can do it.
00:13:35Come on, now, let's get this project going.
00:13:37But, Colonel, I don't think Grandma will go for this.
00:13:39For one thing, she'll probably object
00:13:41to the idea of Spade Cooley's band.
00:13:43Why, he's got a wonderful aggregation.
00:13:45I know, but one of the reasons Walt's land is going
00:13:48has died on the vine is Mama's notion
00:13:50that modern music is no good.
00:13:52And that's one reason I don't dare tell her
00:13:54I'm going east to sing with a band.
00:13:56Well, now, honey, we just won't mention Spade Cooley
00:13:58till after we've engaged him.
00:13:59You mean if we engage him.
00:14:01Now, you just leave that to me.
00:14:03When Colonel Ed Harrison sets out to do something,
00:14:06he does it.
00:14:18Good morning, sir.
00:14:19Good.
00:14:20No casting today.
00:14:21Casting?
00:14:22You fish in here?
00:14:23Must have artificial lake.
00:14:24I'll have to try it sometime.
00:14:26Who do you want to see?
00:14:27Spade Cooley.
00:14:28Spade Cooley.
00:14:29Have you got a pass?
00:14:30Well...
00:14:31No, sir, I ain't got no pass.
00:14:32But I guess I'll just have to buy a ticket.
00:14:34Nobody gets in here without a pass
00:14:36unless they have authorized business.
00:14:38Authorized business.
00:14:39That's right.
00:14:40Well...
00:14:41Well, let's go.
00:14:42Let's go.
00:14:43Let's go.
00:14:44Let's go.
00:14:45Let's go.
00:14:46Let's go.
00:15:16Let's go.
00:15:46Let's go.
00:16:17Take ten, boys.
00:16:24That was swell, Spade.
00:16:25Thank you, honey.
00:16:26Hiya, fellas.
00:16:27Hiya, Spade.
00:16:28Hiya, Spade.
00:16:29Virginia, you know Roddy McDowell?
00:16:30I sure do.
00:16:31Russ Hayden.
00:16:32How do you do?
00:16:33Jimmy Ellison.
00:16:34How do you do?
00:16:35Miss McPherson's from United Press.
00:16:36Yeah.
00:16:37Hey, Roddy, I caught your disc show,
00:16:38and it's certainly fine.
00:16:39Thanks for plugging my records.
00:16:40Oh, it's a pleasure, Spade.
00:16:41Are you a disc jockey, too?
00:16:42Yes, and I have a lot of fun doing it, too.
00:16:44I'll have to listen to you sometime.
00:16:46If you would, I'm on every day, KMTC.
00:16:48And what are you two made up for?
00:16:50Why, Spade, we're doing a series of westerns right here.
00:16:52Yeah, called the Four Star Series.
00:16:54And good, too.
00:16:55I caught one of your previews.
00:16:56And for your information,
00:16:57it's Shamrock Ellison and Lucky Hayden.
00:16:59Shamrock Ellison and Lucky Hayden?
00:17:02I knew these two back in Texas,
00:17:03but we didn't call them Shamrock and Lucky.
00:17:05I can guarantee that.
00:17:09I'm Mr. George's manager.
00:17:11Oh, okay.
00:17:13I'm Mr. George's agent.
00:17:14All right.
00:17:15I'm Mr. George's publicity man.
00:17:16Yes, sir.
00:17:19I'm Mr. George, I'm...
00:17:20You're Mr. George?
00:17:21Well, sure I am.
00:17:22If you're Mr. George, where's all your hair?
00:17:25Well, I used to wear it a little fuller, but I...
00:17:27Good morning, Mr. George.
00:17:38So this is the picture business.
00:17:40Yep.
00:17:46Good morning, my dear.
00:17:47Thanks for the lift, Ms. Jurgens.
00:17:53I'm in charge of all baggage here.
00:17:59Ms. Jurgens, me.
00:18:11I'm in charge of all baggage here.
00:18:16Say, Spade, there's one thing you've got to watch out for
00:18:18in this town, and that's phonies.
00:18:20Yes, the town's full of them.
00:18:21They even come out of the walls.
00:18:23Oh, I don't think they're any worse here
00:18:24than they are anyplace else.
00:18:25Well, maybe not, but here they come more expensive.
00:18:27You boys are liable to scare Spade right out of town.
00:18:30I scare pretty easy, too.
00:18:32Well, thanks for the story, Spade.
00:18:33I have to go now.
00:18:34I'll see you to your car, Virginia.
00:18:35Why don't we both see you to the car?
00:18:36Okay.
00:18:37Bye.
00:18:38Thanks a lot, Virginia.
00:18:39Bye, boys.
00:18:40Bye, Spade.
00:18:41Like I was saying, Spade, watch out for those phonies.
00:19:15that night on the panhandle why don't you sit down well thank you Spade I got news
00:19:20for you Mr I'm not Spade Cooley you are not. Gunny you look enough like him to be
00:19:27his brother but I don't know about that what do you think Spade.
00:19:36I'm going to have to get over this habit of going around out my glasses on you know
00:19:40I represent
00:19:40the finest ballroom on the Pacific Coast Mr Cooley you are Mr Cooley and that's
00:19:45right well I'm here to engage you and your orchestra to play in my ballroom we open
00:19:49up next Saturday Colonel you may open next Saturday night but not with my band I'm
00:19:53here to make
00:19:53a picture and that's all. That's all. Maybe a couple of television shows.
00:20:02Television. Well now in that case I'm prepared to hire you for
00:20:06a television show what show on what station. You're going to have
00:20:12a station. It's customary. You'll hear from me son you'll hear from me.
00:20:21That character is
00:20:21a phony if I ever saw one that phone is
00:20:24a character if I ever saw one.
00:20:26That.
00:20:32How do you. Know Mr Landon I'm going to be brief. You have
00:20:37a television station I have
00:20:38an orchestra you don't look like a musician well now what I really meant to say is I
00:20:42represent an orchestra Spade Cooley now how do you like to have him on your
00:20:46television station you can deliver Spade Cooley from Walsland finest ballroom on
00:20:51the West Coast don't know that I ever heard of
00:20:53a Walsland now that's understandable because we've been doing much advertising
00:20:56lately but we open it up big next week changing the name from Walsland to Santa
00:21:00Monica ballroom open right up with Spade Cooley and
00:21:03a big show sounds interesting who's your sponsor. Sponsor.
00:21:09Yes your advertiser to pay for the airtime the show and so forth there's somebody
00:21:13have to pay for that. Of course.
00:21:17You will hear from me. Good day to.
00:21:30You realize what I'm offering you Spade Cooley the king of Western swing a great
00:21:35big show why you draw the biggest television audience ever possible and you'll
00:21:39display one of our new models right on the floor models or don't you think it'd be
00:21:43better if you displayed one of your automobiles Oh I know what you mean yes
00:21:47sir we'll put it right smack in the middle of the floor I'll have the contract
00:21:51drawn immediately well here have a cigar finest Havana Yes sir thank you very much.
00:21:57Yes it's just like I told you I've got a spot well currently you certainly move
00:22:01fast I'll have the contracts drawn up immediately well thank you goodbye sir.
00:22:08Goodbye.
00:22:13I spayed I said. Take ten boys. What do you think and I thought we do room full of
00:22:20roses we haven't done it for quite
00:22:21a while you couldn't have picked a better to.
00:22:23Get.
00:22:35Well Mr Cooley I'm ready to talk business now I'm sorry I don't have time to talk
00:22:39you know I'm rehearsing but I got everything all set I've got the sons of the
00:22:43pioneers here I'm trying to listen to them please I'm awfully sorry I don't have
00:22:46time.
00:22:54If I said.
00:22:59For every time.
00:23:02You made me.
00:23:16And if I said.
00:23:22For every time.
00:23:28You.
00:23:32For all.
00:23:39If you took the.
00:23:44And you told them all.
00:23:50You'd be tearing.
00:23:57The way you.
00:24:02If some day you're feeling blue and you could send some roses to I don't want to
00:24:16fall.
00:24:27No I just want my.
00:24:33I'm.
00:24:45I'm going to say I'm going to do it who do you say they were sons of the pioneers
00:24:50well I'm not buying their family certainly raised some talented sons and we could
00:24:54use them in our television show our television show it's there once a week from
00:24:58the ballroom Saturdays eight thirty to nine thirty now wait a minute colonel I
00:25:01told you I was only interested in my picture well you said you'd do a television
00:25:05show we'll just guest appearances no ballrooms I'm awfully sorry colonel but I
00:25:09must get on with my rehearsal now. Sure sure it's cool.
00:25:21I don't think we can do anything with that other numbers paid the arrangement isn't
00:25:24ready well that case might as well break for the day I think I'll take a ride out
00:25:27the Santa Monica Pier and visit an old old friend see you later son OK.
00:25:35Well Colonel you tried your best we'll just have to get another. But I can't help
00:25:41feeling he would have been our good luck charm I think it's a shame imagine
00:25:46a television show from here there's one more burn know we've been trying to get
00:25:49cool we haven't even mentioned getting an orchestra tour she shooed me out of the
00:25:53office an hour ago because she was expecting
00:25:55a visit from an old friend. Donald.
00:26:03You're the image of your father not Donald Martin anymore Mama Donald Cooley better
00:26:08known to the trade is paid to. It's so wonderful to see you but why haven't you
00:26:14been to see me more often in my business Mom you don't stop in one place long
00:26:18enough to say hello come on down I want you to meet my granddaughter you've never
00:26:22seen her. Jenny I want you to meet an old friend of mine this is Donald Martin I
00:26:29mean Donald Cooley Donald this is my granddaughter Donald Cooley you mean
00:26:34spade Cooley don't you and this is Bill Morgan Howdy Bill how do you do you
00:26:39again. Do you know Colonel Harrison Wait a minute Colonel is Walsland the ballroom
00:26:45you've been trying to hire my band for well yes but I didn't know Mama Byrne
00:26:51well why didn't you say so I didn't get
00:26:53a chance well this shows a completely different light on the whole picture of
00:26:57course we'll play for Mama Byrne sure you will why certainly I got it I better
00:27:03get downtown and sign those contracts just a minute I'll have to use your pen and
00:27:08contract is made out in your name.
00:27:13Let's get on with our summary you understand where to paint the entire bill
00:27:17repair everything it needs repair I'll tear out all that stuff in there and
00:27:20build me a stage back in there from up again the wall you understand cover up
00:27:24them posts somehow or another hang a draft behind there to cover up a nice place
00:27:27there for the band to sit you understand that all clear right my estimate stands
00:27:31all right then you better get on with it now Colonel how about a deposit on the
00:27:34work all the work's going to be satisfactory I'm sure you need not give me
00:27:36a deposit well no I meant for you to give me a deposit the company usually insists
00:27:40on a partial payment sort of a bond before the work starts well I could pay for the
00:27:45entire job right now but I prefer not to now do you want this job or don't oh yes
00:27:48of course but I have a cigar finest Havana Oh thank you Colonel hmm that is a good
00:27:53cigar nothing but the best I want you to remember the time element is very
00:27:56important we open here next Saturday and Spade Cooley's television show is going
00:27:59to be broadcast right from here opening night so you better get going.
00:28:16Well I had a lovin' baby and on her I sure was so
00:28:22That gal she done me dirty left me standin' in the cold and I shook
00:28:29I've been shakin' all day
00:28:34And I'll be mighty happy when I don't feel this way
00:28:45Well I came home to my baby, found my little house she sold
00:29:04She done gone home to mama...
00:29:07Howdy Bill. How's it goin' Spade?
00:29:09Oh it's beginnin' to shape up fine. Say that song you gave me Sir Danville.
00:29:12You've got a lot of talent as a songwriter Bill.
00:29:14Oh that one was easy. All I had to do was think of Ginny and the song practically wrote itself.
00:29:18I'm sure glad you like it though.
00:29:20I like it so well I'm gonna feature it in the show.
00:29:22Gee if it's that good maybe somebody will publish it.
00:29:25I wouldn't be at all surprised.
00:29:26Hi Ginny. Hi.
00:29:28Well hi what are you made up for?
00:29:30Well Spade asked me to take part in the show and this is a costume for one of the numbers.
00:29:34What's it gonna be a western number?
00:29:35Now how did you ever guess?
00:29:37Say Ginny I'm sorry I had to change numbers on you but this will fit the show better.
00:29:40Oh all right.
00:29:45Well what's the name of the song?
00:29:47You've Got Me Wrapped Around Your Finger.
00:29:52Really?
00:30:00Oh you've got me wrapped around your finger
00:30:05And I don't know what to do
00:30:10Why don't you stay a while and linger
00:30:15And make all my dreams come true
00:30:20You don't say yes, you don't say no
00:30:23I must confess that I'm mighty low
00:30:25You won my heart right from the start
00:30:28I love no one but you
00:30:30Oh you've got me wrapped around your finger
00:30:34And I don't know what to do
00:30:40Why don't you stay a while and linger
00:30:45And make all my dreams come true
00:30:50You don't say yes, you don't say no
00:30:55I must confess that I'm mighty low
00:31:00You won my heart right from the start
00:31:05I love no one but you
00:31:08I promise to be true
00:31:10Oh you've got me wrapped around your finger
00:31:15And I don't know what to do
00:31:23That was really all right Ginny.
00:31:25What do you mean all right? It was wonderful.
00:31:28See we're almost converting Mama Verne to our kind of music.
00:31:31I'm surprised anybody needs to be converted.
00:31:33But Deep Freezer Diner ought to do it.
00:31:35Tex, that ought to be just the ticket.
00:31:36Mama, you're going to love this one. Ready boys?
00:31:42Now way down south in Carolina
00:31:44Where the sun would scorch a porcupine
00:31:46And a cooling breeze was never known to blow
00:31:48There lived a gal, believe it or not
00:31:50Who was twice as cold as the weather was hot
00:31:52Her boiling point was four degrees below
00:31:54The Romeos all passed her by
00:31:56For her heart was cold as a banker's eye
00:31:58To be left alone was quite okay with her
00:32:00Now a few of the boys from round about
00:32:02Had tried for years to thaw her out
00:32:04But no more luck than a crocodile has fur
00:32:06They call her Deep Freeze Diner
00:32:08From sunny Carolina
00:32:10She's the coldest gal in town
00:32:12She's kept a girlish figure
00:32:14She really looks nice
00:32:16But anything is bound to keep if you keep it on ice
00:32:19She won't cause much confusion
00:32:20By giving a transfusion
00:32:22For the patient nearly froze to death
00:32:24She took a trip to Borneo
00:32:26She started quite a fuss
00:32:28The cannibals shouted, take her back
00:32:30No frozen food for us
00:32:32They call her Deep Freeze Diner
00:32:34From sunny Carolina
00:32:36She's the coldest gal in town
00:32:38They call her Deep Freeze Diner
00:32:40From sunny Carolina
00:32:42She's the coldest gal in town
00:32:44When she's out on parties
00:32:46She's easy to please
00:32:48Why, she'll drink anything you've got
00:32:50Including antifreeze
00:32:52One guy double-crossed her
00:32:54By trying to defrost her
00:32:56For he nearly burnt the building down
00:32:58She gets a lot of plan meal
00:33:00She's the coldest gal for lonesome Eskimos
00:33:02Ah, Deep Freeze Diner
00:33:04From sunny Carolina
00:33:05She's the coldest gal
00:33:07Real frigid gal
00:33:09The coldest gal in town
00:33:13Applause
00:33:17Come on, fellas
00:33:19Come on, kids
00:33:20Stick close together
00:33:21You know what I mean?
00:33:22Wait a minute, excuse me, I want to talk to you
00:33:23Stay together, hey
00:33:24Come up here, will you, just a minute
00:33:25I watched you out there, fella, not bad
00:33:27Real good, swell, fine
00:33:28You know, what's your name?
00:33:29Never mind, who's your manager?
00:33:30Here's my card, huh?
00:33:31See what I mean?
00:33:32If anything happens, I can use you
00:33:33Who's your manager here?
00:33:34Who hires all the acts?
00:33:35Oh, swell, why do you waste my time?
00:33:36Mr. Coley
00:33:37Come here, fellas
00:33:38Kids, come here
00:33:39All right
00:33:40Mr. Coley, your problems are solved right now
00:33:42I have three of the greatest stars
00:33:43You have ever seen or heard
00:33:44These guys are out of this world
00:33:45Three sensational talents
00:33:47Stars of tomorrow
00:33:48Look, I gotta
00:33:49Oh, wait a minute, give me a break, will you?
00:33:50I got great stars in the making for you
00:33:51Let me tell you
00:33:52Get them cheap, too
00:33:53This first gent, this handsome gent
00:33:55Oh, he sings
00:33:56Beautiful ballad voice
00:33:57Pear-shaped tones, you know
00:33:58He sings ballads like
00:34:00I'm walking down memory lane
00:34:02With nothing on my mind
00:34:05Terrific, ain't he?
00:34:06Ain't it terrific?
00:34:07Swell, thanks a lot
00:34:08Very nice, kids
00:34:09Real swell, don't get personal
00:34:10Next
00:34:11This kid, this kid does tricks
00:34:12Real great magician
00:34:13He's like Cardini, Udini
00:34:15Only better
00:34:16Let me show you
00:34:17He does tricks like pick a card, see?
00:34:18Not you
00:34:19Pick a card
00:34:20Uh-huh
00:34:21Now, don't let me see it
00:34:22Now, tear it in half
00:34:23Tear it in quarters
00:34:25Tear it in eight
00:34:28Tear it in sixteens
00:34:29Now, take a number from one to sixteen
00:34:31Got it?
00:34:32Swell
00:34:33Add forty-two to that number
00:34:35Okay
00:34:36Swell
00:34:37Now, divide three into that
00:34:39You got it?
00:34:40Swell
00:34:41Now, is your answer four?
00:34:42No
00:34:43Enough?
00:34:44No
00:34:45Take another card
00:34:46Get out of here
00:34:47I've got a real
00:34:48Wait a minute, Mr. Cooley
00:34:49You gotta be real now
00:34:50Give me a break
00:34:51You listen this far
00:34:52Will you give me a break?
00:34:53One more guy
00:34:54This guy is out of this
00:34:55What happened to him?
00:34:56He's drinking
00:34:57This fella is a dramatic actor
00:34:59You know, one of those really highly dramatic actors
00:35:01He specializes in
00:35:04He came with me
00:35:05He specializes in love scenes
00:35:07You know, real romantic scenes
00:35:08Things like
00:35:09Oh, darling
00:35:10Don't move
00:35:11I want to see you as you are
00:35:12Don't move, darling
00:35:13So I can remember you as you've been
00:35:14Don't
00:35:15You moved
00:35:16This thing
00:35:17Swell
00:35:18Next
00:35:19Now, wait, wait
00:35:21Now, wait
00:35:22I've got a rehearsal to do
00:35:23I'm sorry
00:35:24Nothing happens?
00:35:25Nothing happens
00:35:26Well, look, Mr. Cooley
00:35:27Will you do this?
00:35:28If anything does turn up
00:35:29Will you call me here?
00:35:30Main 2356
00:35:31The phone's in the pool room
00:35:32But they'll call me, you know
00:35:33Okay
00:35:34Thanks a lot
00:35:35Yeah, I'll do that
00:35:36Swell
00:35:37Talent
00:35:38Come on
00:35:39So this is the new show business
00:35:41Well, if you want me to finish that dress
00:35:43You better come and let me measure the hem
00:35:46I'll see you later
00:35:47Bill, take over
00:35:48I want to catch this act from out front
00:35:55© BF-WATCH TV 2021
00:36:25© BF-WATCH TV 2021
00:36:56Shh
00:36:58Shh
00:36:59I'm sorry, but I told you yesterday, Mrs. Whatever-Your-Name-Is
00:37:02That we couldn't use your type talent
00:37:04But, Mr. Cooley
00:37:05I'm going to give you just one more chance to hire me
00:37:08We've got all the singers we need
00:37:09But, Mr. Cooley
00:37:10Mr. Cooley
00:37:11Mr. Cooley's awfully busy
00:37:12I'll let you and I just walk
00:37:15Colonel Harrison
00:37:16Yes, sir, what is it?
00:37:17I must have a word with you, Colonel
00:37:19You had your word
00:37:20Now, good day, sir
00:37:21I've tried to find you all week
00:37:22You've been dodging
00:37:23Well, whereas you've been elsewhere
00:37:24I must ask you for a check, Colonel
00:37:26Well, I told you I'd pay you when the job was finished
00:37:28Now, my word is my bond
00:37:29The job's been finished for two days
00:37:31Oh, well, it has, huh?
00:37:33Well, why wasn't I notified?
00:37:35I'm a man that likes to pay my bills on time
00:37:37Now, you see me tomorrow
00:37:38Tomorrow's Sunday
00:37:39Tomorrow's Sunday? Oh, it is
00:37:40Well, then, see me Monday
00:37:41Colonel
00:37:42Unless I have my money right here and now
00:37:44I'll see that you don't open tonight
00:37:46Don't open tonight, huh?
00:37:47Well
00:37:48How much is the bill?
00:37:49$3,480.62
00:37:53Well, uh
00:37:55I don't think I've got that cash on me just now
00:37:57Well, I'll take a check
00:37:59Check, huh?
00:38:00A check
00:38:01Well, let me see
00:38:03I don't reckon I brought my checkbook with me
00:38:05Yes, well, I've got a countercheck right here
00:38:07Oh, yes
00:38:08Countercheck, is that legal?
00:38:09Just fill it in
00:38:10Of course it is
00:38:11Yeah, it's legal
00:38:12Well, uh
00:38:13No fountain pen, I'm sorry
00:38:14Oh, well, here, I've got one
00:38:15Oh, you have
00:38:17It's one of them pens that writes under pressure, huh?
00:38:20That's right
00:38:22There's no winky in it
00:38:24No, I'm sorry
00:38:25No, no, no, here, Colonel
00:38:26I'm sure this one is all right
00:38:28There
00:38:29You're well prepared, ain't you, sir?
00:38:31That's right
00:38:36Thank you, Colonel Harrison
00:38:37Thank you very much
00:38:38And good luck to you
00:38:51Thank you
00:39:21Oh, so you just happened to write in the wrong bank, eh?
00:39:33Well, it just happens that I'm going to get out a warrant for your arrest, you phony
00:39:37Well, now, now, my dear sir
00:39:39Ain't no use of you taking that kind of drastic action
00:39:41I'd be very happy and willing to write you a new check on the right bank
00:39:44Well, you don't give me any more of your checks
00:39:46I want my money in cash and I want it now
00:39:49Well, very well, sir
00:39:50You shall have your money in cash
00:39:53Hey, but wait now
00:39:54This here is Saturday and the banks will be closed
00:39:56So I reckon you'll just have to wait until Monday, huh?
00:39:58Give you a chance to skip town?
00:40:00Nothing doing
00:40:01I'm coming over there right now and I want my money or you don't open tonight
00:40:06Oh
00:40:10You mean to say you gave him a bum check?
00:40:12He had me cornered, son
00:40:14Demanded payment or else
00:40:16But what about that big bank roll you had?
00:40:18Did you spend it?
00:40:19Son, much as I regret it, you just can't spend Confederate money anymore
00:40:24Why, it is Confederate
00:40:26That's right
00:40:27I tried to bluff it through
00:40:28It meant so much to Mama Byrne and everybody
00:40:31You don't know how much it meant
00:40:33Gone if only that check hadn't bounced until Monday
00:40:36But it did bounce and we are in trouble
00:40:38Say, maybe Spade Cooley could lend us some money, huh?
00:40:41No, we don't want him to know anything about this
00:40:43It'll be bad enough if we can't pay his men
00:40:45And we definitely must keep it from Mama Byrne
00:40:48It would break her heart
00:40:50Boy, that sure is a beauty
00:40:54The only way I could ever get a car like this would be to win it in a raffle
00:40:58Say that again, son?
00:40:59Say what again?
00:41:00Never mind
00:41:05Boy, our troubles are over
00:41:06What are you talking about?
00:41:07We gotta raise money enough to cover my check without touching admission receipts, right?
00:41:10Right
00:41:11All right, so we hold a raffle
00:41:12What do we raffle? Your bum check?
00:41:14Of course not. This automobile right here
00:41:16But we don't own it. It's just here for display
00:41:18Mere trifle, son. A mere trifle
00:41:20We could sell enough tickets to cover the price of this car in addition to covering my check
00:41:23I don't know, Colonel. Somebody could make trouble for us
00:41:26Listen, son, if this don't work, the only one who'll ever make me any trouble will be the warden
00:41:31Come on, son
00:41:45Well, now you take care of that
00:41:47And mind what I told you. No passes for tonight
00:41:49Okay, Colonel
00:41:51Hey, Colonel
00:41:52Well
00:41:53Say, those are pretty fancy outfits you got for the boys
00:41:55Well, sir, Colonel Harrison spells class
00:41:57Nothing but the best, I say. Nothing but the best
00:41:59Must have set you back plenty, too
00:42:00Mere trifle, my boy. A mere trifle
00:42:02Oh, by the way, we're having a raffle right in the middle of the TV show tonight
00:42:06What's being raffled?
00:42:07That automobile
00:42:08You know, Colonel, I've gotta hand it to you
00:42:11You know, I owe you an apology, I believe
00:42:13Apology? Why, sir?
00:42:14Well, for a while I thought you were strictly a phony
00:42:16Good, well
00:42:17Can you imagine that?
00:42:18Yeah, well, let's just imagine it
00:42:20I'm gonna get them front doors open
00:42:24I'm the contractor for all this work around here. This is the deputy sheriff
00:42:27Oh, well, just a moment, you
00:42:29Oh, me?
00:42:30Yes, you
00:42:31Well, this is the deputy sheriff
00:42:32I'm sorry, we don't need any help
00:42:33I've got a restraining order here
00:42:35A restraining order?
00:42:36You can't open these doors tonight until this claim has been satisfied
00:42:38Oh?
00:42:39And Deputy Sheriff Nunes is here to enforce that order
00:42:41Well, now, how do you expect me to pay you if you ain't gonna let me open?
00:42:44Well, that's your problem
00:42:45Either you pay up or you stay closed up
00:42:47Just like that, huh?
00:42:50Well
00:42:51Mr. Smith, you win
00:42:53Come on with me to the office and I'll take care of it
00:42:55Very well
00:42:57Now, this here is my private office
00:42:59I like it private because I've got plenty of money in that safe, you know, you see
00:43:03Hang it up, won't you? Step right in
00:43:07Hey, Colonel! Colonel, what's the idea?
00:43:09Open up this door, will you?
00:43:13Well, now, Mr. Murray, what a surprise
00:43:15Imagine seeing you here
00:43:16Surprise? I want the money for my costumes
00:43:18The money for co...
00:43:19You mean to say I didn't send you a check?
00:43:21Now, you know darn well you didn't
00:43:23Well, that was a pure oversight, Mr. Murray, pure oversight
00:43:25I'll have your money for you first thing in the morning
00:43:27All right, then I'll take the costumes now
00:43:29And you bring the money, you can have them
00:43:31But, Mr. Murray
00:43:32No buts
00:43:33Now, wait a minute, Mr. Murray
00:43:34You look like a reasonable sort of a man
00:43:36Here, have a cigar
00:43:38That's pure finest hibana
00:43:40Now, I'll tell you what you do
00:43:41You just go on and amuse yourself around the premises here
00:43:43In one hour, I guarantee I'll have your money for you
00:43:45You ever send them
00:43:46All right, I'll wait
00:43:47But only on one condition
00:43:48Yeah?
00:43:49You know, my wife is crazy to get on the television
00:43:51She is?
00:43:52Now, she hounds me all day long
00:43:54If you could put her on the show tonight, we could make a deal
00:43:57It's a deal
00:43:58Where is she?
00:43:59Outside the door
00:44:00I was afraid of that
00:44:01Bring her in
00:44:02Come on in, darling
00:44:05How do you do, ma'am?
00:44:06Will I be on first?
00:44:08Well, now I can't rightly say that
00:44:09Now just let me see
00:44:10What kind of act do you do?
00:44:14Copying
00:44:16Copying
00:44:17Copying
00:44:18Copying
00:44:19Copying
00:44:20Copying
00:44:21Copying
00:44:22Copying
00:44:23Copying
00:44:24Copying
00:44:25Copying
00:44:26Copying
00:44:27Copying
00:44:28Copying
00:44:29Copying
00:44:30Copying
00:44:31Shh! We're right next to the stage. Folks might be rehearsing.
00:44:43Let me out! I want my money! I want out of this room!
00:44:46I'm going to kill him!
00:45:02Where have you been, Colonel?
00:45:03Son, I've been looking for you. Here, get these tickets.
00:45:05Get busy selling them tickets here.
00:45:06Come on, friends. I got just what you want.
00:45:08Tickets on the new automobile here. Here you are, ma'am.
00:45:10There's your tickets. Come on, folks. Step right up here.
00:45:12Now get your tickets on this new automobile.
00:45:14Raffle. Raffling off the car.
00:45:16Tickets. Here we go.
00:45:18Yeah. Oh, that's fine.
00:45:20Here we go. Help yourself.
00:45:21Thank you. I've got the money.
00:45:22Now you've got the tickets.
00:45:23Tickets on the new automobile.
00:45:25There's your ticket, son.
00:45:26One for each of my clients. Three of them.
00:45:28That's three for you.
00:45:30All right, boys. Let's get it up. Let's get it up there.
00:45:32Let's not give them away.
00:45:33It's not Santa Claus, you know, because of the thing here.
00:45:35One, two, three.
00:45:37I hope you win. I hope everybody wins.
00:45:38All right, Tom.
00:45:39Tickets on the new automobile.
00:45:40Here you are.
00:45:51Thank you very much, ladies and gentlemen.
00:45:53Welcome to our first television show.
00:45:55Right now, we'd like to bring a grand act to you.
00:45:57The Taylors.
00:45:58Let's bring them out with a big hand.
00:46:28The Taylors.
00:46:58The Taylors.
00:47:28The Taylors.
00:47:58The Taylors.
00:48:28The Taylors.
00:48:29The Taylors.
00:48:30The Taylors.
00:48:31The Taylors.
00:48:32The Taylors.
00:48:33The Taylors.
00:48:34The Taylors.
00:48:35The Taylors.
00:48:36The Taylors.
00:48:37The Taylors.
00:48:38The Taylors.
00:48:39The Taylors.
00:48:40The Taylors.
00:48:41The Taylors.
00:48:42The Taylors.
00:48:43The Taylors.
00:48:44The Taylors.
00:48:45The Taylors.
00:48:46The Taylors.
00:48:47The Taylors.
00:48:48The Taylors.
00:48:49The Taylors.
00:48:50The Taylors.
00:48:51The Taylors.
00:48:52The Taylors.
00:48:53The Taylors.
00:48:54The Taylors.
00:48:55The Taylors.
00:48:56The Taylors.
00:48:57Tender Harrison, I want to talk to you.
00:49:20Well, hello there, Mr. Landon, nice crowd here.
00:49:22I just learned you're conducting a raffle here tonight?
00:49:24We sure are.
00:49:25Want to buy a ticket?
00:49:26And what's more, I'm going to pull this television show off the air this moment.
00:49:28Why? Why?
00:49:29Why? Don't you know it's against all regulations to conduct any sort of lottery on television?
00:49:33Well, no, I...
00:49:34Where's the nearest phone?
00:49:35I'm going to call the station and have this show taken off the air immediately.
00:49:37Mr. Landon, you can't do...
00:49:40Well, okay. Right this way. Follow me.
00:49:47You'll have to be a little quiet. I got an opera singer rehearsing there in my office.
00:49:51Nice and easy.
00:49:53Colonel Harrison!
00:49:54Are you...
00:49:55Get out of here!
00:49:59Right now, we'd like to introduce a new personality, a new voice,
00:50:02and the lovely lady who has them, Miss Ginny Johnson.
00:50:05Bring her out with a big hand. Ginny, come on out, honey.
00:50:08Welcome to our show, Ginny.
00:50:10Thank you, Spade. It's a pleasure to be here.
00:50:12I suppose you're going to sing Foolish Tears.
00:50:14Well, it's a pleasure to be here.
00:50:16Foolish tears, oh, foolish tears, stop falling.
00:50:23You know you can't bring him back to me.
00:50:30Foolish tears, oh, foolish tears, stop falling.
00:50:35You know you can't bring him back to me.
00:50:42Foolish tears, why do you keep recalling
00:50:48the days in the happy used to be?
00:50:56He never could believe I really loved him.
00:51:03He knows I wasn't true to him.
00:51:09I wasn't true to him before.
00:51:15Foolish tears, why go on thinking of him?
00:51:23You know we're not wanted anymore.
00:51:39Foolish tears, why do you dim my vision?
00:51:59Foolish tears, why do you dim my vision?
00:52:07You're causing my heart to break in two.
00:52:15He's already made his own decision.
00:52:23And no one should know it more than you.
00:52:30Why do you keep reminding me about him?
00:52:38Must I go on remembering through the years?
00:52:45Can't you see we must live on without him?
00:52:53Please help me forget him, foolish tears.
00:53:13How do you like it?
00:53:14Everybody says she has hidden talent.
00:53:16Somebody should organize a searching party to look for her.
00:53:19I wish she'd lay it and get it over with.
00:53:22I tell you, this is what the public wants.
00:53:24They don't deserve it.
00:53:25She could do an awful lot for television.
00:53:27She certainly could.
00:53:28Set it back 50 years.
00:53:30Oh, want to take a chance on a new car?
00:53:32Oh, oh, hello there.
00:53:33Just whose car do you think you're raffling off?
00:53:35Show's going on now.
00:53:36Yours, yours?
00:53:37That is ours, ours, ours.
00:53:39I demand that you stop to stick a sale at once.
00:53:41Now, now, look, look.
00:53:42If you give me just another hour,
00:53:43I'll have plenty of money in so I can buy the car.
00:53:45Nothing doing.
00:53:46You either pay for it now or else.
00:53:47Or else, huh?
00:53:50Well, I got some money in the office safe.
00:53:52Now, if you'll just follow me, sir, we'll...
00:53:58Hey, pay no mind to that.
00:53:59That's one of Mr. Cooley's artists vocalizing in there.
00:54:11Open the door!
00:54:12Let me out!
00:54:13Help!
00:54:21Open the door!
00:54:27Welcome to the torture chamber.
00:54:31What is that?
00:54:33That, sir, is my wife.
00:54:35Your wife?
00:54:36Yes.
00:54:38And what are you, man or a rooster?
00:54:43And right now, a boy of very unusual talent,
00:54:45somebody that you all know, I'm sure,
00:54:47the one and only Chewy Rays.
00:54:50Chewy Rays.
00:55:20Chewy Rays.
00:55:50Chewy Rays.
00:55:51Chewy Rays.
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00:57:47Thank you very much.
00:57:48Chewy Rays.
00:57:49Right now we'd like to introduce a brand new song entitled Oblivious.
00:57:52This number was written especially for our little lady of song Jenny Johnson
00:57:56by the boy she's going to marry, Bill Morgan.
00:57:59Bill doesn't know it yet, but he's going to sing it for you.
00:58:02I'm oblivious to the wind and the rain and the snow,
00:58:29unaffected by the flowers that bloom in May.
00:58:36I'm ignorant of the things that people think of me,
00:58:42absolutely unconcerned with what they say.
00:58:48I'm unconscious of all the traffic, the subways, the noise,
00:58:55but indifferent to all as I appear to be.
00:59:01How quickly I become enthusiastic.
00:59:07Were you oblivious to everything but me?
00:59:16I'm insensible to the news and the views of the world,
00:59:23unexcited by the Dodgers and who they play.
00:59:30Impossible is the word, says my psychiatrist,
00:59:36and he says I'll surely drive him mad one day.
00:59:43When I walk right into a lamppost, I bow and I smile,
00:59:50but as scatterbrained as I must appear to be,
00:59:57you'd see how quickly I'd return to normal.
01:00:03Were you oblivious to everything but me?
01:00:22Come on, let's get out of here. This is driving me nuts.
01:00:25You're crazy. Get out of here!
01:00:27I'd like to introduce to you a group of boys that are known from coast to coast
01:00:30as the aristocrats of the range, my very best friends,
01:00:33the sons of the pioneers, and there they are.
01:00:37I saw the light.
01:00:43And I got the word.
01:00:49I know that it's right.
01:00:55And have you heard?
01:01:01I'm gonna ride.
01:01:07Ride as a cowboy, a campaign team. Ride as a cowboy, a campaign team.
01:01:13Ride on the Golden Range up in the sky.
01:01:15Way up in the sky!
01:01:16Up in the sky!
01:01:17Way up in the sky.
01:01:19Yes, we'll ride.
01:01:20♪ No, that Lou, your brother Yee-suh Lep Gets the sky
01:01:24♪ Now the Buffalo Bill and Sister Lou
01:01:26♪ he's gonna be there like me and you
01:01:29♪ And Käthe Carson, he will too
01:01:32♪ way up in the sky
01:01:33He gonna ride
01:01:34♪ Ride, it's the cowboy grandfather
01:01:36Ride, it's the cowboy grandfather
01:01:38Ride, it's the cowboy grandfather
01:01:40Ride on the golden range up in the sky
01:01:43up in skiiiie
01:01:44Up in the sky
01:01:45up in the sky
01:01:47Yes, we'll ride
01:01:48I don't use all
01:01:49Way up in the sky, way up in the sky, Way up in the sky, way up in the sky,
01:01:56Way up in the sky, way up in the sky, Way up in the sky, way up in the sky,
01:02:03Way up in the sky, way up in the sky, Way up in the sky, way up in the sky,
01:02:10Way up in the sky, way up in the sky, Way up in the sky, way up in the sky,
01:02:17Way up in the sky, way up in the sky, Way up in the sky, way up in the sky,
01:02:26All the way, all the way, Up high, all the way, Way up in the sky,
01:02:53And right now, friends, it is time for the big joy
01:02:55big joy. Colonel Harrison, will you take over? Well, I thank you, Spade. And thank the court.
01:03:09Well, now, let's see. This is a big moment.
01:03:13Now, Mama Byrne, will you draw a ticket from the barrel?
01:03:15Now, will you tell me what is the number on that ticket? The number is 4-2-6-6.
01:03:27Does anybody here have number 4-2-6-6? Sing out.
01:03:32Hey, we got it. Come on, will you? Come on, challenge.
01:03:45Here we are. Let me see here, son. You're exactly right, 4-2-6-6. Congratulations.
01:03:52Thanks a lot. Thanks a lot. Only he's got the number. He's so happy, he's numb.
01:03:56And here are the keys to your dream car. Thank you. Are you happy?
01:04:00Are you happy? Yeah? You're happy? Come on, Locky.
01:04:10Well, how'd we do, boy? Great. Looks like we took in enough money to buy the car and pay all the
01:04:14bills. Well, thank goodness. I sure hated to think of going to jail. You know, I've got a phobia.
01:04:20Can't stand being locked up. Locked up. Holy smoke.
01:04:31I hope they ain't all suffocated in there.
01:04:42And I'll be mighty happy when I don't feel this way.
01:05:00You know, Colonel, I used to think you were nothing but an ordinary faker.
01:05:06Well, ma'am, we all make mistakes. Yes, you're no ordinary faker, Colonel. You're a genius.
01:05:14Well, son, wait a minute there. What you got there?
01:05:16Well, sir, as an agent, I get 10% of anything my client gets.
01:05:30© BF-WATCH TV 2021